- 19 hours ago
How To Get To Heaven From Belfast S01E05 [Full Movie] [New Drama]Full EP - Full
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00:28Transcription by CastingWords
00:45CastingWords
01:03CastingWords
01:06CastingWords
01:15Oh, my God. She's done it.
01:18She's done it.
01:21My name's Margo. You did very well.
01:24You're a very clever girl.
01:27Someone don't hurt me.
01:29She thinks she's stupid.
01:30That's not true.
01:32He won't come now. He's never coming now.
01:36Who won't come?
01:37Tia!
01:39God.
01:42You don't think you're clever?
01:43He is a gangor ever to a vacant term.
01:46I said I knew you were watching.
01:50I'd like to keep working with this one.
01:53And the other child?
01:54Nothing I can do for the other child.
02:17Good.
02:19Good?
02:23Good, good.
02:27Good.
02:28Good.
02:28Oh, my God.
02:58I could be the love, be the love, be the love of your life.
03:02I could be the love, be the love, be the light when you tell the lies.
03:06I could be the love, be the love, be the love of your life.
03:10I could make you confused.
03:13I could give you something to lose.
03:15I'm gonna wake you up in the morning in the bathroom singing the blues.
03:19I won't clean up your place.
03:21Got my hair in your face.
03:23Did you break that?
03:25They do like an inventory, babes.
03:27I'm never gonna hear the end of this.
03:30My last woman, she threw a fridge out of one dome.
03:33We were like seven stories up.
03:35It was a whole thing.
03:37You're scared.
03:38I get it.
03:39This is a really shit, really stressful time for you.
03:42But things don't have to get all, you know, like Greek.
03:47Who the fuck are you?
03:52I'm Feeney.
03:55I'm your new best friend.
03:57You dropped me.
03:59You undressed me.
04:00Uh-uh.
04:01You're making it sound creepy.
04:03It is fucking creepy.
04:05Where are my...
04:07You got to burn them, I'm afraid.
04:09Mostly because it's like...
04:11Procedure.
04:12But also, well, they're kind of horrific, babes.
04:15Oh, coffee's ready!
04:18I want to talk to Booker.
04:20Booker's gone, babes.
04:22When will she be back?
04:23He won't see Booker again.
04:24I take things from here.
04:26What?
04:26Oh!
04:30Look how cute these wee cops are.
04:34I don't understand.
04:35If you have questions,
04:37when I land on the scene,
04:39everyone's full of this.
04:40I couldn't be dealing with that last night.
04:43So you stuck a syringe in my neck.
04:44I'm going to move on from the syringe thing, babes.
04:47It was late.
04:49You needed some sleep.
04:50I had 52.
04:51I made an executive decision.
04:53Now, will you please just sit down
04:56and have some coffee
04:57and a wee, tiny, gold cup?
05:03Why should I trust you?
05:09Because there's no-one else here.
05:14Yeah, but we are 100% not making it off this flight of life.
05:17What exactly is she going to do to us
05:19in a confined space for loads of witnesses?
05:21She seems to really want that box.
05:22So as long as we have...
05:24Hang on, where is that box?
05:25I'm sorry, ladies.
05:27Your overhead locker's a little stuffed.
05:35The box is in that bag, isn't it?
05:37It is, yeah.
05:38For fuck's sake!
05:41Linda, what are you doing, lovely?
05:44The locker was over capacity.
05:46Did it close?
05:47Yes.
05:47Then it's fine.
05:49Drink's Charlie.
05:50Now, sorry about that.
05:54These agency stand-ins are always messing with procedure.
05:57Actually, can I just grab something out of that really quick?
06:01It's...
06:04It's our mother's ashes.
06:07Yeah.
06:08Yeah, of course, lovely.
06:14Right.
06:16Let's get you three a drink.
06:17Linda!
06:18Linda!
06:21Linda!
06:22Linda!
06:25Linda!
06:27Linda!
06:28Linda!
06:28When?
06:31Mm-hmm.
07:09Hey, Saoirse, it's me, yeah, Liam. Excuse the voice note, I didn't want to call in case you were working
07:15at me. I sent that too soon. I never know if I should delete and start again when that happens
07:20or if that looks a bit.
07:24Sorry, I did it again there. I think maybe I just have really big fingers. Anyway, look, so I spoke
07:32to Margot. She didn't know anything about Jodie Part or so she says, but she did tell me something which
07:37was a bit...
07:37I don't believe this.
07:39Megan, anyway, I spoke to Margot. She told me when she was pregnant she was reading this book. The author
07:46was a psychiatrist she admired, Greta Gancále. So she, Margot that is, she decided she'd name her child after her.
07:53But here's the thing.
07:56Jesus Christ.
07:57Sorry, here's the thing. This woman should only publish one book and it was written more than a decade after
08:02Greta was born. So that can't be right, can it? I'm not really sure what it means, but...
08:08How the fuck have you done that again?
08:10Maybe just give me a call back, sure.
08:13Ladies and gentlemen, we'll shortly be starting our descent into Dublin Airport. Please fasten your seatbelts and place your seat...
08:21Excuse me.
08:27Right, let's do this. Ready?
08:30No.
08:31Great.
08:35Why would we scatter her in the sea?
08:38Are you sure she hated getting her hair wet?
08:40Why would you know what she hated? You never saw her. You moved to London and forgot about us.
08:46She wanted scattered in the big pre-mark. She loved it. There was her happy place.
08:50I'm going to have to ask you all to take it down a notch for me, girls.
08:53I can deal with this if you want to let the pilot know what's going on.
08:55Well, sure. I'll open the door to the cockpit now. Who the hell trained you, Linda? Al Qaeda?
09:00You always give her bad advice to seatbelt.
09:02No.
09:02Well, you were always ripping the back out of me.
09:04Get back down.
09:04Well, caring for her was the worst decision you ever made. It only exacerbated your avoidant personality and gave you
09:11an excuse to never put yourself out there and live your own life for fear of rejection.
09:17So, so, so, so skinless.
09:22Woo!
09:25You know you want to come with her.
09:29We're not drunk. Not really. We were acting. It was an act.
09:32You know, hello. If you are going to subject us to any kind of breathalyzer type scenario, I should say
09:37I've had a few proseccoes.
09:39That woman was trying to kill us. She's a psychopath.
09:41She locked us in a boat. A big boat. She blew it up.
09:43She blew the big boat off.
09:44If it wasn't for Dara's banana, we'd all be standing here dead now.
09:47Impersonating a member of cabin crew staff. She did not know what she was doing during that safety demonstration.
09:52Hey!
09:52Where's the real Linda?
09:53That's what I want to know.
09:54You have to help us.
09:57On you go.
09:59Okay, then.
10:00Well, thanks for listening, lads.
10:09Shit!
10:10Look!
10:14Okay, we have to go.
10:16Now.
10:16Without our bags.
10:17No chance.
10:18I brought a Max Mara bikini that cost me 300 quid.
10:20I'm sorry, Robin.
10:22That is actually immoral.
10:23Absolutely cracker looking on me is what it is.
10:29Okay.
10:30Okay.
10:36Right.
10:37Come on.
10:48Hello.
10:49Hello.
10:50Alright, Hopps.
10:53Thank you, Draper, Madre.'re
10:54giving me back. Help
10:56him talk to évidemment. Dad.
11:00Take care.
11:06Don't talk
11:15anymore. What's nice,
11:20This person who called this woman, she said Greta knew your father?
11:25That she knew something about his disappearance, yes.
11:29But the caller, they didn't identify themselves?
11:31No, and that was the only time they contacted me.
11:34What day did you receive this call?
11:35The night of this month.
11:41Did they, Greta died?
11:43I've since learned as much, yes.
11:46That was strange.
11:50So, did your wife ever mention my father?
11:53Or talk about having any dealings with a journalist?
11:55No, never.
11:56Would have been a long time ago.
11:57She didn't mention anything.
12:00Well, she would have been a teenager when he went missing.
12:05Around the same age as your daughter, perhaps.
12:07My daughter?
12:08Yes.
12:09What do you know about my daughter?
12:11Well, I tried your house.
12:13You went in, but she was, and I briefly...
12:16You need my daughter out of this.
12:17Sorry?
12:17I mean, whatever this is, you leave my daughter out.
12:20No, I didn't even speak to her.
12:21Her mother has just died.
12:22My wife has just died.
12:24I didn't mean...
12:24And you come in here with this insane story?
12:29It's not a story, Inspector O'Neill.
12:32It's a fact.
12:34Someone did call me.
12:36And someone gave me your wife's name.
12:48I don't have time for this.
12:55I understand.
12:58I apologise, sir.
13:00It's not the right time.
13:02Perhaps.
13:05I can wait.
13:16Yeah?
13:20Anything I can help with?
13:22No.
13:24No, it's...
13:27It's fine.
13:46Maybe it's time we talk to the guards.
13:48Maybe we should just tell them everything.
13:50Yeah, but you see, we can't tell them everything, can we, darling?
13:52Because there's some bits we need to keep to ourselves.
13:54Like some quite big criminal-y type bit.
13:56Oh, that name guy.
13:57He might help.
13:58But my phone's fucked.
13:59Oh, shit, my tea.
14:01Oh, Robin's works.
14:03For fuck's sake, Jim.
14:04I don't remember his number.
14:05Why's Jim ringing me?
14:06I don't know, Robin, maybe because he's your husband and the father of your children.
14:09Hiya, love.
14:10How's things?
14:12Great, Shep.
14:13All under control here.
14:15Ryan's sleeping, darling.
14:17How is Portugal?
14:18Hey, baby, let the free birds fly.
14:21Yeah, a lot of Irish here.
14:23One second, though.
14:24What in the name of...
14:25I've got to go deal with this.
14:26Ryan!
14:27We need to focus, girls, okay?
14:29What do we actually know?
14:30What are the facts, okay?
14:31So we know that this thing belongs to Jodie.
14:33We know that Jodie and Greta grew up together.
14:35We know that they were connected.
14:37What was the name of that tiny game?
14:40Come on, Tashban.
14:41Tashban, that's right.
14:42Why are you talking about Narnia?
14:43What?
14:44Tashban, it's from the Chronicles of Narnia.
14:47Yeah, Jack's reading it.
14:48I forgot how messed up it is.
14:49That lion is a freaking nurse.
14:52I've got to go, love, okay?
14:54Right, bye.
14:54Bye, bye, bye.
14:55Yeah, love you, bye.
14:57Fuck.
15:00Jesus Christ.
15:02What was that?
15:03He was right.
15:04What are you talking about, yeah?
15:06They couldn't have come from Tashban.
15:08Because Tashban doesn't actually exist, girls.
15:12Every single thing she told us was a fucking lie.
15:15It's a song to sing.
15:17It's so lonely, rock and feel.
15:22Love, I've been right.
15:28And with that, it's goodbye, Jodie.
15:31Perfect.
15:32A passport pick is everyone on their best day.
15:35It looks great like this, by the way, babes.
15:37If I do say so myself.
15:39The truth is, you don't have to do that much.
15:41What's that thing they say about lying?
15:44A good lie stays close to the truth.
15:48Like with your name.
15:49I always think it's best to go for something that sounds similar.
15:53That way, when someone calls you or you have to sign something,
15:56it's less of a leap, like psychologically.
15:59So I'm thinking...
16:01Gráinne!
16:02Gráinne?
16:03I think it's itchy, babes.
16:04I honestly do.
16:06Gráinne?
16:07It's like an echo of the person you once wear.
16:10I like that.
16:12Like a ghost of yourself.
16:14That's actually quite profound.
16:16That's me, babes.
16:17Now, the surname we have, Les, Freedomless.
16:20We have to work off a list that's been cleared.
16:22What?
16:23I must have left it upstairs.
16:25Let me run and grab it.
16:28Got to take the hardware with me, I'm afraid, babes.
16:32It's not that I don't trust you.
16:34It's just better safe than sorry type thing.
16:37And I've been stung before.
16:39People are like, I just want to talk to my mother or sister or son or springer fucking spaniel.
16:47Just once.
16:48Just to hear their voice.
16:50And I'm like, I get it, babes.
16:52But now you've thrown the whole operation and I'm starting to decide.
16:55Well, whoever it is, the one she did.
16:59You're on the other side of things now, I guess.
17:02What's that?
17:03Well, earlier you said that you were evaporated too.
17:08Oh, right.
17:09Yeah.
17:11But I was so young.
17:13How young?
17:15Thirteen.
17:18Yeah, my parents.
17:20They were both.
17:22God, I still haven't found a better way of putting it.
17:25Because, like, they were kind of murdered, babes.
17:31I'm so sorry.
17:33You don't need to know all the details.
17:35Trust me, it will kill the crack.
17:38Overnight, my environment became, well, not the safest.
17:43And Bicker heard what happened.
17:45And she decided to help me.
17:50Bicker saved me.
17:52I owe her everything.
17:55I guess that's why I'm here.
17:58Doing what I do.
18:01That's something else we have in common.
18:05What is it?
18:07Well, you were young too.
18:09When that miracle woman stepped up, I mean.
18:16You know about that?
18:17You know what happened with my mother?
18:19We know everything, babes.
18:22Shh.
18:23Let's go.
18:51Let's go.
18:52Round the night, round the tree, round the tree, round the tree, round the tree, round the
18:57night.
18:58Cheers, Rob!
19:00You go kick the shit out of those doorway packers!
19:03Yeah!
19:09It's all St. Patrick's Theatre, soops.
19:28For fuck's sake, I'm not even wearing green.
19:31It's supposed to bring you bad luck.
19:34Think of it already.
19:35Yes.
19:41Run!
19:52You have to leave it!
19:55Yeah, no, no, no, no, no!
19:57Then the redeemer angel, the redEurope of the world, of the nên.
20:00Now the room is gone!
20:01The real king might think he's dead via the back or how he knew.
20:05He's not a king, but he's not a king!
20:08No, he's not a king, but I never get to be a king!
20:11Never get to be a king sure he'll at the zoo!
20:14And the parker legs kinda get up on the knees,
20:17and I don't wanna get up on the knees,
20:19and I don't wanna get up on the knees,
20:27She's grand!
20:29She's grand!
20:37Why does she do that?
20:40Go, go, go!
20:41Go, go, go, go!
20:59Thanks.
21:00Sure you think one more?
21:01I'm grand.
21:02That's not very Irish, are you?
21:04That's quite offensive.
21:05He's no crack.
21:07Don't say crack.
21:08Sorry.
21:09Great man, St. Patrick.
21:11Single-handedly drove the English out of Ireland, you know.
21:14No, wait.
21:15Not the English.
21:16Snakes.
21:18Wait, you know, Donald.
21:19You're quite upbeat for a fellow with a missing dad.
21:22He went missing when I was a baby.
21:24Settled into it.
21:29Would you like a straw?
21:31Do you think I could ask one?
21:32No.
21:37So, why all of these questions about my meeting with your boss?
21:40Just curiosity, really.
21:42Okay.
21:43Well, I don't trust him.
21:47Really?
21:50I've seen you before.
21:52Sorry?
21:52I called at Owen's house yesterday.
21:55I walked there.
21:56I saw him lead you out.
21:58Saw you get in your car and drive away.
22:00Anyway.
22:00You didn't see me.
22:01Neither did he.
22:03But, anyway.
22:05When I reached the door, there's no answer.
22:08For some reason, he didn't want to speak to me.
22:11Why don't you trust him?
22:12What makes you think I don't trust him?
22:14The fact that you're sitting here.
22:18Alright, fine.
22:19In the meantime, let me show you this.
22:22So, these are my father's old notebooks.
22:26I've been trying to decode them.
22:29Decode.
22:29Yeah, he interviewed paramilitary members, intelligence agents.
22:32When you said he was a journalist, he was an actual journalist.
22:35So, a few times, he talks about what I thought was something like sad girl or mournful woman.
22:41But then I found out that the school that Greta attended was called Our Lady of the Sorrows.
22:48You don't know there are probably a hundred skills in Ireland with that name.
22:51Yes.
22:52But then there's this.
22:55What does it mean?
22:57No idea.
22:58It feels religious.
23:00It's my instinct.
23:01Anyway.
23:04I went to Greta's old school for a look, and there's this whole area of the grounds that's just sort
23:09of abandoned now, and there's an old caretaker's cottage.
23:15This isn't all just a coincidence.
23:19Greta O'Neill was connected to my father.
23:24How did you find out that was Greta's old school?
23:26Oh, well, when I spoke to her friends, they mentioned it, and Greta, well, she'd have still been there the
23:32year that my father disappeared.
23:35Did you say you spoke to her friends?
23:39Hey, Saoirse.
23:41So, uh, I just had a chat with Andrew.
23:44You remember Andrew?
23:45English lad.
23:46He, uh, spoke to you about the fact that his father disappeared, about how he thinks Greta was involved.
23:50Now, here's what I'm wondering.
23:53I'm wondering why you didn't mention any of this.
23:55I want you to call me back.
23:57I want you to tell me what the hell is going on here.
23:59Fuck it.
24:00I'm coming to Belfast.
24:01See you at the studio.
24:27If this is how it ends, if I die today, then I want my conscience to be clear.
24:38You're not dying, Saoirse.
24:41My head is banging.
24:42I might have some painkillers in my bum bag.
24:45Okay.
24:45At some point, we need to address the fact that you've started wearing a bum bag.
24:50Now, these are mums.
24:51They're prescription only.
24:53They are really strong.
24:55Class.
24:55We need backup.
24:56I'm calling Jim.
24:57What's Jim going to do you that now, bitch?
24:59I'll have Jim for breakfast.
25:01How's it going?
25:02You've reached Jim's phone.
25:03Where the hell is he?
25:06He's gone out.
25:07Who the hell does he think he is?
25:10Wait, you're tracking Jim.
25:11Obviously.
25:11I haven't trusted him since the whole affair thing.
25:14There was no fucking affair thing.
25:17Shit, she's tracking us.
25:21She's tagged us somehow.
25:23It could be on her clothes and her hair.
25:26You know what that means.
25:27And her hair?
25:29She's on her way here.
25:42Robin, shh.
25:43Stay beside that door.
25:44I don't want a priest walking in here and seeing my Fandango.
25:47What's your Fandango doing out?
25:48Can everybody just keep their Fandangos under wraps, please?
25:55Shh.
25:56Listen.
26:13Grab a weapon, quick!
26:21Come on!
26:28We're ready for a fucking exorcism, maybe?
26:34Who is she, girls?
26:36Is she playing at night?
26:46Moving on to seat 32A.
26:49Let's have Cass on set in five minutes, please.
27:12I'm going to have to see the brain.
27:15Excuse me.
27:16Scene 32A.
27:18Crucial.
27:19People.
27:19Crucial.
27:21I'm not sure if you remember me.
27:23I can't.
27:23I remember.
27:24I'm looking for Sir Shea.
27:26I bet.
27:28Why would I know where she is?
27:29Why would I know where she is?
27:29Well, because you work together and also...
27:32Aren't you engaged?
27:33Well, I'm sure you've seen a lot more of her than me recently.
27:36What?
27:37You think I don't know what's going on?
27:41There's nothing going on.
27:42Look, I don't mind.
27:43You don't mind?
27:44I'd just like to be involved.
27:48Involved.
27:49Involved.
27:49I think you'll find I have a lot to offer in that department.
27:52Okay.
27:53I genuinely don't know what you're talking about.
27:55And I'm kind of afraid to ask.
27:57Oh, come off here.
27:58It explains why she's been AWOL for days.
28:01What does?
28:02She's storylining season five and you're helping with research.
28:06Oh.
28:07No.
28:08Pushing me out.
28:09Again.
28:10So much for TV being collaborative.
28:12Listen, boss.
28:13Um, why are you in the wrong uniform?
28:14No, he's a guard.
28:15We're shooting those scenes next week.
28:16That's all location.
28:17Costume.
28:18This Egypt's in the wrong uniform.
28:19No, he's not.
28:20I'm not an actor.
28:21I'm a real person.
28:21Oh, and actors aren't real people?
28:23He's an actual guard, okay?
28:24He's helping Saoirse storyline season five.
28:26Really?
28:27We're going to have to swap out scene 15.
28:28This friend's not stopping anytime soon.
28:30Oh, no.
28:30Could you just have her call me?
28:32Mm.
28:32Seb, darling, my car's here.
28:33Taking that god-awful tele-interview.
28:36Love you, darling.
28:37What's 15 again?
28:38Exterior school.
28:39Burying of the body.
28:41Okay, fine.
28:44Hey, eh, sorry.
28:46Do you have a script?
28:49Can we get a move on, people?
28:56What is she playing at?
28:58She knows we're in here.
29:02Sanctuary law!
29:04She is obeying our right to claim sanctuary.
29:07So long as we're in here, she won't touch us.
29:09So why the fuck would we leave?
29:28Hello.
29:29I just want the box.
29:32You've been swept up on something you deserve no part of.
29:37I don't want to hurt you.
29:38She tried to kill us.
29:39The boat?
29:40That was a warning.
29:42If I really wanted you dead, you would be.
29:45I just want the box.
29:48Why?
29:50What's in it?
29:51What's all this got to do with Greta?
29:54Knowing that will infect you like a disease.
29:57A fatal one.
29:59All you have to do is come out here and hand me the box.
30:08Do that and I promise you will never see me again.
30:15After a while, you'll begin to question if any of this actually even happened.
30:22If I ever actually existed.
30:27What will it be?
30:45Let me do it.
31:00What?
31:00Let me do it.
31:28Why didn't you come inside?
31:31I don't do business in Gord's house.
31:35I don't trust him.
31:37I see.
31:45Well, we don't make deals with the devil.
31:59Oh, that's so cute.
32:02We charge a shop number.
32:05You gotta get the balance right with this stuff.
32:07It's more time consuming, but every stitch young can't be brand new.
32:12I'll sort the basics, because they haven't told me where you're going yet.
32:16So, I don't know what conditions we're dealing with.
32:19Will you travel with me?
32:21They'll send the midwife.
32:22The what?
32:23She delivers you to your new life.
32:26When?
32:27Soon. Too soon.
32:29It was my understanding that when I'm settled to my daughter, she could join me.
32:33Oh, come on, babes.
32:35I get that there's a lot to do.
32:37Well, that's one way to put it.
32:38I thought if I could get a sense of...
32:39You're giving me cause for concern here, babes.
32:42You're concerning me.
32:44And concerned...
32:45You don't need to be.
32:46A time frame.
32:47Just roughly.
32:47This is a very delicate procedure.
32:50I get that.
32:51With no guarantees.
32:53But if everything goes to plan...
32:54With no guarantees!
32:57She's my daughter, and she thinks I'm dead.
33:03What is in her best interests?
33:12You'll be okay.
33:15Will I?
33:16Some people are about to survive.
33:22That's what Bicker told me when my parents died.
33:26She said...
33:28She knew I was deafening because I cleaned it all up.
33:32Most adults couldn't have managed that, she said.
33:37Cleaned what up?
33:38The mess, babes.
33:41There was such a terrible mess.
33:44They were stabbed, you see.
33:47Thirteen times between them.
33:50Oh, my God.
33:53It's fine, honestly.
33:56They wouldn't have known anything about it.
33:59What do you mean?
34:02They were fast asleep.
34:09Thirteen times?
34:11A wound for every miserable year.
34:16Oh, don't look so shocked.
34:19You recognized it in me.
34:21I saw it in you two.
34:23Before I'd read a word.
34:26It takes one to know one, doesn't it babes?
34:33You'll be okay.
34:36You'll survive.
34:38People like us always do.
34:45I wish you should recall somebody.
34:48All right, love.
34:49You okay?
34:50You okay?
34:58Exactly what part of the plan were you unclear on, Dara?
35:00I'm telling you it was chilling.
35:02I was standing there, looking her right in the eyes, and it was like she had no soul.
35:07It was like you're in the presence of evil.
35:10Actual evil.
35:10How might someone like that react to you bashing her face in, I wonder?
35:14She was never going to let us walk away, Robin.
35:16She was lying.
35:18What's this cue for, exactly?
35:20No idea.
35:21But I'm thinking if we're hiding behind lots of people, she'll have to kill them first.
35:25Jesus, Robin.
35:26Even I think that's dark, Robin, and I'm morally quite sketchy, like I work on television.
35:30Oh, speaking of which, Seb's been trying to get you.
35:34He wants to know how many scripts to give Liam now that he's a consultant.
35:37What the fuck is he asking for scripts?
35:39I still need them if he's a consultant.
35:40He's not a consultant, Dara.
35:43What is going on here?
35:45I'll go easy on those.
35:47Tickets.
35:48For what?
35:49The Late Late Show.
35:50Oh, my God. The Late Late Show.
35:53I love Patrick Hilty.
35:55I love Patrick Hilty.
35:58Oh, yeah.
36:00I mean, I suppose he's good at what he does.
36:02I just don't get what all the fuss is.
36:05Fine, I love Patrick Hilty.
36:07Jesus.
36:09She can't kill us on live TV.
36:13Okay, can you guys move us out, please?
36:16Uh, we don't have tickets because these are the competition owners.
36:19What are you talking about?
36:21She'll be on your list.
36:22Jesus, I emailed about this yesterday.
36:24What list are you working from?
36:27Who put you in the door?
36:28Cara.
36:29Typical.
36:30No, aye.
36:31Well, tell me that you at least have some house seats back.
36:34Yeah, of course, always.
36:35Right.
36:35So, shall we?
36:37Mmm.
36:39Tickets.
36:40Seen a lot of 30 Rocks.
36:43You've yet to watch one episode of my show.
36:46Show's not funny.
36:47How would you know?
36:49We're just down the end there.
36:50Sorry, thanks.
36:59We should be okay.
37:01We'll be back.
37:01We'll be back.
37:03We'll be back.
37:32We'll be back.
37:35We'll be back.
37:40We'll be back.
37:40We'll be back.
37:41We'll be back.
37:41Hello, good evening.
37:41Welcome to the Late Late Show.
37:43Thank you for our band, folks.
37:46Look at Jonathan there.
37:47Hi.
37:48Would you ever turn that bollocks off?
37:51And...
37:52Happy St. Patrick's Day!
38:00Also on the show tonight, he went viral this week
38:03when he rescued a blind sheep stuck in the mud
38:06halfway up the Wicklow Mountains
38:08and carried it down on his back to safety.
38:11His name is Sean O'Kelly!
38:13Ah, couldn't mind yourself, Sean.
38:16Where was it, Jeff?
38:18What a strange show.
38:20She plays detective Emma Fierce
38:22in the smash-hit, multi-award-winning television series Murder Code.
38:26Let's have a huge welcome for the one and only,
38:29Marnie Mullins!
38:34You're shitting me.
38:36Isn't that those three Belfast ages we questioned?
38:40God, I think you're right.
38:41Are you sure?
38:42Sure, I'm sure.
38:44I'd recognise you're one anywhere.
38:45This thing's to life, right?
38:47Oh, God, yeah.
38:48She cannot quack it.
38:50Now, the show has such a huge following.
38:53Shall we all love a bit of Murder Code?
38:57When you first read the scripts,
38:58did you know it was going to be such a massive hit?
39:00Do you know what, Paddy?
39:01Here we go.
39:02No.
39:03I actually struggled to see what the big deal was,
39:06but then I realised it was the audience's attachment
39:10to my character, Emma.
39:12My character.
39:14Emma.
39:14That was the big pull.
39:15So I made a few suggestions.
39:17Which I ignored.
39:17To make her relatable.
39:20And the scripts were definitely elevated after that.
39:24I mean, we did a lot of work on them.
39:25We.
39:26And after all that, I think we knew we'd made something truly special.
39:30Well, special is right.
39:31I mean, what was it?
39:32Something like 10 million viewers tuned in
39:35to see you catch the elusive carrier killer in your own home?
39:41Actually, actually, a lot of that scene was improvised.
39:46That is it.
39:48That is it.
39:53Oh, my God.
39:56That's our writer, Saoirse Shaw.
40:00Surprise.
40:01Saoirse Shaw, writer of Murder Code.
40:04Ladies and gentlemen, let's get her down here.
40:17Look.
40:18Look, Mummy's on TV.
40:20She really is.
40:21Oh, lads, will you stop?
40:22Your mum's in Portugal.
40:29So, Saoirse.
40:30Patrick Keelty.
40:32Paddy.
40:32Patrick.
40:33Paddy Keelty.
40:34PK.
40:34Paddy.
40:35Mr. Paddy.
40:35You take a breath.
40:36Yes.
40:38Jesus.
40:39Jesus.
40:40So, tell us this.
40:42Where do you get your inspiration?
40:44All these complicated plots and twists and turns?
40:47I guess lots of things inspire me.
40:52Books.
40:53Yeah, look, Seb, just calm down.
40:55I'm just loading up now.
40:56Give me a second.
40:58Yeah, got it.
41:00Films.
41:01News stories.
41:04History.
41:06Oh, what the fuck is she doing?
41:09How many of those bloody pills did she take?
41:12Oh, for God's sake.
41:13Sort of, you know, things that happen in real life.
41:17Even.
41:18Let's talk about that.
41:20Talk about?
41:20Give us an example.
41:22Well.
41:24Oh, maybe I shouldn't say that.
41:26Go on, I don't be a tease.
41:31When we were young, my friends and I, we did this pretty terrible thing.
41:37But only because we were, we were trying to protect someone.
41:43Go on.
41:44Oh, I get in trouble here.
41:45Sure, isn't that what live TV's for?
41:47Yeah.
41:50I think this is a bad idea, Patrick Hilty.
41:54Tell us.
41:56Tell us.
41:57Tell us.
41:58Tell us.
42:00Tell us.
42:01Tell us.
42:02Tell us.
42:03Tell us.
42:04Tell us.
42:04Tell us.
42:05Well, turns out the person we were trying to protect, she was lying.
42:13So now we've done this terrible thing, but we don't even, we don't even know why.
42:18If this were murder code and you were Emma, I mean, what would you do?
42:25Well, I suppose it was, but I suppose Emma would realize that she's overlooked something,
42:34small, something that she initially felt was insignificant.
42:40But it turns out.
42:43that it was the key
42:44to unlocking the case.
42:48The key to unlocking the box.
42:52She had it all along.
42:55I had it all along.
42:56She already knew the answer.
42:58I already know the answer.
43:00Of course you do.
43:02You've seen it.
43:04Where have you seen it?
43:05I don't know.
43:07Think.
43:13I don't remember.
43:16Picture.
43:17Picture.
43:18A painting.
43:19A painting.
43:20A picture of a painting.
43:28I've got it.
43:29It was actually a pretty challenging shoot.
43:32I assume.
43:33I had these sort of panic attacks.
43:34I really must get her some media training.
43:37Back at five.
43:38Don't go anywhere now.
43:40Roll it there.
43:43It's totally similar to me.
43:45Big pan of your work.
43:46Right.
43:47Hello.
43:47Let's go.
43:48We've got to get you.
43:48Let's go.
43:49I saw Patrick Keating.
43:50We also saw Patrick too.
43:52But keep going.
43:53Keep going.
43:53What is he like?
43:54What is he like?
43:55What is he like?
43:55Let's go.
43:56I'm going.
43:57Come on.
43:58Jesus.
43:59Seriously, those things could kill a horse.
44:01You're such a liability.
44:03I think I solved it.
44:05We solved it.
44:07Me and Patrick Keating.
44:09I love Patrick Keating.
44:16We already saw the answer.
44:19We had it right in front of us.
44:22What?
44:24The symbol in Portugal.
44:26Did you take a picture?
44:29Wait.
44:37Was there a number on it?
44:38Yes.
44:39Yes, there was a number.
44:40It's a date.
44:41I'll call it out.
44:42Um, 250197.
44:48Oh, my God.
45:07Oh, my God.
45:20What happened to her?
45:22Baby, when you left me like this
45:25And when you hold me like that
45:28You was done with the wind
45:31But it's all coming back to me
45:34When you see me like this
45:35What the hell is going on here, girls?
45:38It's actually quite difficult to know where to start
45:40Charles Sampson.
45:42Start there.
45:43What do you know about Charles Sampson?
45:45Watch out!
45:52Holy shit.
45:54Step out of the car!
46:24What do you want?
46:25?
46:26What?
46:37Do you want me?
46:41Me!
46:57You keep going, Dad tell you to stop.
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