- 2 days ago
Ponies - Season 1 - Episode 06: Night Moves
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TVTranscript
00:06You
00:07Previously on ponies. I think what I'm doing is important. Your sister
00:11You know about Galina. He killed her. You think she was a prostitute? Looks that way
00:17Who murdered her?
00:19Soviet government KGB. Same organization who employs a man you want me to date?
00:23Where would an important American man go looking for some company and had some money to spend?
00:27Dr. Maria. This one I don't know.
00:29Of course I'm gonna be careful. You can trust me.
00:31Twyla can manage things with your grandmother. The best person to have on the ground is someone who's not emotionally
00:36invested.
00:38How did anybody else find out about this mate?
00:40I don't know.
00:40B, I don't know what to tell you.
00:42It doesn't fucking matter. All that matters is getting my grandmother.
00:44Caterpillar! He helped us! He gave me this!
00:47Sometimes I wonder if all is pretending. I'm gonna forget what's even real.
00:53What?
00:53We have a mole. We have a fucking mole.
01:00What about Niagara Falls?
01:02It's predictable. And what is it really? Some water rolling down a hill? A very large hill?
01:09Chris.
01:10What?
01:12Are you afraid of heights?
01:14No.
01:16You know, I grew up in a high rise. Looking out my window every day. Never scared the hell out
01:20of me. Made me want to vomit. Give me the chills. Where'd it go?
01:24Oh my god! Chris, how did I not know this? You were a pilot!
01:27Yeah, but in a plane, I'm in control.
01:29Wow.
01:31Wow.
01:33Wow.
01:33Wow, is that... is that Manya?
01:35Oh, yeah.
01:37God, she looks so much like you.
01:39Mm-hmm.
01:40Where is she?
01:41Presklav, I think.
01:42Yeah, she used to vacation there with her best friend in the summer.
01:46She said those were her most cherished memories of her time in Belarus.
01:50Well, maybe we should honeymoon there.
01:52The Soviet Union? No, you really are joking.
01:54Do we really need a honeymoon?
01:57I mean, I'm...
01:58I love being with you anywhere.
02:20Let's go.
02:33You're welcome.
02:33You're welcome.
02:38You're welcome.
02:46I'm sorry.
02:49I'm sorry.
02:50I'm sorry.
02:53I'm sorry.
02:55I'm sorry.
02:59I'm sorry.
03:01I'm sorry.
03:01Why did you leave?
03:02I heard you.
03:05How can a man talk to a young woman?
03:08Just a man like you.
03:11I have to teach me to work.
03:15You don't know what I did and who I protected.
03:19But now I know what you're a person.
03:21You are lost.
03:23You are lost.
03:24You are lost.
03:32You are lost.
03:40You are lost.
03:51I'm sorry.
05:21But it goes without saying, it doesn't need to know our fireplace was bugged.
05:25Oh?
05:29Okay.
05:35Oh.
05:42Oh.
05:42Oh.
05:44Oh.
05:44Oh.
05:46Oh.
05:47Oh.
05:59Oh.
06:17Oh.
06:25Oh.
06:31Oh.
06:33Oh.
06:36Oh.
06:43Oh.
06:46Oh.
06:53Oh.
06:54Oh.
06:55Oh.
06:55Oh.
06:56Oh.
06:57Oh.
07:00Oh.
07:25Oh.
07:27Oh.
07:34Oh.
07:36Oh.
07:37Oh.
07:39Oh.
07:41Oh.
07:44Oh.
07:46Oh.
07:58Oh.
08:00Oh.
08:07Oh.
08:13Oh.
08:15Did you know about this Chris and Galena tape?
08:20And you didn't think to tell me?
08:22It's not pertinent information.
08:23My husband having an affair with a Soviet,
08:26with my assets, murdered sister,
08:28and that it is all on tape,
08:30that didn't sound like pertinent information to you?
08:35Was this compromat? Was Chris being blackmailed?
08:37He wasn't being blackmailed. He wasn't even having an affair.
08:40I'm sorry. Do you need to watch it again?
08:42You see the part where he cups our breasts?
08:45He only did this to prove his loyalty.
08:49Mrs. Grant,
08:52your husband pretended to work for the Soviets at my request.
08:56In order to convince the KGB that he was trustworthy
08:59and gain their confidence,
09:00he had to give them something that could ruin his life.
09:03Your reaction proves why this tape was effective.
09:07It proves that I had absolutely no say in my marriage.
09:11He was an exceptional agent.
09:14But this job demands sacrifice.
09:17Most people are not cut out for it.
09:20But the woman who marches into Langley
09:22after her husband's death
09:23and demands to be sent back to Moscow
09:25is not most people.
09:29But it is past time you decided
09:31whether you're going to dedicate yourself fully to this job.
09:34because half measures in this life
09:36will only get you killed.
09:39And committing to this life won't.
09:48Where?
09:51Where?
09:53Where?
09:54Sasha Shevchenko.
10:02In the past year, I brought you here.
10:06You helped me activate the camera, which you made.
10:10You were in this hotel in the past year.
10:12And so I wrote everything in detail.
10:16And now I can't even turn it off.
10:21I'll show you, can you?
10:38Hello?
10:42What are you doing?
10:44What are you doing?
10:45I know, we haven't talked about you.
10:50Maybe it's too long.
10:51It's too long.
10:53It's too long.
10:55It's too long.
10:56It's too long.
10:57It's too long.
10:58It's too long.
10:59Listen, I don't know what to do.
11:01It's better to go out there.
11:02You hear?
11:03I know what to do.
11:05We've already been kids.
11:07And I can tell myself about myself.
11:09Like I've already done.
11:11Go.
11:13Go, go.
11:17Go.
11:17Go follow the keys down.
11:24Look out for a moment.
11:25Go.
11:25Go.
11:25Go.
11:25Go.
11:27Go.
11:34I don't know.
11:57I don't know.
12:08Bea?
12:12Bea?
12:14You okay?
12:15I'm fine.
12:17I mean, I can hear you in there.
12:20You're not, you're not fine.
12:23What do you need?
12:26How long are you going to keep ignoring me?
12:30Is this, is this still about Manya?
12:35I mean, that wasn't my fault.
12:37I did everything I could.
12:38Please, it's just, it's not about you.
12:40Then what is it about?
12:44I saw something here.
12:48A tape.
12:51Chris with, with another woman.
12:56They were together.
13:00What?
13:00What?
13:01I mean, just it was for an operation or for this fucking job.
13:07Oh.
13:08Okay.
13:10So then, so it was sex, you know, for the job.
13:14I mean, you know that doesn't count.
13:18My husband slept with another woman.
13:20It counts.
13:21It fucking counts.
13:23You know how this job works.
13:25I mean, sometimes we gotta be other people.
13:28You know?
13:29Do things we wouldn't normally do in our life.
13:31And, I mean, it's just sex.
13:35It doesn't have to be a big deal.
13:38I loved my husband.
13:39And he betrayed me.
13:47Um.
13:49B.
13:52Chris didn't betray you.
13:57Tom did.
14:00What are you talking about?
14:02I barely even met him.
14:03What do you mean?
14:04Um.
14:07Tom was the mole.
14:09What?
14:10Vera, Vera told me right before she died.
14:13I guess Tom was the one that was, you know, feeding the information to the Soviets.
14:18So, Tom was the one that, he's the one who got Chris killed.
14:26What?
14:26Yeah.
14:27Well, why, why, why, why didn't you tell me this before?
14:31I was worried it would change things between us.
14:33Of course it fucking changes things.
14:36You, you had information about my life that you kept from me.
14:39I should be able to decide how I feel about my life.
14:43I know.
14:44You should.
14:45I just, but see now you're, now you're mad.
14:48And I'm telling you something about Tom and you're blaming me like it's my fault.
14:51It's not my fault.
14:51Well, because it is your fault, okay?
14:53It is.
14:53Because you had this information and you decided to keep it.
14:56Yeah.
14:56And you didn't tell me and now you tell me now when I'm dealing with all this stuff.
15:00When I'm dealing with fucking fixing things with Andre.
15:03And what do you, what do you, what do you gotta fix with Andre?
15:06I have to seduce him.
15:06Which of course for you isn't a big deal because sex doesn't matter.
15:08But I still have feelings.
15:14Wow.
15:19Wow.
15:20Wow.
15:21I mean I'm really trying here and you're, what cause I, I fuck guys and I don't let it bother
15:27me.
15:27I, I don't have feelings.
15:29That's what you think of me?
15:31I thought, I thought you were my friend, but you're just, you're just like every other girl I grew up
15:36with.
15:36You just love feeling superior to someone like me.
15:40Right?
15:57Hey.
15:58Oh, thank God.
16:02I thought I was going to die.
16:03And I kept trying to prepare myself until I realized there is nothing to prepare.
16:08It's, it's the end.
16:11But it turns out I'm more valuable alive.
16:15At least for now.
16:18Oh my God.
16:21I did however think that with all the foreigners in town for the Elton John concert tomorrow and all the
16:26cameras they've gathered, they must be doing an operation at that hotel tonight.
16:29You're probably right.
16:30I, I thought you might want to send people there, see what's going on.
16:33Well, I don't make those kind of decisions, but that's valuable.
16:44What?
16:45Nothing.
16:45I just, you had this terrifying encounter and you went out of your way to get me this intel.
16:53When my sister died, I thought there was no way I could ever get answers.
16:56Truth isn't something you have access to here.
16:59For most of my life I accepted it.
17:03Doing this, it has ignited me.
17:05My life may be small, but in my own way I am defiant.
17:12For what if the answers you discover hurt more than not knowing?
17:20It's better than sitting in the dark.
17:31Can I use your apartment tonight?
17:34Yeah.
17:37Dane.
17:38Dane!
17:39Hi.
17:40I left three messages.
17:41Did your girl not get them to you?
17:42I don't have a girl.
17:43Really?
17:44You should.
17:45I'll get somebody signed up there.
17:47Listen, I know you might not think much of us on the sixth floor, but I know more than you
17:50think.
17:51As office manager I have a very valuable vantage point.
17:54I know that we are in trouble.
17:55I know about the...
18:00I'm afraid I don't know what you're referring to.
18:03No.
18:03No, so you don't get to do that actually because that thing was found on my son.
18:07And I don't take my son lightly.
18:08I take my son very serious.
18:10I'm well aware of that.
18:10First on my list, obviously, the toilet has back.
18:12She shows absolutely no interest in being a secretary.
18:15It's almost comical.
18:16At the very least, I think she should be fired.
18:19And investigated.
18:21From what I was told, she had no income after her husband's death.
18:24I'm sorry.
18:25I didn't realize the State Department was a charity.
18:29Well, next, obviously, is my nanny, Evie.
18:33Dismiss me all you'd like.
18:34But her looks are a walking distraction.
18:36And she shows up out of the blue.
18:38And I've got her snooping more than once.
18:39And she has the most access to Trent.
18:43And then there's him.
18:45Do you know the chef sees a shrink once a week?
18:49Mm-hmm.
18:51Answer me this.
18:52Does that look like a man capable of introspection?
18:58Thanks to Redford, we know that tonight, at Hotel in Tourist,
19:02the KGB is running a blackmail operation.
19:05Now, our objective is to infiltrate this blackmail operation
19:08by finding one of the hidden cameras they've planted throughout the hotel rooms
19:11and replacing one of the KGB tapes with a tape of our own.
19:16The technology that Redford has been smuggling out
19:18has allowed us to create an exact duplicate tape.
19:22The only difference is that our tape has a tracking device hidden in it.
19:26Since Caterpillar was unable to provide us with the coordinates,
19:29this is going to be how we figure out the location of the Compromat facility.
19:34Right. Next slide.
19:36Uh, no, that is, that's, that's all, that's it.
19:39That's all the slides.
19:40Two slides.
19:42Raymond.
19:43The rest are still being developed by the lab, so...
19:48Okay, so, uh, how many of these blackmail videos have the Soviets collected?
19:53Well, we don't know the exact number, but we suspect thousands, if not more.
20:00There is enough material in this Compromat facility to have us under the influence of Soviets for decades to come.
20:08So that's probably why Sveta just showed up at George's door, because she was trying to get Compromat on him.
20:13That is exactly what I was thinking.
20:14Yeah, but then why, why would they kill her? I mean, they're not gonna kill every call girl that does
20:19one of these things.
20:20Whoever is doing this is doing it for a very specific reason.
20:23So how do we help? How do we infiltrate the operation?
20:27Right.
20:28Ahem. So, the plan, uh, that we came up with is that I will pose as an easy mark, and
20:35you will be, or pretend to be...
20:39Uh...
20:41A...
20:42Woman of the night.
20:44A prostitute.
20:49I think I have a better idea.
21:16ahem.
21:18Uh...
21:28I'm sorry, I'm sorry. My car is not on. And you told me that your husband is on the car.
21:40Andrey?
21:40All right, all right, all right, all right, all right, all right.
22:00Yeah, you're a bad artist.
22:04You come to me home?
22:05You come to me?
22:06Sorry, I went out of the room.
22:11But still, you're here.
22:13I'm not supposed to be talking to you so much.
22:17You just did something that was supposed to be.
22:21But, listening to that lady,
22:25I remember her loved grandmother
22:29in my village.
22:50I don't have a drink.
22:52You were listening to my daughter.
23:21Ivana, I didn't know you were coming.
23:23Maria asked me to.
23:25And I don't want to stick to my work.
23:29Right.
23:31So...
23:32Yeah, okay.
23:40So, is this kind of music allowed?
23:44It's not popular enough to be a problem.
23:52You really think that what is happening in the hotel is connected to the death of my friends?
23:59I think it might.
24:01Yeah.
24:02That's why, um, you know, I could use your help tonight.
24:05You know, if I'm there posing as a prostitute, then that could attract unwanted attention.
24:08But you, you're known in those circles, so...
24:12But I run for a reason.
24:14You want me to put myself in danger again?
24:17I know.
24:18But I'll be there every step of the way.
24:20I won't let anything bad happen.
24:22I swear.
24:23You're not just an embassy secretary, are you, Twyla?
24:29You don't actually want me to answer that, do you?
24:38What the hell were you just doing?
24:41Listen...
24:41Answer me.
24:44I was only buying hash.
24:46Here.
24:56Hash, so this is your therapy.
24:58My marriage is falling apart, right?
25:01It's the only thing that keeps my mind calm.
25:03Um...
25:04Oh, God.
25:08Oh, God.
25:45All right, okay.
25:52Do you see her?
25:56She'll be here.
25:58I promise.
26:00Next.
26:01Good evening.
26:02I'm Mr. Howard's secretary.
26:04We have two rooms booked for the night.
26:06Of course.
26:07Here you go.
26:07Now, I'll tell you what, Audrey.
26:08You cancel my 8.30.
26:10After that shitstorm in D.C., I'm going to need a stiff drink.
26:13Then another one after that.
26:14Of course, sir.
26:15Yes.
26:16Just one moment.
26:19Just to make...
26:24Oh, shit.
26:25It's her.
26:27Yeah.
26:29Her.
26:34Did you know about this?
26:37Not exactly.
26:39No.
26:45You think it's going to work still?
26:48As long as he's buying it.
26:51Here you are, sir.
26:57You are in our suite.
26:58Floor 4, room 12 and...
26:5912?
27:00Floor 4, room 13.
27:0213, thank you.
27:03Okay.
27:04Oh, yes.
27:04But first, please, allow me to show you to the bar.
27:07We have a new American drink on the menu.
27:11Harvey Wallbanger, made with the finest Russian vodka,
27:15Galeana liquor, and fresh orange juice.
27:18I think you will enjoy it.
27:19A small taste of home.
27:20Just so long as it's got alcohol, it's good with me.
27:23Well, we have everything you could want in Russia, including the most beautiful women.
27:30Aha.
27:31Oh.
27:31Oh.
27:33Well, uh, thank you, but, um, not really my, my style.
27:41You know, you, you might have better luck with her over there.
27:44He prefers a twiggy type, you know.
27:46Just anything to get him out of my hair for the night.
27:49All right.
27:50I gotta get myself to bed.
27:52Don't wake me up before nine.
27:54Of course not.
28:04Bonsoir.
28:07Are you not a sight for sore eyes?
28:11I insist on buying a drink.
28:15How about we go to a room?
28:17More private?
28:19To my room?
28:26This way.
28:27Where are you from?
28:29Paris.
28:30Do you know?
28:30We're going to the sky.
28:32Wait, wait.
28:33Beautiful.
28:35Can I join the party?
28:38C'est Noël.
28:40Yes.
28:41You want to go to Paris as well?
28:42Sure, yeah.
28:43Yeah?
28:43She can come, huh?
28:45Yeah.
28:46Yeah.
28:55Hi.
28:56May I come in?
29:00No.
29:02No, no.
29:03I love my wife.
29:05Well, let's keep this between us.
29:07No.
29:09Really, really.
29:12No.
29:15Please.
29:17We don't have to do anything.
29:20But if I go back downstairs, they...
29:25Please.
29:32Okay.
29:40I'm surprised you never tried it.
29:42It's much more popular in America, right?
29:44No, it is.
29:45It is.
29:45I was just always too nervous.
29:49I didn't want to get in trouble.
29:51Oh.
29:53It must be the old you.
29:55The one who cared about getting in trouble.
30:03I never used to break any rules.
30:06There's always this voice in my head telling me I shouldn't.
30:14I don't see.
30:15Could you ever foresee smoking hash with your foreign asset in Moscow
30:19while waiting for the KGB agent you're seeing?
30:24no
30:26no
30:30no
30:39I'm
30:40I also have voices in my head
30:51this quiets it down
30:52a bit
30:55sometimes it's like
30:56I'm having five conversations in my head
30:58at once
31:01who I should be
31:03who I shouldn't be
31:06what I should say
31:07what
31:09what I should not
31:12say
31:15what language
31:16I should be speaking
31:24it would be nice to quiet that chatter
31:27just hear the voice you're speaking
31:35you okay
31:38I see I see
31:40okay
31:40it's all right
31:43it's fine
31:44I know I know what to do
31:46if you're willing
32:07just try to focus on music
32:09nothing else
32:10that's how you'll escape
32:13trust me
32:14yeah
32:15it's all right
32:18I won't forget
32:20all the times I've waited
32:24patiently for you
32:27and you'll do
32:30just what
32:31you choose to do
32:33and I will be alone
32:38again tonight
32:41music
32:41music
32:42cigarettes and drinks
32:43yeah
32:44bienvenue
32:45bienvenue chez moi
32:46dans mon roya
32:49we must celebrate
32:52here I am with no wife
32:54to report to
32:56no
32:56high minister
32:58to be happy
32:59mended
32:59ban
33:00thank you
33:02and half a bottle
33:04of vodka
33:04to share
33:05yeah
33:05yeah
33:06yeah
33:07yeah
33:10qu'est-ce qu'il y'a
33:11is there a problem
33:12in some room
33:13no no problem
33:14salut
33:15salut
33:17salut
33:18un autre
33:19oh
33:24oh
33:26putain
33:27votre musique
33:28your music
33:29your music is shit
33:30your music is shit
33:31but your food eats
33:32oh
33:33your music is shit
33:35and your food
33:35but your girls
33:39right
33:39right
33:40aren't they just
33:43delicious
33:43something
33:44yeah
33:47yeah
33:51go to the bathroom
33:52yeah
33:55why don't we get a little
33:57comfortable
33:58yes
34:04where you go
34:06we will follow
34:10why do you still wear clothes
34:12hmm
34:13je sais pas
34:14okay
34:15I don't know
34:16why do you still wear clothes
34:19too many chic
34:20hmm
34:24hmm
34:25hmm
34:26here I'll
34:26yeah
34:29look in the U.S.S.
34:33oh
34:33it's a bunch of
34:37foreigners can never hold Russian vodka
34:39it was only a matter of time
34:44so
34:45so
34:48what's next
34:56well
34:56I mean
34:57we're supposed to
34:58look for that camera
35:03what's next
35:05what's next
35:07thanks
35:07to me
35:09keep it on you
35:09open the door
35:12let's go
35:13lock
35:13lock
35:15lock
35:19lock
35:20lock
35:21lock
35:23lock
35:25lock
35:25lock
35:25lock
35:27lock
35:30Is there any information about where the lady is?
35:35What do you have to do? Go here. What do you have to do?
35:38The lady has information. Maybe I can help you.
35:55Help.
36:00Is there any information here?
36:01But then, when I'm here, I'll let you know what your name looks like.
36:10André, what do you want to do?
36:17What do you do, Andre?
36:18What do you want to do?
36:19You see, what's going on?
36:21What's going on,rim?
36:23André?
36:25What's going on?
36:26What do you want your shoes?
36:27Well, my shoes are tipped.
36:28His shoes were really good.
36:29I'm going to kill you.
36:31I'm going to kill you.
36:35I'm going to kill you.
37:00Oh, no table.
37:02Yeah.
37:06Okay, no, not there.
37:08Inside the drawer.
37:13Yeah, okay.
37:30Am I funny to you?
38:27Oh, no table.
38:29Isn't it good?
38:32Yeah.
38:42I can't remember the last time I...
38:45You knew exactly what I needed.
38:48It's not so hot if you see someone.
38:52You see me.
39:02You have to go.
39:06Will it be okay here with him?
39:10He'll be okay.
39:14I'll imagine someone else.
39:20Just listen to your own voice.
39:24I do.
39:24I do.
39:24I don't know.
39:56What do you really have to hear?
40:09I missed you.
40:12Did you miss me?
40:13I missed you, didn't you?
40:25I knew.
40:28I missed you.
40:31I missed you.
40:39I missed you.
41:04I'll take the pork chops.
41:06Yes, unfortunately we do not have the pork chops.
41:12Uh, then I'll have the French meat, whatever the hell that is.
41:16Yes, we are out of that too.
41:19You can't possibly be out of the fish with gelatin, can you?
41:24In fact, the whole third page we do not have.
41:29Why don't you just bring us two of whatever it is you do have?
41:38God, I hate Moscow.
41:40It's a shell of a city.
41:42And to think it's my own men bringing me here.
41:45So, uh, how's the new job, sir?
41:47We settling in?
41:48You want to do small talk?
41:50You know I am here.
41:52And it's because you...
41:53Sir, um, before you continue, I should make you aware of some plain clothed friends.
41:59Behind me, at the bar, over there by the front door.
42:02And of course, right beside us.
42:09I thought living with my mother-in-law was oppressive.
42:12Sorry, sir, it's just the way they do things here.
42:14They're not subtle, but...
42:23Well, it's a miracle anything gets done here.
42:25But your choice of agents...
42:26Um, sir...
42:27I mean, it would make sense if it were eye candy, but you shop at a totally different candy store,
42:30so then...
42:31Sir, I'm sorry, uh, you shouldn't...
42:38And it's like that every day?
42:39Yes.
42:41Sir, I promise you, although our tactics may seem unconventional, we're on the verge of a major breakthrough...
42:47Unconventional's not gonna cover for you, Mr. Walter.
42:49I mean, what were you thinking?
42:51You hired two unqualified women, and then you let a grandma wander off.
42:57That was...
42:57It's a goddamn embarrassment.
42:59So one more thing winds up out of place, and I'm talking a hairnet on a cafeteria worker in the
43:04embassy.
43:05You can kiss not just Moscow, but the entire company could buy.
43:10Yes, sir.
43:33Relax, Andre.
43:36Just let me take care of you.
43:37Just let me take care of you.
43:39Okay.
43:50Who did this to you?
43:56I look better this way.
44:00Better with scars.
44:05We're the same, you and me, Nadia.
44:10When you're born in the provinces like us,
44:12you know how easy it is for life to go to waste.
44:16But there's also an advantage of once being very small.
44:21We're underestimated.
44:24That is our power.
44:27When my husband died, it would have been so easy for me to go home.
44:32I didn't want it.
44:34It felt small.
44:38I wanted a life.
44:40It was all the surprises.
44:44Hmm.
44:47And are you surprised to be here right now with me?
44:54Yes.
44:57What's your dream, Andre?
45:06More.
45:09I dream of more.
45:13What are you willing to do, Andre?
45:26I have what I need to fuck them.
45:29Leverage.
45:33Every man has secrets.
45:36There's something.
45:38Some piece of knowledge that could ruin every life.
45:43I was never going through it.
45:48Everyone's got a weak spark.
45:52There's secrets, Nadia.
45:57I find it.
46:00And they will give me the world.
46:03They'll never see you coming.
46:11Come on.
46:21I think...
46:30Come on.
46:31Come on.
46:31Come on.
46:32Come on.
46:33Oh
47:10Do I scare you?
47:13Because I should
47:22Was I good?
47:24Oh yeah, Frenchy, you were great
47:29C'est bien
47:33So the next time that he comes to you and he's apologetic, you're gonna look at him in the eyes
47:39and you're gonna say
47:40I will say, no, you have had your chance
47:45From here on out, you're only thinking of
47:50Yourself
47:51There you go, look at you, see, that's a weight, that's a weight off
47:58Oh
47:59I'm sorry
48:01It's okay, it's okay
48:03Here, why don't I just
48:04I'm sorry
48:06I just
48:07I don't know how to thank you
48:09Julia, you have already done more than enough
48:14Hm?
48:14Come here
48:15No
48:17It's hard to find someone who listens
48:20Nobody listens to me
48:22I am listening to you right here, right now
48:24Thank you so much
48:26Of course
48:26Oh, shh shh shh
48:27Get it all out, there you go
48:29There you go
48:30Yeah, oh my goodness
48:31Here
48:33There you go
48:35There you go
48:46Well
48:51Well
48:58I'm sorry
48:59Uh, we
49:00We couldn't get more answers from Maria
49:03Yeah
49:04You know, Ray said, uh
49:05We can track the tapes now
49:07So I'm confident
49:07Maybe that'll help us get more information
49:09Hm
49:10Or it will lead to nowhere
49:11Or that, yeah
49:14Did she say anything about the guy that hired her?
49:18Anything that could, you know, help us find him?
49:20Well, he did not use his real name
49:22Yeah
49:23But she said what he looks like
49:26Oh
49:26High cheeks
49:27Blonde hair
49:29Deep blue eyes
49:30That look right for you
49:35Oh my god
49:50down
49:56There's no way
50:01There's no way
50:02There's no way
50:02far
50:11Uv Allegiance.
50:13There are no way
50:26Oh, fuck you, Chris.
51:03Uh, I, I need an, I need an outside line.
51:14I, I, I, I need to see you.
51:27Mr. Ray?
51:30Oh, wow, you scared me.
51:32I was worried.
51:34You were out so late.
51:35Oh, I'm sorry.
51:36I, I, I kept reheating dinner, but...
51:39You did?
51:40I'm so sorry.
51:41Uh, no.
51:42Oh, okay, well, thank you, thank you.
51:50Oh, I'm sorry, do you want to, do you want a plate?
51:53We can eat together if you want.
51:55Oh, don't worry, it's fine.
51:58Yeah?
52:00Okay.
52:01Hey.
52:01I'm sorry.
52:04Okay.
52:07How was your night?
52:11Uh, it was good.
52:13It was really, um, you know, busy.
52:20Hello?
52:30Hey.
52:32Hey.
52:33Hey.
52:34I have so much to tell you.
52:37Hold on.
52:38Hold on.
52:39Come the fuck in.
52:40Yeah?
52:52Cuz it.
52:57No!
52:59Hey.
52:59Hey.
53:06Hey.
53:08Hey.
53:08Hey.
53:10to depend on, you're all alone, she's the only one who'll come, take you far away, take
53:22your breath away, but she'll leave you crying in the night, she will leave you crying in
53:35the night, oh, she's gonna leave you crying in the night, she's back.
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