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00:01Someone's there.
00:02It's too late.
00:03Go to the destination.
00:05Say Tibor sent you and you want to see Sebastian.
00:07We're gonna need cash to make it to Lyndon.
00:10You killed him.
00:11We killed him.
00:12You know what it takes to survive.
00:14And we'll have to decide how much blood in your hands you can live with.
00:37It's okay, Gorgeous.
00:38Let it out.
00:41Let it out.
00:43Let it out.
00:45Let it out.
01:00Let it out.
01:25Our turn.
01:36Can I help?
01:38I hope so.
01:39I'm looking for a man.
01:40Five foot nine, brown eyes, dark cropped hair.
01:43He may have come in here with a young woman.
01:45Look.
01:46Love.
01:48Well, sorry for you.
01:49Been there myself.
01:51Trust me.
01:52But what people do in that room,
01:54well, that's their business.
01:55Alright.
01:57So he's here?
02:01Let me guess.
02:02Paneer, tikka, banganbata and a masala chai.
02:07No.
02:08How did you know that?
02:11Okay, man.
02:12I didn't know that this is the most important thing.
02:14I should have taken to go.
02:17You didn't know that you're too young.
02:18You were too young.
02:30You weren't too young.
02:31You were too young.
02:32I was too young.
02:32You don't know what?
02:33This is a little bit of a man, but you're too young.
02:33It can be young.
02:35You're too young.
02:37You are too young.
02:38I'm too young.
02:49Food's here.
02:52He said he'd call us when it arrived.
03:13Police.
03:14Shots have just been fired at this time.
03:16We can't trust you.
03:17We can't trust you.
03:18Get the money.
03:39Get the money.
04:17Oh, no, no, no.
04:40No!
05:07Mm-mm-mm-mm-mm-mm-mm-mm-mm-mm-mm-mm-mm-mm-mm-mm-mm-mm-mm-mm
05:20-mm-mm-mm-mm-mm-mm-mm.
05:21Fall into my arms like you trust me.
05:29I'll keep my blasting hands off your body.
05:39I feel right, I feel right, I feel right
06:30I feel right, I feel right, I feel right
06:56I feel right, I feel right
07:27I feel right
07:34I feel right, I feel right
08:05I feel right, I feel right
08:40Michael wants to handle the merchandise with his bare hands
08:43Make sure it's real
08:46Okay
08:48Your old man always used to handle the face to face, people I used to deal with
08:52I can handle it, so do I already have, I'll be doing the talking
08:59This is the big one after all, just letting you know out of courtesy
09:06Well I need just a picture of efficiency, passing messages along like a champ
09:18Just a man
09:22How's it all going?
09:25Everything's fine, but there's been a change
09:29Tebbet's gone, Campbell's put me in charge of the investigation
09:34Well congratulations Will
09:36No excuse for not finding them that way
09:54What have you done?
09:56I know you're gonna you're gonna do the job
09:56It's all fine
10:00I know you have to do the job
10:01If you don't do the job
10:02No excuse for the job
10:05I know you have to do something
10:07I know you have to do the job
10:14All right.
10:14OK.
10:28All right.
10:29So, this is so easy to eat.
10:29So, let's go in.
10:33I'm going to get a bit of chocolate.
10:34I'm going to get it right now.
10:37I'm going to get it right now.
10:38I'm going to get it.
10:56Nancy, it's me.
10:58Boss?
10:59I need a favor.
11:02You're suspended.
11:03This case has taken everything, my marriage and now my career.
11:05If you think I'm a Pegasus mole, you should hang up right now.
11:09Oh, I see Campbell's crew is still camped outside.
11:13Nancy, seriously, how long have we known each other?
11:19What can I do?
11:22Pavel Ivanov, the renewable energy engineer that Stone got out of Belarus.
11:27He was developing high-heat-resistant polymers for wind turbines.
11:31I'm not sure I follow you.
11:32That's the kind of material designed to withstand exposure to extreme temperatures without warping.
11:37Do me a favor.
11:38See if it matches what the weapons on that drone are made of.
11:41I'm on it.
11:41Good girl.
11:43How's the team?
11:44All over the place.
11:45I'm preparing a briefing on Amritol.
11:48Full background check.
11:49It works.
11:49Feels like a wild goose chase.
11:51Who was there?
11:53O'Neill.
12:12No, you're not doing that.
12:13Going what?
12:14You're not killing whoever's in that lorry so you can steal it.
12:17Well, you have a very low opinion of me.
12:19Actually, I was going to pay them to take us to London.
12:21I was just going to make him ask questions.
12:23Well, I need more insulin soon, so we'd better come up with something.
12:26Okay, so we just talked to him.
12:27We appeal to his better nature.
12:30I'll do it.
12:32Give me your hand.
12:34Don't say a word.
12:35It's all yours.
12:37Hi.
12:37Hello?
12:39Hi.
12:40Sorry.
12:40We've just gotten into an accident a few miles back.
12:43Just wondering if you can help us.
12:44No, the A.A., love.
12:46Our phones are fucked.
12:47We need to get back to London as soon as possible.
12:50No, taxing either.
12:53Maybe you're a good Samaritan.
13:04You're all right, love.
13:07Not really.
13:08No.
13:08I need to get back to London.
13:10I need to get to my daughter.
13:13This is her.
13:15She's six months old.
13:20It's a different fellow in Patriot.
13:26Yeah.
13:29Yeah.
13:30You're right.
13:33Okay, I'm a prison transport officer.
13:35I used to get this man back to London.
13:37And the only reason I'm doing any of this is to get back to my daughter.
13:40My name is Amber.
13:41What's your name?
13:42What's your name?
13:43Paul.
13:43Paul, okay.
13:44Great to meet you, Paul.
13:45Five grand.
13:46I said I'd handle this.
13:47We're out of time.
13:49Half now, half when we get there.
13:50But we need to leave immediately.
13:55Sure.
13:56I'm right.
14:03No stops.
14:04No questions.
14:15It's nothing to sit on.
14:18I've just come back from my job.
14:21Take these.
14:23My granddaughter gave them to me.
14:25It's better than sitting in a dark, yeah?
14:29Right.
14:31Okay, then.
14:47Better nature up my ass.
14:49He was about to take us.
14:50Rice.
14:51He was.
14:53Seems kind.
14:54Well, your sob story didn't work.
14:58You may seem kind, but greed is what moves it.
15:03You must ride in.
15:05You must ride in.
15:09What do you mean?
15:15It's creepy.
15:16Oh.
15:23Come and they made him Explain ŃŠ°Š¼ŃŃ
dirty.
15:24Come and...
15:27Where is he doing this?
15:30I can tell you my daughter.
15:32I can hardly do it.
15:35Thank you, look.
15:46I hope you sleep well.
15:48Yeah, thanks.
15:49Something smells good.
15:51Won't be ready till lunch.
15:54There is a fresh bottle of coffee.
15:56Yeah, I'll take some coffee.
15:59Do you mind if I make a bottle up for the baby?
16:01She'll be awake in like 10 minutes.
16:04Like clockwork, aren't they?
16:06Yep.
16:10Little clockwork terrorist.
16:18So you got caught up with Tibor?
16:20Yeah, I mean, we've never actually met, but...
16:24I'm sorry, how do you know him?
16:28We go way back.
16:30But I haven't seen him in years.
16:34Which?
16:35Sugar?
16:37To smoke.
16:38Please.
16:40So, um...
16:45Uh, who's Sebastian?
16:54Just a name, Tibor and I used to use.
16:58Silly Sebastian.
17:01Whenever one of us would do
17:04something silly.
17:28I don't know about you, but the question
17:30I'm asking myself is, who is Amber Todd?
17:37Eleven officers died when that convoy was hit,
17:40yet she got stoned out that tunnel like she was
17:42dancing through raindrops.
17:45So is she one of us, or another one of them?
17:50Now Nancy's put together a brief
17:52that you all should have received by now.
17:55Use it.
17:57Now we have two days
17:58to put Tibor's stone on the stand.
18:01We need to move fast.
18:03Let's get to work.
18:22Do you really believe that about Todd?
18:26You want a fresh thinking?
18:43He wants to see you.
19:06Three minutes.
19:15He's taking a big risk, asking me to come here
19:17One of my people is in police custody
19:19She was caught with a firearm
19:21Nina Dragos, I need you to get her out
19:25That's impossible
19:28You asked me to put strings on that, I could expose myself
19:31I'm in charge now
19:32You've got me exactly where you want me
19:34Don't risk it
19:35You told me what to do
19:37I need her released
19:41Why?
19:42Who the hell is she?
19:43An asset
19:46She paralyzed one of my men when she was just a kid
19:49He put his hands on her
19:50Well, he tried to
19:52She was with a group of workers who were bringing her into the country
19:55I think the word is trafficked
20:01What was her knack for spotting raw potential
20:04So I had Deepa Stone take her under his wing
20:06Show her the ropes
20:08She knows him better than anyone
20:10There's no one else who can get close to him
20:12Set her free
20:14Locate Stone
20:17She'll finish the job
20:20Back on
20:29How's your wife?
20:31Is she getting the treatment she needs?
20:33Because I know how expensive that can be
20:36You don't bring her into this
20:37I didn't
20:41You did
20:42That's exactly my point on potential
20:45When we discovered your wife's diagnosis
20:48I knew right away
20:50You'd do anything to save her
20:56Here we are
20:59Family is everything, isn't it?
21:02Anita
21:03And Saffron
21:07I've done everything you've asked
21:10I can deliver you, Stan
21:12That's all
21:13Enough
21:14No more
21:15Thought you'd say that
21:20Check your phone, Mo
21:31Pretty young girl, your daughter
21:33Get Nina out
21:35Use the NCU to locate Stone
21:38And she'll handle the rest
21:46I say when it's enough
21:58Breaker, Breaker
21:59Anyone got their ears on?
22:02Bit of company never hurts
22:05This is Longshot
22:06How you doing, ma'am?
22:08A fellow rogue ghost
22:09Longshot
22:10This is Midnight Rambler
22:12Good to meet you, Rambler
22:14Heading anywhere exciting?
22:16Nothing exciting
22:17Better knock, better run
22:18With a trailer full of pallets
22:19You
22:21I doubt you'd believe me
22:22Even if I told you, ma'am
22:23Try me
22:39So
22:41Where does this
22:41Strong moral compass of yours come from?
22:44You mean the one that makes me uncomfortable
22:46Killing people with my bare hands
22:51Freud
22:52Have a theory
22:54Psychodynamics
22:56Individuals may develop
22:57Strong moral principles
22:58As defense mechanisms
22:59Against their parents' behavior
23:04Is a father a criminal, Amber?
23:06Is that what made you this way?
23:09I prefer Albert Bandura's
23:11Social learning theory
23:12If a child frequently witnesses law-breaking
23:15Being rewarded
23:16Or going unpunished
23:17They may come to view such behavior
23:19As desirable
23:19Was mommy a serial killer?
23:27This is fun
23:30I hurt your man
23:32You
23:33Who
23:47Does that
23:56You
24:15No. No, no, no, no, no. I'm not with the team who attacked you.
24:20If I was, I'd have turned up with more than stolen case files than me dick in me hand.
24:24I know you. Yeah, my name is Alex Tebbit. We spoke on the phone two days ago.
24:29You're at NCU? Yeah, well, I was.
24:33They think I'm the mole responsible for the attack and you and Todd's family are no prison van.
24:38Look, I need you and your team to help me. Can I come in?
24:41They kicked you out and you think I'm going to trust you?
24:45I swear to God, I'm offering you a chance to help save their lives.
24:58I don't know what you told me.
25:00Will O'Neill, the man that took my job, is setting up your friend.
25:07What makes you think he's bent?
25:09One, the intel that made us move stone early came from O'Neill's department.
25:14Two, O'Neill was one of the few people who knew where Ollie and Mia were.
25:17And three, my sources told me he's feeding the NCU a lie that Amber's working for Pegasus.
25:23By making her the suspect, he can focus resources on investigating her, on hunting her down.
25:28He keeps their attention elsewhere while he ships into Elder Pegasus.
25:32If O'Neill is the mole, then breaking it might be the only way to get Amber back.
25:38Okay. How do we break him then?
25:40They all want to interview you about Amber and when he does,
25:43Bosh, we prove his connection to Pegasus by getting into his phone.
25:46Whoa, whoa, whoa. Just wait a second, yeah?
25:49That's a criminal defense film.
25:51I know. Look, I've heard what he says and I'm convinced I'm in.
25:55But I'm not expecting any of you to put yourselves at risk.
25:58If you're in, I'm in. What do we do?
26:00When he interviews you, you distract him.
26:04Who can talk bollocks for five minutes while you nick his phone?
26:12It's called storytelling.
26:13And it's an art form.
26:16Are we really doing this?
26:17For Amber, yeah, we are.
26:20And Joe, we need to make these bastards pay.
26:26Breaker, Breaker, this is Midnight Rambler.
26:29So listen, I just called a mate.
26:30Someone's been putting a word out.
26:32They're looking for a man and a woman, same as the pair you picked up.
26:39He'll give you a hell of a lot more than five grand if you hand him over.
26:44How much more?
27:13Lena's still in custody.
27:15Well, we need to fix this.
27:16The adults are handling it.
27:19Her value is declining.
27:21How many times is she going to let stone slip through her fingers?
27:24Huh?
27:25She's become a liability.
27:31Keep your mouth shut.
27:33Keep your mouth shut.
27:57Nice place.
28:00Are these originals?
28:02Are you into art?
28:03I'm into money.
28:05This is Harrison's son.
28:07Declan.
28:08How's your father?
28:09Yeah?
28:10Yeah, fighting the good fight.
28:15This is the future of absolute power.
28:19It's a next-gen plastic column.
28:21Stronger than metal, so it doesn't warp under heat.
28:24And?
28:26Your fires repeat rounds.
28:30Try it.
28:34It's completely untraceable.
28:36Dismantled, they'll easily pass through any metal detector.
28:39Perfect for international shipping.
28:41If you catch my drift.
28:43Thank you for that, Declan.
28:46How many have you manufactured?
28:48And will they be ready for the day of action?
28:50We have 2,000 ready to go for the UK market.
28:53Another 10,000 ready by Friday for your European clients.
28:56Don't jump ahead of yourself.
28:58You assure me of more certainty about Harrison's release.
29:03My clients don't need to be connected to this highly publicized criminal investigation.
29:08Mr. Dempsey will walk.
29:10And if he doesn't, you can always close the deal with me.
29:14With respect, you're not your father.
29:17Harrison Dempsey is Pegasus.
29:20That's why I deal with him and only with him.
29:24Well, it seems a little old-fashioned.
29:27With respect.
29:29Please.
29:31Please ignore the boy.
29:33We are here to show you why you shouldn't be shopping anywhere else.
29:37The deal will not go through until Mr. Dempsey is released.
29:41Which he will be.
29:50Excuse me, Junker, Ben.
29:51Of course.
29:57You're embarrassing us.
29:58Me?
29:59You want a fucking weak link?
30:01Begging for a deal that's already been done.
30:02We should be naming our fucking price.
30:04I'll show you the ropes, because that's what your old man wants.
30:06If you spook Mikai out and this deal falls through, we lose millions.
30:09Right, sir?
30:09Please, please, do me a favor, you silver spoon prick.
30:12Just shut the fuck up.
30:21It's my queen there.
30:23Told you they were powerful.
30:34Keep the gun, and I'll pay for the couch.
30:42I'll tell to my clients to have a little bit more patience.
30:46And I'll reach out to my European contacts.
30:52Take it away from the sofa.
30:55Take it away from the sofa.
31:00Yes?
31:01Some lorry driver's given us the location of Stone and the prison officer.
31:04Just when I thought my day couldn't get any better.
31:07Is Nina out yet?
31:08No, but the boss is on it.
31:09Okay.
31:11I'll do this there myself.
31:16Here we go.
31:18Hello, everyone.
31:19Thanks for coming.
31:21Now, I don't need to look so worried.
31:24I just need to ask you all some questions, and as long as you strike with me, there shouldn't
31:28be any issue.
31:31Miss Buckley, I'll start with you.
31:35So, phone's in here.
31:37Please.
31:42Amber's in a lot of trouble, and I need to bring her in.
31:44I know the two of you qualified together.
31:47You care about her.
31:49Ollie and me are two.
31:51I need to locate her before something happens that can't be undone.
31:57Besides Ollie, all the people that she trusts are out there.
32:00I have no idea where she is.
32:09Freud also wrote an essay about grief of loss.
32:13Mourning him melancholia.
32:17And?
32:19How did your son die?
32:21What?
32:22Your son.
32:25I was lying about that.
32:28I never had a son.
32:31But you told me about him.
32:33I told you what you wanted to hear, Amber.
32:35I needed you to trust me.
32:37See?
32:38The moment I said dead, child, you create a backstory for my behavior.
32:43You let your guard down.
32:45So I tell you about Mia.
32:46So you'd have something to use against me.
32:48You needed something to cling to.
32:50That's what makes you so profoundly, predictably human.
32:57There is nothing redeemable about you.
33:05Tell me where Ollie and me are.
33:08The point of a safe house is not giving out the address.
33:11Tell me where they are.
33:12Calm.
33:13Tell me where they are, you fucking sacred back!
33:16Listen to me.
33:17We agreed.
33:19You'll see your family after you get me to the old building.
33:22So you're keeping them hostage?
33:26I'm the only thing keeping them alive.
33:28Me and the person I sent them to.
33:34You should be a little more grateful.
33:45Yeah.
34:03Marcus.
34:04Yeah.
34:05Shut up.
34:06Yeah.
34:11Mate, um...
34:12It's a long shot.
34:13You know, you're such a new chap.
34:15How about you land this gig?
34:17Good CV.
34:18Good CV.
34:21Mr. Azuland.
34:24Let's go.
34:27Yeah, I suppose you've got, like, qualifications coming out of your ears.
34:31About the half of the police.
34:33Yeah.
34:33I'm a CID for A.
34:34Oh, wow.
34:35CID.
34:36Yeah.
34:37Cool.
34:37That makes it...
34:38It's going to change the whole collection.
34:41They're obviously...
34:54Yeah, between studying, the baby, or what?
34:59Um...
34:59I don't know how she does it.
35:01See me?
35:01I can barely keep a poor clown alive.
35:03You know what I'm saying?
35:07It's a lovely view.
35:11It's a nice place to be in here.
35:14It's what we've seen from you.
35:15It's all that.
35:16It's mad, isn't it?
35:17What about her mother?
35:19What about her?
35:21Oh, I'm sure, as, uh, you being the tight-knit unit you are, that she would have told you
35:27that her mother's incarcerated in Westhorne Prison for armed robbery.
35:40Um.
35:44Um.
35:45Yeah.
35:46Yeah.
35:47Yeah, of course.
35:48You're lying, Jamal.
35:50She kept it from you, didn't she?
35:59You sure that's the only thing she's hiding?
36:16I mean...
36:17Honestly?
36:20You think you know a person, right?
36:22Look, you share the same scrap of carpet at work, you know?
36:25Secret Santa, which was me, by the way.
36:29I've got her this really nice handmade paper dove.
36:33Where is she, Jamal?
36:34It's gone live over there, Fox.
36:35It's gone live over there, Fox.
36:36Actually, where is she?
36:46I don't know.
36:54Mr. Hawkins?
36:58You know, well, I just, you know, I just, I can't, I can't talk me through all this.
37:02Colin, do you know what, I think I'll throw my hat in the ring and I'll give the application down.
37:06Go for it, man.
37:07Do you know what I think?
37:08Good work.
37:08We won't come down.
37:09What's the worst thing?
37:10Good work.
37:11Yeah.
37:11Yeah.
37:11Well, it's been broken.
37:22Uh, uh, excuse me.
37:25You okay, sweetheart?
37:28I'm sorry for all the missed calls.
37:29I just wanted to hear your voice.
37:33Yeah.
37:55Have we arrived?
37:57This isn't London.
38:06Yeah, it's me.
38:07I'm here.
38:08What the hell?
38:16What are you doing?
38:17What's wrong?
38:19I need my shot.
38:22Paul!
38:23Paul, are you there?
38:25Come on, talk to me, Paul.
38:26Please, it's not too late.
38:27Just let us go.
38:29I can't.
38:30Come in.
38:31They will kill you.
38:32Shut up.
38:33Listen, we can help you, Paul.
38:35Okay, we can help you, but you have to let us go right now before they get here.
38:43I've been told to give this to you.
38:47Hello?
38:48You okay?
38:50I'm sorry I let you down.
38:53You're getting another shot.
38:54I have a location for you.
38:56We got you, Paul?
38:58We got it.
38:59You're being released, no charge.
39:01Let's not have this conversation again.
39:03No loose ends.
39:05Understood.
39:06You're my most valuable asset, Nina.
39:09Now I can count on you.
39:11The things we're going to do together.
39:16Now give away the phone.
39:25Listen to me.
39:26Listen to me.
39:27You made a mistake, but you can fix this.
39:29Okay?
39:29If you don't, we're all dead.
39:31Unlock the door.
39:33They pay me 50 grand to hand you out.
39:36You are never going to see that money, Paul.
39:38Okay?
39:39It's not how these people work.
39:40I've seen what they're capable of.
39:44You are better than this.
39:47You are better than them.
39:49You don't know me.
39:51You don't know me.
39:52My job is dealing with criminals every fucking day.
39:54I know it is a person when I see one.
39:57Fuck the money.
39:58Don't you want to see your granddaughter grow up?
39:59Fuck.
40:07Fuck.
40:23Wait, wait, wait, wait.
40:24Please, please don't.
40:26Please.
40:26What the fuck is this?
40:31Stand him up.
40:33Do it!
40:36Please don't!
40:37I have nothing to-
40:38Shut the spark up.
40:38Please, just let me go, please!
40:43Jesus, shall I make us all a cup of tea while we wait?
40:56Please, please!
40:59Hey, hey!
41:00Come on!
41:03Hey, come on!
41:06We're out!
41:08Come on!
41:09Come on!
41:13Come on!
41:30What's this, then?
41:36Okay.
41:37That's not for us.
41:43Sebastian.
41:46You found him, then?
41:51Yeah.
41:52Sorry, I'm, uh-
41:53It's fine.
41:56Was he, uh, a relation?
42:01My husband.
42:04Thibaut's father.
42:07Um...
42:08I'm so sorry, I-
42:10Don't be.
42:20It was a virus.
42:22We had to go.
42:25Thibaut and I keep them together.
42:34Food's for thee.
42:49Oh...
42:59Oh!
43:01Oh!
43:02Oh...
43:02Oh!
43:03Oh!
43:04Oh!
43:05Oh!
43:05Oh!
43:09why didn't you wait for me I thought you were locked up this wasn't the moment to prove yourself
43:16how did the need with Michael go did you show him the product
43:21yeah it was a successful test where's miles
43:30are you fucking serious look it worked okay the car says his clients will wait for us so as long
43:36as
43:36the old man walks then we're all set and then what what do you mean you're smarter than people think
43:44but you can't do what I do that's why you'd make good partners in what
43:56Harrison will never let me run anything so your father doesn't see you but I do we kill T-war
44:03we
44:03take our share of the Michael deal we set up our own fuck Pegasus fuck Harrison you and me
44:21all right
44:37the fridge
44:43insulin there
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