- 5 hours ago
The Great Indian Kapil Show - Season 3 - Episode 02: Metro Masti
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TVTranscript
00:00:45Good evening and welcome to the Great Indian Kamil Show.
00:00:54Thank you, guys.
00:00:57Hi.
00:00:58Hello.
00:00:59Hello?
00:00:59Where are you?
00:01:01What do you know?
00:01:04I've been locked in two or three times.
00:01:07I'm not opening the door.
00:01:09Hey!
00:01:09Hello?
00:01:13Hey!
00:01:18Hello?
00:01:21Who closed the door?
00:01:22Who closed the door?
00:01:25Is there anyone?
00:01:25Who closed the door?
00:01:32Who closed the door?
00:01:36It's the old man. Let's leave.
00:01:40Tell me about the time.
00:01:41Yes, do it. Take your phone.
00:01:45102 Gs.
00:01:46102 Gs.
00:01:48The ring is going.
00:01:55My phone cut.
00:01:56I said I'll take it.
00:02:00Where did you go?
00:02:02We will put some commentary or showmetry
00:02:04We will put some commentary on our show.
00:02:05Start the show.
00:02:06You're honest.
00:02:07We will put two things in a day.
00:02:10Lili, Lili, Sili.
00:02:11Please go back and take care of our cafe.
00:02:14And Chilli.
00:02:15In front of my Tao Ji,
00:02:16we have to kill him.
00:02:17Okay?
00:02:19When did I come?
00:02:21When did I come?
00:02:22The Tao Ji won't come out.
00:02:25We have to kill him.
00:02:27And we have to kill him.
00:02:28If it happens to him,
00:02:30they will put him in front of me.
00:02:33Please go.
00:02:34Okay, Cap.
00:02:35Thank you, Sao Nara.
00:02:38These horror boys,
00:02:39always look good,
00:02:40always look good,
00:02:41always look good.
00:02:43Oh!
00:02:45Oh!
00:02:47Anurag Basu Sari is there.
00:02:49Guys!
00:02:53Wow!
00:02:59Anurag Basu mouth,
00:03:00please turn off.
00:03:02Yes!
00:03:03Anurag Basu.
00:03:03Oh!
00:03:17Anurag Basu.
00:03:22Yes!
00:03:22Where are you?
00:03:39Ladies, it's the right thing.
00:03:51Where are you going to shop?
00:03:53Yes.
00:03:54I think that there's an idea of a lady who has to open the door in the airport.
00:03:57What do you guys do shopping?
00:03:59She was looking for CCTV camera.
00:04:02Why are you looking for CCTV camera?
00:04:03Why do you see CCTV camera?
00:04:03Today, someone has a few of us.
00:04:09Naughty girl.
00:04:11Ouch!
00:04:13Ali is also in the movie, she doesn't show her.
00:04:22Welcome now, bro.
00:04:27Is this your shopping or their shopping?
00:04:28This is a little Lilia.
00:04:30A little?
00:04:32A little?
00:04:46Okay.
00:04:48Now, I feel like the whole cast is not showing her.
00:04:50Now, some people are missing.
00:04:51Yes.
00:04:53Oh!
00:04:56Oh!
00:04:58Oh!
00:05:04Oh!
00:05:07Oh!
00:05:08Oh!
00:05:26Oh!
00:05:27Oh!
00:05:27Oh!
00:05:40Okay.
00:05:45Now, you're shooting.
00:05:47I'll just drop it.
00:05:48I'll drop it.
00:05:48Are you going to leave me?
00:05:49Yes.
00:05:52Don't leave me at all.
00:05:55Ali, Ali, Ali!
00:06:01Hello.
00:06:02Hi, hi, hi.
00:06:03Hi, hi.
00:06:04Oh!
00:06:05One second.
00:06:05What?
00:06:06Ali, Ali.
00:06:07I take the time from me.
00:06:08Ali, Ali.
00:06:12Go get those ugly wrists as well.
00:06:15Look at us.
00:06:16I'm so far that you're going to be from Somalia.
00:06:18Somalia!
00:06:19Open theira after the cafe.
00:06:24Come here.
00:06:25Very fun.
00:06:26Come here.
00:06:27Come here.
00:06:27Come here.
00:06:28Come here.
00:06:33See, you get all of our actors and all who have been here.
00:06:36One is Aditya.
00:06:37One is a four police officer,
00:06:38and you see them eight more.
00:06:40Eight.
00:06:40I don't know who has done such fan following.
00:06:45But I've seen that they don't get to film.
00:06:48Because if they get to film,
00:06:50then there are 900 films of Unpum Sir.
00:06:56Aditya, when you come to our show,
00:06:58there are many girls who want to date.
00:07:01How difficult is it to take a date?
00:07:03For shooting?
00:07:05Yes.
00:07:07There are so many distractions.
00:07:10Now I'm free.
00:07:11There are dates for the next 1-2 months.
00:07:14For shooting.
00:07:19Friends, I'll tell you a great thing.
00:07:21You've noticed that in the future,
00:07:24Aditya worked with Katerina
00:07:26and she got married.
00:07:29In Sadak 2, they worked with Alia
00:07:31and she got married.
00:07:33That's true.
00:07:34That's true.
00:07:34Night manager, they worked with Shobita
00:07:36and she got married.
00:07:38Oh, shit.
00:07:39Sara?
00:07:40Ah.
00:07:41After that, Sara?
00:07:42Ah.
00:07:45I'm wondering,
00:07:45if you're filming with them,
00:07:48then you're going to film with them.
00:07:49After that, which film is coming?
00:07:50Okay.
00:07:51I want to tell you this,
00:07:52that I had married with Ranveer before
00:07:54but I didn't have married.
00:07:59Guys, I didn't have married with Ranveer.
00:08:01Because I worked with Ranveer.
00:08:04It would be her婦.
00:08:05It would be Varaon.
00:08:06It would be her婦.
00:08:07It would be her婦.
00:08:09It would be her婦.
00:08:10It would be her婦.
00:08:10It would be her婦.
00:08:12It would be her婦.
00:08:12So actually,
00:08:13we should do something else.
00:08:14Actually, actually.
00:08:16Point of safe.
00:08:18Well done, Sarav.
00:08:20Well done, Sarav.
00:08:21Hello?
00:08:21Good, wow. How you pultoned it.
00:08:23But it's true.
00:08:25Anurag Dada, you have to believe that
00:08:27as many people are in the film,
00:08:29there are so many people for promotion.
00:08:30But at the time of promotion,
00:08:32one or two people are going to die.
00:08:33So, Dada, you love all the films
00:08:34that you have to keep in the last check.
00:08:39For the film?
00:08:40Dada, if you're a director
00:08:41and you answer it in four words,
00:08:43how do you make the episode?
00:08:47Fatima is the first time of the show.
00:08:49What the story is, Fatima?
00:08:51Oh, oh, oh, oh.
00:08:53She's a great actress.
00:08:55She was fighting in the jungle.
00:08:57She was driving a motorcycle in the jungle.
00:08:59She was driving a motorcycle.
00:09:00She's also on our show.
00:09:02After that, you will film more
00:09:04that your dream will be complete.
00:09:07It's complete.
00:09:08And you don't need to do anything.
00:09:09It's finished.
00:09:10Done.
00:09:11Retire.
00:09:12Give the money.
00:09:14This is the last show.
00:09:16You have to get money.
00:09:16You have to get money.
00:09:17So, give it to me.
00:09:18The end story.
00:09:19I've done it for you.
00:09:21I've done it for you.
00:09:22I've done it for you.
00:09:22It's the TDS.
00:09:23It's the TDS.
00:09:24It's the TDS.
00:09:25It's the TDS.
00:09:27I know.
00:09:28I know.
00:09:28I know.
00:09:29Anurag Dada is that
00:09:29this film is coming from Kamal.
00:09:31There are also very big films.
00:09:33One is Aditya.
00:09:34One is Karthikaran.
00:09:36One is Ranbir.
00:09:37One is Aamir Khan.
00:09:39One is Aamir Khan.
00:09:39He's got a date for me.
00:09:40He's got a script.
00:09:41He's got a script.
00:09:41He's got a script.
00:09:48I've made a script.
00:09:50I've been having a script.
00:09:52I've taken a script.
00:09:52You have a good weight lose.
00:09:54You are feeling Karnal.
00:09:55Seriously?
00:09:55Yeah.
00:09:56Yeah.
00:09:56You're looking very nice.
00:09:58That's right.
00:09:59If you give me a compliment, I'll do all the things with you.
00:10:05But I was busy in my movies, so that's why.
00:10:09No, you're really good.
00:10:13Life in a Metro was my favorite film.
00:10:15After that, I made this film for 18 years.
00:10:18You were waiting for the work in Mumbai, Metro.
00:10:23I was like, 18 years, Basuda.
00:10:26First of all, I put this in my mind.
00:10:28Why did you make this film?
00:10:30First of all.
00:10:31When I put it in my mind, I started thinking about it.
00:10:33There were some new stories in my mind.
00:10:35Because in two weeks, the world has changed.
00:10:38The stories have changed.
00:10:40There are new stories, new aspirations.
00:10:42So now, I felt that it was the right time to make this film.
00:10:45Did you miss it, Irfan?
00:10:46I miss him very much.
00:10:47We all miss it.
00:10:49Irfan, it was great.
00:10:50I met Samuel Thayer.
00:10:54Okay, in this film, there's only this one in the last metro.
00:10:59This metro has remained here.
00:11:01So,ashes this is your Bengali connection.
00:11:02You've made the Pass to Metro.
00:11:05It's made a pass to Metro.
00:11:07Because after 18 years, there will be Metro 3,
00:11:10I will be the older couple.
00:11:12And our photo will be filled.
00:11:18I think that you will be the hero of the way.
00:11:21What is the way you are going to reverse?
00:11:23Kher Saab, you don't remember the story of the story.
00:11:27Kher Saab and Nina Ji are sleeping in the fridge.
00:11:29In the fridge?
00:11:31In the fridge?
00:11:31In the fridge?
00:11:31In the fridge, sir.
00:11:33There are no changes.
00:11:36I don't know who you are eating from the house.
00:11:41I don't know who you are.
00:11:41But I will tell you today.
00:11:42I will clear it in front of you.
00:11:43I didn't see people as young people.
00:11:46Stop!
00:11:48Stop!
00:11:51Stop!
00:11:52Stop!
00:11:53Stop!
00:11:54Stop!
00:11:54Stop!
00:11:55Stop!
00:11:56When I was in the 27th century, I was in the 65th century.
00:11:59Then in the 65th century, 66th, 77th, 65th, 65th.
00:12:04People would know how I was young.
00:12:06Now I have all my hair.
00:12:07Now I feel like I am young.
00:12:09And you always feel handsome.
00:12:11Kher Saab.
00:12:11Kher Saab.
00:12:12Love you.
00:12:13Love you.
00:12:16Sara has said in some interviews,
00:12:19that they have not done this film.
00:12:21This film has done it.
00:12:23Okay.
00:12:24So, for such a sincere thoughts,
00:12:29what do you do in the Bhojan?
00:12:30What do you grant?
00:12:32Sir,
00:12:34Sakaraatmak,
00:12:35Soch,
00:12:36Yoga,
00:12:38Pratna,
00:12:39Satchai.
00:12:41Wow.
00:12:41That's right.
00:12:42Jai Saraama.
00:12:43Jai Saraama.
00:12:44Jai, Jai, Jai.
00:13:10Jai, Jai.
00:13:33Jai, Jai.
00:13:38Jai.
00:13:41No.
00:13:43Look, it's different.
00:13:46What's wrong?
00:13:47We talked about Unpum, sir.
00:13:52When we came to the industry,
00:13:54they played a role.
00:13:56Now, the young people are playing.
00:13:59They were on the beach, Kher Saab.
00:14:01They were on the cycle.
00:14:04You thought about this.
00:14:05When I can go on the beach,
00:14:06I can go on the cycle,
00:14:07why can't I do romance?
00:14:08I was on the sidewalk.
00:14:09I was on the sidewalk.
00:14:10I was on the sidewalk.
00:14:12On the scooter.
00:14:13Oh my God.
00:14:15I don't have to go on the scooter.
00:14:17What?
00:14:17No.
00:14:18I fell in your eyes.
00:14:19I don't know if I'm wrong.
00:14:23And I sat behind.
00:14:24I sat behind.
00:14:25My scooter was on the wheel.
00:14:28Seriously?
00:14:30But the wheel?
00:14:31I was on the film of Hayash Ji's film.
00:14:35I was on the race.
00:14:37Wow.
00:14:37Oh my God.
00:14:38And Tinu Verma was the director.
00:14:41So they didn't tell me that they were going to do anything.
00:14:43They gave me the wheel.
00:14:45Oh my God.
00:14:47They gave me the wheel.
00:14:48Oh my God.
00:14:50And this is your fault.
00:14:51You're talking about the wheel.
00:14:56Oh my God.
00:14:59You're talking about the wheel?
00:15:03Oh my God.
00:15:04Yeah, yeah.
00:15:10Okay.
00:15:12It's like the wheel.
00:15:14And it's like this man,
00:15:15you should have already seen that.
00:15:22...that you will be able to save your money.
00:15:25Hey!
00:15:26No, I'm going to go.
00:15:28And I want to tell you one thing.
00:15:29I want to tell you so much.
00:15:30You are so many, Nina.
00:15:32Today, Sidhu didn't come to any cause.
00:15:34That day, I was watching your photos on Instagram.
00:15:37She said,
00:15:38I'm dead.
00:15:40How did Viv Richards kill me?
00:15:47Nina, I want to give you a compliment.
00:15:50You are going to reverse.
00:15:51You are going to touch wood, Baba.
00:15:52Don't look at it.
00:15:53Touch wood, touch wood.
00:15:54No, you are not looking at it.
00:15:54Kheer, sit with you.
00:15:55You can look at it.
00:15:59Pankaj, as you are filming with Konkana today,
00:16:02I am very happy.
00:16:03Because Pankaj, we are such an actor.
00:16:06But in the film, we have seen
00:16:07that they are running a gun,
00:16:07throwing a gun.
00:16:09They are giving jokes.
00:16:11There is a crisis of romance.
00:16:12Yes, absolutely.
00:16:15In action, you feel like a retake in romance.
00:16:18You were doing romance first.
00:16:19You were laughing at it.
00:16:21You were laughing at it.
00:16:24You were laughing at it.
00:16:49You were laughing at it.
00:16:53You are laughing at it.
00:16:55You are laughing at it.
00:16:56But in the film,
00:16:57the eyes are very good.
00:17:00Seriously, I am appreciatingly saying that
00:17:03the eyes are very good.
00:17:04The eyes are very good.
00:17:05The eyes are very good.
00:17:19Who?
00:17:20In school and college.
00:17:22Oh my God, really?
00:17:24You are laughing at it.
00:17:26Huh?
00:17:27What did they kill before?
00:17:33In this show,
00:17:35the story that Pankaj has said,
00:17:36the rest of the people
00:17:37cannot say that
00:17:38the people who have been married
00:17:39and married.
00:17:41No, I can say it.
00:17:43Oh.
00:17:44Yes, that's right.
00:17:45Oh!
00:17:49I mean, you only did romance with them?
00:17:51Yes, the romance
00:17:52that I think
00:17:53should have done.
00:17:54Okay, let's go.
00:17:54No, I have done the last romance
00:17:56that I married.
00:17:57Thank God, the last one.
00:18:00But in the romance stages,
00:18:02they are the same.
00:18:03Yes, that's right.
00:18:04I will not reach here until now.
00:18:05Yes, you.
00:18:13He is so funny.
00:18:18Oh!
00:18:22Oh!
00:18:25Oh!
00:18:27Oh!
00:18:31Oh!
00:18:45Oh!
00:18:55I'm saying
00:18:59I
00:19:00Hello, Alec
00:19:00I
00:19:03Not to talk about me about Kerega
00:19:05Phila Pankajji
00:19:07I
00:19:07Don't
00:19:08This is the dance.
00:19:11I don't know what the other people have seen their lives in their lives.
00:19:17Oh!
00:19:19One of them is Pankajji,
00:19:20who has seen their entire lives only London dance.
00:19:26London dance.
00:19:28And now you're watching.
00:19:32How are you feeling, Pankajji?
00:19:35Very good.
00:19:36You say, continue,
00:19:38or stop the girl's life.
00:19:40The petrol will be finished.
00:19:42It's closed.
00:19:43Oh, thank you, thank you.
00:19:45Very good.
00:19:48What a matter.
00:19:51After 17 years,
00:19:52we've also made a metro.
00:19:54There are so beautiful people in the metro.
00:19:56Yes, yes.
00:19:57And one of them,
00:19:57who come to the metro,
00:19:59people are sitting here like this.
00:20:00Like this,
00:20:00people are sitting here.
00:20:03Yes, but whoever you are,
00:20:06Jory Kamal.
00:20:07Jory.
00:20:08Jory's back.
00:20:09Yes, yes, yes.
00:20:10So, I've also taken my Jory with me.
00:20:13Yes.
00:20:14My Begum,
00:20:15Gasmeen.
00:20:16Gasmeen?
00:20:26Oh!
00:20:32Look at her expression.
00:20:33Oh my god.
00:20:34My guessmean was very happy with you and she said that you are the actor of Kamal.
00:20:41I don't like it.
00:20:42You don't like it?
00:20:43I don't like it.
00:20:45I don't like it.
00:20:46I don't like it.
00:20:47I don't like it.
00:20:47Oh, sorry.
00:20:48I forgot one thing.
00:20:50It's a disease.
00:20:51It's a disease.
00:20:53Oh.
00:20:57Oh.
00:20:58Oh.
00:20:59Oh.
00:20:59Oh.
00:21:02Oh.
00:21:04Oh.
00:21:04My name is Yeager.
00:21:06Ok, my name is Yeager.
00:21:09My guessmean.
00:21:11I've been to people for a long time.
00:21:12You guys are coming, look at it.
00:21:14Hey, guys.
00:21:16Let me see them.
00:21:16And make them look more beautiful.
00:21:19Guessmean!
00:21:20Guessmean!
00:21:22Guessmean!
00:21:24There's a little bit of a hukku!
00:21:25Cuckoo!
00:21:33Oh, my God!
00:21:36Oh, my God!
00:21:45Hello?
00:21:45Oh, my God!
00:21:46Won't you become a little bear?
00:21:52Cuckoo!
00:21:53Woo!
00:21:55Woo!
00:21:56What's the doing in our bedroom?
00:22:00No, no!
00:22:00Tell us that there is no place in our bedroom!
00:22:04awwbing
00:22:05hous
00:22:05Now,
00:22:06what are we doing in our bedroom too? Oh,
00:22:08we won't in our bedroom too Huh?
00:22:11Ne consider
00:22:12this will to be a little boarder A little
00:22:15bit of aая fit girl is sitting to the interview Baby-hoo,
00:22:18baby! Sir
00:22:22And then, you do comedy from the back.
00:22:30And from that...
00:22:35...it's a little laugh.
00:22:40I don't know how to do that.
00:22:42I try to do that, but...
00:22:47Listen to me, Jasmine.
00:22:48Jasmine, what do you want to do here?
00:22:51I am very sad.
00:22:53My husband has been two years old.
00:22:56Now until now, there is nothing in my life.
00:22:59I am very sad.
00:23:01This is a mess.
00:23:01Now, the person didn't fight in my life?
00:23:05The fight is also an autorexia.
00:23:07What do you have to do with husband and wife?
00:23:12I am very sad.
00:23:14I am very sad.
00:23:18There is nothing in my life.
00:23:20I am very sad.
00:23:26I am very sad.
00:23:27I am very sad that my husband and my husband,
00:23:28and I am very sad.
00:23:29Why are you so sad?
00:23:34My brother,
00:23:35I am very sad.
00:23:37I have given him a glass of water.
00:23:39I have drank water and drank water.
00:23:42You say that you do what you do,
00:23:43than you do that you do.
00:23:45So, I'm going to take a glass to go to the kitchen.
00:23:54Come on, you don't need to take a glass, right?
00:23:57No, you don't need to take a glass.
00:23:59You won't come to the glass.
00:24:00You know the glass?
00:24:03You don't know the glass of glass.
00:24:05You don't need to take a glass of glass.
00:24:17You don't need to take a glass of glass.
00:24:19Stop!
00:24:21Tell me one thing.
00:24:26You've never seen a picture with your boyfriend.
00:24:31Remember, you're a black man.
00:24:35You're a pop-corn.
00:24:37You've studied.
00:24:39But you haven't eaten two hours.
00:24:40You don't have to take a glass of glass.
00:24:43Sheek!
00:24:46We don't have to take a glass of glass.
00:24:47We don't go outside.
00:24:49My boyfriend would come to the house.
00:24:51Huh?
00:24:54And then we sat together.
00:24:56Anurag Ji's murder film.
00:24:58Imaran Ashmi's murder film.
00:24:59We sat together.
00:25:02Have you seen a murder picture?
00:25:05I've seen that movie with all my boyfriend.
00:25:12What's your boyfriend?
00:25:13What's your boyfriend?
00:25:16No, no.
00:25:17My mother said that boyfriend and the rice
00:25:19will get a look.
00:25:21I don't know.
00:25:23I don't know.
00:25:23You know the murder picture.
00:25:25You know everything.
00:25:26Why do you do romance with me?
00:25:28Because I don't like your style.
00:25:32What?
00:25:33You are a green flag.
00:25:37Green flag?
00:25:37Oh, no.
00:25:38And I don't like green flags.
00:25:40Oh, my God.
00:25:42I want a red flag.
00:25:45I like romance romance.
00:25:48I like romance romance.
00:25:50I want roadside Romeo.
00:25:52I want love to be a girl.
00:25:54I want love to be a girl.
00:25:56I want love to be a girl.
00:25:56I want to be a girl.
00:25:58I want to be a girl.
00:26:01I want to be a girl in the rain.
00:26:14Oh, my God.
00:26:16You have seen the 누구나 place between me.
00:26:19Sorry.
00:26:20I taught that to me.
00:26:21What did you teach?
00:26:22I taught that to me,
00:26:23I taught that to seporry we walk.
00:26:27I taught, I looked like it.
00:26:37All the people say, shh!
00:26:40I can do it.
00:26:44It's a whole feeling.
00:26:50I'm crying.
00:26:55It's a little bit less.
00:26:58I forgot, but there is something like this.
00:27:09Hummm...
00:27:10Oh!
00:27:16Very funny!
00:27:20You have done it!
00:27:21I've done it!
00:27:23I've done it!
00:27:23I've done it!
00:27:25What you've done it!
00:27:26I was Alright!ти村
00:27:27ficrs! What?
00:27:29Why do
00:27:29they do this? They don't.
00:27:32What? Oh,
00:27:33too late! What? Not what?
00:27:37He's got a big dad.
00:27:38Listen.
00:27:45Ali has a promotion today.
00:27:47And the wife of their son, Richa Ji.
00:27:49He's become a lot of parents.
00:27:51Thank you, thank you, thank you.
00:27:56Ali was looking for intelligence secrets...
00:27:58and she didn't give a wife about her.
00:28:00Is she going to hang out with Richa?
00:28:03Or is she going to get you to you?
00:28:08No, I don't want to be able to do it.
00:28:10There's no such honor.
00:28:12We're talking about this.
00:28:14Ali is a very loving person.
00:28:18As Ali is a father, Nina is also a mother.
00:28:21You are very blessed.
00:28:24And this is such a cool mother.
00:28:26We've also seen them on social media.
00:28:28And we've seen a song for her children.
00:28:32We've heard Nina, you've said that
00:28:35I don't want to call a mother, Nina.
00:28:36You don't want to call a mother?
00:28:37Yes.
00:28:37Are you afraid that the romantic role will be less?
00:28:39No.
00:28:40I feel very young.
00:28:42So I don't want...
00:28:43Nani sounds very old.
00:28:45Oh my God.
00:28:46So I want to still feel young.
00:28:48Are you young?
00:28:49What is it?
00:28:50No.
00:28:51It's not, but it doesn't feel from inside.
00:28:53It's not.
00:28:55But Nina is a good song.
00:28:57That's why she feels good.
00:28:59Kiran is a very bad song.
00:29:02Sorry, sorry, Kiran.
00:29:04Do you have to go to his house?
00:29:04No, I'm sorry.
00:29:05That's why I'm sorry.
00:29:06So when Sikandar was a little,
00:29:08she was in Pala.
00:29:09So one day, Kiran's heart,
00:29:11I'm going to listen to my son.
00:29:12Yes.
00:29:13So she's going to listen to her.
00:29:15She's going to listen to her.
00:29:15She's going to listen to her.
00:29:17She's going to listen to her.
00:29:28She's going to listen to her.
00:29:31You know, all those things which Masaba would not know now.
00:29:34So if I'm alive, I'll teach her everything.
00:29:38God bless you.
00:29:39What are you doing?
00:29:40Nice.
00:29:41You will come to this episode.
00:29:44What are you doing?
00:29:45How are you doing?
00:29:46How are you doing?
00:30:05Yes.
00:30:09Yes.
00:30:17Yes.
00:30:22Yes.
00:30:30Yes.
00:30:35Yes.
00:30:36Yes.
00:31:02Oh my God.
00:31:03Yes.
00:31:04I said,
00:31:05I don't know anything like that.
00:31:06So you're going to listen to her.
00:31:09Oh my God.
00:31:10I said,
00:31:12Yes,
00:31:12I don't know the money.
00:31:14What's your money?
00:31:15How are you doing?
00:31:16So there are many questions.
00:31:18There are many questions.
00:31:20There are many questions.
00:31:21How do you go out?
00:31:22How do you go out?
00:31:24You're going to ask a question.
00:31:26When I went to Delhi,
00:31:28I was so angry in Delhi.
00:31:30We were living in the world.
00:31:32So the ladies came and said,
00:31:35Raveena said,
00:31:35What is her affair?
00:31:36What is her affair?
00:31:37They asked her.
00:31:39And then they said,
00:31:41A auntie came and said,
00:31:44This is my Tillu.
00:31:45She doesn't do anything.
00:31:47She's got angry.
00:31:48She's got an actor.
00:31:51She's got an actor.
00:31:53I used to get so angry.
00:31:56My friends say,
00:31:58These actors are acting.
00:32:01There is a camera man.
00:32:02So what do you do?
00:32:05What is your job?
00:32:07My father,
00:32:08Innocence,
00:32:09was a problem.
00:32:10He went to the train.
00:32:12He went to the train.
00:32:13He went to the train.
00:32:14He said,
00:32:15He said,
00:32:16I'm the father of Anupam Khair.
00:32:18He said,
00:32:19What are you doing in the train?
00:32:22He called me at 2.30am.
00:32:24He said,
00:32:25He said,
00:32:26I'm the father.
00:32:28He said,
00:32:28I said,
00:32:31I'm the father.
00:32:32I'm the father.
00:32:33I'm the father.
00:32:33I don't know, talk about it, talk about it.
00:32:34No, no, talk about it.
00:32:35Anji, Anji, who are you talking about?
00:32:37Anupam, how do we know?
00:32:39Oh, God!
00:32:42Listen to dialogue, I'm at the night at 5 o'clock.
00:32:44I've heard you listen to me.
00:32:46I've heard you listen to me.
00:32:49I'll tell you, Mr. Pratap Singh,
00:32:51I'll tell you, you'll be alive.
00:32:54Okay, Anupam, you're the father of Anupam.
00:32:57You've been in Benderam, right?
00:32:59Actually, Kulaba.
00:33:00Kulaba?
00:33:01Yes.
00:33:01So, if you go to Nayegam or Wapi type,
00:33:04you'll miss it.
00:33:06What do you think of the difference in that Bombay?
00:33:08Kulaba, then Bandra.
00:33:11Now, Kulaba.
00:33:11The roads are a little big.
00:33:12Bandra's roads are a little small.
00:33:14But I've traveled quite a bit in trains.
00:33:16I've been traveling in trains for five years.
00:33:18My first job was in Sakinaka.
00:33:20Okay.
00:33:21So, I've got a lot of Bombay.
00:33:23A lot of Bombay.
00:33:24I want to add some progress about Fatima.
00:33:27You've seen all of Fatima's films.
00:33:29And now I've watched it.
00:33:52I've watched it.
00:33:54I've enjoyed it.
00:33:56I've watched it.
00:33:57I've had a lot of change in order for 3rd to 3rd to 3rd to 3rd to 3rd to 3rd.
00:33:59So, Fatimah, like in every film you're doing with your boyfriend,
00:34:02left my boyfriend, left my husband,
00:34:04what do you need a boyfriend?
00:34:06Do you have someone in your mind?
00:34:07You're like someone.
00:34:08I'm like someone.
00:34:09Oh!
00:34:11No, no, no, it's wrong.
00:34:12I'm married.
00:34:13No, don't understand.
00:34:15It's my ugly film.
00:34:16You're like someone.
00:34:17With Madhavan.
00:34:18There's a different chemistry.
00:34:20There's a different relationship.
00:34:21There's a different relationship.
00:34:21Oh, wow.
00:34:22So, you're going somewhere else.
00:34:23I'm not going to get my husband.
00:34:27So, do you leave Madhavan?
00:34:30Why are you all being angry?
00:34:31No, I don't think so.
00:34:32I don't think so.
00:34:33I'm so sorry.
00:34:34No, no, you're very loving.
00:34:35I haven't asked you so.
00:34:36So, you're going to Netflix?
00:34:37Of course, you're going to Netflix.
00:34:38You're going to the show.
00:34:39Thank you, thank you.
00:34:41Thank you, thank you.
00:34:44Konkana, you always have a meaningful cinema.
00:34:46I'm not sure you don't have a chiffon shirt.
00:34:49You're going to go to the kitchen.
00:34:49I'm not sure you are going to go to the kitchen.
00:34:50I think I'm a hero.
00:34:53I'm going to take a mandaline and dance with you.
00:34:54I'm going to take your mind like this.
00:34:57I'm going to take your mind like this.
00:34:59Look, we give you indoor hauls.
00:35:02Look, I've told Pankaj.
00:35:03I'm going to have a mandir.
00:35:05Today, I'm going to give you a beautiful smile.
00:35:09Oh!
00:35:11Pankaj, and look,
00:35:12there will be a big fan of Kishore Dha.
00:35:18Yes, Pankaj.
00:35:19I'll give you a big fan of Kishore Dha.
00:35:20You said that I'll do a backstake.
00:35:22I'll give you a big fan of Kishore Dha.
00:35:24One more time, Pankaj and Kunkira Dha.
00:35:30So,
00:35:32you all have to be in the front of Kishore Dha.
00:35:36It's very good.
00:35:39Pankaj Tripathi Ji and Kunkna Sen
00:35:41will be a romantic song in front of you.
00:35:43And there are some people who have become a man who have become a man.
00:35:48Look,
00:35:49I'll give you a big fan of Kishore Dha.
00:35:54I will give you a big fan of Kishore Dha.
00:36:03I'll give you a big fan of Kishore Dha.
00:36:07I'll give you a big fan of Kishore Dha.
00:36:17Oh, my god.
00:36:18Yeah!
00:36:21Yeah!
00:36:21Woohoo!
00:36:31Rathinashili, must be summer
00:36:35Aaj nashye mein, sara jaha hai
00:36:41Rathinashili, must be summer
00:36:46Aaj nashye mein, sara jaha hai
00:36:50Aay shura, vi morally ke mentioned
00:36:56Rup tera most da na, kyaar nera tewana
00:37:01Bho labai himselfe num我
00:37:06Rup tera most da na, kyaar nera tewana
00:37:12Don't forget, no one will come from us
00:37:19Thank you for the lovely song.
00:37:21So good. You sing so well.
00:37:24It's not going to happen to anyone's romance,
00:37:26but it started my romance here.
00:37:31You can see the film in my dad's kites.
00:37:35There was no kites.
00:37:36There was no kites.
00:37:37There was no kites.
00:37:38There was no kites.
00:37:39There was no kites.
00:37:41There was no kites.
00:37:41You can see the kites in the metro.
00:37:43Dada, you're giving check to them.
00:37:48It's been still.
00:37:49It's been a bank.
00:37:50It's been a bank.
00:37:50It's been a bank.
00:37:52Someone told me,
00:37:53you're giving check to them,
00:37:54you're giving sign of the book,
00:37:55you're giving what you're going to do
00:37:56and you're going to do.
00:37:58So, a man writes so big,
00:38:00she doesn't ask money,
00:38:01she doesn't want money.
00:38:01She doesn't have to know.
00:38:04But the grandma makes food good,
00:38:05you know,
00:38:06Yes.
00:38:07Did you eat everyone?
00:38:07Yes.
00:38:09They make food and dance.
00:38:12Yesterday I saw their dance.
00:38:14He's such a good dancer.
00:38:16Yesterday he was another level.
00:38:18Then I hear the carpentry.
00:38:20They do the penta-foo.
00:38:22What is it?
00:38:23The plan is ready to come in.
00:38:26If there's anything, we'll do this.
00:38:29That's why we learned everything.
00:38:31There's a card of makeup artist.
00:38:31Yeah, it was.
00:38:34That's right.
00:38:35That's right.
00:38:38I also knew cooking.
00:38:40It was safe in the hotel.
00:38:41Really?
00:38:42Yes.
00:38:43I used to massage.
00:38:45No, I'm not joking.
00:38:46That's why you're doing it.
00:38:48No, I swear I'm not joking.
00:38:50After doing the course of the National School of Drama,
00:38:53suddenly my formal education
00:38:54from the first standard
00:38:56was finished.
00:38:58I sat there at Bengali market.
00:38:59I was thinking,
00:39:00I'm thinking,
00:39:01then I said,
00:39:02I don't need to do anything.
00:39:03So, I was studying at Oberoi Hotel.
00:39:05I taught massage in Oberoi Hotel.
00:39:06I taught massage in three months.
00:39:09Wow.
00:39:10Then I had massage in two months.
00:39:12At our shooting,
00:39:14Amit and everyone were sitting.
00:39:16Then I was doing massage all the time.
00:39:18Then I was doing massage all the time.
00:39:19Then I started to massage Shilpa Shirodhgari's mother.
00:39:21Then I started to massage all the time.
00:39:24Then the light went out.
00:39:28Oh, Anupam.
00:39:29Oh, Anupam.
00:39:30Oh, Anupam.
00:39:30Oh, Anupam.
00:39:33Oh, Anupam.
00:39:36So, Amit Ji zohar se bholai.
00:39:37Baiya, light jaldi lehkarao.
00:39:39Oh, Anupam.
00:39:41Oh, Anupam.
00:39:41So, Amit sir ki masaj,
00:39:42aap ne dil se ki ti ki ki ki ki pehle bhoomika banare te aap?
00:39:44No.
00:39:45Jana aap ko vahhi tha.
00:39:46Nahin.
00:39:47Nahin.
00:39:49Nahin.
00:39:50Nahin.
00:39:50When I was struggling,
00:39:51jab kam nahin mil raha taa,
00:39:53I was assisting a photographer.
00:39:54Or ma shadiyaan shoot kerti thi.
00:39:56To logo ki shadiyaan man ja ke photos khich ti ti,
00:39:59side ma audition de ti,
00:40:00kiinki wo paisa kamana bhoot important.
00:40:01Koyi bhi kam chota nahin hai.
00:40:03Nahin, koyi chota nahin hai.
00:40:07Koyi chota nahin hai.
00:40:08Wow.
00:40:09Ab kisi ki shadiyaan or yeh,
00:40:11bataiyeye,
00:40:11meh aajau ga,
00:40:11bas paisa achhe dhe de na.
00:40:13Eh, Sara ki honne wali ya na bhi?
00:40:15Haan.
00:40:15Adi ki honne wali ya.
00:40:17Haan, bada dhuriye kis ek ho jayegi.
00:40:19Done done.
00:40:19Diskaunt mhal jayega dano ko.
00:40:20Aisah.
00:40:24Basudha, humne na abhi,
00:40:26aapne dhrshkohun se eke promise kiya hai,
00:40:28har faniwaar badeh gha humara periwaar.
00:40:30To ye na,
00:40:30hum, har episode me eke aise,
00:40:32super fan ko bula hain
00:40:34joh kuch anokha kertte hain.
00:40:35For example,
00:40:35aaj joh humare yaha pa e
00:40:38super fan aare hain.
00:40:39Ye eek aise kaup hai,
00:40:41joh metro city me e apne anokhe dhank se
00:40:43traffic control kertte hain.
00:40:45Mäin aapko pahle dhkhaatau ho,
00:40:46ye kaisa kertte hain.
00:40:46Please have a look.
00:41:12Gorda taliye swaagat kijiye Mr. Ranjit Singh.
00:41:33Gorda taliye swaagat hain.
00:41:34Gorda taliye swaagat hain.
00:41:37Gorda taliye swaagat hain.
00:41:44Gorda taliye swaagat hain.
00:41:56Gorda taliye swaagat hain.
00:42:14Gorda taliye swaagat hain.
00:42:17Gorda taliye swaagat hain.
00:42:42Gorda taliye swaagat hain.
00:42:43Gorda taliye swaagat hain.
00:42:46Gorda taliye swaagat hain.
00:42:47Gorda taliye swaagat hain.
00:42:48Gorda taliye swaagat hain.
00:42:50Gorda taliye swaagat hain.
00:42:52Gorda taliye swaagat hain.
00:42:53Gorda taliye swaagat hain.
00:42:55Gorda taliye swaagat hain.
00:43:02Gorda taliye swaagat hain.
00:43:04Gorda taliye swaagat hain.
00:43:05Gorda taliye swaagat hain.
00:43:06Gorda taliye swaagat hain.
00:43:09Gorda taliye swaagat hain.
00:43:11Mr. Sir, first of all, we are going to salute you.
00:43:14And you are doing very good work.
00:43:16Thank you. Thank you so much. Thank you.
00:43:18It was very good to meet you. Thank you for your support.
00:43:21Thank you. Thank you for your support.
00:43:49I love it. I gave it. Wow.
00:43:54Wow.
00:44:10How is it?
00:44:12How is it?
00:44:12It's been put in the helicopter.
00:44:17It's been put in the helicopter,
00:44:18but it's been put in the cover.
00:44:22Why is it not going to get it?
00:44:23Because it's in the AC car will be seen.
00:44:24When I started, then I thought, why am I going to play it?
00:44:29And if you both play, then the bill is going to be a big deal.
00:44:35Let's go.
00:44:35Let's do a landing.
00:44:41Oh, lovely.
00:44:44Lovely.
00:44:45I'll get out of it and I'll get out of it.
00:44:54I'll get out of it.
00:44:59So, Dad, when you don't have to fly a helicopter, why don't you come from the car?
00:45:03Why are you going to go back to the helicopter?
00:45:05I said, I'm wrong.
00:45:07Why did I come from the helicopter?
00:45:09Dad?
00:45:10What, Dad?
00:45:13Hello.
00:45:15I want to do a dance with you.
00:45:18Dad, dance with you.
00:45:19How many people have come from?
00:45:20First, dance with you.
00:45:25Three,
00:45:27One,
00:45:28One,
00:45:28One,
00:45:29Two,
00:45:30Two,
00:45:32One,
00:45:34Two
00:45:34Three,
00:45:38Three,
00:45:38Three,
00:45:38Four,
00:45:38Five,
00:45:39Seven,
00:45:39Ichiki,
00:45:54What the hell?
00:45:56Hey!
00:45:58Anupam Ji, where is he?
00:46:00Here, here!
00:46:01Where is he? Where is he?
00:46:04Where is he?
00:46:06What is he?
00:46:08He was here.
00:46:09Why are you going to fly?
00:46:12I'm going to fly.
00:46:14I'm going to fly.
00:46:14I'm going to fly.
00:46:16There's a hill station.
00:46:18What the hell?
00:46:24What the hell?
00:46:26It was very good.
00:46:27It was very good.
00:46:29Kapil.
00:46:30Why are you here?
00:46:36Dad, I don't know if he's coming.
00:46:39What am I telling you?
00:46:40I know if he's coming.
00:46:43Wow, wow.
00:46:44It's very good.
00:46:47Kapil, which one is coming?
00:46:50Dad.
00:46:50I know in the beginning of the day.
00:46:54Hey, you know in the day of the day you will know, what do you want?
00:46:57We know in the day of the day.
00:46:59How do you know in the morning?
00:47:01Very good.
00:47:03Tell me.
00:47:04Tell me.
00:47:34what you do
00:47:36If Anurag sir has made it, then his concept will not be different.
00:47:41What are you saying, Dada?
00:47:43Yes, because last time I met him, Dada.
00:47:45He said, Dada,
00:47:47when there is a different concept, I will make you a picture.
00:47:51I didn't take a picture, but it doesn't mean the concept is different.
00:47:55No, no.
00:47:57Dada, it's a way of understanding.
00:47:59It's not going to be your decision.
00:48:01It's not going to be my decision.
00:48:03I will not be your decision.
00:48:05My decision.
00:48:06Dada, I have done something.
00:48:07Why did I do it?
00:48:11I can do it in a second.
00:48:13How will it be in a second?
00:48:16I will send a message to you in a second.
00:48:18I will send a message to you in a second.
00:48:25Dada,
00:48:26why do you do these things?
00:48:28I do these things.
00:48:30Because it will release me dopamine.
00:48:31This is the news expiration.
00:48:37It is.
00:48:53This is the news direction.
00:48:57Basically,
00:49:00I will send you new questions.
00:49:01meaningful consistency.
00:49:01To a ripe
00:49:01How do you release your dopamine when Archana is laughing?
00:49:06You don't have dopamine, but you have to release your check.
00:49:12Daddy, what do you want to do?
00:49:16I'm not going to show you a comedy program here.
00:49:20I'm going to stand up.
00:49:23Stand up in a metro.
00:49:30Daddy, do you know that their films are not made in the metro?
00:49:34It's made in the metro city.
00:49:38You wanted to tell first.
00:49:41You wanted to ask first.
00:49:44No, don't do it.
00:49:48No, don't do it.
00:49:48No, don't do it.
00:49:49Do it.
00:49:49I'm going to show you some people here.
00:49:56Oh, let me leave the mic.
00:50:00I'll show you some people.
00:50:04Stand up.
00:50:06Are you ready?
00:50:13Are you ready?
00:50:18I will not kiss the house.
00:50:20Who doesn't cry, doesn't do it.
00:50:22No.
00:50:25You don't have to ask for the punishment.
00:50:26I want to come ready.
00:50:28Okay?
00:50:30I'd love to listen to you.
00:50:32Yes.
00:50:33I would like to listen to you.
00:50:35Ali, come here.
00:50:39Come here.
00:50:41I'm here.
00:50:44You will eat your mouth on it.
00:50:46I'll hear them on it.
00:50:53from Kolkata.
00:50:54Kolkata is from Kolkata.
00:50:55Okay.
00:50:56So, Kolkata is a joke about Kolkata.
00:50:58Yes.
00:51:05Kolkata is on the bridge of the Haura bridge.
00:51:08Peacock is dancing.
00:51:10Peacock.
00:51:11So, what will people see below?
00:51:14What will they say about it?
00:51:15What will they say?
00:51:16What will they say?
00:51:18They will say...
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