- 54 minutes ago
2014 Shirin In Love FULL HOT MOVIE Nazanin Boniadi [Full Movie] [Official Release]Full EP - Full
Category
🎥
Short filmTranscript
00:01:53Good morning, Marvin.
00:01:54Good morning.
00:01:55And it's Officer Henderson, Miss.
00:01:59License registration, please.
00:02:00Okay.
00:02:02I know it's here.
00:02:05Uh, did you lose your license registrations again, Shireen?
00:02:10No.
00:02:11No, no.
00:02:11It's in my purse.
00:02:13It's got to be here somewhere.
00:02:14I'm not going.
00:02:15I'm not going.
00:02:17Was I speeding again?
00:02:18Oh.
00:02:19No.
00:02:20No, you weren't speeding.
00:02:21Not this time.
00:02:22Well, let me answer your question.
00:02:23Oh.
00:02:24Does that big red sign mean anything to you back there?
00:02:27Now look, we don't want any accidents out here, do we?
00:02:31I forgot to stop again, didn't I?
00:02:33Uh-huh.
00:02:34I'm sorry.
00:02:39How's the writing going?
00:02:41Well, I'm still going to write you this ticket.
00:02:43I know.
00:02:43You know, it's just all the writing, so.
00:02:50Go on.
00:02:52Different, you know.
00:02:54Definitely has potential.
00:02:57Potential?
00:02:58I gave you the ninth draft.
00:03:00I know that.
00:03:02It's really, you know, raw.
00:03:04You know, fresh is what I mean.
00:03:06But I thought we agreed that Harry can't just kill his wife because he's unhappy.
00:03:14Well, maybe Harry, he does need to do something.
00:03:17You know what?
00:03:18Maybe he kills her, then he tries to kill himself, but through some way, he survives somehow.
00:03:25Or maybe he just lets her go.
00:03:27Yeah, maybe he just lets her go.
00:03:29That'll be, maybe he just lets her go.
00:03:35Maybe he just lets her, get the hell out of here.
00:03:43But when God won't be up this morning, couldn't protect you in my future.
00:03:50But take a bow.
00:03:51Hi, Violet.
00:03:52Because the smile alone has got me on a cloud.
00:03:56You make me shake it, shake it, shake it, shake it, Lordy, baby.
00:04:00Shake, shake, shake, shake it, you make me shake it, shake it, shake it, shake it.
00:04:05Have until tonight.
00:04:06Then you'll be hearing from my lawyers.
00:04:15I read all the books.
00:04:17You read them all in one week?
00:04:19Mm-hmm.
00:04:20And I wrote a review on each of them.
00:04:22Although only one was worth reading.
00:04:25The rest were the usual fluff.
00:04:27You say that like it's a bad thing.
00:04:34In the Storm is the new Rachel Harsin novel.
00:04:37I'm sure it'll be a bestseller too, but I don't get it.
00:04:42Have some kebab.
00:04:44You've lost weight.
00:04:45Lagar shodhi.
00:04:46Pustos to khon shodhi.
00:04:49I have an offer for you.
00:04:52We'll have the wedding here.
00:04:54A big wedding.
00:04:55A beautiful wedding.
00:04:58In return, you will do a big feature on Miss Harsin.
00:05:06And we'll put it on the cover of the online issue,
00:05:10as well as three pages in the print publication.
00:05:15Mm-hmm.
00:05:16You've been asking to write feature stories.
00:05:18Here's your chance.
00:05:19Rachel Harsin.
00:05:22The real story.
00:05:23Darling, go and interview her.
00:05:27Write classy stuff.
00:05:28And I promise we won't change a word.
00:05:33You know she doesn't give interviews.
00:05:35She hasn't met my daughter.
00:05:40Right.
00:05:43Shireen!
00:05:44My dress!
00:05:47Shireen!
00:05:53Oh, shoot.
00:05:57Azizam, is that beer coming?
00:05:59Coming!
00:06:02Hey, Vicky, it's me.
00:06:04Um, I have an emergency.
00:06:07No, not another fire.
00:06:09Um, do you have any beer?
00:06:22Hello, boys.
00:06:25Hello.
00:06:27Hi, Vicky.
00:06:38Who is this Blondie?
00:06:39Take it easy, man.
00:06:40She's a patient.
00:06:41She's a patient?
00:06:43Yeah, I wouldn't mind giving her a feeling, huh?
00:06:44I would love to adjust her tailbone.
00:06:48You're not even a doctor.
00:06:49You're a chiropractor.
00:06:50That's a glorified masseuse.
00:06:51I make people walk with beautiful forms.
00:06:54What do you do, fill up their phenomenals?
00:06:56Thank you so much.
00:06:57Of course.
00:06:59Oh, how romantic.
00:07:02After all these years, Mike still sends you flowers.
00:07:06Yeah.
00:07:06American men never do that.
00:07:10Here, Gazza.
00:07:11Thanks, beautiful.
00:07:13What wouldn't it be?
00:07:14Papa!
00:07:16It tastes so good.
00:07:38Oh, Mike is so adorable.
00:07:41He did such a great job on these.
00:07:44You should feel them.
00:07:46Oh, no.
00:07:47I'm good.
00:07:48I'm good.
00:07:48Are you sure?
00:07:49Yeah, okay.
00:07:50Okay, the tall one.
00:07:52The other doctor, is he married?
00:07:56No, he's not married.
00:07:59I mean, Ryan, I got a chandelier in my car.
00:08:02Hang it, just chandelier, just hang it.
00:08:04Tone it down, man.
00:08:05You're a little creepy right now.
00:08:06I want to be married, too.
00:08:07I love her.
00:08:09I could look at her in one of her hair all day
00:08:12and just wonder why did it wave like this
00:08:14instead of like that.
00:08:16What are you reading now?
00:08:18Huh?
00:08:18Oh, it's the new Rachel Harsin novel.
00:08:21Oh, she has a new one?
00:08:23Yeah, In the Storm.
00:08:25It's an advanced copy.
00:08:26I love her.
00:08:28It's her best yet.
00:08:30Once I'm done reading it, I'll let you borrow it.
00:08:32And I'll bring you some more beer.
00:08:34Forget the beer.
00:08:35Just bring the book
00:08:37and the tall doctor.
00:09:03And I'll let you borrow it.
00:09:08I'm glad you found something to look at.
00:09:11Desiree. Pleasure to meet you.
00:09:13Great.
00:09:14She's pretty cute.
00:09:15Uh, well, I was a human rights attorney,
00:09:18and, uh, I gave it up to write.
00:09:20She's a book reader for the magazine.
00:09:23This one?
00:09:23Mm-hmm.
00:09:25I'm a big fan of Rachel Harsin.
00:09:27You can do whatever you want, honey.
00:09:29As long as you quit when we have children.
00:09:31And you know I want a lot of children.
00:09:32Mmm.
00:09:34Here's to Rachel Harsin.
00:09:36And in the storm.
00:09:37How many 350 is the best for you?
00:09:43Darling, I promised Roya that we're gonna have grandchildren
00:09:51before too long.
00:09:53Now, you're not gonna disappoint us, are you?
00:09:55I'll do my best.
00:09:56Don't keep on touching your hair.
00:09:58Dr. June.
00:09:59What are you talking about?
00:10:01Come on, come on.
00:10:02That's okay.
00:10:03Um, she's just so nervous about the wedding.
00:10:05Let's have the music louder.
00:10:09Hey, thanks for bringing me.
00:10:11It's interesting.
00:10:13She, she, you go wash your face,
00:10:16I'm gonna get you water, okay?
00:10:17I'll be right back, okay?
00:10:22Don't you just love this music?
00:10:25Don't you just love this music?
00:10:26This is my ending.
00:10:29This is my ending.
00:10:32This is my ending.
00:10:39Ah!
00:10:40Whoa!
00:10:42Whoa.
00:10:46Uh, yeah?
00:10:47Help me.
00:10:48I escaped.
00:10:49Um, yeah.
00:10:50It's raining.
00:10:51You should probably go back inside.
00:10:52Yeah, okay.
00:10:53All right.
00:10:53Um.
00:10:56Oh, fuck.
00:10:59Wait.
00:11:00Where do you want to go?
00:11:02Please don't send me back.
00:11:04Uh, okay.
00:11:06You just want me to go?
00:11:07Okay.
00:11:07Uh, okay.
00:11:08Uh, okay.
00:11:08Uh, okay.
00:11:09Um.
00:11:13Just go.
00:11:15Just go.
00:11:16Okay.
00:11:27So, where are we escaping to?
00:11:31Just go straight.
00:11:34If I go back, I'm gonna kill them.
00:11:36Or I'm gonna kill myself.
00:11:40Okay.
00:11:42Straight it is.
00:12:03And we're out of straight.
00:12:06All right.
00:12:09Any other suggestions?
00:12:10No.
00:12:13Awesome.
00:12:17Um.
00:12:24Come on.
00:12:25Pick up the phone.
00:12:27Watch in the dress.
00:12:29See checking me on.
00:12:31Do you know what I'm doing?
00:12:32No.
00:12:32No.
00:12:34No.
00:12:36No.
00:12:37No.
00:12:38No.
00:12:38No.
00:12:38It's the pretty book reviewer in the purple dress that was drinking too much tonight at
00:12:41the party.
00:12:42But long story, I need your help.
00:12:44Okay, cuz I don't know what to do with her.
00:12:47And she's beautiful.
00:12:48So, please call me back.
00:12:55Oh my gosh.
00:12:56Look at that.
00:12:58She's so drunk.
00:12:59You were that drunk last night.
00:13:01No, yes you were.
00:13:23Ah, this looks right.
00:13:25Thanks.
00:13:32Yes, anything else you need?
00:13:35You know, my hands are full.
00:13:37Oh, yeah, no worries.
00:13:39Next time.
00:13:39For sure, yeah. Thank you.
00:13:52Rick, Rick, it's Will.
00:13:54Please, pick up.
00:13:55Please, I've got...
00:13:56This girl is in my room.
00:13:59Right now, okay?
00:14:00Yeah, the girl from the party...
00:14:06She's now in my bed.
00:14:07So, um, you gotta come here
00:14:10and you gotta help me handle this right now.
00:14:12Please.
00:14:15Hey.
00:14:17Hey, you need to wake up, please.
00:14:36Here you go.
00:14:38No.
00:14:44Okay, I...
00:14:46Ho, ho, ho, ho.
00:14:48I've gotta take your clothes off.
00:14:51Cause you're gonna get pneumonia if I don't, okay?
00:14:55So...
00:14:55I'm just doing that.
00:15:04An engagement ring.
00:15:11Oh, man.
00:15:15Okay.
00:15:17There you go.
00:15:17I can't.
00:15:25Okay.
00:15:28There we go.
00:15:31Ah.
00:15:55I don't know.
00:16:02You don't drink whiskey. There was a guy here.
00:16:05I'm gonna kill him!
00:16:07No, you're not.
00:16:08What do you mean, no, I'm not?
00:16:11My fiancé was in bed with someone...
00:16:14Calm down. Let me explain.
00:16:16Calm down?
00:16:17My fiancé is in somebody's bed.
00:16:20Oh, my God, I'm going dizzy.
00:16:22Here.
00:16:23Oh, thank you.
00:16:29Where is he?
00:16:31I'm gonna kill him!
00:16:32I don't know how this happened, Mike, I swear.
00:16:35What am I gonna do?
00:16:36I had a call from Rick Davidson this morning.
00:16:39Shirin had a little too much to drink,
00:16:41so she asked Rick to give her a lift home.
00:16:44And then ended up in bed with him.
00:16:46Oh, my God!
00:16:49Here.
00:16:51Dr. June, you'll be very happy to know
00:16:54that as soon as he brought her back to his hotel,
00:16:57he went straight to his boyfriend, Trevor.
00:17:00You should never let her drink in public.
00:17:06Calm down.
00:17:24Oh!
00:17:27Ha!
00:17:28I knew it.
00:17:30Hmm?
00:17:33Sweetheart, that's her red hair.
00:17:36Do you see any other red-headed Asians
00:17:39walking around here?
00:17:50Major health code violation.
00:17:51I am not eating this.
00:17:52Eileen, I need to talk to you about something kind of important.
00:17:59I just found out that my mother's really sick.
00:18:02I'm sorry.
00:18:04Yeah.
00:18:05That's terrible.
00:18:07They don't think she's gonna make it to her next birthday.
00:18:14I need more wine.
00:18:15I need more wine.
00:18:18It's empty.
00:18:26Can I have some?
00:18:27Are you gonna eat that?
00:18:29Yeah, I have it.
00:18:29That?
00:18:30Yeah?
00:18:31Yeah, okay.
00:18:33Broccoli.
00:18:34A long one.
00:18:35It's like a combination of, like, asparagus and broccoli.
00:18:40This is so good.
00:18:43Thanks, babe.
00:18:43All right.
00:18:47Please be careful, and don't drive fast.
00:18:50I love that.
00:18:51She couldn't drive fast even if she wanted to.
00:18:53I can't believe you'd rather drive seven hours
00:18:55on this piece of junk instead of taking a one-hour flight.
00:18:57You know I hate to fly.
00:18:59And please don't call Zuzu a piece of junk.
00:19:01You know I don't want to put my first car to sleep.
00:19:05The keys are in the ignition, honey.
00:19:07Oh, yeah.
00:19:08And you got the GPS, too?
00:19:10Uh, yep.
00:19:11And I have this just as backup.
00:19:13Where's your ring?
00:19:15Oh, uh, I'm sure it'll pop up somewhere.
00:19:18Oh, my God.
00:19:19You lost it?
00:19:19How could you lose?
00:19:20Oh, my God.
00:19:21Khak Tussam.
00:19:22Do you know how long that ring's been in my family?
00:19:24Since my great-great-great-grandmother,
00:19:25five generations, more than a matter of me, cool shit.
00:19:28Doctor, Doctor, don't let your blood pressure go up.
00:19:32I didn't lose it.
00:19:33I just can't find it.
00:19:35She didn't lose it.
00:19:37Yeah, she lost it.
00:19:38No, she can't find it.
00:19:41That's different.
00:19:42But then she lost it.
00:19:43What's the difference?
00:19:44No, no, no.
00:19:46She didn't lose it.
00:19:47She just can't find it.
00:19:49But it's the same thing.
00:19:50She lost it.
00:19:50No, no, no.
00:19:51It's not the same thing.
00:19:52She just can't find it.
00:19:53Watch out.
00:19:54Watch out.
00:19:57She lost it.
00:20:08Ooh, as she goes again, start the car.
00:20:10Start the car.
00:20:12Start the car.
00:20:14I'm super young.
00:20:15Oh, shit.
00:20:19You know what?
00:20:21Let me handle this.
00:20:27Good morning, Officer Henderson.
00:20:29It's coffee, OK?
00:20:30It's coffee.
00:20:31And I spilled it chasing you.
00:20:34I stopped at the stop sign, didn't?
00:20:35No, ma'am.
00:20:36No, ma'am.
00:20:36No, you didn't stop.
00:20:37You didn't stop?
00:20:38I was at the stop sign.
00:20:50I sent your manuscript to an agent friend of mine.
00:20:59You know what?
00:21:01My new partner's sitting back in the car there.
00:21:04It's not going to work this time.
00:21:05Oh.
00:21:07It's all right.
00:21:08It's all right.
00:21:08Oh, oh.
00:21:09I know the number.
00:21:14Oh, six.
00:21:15Let me tell you.
00:21:20Are you leaving town?
00:21:22Yes, sir.
00:21:23Are you leaving for a long time?
00:21:25Yes, sir.
00:21:26Good.
00:21:30Officer Henderson, have you thought about changing that ending?
00:21:39Well, I thought about, you know, when he kills her, I thought maybe I'd make that a dream
00:21:45sequence.
00:21:46Well, dream sequences are kind of a movie thing, so.
00:21:55I don't know.
00:21:55I don't know.
00:21:57You let me think about it, all right?
00:22:00Promise me.
00:22:02If you stay off my streets for a few weeks, I'm not going to write your ticket, OK?
00:22:07I promise.
00:22:08Promise.
00:22:10Promise.
00:22:10You promise?
00:22:11Promise.
00:22:12Because I don't want to see you anymore.
00:22:15Thank you, Marvin.
00:22:34Stay wherever the guy wants to buy it in.
00:22:39Some stuff is driving.
00:22:41The only combo of cars.
00:22:42When he is hacking in.
00:22:42I don't know if I've never yet.
00:22:43I've been trying to kill me.
00:22:43We're not gonna play this game for a while.
00:22:45Democrats.
00:22:46at the skyline, floating in space, hey there, scoot a little closer, what's your favorite
00:23:01color, posies in May, so lovely on my pillow, spinning wraps with rain,
00:23:23just my luck, turn left in 500 feet, there is no left, recalculating, recalculating, turn
00:23:39left, what, you want me to drown in the ocean, there's no left, turn left,
00:23:58turn right, where am I, you had arrived at your destination, she lives in the middle of nowhere,
00:24:18where the hell are we
00:24:25and
00:24:30and
00:24:31and
00:24:31and
00:24:38and
00:24:50and
00:24:56and
00:24:56and
00:24:56and
00:24:57yes, may I help you, hi, yeah, my car broke down, can I use your phone, oh sure,
00:25:03come on in, thank you, oh, I locked myself out of my car, oh, you better wipe yourself off
00:25:11before you get pneumonia, yeah, yeah, clearly that's not gonna work, so I'll, I'll get you
00:25:16a bigger towel, okay, thanks, here, thank you, oh, you're welcome, oh, oh, you know, why don't you
00:25:29make the call later, come on with me, it's just, yeah, just follow me, it's good, okay, come on in,
00:25:46sit by the fire, I don't wanna bother you, if you could just give me a number for a taxi,
00:25:52I'll go to a hotel and find somebody to help me with my car, you're not from around here, are
00:25:57you, no, Los Angeles, because the closest hotel is about 20 miles away, no one is gonna come out here
00:26:04in this weather, stay here tonight,
00:26:07you can take care of everything in the morning, oh, that is way too much trouble, I, no, shh, I
00:26:14don't wanna hear about it, please, sit down, oh, oh, no, I, I really shouldn't be drinking,
00:26:23you know, if you have just one, keeps you very warm, okay, there you go, thanks, you're welcome, so, what
00:26:42are you doing around here?
00:26:44Work, I'm a journalist, you're a journalist, well, not really a journalist, I'm more of a book reviewer for a
00:26:52magazine, I'm looking for someone, she's an author, her name's Rachel Harsin, hmm, may I ask why?
00:27:05Um, I'm writing a story on her, although I'm pretty sure she won't talk to me, she seems like a
00:27:13pretty difficult woman.
00:27:17You know, that's funny, I've heard the same thing about her.
00:27:20Yeah.
00:27:24What magazine did you say you wrote for?
00:27:27BH Style, have you heard of it?
00:27:30No, but I'm, I'm not a magazine person, I'm sure it's very nice.
00:27:36Uh, truth is, it's my first big assignment, so I'm a little, so you're nervous.
00:27:41Yeah.
00:27:45Let's not talk about work anymore tonight, you're tired, you need your rest.
00:27:49Take that with you.
00:27:51Okay.
00:27:52You're very kind.
00:27:54Oh, you have found me out.
00:28:09This is my son's room.
00:28:11Oh.
00:28:12Well.
00:28:13At least it was his room.
00:28:25Oh, he's so cute.
00:28:27Yes, he is cute.
00:28:56I'm so sorry, I didn't even recognize you.
00:29:00Well, why would you?
00:29:01See that picture?
00:29:02That was taken 30 years ago.
00:29:05Anyway, you need to get your sleep.
00:29:10Good night.
00:29:12Good night.
00:29:14Good night.
00:29:19Good night.
00:29:23Good night.
00:29:27Good night.
00:29:39Good night.
00:30:09You're emotional.
00:30:10Yeah, exactly.
00:30:11So go to Kaylee's.
00:30:13I got a flat that looks to me.
00:30:15That reminds me of it.
00:30:16I want to put it back there.
00:30:18Just bring it back.
00:30:21Everything's looking so wackety and I've been out there every day.
00:30:24Hi, Mrs. Morris.
00:30:27Oh, hi.
00:30:28No.
00:30:30No, not you again.
00:30:33Uh-uh.
00:30:33You two know each other?
00:30:35Yeah, I'm sorry.
00:30:36I don't want to be rude, but we don't want any journalists in my house.
00:30:39I don't know what you're talking about.
00:30:41Wait, don't strain your voice.
00:30:42You know, this is my house.
00:30:43She's a guest.
00:30:43Mom, she is a journalist.
00:30:45Do you know what that means?
00:30:45She told me she's a book critic.
00:30:47Really?
00:30:48Can I talk to you alone for a second?
00:30:49Just wait a minute.
00:30:50Just sit down.
00:30:51First of all, I'm going to take Shirin and put her back into the bedroom.
00:30:54Go on, honey.
00:30:56You are really embarrassing me in front of my guest.
00:31:01Really?
00:31:02Shirin, how do you even know her name?
00:31:05Why is she here?
00:31:12She is not feeling well.
00:31:14I think she has a little bit of a temperature, so she might have to stay a night or two.
00:31:19Another night or two.
00:31:21I don't want to talk anymore about it, okay?
00:31:31She's cute, isn't she?
00:31:37She thinks you're cute.
00:31:41Here.
00:31:42Take that perfect tray and be nice.
00:31:46Yes, ma'am.
00:31:57Hey.
00:32:00I'm sorry to intrude.
00:32:03I'll leave.
00:32:03No, no, I'm sorry.
00:32:06I, um...
00:32:07You know, what happened back there.
00:32:10Let me see if I can...
00:32:12Man, you know, I knew that was going to happen, too.
00:32:14I'm sorry.
00:32:15It's okay.
00:32:16It's okay.
00:32:17It's kind of been one of those things.
00:32:22I'm sorry.
00:32:24I'll, um...
00:32:25I'll get you some more lunch juice.
00:32:27I'll get you another.
00:32:28Oh, no.
00:32:31Sorry, Kat.
00:32:33Why have I seen you before?
00:32:36Um, I think...
00:32:37I think we might have had a party one time.
00:32:39Please sit down.
00:32:40I don't want you to make a voice in me.
00:32:43Thanks.
00:32:44Yeah.
00:32:46Um...
00:32:46Great.
00:32:48Yeah.
00:32:49Thanks.
00:32:50Yeah.
00:32:53Happy boy.
00:32:55Huh?
00:32:56Oh.
00:32:58Yeah, I don't know why my mom has that.
00:33:03Yeah.
00:33:03No, I wasn't, uh...
00:33:05I wasn't quite as happy as I look here, but, uh...
00:33:10But I was an amazing chess player, so, you know.
00:33:13Bit of a loner, though.
00:33:20Zuzu.
00:33:21Hm?
00:33:22What'd you call me?
00:33:23Zuzu.
00:33:24My car.
00:33:25Oh.
00:33:26You dropped it.
00:33:27Great.
00:33:28It's a five-second rule.
00:33:30You can still eat that.
00:33:31Yeah, I noticed that you got the blue beetle.
00:33:33Yeah.
00:33:34I used to have a beetle.
00:33:35Um, it's my first car, so...
00:33:44Um...
00:33:46I gotta take off.
00:33:47Okay.
00:33:48Yeah, but, um...
00:33:51Thanks.
00:33:52Okay.
00:33:53Yeah, feel better.
00:33:53Take it easy.
00:33:54Okay.
00:34:06Please, tell your friend not to honk.
00:34:09Her name's Helen.
00:34:10Mom, it's been that way for seven years.
00:34:12But I'll tell her.
00:34:13Bye.
00:34:24Why?
00:34:37Answer it!
00:34:38I'm too hysterical.
00:34:52Hello?
00:34:55Yes?
00:34:59Is she okay?
00:35:02Thank you. Thank you very much for calling.
00:35:06Goodbye.
00:35:08Well?
00:35:12She is fine.
00:35:14That was Rachel Harsin.
00:35:17Rachel Harsin?
00:35:19Herself?
00:35:21Shirin is sick.
00:35:23She has a high fever.
00:35:25Great.
00:35:27Great?
00:35:28Are you out of your mind?
00:35:31Don't you get it?
00:35:33It's Rachel Harsin, the writer.
00:35:35She got her.
00:35:38That's my daughter.
00:35:40Harsin's latest work is a literary sensation,
00:35:43combining a magical illumination of the ordinary
00:35:46with exquisite lyricism laced with elegance and compassion.
00:35:50A tragic love story which brings to mind the best of Annie Poole.
00:35:54Wow.
00:35:56Hey, the best. She gives it four stars.
00:36:01Hey, you're not supposed to be out of bed.
00:36:04Oh, I'm fairly much better. Thank you.
00:36:06Here, let me, uh, get your chair.
00:36:09Yes, have something to eat.
00:36:13Thanks.
00:36:13Yeah, you want some meatloaf?
00:36:14Oh, yeah.
00:36:16Some meatloaf.
00:36:18Thanks.
00:36:24Um, I almost forgot.
00:36:26You, uh, you left these.
00:36:29Oh, thank you, thank you, thank you.
00:36:32I'm always losing things.
00:36:34I'm hopeless.
00:36:34No, you are not.
00:36:35And I'm gonna tell you why, Missy.
00:36:38See this?
00:36:39We just read the review.
00:36:41You're a fantastic writer.
00:36:43William, tell her how good she is.
00:36:45You're good.
00:36:47Where'd you go to school?
00:36:48Um, Oxford for undergrad.
00:36:51Oxford.
00:36:52Columbia Law.
00:36:53Columbia Law.
00:36:54Now I'm learning how to write.
00:36:56Hey, don't be so modest.
00:36:57You are a very good writer.
00:37:00Um, that means so much coming from you.
00:37:05Do you write, too?
00:37:07Um, me?
00:37:08No, I, um, why?
00:37:11Uh, your room.
00:37:12All those books.
00:37:13Oh, that's my fault.
00:37:15See, I used to be an English teacher,
00:37:16so I made him read all the books that I love.
00:37:19And it was horrible?
00:37:20It was not!
00:37:22Yeah, I didn't think a teenage boy would read all the classics,
00:37:25especially the ones written by women.
00:37:26He's a very unusual man.
00:37:28Elizabeth Bishop is one of my favorite poets.
00:37:32I hope you don't mind,
00:37:33but I was going through your collection of poetry in your room
00:37:35and loved the notes and the margins.
00:37:39This is not like the big city, you know?
00:37:42He had a lot of problems as a teenager.
00:37:44I don't mean problems, it was a...
00:37:45I know.
00:37:46Not for me, but, you know, for William.
00:37:58Mmm.
00:37:59It's good, huh?
00:38:00Mmm.
00:38:02I'd love to get the recipe.
00:38:04Oh, well, I just put it together.
00:38:06It's his recipe.
00:38:07He is the chef.
00:38:08Oh, you know, my father's the chef in our house, too.
00:38:12Really?
00:38:13Um, shoot, you know what?
00:38:15I gotta go.
00:38:16I gotta go work?
00:38:16Yeah.
00:38:17Um, you guys enjoy.
00:38:19Okay.
00:38:20Okay, and, uh...
00:38:21Tea.
00:38:23I love you.
00:38:24I love you.
00:38:24Okay.
00:38:25And, um...
00:38:26Yeah.
00:38:28Good night.
00:38:28Good night.
00:38:30Good night.
00:38:34Here.
00:38:35Have some veggies.
00:38:39And then we'll have some tea.
00:38:43He's so good looking.
00:38:48He lives in that lighthouse down the road.
00:38:51When the weather is really, really stormy,
00:38:55he listens to the radio in case somebody needs help.
00:39:03Interesting.
00:39:08His father died 12 years ago.
00:39:12And a horrible storm.
00:39:17The Coast Guard couldn't pick up the signal because it was too weak.
00:39:22And William left New York.
00:39:27Moved back here and bought a whole bunch of high-tech radio equipment.
00:39:33And he sits there.
00:39:37And he listens to the radio, and he can hear even the weakest signal.
00:39:45I am so sorry.
00:39:48I had no idea.
00:39:54Oh.
00:39:56Just like the character from In the Storm.
00:39:59I suppose I'm revealing some family secrets.
00:40:04Oh, no.
00:40:06I am definitely off-duty tonight.
00:40:09No.
00:40:09You write.
00:40:10You write what you want.
00:40:11You write the truth.
00:40:12I don't have a problem with that.
00:40:16And I wish William would just stop hiding.
00:40:24Oh, I'm sure that's for you.
00:40:27Do you mind answering it?
00:40:28Okay.
00:40:33Hello, Miss Harrison?
00:40:35It's me, Mom.
00:40:36How come you called Mike and not me?
00:40:39Be professional.
00:40:40Don't forget why you're there.
00:40:42Yeah, yeah.
00:40:43I'm feeling a lot better.
00:40:45Uh, I have to go now.
00:40:47I'll call you tomorrow.
00:40:48Did you break your phone?
00:40:48Uh, no.
00:40:49Please don't worry.
00:40:51Make sure you take some good pictures.
00:41:24Good morning.
00:41:26Hi.
00:41:27So, I, um, stopped by the store this morning.
00:41:29I got cinnamon and hazelnut coffee.
00:41:31We're all set.
00:41:31Honey, you didn't have to go into all that trouble.
00:41:34That's fine.
00:41:36You look like you're feeling better.
00:41:37Yeah, I am.
00:41:38Thanks.
00:41:39Good.
00:41:39Good morning.
00:41:42You know what, William?
00:41:44Why don't you take Shireen out for a lovely drive?
00:41:48Oh, no.
00:41:48I have to, I have to get back to L.A., so.
00:41:51Yeah, it's a long drive.
00:41:53Yeah.
00:41:54Honey, she came all the way up here.
00:41:57Now, don't you want to see how beautiful everything is?
00:42:00What a good idea it is.
00:42:01Get out.
00:42:01Get some air.
00:42:03What a great idea.
00:42:04Mom, there's not, there's not much to see, really.
00:42:06Let's do it.
00:42:06What are you talking about?
00:42:07Now, she's all the way up here and you're not going to show her around?
00:42:10Honey, wait till you see the beauty of the landscape and the flowers.
00:42:14So, what do you think?
00:42:15A good idea?
00:42:16Okay.
00:42:17Good.
00:42:50Wow.
00:42:51I see why Rachel's work is so inspired.
00:42:55This is magnificent.
00:42:58This is the main setting for Under Blue Skies, isn't it?
00:43:01Yeah.
00:43:07So, what do you want to write about?
00:43:10Come on, you got a novel in there, don't you?
00:43:15What makes you so bad?
00:43:17Maybe it helps that I have a writer in the family.
00:43:24So, why'd you stop?
00:43:26Who says I ever started?
00:43:30Really?
00:43:36Okay, I've written 600 pages, but I haven't touched it in nearly two years.
00:43:40Why not?
00:43:42Fear of failure, probably.
00:43:45What if no one wants to read it?
00:43:47What if it's bad?
00:43:48Just write another one.
00:43:51Easy for you to say.
00:43:55I need to move somewhere peaceful, so I can write.
00:43:58Definitely old enough to live on your own.
00:44:03How'd you know I live with my parents?
00:44:04I guess. I'm sorry.
00:44:06I, um...
00:44:07Well, you were dressed and, uh...
00:44:10Your mannerisms, it was...
00:44:12Well, just so you know, I didn't have much of an income after I graduated,
00:44:16so I had no choice, I'd just be the same.
00:44:18Yeah, I...
00:44:18I'm sorry.
00:44:20It was...
00:44:22It's none of my business, really.
00:45:14It was beautiful, but...
00:45:14You are so lucky.
00:45:17It's not too much.
00:45:17It's not too much.
00:45:18bad so mr. adventure why do you still live with your mother I don't live with
00:45:29my mom I live next to her right like right next to her next to her and if you
00:45:36must know the truth is is that I live next to her because she's not well
00:45:48I'm sorry perhaps you're right maybe I miss her cooking just a little bit
00:45:53mm-hmm anything else you want to pick on well I mean since you asked you should
00:46:03really get some new clothes you don't dress very well no you're gonna go there
00:46:09all right well at least I don't look like a dentist assistant so a dentist assistant
00:46:14really mm-hmm because this is your sweater and you wear it well
00:46:23thanks
00:46:37and I love to feel you shaking your head upon my chest and your eyes won't let you bake in
00:46:47you know this ain't this and you wear my own t-shirt and oh you wear it well
00:46:56baby
00:46:58baby
00:46:59baby
00:47:03yes
00:47:04you're gonna go there
00:47:06forgive me if I don't
00:47:10swear I'm mad I like you
00:47:13so I'm gonna move
00:47:22baby
00:47:23baby
00:47:24baby
00:47:26William has created his own little world and Helen is one of the few people in it
00:47:32doesn't really meet new people
00:47:35hmm how long have they been together
00:47:38I'd say about seven years give or take
00:47:44you see when he came back from New York his spirits were really low
00:47:50he was drinking too much and he knew Helen from high school she was the manager of the local
00:47:57bar which was his favorite hangout she was really a good influence she was his friend
00:48:03she kind of brought him back to life
00:48:08hmm
00:48:11so
00:48:14what about you I mean do you have a boyfriend or are you
00:48:18I'm actually engaged
00:48:21I lost my ring
00:48:23I'm an idiot
00:48:26his name's Mike
00:48:28our families have known each other since we were kids
00:48:31now he's a plastic surgeon
00:48:35really nice guy
00:48:37my mom really loves him
00:48:40I'm very happy for you
00:48:43thanks
00:48:47okay I'm gonna pry
00:48:48why are you writing for B.H. Style?
00:48:53because my mom's the owner
00:48:59and because I'm a coward
00:49:04I think you're very special
00:49:10let me get some coffee
00:49:11I don't know if you want any
00:49:19Rachel
00:49:21Rachel
00:49:27you know I was always afraid that something like this would happen
00:49:30when I wasn't with her
00:49:36I'm grateful you were there for her
00:49:41you can't be there all the time
00:49:47I'm glad I was there too
00:50:01I didn't know you smoked
00:50:04I don't
00:50:06I don't
00:50:07I don't
00:50:13I don't
00:50:17It's a hospital
00:50:30you know the dialog in Rachel's novels feels so authentic
00:50:36She must rely on your help, right?
00:50:41Next question.
00:50:44I'm sorry, I didn't mean to pry.
00:50:47It's just Rachel really knows how to capture this place, you know?
00:50:51The sea, the villages where the fishermen live.
00:50:55She has such strong insight into the pain her characters are feeling,
00:50:58and yet there's such optimism and romance in her writing.
00:51:03I'm sure she'll be happy to hear your analysis.
00:51:07You, on the other hand, I can't quite figure you out.
00:51:13I mean, if Rachel bases all her characters on real people,
00:51:20where do you fit in?
00:51:23You're James from In the Storm.
00:51:26Absolutely not. No.
00:51:28There's no way Rachel based a sailor on me,
00:51:31because I put one foot into a boat and I turn green.
00:51:34Yeah.
00:51:37And my father, on the other hand.
00:51:42That guy was a fisherman.
00:51:45So Rachel wrote about your dad?
00:51:48I don't know, maybe.
00:51:52I mean, can you imagine?
00:51:54I have to grow up in this fishing town.
00:51:56My father's this great fisherman and I get seasick the minute I step in a boat.
00:52:07It was a disaster.
00:52:11I think you turned out all right.
00:52:18Will you come sit next to me?
00:52:23You just seem so far away.
00:52:33Please?
00:52:38I don't bite, you know.
00:52:45So, William.
00:52:47Where did we meet before?
00:52:49What party?
00:52:51Most guys don't greet me with,
00:52:53oh no, not you again.
00:52:56Yeah, it was like a month ago.
00:52:59Some fancy Persian party in Beverly Hills mansion.
00:53:04Darling, I promised Roya that we're going to have grandchildren before too long.
00:53:08You're not going to disappoint us, are you?
00:53:10I'll do my best.
00:53:11Thank you for touching your hair.
00:53:13Oh, yeah.
00:53:15My mother's party.
00:53:18I had way too much to drink that night.
00:53:20Yes, you did.
00:53:21I don't know why my mom buys all these dreadful paintings when there are such great artists in L.A.
00:53:27I couldn't agree more.
00:53:30I am Sylvia Nelson.
00:53:32The purveyor of a second-rate dribble.
00:53:35You tore apart in your magazine.
00:53:38Oh, gosh.
00:53:39What? Did I do something stupid?
00:53:42No, I mean, yeah, you were a little wobbly, but, uh...
00:53:46I'm glad you found something to look at.
00:53:48You're seated.
00:53:49Pleasure to meet you.
00:53:50Great.
00:53:51She's pretty cute.
00:53:52Uh, well, I was a human rights attorney.
00:53:56And, uh, I gave it up to write.
00:53:58She's the book reader for the magazine.
00:54:00This one?
00:54:01I'm a big fan of Rachel Hersey.
00:54:06You are a terrible liar.
00:54:08You're just like my dad.
00:54:10Your left eyebrow goes up when you lie.
00:54:11What do you mean?
00:54:12Yeah.
00:54:13Look, you're doing it again.
00:54:15Right now.
00:54:15Doing it right now.
00:54:17Silly.
00:54:21Uh, great.
00:54:23Excuse me, but what about me?
00:54:26Is it truthful?
00:54:28I think we just established that you can't handle your alcohol.
00:54:31So...
00:54:34Whatever.
00:54:46To new friends.
00:54:50To loveless marriage.
00:54:54Wow.
00:54:54I mean, sorry.
00:54:57I, um...
00:54:58There's nothing worse than a relationship that's convenient, comfortable, and boring.
00:55:06Right?
00:55:09I'll drink to that.
00:55:18Man, so what's our problem?
00:55:23I don't know.
00:55:27But I do know you don't need any more of that.
00:55:29No, I do not need any more of that.
00:55:36I told my fiancé about you.
00:55:39He asked me why I'm so interested in a guy who lives off his mother's income and sits around playing
00:55:46with his radios all day.
00:55:49Sounds like a smart guy.
00:55:52I'd listen to him if I were you.
00:55:55I'm not stupid.
00:56:01It's just...
00:56:02The reporter.
00:56:03And you're just trying to get more out of me.
00:56:05Oh, my God. Will you stop with all the reporter crap?
00:56:13Look at me.
00:56:17You always avoid looking at me directly in the eye.
00:56:20No, I'm looking at you right now.
00:56:24No, you're not.
00:56:27Look at me.
00:56:47No, you're not.
00:57:12Sure, Aslan. Is everything all right?
00:57:15I'm on my way.
00:57:16That's not a good idea.
00:57:18What?
00:57:20I'm having trouble hearing you.
00:57:22Don't worry. Everything is taken care of.
00:57:25Triple A will tow your car back to LA.
00:57:27I'll be there within an hour.
00:57:29That's definitely not a good idea.
00:57:31What?
00:57:33Are you okay?
00:57:34Yeah, I'm fine. Will you stop rushing me?
00:57:36You always do that to me.
00:57:38What's going on?
00:57:40Nothing.
00:57:41I'm just having a really tough day.
00:57:44It's really busy here.
00:57:46Can you just come tomorrow?
00:57:48What?
00:57:49No, I can't come tomorrow. I'm already on my way.
00:57:52Just meet me at the local hospital, okay?
00:57:54What hospital?
00:57:56Cedar, what's the matter?
00:58:19Hi.
00:58:21Hi.
00:58:22Sorry I'm late.
00:58:24Late for what?
00:58:25I'm not going anywhere.
00:58:27These are for you.
00:58:29Oh.
00:58:32Wildflowers.
00:58:33They're my favorite. William picks them for me.
00:58:36I had a feeling about that.
00:58:38You look a lot better.
00:58:40Compared to what?
00:58:42Did I scare you?
00:58:44Yeah, you did.
00:58:47You look...
00:58:49I don't know, different, beautiful, rosy.
00:58:52Your cheeks are all flush.
00:58:56Must have been the rush to get over here.
00:58:59My fiancee, Mike, is coming to pick me up, so...
00:59:02I came to say goodbye.
00:59:04Goodbye? How about the interview?
00:59:07Oh, no, you don't worry about the interview.
00:59:09Please, just concentrate on getting better.
00:59:11You saved my life.
00:59:16I want to do the interview. I do.
00:59:19Write down your questions and put them on a piece of paper.
00:59:21Give them to William, and he's my right-hand man.
00:59:25It'll be fine.
00:59:26Rachel, I...
00:59:27Do not argue with me.
00:59:29It's a losing battle.
00:59:31I thought you knew that.
00:59:36Thank you for everything.
00:59:38I'm gonna be fine.
00:59:41I wish I had some coffee and some cookies.
00:59:44You know what?
00:59:44Get me a vase from that nurse that has that mustache.
00:59:49Don't tell her it's for me.
00:59:51She doesn't like me.
00:59:52Oh, gosh.
00:59:52Okay?
00:59:53All right, I'll get her.
00:59:54Okay.
00:59:55Okay.
00:59:57Bye-bye.
01:00:02Let me please go.
01:00:06I'm looking for Miss Rachel Harsin.
01:00:08One second.
01:00:08Dr. Menderton, special ward, please.
01:00:11Dr. Menderton.
01:00:12Yes, room 241.
01:00:15To the left and immediate right.
01:00:27Hi.
01:00:32What?
01:00:33What do you want?
01:00:34No, I just...
01:00:38Okay.
01:01:22You write on a typewriter?
01:01:26What are you doing here?
01:01:28I came to say goodbye.
01:01:31Oh.
01:01:33Oh.
01:01:36Wow.
01:01:37It's pretty, isn't it?
01:01:42You should see it at night.
01:01:44If the sky's clear, you can see every star in the sky.
01:01:55I don't know what to say.
01:01:56You don't have to say anything.
01:01:58But I, um...
01:02:02I wanna say something.
01:02:05You know, ever since I met you, I...
01:02:14My fiance.
01:02:15Yeah.
01:02:17Of course it is.
01:02:20He's probably trying to make sure he gets you to the church on time.
01:02:23I'm always in a hurry, so...
01:02:25I would be too if I was him.
01:02:32What are you writing?
01:02:35Um...
01:02:36This is, uh...
01:02:38This is my mother's manuscript.
01:02:40I'm pretty much your official typer now.
01:02:42Can I take a peek?
01:02:43Can I trust you?
01:02:45You already have.
01:02:59This is your most recent work.
01:03:02That's beautiful.
01:03:07Oh.
01:03:10I really have to go.
01:03:12Yeah.
01:03:21I'm glad you like this.
01:03:23I'm glad you like this.
01:03:40And I...
01:03:42Um...
01:03:42Here, um...
01:03:45It's not where you came.
01:03:47No, of course.
01:03:52I know there's something going on here.
01:03:55I just don't know what it is.
01:03:59Yet.
01:04:02Goodbye.
01:04:06Bye.
01:04:06Bye.
01:04:36Bye.
01:05:03PYM JBZ
01:05:34Sous-titrage ST' 501
01:06:23This is crazy.
01:06:25You're moving into the apartment of somebody you just met.
01:06:28You don't even know her.
01:06:30What if she's a serial killer?
01:06:32Mom, you need to relax.
01:06:34We've been Skyping. It's all fine.
01:06:36Skyping?
01:06:38That's not talking.
01:06:40Nader, do something.
01:06:43What can I do?
01:06:47My color is fine.
01:06:51Give me a hug.
01:06:52Bye.
01:06:59I should have done this years ago.
01:07:02You're welcome.
01:07:05Did you see the way she was dressed?
01:07:08She gave away all her beautiful clothes.
01:07:13What have we done to deserve this?
01:07:19Thank you so much.
01:07:21You're welcome.
01:07:22We'll see you in six months.
01:07:23Yeah.
01:07:24Have a good time, you guys.
01:07:26You have a simple, exciting concept.
01:07:30For a novel, that's not enough.
01:07:32But for a movie, it could be just what the studios want.
01:07:37High concept.
01:07:38Oh, that's what I've got?
01:07:41High concept.
01:07:44High concept.
01:07:45High concept.
01:07:48High concept.
01:08:06High concept.
01:08:21High concept.
01:08:25High concept.
01:08:28High concept.
01:08:35High concept.
01:08:37girlfriend so I knew it I knew it you know why it goes we police officers we
01:08:43got a good sense of psychology so what I do dr. Freud what do you do there you
01:08:48just run off with me okay only if you let me drive oh hey I don't know not the
01:08:57way you drive deals off maybe I need more courage
01:09:06well hell let's drink the courage and to all the writers in the world
01:09:19you know all the years I know yeah I never have seen you looking like this everything okay between
01:09:28you and Helen oh shit I thought you two were gonna get married I do she's getting married to
01:09:44somebody else she pretty oh Dale she's gorgeous you know she's she's pretty and she's she's clumsy
01:09:57wow sounds like you're really into her she live around here no that's tough hold on to her this
01:10:07one sounds like the one you don't want to let slip away hi boys
01:10:31hey it's me listen I have some bad news about my mom
01:10:37I wish I could have heard your voice
01:10:41miss you
01:11:04I wasn't expecting you today
01:11:08Rachel died last night darling I'm so sorry
01:11:18why are you smiling do you think the son will give you an exclusive
01:11:26let me send a photographer with you
01:11:29mom put the phone down mom
01:11:32mom this is a private funeral no press no television nothing
01:11:42I'm invited and I'm going
01:11:54yeah
01:12:01I'll get a driver to take you
01:12:04no you don't get it do you I don't want a camera and I definitely don't want one of your
01:12:08photographers posing as a driver
01:12:10but how are you gonna get there don't worry I'm Sasha Kapalov from Russia I take care of you
01:12:22this is homemade vodka you relax you don't feel a thing I don't drink
01:12:31you don't I can't hold my liquor I hold it for you don't be silly everybody drinks
01:12:41huh thanks
01:12:45okay
01:12:49please fasten your cheap belt flight attendant to return to your station
01:12:54we're expecting some serious turbulence up ahead
01:13:11I'm sorry about Rachel
01:13:14I'm sorry about Rachel
01:13:15I'm sorry for it
01:13:16I'm sorry about
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