- 12 hours ago
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00:01Someone's there.
00:02It's too late.
00:03Go to the destination.
00:05Say Tibor sent you and you want to see Sebastian.
00:07We're gonna need cash to make it to Lyndon.
00:09You killed him.
00:11We killed him.
00:12You know what it takes to survive.
00:14And we'll have to decide how much blood in your hands you can live with.
00:36It's okay, Gorgeous.
00:38Let it out.
00:40Let it out.
01:25Our turn.
01:36Can I help?
01:38I hope so.
01:38I'm looking for a man.
01:40Five foot nine, brown eyes, dark cropped hair.
01:43He may have come in here with a young woman.
01:45Look.
01:46Love.
01:48Well, sorry for you.
01:49Been there myself.
01:51Trust me.
01:52But what people do in that room,
01:54watch their business.
01:55Alright.
01:57So he's here?
02:01Let me guess.
02:02Paneer, tikka, banganbata and a masala chai?
02:07No.
02:08How did you know that?
02:10Oh!
02:11Oh!
02:12Oh!
02:14Oh!
02:16Oh!
02:17Oh!
02:17Oh!
02:18Oh!
02:18Oh!
02:20Oh!
02:20Oh!
02:23Oh!
02:23Oh!
02:24Oh!
02:24Oh!
02:24Oh!
02:24Oh!
02:24Oh, oh!
02:24Oh!
02:32Oh!
02:48Food's here.
02:52He said he'd call us when it arrived.
03:12Police.
03:13Shots have just been fired at the center.
03:16If we can't trust them, please.
03:18Get the money.
03:39They're right.
03:42I got a few more.
03:47If it could not be anything wrong, we would have to do that.
03:49I can't see what he was saying.
03:50I can't see what he was thinking.
03:52I can't see what he was thinking.
03:56I'll be the guy who is going to kill him.
03:59You can't wait.
04:04Oh, my God.
04:43Get high.
05:06Get high.
05:30Get high.
06:18Get high.
06:30All right, gorgeous.
06:31All right, gorgeous.
07:27All right, gorgeous.
07:40All right, gorgeous.
07:58Hello?
08:01Sebastian.
08:02We're here to see Sebastian.
08:04Yes?
08:10Can't be too careful.
08:12Feeling alone?
08:16I'm Carla.
08:19I'm Molly.
08:24Let's get the baby settled.
08:40Michael wants to handle the merchandise with his bare hands.
08:43Make sure it's real.
08:46Okay.
08:48Your old man always used to handle the face-to-face.
08:50People I used to deal with.
08:53I can handle it.
08:55Set it up.
08:55Already have.
08:57I'll be doing the talking.
08:59This is the big one after all.
09:01Just letting you know out of courtesy.
09:06Well, I knew just a picture of efficiency.
09:09Passing messages along like a chimp.
09:18Just a man.
09:22How's it all going?
09:25Everything's fine.
09:26Everything's fine.
09:26But there's been a change.
09:29Tebbit's gone.
09:30Campbell's put me in charge of the investigation.
09:33Well, congratulations, Will.
09:36No excuse for not finding them that way.
09:38No excuse for not finding them that way.
10:19The tables have been musical...
10:21No excuse for not finding them.
10:25And then there's a thing for not finding them.
10:26The issue has beenлен by when they were taught.
10:31If you like a kid, and you could take some in charge,
10:31Now, your baby scratchers are、
10:32out of there till the table and you'll make it from outside.
10:34Will there not be all your wool fuera?
10:34Make it all online.
10:35You made it more than simple.
10:38There is a bit more.
10:56Nancy, it's me.
10:58What?
10:59I need a favor.
11:02You're suspended.
11:03This case has taken everything.
11:04My marriage and now my career.
11:05If you think I'm a Pegasus,
11:07my wife is staying up right now.
11:09Oh, I see Campbell's crew
11:11is still camped outside.
11:13Nancy, seriously,
11:15how long have we known each other?
11:19What can I do?
11:22Pavel Ivanov,
11:24the renewable energy engineer
11:25that's done got out of Belarus.
11:27He was developing high-heat-resistant
11:29polymers for wind turbines.
11:30I'm not sure I follow you.
11:32That's the kind of material designed
11:34to withstand exposure to extreme temperatures
11:36without warping.
11:37Do me a favor.
11:38See if it matches what the weapons
11:39on that drone are made of.
11:41I'm on it.
11:41Good girl.
11:43How's the team?
11:44All over the place.
11:45I'm preparing a briefing on Amitod.
11:48Full background check.
11:49It works.
11:49Feels like a wild goose chase.
11:51Who was there?
11:53O'Neill.
11:54O'Neill.
12:12No, you're not doing that.
12:13Doing what?
12:14You're not killing whoever's in that lorry
12:15so you can steal it.
12:16Well, you have a very low opinion of me.
12:19Actually, I was going to pay them
12:20to take us to London.
12:21I was just going to make him ask questions.
12:23Well, I need more insulin soon,
12:24so we'd better come up with something.
12:25Okay, so we just talked to him.
12:27We appeal to his better nature.
12:30I'll do it.
12:32Give me your hand.
12:34Don't say a word.
12:35It's all yours.
12:36Hi.
12:37Hello?
12:39Hi.
12:40Sorry.
12:40We've just gotten into an accident
12:41a few miles back.
12:43Just wondering if you can help us.
12:44I'm not the A.A., love.
12:45Our phones are fucked.
12:47We need to get back to London
12:49as soon as possible.
12:50Not a taxi, neither.
12:53Maybe you're a good Samaritan.
13:03You all right, love?
13:06Not really.
13:07No.
13:08I need to get back to London.
13:09I need to get to my daughter.
13:13This is her.
13:15She's six months old.
13:20It's a different fellow in picture.
13:26Yeah.
13:28Yeah.
13:30You're right.
13:33Okay, I'm a prison transport officer.
13:35I need to get this man back to London.
13:36And the only reason I'm doing any of this
13:38is to get back to my daughter.
13:40My name is Amber.
13:41What's your name?
13:42What's your name?
13:43Paul.
13:43Paul.
13:44Okay.
13:44Great to meet you, Paul.
13:44Okay, enough.
13:45Five grand.
13:46I said I'd handle this.
13:47We're out of time.
13:48Half now, half when we get there.
13:50But we need to leave immediately.
13:55Sure.
13:56I'm right.
14:03No stops.
14:04No questions.
14:15It's nothing to sit on.
14:17I've just come back from my job.
14:21Take these.
14:23My granddaughter gave them to me.
14:25It's better than sitting in a dark.
14:29Right.
14:31Okay, then.
14:33Okay.
14:47Better nature up my ass.
14:49He was about to take us.
14:50Rice.
14:51He was.
14:53Seems kind.
14:54Well, your sob story didn't work.
14:58You may seem kind, but great is what moves it.
15:03You must ride in.
15:06Okay.
15:17Herrera.
15:26Yeah.
15:33I'm sorry.
15:46I hope you sleep well.
15:48Thanks.
15:49Something smells good.
15:51Won't be ready till lunch.
15:54There is a fresh pot of coffee.
15:56Yeah, I'll take some coffee.
15:59Do you mind if I make a bottle up for the baby?
16:01She'll be awake in like 10 minutes.
16:04Like clockwork, aren't they?
16:06Yep.
16:10Little clockwork terrorists.
16:18So you got caught up with Tibor?
16:20Yeah, I mean, we've never actually met, but...
16:24I'm sorry, how do you know him?
16:28We go way back.
16:30But I haven't seen him in years.
16:34Milk.
16:35Sugar.
16:37To smoke.
16:38Please.
16:40So, um...
16:45Uh, who's Sebastian?
16:54Just a name, Tibor and I used to use.
16:57Silly Sebastian.
17:00Whenever one of us would do...
17:04Something silly.
17:28I don't know about you, but the question I'm asking myself is, who is Amber Todd?
17:3711 officers died when that convoy was hit, yet she got stoned out of that tunnel like she was dancing
17:42through raindrops.
17:45So is she one of us, or another one of them?
17:48Yeah.
17:50Now Nancy's put together a brief that you all should have received by now.
17:55Use it.
17:56Now we have two days to put Tibor Stone on the stand.
18:01We need to move fast.
18:03Let's get to work.
18:22Do you really believe that about Todd?
18:26You want a fresh thinking?
18:45He wants to see you.
18:46He wants to see you.
19:05Three minutes.
19:14You're taking a big risk
19:16Asking me to come here
19:17One of my people is in police custody
19:19She was caught with a firearm
19:20Nina Dragos
19:22I need you to get her out
19:25That's impossible
19:28You asked me to put strings on that
19:29I could expose myself
19:31I'm in charge now
19:32You've got me exactly where you want me
19:34Don't risk it
19:34You told me what to do
19:37I need her released
19:41Why?
19:42Who the hell is she?
19:43An asset
19:46She paralyzed one of my men
19:47When she was just a kid
19:49He put his hands on her
19:50Well, he tried to
19:52She was with a group of workers
19:54We were bringing her into the country
19:55I think the word is trafficked
20:01I was a knack for spotting raw potential
20:04So I had Tiba Stone take her under his wing
20:06Show her the ropes
20:08She knows him better than anyone
20:09There's no one else who can get close to him
20:12Set her free
20:14Locate Stone
20:17She'll finish the job
20:20Back on
20:29How's your wife?
20:31Is she getting the treatment she needs?
20:33Because I know how expensive that can be
20:36You don't bring her into this
20:37I didn't
20:41You did
20:42That's exactly my point
20:44On potential
20:45When we discovered your wife's diagnosis
20:48I knew right away
20:50You'd do anything to save her
20:56Here we are
20:59Family is everything, isn't it?
21:02Anita
21:03Anita
21:03And Saffron
21:07I've done everything you've asked
21:10I can deliver you, Stan
21:11That's all
21:13Enough
21:14No more
21:15Thought you'd say that
21:20Check your phone, Mo
21:31Pretty young girl, your daughter
21:33Get Nina out
21:35Use the NCU to locate Stone
21:38And she'll handle the rest
21:46I say when it's enough
21:58Breaker, Breaker
21:59Anyone got their ears on?
22:02Bit of company never hurts
22:05This is Longshot
22:06How you doing, ma'am?
22:08A fellow rogue ghost
22:09Longshot
22:10This is Midnight Rambler
22:12Good to meet you, Rambler
22:14Heading anywhere exciting?
22:16Nothing exciting
22:17Better knock, better run
22:18With a trailer full of pallets
22:19You
22:21I doubt you'd believe me
22:22Even if I told you, ma'am
22:23Try me
22:39So
22:40Where does this
22:41Strong moral compass of yours come from?
22:44You mean the one
22:45That makes me uncomfortable
22:46Killing people
22:47With my bare hands
22:51Freud
22:52Have a theory
22:54Psychodynamics
22:56Individuals may develop
22:57Strong moral principles
22:58As defense mechanisms
22:59Against their parents' behavior
23:03Is a father a criminal, Amber?
23:06Is that what made you this way?
23:09I prefer Albert Bandura's
23:10Social learning theory
23:12If a child
23:13If a child frequently witnesses
23:14Lawbreaking being rewarded
23:16Or going unpunished
23:17They may come to view
23:18Such behavior as desirable
23:19Was mommy a serial killer?
23:27This is fun
23:28Has anyone come to see
23:35Back of life
23:37It's tough
23:38What's matter?
23:45Home
23:47Things are fantastic
23:48I술
23:48I love you
23:53What's into it?
23:57Why does that mean
24:16No. No, no, no, no, no. I'm not with the team who attacked you. If I was, I'd have turned
24:21up with more than stolen case files than me dick in me hand.
24:24I know you.
24:25Yeah. My name is Alex Tebbit. We spoke on the phone two days ago.
24:29You're at NCU?
24:30Yeah. Well, I was. They think I'm the mole responsible for the attack and you and Todd's
24:37family are no prison ban. Look, I need you and your team to help me. Can I come in?
24:41They kicked you out and you think I'm going to trust you?
24:45I swear to God, I'm offering you a chance to help save their lives.
24:57Tell them what you told me.
25:00Will O'Neil, the man who took my job, is setting up your friend.
25:07What makes you think he's bent?
25:09One, the intel that made us move stone early came from O'Neil's department. Two, O'Neil
25:14was one of the few people who knew where Ollie and Mia were. And three, my sources told me
25:19he's feeding the NCU a lie that Amber's working for Pegasus. By making her the suspect, he can
25:24focus resources on investigating her, on hunting her down. He keeps their attention elsewhere
25:30while he ships in tilt to Pegasus. If O'Neil is the mole, then breaking it might be the only
25:36way to
25:36get Amber back. Okay. How do we break him then? He'll want to interview you about Amber and when
25:42he does, Bosh, we prove his connection to Pegasus by getting into his phone. Whoa, whoa, whoa. Just
25:48wait a second, yeah? That's a criminal defense film. I know. Look, I've heard what he says and I'm
25:53convinced I'm in. But I'm not expecting any of you to put yourselves at risk. If you're in, I'm in.
25:59Amber, what do we do? When he interviews you, you distract him. But we can talk bollocks
26:05for five minutes while you nick his phone. It's called storytelling. And it's an art form.
26:16Are we really doing this? For Amber, yeah, we are. And Joe, we need to make these bastards
26:24pay. Breaker, Breaker, this is Midnight Rambler. So listen, I just called a mate. Someone's
26:31been putting a word out. They're looking for a man and a woman, same as the pair you picked
26:35up. It'll give you a hell of a lot more than five grand if you hand him over. How much
26:45more?
27:13Lena's still in custody.
27:15Well, we need to fix this. No, the adults are handling it. Her value is declining. How
27:22many times is she going to let stones slip through her fingers? Huh? She's become a liability.
27:30what? Keep your mouth shut.
27:44Mikael.
28:01Mikael.
28:03Mark.
28:04Mark.
28:04Mark.
28:04Mark.
28:05Mark.
28:05Mark.
28:06Mark.
28:06Mark.
28:07Mark.
28:09Mark.
28:10we could fly. This is the future of absolute power. It's a next-gen plastic
28:20polymer. Stronger than metal, so it doesn't warp under heat. And? The fires
28:27repeat rounds. Try it. It's completely untraceable. Dismantled, they'll easily
28:37pass through any metal detector. Perfect for international shipping. If you catch my drift.
28:43Thank you for that, Daryl. How many have you manufactured? Will they be ready for the
28:49day of action? We have 2,000 ready to go for the UK market, another 10,000 ready by Friday
28:54for your European clients. Don't jump ahead of yourself. You assure me of more certainty
29:00about Harrison's release. My clients don't need to be connected to this highly publicized
29:07criminal investigation. Mr. Dempsey will walk. And if he doesn't, you can always close the
29:13deal with me. With respect, you're not your father. Harrison Dempsey is Pegasus. That's
29:21why I deal with him, and only with him. Well, that seems a little old-fashioned. With respect.
29:29Please. Please ignore the boy. We are here to show you why you shouldn't be shopping anywhere
29:36else. The deal will not go through until Mr. Dempsey is released. Which he will be.
29:50Excuse me, Jack. Of course. You're embarrassing us. Me? You want a fucking weak link? Begging for a deal that's
30:02already been done. We should be naming our fucking price. I'll show you the ropes, because that's what your old
30:05man wants. If you spook
30:07the guy out, and this deal falls through, we lose millions. Right? So please, please, do me a favor, you
30:11silver spoon prick. Just shut the fuck up.
30:21It's my queen, though. Told you they were powerful.
30:34Keep the gun, and I'll pay for the couch.
30:42I'll tell to my clients to have a little bit more patience, and I'll reach out to my European contacts.
30:52Take it away from the couch.
30:55Take it away from the couch.
31:00Yes?
31:01Some lorry driver's given us the location of Stone and the prison officer.
31:04Just when I thought my day couldn't get any better. Is Nina out yet?
31:08No, but the boss is on it.
31:09Okay. I'll deal with them myself.
31:16Here we go.
31:17Hello?
31:18Have a fun. Thanks for coming.
31:22I don't need to look so worried. I just need to ask you all some questions, and as long as
31:27you just strike with me, there shouldn't be any issue.
31:31This spot. I'll start with you.
31:35Sir?
31:36Phone's in here. Please?
31:42Amber's in a lot of trouble, and I need to bring her in.
31:45I know the two of you qualified together. You care about her.
31:49Ollie and me are two.
31:51I need to locate her before something happens that can't be undone.
31:57Besides Ollie, all the people that she trusts are out there.
32:00I've no idea where she is.
32:09Freud also wrote an essay about grief of loss.
32:12Mourning him melancholia.
32:16And?
32:19How did your son die?
32:21What?
32:22Your son.
32:25I...
32:25I was lying about that.
32:28I never had a son.
32:31But you told me about him.
32:33I told you what you wanted to hear, Amber.
32:35I needed you to trust me.
32:37See?
32:38The moment I said, dead child, you create a backstory for my behavior.
32:43You let your guard down.
32:44So I tell you about Mia.
32:46So you'd have something to use against me.
32:48You needed something to cling to.
32:50That's what makes you so profoundly, predictably human.
32:57There is nothing redeemable about you.
33:05Tell me where Ollie and me are.
33:08The point of the safe house is not giving out the address.
33:11Tell me where they are.
33:12Calm.
33:12Tell me where they are, you fucking say goodbye!
33:16Listen to me.
33:17We agreed.
33:19You'll see your family after you get me to the old building.
33:22So you're keeping them hostage?
33:26I'm the only thing keeping them alive.
33:28Me and the person I sent them to.
33:34You should be a little more grateful.
33:36You're welcome.
34:02Marcus.
34:04Shut up.
34:06Yeah.
34:10Mate, um...
34:12It's a long shot, but you know, you're such a community.
34:14How did you land this gig?
34:17Good CV.
34:18Good CV on this.
34:21Mr. Azulam.
34:24Let's go.
34:27Yeah, I suppose you've got, like, qualifications coming out of your ears.
34:31Is that the offer of the police?
34:33Yeah, have a CID for it.
34:34Oh, wow.
34:35CID.
34:36Yeah.
34:37Cool.
34:37That makes it...
34:38It changes our complexion.
34:40They're obviously not a real skill.
34:44Yeah.
34:44Yeah.
34:45Stress.
34:46Really tall.
34:47Is that what it was?
34:54Yeah, between studying the baby or what?
34:58Um, I don't know how she does it.
35:01You see me?
35:01I can barely keep my popcorn alone.
35:03You know what I'm saying?
35:04It's not a real skill.
35:06It's not a real skill.
35:08It's a real skill.
35:09It's a real skill.
35:10It's a real skill.
35:10It's a real skill.
35:10Lovely you.
35:11It's nice.
35:12It's a real place to be in here.
35:14It's what we see from you.
35:15It's all that.
35:15It's mad, isn't it?
35:16What about her mother?
35:19I don't know what about her.
35:21I'm sure, as you being the tight-knit unit you are, that she would have told you that
35:27her mother's incarcerated in West Thorn Prison for armed robbery.
35:40I don't know.
35:44I don't know.
35:46I don't know.
35:46I don't know.
35:46Yeah, yeah.
35:47I don't know, of course.
35:48You're lying, Jamal.
35:50She kept it from you, didn't she?
35:59You sure that's the only thing she's hiding?
36:15I mean, honestly, you think you know a person, right?
36:22Look, you share the same scrap of carpet at work.
36:24Secret Santa, which was me, by the way.
36:29I've got her this really nice handmaid paper dove.
36:33Where is she, Jamal?
36:34It's gone live over the fox eyes.
36:36Actually, where is she?
36:45I don't know.
36:47I don't know.
36:47I don't know.
36:53Mr. Hawkins.
36:58I don't know.
36:58You know, I just...
37:00I can't...
37:00They talked me through all this.
37:02Colin, do you know what?
37:03Nothing.
37:04Throw my hat in the ring and I give the application down.
37:06Go for a vote.
37:07Do you know what I think?
37:08Good luck.
37:08What's the worst thing?
37:23Excuse me.
37:25You okay, sweetheart?
37:28I'm sorry for all the missed calls.
37:29I just wanted to hear your voice
37:54Have we arrived
37:57This isn't London
38:06Yeah, it's me
38:08What are you doing?
38:17What's wrong?
38:19I need my shot
38:22Paul!
38:23Paul, are you there?
38:25Come on, talk to me, Paul
38:26Please, it's not too late
38:27Just let us go
38:29I can't, they're coming
38:31They will kill you
38:32Shut up
38:32Listen, we can help you, Paul
38:34Okay, we can help you
38:36But you have to let us go right now
38:37Before they get here
38:43I've been told to give this to you
38:47Hello
38:48You okay?
38:50I'm sorry to let you down
38:53You're getting another shot
38:54I have a location for you
38:56We got you, boy?
38:58We got it
38:58You're being released, no charge
39:00Let's not have this conversation again
39:02No loose ends
39:05Understood
39:06You're my most valuable asset, Nina
39:08Now I can count on you
39:10The things we're gonna do together
39:16Now give back the phone
39:25Listen to me
39:26Listen to me
39:27You made a mistake
39:28But you can fix this
39:29Okay?
39:29If you don't, we're all dead
39:31Unlock the door
39:32Lord
39:32They pay me 50 grand
39:34To hand you out
39:35You are never going to see that money, Paul
39:38Okay?
39:39It's not how these people work
39:40I've seen what they're capable of
39:44You are better than this
39:47You are better than them
39:49You don't know me
39:50You don't know me
39:52My job is dealing with criminals every fucking day
39:54I know it is a person when I see one
39:56Fuck the money
39:57Don't you want to see your granddaughter grow up?
40:23Wait, wait, wait, wait, wait, please
40:24Please, don't
40:25Please
40:26The fuck is this?
40:31Set him up
40:32Do it
40:34Fuck, silly
40:36Please, don't
40:37I have nothing to
40:38Please, please, just let me go
40:39Please
40:43Jesus
40:43Shall I make us all a cup of tea while we wait?
41:01Come on
41:03Come on
41:03Come on
41:09Come on
41:12Come on
41:13Come on
41:30What's this then?
41:35Okay
41:36That's not for us
41:42Sebastian
41:46You found him then?
41:51Yeah
41:51Sorry, I am, uh
41:53It's fine
41:56Was he, uh
41:58A relation?
42:01My husband
42:02My husband
42:03Tibor's father
42:06Um
42:07I'm so sorry
42:09I
42:09Don't be
42:19He was a virus
42:22He had to go
42:26Jibor and I
42:26Keep them together
42:35Food's for thee
42:35I
42:37I
42:37I
42:39I
42:49Oh, my God.
43:09Why didn't you wait for me?
43:11I thought you were locked up.
43:13This wasn't the moment to prove yourself.
43:15How did the meet with Michael go?
43:18Did you show him the product?
43:21Yeah, it was a successful test.
43:25Where's Miles?
43:30Are you fucking serious?
43:32Look, it worked, okay?
43:34Michael says his clients will wait for us,
43:35so as long as the old man walks, then we're all set.
43:39And then what?
43:41What do you mean?
43:42You're smarter than people think,
43:44but you can't do what I do.
43:47That's why you'd make good partners.
43:50In what?
43:56Harrison will never let me run anything, so...
43:59Your father doesn't see you, but I do.
44:02We kill Tibor, we take our share of the Michael deal,
44:05we set up our own.
44:07Fuck Pegasus, fuck Harrison.
44:09You and me.
44:20All right.
44:22All right.
44:38Fridge.
44:43Insulin.
44:44There.
44:45All right.
44:48All right.
44:49All right.