- 8 hours ago
1995 Number One Fan FULL HOT MOVIE [Full Movie] [Hot 2026]Full EP - Full
Category
🎥
Short filmTranscript
00:00:17Oh, my God.
00:00:49I'll get you off the face of no wonder, good luck.
00:00:57Happy birthday to me.
00:01:01It's a real shame what I'm going to do to you.
00:01:04It'll be like the face in the moon, Elisa.
00:01:33I guess you're right on time.
00:01:36For what?
00:01:37The last train to hell.
00:01:39And I got your boarding pass.
00:01:41All you got to do is ask.
00:01:55Send my regards to Satan.
00:02:08And cut.
00:02:10Check the gate, please.
00:02:11I think I'd like to print that.
00:02:13Very nice.
00:02:14Very nice.
00:02:15Thanks for saving my life.
00:02:18I owe you one.
00:02:19I think you pay me back in the next seat.
00:02:21I was thinking about something a little more interesting.
00:02:25Like you and my dressing room in about half an hour.
00:02:27Now, you know I'm practically married.
00:02:29I will tell you.
00:02:36Never trust a woman.
00:02:38Hey, Lieutenant.
00:02:39What are you doing down here?
00:02:40I'm giving some technical advice on a new cop show.
00:02:43I tell them in the finer points of police work, they ignore me, and everyone in America goes
00:02:47on thinking cops are more.
00:02:48We've got to grab some ones.
00:02:50I'm poor.
00:02:51You buying?
00:02:52Of course.
00:02:52You know, I like that free food.
00:02:56Say, yo.
00:02:58You were wonderful.
00:02:59Yeah, it was okay?
00:03:00Oh, are you kidding?
00:03:01It was fabulous.
00:03:02I think we have another hit here.
00:03:04All right.
00:03:06I'll see you later.
00:03:31We love you, sir.
00:03:33We love you.
00:03:37I love you.
00:03:42All right, all right, ladies.
00:03:43Come on, time to break it up.
00:03:45Notice.
00:03:47So my mother called today,
00:03:48and I told her we just wanted family and a few friends,
00:03:52but she still thinks that we ought to look at a few churches.
00:03:56I thought you didn't want a church wedding.
00:03:59Well, I didn't, but, I don't know, maybe we should.
00:04:03Of course, it'd be a bit hypocritical.
00:04:05I haven't been to church in years.
00:04:06I'd probably get struck by lightning walking down the aisle.
00:04:10I don't know.
00:04:10I just want everything to be perfect.
00:04:14Oh, it'll be perfect, because you'll be there.
00:04:17You don't have to say that.
00:04:19I already said yes.
00:04:21Hold that zipper any further.
00:04:23You're a dead man.
00:04:24This one's off limits.
00:04:26It's the wedding dress.
00:04:27Oh, I want to see it.
00:04:28No, I'm not finished with it yet.
00:04:29Besides, it's bad luck for you to see the dress for the wedding day.
00:04:32We don't have any bad luck.
00:04:35Not yet.
00:04:36Not in three years.
00:04:37It's been that long.
00:04:41Yes, you were shooting .45 Magnum,
00:04:43and it was my first job as a wardrobe assistant,
00:04:46and I got to dress you.
00:04:48Oh, well, now you can undress me.
00:04:50Oh, no.
00:04:51Oh, yes.
00:04:51We've got to get going.
00:04:52I don't want to go.
00:04:53Oh, come on.
00:04:55I've been looking forward to this party.
00:04:58No, no.
00:04:59If you mess one hair on my head,
00:05:01I'll have to go back to that bathroom.
00:05:09I don't want to go back to that bathroom.
00:05:12Oh, yes, you're good for it.
00:05:14Oh, no.
00:05:15Oh, no.
00:05:18Oh, no.
00:05:19Oh, no.
00:05:20Oh, no.
00:05:22Oh, no.
00:05:24Yeah.
00:05:25Yeah.
00:05:55Through the heart?
00:05:57Just quick, clean, and easy.
00:05:59Where did you find this guy?
00:06:00My grandma always falls in love with his characters, especially the villain.
00:06:03Hey, you have to admire a mind like that.
00:06:06Excuse me.
00:06:07By the way, I got this funny thing in the mail, something about a premiere.
00:06:10Yeah, I wonder who that was from.
00:06:12I know, I hate the premiere.
00:06:13I mean, the whole lot of mine rather strangle the record.
00:06:17So don't come, we have one.
00:06:19Sure.
00:06:21It's crazy.
00:06:23It reminds me of this one.
00:06:25I said, if I have to go to that spot, I am not coming back.
00:06:30Here you go.
00:06:38Mr. Berry.
00:06:39Mr. Berry, perfect strength.
00:06:40Thank you, Jesus.
00:06:41Thank you, Jesus Christ.
00:07:00Mr. Berry.
00:07:50How long have you been watching me?
00:07:53I wasn't.
00:07:54Meyer?
00:07:55You're Zane Barry.
00:07:57Guilty as charged.
00:07:58I had no idea you were into voyeurism.
00:08:02I'm sorry about that.
00:08:03I don't know why I did it.
00:08:04You're a man.
00:08:07So you're a friend of Foxy's?
00:08:08I've never seen you here before.
00:08:10I don't have Foxy.
00:08:12So you're a friend of a friend.
00:08:14Actually, I don't know anyone here.
00:08:16Could you button me up, please?
00:08:23I'm not big on parties.
00:08:25Let me guess.
00:08:26You prefer more intimate crowds, let's say, one-on-ones?
00:08:31Maybe.
00:08:31Maybe I do, too.
00:08:35Well, we better get back before they send the bloodhands out to find death.
00:08:40I'm sorry about watching you.
00:08:45I'm not.
00:09:01I took you so long.
00:09:03Where's the line?
00:09:04Come on, let's go.
00:09:04Oh, no.
00:09:05I'm going to leave.
00:09:06I'm enjoying myself.
00:09:07Go back to my place.
00:09:09Maria's on vacation.
00:09:10You can enjoy yourself even more.
00:09:12You're drunk.
00:09:13You're right.
00:09:15I mean, people will see.
00:09:17Well, let's give them something to look at.
00:09:18What's got...
00:09:19Oh, what's coming into you?
00:09:21I'll carry you to the car.
00:09:21No, no, I can't go back to your place.
00:09:24Why not?
00:09:25Because I have a deadline that could be pretty soon.
00:09:27I'll help you.
00:09:28Yeah.
00:09:29I can't just have to.
00:09:36Could someone from the prop department please remove the giant whale from Fire Lane 1?
00:09:49Each and every stage has its own ghost, its own story.
00:09:52Think back to the roaring 20s.
00:09:54Imagine your favorite movie stars moving about in costume, walking down the same alleyways
00:09:59we're walking right now.
00:10:01And even today, our lot flourishes with the top stars in the business.
00:10:05As a matter of fact, this stage right here is the stage where Zane Berry is making his latest
00:10:09film.
00:10:13Where did this come from?
00:10:16Oh, fan.
00:10:18You're gonna call the number?
00:10:19No.
00:10:24Good.
00:10:25You know, you gotta get some silverware here.
00:10:27You're living like a pig.
00:10:29Movie stuff.
00:10:36Oh, Sean's back.
00:10:37You're gonna holler your face like this, that'd be a happy man.
00:10:44I gotta tell you, I'm excited.
00:10:46Every, uh, reporter in town called today, they want to know where the wedding is, they want
00:10:51to know, uh, if they can have press passes, they want to bring camera crews.
00:10:57Unbelievable.
00:10:58Yeah.
00:10:59Well, see, I've got an angle about that.
00:11:02You're not gonna believe this one.
00:11:06Hmm.
00:11:07There's something for the kids.
00:11:11There's a note.
00:11:13Let's see.
00:11:16Dear Zane, I read in the papers that you plan to marry that bimbo.
00:11:19Oh, and I can't let that happen.
00:11:21She's not the one for you.
00:11:22I will save you from the mistake you're about to make and show you that there's only one
00:11:26woman for you.
00:11:27No signature.
00:11:28No address.
00:11:29Just another anonymous nut.
00:11:31Like all the rest of them.
00:11:43Hey, get ready for pay, man.
00:11:50Now, I'll dry it up over here.
00:11:52You and your mineral water.
00:11:54Yeah, that must be hurting badly now.
00:11:57Hey, send around the drinks to my friend.
00:11:59Okay.
00:12:06Thanks, Nancy.
00:12:07You're welcome.
00:12:08All right.
00:12:17You like to stare at me, don't you?
00:12:18You're staring at me.
00:12:20I guess it's your lucky day.
00:12:21May I?
00:12:22Sure.
00:12:25That looks pretty healthy.
00:12:27Yeah, well, I gotta be careful what I put in my body.
00:12:30So do I.
00:12:32See, you never told me your name.
00:12:33Blair.
00:12:35Well, it's quite a coincidence that we run into each other again, isn't it, Blair?
00:12:39You don't remember me, do you?
00:12:41Should I?
00:12:42We were neighbors back in Omaha.
00:12:44It was a long time ago.
00:12:45Blair and Matt's and your Cess little sister.
00:12:49Give the man a prize.
00:12:51Wow.
00:12:51Last time I saw you, you were this big.
00:12:53I was six.
00:12:55But I remember you.
00:12:56You know, I used to pretend you were my boyfriend.
00:12:59Sounds cute.
00:13:01You kissed me once.
00:13:02I remember it like it was yesterday.
00:13:05So how's Seth?
00:13:07He's fine.
00:13:07He's working at Exarvin.
00:13:09He started there after high school, and he'll probably be there till the day he dies.
00:13:13So you living out here now?
00:13:15Visiting my aunt.
00:13:16She's ill.
00:13:16I'm sorry.
00:13:19I didn't know her well.
00:13:20I thought my coming out here was the right thing to do.
00:13:23You know, I spent a lot of nights thinking about you.
00:13:26I often wished I'd been a little bit more aggressive.
00:13:29You were just a kid.
00:13:31And I'm not now.
00:13:34Hey, Zane.
00:13:35Let's go, man.
00:13:36You're up.
00:13:40Go play darts with your friends.
00:14:05What's your problem?
00:14:07Just my luck.
00:14:08Dead battery.
00:14:09You sure?
00:14:10I left my lights on.
00:14:11Let me give it a try.
00:14:18Sorry.
00:14:19I wish I had jumper cables.
00:14:23Where are you going?
00:14:25Just call a cab.
00:14:26I don't feel like dealing with this tonight.
00:14:28Where were you staying?
00:14:29Hollywood.
00:14:31I'll give you a lift.
00:14:32That sounds like a cum line.
00:14:33It's a dangerous city at night.
00:14:35You shouldn't be left alone.
00:14:36It sounds like a cum line also.
00:14:45Oh, wow.
00:14:46I just love your car.
00:14:47It's so cool.
00:14:49Yeah, well, I always wanted a Porsche.
00:14:51When I was a kid, I used to cut out pictures and paste them on the wall.
00:14:55I told my friends that when I make it, I told my friends that when I make it, that's the
00:14:57car I'm going to get.
00:14:59And everyone will know that I'm somewhere.
00:15:04Back home, I don't even have a car, so I guess I'm far from making it.
00:15:28Well, I guess this is it.
00:15:29Why don't you come up?
00:15:31I better not.
00:15:32Come on, I've got something I think you'd like to see.
00:15:34Now that sounds like a cum on.
00:15:36It's a surprise.
00:15:39I don't like surprises.
00:15:40What, you don't trust me?
00:15:44All right.
00:15:57Make yourself comfortable.
00:15:59I'll be right back.
00:16:00All right.
00:16:04All right.
00:16:17You like that?
00:16:20I brought it in case I got lucky.
00:16:22Did you?
00:16:23The jury's still out.
00:16:25So what'd you want to show me?
00:16:31Do you mean, I'm not.
00:16:33You carry this with you?
00:16:36That was the best time of my life.
00:16:49It was beautiful.
00:16:51It's like I dreamed it would be.
00:16:54You wanted me for the moment you saw me.
00:16:56That's why you followed me.
00:16:58That's why I followed you.
00:16:59And now here we are.
00:17:01Just the two of us in this motel.
00:17:07A fire burning.
00:17:08Can you feel it?
00:17:15What were you thinking of?
00:17:17Nothing.
00:17:18Nothing?
00:17:19I didn't have time to think.
00:17:20I went with my instinct, and before I knew it, he was laying there.
00:17:23He wouldn't move.
00:17:24You're a good cop, Dalton.
00:17:26I trust you like a brother.
00:17:27But you didn't follow the rules.
00:17:29Now a guy is dead because of it.
00:17:30We all have to bear responsibilities for our actions, and you are going to have to face
00:17:35the consequences.
00:17:36What consequences?
00:17:37I'm putting you on suspension without pay until further notice.
00:17:41And consider yourself lucky.
00:17:43Next time, you won't get off so easily.
00:17:49And cut!
00:17:50And print that one.
00:17:51That was wonderful, fellas.
00:17:53The emotion at the end was very strong.
00:17:55I just felt you wonderful.
00:17:56That's a wrap, everybody.
00:17:58See you Monday on Actors.
00:17:59Please try to remember to look at me.
00:18:01What is it?
00:18:03That's a wrap.
00:18:04All right.
00:18:05That's not your surprise.
00:18:05Surprise.
00:18:06Hey, what are you doing here?
00:18:07I wanted to thank you.
00:18:08Thank me?
00:18:09Way to go, Zane.
00:18:09Actually, it was a good excuse to see you again.
00:18:12How did you get in here?
00:18:13That was never a problem for me.
00:18:15Don't I get a kiss?
00:18:21Now's a good time to show me your dressing room, don't you think?
00:18:24Listen, I can't tonight.
00:18:24I've got to get home.
00:18:26I got my battery charged.
00:18:27I'll follow you.
00:18:28I got plans.
00:18:30Sorry, you can break them.
00:18:32You're so adorable.
00:18:34I want to feel you inside of me.
00:18:36I'm going to a premiere.
00:18:37So you can take me with you?
00:18:38Not tonight.
00:18:40Yeah.
00:18:41Bye.
00:18:42Bye.
00:18:44Bye.
00:18:44Bye.
00:18:44Bye.
00:18:45Bye.
00:18:46Bye.
00:18:46Bye.
00:18:47Bye.
00:18:51Bye.
00:18:52Bye.
00:18:53Bye.
00:18:54Bye.
00:18:55Bye.
00:19:05Bye.
00:19:06Bye.
00:19:14Bye.
00:19:15Bye.
00:19:17Bye.
00:19:18Bye.
00:19:18Bye.
00:19:20Bye.
00:19:22Bye.
00:19:22Bye.
00:19:26Hi, Zane, it's Holly. It's about 6.30 and I'm running a little late. I'll have to meet you at
00:19:31the theater. I am so nervous. My first major movie. I'll see you soon. Oh, wear your doctor's suit. I
00:19:39like that one. Bye.
00:19:42Hello, señor Betty. This is Maria. Oh, I am so sorry. I cannot be there. Pero, I want to tell
00:19:48you I make chicken mole. I'll see you next week. Bye-bye.
00:20:33How did you get in my house?
00:20:34You shouldn't leave your doors unlocked. You never, never might wander in. You left these. I thought you'd want me
00:20:40to bring them to you.
00:20:41I thought I told you no. No usually means yes, doesn't it? Not tonight.
00:20:59What's going on? I know I'm a bad girl and I shouldn't have come. Please don't be upset with me.
00:21:04It's just my last night here and I didn't want to be alone. I hate being alone with no one
00:21:12to care about me. That feeling frightens you too, doesn't it?
00:21:39Okay.
00:21:41Okay.
00:22:06You always like this?
00:22:08Like what?
00:22:09Turned on?
00:22:10Turned on?
00:22:11Yeah.
00:22:12Only when I think about you.
00:22:15Don't you have anybody back home?
00:22:18No.
00:22:19Not really.
00:22:21I'm surprised.
00:22:22You could really make somebody happy.
00:22:24Don't it make you happy?
00:22:25Yes.
00:22:26But my life's really complicated right now.
00:22:31You must really love it here.
00:22:33I mean, this place is just like paradise.
00:22:37Yeah, I guess it is.
00:22:40It's light years from Nebraska.
00:22:42God, it is so boring there.
00:22:43I hate it.
00:22:44I could die there.
00:22:48I've got to get dressed.
00:22:50No, I don't want you to go.
00:22:52I want you to stay.
00:22:54Come on.
00:22:56I told you, I've got a decent part.
00:22:58Forget about Holly tonight.
00:23:00There'll be other screenings.
00:23:03That's an important night for her.
00:23:06Holly's a big girl.
00:23:07She can handle a little disappointment.
00:23:13What am I supposed to tell her?
00:23:15Tell her something unforeseeable came up
00:23:19and there was nothing you could do about it.
00:23:23And tell her that you're really sorry
00:23:24and that you'll make it up to her.
00:23:26I don't believe you.
00:23:27She has no reason not to trust you.
00:23:39She has no reason not to trust you.
00:24:06Southern California's weather
00:24:08is going to be mostly sunny today
00:24:09after areas of morning low clouds and fog
00:24:11with a northwest afternoon wind of 15 miles per hour.
00:24:15It will be mostly clear tonight and Thursday
00:24:17except night through mid-morning low clouds and fog.
00:24:20Highs today in the upper 60s along the coast
00:24:22to the upper 70s inland.
00:24:24Overnight lows in the upper 40s and 50s.
00:24:27The time is 10.20.
00:24:28I'm sorry we wound up shooting late.
00:24:30Well, you should have called me.
00:24:31I couldn't get to a phone.
00:24:32I was counting on you, Zane.
00:24:34I'll make it up to you, I promise.
00:24:36Remember, we have an appointment this morning.
00:24:37Yeah, I know.
00:24:38I haven't forgotten.
00:24:38Don't be late.
00:24:39I'll see you soon.
00:24:40Because you know you're always...
00:24:41Hey, let me get dressed.
00:24:42I hate you.
00:24:44Love you.
00:24:47What a tasty sight you are.
00:24:49Well, you're up early.
00:24:50I made you breakfast.
00:24:52Banana cinnamon French toast.
00:24:53I read it was your favorite.
00:24:55That's sweet, but I'm in a rush.
00:25:05Well, you're not leaving me.
00:25:07I have to go meet Holly.
00:25:09But it's my last day here.
00:25:11I thought we could spin it together.
00:25:16Look, I've had a great time the last couple days, but...
00:25:21But you have to get back to your complicated life now.
00:25:25Just like you do.
00:25:27I don't like this saying.
00:25:31What did you expect?
00:25:33A little honesty, you bastard.
00:25:37I'm sorry.
00:25:38I'm sorry.
00:25:39I don't know why I said that.
00:25:45I know we haven't seen each other in a long time.
00:25:47I had no right to expect anything from you.
00:25:50I just thought you and Seth were such good friends.
00:25:52I mean, you guys were like brothers.
00:25:55And when I came out here, I thought it would be fun to see you again.
00:26:02Come on.
00:26:04We've had a wonderful time.
00:26:06It's been fun.
00:26:08Look, I want you to stay and eat some breakfast.
00:26:11Just make sure you lock up before you leave.
00:26:15Aren't you going to kiss me goodbye?
00:26:16You always kiss your leading lady goodbye.
00:26:19Goodbye.
00:26:20Goodbye.
00:26:43It's me.
00:26:44Why didn't you call?
00:26:45I've been busy, that's why.
00:26:47How's your aunt doing?
00:26:51Bad.
00:26:51Her condition's worsened.
00:26:53That's why I'm calling.
00:26:54I have to stay a few more days.
00:26:55What for?
00:26:56We need you there.
00:26:57I don't give a shit.
00:26:59Everything's falling apart.
00:27:00Hey, that's your problem.
00:27:02I don't even see why you gotta be out there.
00:27:04Because she's my aunt?
00:27:06We never care.
00:27:07Well, I care now.
00:27:08When are you coming back?
00:27:10I don't know.
00:27:11Do you mean I do?
00:27:12I said I don't know.
00:27:15I'll call you.
00:27:38And our garden is a beautiful setting for photographs, depending on the weather.
00:27:44It's no excuse saying you've gotten out before.
00:27:47I said I was sorry.
00:27:49Of course, some couples do prefer to have their photos taken inside.
00:27:53It's quite spectacular with all the stained glass.
00:27:55This is really important to me.
00:27:57It just seems like if it's not something for you, it's not important to you.
00:28:00Look, can we just drop this and pretend like we're happy we're getting married?
00:28:03Hmm?
00:28:05Look, we have done several celebrity weddings.
00:28:08As you can see, the setting is magnificent.
00:28:10We do have a bridal room in the back.
00:28:12If you like, we can take care of the seating, the music, and the flowers.
00:28:18All you have to do is show up.
00:28:20Easier said than done.
00:28:21Uh-huh.
00:28:31I thought you said Maria was in Mexico visiting her family.
00:28:34She is.
00:28:35Why does it smell like someone's been cooking?
00:28:37I know how to turn on the stove, honey.
00:28:39You never cook.
00:28:41Maybe I'm trying to impress you.
00:28:42Oh.
00:28:46Oh, what beautiful flowers.
00:28:52What are these for?
00:28:54For you.
00:28:55For me?
00:28:57I wanted to make it up to you.
00:28:59You're not so bad after all.
00:29:09Come on.
00:29:32I'm sorry I got mad at you.
00:29:33Ah, don't be.
00:29:34I should have been there.
00:29:35No, it's not that.
00:29:37There'll be other screenings.
00:29:45I was upset because there was a time when you would do anything to be with me.
00:29:52Now there always seems to be something that comes between us, you know?
00:29:55I mean, I know that you have a lot going on.
00:29:57I do, too.
00:29:58I'm not blaming you.
00:30:03I just miss it when it was you and me.
00:30:06Nothing else seemed to matter.
00:30:13We've got to spend more time together.
00:30:18Can we have that in, please?
00:30:19And where's the dummy?
00:30:20I wanted the dummy.
00:30:21Is there a problem with time?
00:30:23Oh, well, it's all right.
00:30:25Listen, you didn't see anything that's going to compromise our art.
00:30:29You know what I mean.
00:30:30You know what I mean.
00:30:54You know what I mean.
00:31:13You know what I mean.
00:31:24You know what I mean.
00:31:25This?
00:31:26This?
00:31:26Kind of mental progression, don't you think?
00:31:29I thought you were going back home.
00:31:31I decided to stay.
00:31:33How's your aunt doing?
00:31:35She's dead.
00:31:36She died?
00:31:37Yes, ten years ago.
00:31:40Look, please leave.
00:31:42I don't want to see you around here again.
00:31:43I'm not going to leave, Sam.
00:31:45I came here to rescue you from all the distractions that keep you so lonely and scared inside.
00:31:51You know what it's like that nobody understands what you want, who you are?
00:31:56All you need is to be loved.
00:31:59Why are you doing this?
00:32:00Because I love you.
00:32:01You don't even know me.
00:32:03I want us to be together forever.
00:32:05That's impossible.
00:32:07Just like a fairy tale.
00:32:08I don't love you, Blair.
00:32:11It's too late.
00:32:12You can't take it back.
00:32:13Take what back?
00:32:14You already told me you love me.
00:32:16I did not.
00:32:16When I was six, you said you love me and I love you.
00:32:22I want us to be together forever.
00:32:24I want to do things for you.
00:32:25I want to please you.
00:32:27Later, sport.
00:32:28Blair was just leaving.
00:32:49What is going on?
00:32:51Who the hell is that?
00:32:52It's no big deal.
00:32:53Forget about it.
00:32:54No big deal.
00:32:55Look at you.
00:32:56Look at this place.
00:32:57Why don't you call security?
00:32:59I don't need security.
00:33:01I see you're above that.
00:33:02Well, I'll call.
00:33:03Scotty.
00:33:05Look, you do enough for me.
00:33:06Just let it go.
00:33:07Listen, you don't need this.
00:33:08I don't need this.
00:33:09I'll go down there myself.
00:33:11Come on.
00:33:16Keep your eyes and cameras focused on the left side of the tram.
00:33:20Currently under construction.
00:33:22Massive wreck of the city's...
00:33:24...filled back to the...
00:34:12You, come in.
00:34:15Hey, hotshot.
00:34:16How in the hell are you?
00:34:17I'm all right.
00:34:18How's the biz?
00:34:20You know, I rented one of your movies last week.
00:34:22Damn, if we couldn't use a few of you on the force.
00:34:25So what brings you all the way down here?
00:34:27I need some technical advice on our new script.
00:34:30Usually, I get a phone call and it's a technical question.
00:34:33Yeah, I was in the neighborhood.
00:34:34I've got a few minutes.
00:34:35Pull up a chair.
00:34:36Thanks.
00:34:41So your main character sleeps with her?
00:34:44Right, and he thinks it's a one-night stand,
00:34:45but she just won't leave him alone.
00:34:47First thing he's got to do is cut her off.
00:34:49Tell her no way Jose's not interested.
00:34:51Ah, but what if she doesn't take no for an answer?
00:34:54Well, you know what they say.
00:34:55It takes two to do the old hokey pokey,
00:34:57if you know what I mean.
00:34:59Well, there's got to be something the police can do about it, right?
00:35:02Well, sure there is.
00:35:03We can talk to her.
00:35:04Maybe even put a tail on her,
00:35:05but that would require taking an officer off of his normal beat
00:35:08and away from more urgent police work.
00:35:09Okay, but what if she's sending him letters
00:35:11and real sick gifts and following him around?
00:35:13Can't you arrest her?
00:35:14Look, what are we talking about here?
00:35:16A spurned lover.
00:35:17Let's face it.
00:35:18If we arrest every spurned lover in L.A.,
00:35:20the whole damn city would be behind bars.
00:35:23Halsey here.
00:35:25I'll be with him in a moment, okay?
00:35:28Look, my suggestion is
00:35:30that he break off all contact with the girl.
00:35:32Try not to be alone.
00:35:33Try to be around public places
00:35:35and start a journal.
00:35:36Keep track of everything she says or does.
00:35:39Start a journal?
00:35:40I'm serious, son.
00:35:40Listen, it's important to keep a record.
00:35:43Now, that doesn't make for a very exciting movie.
00:35:45Well, I'm afraid real life is not as exciting
00:35:47as the movies most of the time.
00:35:49I know you've got to take this.
00:35:50Thanks, Jill.
00:35:52Anytime, pal.
00:35:55Oh, you're saying?
00:35:56Yeah.
00:35:56I'm only a phone call away
00:35:58if you need any more technical advice.
00:35:59No, that's the front line of the door.
00:36:21No, no, no, no, no.
00:36:26No, no, no, no, no.
00:36:51I don't know.
00:37:18I don't know.
00:37:31I don't know.
00:37:58I don't know.
00:38:54I don't know.
00:38:56Yeah.
00:38:58I forgive you, Zane.
00:39:07How the hell did you get this number?
00:39:09I'm trying to save you.
00:39:11We're destined to be together.
00:39:12It's not going to happen, so just get it out of your mind.
00:39:15No, Zane, I won't get it out of my mind.
00:39:16I'm not going to lose you.
00:39:18You don't even have me.
00:39:20It's only a matter of time, my love.
00:39:23Yeah, well, you're out of time.
00:39:24Don't ever call me again.
00:39:37Who's that?
00:39:38Just a girl.
00:39:40A girl?
00:39:41Well, I'm a fan.
00:39:45A fan who calls you here at 3 o'clock in the morning?
00:39:52That's a girl that I used to know back in Omaha.
00:39:55Oh, she used to live on my block.
00:40:00Oh, you're not in Omaha now.
00:40:03What's going on?
00:40:05She's been sending me things, letters, gifts.
00:40:09I didn't even know they were from her until she showed up.
00:40:13She's in town?
00:40:16She's been following me around.
00:40:18Following you where?
00:40:19Everywhere.
00:40:21On the lot.
00:40:22Off the lot.
00:40:24To your house?
00:40:25I think so.
00:40:29Inside your house?
00:40:30I don't know.
00:40:32You don't know?
00:40:35Zane, have you told the police?
00:40:37No.
00:40:38What are you waiting for?
00:40:40If I go to the police,
00:40:43every reporter in town is going to catch wind of it.
00:40:45I don't exactly need that kind of press right now, Ollie.
00:40:48But Zane, she knows where you live.
00:40:51I mean, what if she's one of these fanatics
00:40:53who comes after you with a gun or something?
00:40:57She's not going to come after me with a gun.
00:41:05Is there something else that's going on?
00:41:09Zane, did you sleep with her?
00:41:17Dolly.
00:41:18Zane?
00:41:20Dolly.
00:41:35Dolly.
00:41:51Mr. Barry?
00:41:52Mr. Barry?
00:41:53Dolly.
00:42:10Dolly.
00:43:35What do you think of this one?
00:43:43It looks nice, but you might prefer this one.
00:43:48It has a blusher already attached.
00:43:52Great for those traditional church weddings.
00:43:55I like it.
00:43:59I'll try on a few more and I'll be right back.
00:44:01Okay, thank you.
00:44:08Oh, I'm sorry.
00:44:10I didn't see you there.
00:44:11Go ahead.
00:44:12I'm always grabbing at things.
00:44:13No, no.
00:44:14You try it on.
00:44:22Oh, yeah, that's nice.
00:44:24You're going to be a beautiful bride.
00:44:26You really think so?
00:44:27Yes.
00:44:28I'm jealous.
00:44:30So when are you getting married?
00:44:32October.
00:44:32What about you?
00:44:34I'm not really sure yet.
00:45:00I'm not really sure yet.
00:45:02I'm not really sure yet.
00:45:51Oh, no, no, no, no, no, no.
00:46:03You stupid bitch in your damn wedding dress.
00:46:06Who do you think you are, getting in the way of everything?
00:46:09You stay away from Zane. He's mine now.
00:46:11I love him, and he loves me.
00:46:32I'd like to make a click call.
00:46:33Your name?
00:46:34Blair.
00:46:39Home.
00:46:41It's me.
00:46:41When are you coming home?
00:46:42Well, that's why I'm calling. I'm not coming home.
00:46:45Come home now.
00:46:45Never.
00:46:46Why the hell not?
00:46:48Because I don't love you, and I never did.
00:46:51I'm in love with someone else, and he's in love with me.
00:46:56None of your...
00:46:57I can't walk out on me.
00:46:58Fine.
00:46:58Not now.
00:46:59Go to hell.
00:47:04Hey, where's 24-8? 24-8!
00:47:10Around the corner, to the left.
00:47:21Line two.
00:47:23Line two.
00:47:26You can't hold that charge.
00:47:47She did this to me, didn't she?
00:47:53The woman who called the other night
00:47:55Your fan
00:48:00She said you loved her
00:48:03It's crazy, I don't love her
00:48:05Then why did you sleep with her?
00:48:08It just happened, I'm sorry
00:48:13Fine to me
00:48:23You're never gonna change
00:48:27There's too much temptation out there
00:48:29You need someone who can handle that, I can't
00:48:31Holly, don't do this
00:48:34I can't love you anymore, Zane
00:48:45Please leave
00:48:49I just want you to leave
00:49:22Where were you this afternoon, Miss Madsen?
00:49:26Shopping for lingerie
00:49:27You want to see what I bought, I'm wearing it
00:49:31Did you or didn't you break into Holly Newman's apartment
00:49:33Strike her with a mannequin?
00:49:35I don't even know where she lives
00:49:37So I take that as a no?
00:49:39Yes
00:49:40What about all this business with Zane Berry?
00:49:43Sending him all this crap?
00:49:45I sent him a few things, is that a crime?
00:49:49What about this?
00:49:50What is that?
00:49:52A doll
00:49:53This is not Holly Newman
00:49:55Of course not, you said she was in the hospital
00:49:59Why did you send all this stuff to Mr. Berry?
00:50:01Why did you come to Los Angeles?
00:50:03I sent him these things because I enjoy seeing his movies
00:50:06I came to Los Angeles because I wanted to go to Disneyland
00:50:09You came to Los Angeles to see Zane Berry
00:50:11First you seduced him, then you stalked him
00:50:13And then you attacked him at his girlfriend's house
00:50:16Does that ring a bell?
00:50:18He's the one who started all of this
00:50:20He followed me at the party
00:50:22He watched me undress
00:50:24Then he picked me up at a bar
00:50:25He took me home and he fucked me
00:50:27He fucked me again
00:50:29He confused me
00:50:30He led me to believe that he wanted to keep seeing me
00:50:33It's only natural that I became upset when he turned on me
00:50:36Sometimes you do things when you're upset
00:50:39Well he told us that you wanted to get horizontal on his bungalow
00:50:42And he said no
00:50:44Yes he did say that, but I knew he didn't mean it
00:50:47No usually means yes for men
00:50:49Why can't it mean yes for us too?
00:50:54Hmm
00:51:05Holly didn't actually see her attack her's face
00:51:08And without hard evidence there's no way we can prove it was Blair
00:51:11You should have played it straight with me, Zane
00:51:13I mean I thought we were supposed to be friends
00:51:15Why didn't you tell me the truth?
00:51:17I thought I could handle it
00:51:18Well I can tell you from experience
00:51:20That only makes matters worse
00:51:22So what are we going to do about it?
00:51:25Well we can ask the judge for a restraining order
00:51:27She can't see you, talk to you, phone you, or fax you
00:51:30That's not going to stop her
00:51:32It'll slow her down, she'll get frustrated, she'll go home
00:51:34I say you bust her and let the DA take his chances
00:51:37Yeah but you're not in charge, that's not the way it works
00:51:39What does she have to do? Kill someone before you arrest her?
00:51:42Is that the way it works, Lieutenant?
00:51:43Look Zane, I don't like this deal any better than you do, okay?
00:51:45But without proper evidence, no jury in his right mind is going to convict her
00:51:49Then we'll lose her
00:51:50Now I'll talk to threat management and I'll see what I can do
00:51:53But I've got to tell you something, son
00:51:54As of right now, you've got no case
00:51:58That's just the way it is
00:52:14Hey Zane, what do you think the cops are going to stop and see each other?
00:52:28You may start your message now
00:52:35Scotty, it's Zane, it's 8.30, where the hell are you?
00:52:39I'm going to send the cops out looking for you if you don't give back to me
00:52:42Okay, call me, glad
00:52:59I'm sorry, Mr. Berry, but Holly expressively asked that you not be allowed in her room
00:53:03We do have a waiting room down the hall
00:53:07Mr. Berry, I must tell you I'm a big fan
00:53:29I've seen all your movies
00:53:31Do you think I could get your autograph?
00:53:34It's for my niece
00:53:36Her name's Stacy
00:53:37She says she's going to marry you someday
00:53:39I bet you get that all the time
00:53:42Thank you so much
00:53:45I need a nickel bag
00:53:52What?
00:54:11Flare Morgan's room, please
00:54:12You're going to warrant an invitation to a winning lotto ticket
00:54:15I'll give you the number
00:54:16If you don't, get lost
00:54:17I'm her husband
00:54:19Yeah
00:54:20We've got a lot of husbands around here
00:54:22But they never wear their wedding rings if you catch my drift
00:54:28Give me room now or you ain't going to take another bite
00:54:33What's your name again?
00:54:34Morgan
00:54:35Blair Morgan
00:54:42I don't have a Morgan
00:54:43I've got a
00:54:43Blair Madison
00:54:47That's her
00:54:48She's the blonde
00:54:49218
00:54:50She's not in
00:54:57Don't break anything
00:54:59Asshole
00:55:01Asshole
00:55:03Asshole
00:55:03Asshole
00:55:03Asshole
00:55:04Asshole
00:55:04Asshole
00:55:05Asshole
00:55:05Asshole
00:55:05Asshole
00:55:06Asshole
00:55:06Asshole
00:55:08Asshole
00:55:09Asshole
00:55:12Asshole
00:55:13Asshole
00:55:14Asshole
00:55:14Asshole
00:55:16Asshole
00:55:17Asshole
00:55:19Asshole
00:55:23Asshole
00:55:26Asshole
00:55:27I guess I can help you in your mind.
00:55:40What are you doing here?
00:55:43I came to get you. What do you think?
00:55:47How did you find me?
00:55:49Telephone company. You called, collect.
00:56:03Do I want to feel good that bad?
00:56:07Do I really want to take that chance on loving you?
00:56:11When I know I'll lose...
00:56:14So where is he?
00:56:16Who?
00:56:17The guy you've been seeing.
00:56:19I have your business.
00:56:21It doesn't matter anyway.
00:56:23It's all over now.
00:56:26I won't be seeing him anymore.
00:56:36Can I use the bathroom or do I have to sit here and watch you drink yourself under the table?
00:56:42It's God's country.
00:56:44Just don't think you're going anywhere.
00:56:47Do I want to feel good that bad?
00:56:49Do I really want to take that chance on loving you?
00:56:54When I know I'll lose...
00:56:57I can tell my heart I'll lose...
00:57:00Hey, back on.
00:57:01I'll show you some.
00:57:02Come on, get back.
00:57:02Come on, get back on.
00:57:06I'm just going to show you some.
00:57:28Looking for these?
00:57:31Go!
00:57:32I'll show you some.
00:57:37Let go of me.
00:57:38Get in there!
00:58:02Let go of me.
00:58:33Let go of me.
00:59:02Let go of me.
00:59:07Let go of me.
00:59:37Let go of me.
00:59:37Talk to the minister.
00:59:39He'll know what to do.
00:59:41But you don't belong here.
00:59:44You belong with your husband and your daughter.
00:59:49Don't you think she needs you?
00:59:51Let go of me.
00:59:53Let go of me.
01:00:09Let go of me.
01:00:23We get back to that motel.
01:00:26You're packing your bags.
01:00:28You're on the first plane to Omaha.
01:00:30Let go of me.
01:00:32Let go of me.
01:00:58Let go of me.
01:00:59Let go of me.
01:01:01Let go of me.
01:01:01Let go of me.
01:01:02Let go of me.
01:01:03Let go of me.
01:01:29Let go of me.
01:01:30Oh, my God.
01:02:01What are you doing, sweetheart?
01:02:03Get out of my house.
01:02:05What are you going to do, shoot me?
01:02:06I might.
01:02:08I've got a restraining order.
01:02:10You're not supposed to be within 100 feet of me.
01:02:12No corridor can come between you and I, my love.
01:02:16What's behind your back, Blair?
01:02:19Nothing.
01:02:20Show me your hands.
01:02:22I fooled you, didn't I?
01:02:23You're sick.
01:02:30Let go of me.
01:02:44Open the door.
01:02:46Let me in.
01:02:48Open the door.
01:02:49Come on!
01:02:51Sting!
01:03:01Sting!
01:03:02Open the door!
01:03:06I'm sorry I wasn't honest with you.
01:03:08I only kept the truth from you to protect you.
01:03:11But you're all that matters to me.
01:03:15And if that means not being a cop anymore,
01:03:18that's too hard for you to handle,
01:03:20then I'll give it up.
01:03:21If that's what you want.
01:03:25Line, please.
01:03:27I just want you back.
01:03:30Zane, please.
01:03:32Zane, wait a minute.
01:03:33Wait, where are you going?
01:03:34Out of here.
01:03:35Yeah, but Zane,
01:03:36we still have three and an eighth pages to shoot.
01:03:38Shoot it without me.
01:03:39Zane, this is Zane.
01:03:41Zane, come back here.
01:03:42This is very unprofessional.
01:03:48Who's it?
01:03:49Zane!
01:03:50Watch your day, ladies.
01:03:52Oh.
01:03:59Will security department
01:04:00please report to parking lot A?
01:04:03Has anybody called?
01:04:04Come on, get it.
01:04:11Somebody call the fire department!
01:04:14Mr. Barry, stand back.
01:04:15We'll take care of this.
01:04:16Barry, stand back!
01:04:18We can't get this!
01:04:40Do you think that the fire is an act of arson?
01:04:46Is there any truth to the rumor that you're fiancé did it
01:04:48because you were having an affair with one of your fans?
01:04:50Where in the hell did you hear that?
01:04:53Come on, get more coverage of the fire for the five o'clock news.
01:04:56I want to find out about this rumor.
01:05:04The fire was no accident.
01:05:06Someone doused your car with gasoline.
01:05:07Someone?
01:05:08Well, now that's impressive.
01:05:09It's nice to know the police department has narrowed it down to someone.
01:05:13There's no need for insults.
01:05:14We do our job just like you do yours.
01:05:16We got a script we got to follow, too.
01:05:18You start improvising, you get screwed.
01:05:20So you want to see my journal, lieutenant?
01:05:23Look, our witness ID'd Blair from a photo lineup.
01:05:26I sent a black and white out to her motel, but she never came back last night.
01:05:29She left all her stuff there, though.
01:05:31Great.
01:05:31So she's still out there?
01:05:33Well, there's more.
01:05:34We found her car abandoned in the parking lot with the keys still in it.
01:05:38I got men out looking for her right now.
01:05:39We'll catch up to her.
01:05:41And in the meantime, what am I supposed to do?
01:05:43Well, if you're worried about her coming back, relax.
01:05:46She knows we're looking for her,
01:05:48and she wouldn't dare come after you now.
01:05:50Don't count on it.
01:05:53Yeah, I talked to Holly today.
01:05:54She got back from the hospital.
01:05:57Did she ask about me?
01:05:59No, I told her about the fire.
01:06:01And?
01:06:02She want to know if you're okay.
01:06:05Did she say anything else?
01:06:07Did she say she wants to see me?
01:06:09We only spoke for a minute.
01:06:11Did you tell her I'd been calling her?
01:06:14She said she had to go.
01:06:18I don't know what I was thinking.
01:06:22I love Holly.
01:06:23How could I do this to us?
01:06:25Oh, you can't blame yourself, man.
01:06:27Blair's been playing this for a long time.
01:06:29You didn't know what you were walking into.
01:06:31Oh, yes, I did.
01:06:33I had no doubt about what I was walking into.
01:06:37I just couldn't resist.
01:06:40That's because you're a man.
01:06:45That's what she said.
01:06:49She's been planning this for a long time.
01:06:57She's been planning this for a long time.
01:07:16Is that all this is to you?
01:07:18Is it a movie?
01:07:20Yeah, not to me, man.
01:07:23To her.
01:07:24No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:07:29no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:07:29no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:07:29no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:07:29no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:07:30no, no, no, no, no, no, no, no, no, no, no
01:07:56I'm going to ask one more time, Mr. Dalton.
01:08:00Where's the girl?
01:08:02Where are your manners, McSwain?
01:08:04I don't think you realize the effect of sulfuric acid on human flesh.
01:08:08I don't think you realize you're a piece of shit.
01:08:11It's too bad you're such a smartass.
01:08:14We'll find that girl.
01:08:16But nobody's ever going to find you.
01:08:18Ever.
01:08:21He's all yours.
01:08:22Just make sure nothing's left.
01:08:24Not even a screen.
01:08:28Goodbye, Mr. Dalton.
01:08:30Have a nice bubble bath.
01:08:36And cut!
01:08:37Check the gate.
01:08:38I think I'd like to print that one.
01:08:40Very nice.
01:08:41Bring him down.
01:08:42That's a wrap, everybody.
01:08:43See you tomorrow morning.
01:08:45See you tomorrow.
01:08:52We're going to get you tomorrow.
01:08:54We've got everything out of there.
01:08:55We're going to get you there.
01:09:22I'm sorry, but I still haven't heard from Scotty.
01:09:24I'm going over to his house on my way home, hoping he's there.
01:09:27I'll call you if I find out anything.
01:09:30Talk to you later.
01:10:03I'll call you.
01:10:46I'll call you.
01:10:52Where the hell is she?
01:10:54Who?
01:10:54Blair, my wife.
01:11:00Where the hell are you hiding her?
01:11:03How could you do this to us?
01:11:05How could you destroy my family?
01:11:16You think because you're some big shot you can have whatever you want, but she's my wife.
01:11:21That don't give you any right.
01:11:22It doesn't give you any right.
01:11:23What?
01:11:23Oh.
01:11:26Oh.
01:11:27Oh, my God.
01:12:02Oh, my God.
01:12:19Oh, my God.
01:12:20Hello, sweetheart.
01:12:23The show's over, Blair.
01:12:26The show's never over until the happy ending.
01:12:29The only happy ending is you out of my life.
01:12:32Don't worry, this isn't over yet.
01:12:33We're going to see each other real soon.
01:12:35And how do you figure that?
01:12:38You still have to save the damsel in distress.
01:12:41She's very pretty and quite sweet.
01:12:44Too bad she's going to be missing her wedding day.
01:12:47Look, Blair.
01:12:49Please let her go.
01:12:50She didn't do anything.
01:12:52She's a thorn, Zane.
01:12:54She needs to be blacked.
01:12:56Blair, she's nothing to you.
01:12:58Let her go.
01:13:00You're right.
01:13:01It's you that I want.
01:13:03Then let me see you, Blair.
01:13:05Let me see you right now.
01:13:09Meet me on stage 12 in an hour.
01:13:11I'll be there.
01:13:18See you on the set, my love.
01:13:25I'll be there.
01:13:52I'll be there.
01:14:20I'll be there.
01:14:54I'll be there.
01:15:04Swing your legs, honey. Swing your legs.
01:15:16Lose the gun, or we're going to have a real-life bonfire.
01:15:19Put that down, Blair.
01:15:21I said lose the gun.
01:15:29Much better.
01:15:31You go to hell.
01:15:33I'm not going to roll over and die saying I'm your number one fan.
01:15:37I'm going to love you no matter what.
01:15:39The movie's over, Blair.
01:15:40The movie's never over until they roll the credits.
01:15:44You're not going to make it that long.
01:15:46Neither is she.
01:15:47She's going to burn like the hair took the kid.
01:15:49No!
01:15:50Stop!
01:15:52You said you'd let her go.
01:15:55I did say that, I guess.
01:15:56Guess what?
01:15:57I lied.
01:15:59I've been going to do that.
01:16:02Blair, you want me.
01:16:03You don't want her.
01:16:06Right.
01:16:09But you'll never be mine.
01:16:11Not until she's out of the picture.
01:16:12It's for the best.
01:16:13Deep down, you know I'm right.
01:16:41I'm here, honey.
01:16:43I'm here, honey.
01:16:43I'm here.
01:16:45Come on.
01:16:46Come on.
01:16:49I got you.
01:16:56You all right?
01:16:57Let's go.
01:17:00Deep!
01:17:02Holly, run!
01:17:09Get out of there.
01:17:12Get out of here.
01:17:27Get out of here.
01:17:32Get out of here.
01:17:33Get the hell out of my way.
01:17:48Oh, my God.
01:17:56Nick!
01:18:29Come on over this way.
01:18:36They're still sifting through the ashes.
01:18:38So far, we've only found three bodies.
01:18:40Flares?
01:18:41I don't know.
01:18:41We won't know who's who until the coroner examines them.
01:18:45I've got to be truthful.
01:18:46Those bodies are so charred, it could take days.
01:18:50You ought to thank your lucky stars.
01:18:51You're still alive.
01:18:53Double-check it.
01:18:54Double-check it.
01:18:55She's coming.
01:19:00She's coming.
01:19:16You're still alive.
01:19:30Oh
01:19:52At this hour to witness and to celebrate the coming together of two lives
01:20:11You may kiss the bride
01:20:18You may kiss the bride
01:20:26If you present this place, like a baby
01:20:31You may kiss the bride
01:20:32The sky is tombée
01:20:34Dame-na
01:20:41Traditional people
01:20:43allow it to be двеốt
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