- 11 hours ago
Euphoria Season 3 Episode 4
Category
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TVTranscript
00:00:08Are we going to find any drugs in your vehicle?
00:00:11No, sir.
00:00:13People love to argue about the truth.
00:00:20Some say it's just the facts.
00:00:26Others say it's what's right.
00:00:32Some even claim there's no real truth at all.
00:00:35Just opinions.
00:00:39The funny thing is...
00:00:44While we may disagree about what the truth is...
00:00:55We all know when we're telling a lie.
00:01:18This is all the K-9 unit fun.
00:01:24You seem surprised.
00:01:26Nope, not at all.
00:01:27I told you guys I wasn't lying, so...
00:01:29Where are you coming from and where are you going?
00:01:32You know, it's funny.
00:01:34I was actually headed to a wedding.
00:01:35At 10 p.m.?
00:01:36Yeah, well, I was headed back.
00:01:38What do you mean, back?
00:01:40Yeah, I was at the wedding earlier.
00:01:41Why did you leave?
00:01:43I was a friend.
00:01:44It was like an emergency thing.
00:01:45What kind of emergency?
00:01:47She wasn't invited to the wedding.
00:01:49You know, so it was like a whole thing and...
00:01:51I don't really want to get into the details, but yeah.
00:01:54What is your relationship with Lori?
00:02:01Um...
00:02:03Is that the, uh, the monotone lady?
00:02:05The monotone lady?
00:02:07Yeah, she, like, talks like this.
00:02:09So you do know her?
00:02:10I mean, like, not like that.
00:02:13Know her, kind of.
00:02:14So you and Lori don't call each other?
00:02:16No. Oh, God, no.
00:02:18Have you ever been to Mexico?
00:02:23Um...
00:02:23Nope.
00:02:24Nope.
00:02:27Never been.
00:02:29Is it nice?
00:02:32Some parts.
00:02:33So if I had a photo of you in Mexico,
00:02:36would you say it wasn't you?
00:02:39Me?
00:02:40In Mexico?
00:02:41Would you say it never been?
00:02:42You have a photo of me?
00:02:43So it's not you.
00:02:44In Mexico?
00:02:45Yes.
00:02:46I'd have to see the photo, then.
00:02:48I don't have it.
00:02:49So it's a hypothetical scenario.
00:02:50Well, I can tell you with absolute certainty
00:02:52that I have never been to the moon.
00:02:54Have you been to the moon?
00:02:55I've never been to the moon.
00:02:56Are you sure?
00:02:56Positive.
00:02:57Well, if somebody comes and says
00:02:58they have a photo of you in the moon...
00:02:59It wasn't me.
00:03:00Why not?
00:03:00Because I've never been to the fucking moon.
00:03:03Make sense?
00:03:04So far.
00:03:05So if I had a photo of you in Mexico,
00:03:07what would you say?
00:03:10Like, we're in Mexico.
00:03:13So you've been to Mexico.
00:03:14I mean, I've, like, I've been to the border.
00:03:16I drive for Uber and Lyft.
00:03:18Oh, but you've never driven into Mexico.
00:03:20I mean, I may have gotten lost
00:03:22or turned around or some shit.
00:03:23You know, like, I used to be an addict.
00:03:25It gets fuzzy sometimes.
00:03:27But you will remember
00:03:28if you drove 20 or 30 minutes into Mexico.
00:03:30Absolutely.
00:03:36I said you didn't have a photo.
00:03:39I lie.
00:03:41Do you remember meeting this guy?
00:03:44I mean, I don't...
00:03:45He's a cartel member.
00:03:47His name is Uno.
00:03:48He operates a club 20 minutes from the border.
00:03:50I don't know what this is, but...
00:03:51Post statement to a federal agent.
00:03:5318 U.S.C., 1001.
00:03:55Five years in federal prison.
00:03:59So you guys can lie to me,
00:04:00but I can't lie to you.
00:04:01Correct.
00:04:01That seems fucked up.
00:04:02Apparently, we have different definitions
00:04:04of what constitutes fucked up.
00:04:29We also lied to you
00:04:30when we say we didn't find any drugs in your car.
00:04:34Recognize this?
00:04:41Yeah.
00:04:42This is 20 years in federal prison.
00:04:45And federal inmates don't get parole.
00:04:46We know who you work for
00:04:47and what you've been doing.
00:04:49We know the fentanyl you've trafficked
00:04:50has killed people.
00:04:51For each death we can link to you,
00:04:53it's an additional 20 years.
00:04:55You may never see the light of day again.
00:04:58Look at me.
00:05:00I can see it deep down
00:05:02that you're a good kid in a bad situation.
00:05:04Our job is to take the drugs off the streets
00:05:07because too many lives have been destroyed.
00:05:10Wouldn't you agree?
00:05:13Yeah.
00:05:14So this can go two ways.
00:05:16We can either take you into federal custody
00:05:18or you become a confidential source
00:05:21and help us take these people down.
00:05:24Oh, fuck.
00:05:26The fuck is accurate.
00:05:28If you want to turn a cursing to a blessing,
00:05:32I will say this is your opportunity.
00:05:41And that is how I became a snitch.
00:05:48They swapped out the drugs
00:05:49for sugar pills and laxatives.
00:05:54Told me to stay cool
00:05:55and they'd be in touch.
00:06:06Give me a little twirled.
00:06:08Get it, get it, get it.
00:06:10What do you think of that booty?
00:06:13It's all right.
00:06:15Could be a bit juicier.
00:06:16We don't want to scare off the whites, though.
00:06:18In my mind, I'm picturing a tasteful tush.
00:06:22You know, commercial, classy ass.
00:06:24Mm-hmm.
00:06:25Bitch, you look like shit.
00:06:30Me?
00:06:31Ain't nobody else in here looking like shit.
00:06:33Oh, sorry.
00:06:34I was just a little hungover, that's all.
00:06:38I'm gonna need you to smile.
00:06:41Not you.
00:06:42You.
00:06:43Oh, me.
00:06:44Again.
00:06:44Sorry.
00:06:45Are you hungover or fucking retarded?
00:06:47I'm just confused.
00:06:49Bow, bitch.
00:06:49Oh, yeah.
00:06:53Let me see those fucking pearly whites.
00:06:55Ah!
00:06:56Ah, that's what I'm talking about.
00:06:58Now, that's a fucking smile.
00:07:01More on a Sammy Davis group.
00:07:02Let me see that.
00:07:03Ah!
00:07:06You know why you're fucking smiling?
00:07:09No, sir.
00:07:10Because I gave that bitch, Lori,
00:07:15a taste of her own medicine.
00:07:17Bow, bow, bow!
00:07:19Okay.
00:07:20You know, I got a feeling
00:07:22that's the last fucking pickup you'll ever do.
00:07:25Then who are we buying from them?
00:07:27You think there's a fucking shortage of dealers in L.A.?
00:07:30Not in this L.A., partner.
00:07:34Right.
00:07:35Ah!
00:07:35Ah!
00:07:37Ah!
00:07:37Ah!
00:07:37So I'm in the mood to celebrate.
00:07:40Yeah, luckily, I got me a newfound friend, Kitty.
00:07:45Come on over here, baby.
00:07:48Look at that.
00:07:53And Kitty likes to dance.
00:07:58What are you going to do with all that money
00:07:59when you start making it?
00:08:03The bitch can dance?
00:08:05She's from Kansas.
00:08:06Cut it some slack.
00:08:09What is Kansas?
00:08:24You look like death warmed up.
00:08:29Yeah, I think it's just, like, a tummy thing.
00:08:36You're playing on taking that off.
00:08:38Hmm?
00:08:45Okay, so what happens
00:08:46when they find out the drugs are fake?
00:08:47I assume they will call Lori
00:08:49and ask her to correct the mistake.
00:08:51Okay, but aren't they just going to blame me?
00:08:53Why would you swipe out the drugs?
00:08:55It's not like you're a snitch.
00:08:58Ha, ha, ha, ha, ha.
00:09:05They also installed an app on my phone.
00:09:12We added a new number under your mom's contact.
00:09:14Tap it, and the ball goes hot.
00:09:18Can I just keep it in my pocket?
00:09:20It can get muffled.
00:09:21It's better in the open.
00:09:24Isn't that suspicious?
00:09:25Sometimes, sometimes not.
00:09:33You guys are going to give me a fucking heart attack.
00:09:49I can, uh, pack it.
00:09:52No, no.
00:09:53Start it.
00:09:58I can, uh, pack it.
00:10:00I can, uh, pack it.
00:10:09I can, uh, pack it.
00:10:17I can, uh, pack it.
00:10:20I can uhm, uh.
00:10:28the toe is a metaphor what the toe it's a metaphor you know i thought that i'd lost it forever
00:10:41but we were smart and we put it on ice and we took it to the hospital
00:10:46and they were able to put it back on what's the metaphor when you break something you got to pick
00:10:51up the pieces all right you got you got to be real careful with it and you got to glue
00:10:56it back
00:10:56together so the toe is us in a way toes never going to be the same how do you know
00:11:13because the doctor said so he said the toe will never feel the same i think you're misinterpreting
00:11:18the metaphor no the metaphor doesn't mean what you want it to mean
00:11:23you can look at a scar as a sign of weakness or you can look at it as a strength
00:11:28okay so now
00:11:29you're changing the metaphor no i'm not first you said that we're the toe and now you're saying
00:11:34we're the scar are you an english teacher i'm talking about our relationship when i look at
00:11:40my toe it motivates me to build back better everything you built is built on a lie
00:11:46not everything some things yeah well just a relationship this house our finances your business
00:11:59you didn't say our love
00:12:07how much do you owe this guy somewhere between a little and a lot
00:12:11what's the number and you know it depends on the interest you know how quickly we can pay
00:12:17what's the number nate you know a million ish
00:12:28i feel sick i am going to fix this you have to keep faith
00:12:33in what me us i mean our life
00:12:42the fairytale's over
00:12:53what's that even mean
00:12:57cassie called the one person who could actually help her
00:13:20where are you going
00:13:24to work
00:13:46thanks
00:13:48this is something about your look
00:13:52okay
00:14:15hey what are you doing
00:14:18uh just working
00:14:20nice okay well i have a really cool opportunity that i think you might be good for
00:14:26you interested
00:14:28really
00:14:29at an art show maybe two to three hundred people will see your work but ellie night's average is
00:14:34seven million a week
00:14:35what that would be life-changing
00:14:38i mean thanks for getting it done today by the way
00:14:40thank you so much for thinking of me
00:14:42it's just right up here the character oceana is inspired by george serra so we were thinking
00:14:49sort of a sunday in the park picnic kind of feel okay yeah like the woman with umbrellas
00:14:55thing well you don't need to copy anything like it should feel distinct
00:14:59okay okay yeah sure basically do whatever you feel it'll be great i have to go
00:15:18this is cassie hi the goal is to take her from the suburbs to the city
00:15:27do
00:15:27do
00:15:27do
00:15:27do
00:15:27do
00:15:28do
00:15:28do
00:16:34Hey, Harry.
00:16:36Right here on the wall.
00:16:38Good center, please.
00:16:46Yeah.
00:16:47We have an emergency.
00:16:49What kind?
00:16:50It's hard to explain.
00:17:04Has your friend lost their mind?
00:17:06I don't know.
00:17:06It's insane.
00:17:08It's not like there's one penis.
00:17:09There's 14.
00:17:10What were you thinking?
00:17:12I told her to paint a picnic.
00:17:14Does this look like a picnic?
00:17:15I don't know what happened.
00:17:16I don't think my character would paint something like this.
00:17:19I agree completely.
00:17:21Did you say George Soros?
00:17:22Yes.
00:17:23Women with umbrellas?
00:17:24Yes.
00:17:24Children sailing boats?
00:17:25Yes.
00:17:26Is she trying to sabotage the show?
00:17:27No, of course not.
00:17:28Who in their right mind would paint something like this?
00:17:31It's insane.
00:17:31Well, she's...
00:17:32What?
00:17:33Trans.
00:17:34Jesus Christ, Lexi.
00:17:36We're going to have to handle this.
00:17:38Delicately.
00:17:41Hey, I think I'm outside.
00:17:43Yeah, we're on set.
00:17:43Just come in.
00:17:44Okay.
00:18:01So nice to meet you.
00:18:03Nice to meet you, too.
00:18:03Yes, thank you so much.
00:18:05Thanks for having me.
00:18:07Very talented.
00:18:10So, I don't know if Lexi told you, but this is a network show, which means that we have
00:18:16to answer to standards and practices.
00:18:18Ugh, and they are like the censors.
00:18:20Okay.
00:18:21Uh-huh.
00:18:23The penises are too much.
00:18:26How many peni do you want me to get rid of?
00:18:29Let's say all of them.
00:18:31Like paint clothes over them?
00:18:33That could work.
00:18:34Or you could make them into bread loaves.
00:18:36Bread loaves.
00:18:37To stay in theme with the picnic.
00:18:41And, uh, I'm just, like, struggling with how many limitations there are?
00:18:46The only limitation is we have to get rid of the penises.
00:18:49Okay.
00:18:50But the breasts are okay.
00:18:53Let's just get rid of the nudity in general.
00:18:56Put some clothes on them.
00:18:58Blankets.
00:18:59You know, I'll leave that to the interpretation of the artist.
00:19:03How long do you think that'll take you?
00:19:05Like a couple hours.
00:19:07Just punt the scene.
00:19:08We'll move it till next week.
00:19:10Thanks.
00:19:20Thanks.
00:19:22Thanks.
00:19:39i'm so sorry i feel horrible well that makes sense mistakes happen some are just more expensive than
00:19:51others i know do you because i'm not sure that you do we lost an hour and a half of
00:20:00shooting
00:20:02$56,000 i have to hold stage nine for another week that's grips electric rentals your failure to
00:20:13communicate what do you think that costs us $56,000 no it's a hundred and ninety one thousand dollars
00:20:33don't be a net negative lexi
00:20:36i won't okay
00:20:41no thank you
00:20:46close the door
00:20:55oh
00:20:57oh
00:20:58oh
00:20:58oh
00:20:58oh
00:20:59oh
00:20:59oh
00:21:09oh
00:21:16oh
00:21:20oh
00:21:21oh
00:21:23oh
00:21:23oh
00:21:23oh
00:21:50I'm so sorry, my perfect little guy.
00:22:01How do you want to deal with this?
00:22:04I want to kill them all.
00:22:06But I don't know if that's painful enough.
00:22:19The reason you're walking free is so you can set up a pie.
00:22:23What the fuck do you want me to do? He killed her bird.
00:22:25They're never going to do business together again.
00:22:27We got no use for you. We might as well put your ass in prison.
00:22:32Listen, what if I can set up a pie with a different dealer?
00:22:36What dealer?
00:22:36Can you go grab the makeup?
00:22:42Lexi had agreed to let Cassie stay at her place for a while.
00:22:45Yeah, put your chin up, poke the ass up. I need a smile.
00:22:49Come on, you're happy to be here.
00:22:52You're here.
00:22:54Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
00:22:56Can you turn that back on?
00:22:58I don't know why it went off.
00:23:00Well, just turn it back on.
00:23:01What a great idea.
00:23:03Wait, hold that pose.
00:23:04When she gets the ball working, I'll pose.
00:23:06I just feel like you're worth more than your body.
00:23:09My body's worth a lot.
00:23:11Man, these girls are out here making millions.
00:23:13Who?
00:23:14Well, like Bad Baby.
00:23:16Bad Baby?
00:23:17Yeah. She was on Dr. Phil.
00:23:19She cussed him out and got super famous.
00:23:21Then when she turned 18, she made an OnlyFans
00:23:24and made like 53 million in a year.
00:23:2753 million?
00:23:28We're not making this up, Lexi.
00:23:30This is the business world of today.
00:23:32Hey, I mean, if I do this...
00:23:37No!
00:23:38No!
00:23:39No!
00:23:40No!
00:23:44I need to get some drugs.
00:23:48You relapsed?
00:23:49No, no, it's not for me.
00:23:50Don't worry.
00:23:51Is this blower ever going to fucking work?
00:23:53I don't know.
00:23:54I'm not a gardener.
00:23:55Wait, I thought you were clean.
00:23:57I am.
00:23:57It's not for me.
00:23:58It's for my boss.
00:23:59Okay, well, what kind of drugs do you need?
00:24:00Uh, Coke, Molly, heroin.
00:24:03Heroin?
00:24:04For your boss?
00:24:05Or for you?
00:24:06No, not for me.
00:24:07And I don't have time to explain this shit.
00:24:08Is this machine really important?
00:24:10Yes!
00:24:10I need hair movement.
00:24:12It brings energy to the shot.
00:24:13Listen, Maddie, you can just give me the contact and I'll do rest.
00:24:15Well, I don't feel comfortable helping you get drugs.
00:24:17Okay, but that's not for me.
00:24:18My hair is not with cells, okay?
00:24:20It's my body.
00:24:21And my body doesn't need wind.
00:24:23It needs a photographer.
00:24:24Do you guys hear yourselves right now?
00:24:27Like, what is wrong with you people?
00:24:30You're looking for drugs.
00:24:32You're selling your body on your porn site.
00:24:35And you're like some internet pimp.
00:24:41It's sad.
00:24:42And it's pathetic.
00:24:43And it's really disturbing, honestly.
00:24:46Oh, Jesus.
00:24:47Who would have thought we would have come here?
00:24:49Can you shut that fucking thing off?
00:24:51It's so annoying!
00:24:52Yeah!
00:24:54Yeah!
00:24:54Yeah, yeah, yeah, yeah.
00:24:56Yeah, yeah, yeah!
00:24:59Yeah, yeah, yeah.
00:25:22Nathaniel Jacobs' son, Suttler's Corp?
00:25:27Nate knew this was definitely his last chance.
00:25:38I believe everything happens for a reason.
00:25:43The discovery of these endangered flowers on my land happened for a reason.
00:25:51It was a sign.
00:25:54And in all my excitement and passion for the elderly,
00:25:59I had overlooked the greater meaning of the Sun Settler mission.
00:26:04God said to Adam,
00:26:07For dust you are, and to dust you shall return.
00:26:12This is a fundamental human truth known all too well by our senior citizens,
00:26:16so I'd like to propose a new design for Sun Settlers.
00:26:21Imagine our hospice wing,
00:26:23where families can gather in the final days of their loved ones' lives
00:26:26and look out at a beautiful garden of white fritillaries.
00:26:30These flowers should not be dug up and moved.
00:26:33No.
00:26:35No, we should move around them
00:26:39with an elegant curve design done by our A-plus architecture team.
00:26:44Motion denied.
00:26:46When the environmental studies come back, we can discuss.
00:26:50Motion denied for now.
00:26:55I have put my entire life on the line for this.
00:26:58Motion's denied.
00:26:59Every penny I have.
00:27:03My marriage is in shambles because of you.
00:27:07Sorry, is this a personal thing, Bill?
00:27:10Do you have a personal problem with me, Bill?
00:27:13Is that what this is?
00:27:14I don't.
00:27:15Are you trying to ruin my life?
00:27:17What do you want from me, Bill?
00:27:19Don't tell me.
00:27:20What do you want from me?
00:27:22You want me on my hands and knees begging you to give me my life?
00:27:27Is that what you want?
00:27:29Sir, your time is...
00:27:30I'll do it.
00:27:33We have other people waiting and...
00:27:45There it is.
00:27:50I'm begging you, Bill.
00:27:52I want my hands and knees.
00:27:54I'm begging you.
00:27:55I'm trying to do a good thing.
00:27:58This is a good thing, Bill.
00:27:59This is a good thing.
00:28:00This is...
00:28:01This is good.
00:28:01Okay, that's enough.
00:28:02This is good for the world.
00:28:03Mr. Jacobs.
00:28:06Please just let me see this through.
00:28:08I can't be back.
00:28:09Mr. Jacobs.
00:28:09This is a good thing.
00:28:10I'm trying to do a good thing, Bill.
00:28:15For the last time, motion denied.
00:28:21Sir, just get your things together and pack them up.
00:28:25You can go.
00:28:28Let's take a five-minute recess.
00:28:41Cassie had pawned her wedding ring, took the cash, and invested it in herself.
00:28:54As Nate would always say, it takes money to make money.
00:29:01Do you accept cash?
00:29:05It just so happened, her new place was across the pool from Lexi.
00:29:19A raise.
00:29:20A dollar.
00:29:21And that's a hundred dollars.
00:29:22You didn't hear from Lori yet, did you?
00:29:24Not a little Bo Peep.
00:29:25Ain't on a scale to one to ten.
00:29:28How sad you think that bitch Lori is?
00:29:30Like an eleven?
00:29:31Well, like a hundred and eleven.
00:29:33He was a beautiful bird.
00:29:35Maybe you said that like you didn't kill his ass.
00:29:38I didn't want to, but I was told to.
00:29:41This nigga looking at me like he looked at the damn parrot.
00:29:45Call.
00:29:46Call.
00:29:47Call.
00:29:47Oh, shit.
00:29:49We got a three-hander.
00:29:52Nice.
00:29:53So, uh, when we run low at the club, where am I supposed to pick up from?
00:29:56If I were you, little lady, I'd focus on this hand right here.
00:30:09I was just, uh, I was just thinking because, you know, I still have my connects in Mexico.
00:30:15And, uh, I could always, like, do a pick up and then sell at the club.
00:30:20Bet 175.
00:30:22I mean, we could make a lot of money.
00:30:24You could make a lot of money.
00:30:25Y'all just a little too fucking rich for my blood.
00:30:34Call.
00:30:36Didn't you say you wanted to get out of that world?
00:30:39Now your ass wanna get back in?
00:30:43Let's see the time.
00:30:44I-I was just thinking that. That's all.
00:30:53You know, something don't add up.
00:30:57Bet 200.
00:30:59Why in the fuck would you ask me something so catastrophically dumb?
00:31:05I don't know.
00:31:05I don't know.
00:31:06I don't know.
00:31:06Nah, see.
00:31:08You didn't just think it.
00:31:09You thought to say it.
00:31:11And then you said it.
00:31:13So I'ma need a much better explanation than a motherfucker and I don't know.
00:31:19I'm sorry.
00:31:20I-I shouldn't have overstepped.
00:31:22Nah, that don't cut it.
00:31:29I just figured like at the club, the more people that do drugs, the more money they spend.
00:31:34You know?
00:31:35Are you gonna call?
00:31:37Or not?
00:31:38Nah.
00:31:40See, you had something.
00:31:43No.
00:31:45Why the fuck are you sweating?
00:31:48I just know I have a good hand, that's all.
00:31:52Call.
00:31:54I seen that look before.
00:31:57See, you got that look in your eye.
00:32:00Like a motherfucking rat.
00:32:03Trying to figure out where it's gonna go next.
00:32:07Yeah.
00:32:10Where you gonna go next?
00:32:18Let's see the river.
00:32:20Shut the fuck up, Nick.
00:32:26You've been using again, ain't you?
00:32:39Dana.
00:32:43Uh...
00:32:44Yeah, I had a slip up.
00:33:02Check.
00:33:05Call in.
00:33:08Oh, shit got real.
00:33:10Call.
00:33:16Oh!
00:33:17Fuck.
00:33:18You been setting that shit up the whole time.
00:33:21Let me make one fucking thing clear to you.
00:33:25You fuck with hard drugs.
00:33:29They're likely to wind up killing your black ass.
00:33:35Got it.
00:33:36What happened again?
00:33:39Damn, Bishop.
00:33:40Well, you got BTA.
00:33:42Belt to motherfucking ass.
00:33:46Ah!
00:34:01Andrel's not coming back?
00:34:03No, that's not at all.
00:34:05She ran away from rehab.
00:34:07Disappear.
00:34:08Damn.
00:34:10It's sad.
00:34:14But life goes on.
00:34:22Last night I was dreaming.
00:34:24Suref.
00:34:25I dreamed about the H bomb.
00:34:28Where the bomb went off and I was caught.
00:34:31I was the only girl on the ground.
00:34:34He felt a bit small.
00:34:41He was the only girl in town.
00:34:47There were 13 men and me, the only girl in town.
00:34:53Oh, there were 13 men and me, the only girl in town.
00:34:54And as funny as it may be, the one and only girl in town is me.
00:35:00A thirteen man and me, the only gal in sum
00:35:06I gave a two man men every morning
00:35:09I seen that I was well fed up
00:35:12And believe me, you mean what's with my teeth
00:35:15While the other woman left the morning
00:35:19Just no use
00:35:22It's almost like Angel knew she was never coming back
00:35:29And just like Tish, everyone would soon forget
00:35:51Maddie told Cassie to put on her best outfit
00:35:55She was gonna introduce her to some friends
00:36:03The stash was running low
00:36:05And I was running out of time
00:36:16You look good, bitch
00:36:22Sir, let's go
00:36:46This is Brandon Fontaine's house
00:36:48He's got twenty million followers
00:36:50What?
00:36:51The goal is simple
00:36:52Get him to post a video of you looking home
00:36:55Come on!
00:36:59Come on!
00:36:59Come on!
00:37:18Come on!
00:37:42All he cares about is pussy
00:37:44You're gonna tempt him with pussy
00:37:46You're not gonna give him pussy
00:37:48The moment you do, he'll never speak to you again
00:37:52Don't trust these girls
00:37:53These bitches are dogs
00:37:54Stray dogs
00:37:56And they're looking at you like a fucking Pomeranian
00:37:59The cute new bitch
00:38:00So stay sharp
00:38:02Stay focused
00:38:03Stay focused
00:38:04Let's fucking win
00:38:06Feels like we're going to war
00:38:10Come on
00:38:16Let's go
00:38:17Let's go
00:38:18Come on
00:38:18Now
00:38:35Let's go
00:38:53So what would you like?
00:39:13Oh, yeah, we are still alive.
00:40:22ORGAN PLAYS
00:40:50What do you think I'm doing?
00:41:14Now it's time to announce the content creator of the month, who is not other than Ricky D.
00:41:19Ricky, where you at?
00:41:21Oh, damn!
00:41:22Ricky just ran!
00:41:23How do you know Brandon Fontaine?
00:41:25Oh, my best friend's, like, best friends with him.
00:41:28Oh, who's your best friend?
00:41:30Maddie Perez?
00:41:31She's, like, a manager to all these super famous actors.
00:41:34Yeah, I know Maddie. I love Maddie.
00:41:36Is she here?
00:41:40Uh, she's...
00:41:42She's somewhere.
00:41:44Oh, yeah.
00:41:46What's up?
00:41:47What's up?
00:41:48Hi!
00:41:50Hey, you guys want to have some more fun?
00:41:52I have some Coke.
00:41:54Oh, my God, I love Coke.
00:41:56She loves Coke!
00:41:58All right, come on, come on, come on.
00:42:26Come on, come on.
00:42:30No.
00:42:59How's she doing? Making her money's worth?
00:43:02Yeah.
00:43:13Make yourself at home.
00:43:15Casa es su casa.
00:43:17I can't believe you actually live here.
00:43:19It's dope, right?
00:43:21How long have you guys known each other?
00:43:24Mmm, forever.
00:43:25Wait.
00:43:27Does Maddie rep you?
00:43:30Yeah.
00:43:32That's weird.
00:43:47That's weird.
00:43:50Cap?
00:43:54Cap?
00:43:56Come and get it.
00:44:00Did you test this?
00:44:02It's my usual plug.
00:44:03It's fine.
00:44:05Are you sure?
00:44:06Yeah.
00:44:06Okay, no, sorry.
00:44:07I don't want to die or anything.
00:44:10I love my life too much, you know?
00:44:14Um, you're not gonna offer it to me first?
00:44:17I thought you were a gentleman.
00:44:24I thought you were a gentleman.
00:44:26Ladies first.
00:44:28You're welcome.
00:44:30I love you.
00:44:40I love you.
00:44:47No!
00:44:52Oh my god.
00:44:54Oh my god!
00:44:59Do me, do me, do me, do me.
00:45:00Woo!
00:45:05Right here, right here.
00:45:07Right there?
00:45:07Right there.
00:45:08I think it's my turn.
00:45:10His turn.
00:45:11My turn, baby, my turn.
00:45:12Your turn.
00:45:16Yo, smile.
00:45:18Get the fuck up here.
00:45:23Oh, I like it too.
00:45:25Oh, fuck.
00:45:26He really likes it.
00:45:32I can't open the door.
00:45:33I need to get in there.
00:45:37I think it's my turn.
00:45:39Yeah.
00:45:40Oh, no, I got it.
00:45:44Woo!
00:45:45You're a fucking crazy bitch, aren't you?
00:45:47Fucking wild.
00:45:48You're no good.
00:45:50I'm no good.
00:45:54I'm dealing with a locked door here.
00:45:57Oh, fuck.
00:45:59Oh, fuck.
00:46:06Oh, fuck.
00:46:09Oh, fuck.
00:46:11I have to go viral.
00:46:19I need to get some water.
00:46:21Okay.
00:46:22Good?
00:46:25Oh, no.
00:46:29She's sick.
00:46:31She's puking.
00:46:32She's puking.
00:46:34Oh, fuck.
00:46:38I want to fucking raise up.
00:46:41Really?
00:46:42Really.
00:46:42Really.
00:46:43Right now?
00:46:44Right now.
00:46:50Hey, Brandon.
00:46:51Who's your new friend?
00:46:52Yo, yo, yo, yo, yo.
00:46:54It's just me, Cassie, and that's my handle.
00:47:09Hey.
00:47:19I'll help you.
00:47:25Do you have any more ketamine?
00:47:29You doing okay?
00:47:33Okay.
00:47:35Those guys, did I...
00:47:39Did they hurt you?
00:47:56Um, you know, I saw what happened.
00:48:02Are you sure you want to be doing this?
00:48:06It's like, are you being forced?
00:48:14I like to dance.
00:48:15I like to dance.
00:48:41I like to dance.
00:48:43Oh, boy.
00:48:49Oh, boy.
00:48:54Oh, boy.
00:49:02Oh, boy.
00:49:04Oh, boy.
00:49:04Oh, boy.
00:49:23you good yeah stop making a phone call
00:49:53speaking English she asked if someone was forcing her to work
00:49:58here
00:50:01I'm even a Malfari
00:50:03I'm trying to speak
00:50:52Hey.
00:50:58I, um, I just forgot my phone.
00:51:09I'll let you break one of my rules.
00:51:17Nobody enters my office alone.
00:51:32I don't know why she's calling.
00:51:34Must be important.
00:51:40Do you mind if I...
00:51:52Mom?
00:51:53Listen very carefully.
00:51:54Pretend I'm your mom.
00:51:55Ask me about grandma.
00:51:58Wait, what did you say about grandma?
00:52:00You're compromised.
00:52:02The girl in there just told your boss that she thinks that you're a snitch.
00:52:05You gotta find a way to discredit her.
00:52:13Okay.
00:52:22Well, I'm glad she's okay.
00:52:25Love you too.
00:52:29Close the door.
00:52:31We need to talk.
00:52:45You got their attention.
00:52:47Now you gotta keep it.
00:52:54No, I think it's very clear what the fuck is happening here.
00:52:57Because this Spanish hood rat is jealous of you.
00:53:00Hood rat.
00:53:01Hood rat.
00:53:03Hood rat.
00:53:04That's what you are.
00:53:06Liar.
00:53:09Liar.
00:53:10I don't know what you're saying.
00:53:11I don't.
00:53:12I don't know what you're saying.
00:53:21I don't know what you're saying.
00:53:24IDs?
00:53:25Yeah, I got a way to here.
00:53:26Throw out the red carpet, motherfucker.
00:53:28Look, look.
00:53:29Look, look, look, look.
00:53:30Okay, look, look.
00:53:31I can't understand this.
00:53:32Okay, okay, okay.
00:53:33Hey, so you're saying you never spoke to Kim?
00:53:36No, I fuck- I spoke to her, but I- I just said, like, you know, are you okay?
00:53:41Which is my job. Is it not? Look after the girls, right?
00:53:44Bullshit.
00:53:45Look, if you want to believe this fucking drug addict, that's up to you.
00:53:48Yo, we gotta fight these bad punks.
00:53:50Yo, I gotta fight right now for you and your friends, you know?
00:53:55What the fuck are you talking about? I didn't steal a fucking drug.
00:53:57Okay, okay, well, let's open up the fucking locker, then, because I know what the fuck I saw.
00:54:01Yeah? Go check it. Yeah, go check it.
00:54:03All I know is one of you bitches is lying.
00:54:05What? She's lying. She's probably the bitch that's lying.
00:54:08What? She's the one of the fucking fake ass now, Brayson.
00:54:11I'm the one who's lying. That's hilarious.
00:54:12What? I don't-
00:54:14Whoa, whoa, whoa, whoa. I wouldn't do that, motherfuckers.
00:54:17They just see you.
00:54:18Hands, hands. Hands where I can see them.
00:54:22Now, I imagine you got a safe in there.
00:54:25You have any fucking idea who you robbing?
00:54:28Well, that's the exciting part.
00:54:31I hope in that safe I'm dead.
00:54:32You die here or you die later don't seem like a fucking tough decision to me, boy.
00:54:37You kill me, you'll never get that shit open.
00:54:43Then shoot the girls.
00:54:47All right.
00:54:49Come here.
00:54:56Oh, look. Two birds, one stone.
00:55:00You got five seconds, boy.
00:55:02Five.
00:55:03Four.
00:55:04Three.
00:55:06Keep praying, baby.
00:55:08Two.
00:55:09You are cold, motherfucker.
00:55:12One.
00:55:14Boom!
00:55:37Did you hear that?
00:55:38What?
00:55:42A big bang?
00:55:45No.
00:55:57What do we got to do to convince you to open the safe?
00:56:03How about we blow off that donkey dick?
00:56:08How about we blow that thing off?
00:56:14It's either your balls or the motherfucking safe, man.
00:56:18What's it going to be, Doc?
00:56:21Huh?
00:56:22Behind the painting.
00:56:24What's that?
00:56:27It's behind the painting.
00:56:29That wasn't so hard now, was it?
00:56:32Open it.
00:56:33It's all I'm getting.
00:56:34It's all I'm getting.
00:56:41It's all I'm getting.
00:56:56It's all I'm getting.
00:57:01Proceed.
00:57:03Looks like you shit your drawers.
00:57:26How we looking?
00:57:29Jackpot.
00:57:33No!
00:57:34No! No! No!
00:57:37Oh, shit.
00:57:38Fuckin' up tonight.
00:57:42Motherfuck!
00:57:50Yo, Bishop, I think we need to get him to the hospital, man.
00:57:52He can wait. Rewind the footage.
00:57:55Hey.
00:57:59They in a pickup truck.
00:58:02Zoom in on the plates.
00:58:06Hey, yo, man. Come on. Come on. Stay up, bro.
00:58:12There are no plates.
00:58:14Can you see anyone's face?
00:58:17They're masked up.
00:58:19Even the driver?
00:58:26I think I got it.
00:58:29What do you see?
00:58:32It's a woman.
00:58:34She has gigantic lips.
00:58:44You know her?
00:58:47It's a girl named Faye.
00:58:51She works for Laurie.
00:58:52It's a girl named Faye.
00:58:57You know that you are.
00:59:00Oh, no, no.
00:59:02I, I...
00:59:03You're cold as nice to be so dead, I am.
00:59:11You're cold as nice to be so dead, I am.
00:59:16You're cold as nice to be so dead, I am.
00:59:32I like to welcome motherfuckers to the back of the monobail, see I'm for real, we're delivering these M.O
00:59:39.P. tactics, I'll bury you bastards, I custom make cash, it's the B.D., the Y.G., even the O
00:59:48.G.
00:59:48I told ya, nigga, I may come with my gun in my hand, to make sure you motherfuckers understand, pardon
00:59:55me, how the fuck you gon' stall with me, I'm a heavyweight in this game, you just small with me,
01:00:01you get laced down from your face down, drop this shit, niggas throw them on peace, stand for mopping shit,
01:00:06dump, dump, dump, get it twisted, I told you that we top of the line, design realistic, for instance, mess
01:00:13up what I say, when come through and clear your ass out, dump it, in your ass out, jump, we
01:00:18cold,
01:00:18You're as cold as night, you're willing to sacrifice
01:00:24You're as cold as night, you're willing to sacrifice
01:00:29You're as cold as night, you're willing to sacrifice
01:00:35You're as cold as night, you're willing to sacrifice
01:00:39A better kick, gun, buster.
01:00:41I passed all classes.
01:00:43One of the fastest had blasted flashes.
01:00:46You seen my work?
01:00:47You know my stings?
01:00:49It's a slip chance that I'ma hesitate to squeeze, please.
01:00:51Money never made me.
01:00:53Money never played me.
01:00:55And money better not make me.
01:00:56Wack his ass.
01:00:57Subtract his ass when I step through his hood.
01:01:00Fuck dropping you.
01:01:01I'm into stopping you for good.
01:01:02Stop him if you could.
01:01:04You're cold and hot.
01:01:05And you'll be stiff as a log in a suit.
01:01:09You're cold and hot.
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