- 18 hours ago
The Great Indian Kapil Show - Season 3 - Episode 05: Sardaron ka Swag
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TVTranscript
00:00:09Bhaji, good morning.
00:00:10Good morning, Kapil.
00:00:11Bhaji, I was thinking that it's our third season
00:00:15and you're coming first.
00:00:16So, do you plan a special entry
00:00:20like you're coming to film?
00:00:21It's a very easy entry.
00:00:22I'll do two tanks.
00:00:25A tank? Why?
00:00:26I'm talking about the tank.
00:00:28I'm talking about the army of tanks.
00:00:30That's it.
00:00:31That's what you've done, right?
00:00:33I don't want to take a little bit.
00:00:34Tell me something else, Bhaji.
00:00:36Four horses.
00:00:38This season is going to be going to get horses.
00:00:41But they're busy.
00:00:43They're busy, right?
00:00:44Okay.
00:00:45So, what can they do?
00:00:49Two motorcycles.
00:00:51Why do you come here?
00:00:53Two motorcycles, two horses, two tanks.
00:00:55You've also kept two judges.
00:00:57So, you're coming from them.
00:00:58Yes, that's it.
00:00:59So, what do we do?
00:01:01Something different.
00:01:02Do you work?
00:01:03Yes.
00:01:04Two horses.
00:01:05Yes.
00:01:05This is the best.
00:01:08You've never done it.
00:01:09Never done it.
00:01:09It's a different entry.
00:01:10It's fun to come here, Bhaji.
00:01:12Damn.
00:01:13Two horses.
00:01:13Ajit Devgan.
00:01:14Wow.
00:01:21Come on.
00:01:29Hey.
00:01:31Hey.
00:01:36Hey.
00:01:37Hey.
00:01:38Hey.
00:01:44Good evening and welcome to the Great Indian Couple Show.
00:01:52Shupriya, Shupriya, please, please, Virajman ho jahiyye. Thank you.
00:01:56You're lacking my Lil Bilh Sili Chilli, baby.
00:01:58I love them.
00:01:59But today you've made Prittor Jitok.
00:02:04This is why I'm here in Punjabi guitar.
00:02:06Because today the guest here, they're coming from Punjab.
00:02:08Okay.
00:02:09Who's coming?
00:02:10One, look, Sardar Ji is with you.
00:02:12If Sanof Sardar also comes, how do you feel?
00:02:43Oh, oh, oh, oh, oh.
00:02:48Welcome, welcome, welcome, welcome, welcome, welcome, welcome, ajay sir.
00:02:52Welcome, Mrunnal.
00:02:53Welcome, Ravivya.
00:02:59Ravivya.
00:02:59Ajay sir, Ravivya, Mrunnal, very, very happy.
00:03:02Okay, our third season is a first season.
00:03:06Ajay sir, why are you too late?
00:03:07I'm waiting for this season to come.
00:03:10I'll come back.
00:03:10Oh, come on.
00:03:11Come on, sir.
00:03:13Come on, come on.
00:03:14foreign
00:03:20foreign
00:03:47Yes.
00:03:52I don't know how much it will happen to them.
00:03:58This is an expert, Raviviyah.
00:04:00It doesn't give up their work at night.
00:04:03If the forest goes up,
00:04:04they give up their prathas.
00:04:06So, as they have prepared the grass,
00:04:07when you come here,
00:04:08they say,
00:04:09you will be happy to see the sun of the sun.
00:04:11You will be happy to see the sun of the sun.
00:04:12You will be happy to see the sun of the sun.
00:04:14They don't give up the grass.
00:04:20You will be happy to see the sun of the sun.
00:04:21You will be happy to see the sun.
00:04:23You will be happy to see the sun.
00:04:26Thank you for the sun.
00:04:33This is our old friend.
00:04:34I've also come here a few times.
00:04:36But I,
00:04:38I've never been so long,
00:04:41I've never been so long.
00:04:44You can't like to see the sun.
00:04:48There's no sun.
00:04:49But I'm just a bit like the sun.
00:04:50I mean,
00:04:52You are losing the sun.
00:04:54It's not gonna look like the sun.
00:04:56You are losing the sun.
00:04:59There's no sun.
00:05:01It's not too long,
00:05:04I'm sorry.
00:05:05I'm not gonna see what night was.
00:05:06I'm not gonna see the sun.
00:05:07I can't get back up.
00:05:08I can't get back the sun.
00:05:10to have my eyes.
00:05:11I can't keep up and get back up.
00:05:12To have to go out.
00:05:13People lose weight
00:05:15but if you did so, you would lose weight too.
00:05:18That's right.
00:05:19That's right.
00:05:20Oh, thanks.
00:05:22But, Ravi, I'm so happy for you.
00:05:24Yes.
00:05:24What have you done in La Pata Ladies?
00:05:26Yes, yes.
00:05:27Netflix has said that you should mention it.
00:05:29But it was in Oscar.
00:05:31Wow.
00:05:33What about this?
00:05:34That's right.
00:05:37I was doing this for 34 years.
00:05:40Wow.
00:05:40Yes.
00:05:41Then, I didn't have anything.
00:05:42Then, I got married.
00:05:43I got married in Gorakhpur.
00:05:45Then, I thought,
00:05:46maybe someone will call me acting.
00:05:48But, it's like that.
00:05:50It's different.
00:05:51It's different.
00:05:54It's different.
00:05:54There was a new film.
00:05:55It was a small film.
00:05:57It was a director of Kiran Kher.
00:05:59La Pata Ladies.
00:06:00It was a police officer.
00:06:02They ate food.
00:06:03I ate food.
00:06:05I ate food.
00:06:06I ate food.
00:06:06I ate food.
00:06:07I ate food.
00:06:07I ate food.
00:06:09But you were mind blowing in La Pata Ladies.
00:06:13I know.
00:06:13But Raviyah,
00:06:14you've been so blown away in your career.
00:06:17Look, you've also told Kiran Kher.
00:06:19He said Kiran Kher.
00:06:20He was still alive.
00:06:21But, you know.
00:06:21I was going to say, but I kept quiet.
00:06:24In La Pata Ladies,
00:06:25it was so blown away in La Pata Ladies.
00:06:29we're still doing Dhamal.
00:06:30We're still doing it in La Pata's set.
00:06:32Now, you know,
00:06:33that's a comedy film.
00:06:34It's a very serious film.
00:06:36Yes.
00:06:36Oscar, Oscar.
00:06:38So, there was a comedy too, seriously.
00:06:41I said, it was just a bit open.
00:06:43I didn't open it.
00:06:44It took me half a day.
00:06:45I said, I didn't have to take you seriously.
00:06:48I didn't know what to do.
00:06:49I realized what to do.
00:06:51Actually, we came to Singham.
00:06:54I will be thanks to him that they called me one day.
00:06:56Which was never happened to me in 33 or 34 years.
00:06:59I called him and he said,
00:07:00Ravik, what are you doing?
00:07:02I said,
00:07:02I said, Sanju Baba is going to be Sanjay Dutt.
00:07:05Sanav Sardar,
00:07:07he rejected his visa.
00:07:10You will do it.
00:07:11I was so happy.
00:07:13Sanjay Dutt is a cult man.
00:07:15And at that point,
00:07:17we're going to have our own love.
00:07:20Think about his own money.
00:07:23And we're going to have Sanjay Dutt's role.
00:07:26Unbelievable.
00:07:27It's a big compliment also, Ravik.
00:07:29And a very big role.
00:07:31Hey, brother.
00:07:33You have to know that in the climax,
00:07:35I have a lot of heroes.
00:07:37There's a lot of people in the climax.
00:07:39But in the climax,
00:07:40everyone wants to take their lines.
00:07:42I was standing there.
00:07:43The directors say,
00:07:44Vijay Arora said,
00:07:46Ravik, give me all the lines.
00:07:47Put the camera on Ravik,
00:07:49and the climax on Ravik.
00:07:51And silently, he was standing.
00:07:53You will see the climax of this film.
00:07:55He just kept quiet.
00:07:57He was standing there.
00:07:58And this is not my fault.
00:08:00We fight for lines.
00:08:02Because, Guru, this is the purpose of this.
00:08:04This happens when the man is not insecure.
00:08:06When he knows that he is stuck.
00:08:08And the most important thing is that
00:08:11you are not important.
00:08:12The film is important.
00:08:13The film is important.
00:08:14Superb.
00:08:15Absolutely.
00:08:15You have to do it for the film.
00:08:17Superb.
00:08:18Absolutely.
00:08:18I have to tell a story.
00:08:19I was a very multi-starrer.
00:08:21I was filming a very multi-starrer.
00:08:22I have no name.
00:08:23I have all my friends.
00:08:24And in that,
00:08:24I was a negative villain.
00:08:26I left someone's shooting.
00:08:28And now,
00:08:29I had to kill someone.
00:08:30I had to kill someone in the climax.
00:08:31I had to kill someone.
00:08:32I had to kill someone in the climax.
00:08:33I had to kill someone in the three heroes.
00:08:35Now,
00:08:36I was sitting in Vanity Van.
00:08:38It was in the morning.
00:08:38It was in the evening.
00:08:39It was in the evening.
00:08:40I had to go to another shooting.
00:08:43I asked the AD.
00:08:44I called him.
00:08:44I said,
00:08:45What happened?
00:08:45Why did you call me?
00:08:47He said,
00:08:47That's a strong hero.
00:08:49He said,
00:08:49I'll kill him.
00:08:51I'll kill him.
00:08:52I'll kill him.
00:08:53I said,
00:08:53I'll kill you.
00:08:54I'll kill myself.
00:08:58I'll kill myself.
00:08:59I'll kill myself.
00:09:00You're going to kill myself in the second set.
00:09:04That's the type of a game.
00:09:06I know.
00:09:07Thanks to him that
00:09:08I will be the son of the President.
00:09:10The first time you will see a whole whole entire
00:09:12of the Biharist.
00:09:14I think that I am going to see the boss of the boss.
00:09:15I was going to ask the question,
00:09:20Mr. Ajay,
00:09:22that Sanjay Sir,
00:09:24the director was the first part in the first part,
00:09:26now is Raviy Bhai.
00:09:28Sanjay Sir is Punjabi,
00:09:30suddenly Raviy Bhai is from UP.
00:09:32So how did this come to your mind?
00:09:34This character,
00:09:36which was N.K. Pita Ji,
00:09:39was all in the city.
00:09:42When I got a car driver,
00:09:42So when I was in Bahrain,
00:09:44then he was in Bahrain,
00:09:45and then he got picked up.
00:09:49Punjabi is not able to learn it,
00:09:51but Punjabi is the same 변шias.
00:09:53Yeah, what about you?
00:09:54I got married to my mother
00:09:57Yeah, I got married to my mother.
00:10:01My father,
00:10:02three wives are in Punjab.
00:10:04One is in Punjab.
00:10:05On the bus,
00:10:05she drove to Bahrain,
00:10:06and I had a couple of days, my mother got there,
00:10:09and then there was a pole dancer,
00:10:11and then a dancer got him in London.
00:10:13They were working in a restaurant,
00:10:15and they said that,
00:10:16they were talking to the girls,
00:10:17and he had a girl's mother's English.
00:10:21And then I think that my father will not stop,
00:10:25so I will break his hands.
00:10:27That's why I will get it.
00:10:28My God.
00:10:29So you are so excited to hear this film.
00:10:31You can watch this film in a very long time.
00:10:35After a long time,
00:10:37you can watch this film with a great family of Kamal's family.
00:10:40You can watch this film with 5-6 tickets.
00:10:44Sir, I don't want to ask you a question.
00:10:46We were filming a little bit of weight loss.
00:10:50Then we will go to Amritsar,
00:10:51then we will eat a little bit of weight loss.
00:10:53We are always watching this film.
00:10:54It's not so difficult.
00:10:57Today we have a camera with a belt.
00:10:59Yes.
00:10:59Look at the camera.
00:11:01We don't wear a jacket.
00:11:02We said,
00:11:03the people are in the back of the camera.
00:11:07It's like the back of the back.
00:11:12I must say that
00:11:14when we were in the set,
00:11:15and because I was shooting so many actors with the first time,
00:11:19we were doing it.
00:11:20But when we were sitting on Sir's side,
00:11:22we were watching our diet.
00:11:24Sir, in between the shots,
00:11:26we would go and work out.
00:11:30Wow.
00:11:31So that is the amount of dedication.
00:11:33If you are in the set,
00:11:35it seems like it's coming out.
00:11:36Go with them.
00:11:37Just sit with them.
00:11:39I am here.
00:11:40I am here.
00:11:41I am here.
00:11:42I am here.
00:11:43I am here.
00:11:43I am here.
00:11:43I am here.
00:11:44I am ready for this exchange.
00:11:48No, no, no, no, no, no, no, no.
00:11:50I am just a personal question.
00:11:52How do you get home?
00:11:53No, no.
00:11:54You are the only one for me.
00:11:54You are the only two years.
00:11:56You are the only two to be tossed out.
00:11:59You are the only one who is out.
00:12:02The only one who is out.
00:12:02I am saying that you don't want to see this show.
00:12:05You have to watch everything.
00:12:06You will see everything.
00:12:07I will see Switzerland.
00:12:08But I will not see this show.
00:12:12I will see this show.
00:12:13That is the woman who is a young adult, Jassi, you are happy with that?
00:12:17Not yet, but the end is always so happy.
00:12:21I have a question. Why did I ask you to ask?
00:12:23Do you know that Mrunal is a lot more than the hero's job.
00:12:28He had no job with her. He had a problem with the job.
00:12:31With Ritik's private job, she had a problem with the job.
00:12:34With Seetha Ramam, she had a problem with the government.
00:12:37In real life, 50-60 thousand girls would become a hero.
00:12:50I think, when you see Sun and Sardar 2, you will know what to do.
00:12:58Raviviyah, you are Abhineta.
00:13:00Abhineta, you have to suggest someone to Murnal.
00:13:03How should you find a life partner for your life?
00:13:06Look, this is a very difficult question. The whole country, the whole wish.
00:13:10Look, I don't know that if you get married with Neta,
00:13:13then after a month, after a month, the house will come.
00:13:17If you get married with Neta, if you get married with Neta,
00:13:20then it will be 5 years later, 4 years later, 5 years later.
00:13:24Then if you get married, you will call him uncle.
00:13:26No, no.
00:13:28No, no, no.
00:13:30I mean, brother, it will be very little.
00:13:32You will forget your birthday, your anniversary.
00:13:33You will forget your birthday.
00:13:36You will forget your birthday.
00:13:37He will come, he will come.
00:13:38In the night, the kids...
00:13:39But you never know.
00:13:40Neta is a good person.
00:13:43He is a good person.
00:13:44What does that mean?
00:13:46What does that mean?
00:13:47No, no.
00:13:47It is not that you have a different image.
00:13:51It is not that they are emotional people.
00:13:52They are family people.
00:13:54Yes.
00:13:54I am a good person.
00:13:55I have never thought that wrong.
00:13:57Really?
00:13:58You didn't give a mic to her.
00:13:59You put it in the mouth.
00:14:00You put it in the mouth.
00:14:03I am like the little person.
00:14:04No, no.
00:14:07I am like this.
00:14:09I am like this.
00:14:10I am so mad at me.
00:14:11He knows this.
00:14:12But let me tell you.
00:14:13Neta or Abineta, do I get what I do?
00:14:16I want to get married or not.
00:14:26I want to get married, why would I get married?
00:14:27I swear?
00:14:27I mean, I mean, it's okay.
00:14:31It's okay. Let's change the topic.
00:14:33Yeah.
00:14:34Ajay Sir, Son of Sardar's tool.
00:14:35First of all, RAID 2 is hit.
00:14:39I saw two, like I love my baby.
00:14:42Two is coming.
00:14:44Let's do it!
00:14:45Let's do it!
00:14:46Ajay Sir's date of birth and my date of birth are the same.
00:14:48Two numbers are our lucky, Ajay Sir.
00:14:50Do you believe me?
00:14:51Your two numbers are lucky and my three or four months are lucky.
00:14:54How?
00:14:55How?
00:14:56Drishan 3 is coming.
00:14:57Dhamal 4 is coming.
00:14:58Golmal 5 is coming.
00:14:59Oh, yes.
00:15:03Before I talk about this, I had a question of Ajay Sir's fan.
00:15:07He said,
00:15:08You have to ask Ajay Sir's question.
00:15:11Ganga Ram Ji is writing.
00:15:12Ganga Ram Ji's question is,
00:15:13Ajay Sir, your Golmal series is a big comedy film,
00:15:16a big hit.
00:15:17Dhamal series is a big hit.
00:15:19You do comedy in your films.
00:15:21The show is made for comedy.
00:15:22Why do you become serious?
00:15:24Why do you become serious?
00:15:30Ganga Ram Ji's question is,
00:15:32when I film the film,
00:15:33I'm going to check my name.
00:15:35When I'm here, I'm going to check my name.
00:15:37When I'm here, I'm going to check my name.
00:15:43Ganga Ram Ji's question is,
00:15:44Ganga Ram Ji's question?
00:15:45The journey of Murnal is very wonderful.
00:15:47It's very difficult.
00:16:01You want to see what's happening?
00:16:07The show is going to be in the morning.
00:16:07It's not a part of the show.
00:16:07It's not a part of the show.
00:16:08It's good to be played here.
00:16:10It's a part of the show.
00:16:15It's not a part of the show.
00:16:24And they're like, yeah?
00:16:27I said, Anna.
00:16:28Oh, sorry.
00:16:28Oh, sorry.
00:16:28Dada.
00:16:29Me.
00:16:30Dada.
00:16:30Me.
00:16:31Anna.
00:16:31Ekada.
00:16:33It's a lot of confusion.
00:16:34How many languages have you done in Manala?
00:16:37In fact, it's only Hindi or Telugu.
00:16:40But have you learned Telugu?
00:16:43Ardamainda.
00:16:44Oh, okay.
00:16:45Murnal, who is a good one.
00:16:47You'll be a good one.
00:16:48You'll be a good one.
00:16:49You'll be a good one.
00:16:50I think everything is good one.
00:16:52What's going on?
00:16:53I'm in a mood, Sipipa.
00:16:56What are you doing?
00:16:57Rajneethi, what did they leave?
00:16:58They've got wings.
00:17:04Naujot, baby.
00:17:08Baby, come on and let's get a lot of fun.
00:17:13I feel like they didn't have a subscription at home.
00:17:18I'm going to tell you something about Ajay Sir.
00:17:20I'm going to tell you something about Ajay Sir.
00:17:22You all know.
00:17:22There are such superstars who do all genre of films.
00:17:25In Thriller, they're called Drishyam.
00:17:26In Crime, Red.
00:17:27Now he's also super hit.
00:17:28In Comedy, Golmal, Dhamal.
00:17:31In Action, Singham.
00:17:32In the small cities, Ajay Sir,
00:17:35there's a saloon,
00:17:37they don't leave any work.
00:17:41Like if you're cutting one,
00:17:42then the other is shaving.
00:17:44If you leave the cutting,
00:17:46they start shaving.
00:17:48So that they won't go.
00:17:50If you leave the third one,
00:17:51they start shaving too.
00:17:53So that you don't leave anything.
00:17:55How do you put these 5-5 methods
00:17:56of producers on this?
00:17:58How do you put these 5-5 methods?
00:17:59I actually learned this from Siddhupaji.
00:18:02They put them in a Romal
00:18:04and put them in a politics.
00:18:08There's one Romal here too?
00:18:10No.
00:18:10There's a hole here.
00:18:15There's a hole here.
00:18:18There's a hole here.
00:18:19There's a hole here.
00:18:20There's a hole here.
00:18:21There's a hole here too.
00:18:21There's a hole here too.
00:18:24There's a hole here.
00:18:25There's a hole here.
00:18:27There's a hole here.
00:18:27now,
00:18:27you have got Ajay Sir,
00:18:28Mr. Munnal,
00:18:29and Ravi Bhai.
00:18:29It's time to help
00:18:32the other colleagues
00:18:33to come to this manchpaya.
00:18:34Please welcome Mr. Vindu Dara Singh.
00:18:38Mr. Sanjay Mishra.
00:18:39Mr. Deepak Dobryal.
00:18:41And
00:18:42the very beautiful Kubrasay.
00:18:45Vindu Paji.
00:18:50Deepak Bhai, Deepak Bhai, Hello, Hello, Kumbhraa, How are you, How are you, Sanjay Bhaiya?
00:18:56Konam, Konam, Konam, Konam, Konam.
00:19:04Hey, sir, did you get them?
00:19:05Lily, Billy, Silly, Chilly.
00:19:07Like your artist, right?
00:19:10Ravi Bhaiya, Mindu Bhaiji, Sanjay Ji, Deepak Bhai.
00:19:13How do you feel?
00:19:14How do you feel, Sanjay Bhaiji?
00:19:17How do you feel?
00:19:18I have a question.
00:19:18Why is your tagline?
00:19:19Every year will grow up.
00:19:26You can tell them that every year will grow up.
00:19:29But you can tell them this, Ravi Bhaiya.
00:19:30This is something you can't say.
00:19:36Glamour needs to be in the same place.
00:19:38A little bit.
00:19:39A little bit.
00:19:39A little bit.
00:19:41Lily, Lily, Chilly, Chilly.
00:19:42You guys go backstage?
00:19:47Okay.
00:19:50Let's go backstage.
00:19:51In the film, Mrunala and Kubra are also the son of Sardar.
00:19:56Or is it behind Bindu Paji standing?
00:19:58So, it feels like a cup of tea.
00:20:01Bindu Paji.
00:20:02Bindu Paji.
00:20:03Bindu Paji's full name is Virendra Singh Randhawa.
00:20:07In total, 40 people have a name.
00:20:11Bindu Paji, you have kept the health of this name.
00:20:15This is genetic.
00:20:16We know from childhood.
00:20:17Dara Ji's sons, both sons are like this.
00:20:19So, what a secret is.
00:20:21Bindu Paji is a great man.
00:20:23But, Mrunala and Kubra have come.
00:20:24What a secret is, Mrunala.
00:20:26Mrunala.
00:20:27You are the son of Sardar, I'm the son of Sardar,
00:20:30The rest of the people.
00:20:33Dipak and Kubra have come in front of our show.
00:20:37Sanjay, did you first get the first time in the last 12 years?
00:20:40Did you have a great wish to meet the first time?
00:20:42Did you ever have such a pleasure?
00:20:45Or did you ever take a night to be famous?
00:20:47No one does not ever know your desire.
00:20:53You are an actor, don't you?
00:20:55I will explain that you will...
00:20:56It is now.
00:20:57Yes, it is also done, but now the film is done,
00:20:59but one thing is, it is a thing.
00:21:03We have always made a good script with sahih baba.
00:21:08We go to Siddhi Vinayak.
00:21:11And when the film is made,
00:21:13there are big actors.
00:21:42Oh
00:21:43Oh
00:22:23Oh
00:22:39Sanjay sir
00:22:40You know, they talk very well.
00:22:43I mean, I was very frustrated one day.
00:22:45I asked myself if you were young or not.
00:22:48We were wise.
00:22:50We were wise.
00:22:52I don't even know about the name.
00:22:55Oh, boy.
00:22:58I don't think I'm a bad guy.
00:22:59I don't think I'm a bad guy.
00:23:00When I was born,
00:23:01I don't think I'm a bad guy.
00:23:02I don't think I'm a bad guy.
00:23:04I'm a bad guy.
00:23:07I'm a bad guy.
00:23:09I was stubborn to me.
00:23:10in my fight with young people.
00:23:14I was a bad guy.
00:23:16I told you that if Sanjay too comes,
00:23:18that I'm a bad guy.
00:23:20I'm a bad guy.
00:23:25I'm a bad guy.
00:23:33I'm sorry, I'm sorry.
00:24:03What's your question?
00:24:04The other one.
00:24:07The other one.
00:24:07This is a question.
00:24:08The other one.
00:24:09The other one?
00:24:10Where does it look?
00:24:11Where do they look?
00:24:12We look like this.
00:24:13This man looks like this.
00:24:16What a problem, bro.
00:24:17What a problem is?
00:24:18It's like this.
00:24:18The head is shaved,
00:24:19and the head is beating his head.
00:24:21From there.
00:24:24We're looking at it.
00:24:25I'm taking it.
00:24:25We're looking at it.
00:24:30The secret games,
00:24:31that's why we all have seen it.
00:24:32I've seen Netflix debut on the first time, when Kubra saw the first time in the Secret Games,
00:24:37people have received a subscription to Netflix.
00:24:41No!
00:24:41No!
00:24:41No!
00:24:42No!
00:24:42No!
00:24:43No!
00:24:43No!
00:24:44No!
00:24:47No!
00:24:48No!
00:24:49You're having a dream come for us.
00:24:51You're going to be you should go out and do the whole show?
00:24:51You could be doing this to our show?
00:24:53No!
00:24:53I am ready when I do live shows when I do shows, when I do shows a chance.
00:24:58I will get a chance.
00:24:59No!
00:24:59I am very fortunate to know Kubra so much.
00:25:00We do live shows a lot.
00:25:01But as an actor here, you did live in the Secret Games.
00:25:04I felt shocked.
00:25:05Wow!
00:25:06I worked very well.
00:25:08Thank you very much.
00:25:12That hairstyle you have made.
00:25:14Is your child or hairdresser?
00:25:15Ah sorry.
00:25:17You are looking very pretty.
00:25:22Caps finally, now you are going to like flirt with me.
00:25:25When I married, I don't do it on camera.
00:25:29What do I do?
00:25:31I'm fine.
00:25:32I need a motivation for a person.
00:25:35When I came back, I didn't change.
00:25:37Yes, I said it.
00:25:39Now let's go to the film.
00:25:40Son of Sardar took a shooting in foreign.
00:25:44If I tell you the name of the locations,
00:25:45let me tell you the names of the locations.
00:25:46Glanko, Glanfinan, Kurloos, Don, Lothian.
00:25:52If you give these names to a chemist,
00:25:54he will give them one, two, two, two.
00:25:59Sanjay, when you first know Glanfinan,
00:26:02one time you will come to mind that
00:26:03you are 12-year-old or 18-year-old.
00:26:06Glanfinan, what?
00:26:08They were taking a glass, only glass.
00:26:12No, but Glanfinan, Lothian,
00:26:14you will hear the names of the names of the people.
00:26:16No, I was making a glass, only glass.
00:26:22Ajay said, I had a phone call,
00:26:23Sanjay, you have to come tomorrow.
00:26:24I said, hey, sir,
00:26:25you have to come to the mud.
00:26:28We have to go there.
00:26:30We have to come there.
00:26:31Now it's a little cold.
00:26:33How will the day be cut?
00:26:34Ajay, when you get out and go out,
00:26:36you have to see a beautiful girl.
00:26:39Bye, God.
00:26:40And I said, this will be shooting with us.
00:26:42I said, yeah.
00:26:43Okay.
00:26:44Then we will get out of the day with them.
00:26:47The sun is coming, Deepak Dobriyal.
00:26:55Never, never, never, never.
00:26:58Deepak has kept all his heart.
00:27:00Huh?
00:27:01No, no, no, no.
00:27:02What happened to Deepak?
00:27:04What happened to Deepak?
00:27:06What happened to Deepak?
00:27:06No, no, no.
00:27:06Actually, people don't know that.
00:27:08He's a woman in the film.
00:27:09He's a woman in the film.
00:27:09Oh, yeah.
00:27:11Yeah.
00:27:12Yeah.
00:27:12He will look beautiful.
00:27:13He's very beautiful.
00:27:14Wow.
00:27:15He has to maintain everything.
00:27:20And he's a beautiful woman.
00:27:22He's a beautiful woman.
00:27:24We will see it and go out.
00:27:25How do you think she is a beautiful woman?
00:27:27Because it was a whole set.
00:27:33The henchmen with a gun.
00:27:35Actually, it's true.
00:27:36The henchmen, all the tall guys.
00:27:39You know?
00:27:39They're all foreign.
00:27:40They're all foreign.
00:27:42They're all foreign.
00:27:43He was a sardar.
00:27:45He was a sardar.
00:27:46He was a sardar.
00:27:47He said, I'll marry him.
00:27:49Oh, my God.
00:27:52The way he, they made him look,
00:27:55the way he carried himself.
00:27:57Wow.
00:27:5840 days, this man,
00:27:59he's like a little girl.
00:28:02Yeah.
00:28:02Okay.
00:28:02And what do we do?
00:28:03If we go to a restaurant restaurant,
00:28:05we eat.
00:28:06We eat.
00:28:07We don't change clothes.
00:28:08We dress with a girl.
00:28:10With a wig.
00:28:10With a wig.
00:28:11And it's the most important thing.
00:28:14Why do we go to a lady's clothes?
00:28:16We eat.
00:28:17We eat.
00:28:17That was a party.
00:28:18My hotel was a little far.
00:28:19It was in the beach.
00:28:20I had to go.
00:28:21I had to go.
00:28:22I had to go.
00:28:24I had to go.
00:28:25I had to go.
00:28:26I had to go.
00:28:28He was a skirt.
00:28:29I had to wear white shoes.
00:28:29But we had to go to the washroom.
00:28:31He went to the men's washroom.
00:28:33He went to the women's clothes.
00:28:35And now on the back.
00:28:37I was looking.
00:28:37What was that?
00:28:37No, no.
00:28:38Hard.
00:28:39I was going to go.
00:28:40I was going to the girl's clothes.
00:28:42He was going to the men's clothes.
00:28:43And the men came to the men's clothes.
00:28:45He got to go.
00:28:48And then.
00:28:49After that.
00:28:51After that, ladies and gentlemen.
00:28:52No, no, no.
00:28:54There was a girl in the washroom.
00:28:57He also laughed.
00:28:58He told me that he was in a wrong way.
00:29:01I was on the phone and he was in a wrong way.
00:29:02You don't go to the washroom.
00:29:04So, you don't go.
00:29:06He was in a gents and he laughed.
00:29:10And I was on my hand and I was on the ladies.
00:29:12He said, no, no, no.
00:29:15He's a boy.
00:29:17Oh, my father.
00:29:20What the fuck?
00:29:22Oh, my father.
00:29:52Don't go away.
00:30:08Oh, my father!
00:30:21Hello, what was this all?
00:30:24We have lost our lives.
00:30:26What was it?
00:30:30Where was it?
00:30:31Where was it?
00:30:33We came from this door, because it was a door.
00:30:39Who are you?
00:30:41You are the ones who need less, but the enemy is less.
00:30:49What are you doing?
00:30:52Those who don't care about the mother, we will come to the father.
00:30:59Don't hurt yourself.
00:31:00Do you think you're scared from the above?
00:31:02Don't sit on the above.
00:31:04Don't sit on the above.
00:31:05Don't sit on the above.
00:31:06Don't sit on the above.
00:31:10God, tell us if you do it.
00:31:14Yes.
00:31:14Oh
00:31:45The other people are leaving.
00:31:48They're making me up and you're bringing me.
00:31:51I'll take you to go.
00:31:54When I take you to move, Ibrahim went up.
00:31:57I don't.
00:32:02Yes, I'm going.
00:32:04I've got your kind of guilt.
00:32:06Yes, I'm going.
00:32:07I don't care for that once.
00:32:09yes
00:32:13yes
00:32:14yes
00:32:16yes
00:32:17you are a hero
00:32:17hero
00:32:18I'm a hero
00:32:19he is a hero
00:32:21look at the call
00:32:25Raviji
00:32:26this duplicate
00:32:28is how many program
00:32:29we can do that
00:32:31look at your
00:32:33I'll cut it out.
00:32:34What is it going to cut it out, brother?
00:32:36Because, without the permit, we're going to be a duplicate.
00:32:40Which association?
00:32:42Our association is ADDA.
00:32:44ADDA?
00:32:47ADDA.
00:32:48What does this stand for?
00:32:50Ajay Devgan Duplicate Association.
00:32:58I'm a regional manager.
00:33:02This is marketing.
00:33:04This is HR.
00:33:05This is a paper.
00:33:06This is a paper.
00:33:09This is a paper.
00:33:09What are you saying?
00:33:10You're a paper.
00:33:11This is a paper.
00:33:12I'm a regular.
00:33:15I'm a regular.
00:33:16So, Ajay, you don't have any interest in your life.
00:33:18You're going to be a duplicate.
00:33:20You're going to be a new life.
00:33:22Your new life is fine.
00:33:24Your attitude is a little bit less.
00:33:25It's a little bit less.
00:33:31You're going to be a little more.
00:33:31You're going to be a little bit less.
00:33:31And you'll have to give it a good look.
00:33:33And you'll have to give it a good look.
00:33:35There's no good look.
00:33:35They're the real ones, brother.
00:33:37Way to go.
00:33:39Way to go.
00:33:41Way to go.
00:33:41That's nice.
00:33:43Way to go.
00:33:46Oh.
00:33:49You're doing good.
00:33:49I'm going to take care of you anyway, it's my way or skyway.
00:34:01Let me tell you, there is a 25th anniversary of the release.
00:34:0525th anniversary of the release.
00:34:08You are going to mimicry.
00:34:14Say in your voice.
00:34:15Say in your voice.
00:34:16Stay in your voice.
00:34:18These are 25th anniversary of the release.
00:34:20This is my voice.
00:34:23Say in my voice, that's your voice.
00:34:27We have to explain how I have a voice.
00:34:31Say in your voice, that's what you are saying.
00:34:34You come to your voice.
00:34:36We will be talking to you.
00:34:36You are going to explain your voice.
00:34:37Why are you saying?
00:34:38Say, Mr. Sipeda.
00:34:43I don't know what to do.
00:34:43I don't know what to do.
00:34:48I'll keep attitude.
00:34:50Add attitude.
00:34:51Add attitude.
00:35:13And I'm.
00:35:15He's got, Guru.
00:35:20His face…
00:35:24Get in front of my face…
00:35:31Maldives.
00:35:34No doubt.
00:35:37No doubt.
00:35:37No doubt.
00:35:38In Vihar, in the U.P., it's a lot of...
00:35:41But, Ajay, I wanted to ask you...
00:35:43How do you feel when you mimic yourself?
00:35:46What does it make you feel?
00:35:48It makes you feel good only.
00:35:50But some people get very upset.
00:35:52No, in fact, you should feel blessed that...
00:35:54you know, people are giving you that kind of respect.
00:35:56I'm so happy you think so, yeah.
00:36:01People start imitating you.
00:36:03People start mimicking.
00:36:05If you don't like it, then you understand that your life is so successful.
00:36:09It's a hit.
00:36:09You become a cult.
00:36:11Absolutely.
00:36:14What you've said,
00:36:16I say that someone's name is a land or a hotel.
00:36:20It's a very small thing.
00:36:21If someone's name is a gift,
00:36:24it's a very big thing.
00:36:25We went to school,
00:36:27and they were talking to us and said,
00:36:29I'm going to take my dad.
00:36:31Is your dad Dara Singh?
00:36:32Yes, very true.
00:36:34You were your dad.
00:36:36Have you ever played in school or college?
00:36:38Have you ever played with Dara Ji?
00:36:40I'm sure not.
00:36:41I've never played with Dara Ji.
00:36:43We were young people.
00:36:45We had a lot of played in school or college.
00:36:47But first, when I was very young,
00:36:49people didn't believe that this is Dara Singh's son.
00:36:51Then he started doing exercise,
00:36:53and he was doing it today,
00:36:54so people would think that this is Dara Singh's son.
00:36:56But Dara Ji has another speciality.
00:36:58Yes.
00:36:58He didn't have a Punjabi accent in Hindi pictures.
00:37:02He was doing it once again.
00:37:04He was doing it once again.
00:37:04No, no, no.
00:37:05I was doing it once again.
00:37:06Someone heard a story that said,
00:37:08that we're in Punjab,
00:37:10that there's a little bit of an accent in Hindi.
00:37:13So someone told me the story.
00:37:14He said, Dara Ji was doing a lot of Hindi films.
00:37:17So one time he did dubbing the Punjabi film in Chandigarh.
00:37:20Then I did dubbing the engineer.
00:37:24So Dara Ji asked,
00:37:26listen to me,
00:37:28do you get a little bit more of a Hindi accent?
00:37:36Then we have to find a prank in the set.
00:37:40Is that the way?
00:37:40No.
00:37:41So that's the way.
00:37:43No.
00:37:43So that's the way.
00:37:44Then it didn't happen.
00:37:45But I thought that we were ready.
00:37:48Yeah.
00:37:48No, no, no, Sanof Sardar Minho has done a very bad thing with me.
00:37:52What did he do?
00:37:53There was a scene where I'm going, where I'm going, our whole group and a sump comes in.
00:37:57Oh!
00:37:58So, sump?
00:38:00Yes, what is it?
00:38:02There are a lot of sump shooting people.
00:38:04I said, sump is a sump.
00:38:05Shooting?
00:38:06I mean, sump doesn't have a sump.
00:38:09Oh!
00:38:10Oh!
00:38:10Oh!
00:38:12Oh!
00:38:12Oh!
00:38:13Oh!
00:38:15Oh!
00:38:16I think you're scared.
00:38:19Why?
00:38:22Oh!
00:38:24Oh!
00:38:24What the hell?
00:38:25A woman is lying.
00:38:26He is lying.
00:38:27He is lying.
00:38:33Oh!
00:38:34He is lying.
00:38:38He is lying.
00:38:48I love it, but she never let me do that, but even when she's sleeping.
00:38:53Oh, sweet.
00:38:54Oh, sweet.
00:38:55Oh, sweet.
00:38:55Oh, sweet.
00:38:57Oh, sweet.
00:38:58Oh, sweet.
00:39:01Oh, sweet.
00:39:01Oh, sweet.
00:39:04Oh, sweet.
00:39:13Oh, sweet.
00:39:15Oh, sweet.
00:39:16What a joke.
00:39:18Oh, sweet.
00:39:25Oh, sweet.
00:39:37How do you do good, Deepak?
00:39:39Why do you do the hair? What is the fear of your hair?
00:39:41You can also do the hair with a collar.
00:39:47Why do you do the hair? The truth is it?
00:39:49This was a little ritual.
00:39:50One time I feel like I'm staying in the workplace.
00:39:53I feel like I have some feelings, feelings,
00:39:55that you have adopted.
00:39:57If you stay in one place,
00:39:59I feel like you will go in the last set to the next set.
00:40:01The next set to the next set.
00:40:03You are also alive in this hope that your hair will come from here.
00:40:08Okay, you know, Sanjay brother,
00:40:10Ajay sir is his love.
00:40:12I think it will be their 15th film,
00:40:14maybe in the 14th or 15th film.
00:40:16So,
00:40:17they have closed their office in your house
00:40:19or are you staying in their office?
00:40:23They don't know where they are.
00:40:25Where do you call them?
00:40:26I'm in Lonawala, I'm in Banares.
00:40:28Where do you study?
00:40:30When shooting happens, yes.
00:40:32Sanjay is a poor man.
00:40:33What is it?
00:40:34He is a poor man.
00:40:35Basically, he is a poor man.
00:40:36In this car,
00:40:38I will find a olive oil.
00:40:39He will find a purple man.
00:40:45He is living behind him.
00:40:46The occult of the Feldman is a poor man.
00:40:51He has Jyn Mickey and a Jew.
00:41:01He will have a poor man.
00:41:02He has a poor man.
00:41:02He has moved his house.
00:41:02And he has just given his clothes.
00:41:04And he has just hidden him in his house.
00:41:05He is trying to get away the house.
00:41:06What was it?
00:41:06So, it's a good thing to keep your books together.
00:41:10Until you listen to this film, it's a film hit, it's a business, it's like this, it's like this, it's
00:41:15like this.
00:41:16This is a little tiny thing that you don't know.
00:41:20One of my beloved friends is Guruji.
00:41:24He is a little bit of a fight and he is a little bit of a fight.
00:41:29Now you are living in the middle of this.
00:41:32All these people are living in the middle of this.
00:41:36Our country is like this.
00:41:38Hindu, Muslims, Sikhs, all of us.
00:41:41And our film is also like this.
00:41:43This is the philosophy of Guruji.
00:41:45God is the first light of God.
00:41:47God is the first light of God.
00:41:48One light of God is the first light of God.
00:41:49One light of God is the first light of God.
00:41:51This is the most important thing, Guruji.
00:42:29God is the first light of God
00:42:33Shidhu sahab, you have proved that if a person gets a good person and does time-to-time exercise,
00:42:43he also shows the effect in this age.
00:42:48Shidhu sahab, you have to believe that you have done it.
00:42:51What will you do in this age?
00:42:53What will you do in this age?
00:42:54What will you do in this age?
00:42:57What will you do in this age?
00:42:58Everyone is sitting outside and standing up.
00:43:00What will you do in this age?
00:43:02Shidhu sahab, should you do this?
00:43:03It's the twins!
00:43:07The twins are twins!
00:43:11Shidhu sahab!
00:43:12What do you do?
00:43:16Film!
00:43:17Listen, this is not the son-of-sardar 2.
00:43:21The film is due to Dave Gunji.
00:43:23It is film.
00:43:24It is a film!
00:43:26I'm going to ask you to ask you about the poor.
00:43:33Please take this back.
00:43:40Stop!
00:43:42Stop!
00:43:45Stop!
00:43:48Stop!
00:43:49Why are you laughing?
00:43:54You took this wrong information from me.
00:43:59How many children are doing this?
00:44:04Those big people are sitting here.
00:44:07Sorry, father. It's wrong.
00:44:10A father did wrong with his son.
00:44:14He asked you to ask for forgiveness.
00:44:16Hey, father!
00:44:22Your skirt is very small from the first time. Don't spread it.
00:44:27Hey, I've brought another skirt to the other. Look at this.
00:44:45You will show and play.
00:44:51Hey, sir. This is a funny, funny and warm.
00:44:54This is a parking lot in the last report.
00:44:56Today, they come here.
00:44:58Hey, take this.
00:44:59Take this.
00:44:59Take this.
00:45:00Take this.
00:45:00Hey, why are you laughing at that?
00:45:04Why are you laughing at that?
00:45:07He says such lines to impress me.
00:45:09You are so beautiful.
00:45:12You are so beautiful.
00:45:14You are so beautiful.
00:45:14You are so beautiful.
00:45:15You cannot beat a direct line.
00:45:17That's why he is funny lines.
00:45:19Ah, it's my man just gotã… ã…
00:45:30Um Real, how is yours?
00:45:30She Carnegie, you will know that men and women are very good.
00:45:36Open dog
00:45:37Well, you are welcome
00:45:38I play with people.
00:45:39Me, you are a good friend.
00:45:44That's him too.
00:45:45You are so beautiful
00:45:45You have not been martizing
00:45:48What?
00:45:49You have to do all these things on Netflix?
00:45:52Netflix!
00:45:53Oh, sorry, I didn't know.
00:45:58Baba, it's a cobra.
00:46:01No, son, it's a cobra.
00:46:06Baba, it's a cobra.
00:46:09No, son, it's a cobra.
00:46:10No, Baba, it's a cobra.
00:46:12It's a cobra.
00:46:13It's a cobra.
00:46:23Now, can you excuse?
00:46:25I want to speak to them.
00:46:30What a film.
00:46:33There's a comedy, romance, action, tragedy, jealousy.
00:46:39We have a jealousy.
00:46:42I've made a film of Punjab.
00:46:43I've made a film of Punjab…
00:46:44And…
00:46:45I haven't bought our film.
00:46:50That's what you're saying, Baba.
00:46:53Let's have made a film of Punjab.
00:46:54Not let us see that in this regard.
00:46:59Now, where you go, you have to cry.
00:47:01I don't know how many people are going to eat idli, I'm going to throw it away from it.
00:47:15It's a very hard time to eat it.
00:47:21foreign
00:47:32foreign
00:47:48Hi, hi.
00:47:48Now I became a young father.
00:47:53My son has grown up.
00:47:55Yes, father.
00:47:57Love you, my children.
00:47:59Love you, father.
00:48:04Ajay Sahib,
00:48:07when kids are growing up today,
00:48:09I don't know.
00:48:11It's the same thing.
00:48:13He was sitting on his hands
00:48:16and he was sitting on his hands.
00:48:18Baba, that's our baby's child.
00:48:23You're all thinking,
00:48:24Baba, you're having fun.
00:48:27Don't worry, my children.
00:48:28Baba, don't worry.
00:48:30Hey, don't worry.
00:48:32Why do you have tension?
00:48:34I'm your father.
00:48:35Tell me what you'll drink.
00:48:37I'll ask Kapil.
00:48:38Tell me what you'll drink.
00:48:39Baba, I'll ask you a hazelnut caramel.
00:48:43What did you say?
00:48:44What did you say?
00:48:45Hazelnut caramel makiyatu.
00:48:48What did you say?
00:48:49What did you say in Tanzania?
00:48:50What did you say?
00:48:55They made a film on Punjab on Punjab.
00:48:57They asked a Punjabi dish.
00:48:59Okay, Baba.
00:49:00I'll ask one glass.
00:49:01Yes, Kapil.
00:49:03I'll ask you a glass.
00:49:04Okay.
00:49:04And I'll ask you a hazelnut caramel makiyatu.
00:49:11Oh, Baba.
00:49:12Oh, Baba.
00:49:13Ah, Baba.
00:49:13Oh, Baba.
00:49:14Oh, Baba.
00:49:14Oh, Baba.
00:49:14Mujhe Punjab ka suna ke,
00:49:15khud videshi item mangha rhea ya.
00:49:17Toh, Punjabi loog videshi me bhi tho rhe the hain.
00:49:20I asked Canada to pay attention to my mother's hands or father's hands.
00:49:29Now, let's stop playing with the political game.
00:49:31You will know that you will be able to play with the political game.
00:49:35No, it's 87, it's 88.
00:49:39Oh, come on!
00:49:41I don't know what happened to me,
00:49:44but it can happen before.
00:49:47I mean?
00:49:48He called me that person,
00:49:50who doesn't get out of your mouth.
00:49:52You don't get out of your mouth.
00:49:54Why?
00:49:55I called my father's village!
00:49:59Father?
00:50:18My father's village, come here!
00:50:20My father's village!
00:50:23My dad's village, from here!
00:50:24What happened to me, father?
00:50:27Oh!
00:50:29What happened?
00:50:30Please come here,
00:50:30the house of god.
00:50:31Son of god.
00:50:32In our lives, the son of a daughter was called a chitthi, and the son of a kubutra was called
00:50:38a kubutra, and the son of a kubutra was called a kubutra.
00:50:42That's what happens, Baba Ji, but let's do what you've come to do.
00:50:46Oh yes, first, call him.
00:50:49Where is your father?
00:50:51Where is your father?
00:50:52If you have courage, come in front of me.
00:50:56It won't come. I will call him.
00:50:58I will call him.
00:50:59I will call him.
00:51:03He is coming.
00:51:05He is coming, Baba Ji.
00:51:11Yes, Baba Ji.
00:51:14I will call him.
00:51:17I will call him.
00:51:18Come, Baba Ji.
00:51:20Come, Baba Ji.
00:51:22No problem, it's nothing.
00:51:23From here, Baba Ji.
00:51:24One time, I called the Surj, which gives me to me,
00:51:28I also called him and called him, because he was closed.
00:51:31I said to him,
00:51:32I was standing in front of him,
00:51:34and I said,
00:51:35Oh, Suraj De Putr! Oh!
00:51:38Baba Ji, with due respect,
00:51:41that the Suraj didn't come to you.
00:51:44That's why it's like a fireball.
00:51:47That's why I came.
00:51:51You understand me.
00:51:53There's a fireball.
00:51:54We don't know if there's a fireball,
00:51:56then they just don't come here.
00:52:00Now, Devagani Ji, don't come here.
00:52:03We don't come here.
00:52:05We don't come here.
00:52:06It's like that.
00:52:08With due respect, Baba Ji,
00:52:09I don't say that, Baba Ji.
00:52:10It's like science.
00:52:12I have developed it,
00:52:13but science has developed it.
00:52:15Look, I respect science,
00:52:18because we've had the blood of science.
00:52:20We don't come here.
00:52:21I respect science.
00:52:23I respect science.
00:52:24But you may have heard that,
00:52:26what's going on from science?
00:52:27What's going on from science?
00:52:29What's going on from science?
00:52:31With due respect, Baba Ji,
00:52:34your thoughts are very strong.
00:52:36Yes.
00:52:39Yes.
00:52:40Yes.
00:52:40In this time,
00:52:41I've given you the freedom of wearing a skirt.
00:52:43And you say,
00:52:44I don't think about it.
00:52:45Yes.
00:52:49Yes.
00:52:51Yes.
00:52:52Yes.
00:52:53Yes.
00:52:55Yes.
00:52:56Yes.
00:52:56Yes.
00:52:56Yes.
00:52:56Yes.
00:52:56Yes.
00:53:07Yes.
00:53:09Yes.
00:53:09Yes.
00:53:09Yes.
00:53:24Yes.
00:53:27foreign
00:53:35foreign
00:53:37Why do I say that? I say that I'll keep 4 hours and pay for lunch too, brother.
00:53:40I also say that I'll keep the rest of the night, brother.
00:53:43We also pay for dinner too.
00:53:44I say that I'll keep shooting for two days.
00:53:49I say that...
00:53:50Just, just, what are you doing?
00:53:52Just do it.
00:53:53I just did it.
00:53:54Look, these two days are paid for two days.
00:53:56One producer has paid for 22 days.
00:54:02Which film was that?
00:54:03That film.
00:54:05What is this film?
00:54:07Which film is this, brother?
00:54:08It's a film.
00:54:10No, no, Sidhuji, wrong, wrong.
00:54:14I know, this is Shahanshah.
00:54:16Shahanshah?
00:54:17Shahanshah, brother. Give up, brother. Give up.
00:54:19That film was banned.
00:54:21It's not banned.
00:54:25Because the job was banned.
00:54:28You're making a joke.
00:54:29I'm making a joke.
00:54:32I'm making a joke.
00:54:33I'm making a joke.
00:54:34I'm making a joke.
00:54:35I'm making a joke.
00:54:37I'm making a joke.
00:54:38Ready? Ready? Ready?
00:54:39I'll give you a hint.
00:54:41This film is Ajay Devgan Ji.
00:54:42Okay.
00:54:46Satkalih Singh.
00:54:47No, no.
00:54:48One minute.
00:54:49If Satkalih is not a shit,
00:54:51then who is this?
00:54:52Give up.
00:54:53Give up?
00:54:53Give up.
00:54:54This is the drishyam.
00:54:56One minute.
00:54:57How can this drishyam happen?
00:54:59I'm thinking.
00:55:00You are just going to disappear.
00:55:05Follow me by his mouth.
00:55:10My god.
00:55:25Give up.
00:55:56give up give up give up give up give up give up yeah
00:55:57no no no no no no no give up give up give up give up
00:56:05himmatwala hey how are you doing this director is thinking why I have made it
00:56:16Babuji look at Deepakji what are you doing now you are doing it
00:56:19you are also doing a film right come on Babuji one one
00:56:24come on come on come on come on come on okay ready Babuji ready
00:56:35hey Drishyam Aditi when will you go?
00:56:41himmatwala give up give up give up
00:56:47oh
00:56:51oh
00:56:52oh
00:56:53oh
00:56:55Oh my God!
00:56:57Oh my God!
00:57:00Oh my God!
00:57:01Did I give a hint to you?
00:57:03The hint was given before, brother.
00:57:05You did it.
00:57:05You did it before, brother.
00:57:06What did I do?
00:57:08Look, Guru.
00:57:10The game of cricket,
00:57:11when someone makes 200 or 100,
00:57:13they beat everyone standing.
00:57:15I will give you a standing over to this performance.
00:57:19Absolutely brilliant.
00:57:22Absolutely outstanding.
00:57:23Come here, Guru.
00:57:26Hey, Krishna. Thank you, Sunil.
00:57:29Let's go.
00:57:31Promotion.
00:57:33Come here.
00:57:34Come here.
00:57:34Come here.
00:57:35Come here.
00:57:36Come here.
00:57:36Come here.
00:57:36Come here.
00:57:37Come here.
00:57:37Come here.
00:57:42Come here.
00:57:49Ajaer, before you guys go,
00:57:50it was so much fun having you all over here.
00:57:53But Ajaer, this time you just didn't laugh.
00:57:56You made us laugh.
00:57:57Actually.
00:57:58Really.
00:58:00So that means you are learning something from our show.
00:58:04But how did you enjoy the show?
00:58:06It's always fun coming here.
00:58:07I mean, I feel so comfortable that, you know,
00:58:10I can be free and love the way the whole thing is.
00:58:14Thank you very much.
00:58:14This guy is getting funnier and funnier.
00:58:16Absolutely.
00:58:16Yeah, yeah.
00:58:17But today, actually, Ajaer,
00:58:18front foot in front foot.
00:58:20What a matter.
00:58:23Yeah.
00:58:23You all are so great.
00:58:25You all are so great.
00:58:25When we talk to you all,
00:58:28So you will think about it
00:58:29when you will see them on the big screen.
00:58:30Then how fun it will be.
00:58:32So, dear,
00:58:32all the best wishes, Ajaer and the team.
00:58:36And friends,
00:58:37just for today,
00:58:38we will meet the next few new guests.
00:58:39With some new guests,
00:58:41you will be watching The Great Indian Couple Show.
00:58:43Every fan of our family will grow up.
00:58:45Only on Netflix.
00:58:46Good night.
00:58:47Shabha Khair.
00:58:49Shubhra Atri.
00:58:53For our four guests,
00:58:57these four guests have taken an interview
00:58:58every big celebrity.
00:59:00And there was a common name in their list.
00:59:02So I thought they would call them in the same place.
00:59:04I am very young.
00:59:05I don't look 31,
00:59:06but I am 31.
00:59:07But who said 31 is young?
00:59:10We all have said that
00:59:12in childhood,
00:59:12we all have said that
00:59:13we don't talk about food.
00:59:14We all have said that
00:59:14we don't talk about food.
00:59:14If the people have been accepted,
00:59:16we will get rid of it.
00:59:20Where are you?
00:59:21You will be checking.
00:59:22You will be checking.
00:59:23No, no, no.
00:59:24We don't leave Salman Khan.
00:59:25You come.
00:59:26The Raj has interviewed a special guest
00:59:29that has been a big country.
00:59:31We will talk about the country.
00:59:33We will talk about the future.
00:59:34We will have to be the king of the king.
00:59:36You will be the king of the king.
00:59:39How did he approach?
00:59:40I walked in London.
00:59:42I was looking for 2 or 3 hours.
00:59:43We talked about it.
00:59:44And after that,
00:59:45let's do it.
00:59:46Then we did it.
00:59:50This beat,
00:59:51which is on top of your head,
00:59:52is it a rabbit?
00:59:53Or a chicken?
00:59:54I am not so expert
00:59:55that I can tell a male and female.
00:59:59Saurabh Bhai,
00:59:59no,
01:00:00no,
01:00:00no,
01:00:01no,
01:00:01no,
01:00:10no.
01:00:11no,
01:00:12no,
01:00:12no,
01:00:12no,
01:00:13no,
01:00:13no,
01:00:13no,
01:00:40no.
01:00:40No,
01:00:41no,
01:00:42no,
01:00:42no,
01:00:43no.
01:00:44No,
01:00:57no.
01:00:57No,
01:00:58no.
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