- 2 hours ago
The Crown S02E04 [Full Movie] [Full Storyline]Full EP - Full
Category
🎥
Short filmTranscript
00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church.
00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or
00:00:33wantonly, to satisfy men's carnal lusts and appetites like brute beasts that understand
00:00:40nothing, but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering
00:00:50the causes for which matrimony was ordained.
00:00:55Now I've crowned you my princess
00:01:03Though there's nothing in a name
00:01:15Others would have sounded pretty tame
00:01:23If you were poorer
00:01:29I could be no surer
00:01:36That you're a princess
00:01:42May I call you princess
00:01:49If you say
00:01:51Love
00:01:53Thank you very much
00:01:54Very, very fresh
00:01:55Full of vitality, thank you
00:01:57And we're going to do another one when we're ready
00:02:02I'm your prince
00:02:03Thank you
00:02:04And to me everyone
00:02:05And...
00:02:06Next
00:02:07Pride and gruel
00:02:08Pride and gruel
00:02:13Bloody awful things
00:02:15Weddings
00:02:16Dreadfully upsetting
00:02:18Unless it's one's own of course
00:02:24Another couple
00:02:24Another couple offer to build a castle
00:02:27Lower the portcullis
00:02:28Pull up the drawbridge
00:02:29How do you mean?
00:02:31Couples do that, don't they?
00:02:33They turn to each other
00:02:34They turn to each other
00:02:34And all we see is their backs
00:02:38So what am I to do, really?
00:02:43They all want to take me on, apparently
00:02:48Through daunting a prospect
00:02:51I could keep it again
00:02:54Don't be silly, old friend
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days people weren't confused
00:03:04People married for sensible reasons
00:03:06Marriage was a consolidation of assets
00:03:09Also of other things
00:03:13Friendship
00:03:15Valued
00:03:18Outlooks
00:03:21We breed Derby winners
00:03:24Have an army of children
00:03:26They leave
00:03:27Look, and I know the rules
00:03:30I know the rules
00:03:31And your family all know me
00:03:33And I think are not averse
00:03:36Oh, they adore you
00:03:37And I, you
00:03:41Always have
00:03:45I'm your old faithful, after all
00:03:47What your vengeance
00:03:49dimensional
00:03:49of all
00:03:50Of all
00:04:01of all
00:04:01We don't need it
00:04:01We don't need it
00:04:05but you
00:04:06Can I ask?
00:04:20Mummy said something interesting the other day.
00:04:23Hello.
00:04:26She said that the first ten years of marriage
00:04:28were just an overture.
00:04:32That there's often a crisis at ten years,
00:04:35but then you work it out
00:04:37and settle in.
00:04:40And it's only then that it really gets into its stride.
00:04:44Do you suppose that's what's happened to us?
00:04:53Possibly.
00:04:58I was thinking perhaps we should have
00:05:01a big anniversary party this year
00:05:05to celebrate hitting our stride.
00:05:13All right.
00:05:21Yes?
00:05:24All right.
00:05:27So how was it?
00:05:31Oh, it somehow managed to lift the spirits
00:05:33and make one want to kill oneself in equal measure.
00:05:37It took forever to get there.
00:05:39Mummy was a nightmare.
00:05:40Oh, she.
00:05:41Mercifully, they sent a helicopter to bring us back.
00:05:45Oh.
00:05:47And I had this horrible feeling that somewhere,
00:05:50there, in the middle of it all.
00:05:55I agreed to get married myself.
00:06:00What?
00:06:01To whom?
00:06:03Billy Wallace.
00:06:05Goodness.
00:06:07Congratulations.
00:06:15So if I were to accept it would be a yes from you?
00:06:23Yes, of course.
00:06:25An emphatic yes.
00:06:27And Philip and I were just discussing having a party
00:06:30for our 10th wedding anniversary.
00:06:33And you and Billy could use the occasion
00:06:35to announce your engagement if you wanted.
00:06:40That's a nice idea.
00:06:42Well, that's settled then.
00:06:46My pleasure.
00:06:48Good night, Margaret.
00:08:33I'm not sure how I feel about a Russian satellite
00:08:37circling the Earth.
00:08:39Just above our heads.
00:08:41What's it doing up there?
00:08:42Well, notionally, it's providing information
00:08:45about the density of the Earth's upper atmosphere.
00:08:48Of course, its darker purpose
00:08:50is to demonstrate to everyone
00:08:52the extent of Russian military power
00:08:54and technical capacity.
00:08:56The same rocket that launched this satellite
00:08:58is capable of firing a nuclear warhead
00:09:01into enemy territory with pinpoint accuracy.
00:09:05Imagine the effect this will have on the Americans.
00:09:08Great crisis of self-doubt, if I'm not very much mistaken.
00:09:11We must seize this opportunity to help the Americans
00:09:15and work together in a joint effort to meet the Russian threat.
00:09:19That is the way to repair Anglo-American relations,
00:09:23which, as you know, have deteriorated terribly
00:09:27due to the Suez crisis.
00:09:31Right.
00:09:32You know, after the war, they said that I...
00:09:34I'm absolutely determined
00:09:35to restore the special relationship that exists
00:09:38between our two countries.
00:09:39We're bound by so much more than just
00:09:42language and shared history.
00:09:45It's a kind of marriage.
00:09:48As in any marriage.
00:09:49There'll be ups and downs,
00:09:51but one must work to get things back on track.
00:09:58They say that listening is important
00:10:01in any marriage.
00:10:03Does that mean, then,
00:10:05that we can learn just as much
00:10:06from this satellite as the Russians?
00:10:19Well, how are we going to do this?
00:10:21I think the driver should drop me first,
00:10:23then take you onto the station.
00:10:25Or I could wait.
00:10:28I don't think that would be wise.
00:10:32Why?
00:10:34How long do you need with him?
00:10:37A day.
00:10:40Maybe two.
00:10:42It's the last time.
00:10:44I promise.
00:10:45Don't make promises you cannot keep.
00:10:47No.
00:10:49I'm determined to mend it.
00:10:51It's time,
00:10:52now that you're Prime Minister.
00:10:54Yes, it is.
00:10:56Yes.
00:11:31With a one, two, three, flash.
00:11:34Oh, quite magnificent.
00:11:36Thank you, Martin.
00:11:38Why does it always have to be
00:11:39Cecil Beaton taking my official
00:11:40Berkeley portrait?
00:11:42What's wrong with Cecil?
00:11:43When it came out last year,
00:11:45everyone said how pretty you look.
00:11:47No, they said how much I look like you.
00:11:50Well, quite.
00:11:52Cecil does just one thing.
00:11:55Fairytales.
00:11:56Yes, but he does it so well.
00:11:59And to me, your Royal Highness,
00:12:01little less chin and...
00:12:06What do you think?
00:12:08I asked my new lady-in-waiting here today.
00:12:10Your Majesty.
00:12:11To offer her opinion.
00:12:14Having at least one foot in the real world.
00:12:16I think birthday portraits
00:12:19should evolve and mature with age.
00:12:21Like the subject.
00:12:23Show change in the character.
00:12:25Complexity.
00:12:26Reality.
00:12:30No one wants complexity
00:12:32and reality from us.
00:12:34Do sit down.
00:12:37People have enough of that
00:12:38in their own lives.
00:12:40They want us to help them escape.
00:12:43Indeed, Your Majesty.
00:12:45Imagine this, if you will.
00:12:48A young woman.
00:12:49A commonplace creature.
00:12:51She sits in her drab little scullery.
00:12:53So much work to do.
00:12:55So much washing up.
00:12:57How she longs for comfort.
00:13:00For hope.
00:13:01And again.
00:13:02One, two, three, and flash.
00:13:05She wants to believe her life has some meaning.
00:13:08Beyond chores.
00:13:10She opens a magazine.
00:13:11And she sees Her Royal Highness's photograph.
00:13:15For one glorious, transforming moment.
00:13:19She becomes a princess too.
00:13:22She is lifted out of her miserable, pitiful reality.
00:13:25Into a fantasy.
00:13:32Later, she will step out of her house in a new neckerchief, perhaps, for which she has saved.
00:13:41Oh, she will hold her head up high.
00:13:43She is renewed.
00:13:45And all thanks to you, Your Royal Highness.
00:13:49And to the ideal which you represent.
00:13:54And now with a one, two, three, and flash.
00:13:58Quite marvellous.
00:14:22In the twenty or so years, we've known the hapless, misshapen crane that is Billy Wallace.
00:14:26Has any woman ever looked at him as an object of desire?
00:14:30I mean, even remotely.
00:14:32Certainly not.
00:14:34Then how can one begin to explain that?
00:14:36I don't know.
00:14:39I don't know.
00:14:40I don't know.
00:14:41I don't know.
00:14:41I don't know.
00:14:42I don't know.
00:14:43I don't know.
00:14:44I don't know.
00:14:44I don't know.
00:14:46I don't know.
00:14:55I don't know.
00:14:56I don't know.
00:15:06Ma'am, Lord Blanford just telephoned to apologise and say that Mr Wallace may be indisposed this evening.
00:15:12They can't be indisposed.
00:15:13We're announcing our engagement.
00:15:15Something about an injury.
00:15:16Rather a serious injury.
00:15:33Where is he?
00:15:41The royal highness, the princess Margaret.
00:15:44Out on my way.
00:15:45Oh, shit.
00:15:46You must keep the leg up, sir.
00:15:48Billy?
00:15:49It's all right, Simpson.
00:16:01Well, what's going on?
00:16:02Oh, it's our announcement this evening.
00:16:05Unforeseen cirques, I'm afraid.
00:16:07Rather a dust-up in the early hours.
00:16:10Are you drunk?
00:16:12Don't be like that.
00:16:13I had to do something for the pain.
00:16:15What happened?
00:16:17Wait till you hear.
00:16:18You'll laugh till you spit.
00:16:20Your friend, Tennant, rather took offense at something I did.
00:16:23You came to blaze with Colin?
00:16:25I believe the word duel was mentioned.
00:16:28A duel?
00:16:30Tennant issued the challenge.
00:16:32A little childish in this day and age, if you ask me.
00:16:35But a duel is a duel, so I stepped up to the mark.
00:16:40That's what a gentleman does.
00:16:47If I'm completely honest, a little drink had been taken during the night.
00:16:52But we face the dawn with clear heads and strong hearts.
00:16:58Now, Tennant wanted to motor up to Glenn to get his father's old pistols.
00:17:02Would have been quite ridiculous, much too far away.
00:17:05So Blamford offered his.
00:17:07That was a bloody stupid mistake.
00:17:09A duel is not just a test of marksmanship.
00:17:12It's a test of character.
00:17:15Ten paces.
00:17:19One.
00:17:20Two.
00:17:22Three.
00:17:23Four.
00:17:25Five.
00:17:27Six.
00:17:28Seven.
00:17:30Eight.
00:17:32Nine.
00:17:33Ten.
00:17:34Seven.
00:17:37Fucker shot me in the leg.
00:17:39Bloody awful thing.
00:17:40Anyway, I survived with a small flesh wound.
00:17:46And why was he angry with you?
00:17:49it's the strangest thing but ever since word got out about our engagement i've found myself quite
00:17:54the center of attention it's as though every good-looking girl on earth's taken the news as
00:17:59a personal challenge i'm not used to the idea of being a bow much less a catch seems to have
00:18:07gone to my head rather had a bit of a fumble at blenheim it was rather a beauty some pictures
00:18:15you know an actress anyway tenant got wind of it got very cross
00:18:27yes with reason
00:18:32pathetic
00:18:35weak contemptible fool
00:18:39i never even wanted to marry you
00:18:42you were only ever an act of charity
00:18:45or desperation
00:18:48and now you insult me you
00:18:51people like you don't get to insult people like me you get to be eternally grateful
00:18:58and you've quite the way with women
00:19:02take a look with this face
00:19:04a picture of disappointment and disgust
00:19:09this is the look that every woman you ever know will come to share
00:19:14this is what the next 40 years of your life will look like
00:19:25margaret
00:19:27margaret
00:19:50her royal highnesses she'll explain everything later yes i'm sure she will thank you michael thank you
00:20:19all right all right settle down so on my recent tour of the pacific
00:20:24margaret
00:20:25i was introduced to a man who said to me
00:20:27my wife is a doctor of philosophy and much more important than i am
00:20:32margaret
00:20:33to which i could only reply ah yes sir we have that trouble in our family too
00:20:43you know when i imagined our marriage in the early days i imagined two people
00:20:48are welded together into some sort of combined existence ten years ten years has taught me
00:20:58the secret of a successful marriage is actually to have different interests
00:21:03well different interests but not not not entirely different
00:21:13so it's a funny business one sees the whole of the other person you see even that part of them
00:21:19that they don't see themselves and and presumably they see that hidden part of you
00:21:27one ends up knowing more about one's partner than they know about themselves
00:21:33and it could be pretty tough to keep quiet about it so you have to you have to come to
00:21:40an
00:21:40accommodation an arrangement a deal if you like to take the rough with the smooth
00:21:52the extraordinary thing is
00:21:55down there in the rough in the long reeds of difficulty and pain
00:22:04that is where you find the treasure
00:22:10so i would like to propose a toast
00:22:14in the name of love
00:22:18in the name of our beloved country
00:22:21in the name of steadfastness
00:22:24in the name of another ten marvellous years
00:22:30i give you my betty shoe
00:22:41lilibet
00:22:44elizabeth
00:22:48the queen
00:22:53the queen
00:22:55the queen
00:22:56the queen
00:27:19Good morning.
00:28:12and with regards to billy wallace don't mention that name i've had him on the telephone to me
00:28:18all morning quite distraught then his mother then his grand i'm never speaking to him again
00:28:24then we will find you someone else
00:28:29i don't want you to find me anyone moritz landsgrave of hess he's a distant cousin
00:28:36now his mother was a catholic but their lands are still intact and he gives a very good show of
00:28:43himself on the polo field no one someone suggested prince christian of hanover a descendant of queen
00:28:50victoria served in the luftwaffe but we won't hold that against him i do know what the official
00:28:57duties of the lady-in-waiting are accompanying me on foreign trips dealing with my meal
00:29:02do you suppose it might also include helping me climb over the wall to escape
00:29:09i just can't bear it anymore i'm having some people to dinner tonight
00:29:16normal people yes they're all normal but in their own way they're all quite exceptional too
00:29:24you can go and possibly not deferential
00:29:29that's fine as long as they still meet the main requirements
00:29:34which are
00:29:36none of them breeds horses owns lend
00:29:40who knows my mother
00:30:04all right all of you
00:30:08hello everyone i'd like you to say hello to our guest of honor her royal highness the princess margaret
00:30:19hello
00:30:22are you ready ma'am here come the introductions here we have dudley on the piano
00:30:31and this here is shilpa
00:30:36oh god jerry
00:30:38and i think
00:30:39and i can always ask you
00:30:48and you know that our designers
00:30:49crap
00:30:50who
00:30:52said it was
00:30:53because he usually runs
00:30:54as soon as he
00:30:55was
00:30:55the whole run
00:30:56but i
00:30:56agree
00:30:56at that
00:30:57fuck
00:30:58i know
00:30:58that this is
00:30:59tonight
00:30:59i feel
00:30:59that he read the outside
00:31:01my lines
00:31:01especially
00:31:02he
00:31:02i
00:31:02Oh, do you think you'll have to be with me?
00:31:11You're feeling a little left out.
00:31:15You're thinking to yourself,
00:31:18these dabblers and freaks all seem to know one another very well.
00:31:28Then you'd be absolutely right.
00:31:32Now, be honest.
00:31:35Can you remember any of the names?
00:31:41No, not really.
00:31:42Can't remember me either?
00:31:45Not we've met.
00:31:46We have.
00:31:48Where have we met?
00:31:51Perhaps it'll come to you.
00:31:52Now, where to begin?
00:31:56Far corner.
00:31:58The irresistible so-and-so with the mustard-colored pearly neck.
00:32:02Irresistible.
00:32:02Oh, come on.
00:32:04A nine, surely.
00:32:05Seven.
00:32:07It's called Jeremy.
00:32:08He's heir to a chocolate fortune.
00:32:10Married to the blonde beauty opposite.
00:32:14Oh, she's an eight.
00:32:15Isn't she?
00:32:17Yes, they dazzle in public, those do.
00:32:20They don't disappoint in private, either.
00:32:23More of that another time, I think.
00:32:25Who's next?
00:32:26Ah, yes.
00:32:27Our flushed and fleshy friend in Paisley.
00:32:30His name's Ken Russell.
00:32:31Makes documentaries for the BBC.
00:32:33Travels everywhere on a bus.
00:32:38You've probably never been on a bus, have you?
00:32:43No.
00:32:45Pity.
00:32:46You really do meet the best people.
00:32:51Tell me about the woman with the extraordinary eyes.
00:32:57Brown as Frankenstein.
00:33:00She played opposite Boris Karloff of that movie, you know, actress.
00:33:04Yeah.
00:33:05No one can quite make out why she left a rather brilliant film producer for a dreary politician.
00:33:13His name's John Perfumo.
00:33:16Fucking dull.
00:33:17It's true.
00:33:18It's true.
00:33:19But the older gentleman beside him.
00:33:23Oh, no, no, no.
00:33:23I know who that one is.
00:33:24That's Don Betcham.
00:33:25The poet.
00:33:29Books from Boots and Country Lanes.
00:33:31Free speech, free passes.
00:33:34Class distinction.
00:33:36Distinction.
00:33:39Democracy.
00:33:40Democracy and...
00:33:42...rober dreams.
00:33:45Just so.
00:33:50Is it really true he has two wives?
00:33:54I hope so.
00:33:57Better if he has three.
00:33:59We don't want anyone conventional around here.
00:34:10Now, tell me about you.
00:34:12Oh, God.
00:34:13You don't remember?
00:34:14No.
00:34:15I'm a photographer.
00:34:18Oh, the wedding photographer.
00:34:20Ah, that was a favor.
00:34:21It's not my normal line of work.
00:34:23What is?
00:34:26This.
00:34:31What, these are yours?
00:34:34Yes.
00:34:36Portraits.
00:34:37I don't like that word.
00:34:39It's so stuffy and traditional.
00:34:41Oh, sorry.
00:34:43What are they, then?
00:34:45People.
00:34:46Faces.
00:34:47They're the most interesting subject that I've found so far.
00:34:52If you can think of anything more interesting, do let me know.
00:34:57Oh, I like them.
00:35:00As if there's no camera at all.
00:35:03I caught them off guard.
00:35:05No, it's all luck, really.
00:35:07You made the ugliness beautiful.
00:35:09I despise posturing and pretentiousness and humbug.
00:35:14Don't you?
00:35:17Is that why you took up photography?
00:35:20Maybe.
00:35:23Maybe it's just a good way to get behind closed doors.
00:35:26Somebody's door in particular.
00:35:28Just doors, generally.
00:35:29The facade is only useful as a markup or something one has to get behind or beyond.
00:35:34The surface is so dreary, don't you think?
00:35:37What people want to show themselves, the idealized version of no interest to me.
00:35:41What people hide...
00:35:44...that interests me.
00:35:49But you get so close.
00:35:53Isn't it rather an intrusion?
00:35:55It's very much an intrusion, yes.
00:35:57That's exactly what photography is.
00:36:00I use a small Leica, nothing fancy, a natural light, which means that I can prowl around.
00:36:06All the while, I'm getting closer and closer, and in the end, it's kind of like an intrusion.
00:36:17Intimacy.
00:36:38How would you feel about taking my photograph?
00:36:40Well, I'd consider it.
00:36:43On one condition.
00:36:46Go on.
00:36:48When you come to my slum studio, leave the titles and princess outside.
00:36:53Happy to.
00:36:54And for the duration of the session, you'd do everything I saw.
00:37:00Don't look like that.
00:37:03You're dying to, isn't it?
00:37:07Dying to what?
00:37:09Be a supplicant.
00:37:13I can tell.
00:37:19It was the first room I'd ever been to where nobody got up.
00:37:22Bowed.
00:37:23Curtsied.
00:37:25Some just carried on having conversations if I wasn't there at all.
00:37:29Those that did talk to me did with such indifference or...
00:37:34...norchalance it verged on.
00:37:36In pertinence.
00:37:38There was this one, in particular.
00:37:41Tony.
00:37:42Anthony, surely?
00:37:43Tony.
00:37:43No. He insisted.
00:37:45Tony.
00:37:46Armstrong Jones.
00:37:47Mrs. Photographer.
00:37:50Like Cecil?
00:37:50No, nothing like Cecil.
00:37:52Couldn't be less like Cecil.
00:37:54Well, maybe a bit like Cecil.
00:37:56He's obviously queer.
00:37:58Interestingly, Elizabeth denies it.
00:38:00Elizabeth who?
00:38:02Cavendish.
00:38:03I called him when I got home last night and interrogated her.
00:38:05What are the five most important things I need to know about that man?
00:38:09Why five?
00:38:10I don't know.
00:38:11It felt like the right number.
00:38:12Why not three?
00:38:14It's more interesting than three.
00:38:17So what did she say?
00:38:19One.
00:38:20It is Welsh.
00:38:21Is that interesting?
00:38:22No, not particularly.
00:38:24Well, that he had polio as a child.
00:38:27That he has a passion for inventing things.
00:38:30And he would never dream of being anything as straightforward as simply queer.
00:38:34What on earth does that mean?
00:38:37What on earth does that mean?
00:38:37Not all together, sure.
00:38:40But, I'm also not even curious to find out.
00:38:43What was number five?
00:38:45You can go.
00:38:46You can go.
00:38:46That was five.
00:38:47No, Margaret, that was four.
00:38:49It was alright.
00:38:50Five is...
00:38:52I liked him.
00:38:54Yes.
00:38:55I can tell that.
00:38:58There's a contempt in him.
00:39:00What for?
00:39:03For me.
00:39:05For us.
00:39:08For everything we represent.
00:39:13I actually think you'd like it.
00:39:17That's what's so dangerous about him.
00:39:19For us.
00:39:22For us.
00:39:25For us.
00:39:37For us.
00:40:01For us.
00:40:07Wait now.
00:40:13Back in a minute.
00:42:54It's lovely.
00:42:55Pretend.
00:42:57Too lovely.
00:43:01For my taste, yes.
00:43:03Oh, I see.
00:43:04You prefer me to be un-lovely.
00:43:08I prefer you to be yourself, though I realize it's asking the impossible.
00:43:12Why?
00:43:15Because I'm un-cooperative.
00:43:17Because you have no idea who you are.
00:43:19Look to the window?
00:43:21I only perfectly will.
00:43:22No, not the faintest idea.
00:43:26Window.
00:43:39We don't know who you are either.
00:43:43The rest of us, outside the palace gates.
00:43:45That's because we keep feeding you the fairytale.
00:43:56Like this.
00:44:08Jesus.
00:44:10I'm sorry, but, uh, Cecil is a disgrace.
00:44:19Oh, he's been good to the family.
00:44:22Why would you care about the family?
00:44:26Have they been good to you?
00:44:30Well, they're my family.
00:44:34Yes.
00:44:41But they're business with Peter Townsend.
00:44:47Cruel.
00:44:54Was he really as dreary as he seemed?
00:45:01He was decent and old-fashioned.
00:45:08Easy qualities to mock.
00:45:17Easy to miss, too.
00:45:32Easy to knock.
00:45:32Easy to knock.
00:45:32Easy to knock.
00:45:54Easy to knock.
00:46:02Do you miss him?
00:46:14What's up, guys?
00:46:19Got it.
00:46:20Right, back to my place for a drink.
00:46:25Your place? Where's that?
00:46:28Well, get dressed and I'll show you.
00:46:58I'll show you a little bit.
00:47:03I'll show you a little bit.
00:47:05Whiskey or cinzana?
00:47:07Whiskey, please.
00:47:18Who's she?
00:47:23A friend?
00:47:24What kind of friend?
00:47:27A friend.
00:47:30And this one?
00:47:32Couldn't you cheer her up a little?
00:47:34That's Sarah McMillan, the Prime Minister's daughter.
00:47:37Or is she?
00:47:39The word is, it is not.
00:47:42This is Bob Boothby's love child.
00:47:44No.
00:47:45Mm.
00:47:46Thirty years, they say, the affair's been going on.
00:47:48Right under the PM's nose.
00:47:49Can you imagine?
00:47:53I don't think I'm ever going to get married.
00:47:56Quite right.
00:47:59Ghastly business.
00:48:02Makes being happy so very difficult.
00:48:11Oh, what's this?
00:48:13Oh, it's something I'm working on.
00:48:15A design.
00:48:16It's fragile.
00:48:17Get off.
00:48:20Oh, sorry.
00:48:24Here, come on, have a look at this.
00:48:26This might amuse you.
00:48:36What, people have signed their names?
00:48:38Oh, their nicknames, yes.
00:48:41Who's Tigger?
00:48:43Cleole.
00:48:47Snitch.
00:48:48Doug Bogart.
00:48:53Oh, look, you already have a princess.
00:48:55Mm.
00:48:56That's Tony Richardson.
00:48:59Will you sign?
00:49:01I keep a diamond to the purpose.
00:49:05Go on.
00:49:06I'm not sure I've ever had a nickname.
00:49:10What shall I put?
00:49:12Something that'll throw them off the scent.
00:49:16Beryl.
00:49:18Beryl?
00:49:19Mm.
00:49:20All right.
00:49:39Rhymes with peril.
00:49:47Put it back.
00:49:52Right.
00:49:54Shall we look at the photograph?
00:49:57Yes.
00:49:58Do you?
00:49:59All right.
00:50:08Yes.
00:50:11.
00:50:26I'll see you next to him.
00:50:54All right.
00:51:15First, the chemicals.
00:51:30You knew when we first met, I was sure you were queer.
00:51:44Why?
00:51:46Just the way you talk to women.
00:51:49Understood women.
00:52:03Then you put it into the water.
00:52:10Here.
00:52:15Not to mention your tidy little hips.
00:52:18All vanity and fastidiousness.
00:52:21I'm not vain.
00:52:24You're insufferably vain.
00:52:29But now I see you're not queer.
00:52:35Then you...
00:52:36pushing us the fixer.
00:52:44This hill routine is hard to practice and well oiled.
00:52:50Woman after woman has been here before me.
00:52:55Beautiful women.
00:53:02Then...
00:53:07Will you hang her up?
00:53:21What do you think?
00:53:27Margaret, I've never seen before.
00:53:31No one's ever seen before.
00:53:34No.
00:53:38Because in this photo, you're not a princess anymore.
00:53:46Someone I would like you to send her to.
00:53:50Can I give you an address?
00:53:55Sure.
00:53:56Well...
00:53:56Then I must go.
00:54:04You, um...
00:54:05You won't stay a little longer?
00:54:09No.
00:54:11This is where the routine ends.
00:54:15For now.
00:54:18All right.
00:54:20You come with the driver?
00:54:22Yes.
00:54:24He's waiting outside.
00:54:26Good.
00:54:26Then he can follow us.
00:54:40We are most honored to have been guest in your majesty beautiful home.
00:54:51Well done.
00:54:54Thanks, Ivanka, goodbye.
00:54:59That's all.
00:55:04Hold tight.
00:55:22Thank you so much.
00:55:30God, I thought that would never end.
00:55:32Yes, it did go on rather.
00:55:34On and on and on and on.
00:56:07Definitely not queer.
00:56:13Keep it.
00:56:34My love must be a kind of blind love.
00:56:42I can't see anyone but you.
00:56:46I can't see anyone but you.
00:56:50Come on, come on.
00:56:58Come on, come on.
00:57:00Come on, come on.
00:57:06Come on, come on.
00:57:15Come on, come on.
00:57:16I don't know if it's cloudy or dry.
00:57:38Come on, come on.
00:57:48But I can't see a thing in the sky
00:57:55I only have eyes for you
00:58:15I don't know if we're in a garden
00:58:33Or on the driving avenue
00:58:44I don't know if we're in a garden
00:59:20And I only have eyes for you
00:59:32I don't know if we're in a garden
01:00:24There you are
01:00:36What's that?
01:00:37I don't know if we're in a garden
01:00:38What is it?
01:00:39I don't know if we're in a garden
01:01:33I don't know if we're in a garden
01:02:07I don't know if we're in a garden
01:02:07I don't know if we're in a garden
01:02:35I don't know if we're in a garden
01:02:36I don't know if we're in a garden
01:02:36I don't know if we're in a garden
01:02:43I don't know if we're in a garden
01:02:44I don't know if we're in a garden
01:02:46I don't know if we're in a garden
01:02:47I don't know if we're in a garden
01:02:47I don't know if we're in a garden
Comments