- 1 hour ago
Mia And The Dragon Princess [Full Movie] [Vertical Drama]Full EP - Full
Category
🎥
Short filmTranscript
00:00:28Transcription by CastingWords
00:00:58Transcription by CastingWords
00:01:00Our story starts hundreds of years ago, when the only daughter of an 18th century aristocratic family, who was betrothed
00:01:08to Javanese royalty, renounced everything.
00:01:12Her title, her riches, much to her family's displeasure, she was Marshan de Damayanti, the Princess Pirate.
00:01:46She led a life of confinement to live unchained and unfettered, plundering the South China Sea, where she formed a
00:01:57new family.
00:01:58A loyal crew of women she saved from the shackles of servitude, or title.
00:02:15It was on the high seas she forged a friendship with the notorious pirate, Red Cat Mordor.
00:02:20Together they ruled the Wraiths, becoming each other's only true ally.
00:02:27But their past was never far behind.
00:02:30Victims of their ravage, hell-bent on tracking them down, wanting retribution and blood.
00:02:40When her pursuers eventually closed in, Marshan de Damayanti entrusted her share of the riches to Red, who in turn
00:02:46gave her a wrist device that would lead her back to Red and the treasure.
00:02:51She then headed towards the frozen waters of the Antarctic, so desperate to escape that she went somewhere no one
00:02:58would dare follow.
00:02:59But tragically, her ship was lost to the ice.
00:03:04Lost for hundreds of years.
00:03:07Until now.
00:03:21Lost for hundreds of years.
00:03:22Lost in six weeks.
00:03:27Lost in seven weeks.
00:03:50I don't know.
00:04:20I don't know.
00:04:51Scott we have one of those one less again
00:04:58Get mr. West down here immediately
00:05:28Yeah
00:05:41She did not pay for that spring roll
00:06:18Yeah
00:06:23I
00:06:44Just toilets is blocked again and I've got a big meeting with this finance tosser of columns
00:06:50He's in the bar waiting right now and the timings terrible
00:06:54You know sometimes I think it's a same you know sometimes I think you want me to lose this bar
00:07:08Fine I'll do it. Oh, I love the way you unblock a toilet
00:07:30You
00:07:31Sorry sorry
00:07:37You need to no deal I don't speak I'm really sorry I don't I'm recording
00:07:48Um, do you know a coident?
00:07:55You're hiding for someone, is it it?
00:07:59It's going to be okay.
00:08:08Excuse me.
00:08:09She's sitting with a woman, run through this way she's now.
00:08:12Lady in the medical gown? Yes.
00:08:13Yes, she shoved me, went that way.
00:08:14No, no, no, no.
00:08:15She just left, you might still be able to catch her.
00:08:17Thank you, thank you.
00:08:19Lady!
00:08:20That was so exciting, I've never seen the police before.
00:08:24Oh crap.
00:08:26A uniscape killer on a violent rampage?
00:08:31That's just getting inside.
00:08:33I think that there's food inside.
00:08:35Food?
00:08:37I have no idea.
00:08:41Here, take this.
00:08:43Catch.
00:08:45Wait, wait, no, no, no, no, I promise.
00:08:47Oh, good, good.
00:08:50Mmm, mmm, good.
00:08:51Oh no, no don't, don't, don't.
00:08:52Fuck!
00:08:58Catch him.
00:09:02No, it's not the alien.
00:09:03Go on, the other one.
00:09:04Yeah.
00:09:05Yeah.
00:09:05Yeah.
00:09:10What?
00:09:14You didn't do anything.
00:09:15This kid, they promised.
00:09:18Hey, it took it to me.
00:09:19It took it.
00:09:23Yeah!
00:09:24Okay.
00:09:25Time to distract Eddie.
00:09:28Eddie!
00:09:29Eddie!
00:09:30Eddie!
00:09:33Eddie!
00:09:34Eddie!
00:09:36Eddie!
00:09:36Eddie!
00:09:36Hey, wait a minute.
00:09:37Skip some.
00:09:37There's toilets to block somewhere about it.
00:09:39On again, yeah.
00:09:39On again, yeah.
00:09:40Oh, no, no, no, no.
00:09:41Oh, careful!
00:09:42Oh, my God!
00:09:43Eddie!
00:09:43Oh, my God!
00:09:45Oh, my God!
00:09:45Oh, my God!
00:09:46Oh, my God!
00:09:46Oh, my God!
00:09:46Oh, my God!
00:09:47Oh, my God!
00:09:51Whoa!
00:09:52Oh, my God!
00:09:54Oh, my God!
00:09:58Oh, my God!
00:10:15Oh!
00:10:17Oh!
00:10:17Oh!
00:10:17The truth!
00:10:18Ah!
00:10:21Ah!
00:10:22Ah!
00:10:23Ah!
00:10:24Ah!
00:10:28Ah!
00:10:36State of that shit in bar.
00:10:38Make it yourself, did you?
00:10:39Ah!
00:10:40Oh my god!
00:11:06Yeah, I like it too.
00:11:08This gives great-great-great-great-great-great-great-great-grandfather
00:11:13had a commission or something.
00:11:18Oh!
00:11:19You all right, buddy?
00:11:36Yeah, can I trouble you for another?
00:11:38Yeah, of course.
00:11:40Hey, how's Sydney going?
00:11:41Oh, you know.
00:11:44Another day on the right side of the grass
00:11:46and, oh, look, they let me keep the spots.
00:11:50Very nice fair-dos.
00:11:51I hate the usual.
00:11:52Oh, yes, please.
00:11:54Let it make me something more discharge of the light brigade.
00:11:57Oh.
00:11:58Oh.
00:12:00No worries, leave with me.
00:12:17Come on, I need to get you unhooked from this taser.
00:12:20This is going to suck, but...
00:12:30Get off!
00:12:31Get off!
00:12:32I'm sorry.
00:12:32I think I understood that,
00:12:34and I'm really sorry.
00:12:35I'm so sorry.
00:12:36I'm so sorry.
00:12:38Barewinds.
00:12:40Barewinds.
00:12:41Barewinds.
00:12:41Breathe.
00:12:42There.
00:12:43Let's get you into something a little less conspicuous.
00:12:50Looks good.
00:12:54Let's see.
00:12:59It's amazing what people are using behind in pubs
00:13:01after cube fights, honestly.
00:13:04Well, these look like those.
00:13:05That's it.
00:13:06So, I'll try these on.
00:13:15Okay, let's get you some real food, right?
00:13:17Um, what do you fancy?
00:13:18Scalpy fries?
00:13:19Beef crisps?
00:13:21Why are you vegetarian?
00:13:22Because that's all we have.
00:13:24Order.
00:13:25The tea.
00:13:26Right.
00:13:28You might be a mass murderer,
00:13:29and I'm here asking about your dietary requirements.
00:13:31I'm an idiot.
00:13:32Okay, please stay hidden, right?
00:13:33I'll be right back.
00:13:35I'll be right back.
00:13:38Hey, hey!
00:13:40Ready yourselves for another delightful concoction from London's greatest mixologist.
00:13:44I call this one Succo d'Angelo.
00:13:47Angel cheers.
00:13:48Welcome, explorers, to the Smuggler's Tavern.
00:13:52The pirate's private party palace.
00:13:54This is the most historically infamous sordid den of villainy and underworld chicanery that ever was in old London town.
00:14:02And it's here our walking tour of London should pause for refreshments and use of the facilities.
00:14:08Mine's a brandy Alexander if anyone's buying.
00:14:09The pirate's private party.
00:14:10No.
00:14:12No.
00:14:15Fair enough.
00:14:29Ah! Bro's banana! Oh, sack!
00:14:35I need to talk to Skip about our deal.
00:14:38He's busy.
00:14:39She's getting it.
00:14:41I just said he's busy.
00:14:42I said he's busy.
00:15:04I'm not selling.
00:15:06Mr. Walsh is offering you a break down.
00:15:09I know it's been in your family for generations,
00:15:11but you need to think about it.
00:15:13I will not change my mind!
00:15:16Fine.
00:15:17Mr. Walsh won't be happy.
00:15:23Hey, look, I know you're really doing everything you can to help out.
00:15:27Is there anything you can do to just help out a little bit more?
00:15:32Well, if he doesn't pay any of you this month,
00:15:34he might just scrape by, but...
00:15:37What will happen this month?
00:15:40Hey, don't worry!
00:15:42You can always be a barmaid somewhere else.
00:15:45It's not the only pub in London.
00:15:51More than that!
00:16:15Yo!
00:16:18Eddie will be with you shortly
00:16:22He's in the middle of something
00:16:24Here, tell this lovely girl
00:16:26Woman about the dastardly dealings
00:16:28That the smugglers have
00:16:30They do two for one cocktails between now and six
00:16:34Nice
00:16:36Cocktails
00:16:39Actually, you can find that our
00:16:41Listen-in-general knowledge expert knows a lot more than I do
00:16:44I mean, lots of the legends here are true
00:16:47I mean, it's the most mysterious place
00:16:50This before the great fire of 1666
00:16:56Lots of nefarious stuff
00:16:59And right here, I mean, this, this bar
00:17:01It's built right on top of the lost rivers and caves of London
00:17:09Oh, lost
00:17:10And they rebuilt both fire
00:17:13Burnley
00:17:20To reach your destination, you must leave the shore
00:17:23Ah, yes
00:17:24The maxim of ferocious pirate Catherine Morgan, or Red Cat
00:17:29She was known
00:17:30Oh, yeah, because she had nine lives
00:17:39Cat discovered a baby kraken orphaned from its mother
00:17:42She cared for this crackling
00:17:44Naming her Lucy
00:17:46A fierce protector
00:17:48Of the pirate who raised her
00:18:11Red Cat spent years trying to find a friend
00:18:13Eventually, Cat turned up here
00:18:16Her last hope was that her friend would follow in her footsteps to the infamous smuggler's tavern
00:18:21Known as a black market for trading pillaged riches
00:18:26Allegedly, she left a trail of clues should Marshanda return to claim her share
00:18:31Before Cat herself became nothing more than legend
00:18:41The man being shot by Red Cat in the painting bears a likeness to Skip's forefather who owned the tavern
00:18:47at the time
00:18:47Leading many to believe Skip's family were more involved in the sordid deeds of this notorious pirate than we know
00:18:57Cool
00:18:58Uh, I'll take two of those crackgales, please
00:19:01I can...
00:19:02It's a nice touch
00:19:03I had to have a small crack
00:19:05I can't...
00:19:09Team open the door
00:19:10I hope you enjoy day-long sci-fi sessions with an animal
00:19:27Unwashed flaccid ape-man
00:19:29He feeds off self-esteem this one, so I'd look out for that
00:19:32Yeah?
00:19:32Hey, Eddie, can you pass me awesome?
00:19:34Hey, check this out
00:19:34See this four over there?
00:19:37So...
00:19:37She...
00:19:38Used to date...
00:19:39Him...
00:19:40And it looks like they've dragged new dates to the same place
00:19:47Why don't you kick this date into phase two and just shit off to Nando's
00:19:50You shit off to Nando's, you pass
00:19:52Eddie, the water
00:19:58Oh, hey, um...
00:19:59They've called down
00:20:00Uh, delivery's waiting been up there for about ten minutes
00:20:03Ten minutes...
00:20:06Ugh...
00:20:07I can stick your apology
00:20:17Hey, well done. Another delivery's been nicked. This one's on you, Edward
00:20:24Oh, come on, don't be like that
00:20:26Mia!
00:20:26Look!
00:20:29I'm scared of Eddie, there's that hope!
00:20:30Oh, no, no!
00:20:37Run, Mia!
00:20:38Run!
00:20:39No!
00:20:40No!
00:20:41No!
00:20:46No!
00:20:46No!
00:20:47No!
00:20:47No!
00:20:47No!
00:20:48No!
00:20:48No!
00:20:50No!
00:20:50No!
00:20:51No!
00:20:51No!
00:20:53No!
00:20:57What the hell is this?
00:21:42I know that Chris.
00:21:48Are you alright down there Skip?
00:21:50I think so.
00:21:53Call an ambulance to me.
00:22:02Hey, don't kill him! Don't!
00:22:09Nyah! Nyah!
00:22:29No, no, no!
00:22:32It's the same Chris as the rest of the next door.
00:22:36Hey, what does this mean?
00:22:39It's not clean!
00:22:44Your vocals sound obliterated.
00:22:46That's not healthy.
00:22:48Sounds like you've been doing eight phantoms a week.
00:22:50That's serious.
00:22:51I can fix this.
00:22:54Skip!
00:22:56Oh, hey, you can't be back here.
00:22:57Yep, just knocking together a cheeky vocal tonic.
00:23:00Eddie, they cut the landline before roughing me up.
00:23:03That's another thing an ALF can pay for.
00:23:06Oh, you?
00:23:09See, if I was fifteen years younger, I'd throw you about like an empty tracksuit!
00:23:14What's this?
00:23:19Gunpowder.
00:23:20And this is why you can't be back here.
00:23:24All right.
00:23:31Hey, you're a polyglot.
00:23:32Maybe you can communicate with her what she's saying.
00:23:35I'll see what I can do.
00:23:36Might get some ice on that.
00:23:38There's no signal down here.
00:23:40I know.
00:23:40Right, I'll go up and call the police.
00:23:49I don't think the police are gonna help her.
00:23:51What is she looking for?
00:23:55Hey, who are those guys?
00:23:59They're just some people who'd want to cash in on mummy's fortune.
00:24:04I can't even afford to keep the lights on.
00:24:08And they can smell the blood in the water.
00:24:11So I'm gonna have to sell.
00:24:16They'll let my father down.
00:24:19I can help you.
00:24:20I've been saving up.
00:24:22Oh, Mia.
00:24:24No.
00:24:24I can't do that again.
00:24:26Yes, please.
00:24:27Yes, you can.
00:24:28It's fine.
00:24:28You can owe me.
00:24:29I can't.
00:24:31Skip, please.
00:24:32It's fine.
00:24:33Mia?
00:24:34No.
00:24:36It's surely a bar.
00:24:38It's our hope.
00:24:41I can't.
00:24:43I can't.
00:24:45I can't.
00:24:49I can't.
00:24:50It's not to you.
00:24:51I'm gonna help you.
00:24:54I won't be in this anytime soon.
00:24:56So much for traveling the world.
00:24:58I can't.
00:24:59Come on, you.
00:25:04Okay, let's see how good this translation happens.
00:25:09I'm gonna see.
00:25:09Good luck.
00:25:10You're welcome.
00:25:15Language not recognized.
00:25:19See if you can translate.
00:25:20Take your thing.
00:25:25What's this, eh?
00:25:26Who are you?
00:25:27Marshanda Damayanti.
00:25:29Marshanda.
00:25:29Marshanda.
00:25:31Marshanda.
00:25:31I'm Mia.
00:25:32Mia.
00:25:34Mia.
00:25:34Yes, Mia.
00:25:35Marshanda.
00:25:38Sod this shithole.
00:25:40Ladies, to Shampas.
00:25:45The police are on their way.
00:25:50Weishun.
00:25:51Danger.
00:25:52Danger?
00:25:57Hey, Lisa can be here in a little bit.
00:25:58And I don't want my friend to get in trouble.
00:26:00Can she come with you?
00:26:01Just for a short while.
00:26:02I'll come find her and drinks will be on me.
00:26:05I have some bloody name.
00:26:08Tell her that she needs to go and I'll come find her.
00:26:13Go.
00:26:15Can you...
00:26:16Should we save her birth?
00:26:22None of you saw her.
00:26:24Especially you.
00:26:26Don't...
00:26:27Don't...
00:26:27Don't...
00:26:27You're supposed to go anywhere until the police...
00:26:30Don't...
00:26:30I will buy you...
00:26:31How?
00:26:32I will get you...
00:26:33You can't stop it.
00:26:34Surprisingly strong.
00:26:37Wait, no.
00:26:37Ora!
00:26:38Ora!
00:26:39Ora!
00:26:39Ora!
00:26:39Ora!
00:26:40Come on!
00:26:43Go on in.
00:26:45Weishun!
00:26:46I can't!
00:26:50I can't leave them.
00:26:59What are you doing?
00:27:02No.
00:27:03Did you call the police?
00:27:04Yes.
00:27:06Yes, I did.
00:27:07Um...
00:27:07And...
00:27:08They are coming to take statements.
00:27:10So...
00:27:10Everyone needs to stay here.
00:27:14What about the ambulance?
00:27:15Yeah.
00:27:16Ambulance too.
00:27:17We can't have the police coming here.
00:27:19Huh?
00:27:19Why not?
00:27:21Well, Shanda, she might be running for something.
00:27:22I...
00:27:23I think.
00:27:24For what?
00:27:26What is she looking for?
00:27:29Look!
00:27:30I don't know.
00:27:32Until I figure that one out,
00:27:33Let's maybe not throw her under the bus, right?
00:27:36The...
00:27:36The thing on the wrist...
00:27:41It's Crest.
00:27:41What is it?
00:27:46That Crest is ancient.
00:27:48And it's been in that building upstairs long before it was a restaurant.
00:27:54They've been trying to buy me out.
00:27:56And they'll try anything, apparently.
00:27:59Look.
00:28:00I'm sorry, but I kept this quiet.
00:28:03They've got a bid in for this place.
00:28:06It's three times what the place is worth.
00:28:09Maybe she's involved with her.
00:28:10No.
00:28:11No.
00:28:14She's not with me.
00:28:17And keep her out of sight.
00:28:21Why do you think this is going well?
00:28:23I don't...
00:28:23No, no, no.
00:28:24We'll just...
00:28:25Me and Chloe...
00:28:26You don't want to get your hands off of me!
00:28:28No, no.
00:28:28The police said not to leave.
00:28:32Help me out.
00:28:35Hello, Matt.
00:28:36Help me out.
00:28:50Hello, Matt.
00:28:51Mr. Walsh.
00:28:52Fancy seeing you here.
00:28:54This is DC Cross.
00:28:56Been a bit of a disturbance in the area.
00:28:58I just wanted to check our lovely neighbours were all right.
00:29:03Come on, come on.
00:29:04In here, come on.
00:29:05In here, come on.
00:29:06Stay at me.
00:29:07Stay at night.
00:29:07You wanna go?
00:29:07Stay at night.
00:29:08We need to keep you out of sight.
00:29:30Well...
00:29:30Looks like our suspect committed similar acts on your premises.
00:29:35You're scared.
00:29:36Who is this guy?
00:29:37Theodore Walsh.
00:29:39He inherited the restaurant from his father and also acquired his master for this place.
00:29:44Who we did?
00:29:45Actually, no, Mr. Walsh.
00:29:46My associate believes our suspect is here.
00:29:52My niece.
00:29:56Your niece.
00:30:00We...
00:30:01are just concerned.
00:30:09Well, maybe we should just wait for the police, eh?
00:30:12Sort this all out.
00:30:14We are the police.
00:30:16Either way.
00:30:19You got any ID?
00:30:22Isn't that how you do things here?
00:30:25Come here.
00:30:30Look at my face.
00:30:33This is the only ID you need.
00:30:35Take a good, long look.
00:30:37Every pull.
00:30:38All in.
00:30:38All in.
00:30:47So...
00:30:48Your niece, yes.
00:30:51Hospital guard...
00:30:52Violet.
00:30:53Quite the character.
00:30:54Troubled your woman, I have to say.
00:30:56We were in the process of getting her some assistance.
00:30:59Psychiatric assistance.
00:31:00She had an episode.
00:31:02Randomly.
00:31:04Millennials.
00:31:09Your
00:31:10niece.
00:31:15You're her uncle.
00:31:17Yes.
00:31:18And this lot?
00:31:20They're your task force?
00:31:22Uncle.
00:31:23We're also uncle.
00:31:24Also uncle.
00:31:28Big family.
00:31:33More police are on the way.
00:31:35Are they?
00:31:42We were just trying to leave.
00:31:44Hi, we have a schedule to keep up.
00:31:48Hey.
00:31:50Don't touch me.
00:31:56Relax.
00:31:58Let's all have some drinks.
00:31:59That's why we're here, right?
00:32:01All we need is the woman.
00:32:03Where is she?
00:32:10She, um...
00:32:11She was here,
00:32:13Mr. Walsh.
00:32:15I, uh...
00:32:16I don't know where she is currently.
00:32:20I...
00:32:20Whoops.
00:32:22I'll get those up.
00:32:24Let's try to get it.
00:32:27Oh, my God.
00:32:58Well, look who it is. Come on, darling.
00:33:12Why are you hiding in there?
00:33:23Mia.
00:33:25These men are dangerous.
00:33:28No! Stop!
00:33:32Wait, I'm sorry. I'm sorry.
00:33:44Mr. Walsh?
00:33:49Mr. Walsh, I think I might have seen them going into the toilets together.
00:33:56She might still be in there.
00:34:04Made a new friend today.
00:34:06Hmm?
00:34:09I wonder what you both talked about.
00:34:25Mr. Walsh?
00:34:39I've got a new school here.
00:34:41I'm sorry.
00:34:44Mia!
00:35:10I thought she was there, boss. That's her.
00:35:12Oh, yes.
00:35:20I want you on. Out of my bar.
00:35:35Ready?
00:35:36Glass.
00:35:48Right now.
00:36:04Now! Now!
00:36:08Do you want to see if this thing works?
00:36:10Do you want to get the fuck out of here?
00:36:15Get back! Get back!
00:36:17Take those two girls.
00:37:08I've been shocked.
00:37:11What was this?
00:37:15Sorry.
00:37:18Clear.
00:37:21My browser history.
00:37:27It's gonna be.
00:37:29That's life.
00:37:31Sorry.
00:37:34Bring her to me.
00:37:35No witnesses.
00:37:39Kill them all.
00:37:40Oh, my God.
00:38:24Oh, my God.
00:38:40What is that?
00:38:43This really was this one to send centuries ago.
00:38:45You know that.
00:38:45Well, yes.
00:38:47Something better than nothing.
00:39:08It looks like a hatch.
00:39:10Oh, my God.
00:39:14Oh, my God.
00:39:22Oh, my God.
00:39:28Oh, my God.
00:39:31Oh, my God.
00:39:38Oh, my God.
00:39:46Oh, my God.
00:40:02I don't know.
00:40:56It's going to be...
00:40:59That's what they want.
00:41:01It's okay. We'll give you a piece of help.
00:41:03We'll get everything sold.
00:41:04We'll get you the hook you need.
00:41:05We are here.
00:41:07There's a way out.
00:41:08There's a ground.
00:41:10I'm not leaving your mind.
00:41:15They are not a river.
00:41:17They are not...
00:41:19What do you mean, the all up river?
00:41:23Skip, no.
00:41:25Run.
00:41:29I'm not leaving.
00:41:30I'm not leaving.
00:41:41I'm not leaving.
00:41:45I'm leaving.
00:42:02Go see what's in there for me.
00:42:07No, thank you, Mr. Walsh.
00:42:09We should leave.
00:42:14Okay.
00:42:20Come on, Mr. Walsh!
00:42:21Getting warfare!
00:42:22What are we doing?
00:42:32There has to be a way out.
00:42:34Hey, you sit with me now.
00:42:35Come on, come on.
00:42:36Come on.
00:42:37She works here, come on.
00:42:38Mom!
00:42:49Guys, there's another room back here.
00:42:56Come on, let's go!
00:42:58Hurry, hurry, hurry, come on, come on.
00:43:05Watch out the car, let's go!
00:43:10Help me!
00:43:11Go, go, go.
00:43:24Go!
00:43:26Come, Betty!
00:43:28Betty!
00:43:29Come on, Betty, come on!
00:43:34Betty!
00:43:36Come on!
00:43:37Come on!
00:43:47This is what you're doing!
00:43:51I'm taking long.
00:43:52I'm going to go.
00:43:57Put the girls in here with me, Mr. Walsh!
00:44:00Why do they want her?
00:44:02Don't know.
00:44:03How long have you worked here and not had access to this room?
00:44:06No idea.
00:44:07This is his head.
00:44:07It's a minute ago.
00:44:08Do you think these are access points to fix the pipes?
00:44:11Well, who cares?
00:44:13They block it up.
00:44:15Quad shooting.
00:44:16Are we in?
00:44:43You shot me!
00:44:55I need a doctor!
00:45:00I'm sure she had a jaw for a jerk.
00:45:02How many muskets?
00:45:04Muskets?
00:45:05God, that happened.
00:45:06He's updating.
00:45:06Yes, muskets.
00:45:08Very bad.
00:45:11What do they want with her?
00:45:14There's no way to run. You should just...
00:45:22All up river. River?
00:45:26You think this pipe leads to one of the sunken rivers?
00:45:29All up river is what you've said.
00:45:30You don't need to get your pour at you straight.
00:45:32There is no all up river.
00:45:35The nearest sunken river is a tide being or something.
00:45:39Might as well just give it up.
00:45:42All up. All up is the lowest part of a ship where the ropes are kept.
00:45:47Skip said all up river but...
00:45:49It could be a way out.
00:46:02Look, is there anything we can do to keep your boss happy?
00:46:11Well they're obviously looking for... what?
00:46:16Something Cap Morgan brought down here.
00:46:19Hundreds of years ago.
00:46:21Red Cap Morgan?
00:46:26Are you talking about Red Cap's treasure?
00:46:30That's just a myth.
00:46:35Let's see.
00:46:38Let's see.
00:46:39Let's see.
00:46:39Let's see.
00:46:43Let's see.
00:46:43Your phone. Can you translate this?
00:46:48Language not found.
00:46:50It's not language in the app.
00:46:52Maybe you can have her say something and it'll translate that.
00:46:56Can you read this?
00:46:58Read it.
00:47:04Do destination advance.
00:47:07Coast departure urgent.
00:47:09No, no, no, no.
00:47:10I think I get it.
00:47:12It's read some words or written in some coded language.
00:47:16Skips it for the old river and the pipes is all up steel on it.
00:47:19I think Cat, Red Cap must have left that painting for someone and Marciana knows something about it.
00:47:26I bet whatever the artist threw this pipe and Skip realized it when he saw the hatch.
00:47:32Let's try and find it.
00:47:33Hey, let's try and find it, yeah?
00:47:35Maybe we can give it to you, boss.
00:47:37We can throw things over by some time and we'll keep running.
00:47:41Okay?
00:47:41You're safe.
00:47:43We are safe.
00:47:45Right?
00:47:53C'mon, c'mon, c'mon, c'mon!
00:48:08I'm that away, right?
00:48:11I really can't do this.
00:48:20Save yourselves!
00:48:21Stop stopping us!
00:48:31Quick!
00:48:32Stop!
00:48:34I got it!
00:48:35I got it!
00:48:54Boss, the room's empty. They've disappeared!
00:48:58I need a...
00:49:00Well, well, well.
00:49:03What have we here?
00:49:06Now, what is the deal with that room?
00:49:09Well, how would I know? I've never been in there.
00:49:12And besides, it's way too hench to fit through that shit.
00:49:16You saying I'm not hench enough?
00:49:18It's a fucking hatch. What do you want?
00:49:20Good point. What we want is the girl.
00:49:23More specifically, something she has, a little wrist device,
00:49:26and what she can find with it.
00:49:28But the chief concern is where they could have gone,
00:49:30because they haven't been there.
00:49:33I think this one may be able to work it out.
00:49:37Me? What makes you think that?
00:49:39Call it a hunch.
00:49:48It's not my hat.
00:49:49You try to conquer yourountain?
00:50:07Come on.
00:50:08Come on. Get home with us.
00:50:10G-get on with what?
00:50:13Where'd they go?
00:50:17There is a secret door in here or something.
00:50:22Find it.
00:50:44Keep moving.
00:50:45We can get here.
00:50:47Getting where?
00:50:49All the way.
00:50:51You're the bad guys.
00:50:53You're right.
00:50:56Come on!
00:50:57Don't push me!
00:50:58Stop!
00:50:59Stop!
00:51:00Stop!
00:51:05Go!
00:51:07Go!
00:51:08No!
00:51:09No, no, no, no!
00:51:14He's fine.
00:51:15He's fine.
00:51:16Nonono.
00:51:26Uh, huh?
00:51:29Yeah?
00:51:36Ah.
00:51:37Oh, huh?
00:51:41Uh, huh?
00:51:42Uh-huh.
00:51:46Well shit, he's done it. He's found a little escapement.
00:52:01Oh god, stop pushing me!
00:52:04Go faster!
00:52:05I'm stuck!
00:52:06I'm stuck!
00:52:07Get out!
00:52:08Stop!
00:52:21I can't.
00:52:22I can't.
00:52:23I can't.
00:52:23I can't.
00:52:23I can't.
00:52:23Keep me a dog.
00:52:25No.
00:52:27No, no, no, no.
00:52:29Hey.
00:52:30No, no.
00:52:32No, no.
00:52:33No!
00:52:33What's going on?
00:52:34Why are we stopping when the lights out?
00:52:35Someone's holding me, please.
00:52:36No!
00:52:38I can't do it.
00:52:39I can't do it.
00:52:40I can't do it.
00:52:41I can't do it.
00:52:41I can't do it, mom.
00:52:41Mom!
00:52:43Get down!
00:52:45Get down!
00:52:46Get down!
00:52:47I'm gonna die.
00:52:49Wait.
00:52:51Breathe.
00:52:54Breathe.
00:52:59Breathe.
00:53:00Breathe.
00:53:01Breathe.
00:53:03Breathe.
00:53:04Breathe.
00:53:05Breathe.
00:53:19Here, take this.
00:53:25It's a penis.
00:53:34Sorry.
00:53:35She's good.
00:53:38The...
00:53:39The American gal's good!
00:53:41Hello!
00:53:44Something's... something's coming.
00:53:49Something's coming!
00:53:54Are we good?
00:53:57I found a way out!
00:53:59It's a crazy call.
00:54:03It's not mine.
00:54:05Sorry.
00:54:06Okay.
00:54:06It doesn't mean anything.
00:54:08Okay.
00:54:10What?
00:54:11What?
00:54:12What is that?
00:54:15It is not mine...
00:54:22Which way!
00:54:23The price went to a market?
00:54:25Lets get closer, they definitely...
00:54:28I heard this one.
00:55:02All this is under the bar?
00:55:04Under the bar and so far back we are no longer in Soho.
00:55:08Here's no shit.
00:55:10Skip starting your guns, please.
00:55:16I heard voices. They're coming.
00:55:22The way out's that way.
00:55:24Well, let's move, yeah?
00:55:25If they catch us, we're dead.
00:55:29Someone's been paying attention.
00:55:33Follow the breeze.
00:55:40Hang on.
00:55:43We are true now.
00:55:45Your translation.
00:55:48It's still working.
00:55:50What are you doing? Let's move.
00:55:52We can't hang about.
00:55:53One second.
00:55:53What happened?
00:55:54Well, now, true now.
00:55:56I need to go this way.
00:55:57Oh, no, no, no.
00:55:58We need to get out of here.
00:55:59That's too dangerous.
00:56:01The danger.
00:56:02Always here.
00:56:08What do we do?
00:56:10I'm sticking with her.
00:56:11But if you want to go, you can go.
00:56:14I'm still with you guys.
00:56:15It seems safe.
00:56:15We do hanging about.
00:56:17Come on.
00:56:18It's that way.
00:56:20You said follow the breeze.
00:56:23The breeze is that way.
00:56:25You're following the echo of the breeze.
00:56:28What?
00:56:28The echo of the breeze.
00:56:30Makes sense to me.
00:56:42It's that way.
00:56:47Oshanda, slow down.
00:56:56Oshanda!
00:57:07Oh, my God.
00:57:27I'm going to die.
00:57:42What a fuck, yo.
00:57:52Try again, Mandarin.
00:57:54I don't know.
00:57:57sister my friend my friend oh my god she's found her found who
00:58:05red cat morgan
00:58:08oh my god my friend
00:58:12that thing around her neck that's what walsh has been looking for
00:58:16walsh's father was a respected historian and archaeologist specializing
00:58:21in 18th century piracy in particular red cat morgan and her vast riches
00:58:29on one of his expeditions he discovered three small bundles of cloth all
00:58:34decorated with a distinct crest in one a pendant
00:58:39in the other two nothing it led him to buy the dragon princess
00:58:45restaurant thinking the crest was a sign of where the
00:58:49treasure or at the very least the other two pendants were kept
00:58:54that's why the symbol on the wrist matches the one the dragon princess restaurant
00:58:59he was wrong it was a red herring and there was no treasure
00:59:02there was no more pendants he got the wrong place
00:59:08it was an obsession that spread from father to son
00:59:11all that spurred them on was that single pendant
00:59:15which they knew was only one of three
00:59:21months ago a geological expedition stumbled across marshander's ship
00:59:25walsh used all his underground connections to get marshander's body
00:59:29and what she wore around her wrist it was only then he learned what his father never knew
00:59:36the wrist device contains a compass which locks in on each of the pendants
00:59:41when all three are brought together and inserted into the wrist device
00:59:45the compass would guide the wearer to the final treasure
00:59:51marshander's pendant guided her to red cat
00:59:53now it's only walsh's piece that needs to be added before he can finally get what he wants
01:00:09i'm younger right now
01:00:11you're safe
01:00:13i'll take care of you
01:00:16sister
01:00:34so you don't want to go right which way
01:00:37i don't want to go right
01:00:46oh no that wasn't like the wrong way you said it was that way
01:00:55you go you go i fight
01:00:57good idea she should fight
01:00:58shut up
01:01:00she's great at it what do you want from me
01:01:02no what i don't know
01:01:03relax yeah i must have gone down now
01:01:05yeah i can't leave her
01:01:28get them out of bed
01:01:29get them out of bed
01:01:29get them out of bed
01:01:42get them out of bed
01:01:55they're not a part of the
01:01:56get them out of bed
01:01:59get them out of bed
01:02:12Stop them!
01:02:15Stop them!
01:02:46Stop them!
01:02:48Ask Yoko.
01:02:49I can't come back. Don't kill Lady.
01:02:52I'm busy. I'm gonna get help. Run!
01:02:55They need your life. You'll do better than the others.
01:02:57Get out of here.
01:02:59Go! Go!
01:03:00Alright.
01:03:43Look out!
01:04:00No!
01:04:04No!
01:04:05No!
01:04:06No!
01:04:06No!
01:04:07No!
01:04:09No!
01:04:29No!
01:04:30No!
01:04:31No!
01:04:31No!
01:04:37No!
01:04:37No!
01:04:43No!
01:04:44No!
01:04:47No!
01:04:47We've got them all now, boss.
01:04:49They're not going anywhere.
01:04:51Good.
01:04:52Good.
01:04:53I'll go get Mr. Walsh down here.
01:04:57Let's finish this.
01:05:00No!
01:05:19I'll go get back to the house.
01:05:23No!
01:05:24No!
01:05:25No!
01:05:25No!
01:05:26No!
01:05:27No!
01:05:28No!
01:05:28No!
01:05:28No!
01:05:28No!
01:05:28You're not going to get away with this.
01:05:33Don't you try to hurt the face of you!
01:05:43Whoa!
01:05:44Careful!
01:05:46Sorry.
01:05:48What?
01:05:49It's him!
01:05:50I knew I'd find you.
01:05:52Shut up!
01:05:53I thought you were dead.
01:05:55I thought you were all dead.
01:05:56Yeah, we tried to slip a gun off one of them and then these two gave me the old Liam
01:06:00Neeson.
01:06:00Which one of these is loaded?
01:06:01I don't know.
01:06:02Well, is she going to be all right?
01:06:04Well, she's made up pretty tough stuff.
01:06:05We have to go.
01:06:06We can't get her through that pipe.
01:06:08No, no, she's our call.
01:06:09Worse than that.
01:06:10There's more of them waiting on the other side.
01:06:11Well, we have to go.
01:06:12We need to get out of here.
01:06:12We need to fill in that breeze.
01:06:14Tough guys up there.
01:06:15Yeah, well, we have these.
01:06:27Can we go?
01:06:29Left it in the car.
01:06:37No!
01:06:50I need to go.
01:06:52You can't get out of here.
01:06:55You know, my wife's a girl.
01:06:59You know, I'm not a girl.
01:07:00I'm not a girl.
01:07:00No.
01:07:00No.
01:07:00No.
01:07:01It's this way. Oh, if you wouldn't mind leaving a positive trip advisor of you, I'd be very grateful.
01:07:06Perhaps best not to mention the hostage situation or all the dead people.
01:07:17Get them out. There's a police now, buddy.
01:07:19You're not coming.
01:07:20I know, huh?
01:07:23Passcodes, one, two, three, four.
01:07:25Don't check my messages.
01:07:36What are you doing?
01:07:39I just thought we were really good back there. I didn't know...
01:07:43No, not really.
01:07:44No?
01:07:44Don't ever do that again.
01:07:49Right. Sorry, sorry.
01:07:52You're a strange man.
01:08:08Ah, not so fast or turn her faces to suit.
01:08:17All clear.
01:08:21Wonderful.
01:08:23You're all here.
01:08:29Where's Eddie?
01:08:31Where's Eddie?
01:08:31Resting easy with the dock.
01:08:34Helping restore your little tavern to its former glories.
01:08:39There he is.
01:08:43Not playing with rocks, do you?
01:08:51Look at me.
01:08:58Stop, stop, stop, stop, stop.
01:09:01Put your hands down.
01:09:04Put your hands down.
01:09:09Please.
01:09:11Please.
01:09:13Please don't let...
01:09:14Please make your men hurt him.
01:09:15Please.
01:09:15Please, honestly, we'll help you.
01:09:20Jesus!
01:09:22They are!
01:09:39Bring me the wrist divide.
01:09:51And it still works.
01:09:54We found Red's piece.
01:09:56And of course, Mashaan does.
01:10:15It's here.
01:10:16Bring our niece.
01:10:18And the barmaid.
01:10:20To keep her well behaved.
01:10:23Keep the rest here as a bit of extra collateral.
01:10:26If you behave, they'll live.
01:10:28And if she behaves, you'll live.
01:10:36Jack!
01:10:38Ah, ah, ah!
01:11:10Why?
01:11:13Because I can, and he couldn't.
01:11:16Is that worth murdering my friends?
01:11:19Needs must.
01:11:20And I need her.
01:12:02And I need her.
01:12:03Let's go.
01:12:35Coordinates leading to riches.
01:12:39My riches.
01:12:45Aren't you rich enough?
01:12:47No.
01:12:49I want to be double rich.
01:12:55How do you let me know, Dad?
01:12:57Dad.
01:13:00With these scrolls in this particular order.
01:13:05I...
01:13:08You fucker.
01:13:10Do you remember the order they were in?
01:13:14No.
01:13:15That was keeping lying in them.
01:13:18Does anyone remember the order they were in?
01:13:21Fuck.
01:13:23Years we've been working on this.
01:13:28Does it say what order they should be in?
01:13:31I can't read this shit.
01:13:33This is some dead pirate code.
01:13:52Mia, catch!
01:13:58I can't read this.
01:13:58Wait, that's me.
01:13:59The code.
01:14:09It's in silence.
01:14:11I'll help you open that.
01:14:13That's a baby trap.
01:14:16Come on, Mia.
01:14:17Come on.
01:14:21Come on, come on.
01:14:22Think, think, think.
01:14:23Come on, Mia, think.
01:14:24Mike!
01:15:12What do I see?
01:15:22I got the codex.
01:15:29Hey, I don't suppose the goons holding Alfred's hostage will be a problem for you?
01:15:38No.
01:15:40No!
01:15:41You can't leave!
01:15:43I have money!
01:15:46Asshole!
01:15:49You can't leave me!
01:15:53Wait!
01:15:55No!
01:16:21No!
01:16:38No!
01:16:41No!
01:16:53No!
01:17:08No!
01:17:09No!
01:17:10No!
01:17:10Very nice!
01:17:11And I've got pictures on my phone and the clouds so we've got a plan B.
01:17:18Nice!
01:17:24Thanks!
01:17:33What?
01:17:34What?
01:17:35What?
01:17:38What?
01:17:39What do you know what happened with that?
01:17:40Ah!
01:17:41Mom!
01:18:12I don't know.
01:18:48I don't know.
01:19:23I don't know.
01:19:41I don't know.
01:20:20I don't know.
01:20:41I don't know.
01:21:16I don't know.
01:21:49I don't know.
01:21:52I don't know.
01:22:26I don't know.
01:22:27I don't know.
01:22:51I don't know.
01:23:13I don't know.
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