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Bergerac.2025.S01E03.540p.x265.AAC [Full Movie] [Free Online HD]Full EP - Full
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00:04Jesus, no.
00:05She's gone! Someone's taken Lily!
00:08Kate was killed while attempting
00:09to stop an abduction. Have you shown them the letters?
00:12It says no. This has nothing
00:13to do with the damn letters. You think
00:15it was one of the star? I want them gone.
00:17All of them. John Blakely's alibi was
00:19locked. But later, when I was pitching John as a
00:21suspect to the team, you didn't mention you'd just filed an
00:23alibi for him. Maybe we could talk
00:25about you coming home.
00:28I'd like that, Dad. What do you make
00:29her happy? We love her.
00:31Where I come unstuck is the quarter of a million
00:33pounds you tried to extort from the family.
00:35There was no ransom. Doesn't make sense.
00:37I don't think they killed Kate.
00:45I've been
00:45asked by the Wakefield family to make a
00:47statement. Words
00:49cannot convey the relief we feel
00:51having dear Lily back.
00:54And to know that major
00:55progress has been made into the investigation
00:58into our beloved Kate's murder.
01:01As you can imagine, this has been a very difficult time
01:04for the family. Firstly, we'd like
01:06to thank everyone who has sent messages
01:08of condolence and support.
01:10We really have been overwhelmed.
01:13but most importantly, we'd like to thank the police
01:16and in particular, DCI Bergerac.
01:19There it is.
01:22It was his tenacity and diligence that brought
01:26Lily home and led to this
01:28arrest.
01:31Nonetheless, we are
01:32still grieving. And so
01:34as I'm sure you'll understand, we would
01:36ask for privacy at this time.
01:42Returning to our top story.
01:44I got
02:11more
02:12than
02:12I
02:12told
02:12I
02:37That has to be some kind of record.
02:39Kate's only been dead, what, 60 hours?
02:41Well, I mean, killing someone and getting away with it, it's almost impossible today,
02:44you know?
02:45CCTV everywhere, there's mobile phone tracking, there's unbelievably sophisticated forensics
02:49now.
02:50Yeah, but from what you told me, none of those are how you found the murderers.
02:53No, no.
02:55Yeah, it was more, uh, instinctive.
02:59I think that's why I'm second-guessing it now, because there are holes in the theory.
03:04Well, you mean their alibi?
03:06It's definitely holes in their alibi.
03:08No, I mean holes in the police's theory about them killing Kate.
03:12I'm confused.
03:14It was your theory, but now you think that somebody else killed Kate who may or may not
03:19have also been attempting to take the baby?
03:23Maybe we shouldn't be discussing the case.
03:28Sometimes when we are discussing the case, we're not discussing the case.
03:35Why did you go back to work?
03:38Because I was ready.
03:47Because what grief was defining me.
03:51Because I was a mess.
03:52Because I needed to prove something to myself.
03:57To Kim.
03:59When did you last have a drink?
04:01About 58 hours ago.
04:03How's that going?
04:04Sorry.
04:04How's it going?
04:05It's torture.
04:07You don't look like someone who's being tortured.
04:13Where is Kim in her process of grief, do you think?
04:16Have you tried talking to her?
04:19I...
04:19It's pending.
04:25Say they did it.
04:27Mia and Tomas.
04:29Walk me through what happens next.
04:31Well, we put together a case and we take it to court.
04:35Oh, sorry.
04:35The team investigating the murder, too.
04:37My job is to find the ransom money and tie up the abduction charge.
04:41Well, that feels less consuming.
04:44So, more time to think.
04:49Sorry, you think my doubts aren't actually doubts?
04:54That I'm artificially prolonging the case.
05:01If you have found who did it, then the end is in sight.
05:06With no support.
05:07A conversation about your dead wife pending and not even three full days into sobriety.
05:12I...
05:14I just want you to think about what that would mean.
05:23So, the magistrate has denied bail for me and Tomas because they're such obvious flight risks.
05:28Where are we with the timeline?
05:29Although Night Kate was killed, Mia says they were at home all evening.
05:33We can trace them through till receipts and CCTV up until 1603 and then we lose them.
05:40So, we need to keep looking.
05:42Or we should consider other possibilities.
05:44Nah, we're not there yet.
05:46Here's a question.
05:47They don't have a car.
05:48How did they get to the house the night they took the baby?
05:50The bus, Mia said.
05:51Okay.
05:52Let's pull CCTV from all buses whose routes go towards the Wakefield house an hour before Kate was killed
05:57and away an hour after.
06:00Contact the minicab companies.
06:02Circulate me and Tomas' picture.
06:04Half a lager top for the first person that puts them at or near the house the night she was
06:08killed.
06:22I set you up beautifully there.
06:24You did?
06:25Yeah.
06:25I said we should consider other possibilities.
06:28And then I looked at you so you could stand up, rip down Mia and Tomas' photo and say what
06:33you said yesterday.
06:34It would have been brilliant.
06:35Yeah, that was just me thinking out loud.
06:37Oh no, don't go back on this now.
06:39I didn't sleep a wink last night.
06:41Look, it's them.
06:43Yeah, you know how I know?
06:45Because the alternative is that shit.
06:51Well, you won't want to see this then.
07:02One of the letters we intercepted going into the Wakefield house sent a day before Kate was killed.
07:08Elaine, Wei, Gans, Elaine.
07:12It's German.
07:14Alone, alas, all alone.
07:18It's from an opera, Elektra, by Richard Strauss.
07:22Thank you, Google.
07:24Has Barney seen it?
07:25He said, well, families get sent weird shit.
07:30He's right.
07:32Yeah, but they're usually straight up abusive, not cryptic like this.
07:37Uh, just check it against Mia and Tomas' handwriting.
07:40I'll have to find his ransom money.
07:45Uh, listen, could I just, um, grab a copy of that?
07:54I'm heading over to the Wakefields to ID Tomas.
07:58May as well, uh, run it past them.
08:01Okay.
08:07Okay.
08:14Yeah.
08:21I'm back.
08:22You have no idea.
08:22Uh, the-
08:26Yeah, not just checking out.
08:27Yeah, thanks, man.
08:29I may have no idea.
08:31It's gonna be coming up.
08:31Oh no, I can't see you!
09:07It's hard to...
09:08He had a scar around his mouth and...
09:15Which one of these is Tomas?
09:16I can't tell you that.
09:19No, of course.
09:21I know that it's one of them, I'm just not sure exactly which.
09:26No worries, thank you anyway.
09:28About my money, Inspector.
09:32Uh, Mia and Tomas didn't have it with them when I arrested them.
09:35And it wasn't at their property, so we're assuming it's with an accomplice.
09:38Well, whoever made that phone call, um, I said this, didn't I?
09:41He didn't have an accent, so even with whatever he used to change his voice, he was English.
09:47But look, at some point the money will enter into circulation,
09:49and when that happens it gets flagged in our system and we can move in.
09:52But you haven't actually charged Mia and Tomas with Kate's murder yet?
09:56My colleague Barney Crozier is leading the murder investigation.
09:58They're putting a case together, I expect I'll have some news pretty soon.
10:03Uh, just something I wanted to ask you about.
10:06Um, this was sent to you the day before Kate's murder.
10:13Alone, alas, all alone.
10:18That's a quote, right?
10:21Yeah, it's from, uh, Electra by Strauss.
10:24Any idea why someone would send you a message like this?
10:26Nope, none at all.
10:28You sure?
10:29You've no idea what it's alluding to?
10:31No.
10:32Which one would assume is the whole point of a threatening letter.
10:36I didn't say it was threatening.
10:41Thanks for your time.
10:53I barely know Arthur Wakefield.
10:55Not my circle at all.
10:57Construction.
10:58Cement.
10:59Dust.
11:01Laborers.
11:02Okay, so who does?
11:03Who can I talk to?
11:05Don't you all go to the same club and light cigars with 50 pound notes?
11:10You know, dress up a poor person as a fox and chase them through a forest.
11:13Oh, you mean the Jersey Club.
11:15Yes, that's exactly what we do.
11:18Wednesdays after bingo.
11:19Okay, and Arthur's a member there too?
11:21Yeah?
11:22Great.
11:29How's Kim?
11:30You can ask yourself.
11:31She'll be back for lunch later.
11:33I've insisted she has her lunch here now.
11:35Do you know what she usually has?
11:36A sandwich out of a machine.
11:38She told me that.
11:39She said those words.
11:42I need to check this club out.
11:43I need to speak to someone who knows Arthur.
11:45You're not looking like that, you won't.
11:47I'm wearing a suit.
11:49If one can call it that.
11:50What?
11:56You could go.
11:57What?
11:57You speak the language.
11:58You understand the customs.
12:00Look, I just need some background on Arthur.
12:03Yesterday I was trying to steal your daughter.
12:05Now suddenly I'm going undercover.
12:08Besides, I thought you had your killers.
12:10No, there's been a development.
12:13Could have been a development.
12:16But Kim said the plan was for her to spend some nights at home now.
12:20No, no, that's still the plan.
12:21It's just the question of when.
12:25I'll talk to her.
12:26It's fine.
12:30So, the club.
12:35Quid pro quo.
12:38I sniff out some dirt.
12:40Help crack the case.
12:42Burnish your somewhat tarnished reputation.
12:44And this afternoon, you and I will be given a private tour of St. Bernadette's.
12:50No.
12:50We discussed it.
12:51I discussed it.
12:53You had an attack of the vapors.
12:56I'm sure they wouldn't mind.
12:57They love to throw open the doors for old girls.
13:01But equally, you could press your nose up against the window of the Jersey Club like some Dickensian waif.
13:34I'm sorry about Kate.
13:36What?
13:37Oh.
13:38Yes.
13:39Bad news.
13:40Whoever did kill her will get away with it.
13:43Righty-o.
13:44Don't do that.
13:45Please.
13:46Please.
13:48Please don't walk away from me.
13:50Just one minute.
13:51I need to talk to you about Bergerac.
13:56Thirty seconds.
13:59Okay.
14:02Um...
14:03You see, he's not interested in accuracy.
14:05He doesn't want to find who did it.
14:07He just wants to find someone.
14:11He...
14:11He falsified evidence against me.
14:14He ruined my life.
14:17Look, you could see for yourself.
14:19John-John Blakely.
14:20There's a Wikipedia page about me.
14:22They...
14:22They won't let me edit it.
14:24Sorry.
14:24This is coming out wrong.
14:26Um...
14:26How about, um...
14:28We sit down.
14:29And I...
14:30And I tell you what he did.
14:31Because he...
14:31He's corrupt.
14:33No, please.
14:34He's ruthless.
14:36Please, listen to me.
14:38He will lie to you.
14:41He will lie to you!
15:05Right.
15:07Keep it nice and informal.
15:09Just a quick catch-up.
15:11Bit of gossip.
15:12And then when the moment is right.
15:13You lead the talk towards Arthur Wakefield.
15:17There used to be a little terrace there that caught the sun.
15:21It's been absorbed by the car park.
15:24Which would suggest they're increasing their membership.
15:29You're not the only detective in the family, you know.
15:34How must things change?
15:52Oh, good lord.
15:53It's Charlie Hungerford.
15:55Nigel?
15:56I can barely see you through the haze of Tupigou and Viagra.
16:00Well, you'll join us, won't you?
16:02Well, why not?
16:03Must be six o'clock somewhere.
16:07I can't believe it.
16:08You don't look a day over thirty-five.
16:10You really must do something about those cataracts, darling.
16:13We were so sorry to hear about Rachel.
16:18We soldier on, don't we?
16:21Your health.
16:24Well, watch the gossip.
16:53And remember Bobby Guthrie?
16:56Liver transplant.
16:57Hardly surprising, sir.
16:59Anything under twelve percent is breakfast wine.
17:02Well, I remember.
17:03I'd like to pay my condolences to Arthur Wakefield.
17:06Oh, God, yes.
17:07Ghastly business.
17:09Is he in the spa?
17:10I saw his car outside.
17:14Actually, that's mine now.
17:17How on earth did you get him to park with it?
17:20Or is he currently still in the boat?
17:23People change.
17:27Or in your case, they don't.
17:34Will you excuse me, boys, little girls?
17:48Oh, I see.
17:50Bergerac.
17:51The son-in-law.
17:53Dear me, Charlie.
17:54It's Richard Nash.
17:55Isn't it?
17:56I'm really sorry about this.
17:57I know it's a little unconventional.
17:59It's just really important I speak to someone about Arthur Wakefield.
18:01Well, I can't help you.
18:02Wait in the car, James.
18:03No, I think I should.
18:04I've got this.
18:06As Kim would say.
18:07Hence the new school.
18:12Forgive the subterfuge, Dickie, but this is important.
18:15What happened to Arthur's daughter-in-law, it's possible he was the target.
18:20I know.
18:21I know.
18:22And in his own home.
18:24But the police don't have a clue.
18:25This isn't their world.
18:27So, can you think of anyone who'd want to hurt Arthur?
18:31I'm sure he's put some noses out of joint over the years.
18:35Could any of them be behind this?
18:39A light Cirrusel.
18:41It was an engineering company that Arthur bought back in 2009.
18:47Look it up, but you won't see his name anywhere near it.
18:49Well, what happened?
18:50Was there an issue with the sale?
18:51No, Charlie.
18:52That's all you're getting.
18:56And it wasn't from me.
18:59Understood.
19:01Bless you, Dickie.
19:06Oh, here we are.
19:08Allied Cirrusel.
19:10Sold in 2009 to a company called Loctex.
19:14Researchers at Allied develop a breakthrough non-lithium battery.
19:18The Cirrusel battery, which is now used globally.
19:22Upwards of 10 million sold last year alone.
19:25And they were bought by who?
19:27By Loctex?
19:27What does it say about that?
19:29Nothing.
19:30Nothing, that's all there is.
19:31Uh, go back to the first company.
19:32Allied Cirrusel.
19:33Who owned that?
19:35Here we are.
19:36Jonathan Robson.
19:38Oh.
19:38He invented this magic battery.
19:41But died, 2010.
19:44Jumped off the roof of this old office building.
19:46Leaving a wife, Linda.
19:49And a daughter, Ellie, aged 10.
19:52Give me a favor while you got the phone out.
19:55Look up the plot of Electra.
19:58I don't mean to.
20:00Electra is a character in Greek mythology.
20:03Condemned to a life of poverty after her father, King Agamemnon, is murdered.
20:09And so wreaks revenge on his killers.
20:13And that is the benefit of a world-class education, except Bernadette's.
20:21Great for pub quizzes, then.
20:34that is the benefit of a woman in the past.
20:44Do we know what she wants to talk to her?
20:46Well, don't we know what her parents said?
20:48I'd never ask.
20:49Thank you, too.
20:50I'll be sure if there's no need to talk to them.
20:50I hope you've done something very well.
20:51I won't have any Storage.
20:52We'll be sure to talk to them every time.
20:54you know those people that we arrested
20:58i don't think they did it so so the case goes on just means that i won't be at home
21:04much
21:09right i'm really sorry i i know that staying here isn't perfect it's not that it's just
21:15we were going to talk weren't we yeah we will
21:20you keep saying that i don't keep saying it i've said it once
21:26it's for you too dad the conversation you needed to
21:31you got me all worked out haven't you
21:37no sorry you're right
21:42in the meantime let's do lunch tomorrow how does that sound
21:48yeah sure that'd be nice
21:53um i should probably yeah
21:57no no go for it
22:04i gotta call you about tomorrow
22:11bye love
22:13bye dad
22:33oh god what is that face i hate that face
22:39on the night of kate's murder yeah tomosh said he took in a package for a neighbor so i checked
22:46it out and um
22:48yeah it tallies up with the time code from the courier
22:51you are shitting me
22:52did you see me uh
22:55over tomosh's shoulder asleep on the sofa
22:58well that's back to a square fucking one
23:02we're obviously still charging for the abduction
23:04oh what do you do that's not even my case
23:08speaking of which where is golden balls
23:15hey
23:16it wasn't me and tomosh they've got a solid alibi
23:19you were right
23:20but your absence is getting commented on
23:22barney wants a team meeting to discuss new leads
23:24i'll have to raise the letter again
23:25uh give me half an hour on that
23:27i've got some traction
23:28um
23:30listen do the wakefields know about me and tomosh yet
23:32no i was gonna head over after the meet with barney
23:35don't tell them just yet
23:37arthur's hiding something
23:38knowing that me and tomosh are in the clear for murder
23:40might make him climb up even more
23:42arthur's hiding what
23:44does the name ellie robson
23:47mean anything to you
23:51or jonathan
23:52robson
23:53ring a distant bell
23:56no
23:57what about allied cirrusel
23:59it's jonathan robson's company
24:00it's bought by another company called loctex
24:03the weird thing is
24:05they didn't exist before or after this transaction
24:09they appeared out of nowhere
24:10bought allied cirrusel
24:11and then disappeared
24:14like brickadoon
24:16then one of jonathan robson's innovations
24:17the cirrusel battery
24:19starts the feature in your marketing
24:21what's that phrase you use
24:24power need not corrupt
24:29i bought loctex and with it the catalogue of patents innovations plans back of the beer mad ideas
24:38oh and the uh the debt that came with their purchase of allied cirrusel
24:44the thing is a couple of years later jonathan robson committed suicide
24:49correlation doesn't imply causation inspector
24:53jonathan robson was clearly a brilliant man he was also a very troubled man
24:58but his intellectual property was paid for
25:00some might say handsomely
25:02though some might not
25:05which brings us back to this
25:07i believe this came from ellie robson
25:12jonathan robson's daughter
25:13hence the references to a murdered father
25:16and an avenging daughter
25:17it is a bit oblique though isn't it
25:19i'm coming out of the blue
25:20i can't imagine it would make much sense
25:21it feels to me more like
25:23uh
25:25theme
25:27so
25:28how many have there been
25:31two or three a year for the last five years that's all
25:34that's all
25:35do you still have them
25:35no we do not
25:36i threw them out
25:39ellie robson is a fantasist
25:40she's trying to make sense of her father's death
25:42now if i'd thought for one minute
25:44that she was involved in kate's death i'd have told you
25:46it is not up to you to decide
25:48what is or what isn't relevant
25:50or who is or who isn't a credible suspect
25:53you have your suspects
25:54they're literally in bloody custody
25:55we haven't been able to charge them yet
25:57and until we do we have to pursue other leads
25:59so this is important
26:01rightly or wrongly
26:02she believes that you ruined her father
26:04and that is a motive
26:06what to kill kate
26:08oh come on
26:09to hurt you
26:16so what are you gonna do
26:17what am i gonna do
26:19she's a suspect
26:20i have to look into it
26:21but moving forward
26:22let's just assume
26:23everything is relevant
26:26clear
26:38i only wanted them to know about the letters
26:40now they do
26:42i wanted them to know
26:43because if it was ellie robson
26:45then you're the target
26:47meaning there's every chance
26:49you'll come back to finish the job
26:51ellie robson didn't kill kate
26:52we know who killed kate
26:55and in the meantime
26:56a question here
26:57a question there
26:58that's all it takes
26:59and as far as bergerac is concerned
27:02this isn't even about kate anymore
27:04he's never gonna give up
27:12what is it
27:17there was a man here earlier
27:22yeah
27:23kara showed me the letter
27:24i said grieving families get sent weird shit
27:27and you're right
27:27but
27:28it turns out there's this whole other story
27:31with this robson guy
27:31whose daughter has been basically
27:33she's been harassing arthur for years
27:35where i get confused is
27:36what does this have to do with the ransom money
27:38no it doesn't
27:38but i was i was literally in the room with arthur
27:40so i just thought i'd check it out
27:41and all this
27:42you you did this just because
27:43you were literally in the room
27:44with your laptop and your printer
27:45well no i wanted to give you something tangible
27:47i didn't want to repeat
27:48what happened with john blakeley
27:51you know when i foolishly went after him
27:53not knowing he had an alibi
27:54even though his alibi had actually come through
27:56to this team
27:59yeah uh no that's
28:00no uh good
28:02always good to be sure
28:03i buy this
28:05i think she could be a real person of interest
28:06great
28:06to the murder inquiry
28:08which is why i will go and have a chat with her
28:09give me a minute and i'll come with you
28:10that's all right
28:10i'll take cara
28:11you got id on the robson girl
28:12oh look at that
28:14it's all in here
28:14this is great stuff
28:15thank you jim
28:17cara
28:18with me
28:33how did she do that
28:49thank you so much for being here very nearly the time we agreed
28:55see they're not the midwitch cuckoo's after all
28:59mrs hungerford
29:25mrs hungerford
29:28that's right
29:29that's right she played the nurse
29:30well i had a bit of a trawl through the archive and you'll never guess what i found
29:35an actual video of the production i had an actual video of the production i had a quick look she
29:39has the audience in fits i thought we could watch it or at least as much as you have time
29:44for
29:45honestly she's absolutely glorious
29:47oh goodness
29:48that sounds
29:50fun
29:52what do you think james
29:53yeah
29:56yeah
29:57wonderful
29:57shall we
29:58yes
29:59i hear kim is very musical
30:01remind me to show you the new recording
30:03actually it's um
30:04sorry
30:04i've um
30:06i've left something in the car
30:29you cover the back
30:30she might be expecting a visit
30:33okay
30:56it's ellie robson
30:57yes
30:58detective inspector barney crozier do you mind if i come in
31:01of course
31:23oh
31:24oh
31:24no
31:25none
31:26no
31:26right
31:26Ms. on
31:27Doxon!
31:45Carter!
31:48Carter!
31:52Carter!
31:57Carter!
32:06Look.
32:08Even I would struggle to see my dead daughter happy and healthy and glorious Technicolor, but we're here for Kim.
32:14And so we go back in there, and we smile, and we gaze and all, at all the world-class
32:19facilities, and then we say, oh no, mustache, and we go home and scream into a pillow.
32:24I am doing my best. I am trying to give Kim stability and solidity. That's why I'm back at work.
32:33But just, sometimes, it's just a lot.
32:42Today was fun. I enjoyed being useful.
32:48I could forget, just for a minute.
32:52So I see the attraction.
32:56But...
32:57It's a mirage. You understand that, don't you?
33:04DC Malloy to all ranks. Urgent assistance required.
33:10Suspect, Ellie Robson.
33:11Female 25, Madoff, heading towards the A11.
33:16She had the home advantage.
33:18Suspect vehicle heading northwest on Valley de Saint-Pierre, taking a left-left into Sandy Brook.
33:25DCI Bergerac on Rue de Monde.
33:27DCI Bergerac on Rue de Monde.
33:37Oh shit, where did she go?
33:41DC Malloy to all ranks. Suspects, current location unknown.
33:45Please be on lookout for female 25 in a gray Nissan Micra.
33:491-3-2-2-8-5.
33:51What direction was she headed when you lost her?
33:53Could she be headed to the Wakefields?
33:55No, opposite direction.
33:56She could be heading to the port.
33:58She might be trying to get off the island.
33:59I know where she's going.
34:01All units head to Marshall House on Valblazon.
34:08Help me out here.
34:10The detective in charge of investigating your daughter-in-law's murder.
34:14You want us to what? Expose him? Undermine him?
34:18Right, the murderers are already in custody, so there's sudden interest in my business.
34:22Of which, by the way, there is nothing amiss, okay? Nothing.
34:25It's irrelevant. It's a fishing expedition.
34:27Yes, but look at the optics, Arthur.
34:31Bergerac is popular. He's admired. Where is him? You know what he did.
34:35Yeah, but what if he didn't?
34:36What if what he said was true, and Bergerac really did try to falsify that evidence?
34:44What if we're talking a whole career of corruption and criminality?
34:51Oh, and there's one other thing to consider.
34:55Remember, I'm on the board of directors of your fucking newspaper.
35:02I think that covers everything.
35:15We're gonna need paramedics and a fire service. She's gonna jump.
35:18Wait, what? How do you know?
35:19I found her.
35:38Ellie?
35:44Ellie?
35:45Ellie?
35:52Ellie?
35:54Ellie?
35:54Ellie?
35:55Ellie?
35:58Ellie?
35:58Ellie?
36:00Ellie?
36:01Ellie?
36:01Ellie?
36:02Ellie?
36:04Ellie?
36:12Ellie?
36:20Well, that would have been too much.
36:22This rage.
36:24It's all I am, top to bottom.
36:28Everything stopped when my dad died.
36:31I may as well have jumped off with him.
36:34I can't.
36:42Why don't you tell me what happened?
36:46Arthur knew about the battery.
36:50He'd seen the plans somehow.
36:55But he paid my dad a pittance.
36:58Do you know how much money Arthur made of dad's battery?
37:01How much?
37:0310 million.
37:05The shame my dad felt for getting tricked like that.
37:11And he watched us struggle.
37:14And it tore him apart.
37:17After he, my mum tried getting lawyers,
37:21but they said Arthur had it all sewn up tight.
37:26So yeah, 10 years later, I sent him
37:29these pathetic little letters.
37:34I know a bit about how you feel.
37:39You lose someone you love, it's a line through your life.
37:45Everything's before or it's after.
37:47They're different worlds.
37:51And I know a bit about the shame that the dad felt, too.
37:58In fact, I'd say I'm something of an expert there.
38:00But look, he wouldn't want this.
38:01Just as I wouldn't want this for my daughter.
38:07The waste of his life, the waste of yours,
38:10just that is when Arthur Wakefield really wins.
38:20Aren't you cold?
38:22No, I'm absolutely freezing.
38:35He is winning, though, Arthur Wakefield.
38:38Look at him.
38:41Well, let's see what we can do about that.
38:46He's losing a lot.
38:55He's losing a lot.
39:11He's losing a lot.
39:13She'll be here.
39:17Gillian, God, I'm so sorry about Kate.
39:20Did you get the flowers we sent?
39:22No idea, but thank you.
39:26Oh, um, sorry, this is John.
39:29He's, uh, going to help us with, um...
39:32I'm sorry for your loss, Mr. Wakefield.
39:36Thanks.
39:37And who's this?
39:38It's my daughter Lily.
39:39Oh, hi, Lily. You're beautiful.
39:41Yeah, she's, uh, she's a monster.
39:45Actually, Dad, do you mind just taking her for a minute?
39:47Yeah, I'll take her.
39:49No, no, no, please don't worry. She might be sick on you.
39:52You wouldn't do that to me, would you, Lily?
39:55Well, if you're sure.
39:56Come on, go.
39:57Okay.
39:59Here we go.
40:01Here we go!
40:08Mm.
40:11She's here.
40:17Gentleman.
40:19I hear you have a story for me.
40:23Time now is 8.19 p.m.
40:26Also present is Miss Robson's solicitor, Mr. Pat Davis.
40:30Miss Robson, you understand why we're speaking with you?
40:34Because I sent the letters to Arthur Wakefield.
40:37All of them.
40:38So you're admitting to harassment?
40:40No.
40:42I'm admitting to sending some letters with opera quotes in them.
40:46Though some early ones had lines from the Discworld novels.
40:51Okay.
40:52Let's talk about intent.
40:54When you're sent...
40:55For the purposes of the recording, DC Malloy has just entered the room
40:58and handed me a file and a mobile phone.
41:02The intent's irrelevant.
41:03How can intent be irrelevant?
41:05Because, correct me if I'm wrong,
41:07but having bad thoughts about someone isn't illegal.
41:10With intent is quite...
41:10Sorry, Ellie, these photographs were on your phone.
41:12They're of the Wakefield house.
41:14They include images of the exterior, the main entrance,
41:18interior rooms, hand-drawn floor plans of all floors.
41:22Where did you get these, Ellie?
41:23Did you take them?
41:23Hang on.
41:24Where did you get these images, Ellie?
41:25Did you take them?
41:26Kate sent them to me.
41:30Why would Kate Wakefield send you these?
41:33I met her about seven months ago at a charity event.
41:37I hadn't planned on telling her about my dad,
41:40how Arthur defrauded him out of all that money.
41:42It just came out.
41:45She couldn't believe it.
41:47She said she wanted to help me.
41:50Help you do what?
41:51If there was any proof that Arthur had committed fraud,
41:55she said it would be on his laptop.
41:57She had this plan.
42:00The family were going to be at some opera thing.
42:03The baby was with the nanny.
42:04There was no CCTV.
42:07So I was supposed to sneak in the house,
42:10grab the laptop, and get out.
42:12Were you inclined to make use of the information
42:14that she sent you?
42:17I was inclined.
42:20I'd love to be the sort of person
42:22that can just do that,
42:23but I'm not.
42:29The time is 8.21pm.
42:31The interview's suspended.
42:37What is it?
42:38The photographs Ellie says that Kate sent her.
42:41There's no record of them on Kate's phone.
42:43Plus,
42:44the number Ellie has saved as Kate Wakefield
42:46is not Kate's official number.
42:47So how do we know Kate sent them?
42:49Go back through the exchanges.
42:50The stuff she references,
42:52the things about the Wakefields,
42:53the house,
42:54it's stuff only Kate would know.
42:56Okay, so Kate's got a second phone.
42:57Yeah, now, look at this.
42:58The last text that Kate sent to Ellie.
43:01Well, if you won't expose Arthur,
43:03I will.
43:05So the Allied Cerrocell stuff,
43:07Kate was going to take it to the press.
43:08Yeah, say she was,
43:09and say Arthur found out.
43:11What do you think you do to stop her?
43:28What's happening?
43:29You need to see this.
43:32Me and Tomas Alves
43:33have been charged with the abduction of Lily Wakefield.
43:36However,
43:37evidence has come to light
43:39that excludes them from the investigation
43:41into the murder of Kate Wakefield.
43:43But we have several other lines of inquiry
43:45that we are currently pursuing,
43:46and we would like to assure the public,
43:49and in particular the Wakefield family,
43:52that whoever killed Kate
43:53will be brought to justice.
43:56dieses wonderful things!
44:00is going to be brought to
44:01is going to be brought to you by
44:26is going to be brought to you by
44:30You
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