- 9 hours ago
Park Plaza 605 [Full Movie] [Free Online HD]Full EP - Full
Category
🎥
Short filmTranscript
00:00:07The End
00:00:34The End
00:01:04The End
00:01:40What a beauty
00:01:42Not bad
00:01:45Hey, did you see that?
00:01:46I thought it hit a bird
00:01:48Well, I'm...
00:01:48Poor creature, you must have killed it
00:01:50Poor creature, my foot, my best drive...
00:01:52I mean, one of my best drives ruined
00:02:01A pigeon!
00:02:02Look, you've hit it smack on the head
00:02:04I like that
00:02:05I saw it coming, deliberately aimed at it
00:02:07I knew I was good, but not that good
00:02:10Look, Norman, it's a carrier
00:02:12That should give us the name and address of the sender
00:02:15What does it say?
00:02:18Room 605, Park Plaza Hotel, reserved in your name
00:02:21Await contact, 8 o'clock tonight
00:02:23Act according to instructions
00:02:26Doesn't that give you a kick?
00:02:28A message speeding through the air
00:02:29Straight from the...
00:02:30Oh, Norman, you'll see something melodramatic in his menu
00:02:33This is no menu, sweetheart
00:02:35And has the receiver never got it?
00:02:37He won't be there
00:02:38Oh, and beware
00:02:39Park Plaza Hotel, room 605, 8 o'clock tonight
00:02:41But I won't
00:02:46Thank you, sir
00:02:4724
00:03:106th floor, please
00:03:11Right, sir
00:03:15What are you so excited about?
00:03:16Well, I'm waiting for the second leg of my double to come up, sir
00:03:19Did you get good odds on the first one?
00:03:21Didn't win
00:03:48Time理由
00:03:49I know
00:03:50But I do
00:03:52I don't
00:03:53I don't
00:03:53Come on
00:03:56Less
00:03:56More
00:03:57I don't
00:03:57I don't
00:03:58Thank you
00:04:00I don't
00:04:02I don't
00:04:14THE END
00:04:40THE END
00:05:10THE END
00:05:10THE END
00:05:10THE END
00:05:10THE END
00:05:10THE END
00:05:12THE END
00:05:12THE END
00:05:13THE END
00:05:13THE END
00:05:14THE END
00:05:14THE END
00:05:15THE END
00:05:29THE END
00:05:36THE END
00:05:37THE END
00:05:42THE END
00:05:48THE END
00:05:51THE END
00:05:52THE END
00:06:03THE END
00:06:06THE END
00:06:06THE END
00:06:07THE END
00:06:13THE END
00:06:13THE END
00:06:14THE END
00:06:30THE END
00:06:34THE END
00:06:36THE END
00:06:40THE END
00:06:50THE END
00:06:53THE END
00:06:53THE END
00:06:57THE END
00:07:01THE END
00:07:01THE END
00:07:02THE END
00:07:02THE END
00:07:03THE END
00:07:04THE END
00:07:04THE END
00:07:04THE END
00:07:09THE END
00:07:09THE END
00:07:10THE END
00:07:10THE END
00:07:38Hello.
00:07:40You have kept us waiting.
00:07:45Where have you been?
00:07:47And those clothes you are wearing?
00:07:49As a member of our trade delegation, how do you get such ideas?
00:07:52You are so pleasure-seeking.
00:07:54Enough, Ivan. Nadina is a good citizen.
00:07:57And her father was one of the heroes of the revolution.
00:08:00Why talk like this?
00:08:01Do we dine and dance tonight or not?
00:08:04It is not wise.
00:08:06If Gregor of the secret police saw us...
00:08:08Gregor, Gregor. Who is Gregor?
00:08:11Mr. Gregor for Mr. Boris Roth.
00:08:13Very good, sir.
00:08:15Mr. Roth, please.
00:08:18Mr. Gregor has called, sir.
00:08:20Very good, sir.
00:08:22Mr. Roth says, will you please go straight up?
00:08:24It is suite 600 on the sixth floor.
00:08:31Gregor is on his way up.
00:08:35Nadina, you had better leave us.
00:08:44Now, what can you want?
00:08:50Good evening, Gregor.
00:08:52We are pleased to...
00:08:55I have to inform you that you are both under arrest.
00:08:58Why?
00:08:59What is the charge?
00:09:01Arrested?
00:09:01Why are we to be arrested?
00:09:03Orders.
00:09:04Where is Nadina Rodin?
00:09:12I am sure you do not want to resist our government.
00:09:17There are three men downstairs.
00:09:19You will have to answer to our chief.
00:09:22He was shot this morning.
00:09:25The entire staff of the trade bureau is affected.
00:09:27You are all being sent back for an inquiry.
00:09:30Do you know what that means?
00:09:31It is not necessary for me to go into any details at this moment.
00:09:36My orders are to put your...
00:09:43Are you mad?
00:09:45I would be mad if I let him arrest us.
00:09:47But he is only stunned, so we better be quick.
00:09:48How can we escape from this hotel?
00:09:50Leave it to me.
00:09:51I have been prepared for something like this.
00:09:52What about the men downstairs?
00:09:53The men downstairs?
00:09:54Forget the men downstairs.
00:09:55Come on.
00:09:56Get ready.
00:09:57Hurry.
00:10:06We will give him another five minutes.
00:10:34You have to go.
00:10:40Move.
00:10:41Move.
00:10:43Move.
00:11:16I'm off!
00:11:17I'm off!
00:11:19I'm off!
00:11:21I'm off!
00:11:23I'm off!
00:11:25I'm off!
00:11:26I'm off!
00:11:27I'm off!
00:11:28I'm off!
00:11:32Who looked at this?
00:11:33I don't know, but something has happened.
00:11:36Don't touch that phone.
00:11:38Sorry.
00:11:42Is anything wrong?
00:11:44He's dead.
00:11:46What?
00:11:48You have killed him.
00:11:50Oh, no.
00:11:51That's impossible.
00:11:53But you only stunned him.
00:11:55Now we shall be hunted by the English police as well as our own.
00:12:00Someone has done this to us.
00:12:02Come on.
00:12:03We must get away quickly.
00:12:04Wait a minute.
00:12:05I've got an idea.
00:12:06Bring Gregor and follow me.
00:12:08Are you out of your mind?
00:12:09Shh.
00:12:10I know what I'm doing.
00:12:11But hurry up.
00:12:15Come on.
00:12:16I can't see.
00:12:17What if?
00:12:17I can't see.
00:12:27I can see some people.
00:12:27Come on.
00:12:28Come on.
00:12:29I can't see.
00:12:33You're listening.
00:12:37Come on.
00:12:40Come on.
00:12:41Come on.
00:12:41Come on.
00:12:49Hey, foreigners. Drunken foreigners.
00:13:15Who is this man? I don't know, but he is going to be arrested for the murder of Gregor.
00:13:20And this is my plan. Ivan, you ring up Scotland Yard.
00:13:30Go to Park Plaza Hotel. Man reports being attacked in room 605. Over. Message received. We're on our way. Over.
00:13:41That's Harry. He can have it.
00:13:46Turn off that blooming disc jockey. I've had enough for one day. Park Plaza straight ahead, sir.
00:13:50So's my dinner. Let Harry go to the Park Plaza.
00:14:09George, call an ambulance for me, will you? Sorry, sir. Good evening, sir.
00:14:13What's the trouble, Constable? A man's fallen from the sixth floor of the Park Plaza, sir.
00:14:16Oh, my dear. There goes my tripe and onions.
00:14:20What room number to control, sir? 605, sir.
00:14:22All right, show. We'll handle it.
00:14:40Superintendent Williams, Scotland Yard.
00:14:43Who's the occupant of room 605?
00:14:46Well, Mr. Atwell.
00:14:49Is there anything wrong, sir?
00:14:50Oh, no.
00:14:51Somebody's just been pushed out or fallen out of the window at 605.
00:14:55605?
00:14:55But there's no one in 605.
00:14:57It's reserved for Mr. Reynolds. He hasn't yet arrived.
00:14:59I'm going up. You'd better come with me.
00:15:11There's no one in 605.
00:15:12All right.
00:15:29We're all right.
00:15:32Conquest.
00:15:33Oh, no.
00:15:35Oh, I might have known this had happened.
00:15:37Why didn't I mind my own business?
00:15:38I said I'd had enough for one day.
00:15:40Bill, where did you spring from?
00:15:43What... what's this all about?
00:15:45You're drunk.
00:15:47Not drunk, Bill.
00:15:49A little dopey is.
00:15:50There's no difference.
00:15:51Yes, there is.
00:15:53I may be a little dopey, but not with alcohol.
00:15:56I'm not pie-eyed.
00:15:57Make a special note of this.
00:15:59I've... I've been drugged.
00:16:01Oh, blimey.
00:16:03What have I done to deserve you?
00:16:05There must be a curse on me.
00:16:07Any time it's something particularly unpleasant and you're involved in it,
00:16:10I'm a muggish bound to be dragged in.
00:16:11Will you stand still?
00:16:12I am standing still!
00:16:14Conquest! Conquest, now, what have you been up to?
00:16:18Come on out, talk, and talk sense.
00:16:19Talk sense? Bill, be reasonable.
00:16:21I... I can't even think.
00:16:24What I need is some coffee.
00:16:25Now, look, if you're stalling Conquest, I advise you to cut it out.
00:16:28A man was killed in this room a few minutes ago by falling out of that window.
00:16:31And you must have been here.
00:16:33Say that again?
00:16:34You heard me.
00:16:34A man fell out of that window and you were in this room.
00:16:37I guess I must have been because I'm only just getting back into circulation.
00:16:42This window?
00:16:42Yes.
00:16:54It's a long way to the pavement, Bill.
00:16:56He was killed instantly.
00:16:58That's a very clever bit of deduction.
00:17:00Yes.
00:17:01Amazing.
00:17:03What do you know about a man called Reynolds?
00:17:05Reynolds?
00:17:06Reynolds?
00:17:06Oh, Sir Joshua.
00:17:08Great...
00:17:08Now, look, here come questions.
00:17:09All right, Bill, all right.
00:17:10I never heard the name before.
00:17:11I believe you, Mr. Reynolds.
00:17:13It's just one of your phony names.
00:17:14Shut those doors, Sergeant.
00:17:16I don't know what your game is, but this time it's something pretty smelly.
00:17:19Why didn't you go to the desk in the ordinary way and take your key?
00:17:22Wait a minute, Bill, a little slow.
00:17:24I didn't get that.
00:17:25They told me down at reception that Reynolds hadn't booked in.
00:17:27Oh, don't blame me.
00:17:28It was the girl.
00:17:30What girl?
00:17:31The blonde.
00:17:32Oh.
00:17:33It's erasing certainty to be a blonde in the game if you're mixed up in it.
00:17:36Bill, I fell for the oldest gag in the world.
00:17:39What gag?
00:17:40If you...
00:17:40Stop barking at me.
00:17:42I'll try to tell you how I came to be in this room and meet the girl.
00:17:47All right.
00:17:48So there's a blonde.
00:17:50Where is she?
00:17:53I was afraid you were going to ask me that.
00:18:00What is this place?
00:18:01Where are we?
00:18:02My flat, of course.
00:18:04I told you I've taken precautions.
00:18:05There's only one or two people who know me here.
00:18:07I told them that I was a dancer and that I occasionally danced in London.
00:18:11But I like to have a little place of my own.
00:18:13All very simple, my friend.
00:18:16You totally does nothing of this.
00:18:17Of course.
00:18:18Oh, come on.
00:18:19Take off your coat.
00:18:20Make yourself comfortable.
00:18:22I'll make you a little coffee.
00:18:23We have an awful lot to talk about.
00:18:28And after asking me a question, sort of password and not getting the right reply, she pulled a trick gun
00:18:34and squirted her to Mickey Finn in my face.
00:18:36Oh, turn it up.
00:18:37Who do you think you are, Hans Anderson?
00:18:39I assure you it's the truth.
00:18:40Pure and unadulterated.
00:18:42If you want to know more, find the blonde.
00:18:44I believe this whole thing's your own taradiddle.
00:18:46My what?
00:18:48Uh, taradiddle.
00:18:49You made it up yourself.
00:18:50Oh.
00:18:50I want to know your real reason for coming in here.
00:18:52I want to know who that man is and how he came to pull out of that window.
00:18:55Well, that makes two of us.
00:18:57I must have been out for the better part of an hour.
00:18:59Look.
00:19:01Mr. Williams, the, uh, superintendent, doesn't believe my story about the blonde.
00:19:07I'm pretty certain she occupies a room on this floor.
00:19:09You should know.
00:19:10She's, uh, foreign, uh, expensively dressed and hits you smack and...
00:19:14It must be... it must be Miss Rodin.
00:19:16Rodin?
00:19:17Could be.
00:19:17Who's she?
00:19:18She's a member of the trade delegation.
00:19:20The secretary to one of the delegates in Suite 600.
00:19:23I mean, mustn't have any trouble with them, you know.
00:19:26You see, Bill?
00:19:27If only you'd have a little more faith in me.
00:19:30You shut up!
00:19:31All right, Mr, uh...
00:19:33Atwell, sir.
00:19:34Two Ts, two Os and two Ls.
00:19:37All right, you can go.
00:19:41Mr. Williams?
00:19:41Yes?
00:19:45May I have a word with you, sir?
00:19:46Yes, all right.
00:19:47Come on.
00:19:50There's something clear, sir.
00:19:52The police surgeon asked me to tell you the poor devil was dead before he fell from the window.
00:19:56He always knows so much.
00:19:57How does he know?
00:19:58Something to do with the bleeding.
00:20:01How?
00:20:08Well, Conquest, this is gonna settle you, chum.
00:20:11That man was dead before he fell from that window.
00:20:13And as for you being doped, anybody can fake that kind of act.
00:20:16I hope you realize what you're implying.
00:20:18What do you want me to do?
00:20:19Confess to murder?
00:20:20I always said one day you'd go too far.
00:20:22You came here to see this man.
00:20:24You threatened him with something.
00:20:25He grabbed the telephone, got through to Scotland Yard and shouted for help.
00:20:28Then you had a fight and killed him.
00:20:29Did I?
00:20:29Yes.
00:20:30I don't say you did it deliberately, but when you found he was dead, you went over to the window
00:20:33and fight the struggle.
00:20:34Hold on a minute while I try to follow your torturous reasoning.
00:20:37I threatened this guy.
00:20:38Yes.
00:20:39He got scared.
00:20:40Yes.
00:20:41Grabbed the phone.
00:20:41Yes.
00:20:42Call Scotland Yard.
00:20:43That's right.
00:20:43What was I doing in the meantime? Holding his hand?
00:20:46How do I know?
00:20:46Oh, Bill, be yourself.
00:20:48I told you.
00:20:48I don't believe you did it deliberately.
00:20:50That's mighty decent of you.
00:20:51After that, instead of sliding off the open spaces, I stayed here in this room and waited until you came
00:20:55and found me.
00:20:56Can't you see your whole theory is pure nonsense?
00:20:59All I know is that a dead man was thrown out of that window while you were in this room.
00:21:03Now, can you or can't you tell me who he is?
00:21:05No.
00:21:05I can, sir.
00:21:06You knew him well.
00:21:07Name of Gregor.
00:21:08Gregor?
00:21:09I knew him well?
00:21:11Trades delegation, sir.
00:21:15Oh, what a lovely mess.
00:21:18Conquest, I'm arresting you on a charge of complicity, get that?
00:21:22In the murder of the man Gregor.
00:21:23And I warn you that anything you...
00:21:26Unless we can find our way to South America or some such place, we might as well be rats in
00:21:31a trap.
00:21:32We'll get there.
00:21:33Don't worry.
00:21:34Anything is possible.
00:21:35It's money.
00:21:36It's money that matters.
00:21:38Come.
00:21:38I'll show you something.
00:21:39Come.
00:21:41Come.
00:21:41Come.
00:21:55Come.
00:21:56thousand English pounds. Where did you get these, Nadina? If they had been found for you. But they haven't. We
00:22:01enjoy diplomatic immunity of the customs. Easy.
00:22:05Who? Who gave them to you? A certain gentleman of our foreigners. He likes money as much as we do.
00:22:12They are his then? No. Look. It's like this. He's working for Baron von Henschel of the Gestapo. The diamonds
00:22:19were looted by the Baron from Rotterdam. And I was going to give them to his agent.
00:22:24But that is nonsense. Von Henschel is dead. You will say, Max, that Hitler is a... Look, I'm only repeating
00:22:32what I'm told. This man from the Foreign Office assures me that he is in contact with the Baron.
00:22:38Where is he? Who knows? But this von Henschel has collected a big fortune for himself in this country. Now,
00:22:44my contact had these diamonds for over a year. Then he passed them on to me to bring them to
00:22:49London.
00:22:49Hmm. I was to meet Baron von Henschel's agent and receive thousand pounds from my work.
00:22:57Something went wrong. But now I have other ideas. Perhaps we can outwit this agent and obtain possession of the
00:23:05whole of Baron von Henschel's fortune.
00:23:11Now, why couldn't I go home and mind my own business?
00:23:13You mean conquest, sir?
00:23:14Yes, conquest. Every time he gets involved in a case, the yard pushes it on to me. Why? Why me?
00:23:19He's looked on as your pigeon.
00:23:21Pigeon? Don't you talk to me about pigeons.
00:23:24Anyway, we got him under arrest.
00:23:25How long do you think we'll hold him this time?
00:23:27I don't know. I've been dreaming about it every night for months. For years.
00:23:30Getting him on a serious charge of making it stick.
00:23:32Excuse me, Superintendent. This is Mr. Barkoff from the embassy.
00:23:36Yeah.
00:23:40Rothenburgen, where are they?
00:23:41Who? The people Gregor came to see. Now he is dead. Where are they?
00:23:46The first I've heard of them.
00:23:47I can tell you about them, sir.
00:23:49They're residents here, sir.
00:23:50Eh?
00:23:51They're residents. They're members of the trade delegation, I suppose, Paul.
00:23:54Well, we'd better go and see their room.
00:23:55You must find Boris Rothenburgen and Arjun Erodian.
00:23:58Yeah, excuse me, sir.
00:24:01Here, sir.
00:24:10Every sign of a harried departure.
00:24:12Yes, I see it.
00:24:13While everything is confusion, they escape.
00:24:16Looks very much like it, sir.
00:24:17They kill poor Gregor and walk out of the hotel.
00:24:27Hello.
00:24:32One moment, sir.
00:24:34I don't think we need to keep you any longer, sir.
00:24:36We'll do what we can to find them.
00:24:37If you'll just give the inspector the descriptions and the photographs,
00:24:39you can go now.
00:24:40Good night.
00:24:41This way, sir.
00:24:46Williams here, sir.
00:24:47I've just heard four phone calls from the embassy.
00:24:50They want the body at once.
00:24:52They want the murderers at once.
00:24:54And they want a full explanation also at once.
00:24:58Where are those trade-delicate fellows?
00:25:00Well, they can't have gone far, sir.
00:25:02We're circulating descriptions.
00:25:05Conquest?
00:25:06Says he knows nothing about it.
00:25:08Says he came here as a sort of joke to meet a girl.
00:25:10I don't believe a word of it.
00:25:12Look here, Williams.
00:25:13You mustn't let your prejudices against conquest affect your judgment.
00:25:17I can't see him mixing himself up in this sort of thing.
00:25:20It's not his line of country at all.
00:25:22Have another talk with him.
00:25:25I will, sir.
00:25:27He's down at the West End Station, sir.
00:25:31Shall I let him go, sir?
00:25:32This business is far more important than your feud with conquest.
00:25:35We've got to find those two men.
00:25:37And the girl.
00:25:39Keep in touch.
00:25:41Yes, of course, sir.
00:25:43As a matter of fact, I was, sir...
00:25:46Malou?
00:25:48Malou!
00:26:01Where do I find Mr. Williams?
00:26:03Hello, madam.
00:26:04Ah, there you are.
00:26:06What the dickens do you mean by clapping Norman in irons?
00:26:08Of all the stupid things to do, charging him with murder.
00:26:11Have you gone completely mad?
00:26:12Listen, Pixie.
00:26:12I didn't want to arrest him.
00:26:13I had to.
00:26:14All the evidence pointed that way.
00:26:15What evidence?
00:26:16What was he doing in this hotel?
00:26:17What do you know about all this?
00:26:18Will you stand still?
00:26:19It's not me.
00:26:20It's you.
00:26:21All I've heard is a man was killed and you've arrested Norman for it.
00:26:23I haven't.
00:26:24Keep that door locked.
00:26:26I arrested him for being concerned in it.
00:26:27Giving me some wonderful story about a contact in room 605.
00:26:30And I've all had tried me in the world something about killing a pigeon with a golf ball.
00:26:33What do you want me to do?
00:26:34Kiss him?
00:26:37Oh, blimey.
00:26:38Go on.
00:26:47I don't know.
00:26:48I've heard some stories in my life, but he comes out with some stuff.
00:26:51He ought to get an Oscar.
00:26:52You can't blame me for not believing it.
00:26:55Why?
00:26:55Pigeons do carry messages.
00:26:57Yes, but not about beautiful girls, they don't.
00:27:00Oh?
00:27:02Which girls?
00:27:03Only one.
00:27:04Nadina Rodin.
00:27:06Who's she?
00:27:07Who's she?
00:27:07The contact.
00:27:08When she found out he was the wrong bloke, she put him out.
00:27:11Put him out?
00:27:13Drugged him.
00:27:14Only slightly.
00:27:15No ill effects when he came round, I'm afraid.
00:27:18Still, it's nice to know he can slip up sometimes.
00:27:21Yeah.
00:27:23Have you seen this girl?
00:27:25No.
00:27:27Do you know what she's like?
00:27:29No.
00:27:32Know what she's like?
00:27:34Oh, yes.
00:27:35She's, uh, she's got a figure like a sylph, that's it.
00:27:40And, uh, dancing blue eyes and, uh, blonde hair, all glistening.
00:27:46Well, that's how Conquest described her.
00:27:48Little smasher, he said.
00:27:50Oh, he did, did he?
00:27:52Oh, look.
00:27:53Bottom piece, full of sex appeal.
00:27:55I'm not surprised he fell for her.
00:28:00Pixie, why don't you take him away somewhere?
00:28:02Somewhere where he can't get interested in blondes.
00:28:06Cuba, for example.
00:28:14Watch closely.
00:28:15It's, uh, it's as easy as, uh, this.
00:28:22Now you try.
00:28:27Oh, so you've finally come.
00:28:29Thank you, sweetheart, for getting things moving.
00:28:32You can go, Conquest.
00:28:33Is that all?
00:28:35All right, I apologize.
00:28:36Even if you didn't tell me the truth.
00:28:38About the blonde.
00:28:40Oh, yes, Norman.
00:28:41The little smasher.
00:28:42What have you been telling her, Bill?
00:28:44Only that you were in that room with her.
00:28:46Alone.
00:28:47What do you mean by that?
00:28:48What could I mean?
00:28:49How can a guy get fresh when he's lying spread-eagled on the floor, drowned?
00:28:54You didn't know she was going to attack you.
00:28:55You thought you were going to have some fun, didn't you?
00:28:58You two are going to fight.
00:28:58You better go outside.
00:29:00What are you doing, Constable?
00:29:01Oh, nothing, sir.
00:29:04Oh, really?
00:29:06Tell me a favor, get him out of here.
00:29:07Take him far away.
00:29:08We can't interfere in this Gregor business.
00:29:09Cuba, for example, with all the blondes, the brumettes.
00:29:12That's right.
00:29:13I'm having enough trouble finding your girlfriend's boyfriends.
00:29:17What boyfriend?
00:29:18Well, we have reason to believe that they're...
00:29:20Are you getting cautious, Bill?
00:29:23We have reason to believe that Gregor was killed by your blonde and her two compatriots.
00:29:28Now get out of my hair and stop interfering.
00:29:30That's the last thing I intend to do.
00:29:32Their whole idea was to involve me in a messy murder.
00:29:35I go after people like that.
00:29:37You just watch and see how I keep out of it.
00:29:40You want to meet that girl again?
00:29:42Correct, sweetheart.
00:29:43And when I do see her, I'm going to put her over my knee and smack her.
00:29:46No!
00:29:47And as for her boyfriends who tried to festoon a murder ramp around my neck,
00:29:51I'm going to switch on the limelight.
00:29:53A whole cluster of limelight.
00:29:54Now if you start interfering and hampering...
00:29:56Hampering, Bill?
00:29:57I'm going to help them.
00:29:59The more publicity, the better.
00:30:02You reckless young idiot!
00:30:14Oh, uh, superintendent, thanks for that young business.
00:30:42There's a conquest, Mr. Reynolds.
00:30:47Beautiful gal wanted for murder.
00:30:49Foreign crooks in hotel drama.
00:30:51Norman Conquest arrested.
00:30:53Breakfast is ready, Mr. Feather.
00:30:55I'd have to do without breakfast this morning, Mrs. Pottle.
00:30:58Ah!
00:30:59But you must have some breakfast, sir.
00:31:01I must go to London.
00:31:02A consignment of orchids has gone astray from Brazil.
00:31:05I must leave immediately.
00:31:33A consignment of orchids has gone astray from Brazil.
00:31:36Ha!
00:31:37filling
00:31:48mega
00:31:49What are you doing here?
00:31:50I thought we weren't able to contact each other.
00:31:51These speak for themselves.
00:32:01What happened to my message?
00:32:03What message?
00:32:05What's this to do with me?
00:32:06Yesterday I sent you a message in the usual way, telling you where and when to collect a certain package.
00:32:11You and your pigeon post. I always did think that...
00:32:13You're not paid to think.
00:32:16In your own interest, I suggest you adopt a different attitude to the problem confronting us.
00:32:20Especially if you wish to secure your own future.
00:32:23You're paid to look after that stuff upstairs.
00:32:26You'll have no reason to complain as soon as this job is over.
00:32:29And don't forget, Mr. Shell isn't likely to appreciate the attentions of conquest.
00:32:34That's the worst of working for, gents. You leave it on me.
00:32:38I'll take care of Mr. Conquest.
00:32:41That will not be necessary.
00:32:43We must get that package back before Mr. Shell leaves tonight, but we don't want any trouble of that sort.
00:32:52Trapped.
00:32:55They searched for us.
00:32:56Our secret police and now Scotland Yard.
00:32:59How long can we remain undiscovered?
00:33:02Already we are lost.
00:33:03And she sinks.
00:33:05You take notice of all that printed nonsense.
00:33:08They are groping helplessly.
00:33:09Oh, they would have been here long before now.
00:33:11Here we are safe.
00:33:12What are you doing in there, Nadine?
00:33:15Preparing to go out.
00:33:17To go out?
00:33:18Without the London police looking for you?
00:33:21Here in the paper is your photograph.
00:33:22The first policeman you meet.
00:33:24Look at me.
00:33:26Do you think they recognize me?
00:33:28Well, perhaps not.
00:33:30Unfortunately, you must be idle for a while.
00:33:32But I've got a lot to do.
00:33:34This Conquest seems to be quite famous.
00:33:37Quite a reputation.
00:33:39He puzzles me.
00:33:41Now, why was he in that room?
00:33:43And why do they say obtain the valuable package from me when it is true?
00:33:47Well, it's of no importance.
00:33:49Oh, but you're wrong.
00:33:51I'm going to find out how this Mr. Conquest is involved.
00:33:54I must know.
00:33:56And, Boris, in case anything went wrong, I'll leave them with you.
00:34:02But, Nadine.
00:34:04I only said, in case anything went wrong.
00:34:09Why are you staring at me like that?
00:34:11Am I so different with short hair?
00:34:13Yes.
00:34:14And a better citizen.
00:35:01What if I've here to tell us?
00:35:03What are you doing?
00:35:04This is my taxi.
00:35:14How very uncomfortable.
00:35:21Where did you say we were going?
00:35:25Far?
00:35:26You might have asked me.
00:35:36You might have asked me.
00:35:36Chatty, aren't you?
00:35:46Oh, yeah, Dad.
00:35:47Oh, so you do talk.
00:35:48Anyone might come back.
00:35:54Whatever.
00:35:59Let's go.
00:36:04You'll do it.
00:36:06No, Dad.
00:36:09You're right.
00:36:09Don't lie, Dad.
00:36:12You're right.
00:36:39Let's go.
00:36:59Yes, what do you want?
00:37:03If I'd take this to Scotland Yard, there would have been a reward for it.
00:37:09All right, Captain.
00:37:13Thanks, Captain.
00:37:13Go.
00:37:30Yes, sir?
00:37:31Mr. Norman Comquist.
00:37:33What name, sir?
00:37:34Smith.
00:37:35Mr. John Smith.
00:37:42Mandy.
00:37:44See what that is, Will.
00:37:47Mr. Comquist's apartment.
00:37:49There's a Mr. John Smith to see Mr. Comquist.
00:37:51Just one moment.
00:37:53Here, there's a bloke called John Smith to see you, Gap.
00:37:56Who?
00:37:56Mr. John Smith.
00:37:59Uh-huh.
00:38:00Mandy, this is it.
00:38:02Have him sent right up.
00:38:03There's nothing I like better than to meet any of the, uh, ubiquitous Smiths.
00:38:08Send Mr. Ubiquitous Smith up, please.
00:38:11The lift marked private, sir.
00:38:13Uh, just press the button.
00:38:14Uh, just press the button.iums.
00:38:32Yes.
00:38:33How nice
00:38:34to see you, Mr. Smith. What can
00:38:38I do for you? My business
00:38:39is confidential.
00:38:41Oh, Mandy, go and do something useful, will you?
00:38:45Won't you sit down?
00:38:46Thank you, no.
00:38:50I apologize for this bluntness, Mr. Conquest,
00:38:53but last night at the Park Plaza Hotel,
00:38:55you came into possession of a package to which you have no right.
00:38:58A package?
00:39:01And if I did?
00:39:02I must ask you to return it to me, please.
00:39:05Why should I?
00:39:06Assuming, of course, that I have it.
00:39:08Threats are distasteful to me, Mr. Conquest.
00:39:10But I am very anxious to have that package back.
00:39:15Tell me...
00:39:16Excuse me.
00:39:23Hello?
00:39:23This is Congress.
00:39:25I don't know what all this is about, Governor,
00:39:26but I just dropped a young lady and a gent at...
00:39:30Oh, that's wonderful news.
00:39:32Is everything all right?
00:39:34What is it, a boy or a girl?
00:39:35What's it?
00:39:36Oh, I said a girl and a...
00:39:38No, not at a nursing home.
00:39:40Approved us.
00:39:41Fine.
00:39:43When you're passing Conquest,
00:39:44court come in and pick up a box of cigars.
00:39:48Okay.
00:39:48Fine.
00:39:53Funny how Father always wants a daughter and a mother a son.
00:39:58Now, where were we, Mr. Smith?
00:40:01I was saying that threats are distasteful to me, Mr. Conquest.
00:40:05But I must insist that you give me that package.
00:40:07As you're so concerned about it,
00:40:09perhaps you'd be good enough to tell me what's in it.
00:40:11I see you intend to leave me no option.
00:40:14Where is your fiancée?
00:40:16Out shopping.
00:40:17I regret to say that she is not.
00:40:19Oh.
00:40:20Then where is she?
00:40:21That I do not intend to tell you.
00:40:22But I assure you she will come to no harm so long as you are sensible.
00:40:26Sensible?
00:40:27Oh.
00:40:27But I'm never sensible.
00:40:30Hey, Mandy.
00:40:31Fancy thinking you could get away with a corny trick like that.
00:40:34Don't be a fool, Conquest.
00:40:36What good will it do you?
00:40:37You don't know where your fiancée is.
00:40:39Maybe not.
00:40:40But I intend trying 45 Heathview Terrace.
00:40:45Yes, John?
00:40:46Gov?
00:40:46Sir, I mean.
00:40:48Lock him up.
00:40:48I'll be back later.
00:40:49And remember, no violence.
00:40:51Come on.
00:40:52There was something phony about that John Smith.
00:40:55Ow!
00:41:14No.
00:41:21No.
00:41:26No.
00:41:32No.
00:41:34No.
00:41:35No.
00:42:03Well, well, well, I must say you choose the oddest shopping companions, and not even a blonde at that.
00:42:12What was it you said to me about having fun and games?
00:42:17What have you been doing?
00:42:21Oh, so you won't talk, huh?
00:42:25What's all that noise about?
00:42:26Oh, you hurt?
00:42:29Oh, let me see.
00:42:32Oh, serious, very serious.
00:42:36Now, Signorina Pixie, the brunette from Cuba, to what do you attribute your present condition for?
00:42:41I'll tell you.
00:42:43You always want to go out on these capers with me, and you see what happens.
00:42:47You know, I believe the only way I can keep you safe is to leave you just like that.
00:42:51Oh, well, I won't let you be lonely. I'll bring your boyfriend to you.
00:42:55Excuse me.
00:43:19There.
00:43:20That'll keep you out of mischief for a while.
00:43:22Now tell me, who's the boss of this outfit?
00:43:24It's no use asking him questions. He's practically dumb.
00:43:27What do you mean, practical? He is completely.
00:43:31There's one thing about being with you, Norman.
00:43:33Life is full of good, clean, wholesome fun.
00:43:36That's right, sweetheart.
00:43:57Let's go.
00:44:24This package the girl smuggled into the country is some kind of document.
00:44:28Oh, no, sweetheart.
00:44:29Mandy, bring in Mr. Smith.
00:44:33This game's money, big money.
00:44:35And the package that blonde has contains something very valuable.
00:44:39These foreigners are small-time crooks working under orders.
00:44:43Reynolds and the man who called this afternoon are the English end.
00:44:46By concentrating on them, we'll find out who's at the top.
00:44:49I don't think you'll get anywhere, Norman.
00:44:51If I were you, I'd let the whole thing drop.
00:44:55Mr. John Smith, sir.
00:44:58And here she is, back again.
00:45:01All right, conquest, you win.
00:45:03What are you going to do now?
00:45:04Oh, that depends.
00:45:06I could call the police.
00:45:07And believe me, your friend Reynolds would spill plenty.
00:45:10However, I intend to deal with you myself.
00:45:13That is kind of you.
00:45:14Not at all.
00:45:16Now let's see what your real name is.
00:45:18Oh, careless, very careless.
00:45:22You shouldn't carry this in your pocket.
00:45:24You're obviously not a professional.
00:45:26Now let's see.
00:45:28Hmm.
00:45:30Mr. Theodore Feather.
00:45:31Address High Barn, Stoke Bramley, Essex.
00:45:36I'll take the liberty of borrowing your keys, Mr. Feather.
00:45:41Feather.
00:45:42Haven't I heard about you in connection with something thoroughly respectable?
00:45:46Feather.
00:45:48Orchids.
00:45:49You're the grower of the finest orchids in the country.
00:45:52That's it.
00:45:52Allow me to congratulate you.
00:45:54Yeah, orchids is lovely.
00:45:55Look here, Conquest.
00:45:56Every man has his price.
00:45:57I'll give you a thousand pounds to forget all about this.
00:46:00Chicken feed, Mr. Feather.
00:46:01No, wait.
00:46:02I'll make it five thousand.
00:46:05So help me, I'm touched.
00:46:07Nevertheless, nothing doing.
00:46:08Put him back into cold storage.
00:46:10Come on, Mr. Smith.
00:46:12Don't sit.
00:46:24Keep Feather locked up until I get back.
00:46:27Aren't you rather sticking your chin out going down there all alone?
00:46:30Oh, I don't know.
00:46:31I might stumble onto something.
00:46:32I wish you'd let me come with you.
00:46:33Some other time, sweetheart.
00:46:35Bye-bye.
00:46:45Bye-bye.
00:47:14Bye-bye.
00:47:20Bye-bye.
00:47:24Bye-bye.
00:47:30Bye-bye.
00:47:34Bye-bye.
00:47:43THE END
00:48:16THE END
00:48:36THE END
00:48:37THE END
00:48:37THE END
00:48:51THE END
00:49:04THE END
00:49:05THE END
00:49:32THE END
00:49:33THE END
00:49:40THE END
00:49:41THE END
00:49:51THE END
00:49:52THE END
00:49:56THE END
00:49:56THE END
00:49:57THE END
00:49:59THE END
00:50:14THE END
00:50:18THE END
00:50:20THE END
00:50:20THE END
00:50:23THE END
00:50:26THE END
00:50:37THE END
00:50:44THE END
00:50:46THE END
00:50:52THE END
00:51:02THE END
00:51:04THE END
00:51:05THE END
00:51:06THE END
00:51:07THE END
00:51:12THE END
00:51:13THE END
00:51:15THE END
00:51:17THE END
00:51:20THE END
00:51:21THE END
00:51:22THE END
00:51:22THE END
00:51:24THE END
00:51:25THE END
00:51:25THE END
00:51:26THE END
00:51:26THE END
00:51:26THE END
00:51:26THE END
00:51:34YOU KNOW
00:51:35I HAVE THE
00:51:35NICEST IDEAS
00:51:38NOBODY
00:51:38HAS EVER SPANKED
00:51:39ME
00:51:40AND KISSED ME
00:51:41LIKE THIS BEFORE
00:51:42YOU ASKED FOR
00:51:43THE SPANKING
00:51:45AND YOU ASK FOR
00:51:46THE KISSING
00:51:47I'M GLAD I DID
00:51:48I HOPE
00:51:50THERE ARE NO
00:51:50STRINGS
00:51:51ATTACHED
00:51:52STRINGS
00:51:53OH NO
00:51:54There aren't any strings attached.
00:51:56We sit together, yes?
00:51:59Why not?
00:52:02This is very pleasant.
00:52:03Making ourselves comfortable in Mr. Feather's house.
00:52:06It'll pass the time until Mr. Shell arrives.
00:52:10Oh.
00:52:12So you know Mr. Shell?
00:52:13No, no, no. But...
00:52:15It's a funny name.
00:52:17Tell me, why did you get in the back of my car?
00:52:22Well, you are interesting.
00:52:24I read many things about you in newspapers.
00:52:27I like the way you snap fingers at the low.
00:52:29You are brave. I like that.
00:52:31I like it very much.
00:52:33I'll bet you do.
00:52:35You've done a little finger snapping in the past 24 hours yourself.
00:52:40You know the police are anxious to get a hold of you, don't you?
00:52:43Mmm. But I'm safe while I'm with you.
00:52:48I'm not so sure.
00:52:50We better sit further apart.
00:52:52You're doing things to me which shouldn't be experienced by any respectable man.
00:52:56So you like me then?
00:52:58Now to get back to business.
00:53:00What exactly...
00:53:02What are you after?
00:53:05Why can't we work together?
00:53:06I always hoped that I shouldn't have to return to my country.
00:53:10No, I do not go back.
00:53:12Ever.
00:53:14You've chosen a pretty dangerous way of breaking loose.
00:53:18Murder is a serious crime.
00:53:20Murder?
00:53:21I didn't kill anybody.
00:53:24Oh, you mean Gregor.
00:53:26I only stunned him.
00:53:28A little bit.
00:53:29And then proceeded to make things very unpleasant for me.
00:53:33That was before I really knew you.
00:53:41All right then.
00:53:43What was in that package you were supposed to hand over?
00:53:46Diamonds.
00:53:47Many, many diamonds.
00:53:49Ah, diamonds.
00:53:51Where are they?
00:53:53They're not in there.
00:53:55Can you tell me where they are?
00:53:56I haven't got them on me.
00:53:57But never mind.
00:53:58Help me and they'll be half yours.
00:54:00Now we're getting somewhere.
00:54:03Not that I believe you when you say them out, aren't you?
00:54:05But they're not.
00:54:06Don't you really believe me?
00:54:08No.
00:54:09All right.
00:54:11Come on.
00:54:15Look.
00:54:15I haven't got them.
00:54:16I still don't believe you.
00:54:18All right.
00:54:19You shall see for yourself.
00:54:20Hey, hey.
00:54:21You can't do that.
00:54:22But I can.
00:54:23We are alone.
00:54:25Okay.
00:54:25Go ahead.
00:54:33Go on.
00:54:38I don't want to embarrass you.
00:54:42Pity.
00:54:43In England, men are so shy.
00:54:47Now, to get back to business.
00:54:49Do all you people work for Mr. Shell?
00:54:52Mr. Shell is before.
00:54:53I thought you said you didn't know Mr. Shell.
00:54:56Oh.
00:54:57I tell a little lie.
00:54:59That is all.
00:55:00Oh, well, what's a fib between friends?
00:55:02All right.
00:55:03No more fibs.
00:55:05Now, listen carefully.
00:55:06Mr. Shell, for a long time, has been sending diamonds and money into England.
00:55:11The diamonds I bring, they are trifle.
00:55:13He has got more.
00:55:14Much more.
00:55:18Look.
00:55:19He's a vile man.
00:55:20He's a war criminal.
00:55:22It cannot be dishonest to rob such a man.
00:55:25We go equal shares.
00:55:27Is that not good?
00:55:28Yes.
00:55:29Except for one snag.
00:55:31A rather big snag.
00:55:32A rather big snag.
00:55:33What is it?
00:55:33Pixie.
00:55:35What do you think she'll do when I tell her that you and I are partners?
00:55:38But if she loves you, doesn't she want you to be happy?
00:55:42Where glamorous blondes are concerned, I'm afraid she's not very broad-minded.
00:55:47Oh.
00:55:49And if I were in her shoes looking at you, my mind would be as narrow as the edge of
00:55:54a razor blade.
00:55:56I'm sorry it can't be done.
00:55:59Not even for a little while.
00:56:00No.
00:56:05I'm afraid not.
00:56:07Listen.
00:56:08Mr. Schoen?
00:56:10Yes.
00:56:11Get your things.
00:56:12Quick.
00:56:13Behind those curtains.
00:56:15Wait a minute.
00:56:17All right.
00:56:35Father, where are you?
00:56:37Come in, Mr. Schoen.
00:56:38You're expected.
00:56:45Conquest is the name.
00:56:47I understand the War Crimes Commission would like to have a word with you.
00:56:51All that is forgotten now.
00:56:55So you came to collect, Herr Baron.
00:56:59Gregor's death panicked you into a move which you hadn't really planned.
00:57:04Now the police are after you too, just in case you didn't know.
00:57:07They have no proof. Gregor was...
00:57:10You were saying something about Gregor. Do go on.
00:57:13It does not pay anyone to recognize me.
00:57:16Meaning me?
00:57:18Where is Mr. Feather?
00:57:19In my flat in Park Lane.
00:57:21He was making himself a nuisance.
00:57:24Are you anxious to leave?
00:57:27For the moment, you have the advantage.
00:57:33Not this type of chum.
00:57:35I was half expecting reinforcements, Baron.
00:57:38Silly of you to look past me like that.
00:57:40And if you don't stay still, I'll tear your arm off.
00:57:48Take him out of the car. Time is short.
00:57:54Drive straight to the flat of this man.
00:57:56Or take him out?
00:57:57That is so, yeah.
00:58:27Yes?
00:58:29Yes?
00:58:30Who is that?
00:58:31I'm a good friend of Mr. Conquest.
00:58:33He's in danger.
00:58:35Who are you, please?
00:58:36Are you the blonde?
00:58:38Yes, I've heard about you.
00:58:39Oh, please. This is important.
00:58:41My conquest has been hit under him.
00:58:44Your conquest?
00:58:45Oh, do listen.
00:58:47There is much hurry.
00:58:48They're bringing him home.
00:58:50And I'm sure that these men will try to force their way in.
00:58:53Yes, they want Mr. Feather.
00:58:55Yes.
00:58:56It is from his house that I speak.
00:58:58How is he being brought here?
00:59:02And his own car?
00:59:05I hope you can drive well.
00:59:06It's practically jet propelled.
00:59:09Yes.
00:59:10Now listen carefully.
00:59:11There's a side road at the corner of Conquest Court.
00:59:25You never if he is.
00:59:30The Yankee brush!
00:59:31foilits
00:59:35Yes!
00:59:36Ahhhhh!
00:59:48is
00:59:52Is
00:59:53why
00:59:53If
01:00:09Put that down, you fool. Keep your gun in his ribs.
01:00:13What's the matter, Baron? Nervous?
01:00:16I am desperate with everything to lose, including my life.
01:00:18One step out of the place and I will not hesitate to use this.
01:00:21You know, Baron, I believe you mean that.
01:00:38Do not be afraid to live in the school.
01:00:39He has a family?
01:00:41I believe you are now.
01:00:41You know, Baron.
01:00:41He will not be able to live in his own city.
01:00:41He will not get him back in the middle of his house.
01:00:41He will not be able to live.
01:00:41I need a man.
01:00:54Don't be afraid to leave a man.
01:01:06THE END
01:01:35THE END
01:01:55THE END
01:01:56THE END
01:01:56THE END
01:01:58THE END
01:01:58THE END
01:02:08THE END
01:02:09THE END
01:02:12THE END
01:02:13THE END
01:02:13THE END
01:02:14THE END
01:02:15THE END
01:02:15THE END
01:02:16THE END
01:02:18THE END
01:02:18THE END
01:02:19THE END
01:02:19THE END
01:02:19THE END
01:02:19THE END
01:02:19THE END
01:02:20THE END
01:02:20THE END
01:02:20THE END
01:02:21THE END
01:02:21THE END
01:02:21THE END
01:02:21THE END
01:02:21THE END
01:02:26THE END
01:02:27THE END
01:02:30THE END
01:02:35THE END
01:02:39THE END
01:02:40THE END
01:02:41THE END
01:02:41THE END
01:02:41THE END
01:02:41THE END
01:02:52THE END
01:02:54THE END
01:02:57THE END
01:02:57THE END
01:02:57THE END
01:02:58THE END
01:02:59THE END
01:02:59THE END
01:03:14for them reach baron thank you sweetheart i couldn't have done better myself baron stand away
01:03:25i've got conquest covered drop your gun stand aside or i'll fire you would not dare give me the gun
01:03:34i'm more desperate than you are unpredictable aren't you better give it to her pixie
01:03:42thank you fraulein you will not regret this i waited for my chance baron now i'm with you
01:03:49thank you scott good night good night sir good night madam
01:04:20hello hello hello
01:04:44you are a fool this delay with conquest may cost me my freedom la pompa sails in less than an
01:04:49hour
01:04:49you'll make it all right here baron luckily the valuables are safe at heath view all of them
01:04:55including the package that arrived yesterday well i i don't worry mr feather i've got good when i
01:05:10heard from my friend in your foreign office you were to be arrested i thought all would be lost
01:05:14it was fortunate that i was able to get gregor before he got you you mean that you
01:05:26do you think i was going to let that package slip through my hands you have done well nadina
01:05:33you shall both pay it justly rewarded
01:05:39thank you stephens very civil of you that's all right sir oh uh man dear
01:05:56hello hello conquest i want a word with you why what's the trouble what do you know about a man
01:06:03called baron von henschel nothing very much he was killed in the war was sure you didn't meet him
01:06:09at the park plaza last night no no bill no well it might interest you to know that baron von
01:06:15henschel's
01:06:15fingerprints were found on the dead man's collar that means he's not as dead as we thought he was
01:06:19doesn't it i'll be over okay who was that only bill he's waking up just found out von henschel's
01:06:29alive oh fine let's leave it to him thank heavens all that's over as far as we're concerned over
01:06:36what and let von henschel get away with a fortune i'm only just starting well there's no use dashing
01:06:43off wildly they may have gone to the country place pith fume elsewhere why did von henschel come here
01:06:50to rescue feather of course therefore he must be the only one who knows where the loot is hidden
01:06:55where does that lead us it leads me to follow my hunch hey oh
01:07:20the car out of the back
01:07:28every moment here is right
01:07:32right now narina untie this man we shall go upstairs
01:08:00i can't explain now but i'm at 45 this is a bad line i can't hear you speak up
01:08:08there isn't much time but you must believe me hello hello nadina what's wrong hello
01:08:42i was
01:08:47my
01:08:49my
01:08:51my
01:08:52my
01:08:52my
01:09:05La Pampa, Victoria Dock.
01:09:22The package, please.
01:09:24There is no hurry. I'll give them to you when we arrive on the ship.
01:09:39You will not double-cross me again. Where are those diamonds?
01:09:43Look out!
01:09:50You're a novice now, you dammit!
01:09:59I won't ask you again. Where are those diamonds?
01:10:04They are in my flat. I must fool my friends to bring them to the ship.
01:10:10All right. I will come with you.
01:10:13And you must make it perfectly clear to your friends
01:10:16that if they wish to see you again,
01:10:18those diamonds must reach the ship before she sails tonight.
01:10:34If he doesn't show up soon, we'll lose the tide.
01:10:37We will give him 20 minutes, and then we will cart off.
01:10:41This must be him.
01:10:46Then, sir.
01:10:48So long as he pays.
01:10:58What kept you?
01:11:10Unfortunately, I can't do that to you.
01:11:14You don't understand.
01:11:17I suppose trying to explain won't help.
01:11:21You all right?
01:11:22But...
01:11:25He said nothing.
01:11:27Nothing I can say that would make any difference.
01:11:31No, I'm afraid not.
01:11:33It's a pity.
01:11:34I was beginning to like you.
01:11:40Look out!
01:11:41Look out!
01:11:42Look out!
01:11:44Look out!
01:11:45Look out!
01:12:16Look out!
01:12:17You know...
01:12:18You fled.
01:12:20That was the only thing to do.
01:12:23If I had not done as I did...
01:12:28He would have shunned you.
01:12:31I know.
01:12:32No.
01:12:35Norman.
01:12:37One little thing.
01:12:39For me.
01:12:40Sure, Nadina.
01:12:42My two...
01:12:44Comrades.
01:12:46And on the way here.
01:12:50Look after them for me.
01:12:51Of course.
01:12:55Then...
01:12:57We are friends again.
01:12:59Kiss.
01:13:00We are friends again.
01:13:04Kiss.
01:13:07Be friends.
01:13:15Hey, be careful of that thing.
01:13:17It might go off.
01:13:26There you see, chum.
01:13:27I had no trouble at all solving that little lot.
01:13:29I realized that once Von Hentschel had been recognized by Gregor, he had to kill him.
01:13:33Now that the case against him is complete, we've dropped all the other charges.
01:13:36Got it?
01:13:37Yes.
01:13:37Bless you.
01:13:38And you.
01:13:40Well...
01:13:41I'm sorry I've got to take your stolen property.
01:13:44Ah, well, it can't be helped.
01:13:45Do me a favor, Pixie.
01:13:46Keep him out of trouble.
01:13:47Goodbye.
01:13:54You're going to look lovely in diamonds.
01:14:06What am I saying?
01:14:07You look lovely just the way you are now.
01:14:34You must have talking to Shawnty Boyarents.
01:14:35There he may let them cut out the silver bullet because it doesn't look necessary for the deaths.
01:14:35And back in your head.
01:14:37Here we go.
01:14:38Let me make dyes.
01:14:45THE END
Comments