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Ironheart.S01E04.Dual.Audio [Full Movie] [Ranked]Full EP - Full
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Short filmTranscript
00:01You don't know anything about this man.
00:03You don't have a difference because your eyes are only on your money.
00:06Look, you'll be gone.
00:10I don't know what they said about 11 years ago when I look up and look up.
00:13I don't know where to go from now, right?
00:15Stop!
00:17These officers have come to meet you.
00:19We want to ask you about Stuart Clark.
00:22I got his hair in the morning.
00:24They all know me about it.
00:26Mom is a joke about it.
00:28You won't be a joke about it.
00:30You're a joke?
00:31You don't know who you're being attacked.
00:32They can kill you by the evil villain.
00:37I need to go.
00:38The truth is, I'm Ezekiel.
00:41Stay.
00:41I'm ready for the next job.
00:43I don't know you're not going to kill me.
00:45I didn't know you're going to kill me.
00:48Open the door!
00:49Open the door!
00:51No!
00:52No!
00:54This was your plan?
00:56John, come to die!
00:58Why are you showing me everything?
01:23Look, brother. Why are you taking tension?
01:26This is the same thing that we always do.
01:29We're going to go inside,
01:30taking money, taking money,
01:31taking money.
01:32Yes, the same thing is that we're going to do.
01:35Then we'll see in a top class,
01:36we'll be having a rash in a top class.
01:45Yes, in a top class.
01:49Come on.
01:49Come on.
01:52You don't have to take care of it.
01:55Right?
01:56Yes, don't take care of it.
01:59Okay.
02:20Yes.
02:22don't let you.
02:48One minute,
03:13I don't know what to do, but I don't know what to do, but I don't know what to do.
03:22We have to get out of here, let's go.
03:23John, I will find you.
03:25I will always stay with you.
03:27Okay?
03:29I will always be with you.
03:41Hey Parker.
03:46Do you have to say something or do you have to say?
03:47Do you have to say anything?
03:50Why?
03:51Do you want to tell each other about your cousin John's story?
04:02Okay.
04:04Let's start.
04:06We will miss John's love and his love for his opera.
04:13He was the queen of opera.
04:23We will miss him.
04:25Yes, sir.
04:27Okay.
04:28Okay, let's go.
04:29And do you see what I have to say?
04:33I don't think I'll be happy to be here.
04:41I'm sorry.
04:44I'm sorry.
04:45I have no doubt about what to do.
04:45I don't know what I'm doing.
04:47It's my own pride.
04:49It's my own power.
04:51That's my own pride.
04:53It's my own power.
04:53It's my own power.
04:54It's my own power.
04:55It's my own power.
04:56Yes, it's my own power.
05:00It's my own power.
05:01It's my own power.
05:02It's my own power.
05:05It's my own power.
05:05After the heirloom,
05:07I don't want to be wrong with us.
05:10We'll go with the plan.
05:12There's no wrong thing.
05:14Okay.
05:22Parker, is there any work for me?
05:32I don't want to be wrong.
05:37I don't want to be wrong.
05:39I don't want to be wrong.
05:42I just want to tell you about time.
05:59I fell from the sky without a parachute
06:02Baby, this is game, I'ma shoot at you
06:05Look up and look around, it's going down
06:08Since she called me king, I'ma wear the crown
06:12Riri
06:16Riri
06:20Riri
06:21Riri
06:22Riri
06:23A little slow, please
06:25I was calling you in just one minute
06:27What happened?
06:29This trash bag, you stole from Parker's cape
06:33Put some hands in it
06:34This is like internal combustion
06:36Like the heat engine
06:38The power of the host
06:40In this case, Parker
07:03Riri
07:04Riri
07:05Riri
07:05Riri
07:18Riri
07:30Riri
07:49Riri
08:00Riri
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10:29Riri
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11:22Riri
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11:27Riri
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11:30Riri
11:34Riri
12:03Riri
12:03Riri
12:04Riri
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12:27Riri
12:28Riri
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12:59Riri
12:59Riri
12:59Riri
12:59Riri
13:11This is a live cruise. This is such a situation that someone had never thought about it.
13:17Here in the heirloom crime scene, there is still a new scene.
13:22The question is that a technology-based story will finally become a victim.
13:27How do we make this deal?
13:28We will be giving you the case and giving you new updates.
13:32Local traffic reports and all the rest of the other news will be made with us.
13:41Hey!
13:45You also got your clothes on your own.
13:48Boring.
14:00Look, you know you are aware of me.
14:03You are all right.
14:09You don't need anything to say anything.
14:12I'm going to get out of my house.
14:15Okay.
14:16Okay.
14:16This is my word.
14:18That's why you are here.
14:19Yes.
14:20How do you do this?
14:22How do you do this?
14:25That's what I'm thinking.
14:26Hmm.
14:29You are just a real girl who is running away from the wrong place.
14:37You are just a gospel girl who is running away from wrongs.
14:38You are aďż˝ëë¤.
14:39You are a poor, a lot of grunt and everybody cannot use it.
14:42You can be able to save yourself for making fun.
14:44Then, why do I get lost to anyone again?
14:46Why won't it happen?
14:52Guard, take me from here, please.
14:54Let's go, let's go.
14:57It's done. Let's go.
15:16Let's go, let's go, let's go.
15:20What's happening?
15:23Where did you go?
15:25It was just...
15:26It was good to get Parker or a tech specialist for help.
15:33Another tech specialist?
15:35Yes, he didn't tell you.
15:36What did you find?
15:37Oh, yes.
15:39Yes, yes.
15:40It was just...
15:56This is my friend.
16:00Why are you saying this?
16:01No, I'm not sure.
16:03We all know everyone in the tech.
16:06We would probably find someone in the tech.
16:06Can we see you?
16:09You can see me.
16:09What can I say?
16:10It's a bad idea.
16:11We're looking for a bad idea.
16:12We're looking for that in jail.
16:16But, what a good thing about you.
16:19You've been working with your help from outside.
16:22With help from outside?
16:24I just want to know this from you.
16:26If you wanted to help from Zeke, then you didn't tell me.
16:32But there's nothing to do.
16:36We'll be able to get someone to help someone.
16:38Yes, the clown told me.
16:40Yellow hood.
16:41Everything is in there.
16:43Thanks.
16:49You don't have to worry about yourself.
17:11There's no one there.
17:14Maybe I've heard something.
17:16Okay, you're getting scared.
17:18Just stop for one second.
17:20Okay?
17:20Just stop, understand things and relax.
17:24What did you say?
17:26Relaxing?
17:27Relaxing.
17:29Just feel it.
17:30If I don't know you, I'm saying that I'm doing meditation,
17:33but then I'm giving a lecture to me.
17:36I'm giving a lecture.
17:39I'm going to relax a little bit.
17:41I'm going to relax a little bit.
17:41Please, you too.
17:42Rest yourself, son.
17:44Please, stop.
17:44I'll bring something to you.
18:03Please, I'll be right back.
18:08I will explain all of you, but later I have to go back to work, so what are you doing?
18:18Okay, good night.
18:23Good night.
18:26What are you doing?
18:28What are you doing?
18:29I'm doing well.
18:31Hey, where are we going?
18:33I'm going to meet with Xavier.
18:36What, Caleb?
18:37I want to meet my brother.
18:39That's not your brother.
18:42Okay, he will be afraid of you.
18:44I forgot how I reacted to you when you were the first time.
18:48I'm not shocked.
18:49Okay, but when you get to know how many times you left me.
18:53Then I will not come back to him.
18:55Okay, but not now.
18:57Can we focus on the work?
18:59Please, how do we save the Parker,
19:01who will kill me from the devil?
19:04Yes?
19:06I want you to wear that suit.
19:09Make a whole lot of juice with that.
19:11Getting all this loop.
19:13Buy a brand new suit with that.
19:15I want you to wear it.
19:17I want you to wear it.
19:18I want you to wear it.
19:18I want you to wear it.
19:19But I don't wear the clothes.
19:21This is not a fashion-clay.
19:23I'm seeing.
19:24I can ask.
19:25Can I ask you in any place?
19:26No.
19:29Okay, I don't ask you.
19:34Do you think I'm a good person?
19:49Can I ask you?
20:06and you are also protective.
20:12And...
20:16...it's very difficult to understand you.
20:19Absolutely.
20:22Spock?
20:24Spock?
20:25I always understand myself, but...
20:29Please.
20:30You are the same complexion.
20:32You are the same.
20:34Look, I mean to say that...
20:37...you didn't give anyone to yourself.
20:41But maybe after all, there is a normal heart.
20:45So after being so beautiful,
20:47you...
20:48...what do you say?
20:49That's the meaning?
20:58I have to work now, so...
21:02...for the house.
21:23Finally!
21:24Finally!
21:25You are back!
21:27Let me tell you what happened.
21:28Who did you both?
21:29Oh my God!
21:30Here is our place.
21:31And who is your fault?
21:33What do you do?
21:35Without anyone's fault?
21:36You know my girl is not dead.
21:39So...
21:39...if we have to save ourselves from the head of the head,
21:41...we will have to think of something different.
21:42...we will have to think of something different.
21:43Ray, you need to sleep a little bit.
21:48Ray!
21:49Do my mind!
21:51Think!
21:54Okay, you are talking about...
21:56...and for half an hour.
21:57Let's go.
21:57Let's go.
22:05Okay.
22:17Okay.
22:56Let's go.
22:59Riri!
22:59Mom!
23:03What happened, Mom?
23:05You tell me.
23:06I had a case with Ms. Kelly,
23:08...and the next time of your house...
23:10...he was in the airbag.
23:12What did you hear from the TV?
23:14I will leave it out.
23:18I will leave it out.
23:19Riri, are you okay?
23:23I will leave it out.
23:23Now, you will tell me...
23:25...what is going on?
23:26I will leave it out.
23:27I will leave it out.
23:27You know, you are now in the door.
23:30Because you were talking.
23:31I thought you were in the danger.
23:32Look at me, son.
23:34I will leave it out.
23:35But I will leave it out.
23:37I know that there is no problem.
23:39Now, please.
23:40You will help me.
23:42I don't know more about science.
23:45But...
23:47...maybe...
23:47...it's the same way you will find a different way.
23:49It must be a few things.
23:51I want to take some turns...
23:53...and the eyes of you.
24:01I don't want to do that.
24:03...and...
24:04A body of heaven, you both know.
24:05I...
24:06...is not a body of heaven...
24:06...you to say...
24:06I wanted to feel like...
24:10...he's not enough at home.
24:11A body of heaven...
24:17...you can't help me...
24:18...but...
24:19...you can't help me.
24:19Oh, so you should have a ghost.
24:23I have a whole lot of mom.
24:28She's dead.
24:31You're doing that chamomile, right?
24:40It's flowing.
24:41It's flowing.
24:43It's flowing.
24:45It's flowing.
24:47Yeah.
24:48Seriously?
24:50What?
24:50Ms. Stanton, this is your place.
24:53Now let's go.
24:57So, where did I go?
24:59Where did I go to the chocolate factory?
25:01Why didn't I go to the chocolate factory?
25:03Welcome to Stanton's.
25:05Here is a swat, a peace, a guarantee.
25:09How can I help you?
25:10Zelma, we are now here.
25:12Where is your mom?
25:14She is here?
25:16Yes.
25:18Mommy.
25:19Hello, she is here.
25:22Betty.
25:23Hey, Ronnie.
25:25Where was she hiding?
25:27You looked good at me.
25:28Oh, you also brought Riri.
25:30Okay, you are here.
25:32My daughter Zelma.
25:33She is in your dream.
25:34So, how did you forget this journey?
25:37Riri needs a little spiritual guidance.
25:40Oh, like a snake, a snake, a snake.
25:44What?
25:46Or in the cave?
25:47Yes.
25:50Uh, uh.
25:51Uh, uh, uh.
25:51Uh, uh.
25:52Uh, uh.
25:55Uh, uh.
25:56Uh.
25:56Uh.
25:58Uh.
26:02Uh.
26:02Uh.
26:04Uh, uh, uh.
26:05Uh.
26:07Uh, uh.
26:32The other world is like we are leaving two circles.
26:35Okay, okay.
26:36The wrong thing is my fault, but this is not my fault.
26:38You are the only one in the world without asking me a small camera.
26:41But you have never thought of it.
26:43Oh, we will talk about this later.
26:46I will give you that.
26:49I hope you will be able to get this problem.
26:52Of course, we are ready.
26:58Is there a house in this?
26:59It's in my heart.
27:01There's no one who has fallen.
27:02It's possible, but it doesn't seem.
27:05It's natural to me.
27:09Natural. Oh really?
27:10I thought...
27:12Is it because of your iron suit?
27:14It's not like that.
27:16No one gives it to this suit.
27:19What does the natural mean?
27:20I mean, this is our thing.
27:22It's not any other world.
27:24How do you know this?
27:29It's my dream school.
27:30It's very old.
27:33How do you do this work?
27:35Oh...
27:37It's the greatest magic.
27:39That's why it's the greatest magic.
27:43What do you think of it?
27:45It's the greatest magic, babe.
27:48What is this magic?
27:50It's my dream school.
27:51She's in Nepal.
27:52Where the top level of the world has been trained,
27:55Dr. Strange is also that way.
27:58You hear about Dr. Strange?
27:59You hear about it.
28:01Hey, please, don't stop.
28:03Once again, it's hard to get out of mind.
28:05It's difficult to get out of mind.
28:06Who gave you these bones?
28:07Who gave you these bones?
28:09One minute.
28:10Madeleine,
28:10What?
28:11What?
28:11Is this your dream?
28:13That's why Kamar Taz dropped out.
28:15Tell me.
28:17I left her alone,
28:18because I used to get a little piece of paper.
28:21I still think you could get there.
28:23I could learn from the original master's.
28:26As long as I used to learn these old books
28:28and Tick Tock and the pieces of paper.
28:30I didn't say that Kamar Taj is not for children.
28:33And that's the same.
28:35You lived here in Chicago,
28:36and you made a world for yourself for yourself.
28:40And that's...
28:41...Kamal.
28:43It's dangerous, but it's great.
28:45Listen, what are you doing now?
28:47I'm looking forward to seeing tea with tea.
28:49Oh, that's me too.
28:54This doesn't come.
29:01Mom, why is this like this?
29:03It's very good.
29:04Where did you get this?
29:09A person who had a white hood,
29:11probably put his whole body on his head.
29:13Oh, what do you mean?
29:16Everything out there.
29:18Oh, what?
29:18What happened?
29:19I saw you.
29:20Maddie.
29:21Mom, if there's a black woman on Riri,
29:24please tell me.
29:27Riri,
29:27you have to find the way you find the way.
29:29And the way you find it,
29:29the way you find it is.
29:32You're afraid.
29:34That's the one.
29:35This is a clothespin.
29:37It's there,
29:38the one who's most dangerous
29:39and the most dangerous
29:41and the one who's put on the hood.
29:44What's the hood on its head?
29:44It's in the ground.
29:45No.
29:46This is not a thing.
29:48I believe you're thinking.
29:49What does this mean?
29:50What?
29:50So this is a place called,
29:52or what?
29:52What?
29:53Then tell me about any place where I can go about it.
29:55The story is not so straight.
29:57Jadu and technology are not alone.
30:00People say that the tech is not bad, they are bad.
30:03But the dark jadu is there.
30:05And it is dangerous for everyone.
30:07Especially for good people.
30:09That's what I'm going to do.
30:10That's what I'm going to do.
30:19Okay.
30:20I'm going to do this.
30:20Let's go.
30:21This is from some other world.
30:24But it's not that we can do this.
30:28There's nothing to do with it.
30:29What?
30:30My laser cutter has cut its particles, but it has not been done.
30:33There will be no other way.
30:34Or I'll put chemicals on it.
30:37Yes, I'll get an antivoni, pentafluoride, or fluorosulfonic acid.
30:40Yes, I'll get...
30:41What's your feeling?
30:43Mom!
30:44Why did you help me first?
30:46I said it.
30:46No.
30:47You did the whole drama that you wanted something like a soulmate,
30:51and you took so many things behind me,
30:52and you took so many things behind my friend's house.
30:55Maybe you didn't wear that hoodie or whatever.
30:58I promise, I'm not doing anything.
30:59Then why do you have it?
31:01Mom, I can't explain anything to you.
31:05Please.
31:05I don't think you are.
31:07Don't do it.
31:09I'm fine.
31:10Okay?
31:11You're fine?
31:11You don't need to be at home,
31:12come to bed,
31:13go to bed,
31:14go to the morning,
31:14just ask anything about you.
31:16You give me safety watch that I caught at any bubble.
31:19You have a panic attack.
31:21You're right, you lie to the left.
31:22One colleague died,
31:23further the other is in the case of terrorism,
31:25and you say everything's fine.
31:26If you're the same,
31:27and you don't ask me to me to do it,
31:28then don't ask any questions.
38:59Take care.
39:07I don't know.
39:40I don't know.
40:06I don't know.
40:39I don't know.
40:40I don't know.
40:57I don't know.
41:01I don't know.
41:12I don't know.
41:14I don't know.
41:45I don't know.
41:45I don't know.
41:47I don't know.
41:54I don't know.
41:56I don't know.
41:57I don't know.
41:58I don't know.
42:20I don't know.
42:40I don't know.
43:17I don't know.
43:20I don't know.
43:30I don't know.
43:33I don't know.
43:38I don't know.
43:41I don't know.
43:44I don't know.
43:48I don't know.
44:02I don't know.
44:03I don't know.
44:04I don't know.
44:31I don't know.
44:41I don't know.
45:14I don't know.
45:15I don't know.
45:16I don't know.
45:17I don't know.
45:22I don't know.
45:49I don't know.
45:57I don't know.
46:06What kind of work is that?
46:09Riri found his death.
46:15I need his head.
46:28Because I'm the villain
46:31Sigue with the story, that I'm the bad
46:34And I don't stop
46:36No matter who I hate, I don't think I'm raro
46:39I'm the villain
46:42Sigue with the story, that I'm the bad
46:44And I don't stop
46:47El papel de hĂŠroe a mi me sale caro
46:50Quiero morir, quiero morir
46:52A quien le ofenda lo que hago si es por mi que lloren
46:55And now I'm wanted, yeah I'm wanted
46:57Soy un criminal baby, I get it how I want it
47:00They call me wild and in the club, yeah I did that
47:02Shorty said she wanna fuck, yeah I'm with that
47:05We were single, we were drunk, so I hit that
47:07Next day 10, boys with the spin back
47:10No te preocupes por mi, oh
47:13Colpame a mi, oh
47:19DejĂŠmoslo asĂ
47:21Yo soy el villano
47:23Sigue con el cuento, que yo soy el malo
47:26Ya yo no le paro
47:27No me importa que me odien, no me miren raro
47:31Yo soy el villano
47:34Sigue con el cuento, que yo soy el malo
47:37Ya yo no le paro
47:39El papel de hĂŠroe a mi me sale caro
47:42Sorry, porque ya me puse pa' mi
47:46Tried to pretend till I lost me
47:49Couldn't be a hero and it cost me, cost me
47:53Yeah sorry, porque ya me puse pa' mi
47:57Tried to pretend till I lost me
47:59Put me on the cover when I start with
48:02Yo soy el villano
48:05Sigue con el cuento, que yo soy el malo
48:08Ya yo no le paro
48:10No me importa que me odien, no me miren raro
48:13Yo soy el villano
48:16Sigue con el cuento, que yo soy el malo
48:18Ya yo no le paro
48:21El papel de hĂŠroe a mi me sale caro
48:24Sorry, porque ya me puse pa' mi
48:28Tried to pretend till I lost me
48:30Couldn't be a hero and it cost me, cost me
48:34Yeah sorry, porque ya me puse pa' mi
48:38Tried to pretend till I lost me
48:41Put me on the cover when I start with
48:45Keep talking at you
48:47Cause I'm gonna keep winning
48:49I'm gonna keep making this money
48:50Y'all gonna keep watching for the stains
48:53Oh my god
49:09No be a hero
50:20We're right back.
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