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Bergerac.2025.S01E05.540p.x265.AAC [Full Movie] [Trending]Full EP - Full
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00:04you're far more ruthless than i could ever be i think you're the most dangerous man i've ever
00:08met i never thought kim was unsafe with you of course she is safe kim i'm okay julian who was
00:18driving your car in the lead up to kate's murder ellie these photographs were on your phone they're
00:23of the wayfield house did you take kate sent them to me kate had a second secret phone that she's
00:28hidden somewhere john blakely's life was ruined what about my life it's about your confidence
00:33in the conviction they found my hair in his car he disputes that are you a corrupt cop
00:39who pursues vendettas by framing innocent men no comment
00:55what the hell are you doing john oh you've spoken to chloe then oh she's a real bloodhound
01:00that one well that's a shame i was on a roll but this will be far more entertaining right you
01:06listen
01:06to me yeah you did it you were guilty i was found guilty on the false means i've been thinking
01:16how
01:17many other poor innocent souls have you stitched up i don't know about you but that keeps me awake at
01:21night yeah what about sophie armstrong do you think about her oh i think she'd want the right man to
01:26pay
01:32for the crime now careful jim god's eyes are everywhere cctv of the soul now i forgave you
01:39but you just kept coming you stopped me from starting over after i'd served my time the only
01:45reason we went to the press is because we can't trust the police who's we someone who hates you as
01:50much
01:50as i do arthur wakefield so the law is paralyzed for the wicked surrounds the righteous so justice go
02:00forth perverted yeah thou shalt not fucking abduct
02:48where's julian
02:51he's at the police station
02:55he uh he left the opera on the night of i didn't mention it for obvious reasons
03:03uh then he uh took my car drove it here he was seen on route on cctv
03:13he must have killed kate
03:16but why he took out a life insurance policy on kate with 250k presumably to pay off his gambling debts
03:24but i thought you'd paid them off that he'd managed to stop yeah so did i looks like he's fooled
03:29us all he only faked the ransom after lily had been taken what no his own daughter he need to
03:37call
03:37lawrence get him to draw up a strategy um clean insanity say that we did everything that we could
03:44to help but in the end addiction won out you know you're ungrateful little
03:48shit you've robbed us of everything we need to preserve what little we have left of our reputation arthur
03:54i i i what i need to tell you something
04:06uh
04:12uh
04:42hi dad
04:43and i could have seen you being killed yeah well she should keep her fantasies to herself
04:50the thing is
04:54she doesn't want me to see you for a bit
04:56what
04:58i'll tell you you've sorted yourself out
05:00who does she think she is look it's not her choice kim okay it's yours um
05:07look i'll talk to her put her on
05:09no dad
05:09no i'm not gonna let her take over your life kim
05:12i don't want you two fighting
05:15again
05:20she's coming i should probably go
05:22wait sorry you can't even talk to me now kim
05:36hi
05:38guess who just came to the hostel like a man possessed
05:41bergerac yeah totally lost his shit
05:44the cage has rattled prison beckons
05:47so how long till you run the story because i can't wait
05:50i spoke to sophie
05:52i was hoping she'd concede that bergerac had coached her into identifying you but
05:58she is convinced it was you right but we still have the second search of the car
06:03no i just had to explain this to arthur wakefield
06:07it's not enough without hard proof that bergerac did this we could be sued for defamation
06:13sorry are you saying that you're not going to run it
06:16i'm sorry john
06:19you're serious
06:26okay fine
06:31you need to go
06:33to
06:33to this address
06:35it's the house i grew up in
06:37you'll need to go into my old bedroom top of the stairs first on the right
06:41there's a wardrobe
06:43taped to the inside of the wardrobe
06:45an old mobile phone
06:46i need you to get it and i need you to bring it to me
06:49but why can't you get it
06:53it's not safe for me to go there
06:56but it is safe for me to go there
06:58you said you need evidence
07:00wait so there is evidence
07:03well why didn't you use it at trial
07:06you'll see
07:29so
07:31we know that julian took out a life insurance policy on kate right around the time he went into
07:35debt with ruccini people have life insurance policies you know for all we know maybe she had
07:39one on him it doesn't mean that he was desperate enough to kill her and besides
07:43insurance companies don't pay out immediately after a murder it's a long shot by him he was
07:48desperate enough to fake a ransom note to his father for his own daughter that's opportunistic
07:53it's not premeditated one it's a key difference not premeditated he knew that she was at home
07:58alone with no cctv he snuck out the opera house he took his dad's car master wakefield in the nursery
08:03with a candlestick julian look is definitely um it's promising but arthur is still in the frame
08:11um hold on uh any luck enhancing the uh cctv of arthur wakefield's car yeah i i sent it to
08:17tech but i'll chase him up yeah what what exactly did she say i haven't gone into any detail with
08:25her
08:25she just gave me the headline i put her in here
08:32chief inspector i came here to tell you that it was me driving arthur's car from the opera house
08:47i slipped out from the stalls took arthur's keys from his coat pocket and drove back to the house to
08:53talk to kate what about something she said before we left about ellie robson i presume julian must have
09:01told her we'd been receiving threatening letters why why what did kate say that she empathized with ellie
09:07and that concerned me and then during no non tremare o perfido sorry um oh do not tremble you treacherous
09:17one act one scene nine it struck me that they may have been in contact with each other okay so
09:23you
09:23left yeah okay what happened when you got back to the annex well we talked and i was right i
09:30mean earlier
09:31had convinced kate that there was some great conspiracy that she was denied all this money and
09:38kate was naive enough to believe her okay so an easy target for a vengeful woman well i'm sure ellie
09:45was very convincing it's just one problem the usher told us that no one left the stalls before the
09:52interval well they're wrong i don't know and it doesn't seem inconceivable to me that you wouldn't
09:59step up and take one for the wakefield team was this arthur's idea that you would put yourself in
10:06the frame to save him your petticoat showing chief inspector i'm sorry your fixation with arthur
10:16okay for the sake of argument then uh you go back to the annex uh because kate and ellie are
10:22conspiring conspiring to do what exactly well that's what i wanted to find out
10:26i mean there isn't any proof so the best kate could hope to do would be to i don't know
10:33undermine
10:34arthur in some way damage his profile our profile i made it very clear that that would be a very
10:42very
10:42bad idea and i left right and kate was still alive yes absolutely why didn't you tell us this before
10:52because i knew how it would look and i didn't want arthur grieving a daughter-in-law he was in
10:59effect
10:59stabbing him in the back but i can't stand by and watch julian be incriminated so um kate thought there
11:07was proof i'm sorry about the illegal purchase of our light cirrus you said there wasn't any proof
11:12kate thought there was their plan was kate would go to the theater ellie would sneak into the house
11:18and go to arthur's laptop and take all of the incriminating evidence and sneak out and take it to
11:23the press i mean kate had sent ellie hand-drawn plans of the house the location of the laptop
11:28the passcode i see ellie got cold feet kate's last message to ellie was if you won't expose arthur
11:34i will kate feigned illness so she could get the information herself where did this argument take
11:42place it was more of a conversation where did this conversation take place in the nursery lily was in
11:51her cot i need i need to understand the conversation where were you where was she
11:59i was in the doorway kate was by the fish tank okay this is what i don't get why why
12:05would kate put
12:07herself and her baby at risk by conspiring against arthur wakefield while under his roof
12:18she was leaving she was taking lillian she was leaving that's why there was a half-packed bag in
12:23the nursery she was packing and she got interrupted and that was the ultimate kick in the teeth wasn't
12:28it after everything you and arthur and julian has done for her she was going to break up the wakefield
12:34empire your surrogate family run for the hills no wonder you lashed out no that that's not what
12:39happened this wasn't just about arthur it was about you you'd given your whole life to this
12:44family to this company and this ungrateful bitch was going to destroy it all no that i told you what
12:50happened but we talked i i went back and we we talked that that's all i want to talk to
12:57her
13:01so margaret finds kate about to leave with the intention of exposing arthur wakefield
13:05she tries to stop her it gets out of hand she bashes kate over the head unless arthur has put
13:11pressure on margaret to sacrifice herself in order to protect the family name arthur will have told her
13:17about the speed cam picture of the car so maybe she's come forward because she knows it's only a matter
13:22of
13:22time before we identify her anyway and her story ties in with the time of death julian and arthur still
13:28don't have alibis and the usher said that no one left the stalls get simon to talk to the usher
13:35again
13:36if he still says no one left the auditorium then we charge julian wakefield if he says he's not sure
13:42now then it looks like margaret's our killer where are we with forensics finally came back this morning
13:47other than the family mia and margaret there are four unidentified dna traces they did just have
13:53decorators in so we have to track them down so we can eliminate them this guy i swear to god
13:58i have to go another lunch date is it just a stuff to do here meeting with my therapist actually
14:08you know i would not say that he was the best advert for the effectiveness of therapy thought you had
14:13stuff to do
14:38hi so sorry to do this i was just in the area and i saw the for sale
14:43sign and i just couldn't resist asking for a sneaky peep
14:50come on there's a lady here that wants a viewing
14:59hi no viewings without an agent you could be anyone
15:03no totally absolutely fine i'll um i'll talk to you i've just been a bit reluctant
15:11to deal with agents you have to give over your details don't you and then you just become
15:16inundated especially if you're a cash buyer and not in a chain but no so sorry to disturb you
15:27wait
15:29all right
15:32thank you thank you thank you so much thank you
15:40oh wow original features why are you selling up oh we're going to live with our son mark in scotland
15:49oh lovely is he your only child do you want a viewing or our life story
15:58tea coffee coffee would be great thanks
16:03well go on
16:09well it's okay i can whiz around save you i've been enough of a nuisance already
16:20you said that no one left the stalls during the first act are you sure about that yeah yeah no
16:26definitely
16:27i need you to be certain the thing is i'm not supposed to leave my post at the door
16:33josh if you're dead that's not a criminal offense but withholding evidence is
16:41this girl that works here in the cloakroom she uh she asked me to meet her in the storeroom
16:52okay so i did and what time was it this is really important josh
17:048 40.
17:13how quick was this quickie
17:18i was back in position for the interval at 9 20. 9 20. and you're telling me the truth this
17:25time
17:26yeah look
17:39coffee's ready i'll be down in a minute
17:50okay
17:57so
17:58so
18:04Let's go.
18:38What are you two poking about in here?
18:40I'm a photographer.
18:42I just thought this would make a really good dark room.
18:44It's time you went.
18:46Sure.
18:56She won't be having coffee.
19:24I'm a photographer.
19:36and back in the room yeah it's not that easy to navel gaze when you've just had a lead on
19:41a
19:41murder investigation oh well you're my priority oh wow thanks pete untouched
19:50how did it go with kim not great we got interrupted oh because of the case
19:59it does have a habit of doing that well go on then what's this lead arthur wayfield's looking less
20:06likely margaret is pa um she caught kate trying to leave the house the night she was killed
20:13kate was was planning to expose arthur for defrauding jonathan robson she was working
20:18with his daughter ellie everyone talks about kate being weak and naive gullible but the kate
20:29that sent messages to ellie from her secret phone was sharp she was confident she was principled
20:35there's so much about kate's life that we don't know about what's that graze on your knuckles
20:40oh that's nothing i punched a wall it's quite restrained considering the alternative was
20:47john blakely where did this happen john's hostel yeah i know i know i shouldn't have gone there
20:56but no damage done well apart from to my hand why did you want to punch him the point is
21:03i didn't
21:04punch him why are you still hounding john blakely you know this anger i'm picking up on this lack of
21:12control oh here we go what if it's projection for the anger you feel at losing rachel you're hurling
21:18yourself into work to avoid dealing with your grief and as a result your emotions are getting
21:24displaced because you're not targeting the original source or maybe i'm doing it because i'm trying to
21:28find out who killed a young woman who was brave enough to bring that fucking tyrant down look i need
21:34to find kate's second phone so let's just chat when her killer's been caught yeah
21:50i knew there was a reason i kept every charger i never owned
21:55so you saw them then how was mom she seems sad
22:07yeah he won't let her reach out to me he's a beast
22:13there there you see i i took some photos that i was going to send to her father but i
22:18never used
22:19this one no no no go go back you see through the window that is that is my father's red
22:24metro that's
22:24not my car that is not the car that they planted the evidence in that's sophie armstrong
22:33you wanted proof there it is no you said you were innocent you lied to me
22:38not about bergerac planting the evidence it's that was true i mean look she was a child
22:45i'd have never pursued this if i'd known
22:50fine fine fine just take a minute
22:56i mean you've met with her she's fine isn't she she was a child look what you did to her
23:01i served my sentence he hasn't i think we're done here
23:12i fucking see you
23:34well
23:37well i um i've been charged with perverting the course of justice and bail to attend court
23:47well i'm uh sorry to hear that mark
23:54however there is an upside
23:57we know it wasn't julian
24:02why what were you going to say
24:05well they know i didn't do it
24:08i wouldn't be so sure bergerac's convinced i'm covering for you out of some sort of die-hard loyalty
24:16even when we're telling the bloody truth you're determined to pin it on me
24:20i'm telling you the man's not well
24:28you've got to tell him
24:33arthur we were just talking about you
24:35the bergerac expose
24:37enough dicking around
24:38you run the story tomorrow
24:39i'm sorry arthur
24:40but whatever bergerac did to frame him
24:43we have evidence that proves conclusively
24:45that blakely did in fact abduct that girl
24:47yeah right but i mean
24:48you're not saying bergerac didn't falsify evidence are you
24:51no i'm saying i'm not jeopardizing
24:54my career or my reporters by printing a story that champions someone who abducts young girls
25:02fine i'll be talking to the owner and the board
25:04be my guest
25:05i'm sure they'll agree with me this isn't a story it's a suicide note
25:09thank you for your time
25:10arthur please
25:11please just just listen to me
25:14all that blakely cares about is hurting bergerac
25:17now i know that aligns with your objective
25:20but blakely he's he's a very sick man
25:24so take my advice have nothing more to do with him he's toxic arthur
25:28if you have to go after bergerac find another way
25:32noted
25:36he hung up
25:39you know that um man you brought here to my house
25:44john blakely
25:45turns out he abducted the girl
25:48so now they're not running the story
25:50well i'm i'm sorry
25:52i thought he'd be able to help somehow
25:57just explain to me again
25:59why were you in the annex
26:01when kate died
26:03as you know she'd been speaking with ellie robson
26:06i wanted to find out what they were planning
26:09so you would have been the last person to see kate alive
26:14bergerac was right you were loyal to a fault
26:18what's she saying arthur
26:20hmm
26:21oh no no no just thinking aloud that's all you know
26:36one day someone's going to walk through that door
26:39and it won't be about jim
26:42every time i get close to a breakthrough he talks about work
26:45the lines between personal and professional are blurred
26:50i think he's projecting his buried rage at losing rachel onto his suspects
26:54yes he was ranting about arthur wakefield this morning again
26:58and then there's john blakely
27:00oh that's sorted
27:01he's no longer in the frame
27:02yeah jim went to see him last night
27:05at his hostel
27:06ended up punching a wall
27:08dickhead
27:09rather than being a healthy diversion
27:11this case has become an addiction of sorts
27:13a replacement for alcohol
27:15which he'll do anything he can to perpetuate
27:18everyone can master a grief but he that has it
27:22bumper sticker
27:23shakespeare
27:25my bad
27:28i'm gonna have to take him off the case
27:58where
28:00where where are the where are they the um the where are the photos that kate's and
28:05daily robson
28:05oh
28:07under here
28:17are forensics still in the annex
28:19yes
28:19yes
28:20yes
28:28yes
28:29yes
28:52poppy ccr bergerac you're still at the wayfield house right yeah yeah i'm just in the
28:56look i need you to go to the nursery what are you up to jim i just um go to
29:01the fish tank
29:04jim i need a word in my office sorry poppy um you've gone quiet where are you yeah i was
29:09i was
29:09downstairs
29:10i'm in the nursery
29:11okay you see the uh the fish tank uh just go to it i need you to look inside
29:15what what am i looking for
29:16what am i looking for there's just loads of fish
29:17what about the um
29:19isn't there like stones at the bottom little tiny stones just can you dig around in there
29:23what is he doing i have no idea
29:25poppy
29:28what are you doing
29:30poppy
29:31poppy talk to me
29:32i don't want to harm the fish
29:34no the fish are fine we can replace the fish
29:36okay enough
29:37jim
29:37jesus would you wait
29:42poppy
29:53nothing in the stones
29:54uh what else
29:55a log
29:56it's quite realistic for plastic
29:57okay can you pick that up can you look inside
30:04jim hang up i need to talk now
30:06yeah no just hold on
30:07poppy talk to me
30:14there's like a a freezer bag and there's a phone in it
30:17yes
30:18yes what
30:19excellent work poppy uh i'm coming to pick it up now
30:21um
30:22uh we got it we got kate's second phone
30:27okay
30:28margaret said kate was by the fish tank
30:30and you know i thought um
30:32she's not gonna be feeding them so why is she there
30:34she was hiding her secret phone because someone was heading into the annex
30:37and then i saw the waterproof bag in the corner of the photo that kate sent to ellie
30:41i enlarged it why would kate have a waterproof bag
30:44for the phone in the fish tank thank you and good night
30:46that's actually very smart
30:48yeah i know right
30:49i i now we're gonna find out who the real kate is because i think it's on there
30:53everything we need to know
30:54jim we need to talk
30:54absolutely i'm just gonna pick up the phone and swing by once i'm done
30:57i know you went to see john blakely
31:00and punched his wall
31:03okay
31:04um
31:05i didn't touch blakely
31:07um but no look i messed up
31:08i appreciate that
31:09but i swear that will never happen again
31:11it's harassment jim
31:13um
31:15my god
31:17you arrested arthur wakefield when i expressly told you not to
31:20you took your daughter on an arrest and now this
31:22i took a huge risk on you
31:24yeah and i just got us a massive breakthrough
31:26yes and i need to secure a conviction
31:28we can't risk some lawyer getting the case thrown out because you freestyled protocol
31:32i'm sorry jim i have no choice but to
31:35no no no no no no
31:36take you off the case
31:39i found kate fun
31:42and you can rest easy that tech forensics will help us with it
31:45no
31:46i never doubted your brilliance as a detective jim
31:49please don't do this
31:51not now
31:52don't take this away i need this
31:55take some time
31:56get your priorities straight
31:58go home
32:00be a dad
32:05right
32:05right
32:05back to work everyone
32:07thanks to jim we have kate's phone
32:10our best lead so far
32:17next
32:18please
32:18so
32:19in
32:19the
32:19Let's go.
32:55Let's go.
33:27Let's go.
33:52Let's go.
33:55Let's go.
33:58Fuck off.
33:59There's a good lad.
34:09I won't stay long.
34:11The last thing I need today is tetanus.
34:15You haven't been quite straight with us, have you, son?
34:18No, I said Bergerac planted evidence to secure my conviction.
34:22No, you weren't straight about who you are.
34:25You fail to mention that you're a grubby little sicko that abducts young girls.
34:32One young girl?
34:36It's an interesting hill to die on.
34:38Fine.
34:40What can I do for you, sir?
34:42You wasted my time.
34:43However, my forgiveness knows no bounds.
34:46Nor does my generosity.
34:52Bergerac's address.
34:55What am I expected to do with this?
34:58Use your imagination.
35:02And what do I get in return?
35:03Well, he's as mature and immune as he is mine.
35:06You said he lost you, your job.
35:08Well, we're always looking for fit, hard-working young men for our sights.
35:12Fresh start.
35:14Clean break.
35:16Blah, blah, blah.
35:21I'm not just an animal that you can let loose on someone.
35:26Really?
35:28Because I think that's exactly what you are.
35:40Hello, darling.
35:41Oh.
35:41How was your day?
35:42I didn't attend any arrests.
35:44You'll be glad to know.
35:50Starting early, Gran?
35:52Maybe we have something to celebrate.
35:54Oh.
35:55What?
35:56And I want to place a break to call food.
35:57Very funny.
35:58I'm not that drunk.
36:03I've seen this.
36:04They do skiing trips.
36:05They have a state-of-the-art music department.
36:08Complete with a recording studio.
36:12Places are like gold dust.
36:14So I took the liberty of signing you up for next term.
36:19What?
36:20Your grades are suffering.
36:23They have a 98% pass rate.
36:28Your GCSEs are coming up.
36:40I have a thirst for knowledge and already possess a broad understanding of the cultural, historical
36:45and geographical, which makes me eager to discover more.
36:55You'll keep your old ones and make new ones.
36:58With these twats?
36:59Your mother, darling, was very happy there.
37:03Well, shall she agree?
37:05Think of it as a new adventure.
37:09There's been enough change.
37:11Darling, sweetheart, you were so keen before.
37:14I was being nice.
37:17It's my life.
37:19My decision.
37:21Dad was right.
37:22About what?
37:23Don't you surprise me?
37:24You're trying to take over.
37:26Because, right now, it seems I'm the only responsible adult in your life.
37:33It's not me who keeps letting you down.
37:36Remember that.
37:58Granny's only going to sign you up to the posh private school.
38:01It says I have to start next term.
38:04What?
38:05Granny's trying to turn me into a version of mum that doesn't even exist.
38:09You're right.
38:10She's trying to take over.
38:14Not on my watch, love.
38:29Hey, it's just the one.
38:32Fuck you, Dad.
38:33Kim.
38:34Stay away from me!
38:36Kim.
38:37Kim.
38:38Kim, I'm sorry.
38:39Leave me alone.
38:40Just, please, you just come back and we can talk.
38:43Not when you're pissed we can't.
38:46Why did you have to prove Granny right?
39:01Kara, it's not a good time.
39:03What?
39:09Kate only had two contacts in her phone, Ellie Robson and someone called Fred.
39:17Ellie's phone is Ellie's phone.
39:18But Kate's and Fred's were pagey go so untraceable.
39:22And it looks like she deleted the messages about once a week.
39:25So they don't go back very far.
39:27But what she says is really interesting.
39:37Margaret hates me.
39:41Watching and listening, pretending to be on my side.
39:45Right, and this is to the, uh, um, Fred guy, straight woman.
39:50Heart emoji is a reply.
39:51What?
39:52Um, the more I dream about breaking free, the more she keeps tabs on me.
39:56Margaret.
39:57Fred says you can do this.
40:01How many of these are there?
40:02Loads.
40:03And this is just one week.
40:04Almost all of them about Margaret.
40:06Margaret told me today how lucky I was to be welcomed into the family that I was adopted
40:10like Lily, a stray.
40:12Look at this.
40:13A few days later.
40:14Just had a big argument with Margaret.
40:15She said Julian would be better off without me.
40:17Then she said they'd all be better off without me.
40:19I can't breathe, Fred.
40:21And this?
40:22The night she was killed.
40:24They've all gone.
40:25Tonight's the night.
40:25Arthur needs to be exposed.
40:26I just need the documents and then I go.
40:30And then I couldn't resist saying something to Margaret, though, which is probably silly.
40:36Funny, though.
40:38Cry laughing and magic from Fred.
40:39Then Kate says, thank you.
40:40I couldn't have done this without you.
40:41Fred replies, you did this all yourself.
40:43What a joy it's been to know you.
40:45Safe travels.
40:46Kate was clearly terrified of Margaret.
40:48What you said in her interview, I think you were right.
40:51She comes back to the annex.
40:54She talks to Kate.
40:56Kate tells her what she's planning to do.
40:58And Margaret kills her.
41:04Sorry, I need to take this.
41:07Charlie, look, I need to talk to Kim.
41:09I thought she was with you.
41:11She ran away, hasn't gone to her violin class.
41:13Her friends haven't seen her.
41:15And now she's not answering her phone.
41:17Um, look, I'm going to send you an address.
41:20Meet me there.
41:25I need to go.
41:28Let me give you a lift.
41:30You don't need to be breathalyzed on top of everything else.
41:52I'd say she left mine just after half past four.
41:56I'm half an hour away on foot.
41:58How long was she with you?
42:00About a minute.
42:02Um, okay, find the nearest footage to my house.
42:10There.
42:11There she is, there.
42:13Can you...
42:14Where is she going?
42:16What have you got on King Street?
42:18Try to Massie's.
42:20There, is that her?
42:21What has she got?
42:22She's got flowers.
42:24She didn't have those before.
42:27She's going to the graveyard.
42:29I adore champagne Charlie to do.
42:31I'm a St. Bichadette school, Mum.
42:34I know you were bullied there, but were too nice to tell her.
42:38I don't even know who knows you anymore.
42:42I miss you.
42:46I just want to hug you.
42:49Hold on to you.
43:09Where is she?
43:12Where is she?
43:13She was here.
43:13She was...
43:14She was here.
43:14We saw her just...
43:16Just a minute ago.
43:22Wait a minute.
43:27Hey.
43:31We'll find her.
43:38Hey.
43:39Hey.
43:45Miss you.
43:47Every day.
43:49Kim left with a man.
43:51Average height, fair hair, dark jumper.
43:53He had his arm around her.
43:54What?
43:56Who?
43:58Who could it be?
44:24Who could it be?
44:28Who could it be?
44:29I will repay.
44:30I'm sorry.
45:01I'm sorry.
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