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The Great Indian Kapil Show - Season 3 - Episode 04: Streaming Superstars
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TVTranscript
00:38Oh, good evening and welcome to the great England Sabir Show.
00:48What a lucky man I am.
00:51You're putting your hands on your hands.
00:52You're lucky to have your own.
00:54Why are you running?
00:57You come here.
00:58Who has made it?
00:58Our expiry date has been.
01:01No, no.
01:01Where are you?
01:02Tiger is also alive.
01:06Siddhupaji, do you know what the difference between the satellite and OTT is?
01:11What?
01:11When we started the show, Siddhupaji was just in front of me.
01:15It was the time of the Durdarshan.
01:18Then Arshana Ji came and had a glamour ad.
01:21Then it was the best satellite TV.
01:24But now the four of them were the best OTT.
01:28The story was international.
01:32The story was international.
01:33Lily, Lily, go to OTT.
01:34You guys go to OTT.
01:35I will talk about the satellite and the satellite.
01:38Please.
01:41You all know that it's been a long time for OTT,
01:44because of the population, there's a lot of difference in the population.
01:46Okay?
01:46The population has less.
01:47Because couples who are newå©šers,
01:50they're taking a whole bunch of binge-watches in the world.
01:53During the time of the long-term,
01:54there was one film for two hours,
01:56and then the couple had to binge-watch their honeymoon.
01:59There was a time.
02:01Now, if you look at the long-term,
02:02one episode came,
02:03and they were 8-8 kids.
02:05Now, in the 8-8 episodes of the series,
02:06the kids are 1-2.
02:07They are all the time.
02:08Because all the time is in the binge-watch.
02:11The first family members' names were in the world.
02:15Today, they are on the screen.
02:16Every member of the family has their own profile.
02:19They have their husband,
02:20their wife,
02:21their children,
02:22their father,
02:23If they go to the father's father's profile,
02:27then they get to know that
02:28why are they doing it every month in the world?
02:29Why are they doing it?
02:30They are all the time.
02:37No!
02:38When you watched a film in the theater, then you decided to do what to do.
02:41This film is a murder. This is the scene of the film.
02:43The kids don't want to do it.
02:45Today, OTT is released at 12 o'clock in the morning.
02:47The kids are watching it.
02:48They are giving the kids review.
02:50There are 4 murders.
02:51Norah Fateh is also coming to last.
02:52No one has no idea.
02:54It changed the world.
02:56From OTT, the international level has become content.
02:59You can see the shows.
02:59Money highs.
03:01You can see the names of the villains.
03:02They are international actors.
03:04Berlin, Tokyo, Nairobi.
03:06You can see our crime patrol.
03:09You can see the names of the villains.
03:10Kallu Kaniya.
03:13Pappu Hatela.
03:14Rajan Jiga.
03:15You can see the names of their names.
03:16The banks can't lose their hands.
03:18They will lose their hands.
03:18They will lose their hands.
03:21Satellite and Durr Darshan were only in one language.
03:23In OTT shows, you can see the 10 languages.
03:26In Money Highest, you hear the professor.
03:28I am a thief.
03:30Son of a thief.
03:31Brother of a thief.
03:31And I hope someday to be a father of a thief.
03:33That's right.
03:35That's right.
03:35You change the audio.
03:37That's the professor of Money Highest.
03:38You can see the professor of Money Highest.
03:40That we are a dog.
03:41A dog's son.
03:43A dog's son.
03:44A dog's son.
03:44A dog's son.
03:45A dog's son.
03:45And our dad was a dog's son.
03:48A dog's son.
03:52So, in one time,
03:54we have become a dog's son.
04:17A dog's son.
04:20He has come a nice, man.
04:22He is a dog.
04:22A dog's son.
04:23A dog's son.
04:24He is a dog.
04:29The dog's son.
04:30He is a dog.
04:31He is a dog's son.
04:55We all know that our four brothers are
04:58a great person, so great people are so great that they enjoy the fun.
05:02Jaijib, you don't feel the personality of their police.
05:07After a night, someone comes and gives them a bottle.
05:13They don't feel like they've got a close.
05:15And Pratik, you don't feel like they're coming from dry state.
05:21They don't feel like they're coming from dry state.
05:24They're very good actors.
05:25There are so many good ones.
05:27Vijay brother, the name is such an angel.
05:31I feel like they will be good at themselves.
05:35And Jitsu brother is so good.
05:38He seems like he's just a good man.
05:39He doesn't have to open up a longer period.
05:42He doesn't have to stand in a long time.
05:45He's not supposed to sit down for 10 people.
05:50Come here brother.
05:54Come here.
05:55No, no, no.
05:56Put your hand on your house.
05:57Put your hand on your hand.
05:59My house is going to go.
06:03You all have seen Netflix Pain IC 814, Mother Mubarak, Janejaan, Lust Stories, Darling,
06:11and many shows.
06:12Today's situation is that their career comes.
06:15So the career can give them to Netflix.
06:18They can get them to get them to get them to get them to get them to get them to
06:20get them to get them to get them.
06:21I say that my husband is not coming.
06:24And Jayadip, this is a great film on Netflix every year.
06:27In 2022, they filmed Three of Us.
06:30It was a very good film.
06:31Yeah, I love the film.
06:33In 2023, Janejaan.
06:35I love it.
06:36In 2024, Maharaj.
06:38And in 2025, Jewel Thief.
06:41I can tell you, who is the dealer?
06:44I asked Arshana Ji.
06:46I said, I want to change the manager.
06:47I want to change the manager.
06:48He's not using a show.
06:50He's also eating a few of them.
06:52I didn't give him to him.
06:55But you both have watched Netflix.
06:57Thank you so much.
06:58When we meet in the future, we talk about what is going to do in the mind of Kapil's doing.
07:02Yeah.
07:03We talk about this.
07:04We are talking about that.
07:05Now, Kapil is very fit.
07:07Who is watching us?
07:08What are you talking about?
07:09When you are in front of us, we are afraid that...
07:13Pratik is from Gujarat.
07:15And a lot of people don't Gujarat.
07:17Why don't you do outside Gujarat?
07:19You have to roam in acting.
07:23Before I was roaming.
07:24Now I'm free.
07:26I'm going to top.
07:28Look at Jitu's face.
07:30Look at how many people he is.
07:32Jitu's name is Jitu's name.
07:33They are very famous.
07:35When you meet girls,
07:36you will meet Jitu's name.
07:37That's fine.
07:38That's fine.
07:40When a girl comes to you,
07:42you say Jitu's name,
07:43you want to give a selfie to you,
07:44that you give an expression to your brother.
07:46Do you want to give an expression to your brother?
07:48I promise you.
07:49If you call your brother,
07:50you will not get a selfie.
07:51Only girls.
07:52You are learning slowly.
07:57I know something about them.
07:58They came to the acting from IIT.
08:01They said,
08:02if you would become an actor,
08:03why would people come there?
08:05They were very angry.
08:07But then they said,
08:08slowly,
08:08slowly,
08:08I have shown them,
08:10then they will be punished.
08:12Now,
08:13let's go,
08:13let's go,
08:13let's go,
08:14let's go,
08:14let's go,
08:14let's go.
08:16Even now?
08:18Yes,
08:18it happens.
08:19If you had to do this,
08:20why would people come here?
08:21You are an engineer.
08:23He worked in cement factory.
08:25You were an industrial engineer.
08:27Yes.
08:27The cement was heavy.
08:28He was an industrial engineer.
08:28What was the other thing?
08:30What did you do with the cement?
08:32What did you do with the cement?
08:33He had to waste the cement.
08:34He had to waste the cement.
08:36He had to waste the cement.
08:37he was washed the cement.
08:38After that,
08:41he was released.
08:41you know,
08:42what to do.
08:45He was a member of the cement.
08:49So,
08:50He was so affected.
08:51But he was so affected.
08:52He was destroyed,
08:53did the cement have not been created?
08:54What were you looking for?
08:55Why did you make it?
08:56You know the model of the cement.
09:01One of the cement is just one thing.
09:02So if you have to do this,
09:03the MCU's understand,
09:03you're aware of the fucking people.
09:04So,
09:04that's a bit like to be done.
09:06So,
09:06try that.
09:06On the cement after CO2,
09:08really nice.
09:08After the cement,
09:09After that, in my studies, it was good to see me that 50% of my studies were good.
09:14Okay.
09:1650% of my studies were good?
09:1850% of my studies were good.
09:21In my studies, I had a feeling that you had a lot of studies.
09:26It was a shock of the studies.
09:27Then I graduated from some degree, and I started to play theater in Hyderabad.
09:32Then I started to play theater in Cheska.
09:34Yes.
09:34And Papa said to me, sit in the shop.
09:36Then I made a plan, I applied to FTI.
09:38In the first year, I applied, and I didn't have a selection.
09:41Okay.
09:42Then I applied to a year in Hyderabad, and then I applied again.
09:45That's when I got a selection.
09:46I told a friend that I got a selection, and I didn't have money.
09:49He gave me money for fees.
09:51I said, I don't have permission.
09:53I'll run away from home.
09:53So I'll run away from home.
09:55I used to play a workshop every year in Amritsar.
09:58I also played.
09:59They called me alone.
10:01I said, what's your name?
10:03I said, Kapil Sharma.
10:04If you go to the light, then what will you do?
10:07I said, I'll go and see if it's all gone or our gone.
10:11Then I don't understand any questions.
10:13I don't understand age, too.
10:14So what do we do?
10:17What did we do?
10:18What was the answer to that question, Jadid?
10:19Let's play a moment.
10:21If you have a light in the day, why do you play a moment?
10:23Let me ask you.
10:25I didn't understand this question.
10:27But this question is, you give me UPSC.
10:29Yes.
10:32So what do you mean?
10:34Jadid, what did you do first?
10:36What did you do first?
10:37Do you have to recognize yourself?
10:39Did you have selfie with that person?
10:41You are my first debut fan.
10:42That was the first debut in Haryana in the University.
10:46If the French company is at the University,
10:47all the people who have sat there,
10:4920, 25, 30, 40 years old,
10:51it was a topic of discussion, I was.
10:55So I thought, yes, now it's a talk.
10:57If we talk about this,
10:59then it will be all in our homes.
11:01What a deal.
11:01.
11:06Prithik, you saw your hoarding in Bombay, the first time.
11:09Go down and take a look at your hoarding?
11:11This is me.
11:12What did you say?
11:14No, because the hoarding was so big and the scam was so big.
11:19And when the scam came, it was COVID.
11:21So, there was no hoarding somewhere.
11:23So, I didn't know anything.
11:24The last film that came to Netflix,
11:27it was a huge hoarding and it was a huge place.
11:31It was fun to see you.
11:32Yes, I thought that I wanted this year.
11:38Jitu, you are so popular.
11:40When did you think that you were popular?
11:45There were new videos on YouTube.
11:48There were many videos that people liked.
11:51I was running around the airport.
11:53So, I ordered my food in a restaurant,
11:55and I was on the phone.
11:57So, there was a person that came.
11:59I said,
11:59Jitu,
12:00you are roaming like this,
12:02and nobody is recognizing you.
12:04Come give me a selfie.
12:05Come give me a selfie.
12:08I thought,
12:09I thought,
12:09yes,
12:09I'm going to be a selfie.
12:12I will say,
12:12when I first came here,
12:15in the shop of Kapil,
12:16when I went to the house,
12:18all people were talking about this.
12:20You came to the shop of Kapil Sharma?
12:22Yes.
12:23Then I thought,
12:24this was something different.
12:25People were not talking about my work.
12:27They were talking about this.
12:28I thought,
12:29I would like to give you 10%
12:30in the background.
12:31I thought,
12:34Oh, man.
12:36Oh,
12:36we have another special feature.
12:39Now,
12:40you are a big star.
12:41You are a big star.
12:42You are a big star.
12:43When you work in the beginning,
12:44people are thinking about it.
12:46You don't know.
12:47You do not know that.
12:47So,
12:47you do not know that.
12:48You are a big star.
12:49It's a big star.
12:50No.
12:52That's the same.
12:53That's the same.
12:53The same person is going to be wrong.
12:55They will work on something else.
12:57They will work on something else.
12:58This is like the airport.
12:59Yes.
13:00We are sitting here,
13:00an actor.
13:02Yes.
13:04Yes.
13:05Yes.
13:07Yes.
13:12Yes.
13:13Yes.
13:15Yes.
13:16Yes.
13:17Yes.
13:18Yes.
13:19Yes.
13:22Yes.
13:24Yes.
13:26Yes.
13:27Yes.
13:29Yes.
13:29Yes.
13:30Yes.
13:31Yes.
13:33Yes.
13:43Yes.
13:44That's what I'm doing.
13:45So, there are two notes.
13:47One girl and the other girl
13:48who are in love with love.
13:50Okay.
13:51Now, the girl is coming.
13:53And I don't know who I am.
13:54The girl has forgotten.
13:55The girl doesn't know who I am.
13:56Now, the girl is thinking about who I am.
13:58And the girl doesn't know who I am.
14:00So, she says, who I am.
14:04I'll see a little bit.
14:05And I'll sit and eat them.
14:07Oh, my God.
14:07She says, tell me.
14:14That's right, right?
14:15Yes.
14:16No.
14:19Now, they're playing a guessing game
14:20and I'm on the subject.
14:23The person is thinking about it.
14:24And I'm looking at my plate.
14:26I'm looking at what I'm eating.
14:28And my director is saying,
14:29let me give them.
14:31I said, no, I'm good.
14:34When two people come here,
14:35one is very excited.
14:36And they say, come on.
14:38They're standing.
14:39No, no.
14:41They're standing.
14:41They think they have to come or not.
14:43No, no, no.
14:44What do we do?
14:45Come on, they're standing.
14:45No, no.
14:46I don't know.
14:47The most dangerous thing is,
14:48three-year-old children will put them in a gaudy.
14:50This is your friend.
14:52Yes.
14:52Do you know that?
14:53Yes.
14:54Do you know that?
14:54Do you know that children know who they are in their hands?
14:56Look at our faces.
14:57Look at how many times it's happening.
14:59The child is scared.
15:00Who gave them in a gaudy?
15:02Do you not understand how to put them in a gaudy?
15:05One foot, one foot.
15:06Hey, boy.
15:07Look over here.
15:07Look over here.
15:08I'm looking over here.
15:08I'm looking over here.
15:09I'm looking over here.
15:13Go.
15:19Go.
15:20Go.
15:21Go.
15:21Go.
15:25Go.
15:26Go.
15:26Go.
15:28Go.
15:29Go.
15:30Go.
15:30Go.
15:34Go.
15:35Go.
15:36Go.
15:40Go.
15:40Go.
15:41Go.
15:41Your mama, come in and get out.
15:46Which location did you get?
15:48I'm in front of those people
15:50who play all the bands in acting.
15:53Okay.
15:54I'm in front of them
15:55who play all the bands in acting.
15:58What are you saying?
16:04I don't understand.
16:05I'm in front of them who have been scammed.
16:08Yes, so people are scammed here too.
16:13I'm in front of them.
16:13And one of them is like this,
16:15like I'm asking OTP now.
16:19But now, you're in front of the friends of Kabir Sharma.
16:24I'm in front of the guests of Kabir Sharma.
16:26In front of the guests?
16:27Yes, you do one thing.
16:28So in the road,
16:29one of the Kabir Sharma is reading there.
16:31They get there.
16:32Oh, here it is.
16:34Oh, here it is.
16:37Hi, Kapp.
16:38What do you do every day?
16:39No, only Shaniwar.
16:41Yes.
16:44Then you'll get a lot of money.
16:46Then you won't handle that much.
16:48Yes.
16:49You're so poor, Vijay Varma.
16:53My God.
16:55It looks like someone has put it down.
16:59Down?
17:00Down?
17:03Who are you today?
17:04What are you today?
17:05What are you doing today?
17:06Ask yourself.
17:07Who are you today?
17:09Who are you today?
17:09What do you mean?
17:10No, I mean, we were always in the characters, right?
17:13Okay.
17:13So I was very surprised that today,
17:15they didn't have a villain character.
17:17Oh.
17:18The villain character can't happen today.
17:20Why?
17:20If you're in the villain character,
17:22then you'll get me to catch me.
17:26Yes.
17:27Look, for yourself,
17:28I will accept you.
17:28I will be a little bit more.
17:29But I'll be more beautiful.
17:31Yes.
17:53Yes.
17:53You can't tell me.
17:53You both are beautiful.
17:55Oh, oh, oh, oh.
18:02Look, if you've talked a lot about us,
18:05we will write your number in Jains bathroom
18:08and write them up.
18:11We will have a call for you.
18:14We'll know who you are.
18:16You understand?
18:18We're not doing the first time.
18:20We have written the number of Jindu.
18:21We have written the number of Jindu.
18:22And you?
18:22Yes, you.
18:24It's written in the name of Jindu.
18:25How many?
18:27How many?
18:27You've been born for six years.
18:35Then, whatever we have come to our work,
18:38we have come, sir, for security check.
18:40Yes, security.
18:41So, first of all, Jai Deeb Ji.
18:44What do you mean?
18:45What do you mean?
18:46What do you mean?
18:48We have the footage.
18:49Yes.
18:50We've seen the footage.
18:51They are doing these shows.
18:52Where is the footage?
18:53Oh, there's a footage on Netflix.
18:56Yes.
18:58Yes.
18:58Yes.
19:00Yes.
19:00Yes.
19:00Yes.
19:01Yes.
19:02Yes.
19:04Yes.
19:05That man has been killed for half an hour.
19:07That's a film of Jewel Thief.
19:09What?
19:10Yes.
19:11That's not our fault.
19:13What do we need to do so natural acting?
19:16We don't know how fast we are acting.
19:19I'll do bad acting, right?
19:21Okay, I'll do it.
19:23You guys are very good acting.
19:24I had a question from you guys, related to acting.
19:28Sir, this...
19:33Oh, my God!
19:34This is my tooth.
19:35Okay?
19:36This is my tooth.
19:38This is my tooth.
19:41This is my tooth.
19:42This is acting.
19:44This is acting.
19:45This is my tooth.
19:52Which part of the body is living in my body?
19:54This is my body.
19:56This is my body.
20:00It is not my tooth.
20:02I can't show you.
20:02I can't show you.
20:03I can never know.
20:03I can't say it.
20:03I can't even know you.
20:04Not even know me.
20:06Not even know me.
20:06I can not know me.
20:07They're a child.
20:10I can't find you.
20:11No, I can't show you.
20:12You're in my heart.
20:12Let's go, the other side.
20:13I'm happy to stay here.
20:13I am, but...
20:15You both have been very emotional.
20:17What are you going to do here?
20:19We've actually come to check-in.
20:21Yes.
20:22Who should start with food?
20:23First of all, Jiju check-in.
20:26Jijuu?
20:27Yes, you are.
20:29Give me one check in once.
20:37You know me.
20:39Come on, Jiju.
20:43Jiju, come on.
20:45Just like this.
20:59Yeah, Mona, which check?
21:01Actually, I was checking their relationship status.
21:04Okay.
21:05As long as they put my head on,
21:07they look single.
21:13Oh, man.
21:14Are you single?
21:15Oh.
21:17Do you want to check her?
21:19Who?
21:20Malvarma, sorry, Vijayvarma.
21:23Come on, you too.
21:25Come on.
21:26Come on.
21:27You too.
21:28You are.
21:28You are checking.
21:29All the time is going to check.
21:31She is scared.
21:32She is scared.
21:34You always go to airports in foreign countries
21:36and you get the meat and the meat
21:38and the meat and the meat and the meat.
21:39Yes.
21:40We will pass this time.
21:42Done.
21:43Now, Subhaj Ghaiji came to,
21:44her meat was attacked.
21:49I'm telling you that.
21:50And she was in a lot of meat.
21:52I was in a lot of meat.
21:54How did I get out of meat?
21:55I can't tell you.
21:58It happens, it happens.
22:00It happens here.
22:01That day, Anup Jalota came.
22:04Anup also came out.
22:05The Jal also came out.
22:07Now, this is an Ota.
22:10What is Ota?
22:13Then, especially in the factory,
22:15we gave him an Ota to make him.
22:17Which factory?
22:18Ota factory.
22:24He was a honey singer,
22:25and he also had a honey attack.
22:27Then, after two times,
22:28he did it and he did it.
22:35But, Jadip Ji,
22:36what do you dance?
22:38Yes.
22:38What?
22:40What?
22:42What?
22:43I mean, if I've seen so much,
22:45I've seen so much.
22:46Yes.
22:46Yes.
22:47Yes.
22:48In the dance,
22:48you've also passed the Ritik Roshan.
22:51No, I failed.
22:52I failed.
22:53Look, the fact is different.
22:54It's different.
22:59Come, one step.
23:00Let's show it.
23:00Let's show it.
23:01Move, move.
23:02Move.
23:04Move.
23:04Move.
23:05Move.
23:08Move.
23:08Move.
23:10Move.
23:11Move.
23:12Move.
23:13Move.
23:15Move.
23:17Move.
23:18Move.
23:20Move.
23:22Move.
23:22Move.
23:23Move.
23:25Move.
23:27Move.
23:27Move.
23:28Move.
23:29Oh, my God!
23:46Oh, my God!
23:51Whoa!
23:51Oh, my God!
23:54Daddy!
23:55Oh, my God!
23:56Daddy, you are good.
23:57Thank you very much.
24:06When did you learn all this?
24:08It was during the time of the youth festival.
24:11It was amazing, man. What was it?
24:12It was a lot of rhythm.
24:16Jayadip and Vijay are from FTIS.
24:19Jitu and Prateek are both engineers.
24:22He came to an engineering person.
24:23He came to acting.
24:24He came to acting.
24:25He said, you're engineers.
24:28You're from FTI.
24:30If you can't become an actor,
24:32you give them the people to live.
24:34Correct.
24:35You go back home and say,
24:36you're a little bit.
24:38You're killing him.
24:41You're scared after FTI.
24:43If you don't become an actor,
24:44you thought of a backup plan?
24:46No.
24:47In FTI,
24:47my brother told me,
24:49he had to think about what to do.
24:51FTI,
24:52you're going to become an actor.
24:53But it doesn't happen in my life.
24:55If it's my brother's face,
24:56then I don't say his brother?
24:57No.
24:59Let me tell you.
25:02There were four engineers in our bench.
25:04Okay.
25:05But they also do the engineering.
25:06I understand that they have to become an actor.
25:07Okay.
25:08So Vijay,
25:08how did you both get to FTI?
25:10Yes.
25:11We got to get to the FTI before the selection.
25:13Okay.
25:14I saw a long hair,
25:16so long hair,
25:18so long hair,
25:19your wife will come out.
25:20I thought that someone will be talking in English,
25:22but I open them all.
25:26this is crazy.
25:27He always goes in a deep-duty one.
25:28Yeah.
25:30I need to tell you the new talent.
25:31Let me tell you.
25:33When talking about the new ones who came there,
25:34they were four Mayo of Rotes and
25:35ate 1.5 liters of milk.
25:37Oh,
25:38oh man,
25:38you're not looking for a job,
25:39or you're not going to die?
25:41So you're not good.
25:43You're too hungry.
25:44But what is this?
25:44A young man.
25:45But I know that I have a lot of food, but I know that I have a lot of food.
25:49I have a lot of food in FTII, but I have a lot of food in FTII.
25:51Because in Haryana, it is very common that you go to the mess, and you have all of your food
25:56in the mess.
25:56Ghee?
25:57Yes, of course.
25:58Of course.
26:00I was studying in L.S.R. and I have a lot of food in L.S.R.
26:04It's like a little bit.
26:06What did you say?
26:08He was also in the boys' hostel.
26:11How do you know?
26:13Well, I was going to the girls' hostel.
26:17Only a man can drink.
26:18We can drink too.
26:19No, we don't have any doubt about you.
26:24If you tell them about their stories,
26:26they don't drink blood.
26:31It's powerful, right?
26:35When you become an actor, you start to get a blessing.
26:39Sometimes you have to do some strange work.
26:41You have to do some strange work.
26:42I started to do a jaguar and I was with a singer.
26:45I said, who will see a jaguar in the night?
26:48So I went to a jaguar.
26:50In the jaguar, you are not the main singer.
26:51The main singer is standing there.
26:53You have to put a mic on the back.
26:54Four people have to hit the tally and they have to give a mic on the back.
26:57I was like, I was like, I was sitting down there.
27:00So I tried to hide the tally and hide the tally and hide the tally.
27:04And where do you hide the tally?
27:06They will take me to look at it.
27:07But it's okay.
27:08What do you mean?
27:09Have you done some amazing work before coming?
27:11They have done a lot of interesting work.
27:13I have a lot of comparing to children's parties.
27:15To play a game, dance, gifts,
27:20then I took a rotary water jet machine,
27:24a submersible pump,
27:26and in Parla East and West,
27:28I took 13 of the society's water tank cleaning contract.
27:32Oh wow!
27:33Generally, they do it manually.
27:35We take 3 machines and train 4 people.
27:37I have designed the raincoat,
27:41and designed the uniform of it.
27:43It happened twice that the person didn't come.
27:47Now, he doesn't put the phone on.
27:48So, I wear it and wear it.
27:50Ah, lovely!
27:52This is a big example.
27:54The people who are working,
27:57are the ones who are willing to do it.
27:59What about that?
28:09Are there any bigboard?
28:14Well, there is a real goodboard.
28:15That's not the thing.
28:16That's not the sound.
28:17That's not the sound.
28:20You're in the sound.
28:26Let's go!
28:26Well, everyone,
28:29you got something.
28:58Oh
29:08Oh
29:09How about some time come in item. I'll be home crying a hero key entry. Yeah, you know
29:23The palado's though acting as surma, which ever
29:37Oh
30:28Oh
30:30Up and down, it goes up.
30:31It's okay, let's go, let's go.
30:33Yes, let's go, let's go. For time, let's go.
30:36Okay, let's go.
30:38Let's go, okay?
30:39Blouse, you're wearing a jacket here.
30:41Blouse, you don't need to wear it in the show.
30:43You don't need to wear it in the show.
30:46You don't need to wear it in the show business.
30:50People say that you don't need to wear it in the show.
30:52If you don't wear it in the show,
30:54then you go to our orchestra.
30:58We've come here and you have another big one?
31:01It's a big one.
31:03What is this?
31:05Bisting card.
31:07Chak Chak Dum Orchestra.
31:09What a problem.
31:10This is Diamond Raja Water Filter Service.
31:14This is Diamond Raja Jumba glasses.
31:17This is how many people are looking.
31:19Why are you doing this?
31:20You're doing so many jobs.
31:23You'll have to pay for the card.
31:25No, we don't pay for the card.
31:27We also pay for the card.
31:28This is our printing press.
31:32Diamond Raja Printing Service.
31:35We have our acting and coaching classes.
31:40Oh.
31:40Okay.
31:41What's the name?
31:44This is our card.
31:45Diamond Raja MAAA.
31:47Diamond Raja MAAA.
31:48What does that mean?
31:50What time are they already actors?
31:52They're already actors.
31:52They're for them.
31:52Method acting for already actors.
31:56Oh.
31:58Oh.
31:59Of course.
32:00This is the main manager.
32:02You've been making a position.
32:05That was the main character.
32:05That's the main character.
32:05The main character.
32:05This is the main character.
32:06What does it do?
32:07I'm speaking about the main character.
32:11I see the main character with the main character.
32:11Because he's living on the same way.
32:12She will give me the value of me.
32:18Look, Kapil Sharma.
32:20We have never heard our kids of your children.
32:22We have heard of our children.
32:23We have heard of our children.
32:24I will tell you something about us.
32:25We have said nothing.
32:27We have any thoughts.
32:28Its a thought.
32:30I have a thought about this.
32:34What?
32:34Tell me,
32:36I remember two lines of that.
32:39It's a shot.
32:41A sea on the lower ground is sea.
32:48A sea on the lower ground is sea on Mumbai.
32:51A sea on the lower ground is sea on Mumbai.
32:56What a lie!
32:57I'm going to listen again.
32:58One more time.
33:00What were you studying here?
33:03What's happening?
33:05Now, share it again.
33:07What did you listen to me?
33:09I forgot to listen to me.
33:11Now, share it again.
33:13Why did you listen to me?
33:14Tell me the first line.
33:18He's sitting here and he's sitting here.
33:20He's sitting here.
33:21I've heard so much.
33:23He's sitting here.
33:25Yes.
33:26Here's the last one.
33:26The last one.
33:31The last doesn't mean he's sitting here.
33:34What's the next one?
33:35There was a city.
33:37Maybe there was a city.
33:38That's the country.
33:39There was a land.
33:42Athur?
33:45He's sitting here.
33:47We have seen it in Mumbai.
33:49You've heard it.
33:51You're studying it.
33:53I wrote it on my tongue. I'm reading it from your tongue.
33:55Look at this man. What's he doing?
33:57Who wrote it?
33:58This is who wrote it?
33:58This is who wrote it?
34:00It's so big.
34:02You wrote it on your tongue.
34:03I thought it was in Chinese.
34:07All the spelling are like this.
34:12Why are you playing the chopstick?
34:14I'm telling you what I've come to work.
34:16I'm telling you.
34:18I'm teaching you.
34:18They come to acting.
34:20Why do you teach them?
34:21This is an ego.
34:23I'm telling you.
34:25I'm telling you.
34:26I'm telling you.
34:26When you say this,
34:27I'm telling you,
34:28what will you do about it?
34:29That's right.
34:30Do you know that you're a learner?
34:32Tell me.
34:32Learner.
34:33Do you know that you're a learner?
34:35Learner.
34:35Learner.
34:37Learner.
34:38Learner.
34:38Learner.
34:39Learner.
34:40Learner.
34:40Learner.
34:41Learner.
34:41Learner.
34:42Learner.
34:46If Kapil Sharma wants to learn something,
34:48then don't do it.
34:49Don't do it in their growth.
34:50Don't do it in their growth.
34:52I won't tell you.
34:53I won't tell you.
34:54Which one will tell you?
34:56I won't tell you.
34:56Not romantic,
34:58not action,
35:00not serious,
35:01I won't tell you.
35:03The same thing is Dhaqosla.
35:04Oh.
35:06Original.
35:06You are a guru.
35:07You are a guru.
35:07You know Dhaqosla.
35:09Dhaqosla is famous.
35:11Dhaqosla is famous.
35:12Dhaqosla is famous.
35:13Dhaqosla is famous.
35:14You always get the wrong thing.
35:16Okay?
35:16You always get the wrong thing.
35:17Listen to that.
35:18Listen to that.
35:19You don't leave negativity.
35:20You won't be famous.
35:21You won't be famous.
35:21You won't be famous.
35:25You won't be famous.
35:25If you want to make a show for your name,
35:28then put it in positive.
35:34First of all,
35:36what is humble acting?
35:37Humble?
35:37Humble acting.
35:38Humble acting.
35:39Humble acting.
35:40Humble acting.
35:41I have a job in interviews.
35:43You know.
35:45You have to be humble.
35:46How does this happen?
35:47Humble acting.
35:48There is a little thought
35:50and there is a core.
35:52The thought is that
35:53you have to think
35:54that I am going to
35:55the front of you.
35:56holding back.
36:10What do you think
36:11is the
36:122.
36:163.
36:184.
36:201, 2, 3, 4.
36:251,
36:25One, two, three, four.
36:27One, two, three, four.
36:30Now we have to do counting in our mind.
36:32Don't say anything.
36:32Now let me give you some advice.
36:34And we have to know that it's a choreo.
36:36You are Kamal's actor.
36:44He's doing it.
36:46People are getting into the heart of this humble artist.
36:48The other one is Papa Raji.
36:50He's got five rubies in two days.
36:52We have to know that.
36:52How are you?
36:55Look, he's so famous.
36:57I'll tell you.
36:58It's very good.
36:59I'll tell you about the shoes.
37:00Maybe I'll tell you about the shoes.
37:03Our shoes is also a business, right?
37:05Oh.
37:06Diamond Raja footwear.
37:08Look at that.
37:09What's your shoe size?
37:10Ten.
37:11Ten and a half.
37:12How many numbers do you eat?
37:14We wear our footwear.
37:16Shashi.
37:18Ten and a half.
37:31Shashi.
37:32I don't know what you are.
37:34I'm going to tell you about the shoes.
37:36Oh, man.
37:38Oh, man.
37:38Oh, man.
37:39Oh, man.
37:40Oh, man.
37:45Oh, man.
37:46Oh, man.
37:49Oh, man.
37:50Very good.
37:51Number two is yellow.
37:53Yellow?
37:54Number three is the circle of fame.
37:57One, two, two.
38:00Let me explain.
38:02First, you guys are here too.
38:04Come on.
38:04Come on.
38:04Come on.
38:13Sir, please.
38:14Sir, one photo.
38:15Sir, one minute, sir.
38:15You guys are here too.
38:17Sir.
38:18Sir, one minute, sir.
38:20Now, number two.
38:21Yellow.
38:22Dammit, sir.
38:23One photo, sir.
38:25Look here, sir.
38:26Look here, sir.
38:27Number three.
38:28Dye circle.
38:28Fame k.
38:30Sir.
38:30Dammit, sir.
38:31Sir, look here, sir.
38:32Sir, one photo, sir.
38:33Sir, one photo, sir.
38:34Sir, one photo, please.
38:36One more.
38:39One more.
38:40One more.
38:41Diamond, sir.
38:41One more.
38:42Sir, one photo, please.
38:43Sir, one photo.
38:43Sir, one photo, sir.
38:49Where are you from?
38:51You will think that I am a strict acting coach.
38:55No, we don't think that I am an acting coach.
38:59Normally, Vijay ji, people say that I am strict,
39:03but otherwise, I am an emotional person.
39:05Oh, oh.
39:07Jazbati.
39:08When I was struggling with my role in Ramnagar,
39:12I used to write a song in the audition time,
39:16I used to write a song.
39:20You want to listen?
39:21You want to listen?
39:22Yeah.
39:26I have not lost my fault.
39:27I have married my heart.
39:31It's an emotional song close to my heart.
39:35Mmmmm.
39:35Oh, oh.
39:36Mic, do.
39:37Singing mic, do.
39:38Singing mic.
39:41Singing mic.
39:42Ooh.
39:47This is my.
39:51Rock star here, rock star.
39:53My, my, my, my, my, my, my, my, my.
39:58This is my left profile.
40:00This is my right profile.
40:02I can't go swimming also
40:05I know horse riding also
40:07I'm open to ash
40:11This is my left profile
40:14This is my right profile
40:16I do swimming also
40:19I know horse riding also
40:21Open to fall deep
40:25This is my left profile
40:27This is my right profile
40:29I do swimming also
40:32I know hot stride is also open to fall scene.
40:37Guys, you want to join me?
40:39I hope you know the choreography.
40:42Come on, guys.
40:43Let's do it.
40:46And let's do the audition song.
40:49This is my left profile.
40:51This is...
40:52This is my left profile.
40:58This is my right profile.
41:00I do swimming also.
41:03I know hot stride is also open to fall scene.
41:09This is my left profile.
41:11This is my right profile.
41:14I do swimming also.
41:16I know hot stride is also open to fall scene.
41:22Okay, thank you, guys.
41:24Thank you so much.
41:27Okay, all from the fall scenes.
41:29Tonight.
41:31Tonight.
41:31Now.
41:33Together.
41:35Now.
41:36Now.
41:38Now.
41:41Now, now, now.
41:48Now.
41:54Now.
41:56If you have any questions in front of me, you have to ask me,
41:58I don't have any questions in front of you.
41:59Do you know what?
42:01It's the benefit of both of them.
42:03The benefit is that at any time,
42:05the first sentence in a moment,
42:08is to say everything on the stage.
42:10If there is a fumble in the crowd,
42:13then the audience also says,
42:14now, say it again.
42:17What do you think of clarity?
42:20You also met FTA?
42:21No, I met Haryana.
42:23He came to FTA.
42:24So, I met FTA.
42:25I met FTA.
42:25I met FTA.
42:25No, he's a junior.
42:28Okay.
42:29We all know that she's going to come.
42:30I'm a teacher.
42:31I'm a girl.
42:31I keep planning right now.
42:34So, when you proposed to her,
42:37did you believe that she was acting?
42:40Do you think that she wants to propose a woman?
42:44I feel like she put a peepa on the table.
42:47And she put a peepa on the table.
42:49This is for you.
42:50I have to say,
42:52I don't want to give a peepa.
42:53I will give the peepa.
42:53I will give the peepa.
42:54I will not give the peepa.
42:54You will tell me.
42:55Oh, my God.
42:58Jitu and Vijay,
43:00you both are single,
43:01so,
43:01you are in the struggle of Jeevan Sati.
43:03Do you want to look for a girl from this field,
43:06or do you want to give someone to your application?
43:09I mean,
43:10I can get one of the field.
43:10I will get the peepa.
43:13I will get the peepa.
43:13His marriage bureau is also right.
43:14That's why I asked him.
43:15It's Rs. 21.
43:16And it's a man.
43:19It's a man.
43:21It's a man.
43:22It's a man.
43:24It's a man.
43:26It's a man.
43:27It's a man.
43:34It's a man.
43:40What did you know?
43:41They proposed to their seniors.
43:43There were 70 girls in this circle.
43:45If they were 50,
43:46they would do the principal.
43:50Jitu,
43:50you say,
43:51you say,
43:51you say,
43:53give this man a loan,
43:54he will do it back.
43:56I have so much trust.
43:57How did you propose to their seniors?
43:59I think that he was a big mistake.
44:01Yes,
44:03because he has convinced him.
44:04Yes.
44:05Now you will see,
44:05sit down at home.
44:06Yes,
44:06okay.
44:12Friends,
44:13we had warned you that
44:14every musician will grow our family.
44:16And we will give a chance to a super fan here.
44:19So,
44:19if we are a super fan today,
44:21we will be a powerful talent.
44:38We will be a super fan.
44:42We will be a super fan.
44:56We will be a super fan.
44:59We will be a super fan of this show.
45:30And I am also,
45:31you know,
45:32OTT star.
45:33Yes.
45:34Shaka.
45:35Shaka.
45:36Shaka.
45:37Shaka.
45:38My favorite,
45:39Atan Khwadish.
45:39Shaka.
45:39Shaka.
45:41I have done IC 8.4 at the time,
45:43Yes.
45:44Shaka.
45:45I am in an interview with them.
45:45Shaka.
45:47Shaka.
45:47Shaka.
45:48Shaka.
45:48Shaka.
45:48Shaka.
45:49Shaka.
45:49Shaka.
45:51Shaka.
45:51I can't even throw this shit out of the car.
45:56I can't even ask you, but I can't even ask you,
45:57but I can't even ask you.
45:59Be professional, man.
46:01I have no work.
46:04This is a wrong thing.
46:05You can't do it for you.
46:06You're not going to do it for you.
46:06I'm doing it for you.
46:11Wow.
46:12Wow.
46:14Wow.
46:14Wow.
46:15Wow.
46:15Wow.
46:15Wow.
46:21What are you doing? What are you doing?
46:23What did your superfan do?
46:24What did your superfan do?
46:25That's what you did.
46:25I'll do it.
46:27Let's see.
46:28What kind of painting are you going to do?
46:31Hey!
46:32Hey!
46:32Hey, brother!
46:43You're a very good artist.
46:51Hello, Thakur.
46:53What did you make?
46:54He made Salman Khan.
46:56What did you make?
46:57I made coffee.
46:58I made coffee.
46:59I made coffee!
47:02How does this feel?
47:03This is when you don't have money.
47:07Show me a smile.
47:10Why?
47:17Tell me.
47:18Tell me what you're doing in the show?
47:21I'm doing my work in the show.
47:22I'm using the sun.
47:23In the sun, I don't do anything.
47:25It's red mud, you get to sit down the air.
47:28You're going to get them so you can do it.
47:29What do I do?
47:34I'm an artist.
47:35I do my work in the show.
47:36I don't have my body.
47:39You listen to your tune and write lyrics on the show.
47:44Tell me.
47:45It works.
47:45Just my work.
47:47I'm going to do that.
47:50I'm going to do it.
47:51I'm going to do it.
47:52I'm going to do it.
47:53I'm going to give them the talent.
47:54My artist will die.
48:00I'm going to ask them.
48:02I'm a method actor.
48:03I was a terrorist.
48:05I'm going to do method acting.
48:07I'll tell you.
48:08They're not going to get into a car.
48:09They're going to break them down so that they're standing.
48:12I'm going to do it.
48:14I'm going to do it.
48:16I'm going to do it.
48:20I'm going to tell you.
48:21I'm going to tell you.
48:23In the film city, there are many people.
48:25You want to see all the people.
48:26Whatever they see is the jawline.
48:28You want to give them to Netflix.
48:30Tell me.
48:32This is something.
48:35$199 people will see the people on Netflix.
48:38People have seen you or not seen them.
48:41If you can see them, what's the problem?
48:43If you can see them, what's the problem in the temple?
48:46Don't brush it.
48:48Don't brush it.
48:48It won't go out.
48:50That's what I'm talking about.
48:59Friends, today, we have a super fan from us.
49:02Who are all of the million fans.
49:04He's a powerful songwriter, powerful rapper, soulful singer
49:08and electrifying dancer.
49:09This is also a businessman.
49:10So please welcome international sensation, Jackson Wang.
50:22Welcome Jackson, Lorda Taliyah Jackson.
50:26Welcome.
50:30Nice to meet you too.
50:32Namaste.
50:33Namaste.
50:34Namaste.
50:35Jackson, it's a pleasure to have you on our show.
50:38No, thank you.
50:39Do you know Hindi?
50:41Uh...
50:42Thoda thoda.
50:43Thoda baat?
50:44Namaste.
50:46Uh...
50:47Shukriya.
50:48Shukriya.
51:08Shukriya.
51:16Shukriya.
51:17Shukriya.
51:19Shukriya.
51:21Shukriya.
51:35Shukriya.
51:46Shukriya.
51:47Shukriya.
51:58Shukriya.
51:59Shukriya.
52:07Shukriya.
52:37Shukriya.
53:00Shukriya.
53:01Shukriya.
53:07Shukriya.
53:10Shukriya.
53:11Shukriya.
53:32Shukriya.
53:34I didn't gotta buy it
53:37You got it
54:05Yeah, yeah, this way
54:07Hey, hey, yeah
54:11Five, six, seven, go
54:13One, two, three, four
54:17Amazing
54:18Oh, DJ, come on
54:23Five, six, seven, eight, go
54:32Amazing
54:32Amazing, guys, thank you
54:37Now, Jackson
54:38Thank you so much for teaching us your step
54:41Excellent, that's a culture
54:43Now, Mr. Prateek, he will teach you a Indian step
54:45Which is called Garba
54:47Yes
54:47Yes
54:47Yes
54:48Yes
54:48Yes
54:50Yes
54:54Yes
54:55Yes
55:00Yes
55:01Lovely
55:05The same step
55:07Now, we'll do
55:09After four pack down
55:10Same beat
55:12That's fine
55:13Come on.
55:22Come on.
55:24Come on.
55:25Come on.
55:25A jacket player.
55:28Go for it.
55:36Jackson, you are a rock star.
55:38Go.
55:40What is it?
55:41We are doing Punjabi stuff.
55:42We are doing Punjabi stuff.
55:44Baji, the show is going to be playing.
55:47Baji, action.
55:50Go.
55:51Go.
55:55Hey.
55:58Hey.
55:59Hey.
56:00Hey.
56:18Guys, please give me a big round of applause.
56:21Go, go, go.
56:22For the Zordar Taliyan, Jackson.
56:24Jackson, you're a rock star, bro.
56:26Superb.
56:29Jackson, bro, thank you so much for coming.
56:31Really pleasure to have you on our show.
56:33And yes, we want you to come again and again to India.
56:37Thank you, guys.
56:38Thank you, Jackson.
56:41Thank you, girls.
56:45For the Zordar Taliyan, our enemies.
56:47Thank you so much, everyone.
56:48Thank you, Mr. Jaiadji.
56:49Come on, Mr. Jaiadji.
56:50Come on, Mr. Jaiadji.
56:51Pratik.
56:52Jaiadji.
56:52I'm a great leader.
56:54I'm a great leader.
56:55I'm a great leader.
56:55I'm a great leader.
56:56I'm a great leader.
56:57Thank you so much once again for coming.
57:01And, friends, for today's time, we'll see some new enemies.
57:06The Great Indian Company Show.
57:08Every fun of our family is growing.
57:09Only on Netflix.
57:11Good night.
57:11Sweet dreams.
57:18Please welcome Mr. Ajai Dejgan, Mr. Ravi Kishan and Mr. Murunai Thakul.
57:23Our third season is.
57:25Ajai sir, you're on the first time.
57:26I'm waiting for this.
57:27If this would be the first time I'm going to come.
57:28Get out, get out, get out.
57:30Get out.
57:31We've never never seen such a long-dump, Kapil Sharma.
57:33He's not a good pecker?
57:35He's a good pecker.
57:36After the years, the whole whole of them,
57:38I can see her face.
57:41I don't give a mic mic.
57:43You put it in the mouth.
57:46Sir, you do comedy in your films.
57:48The show is made for comedy.
57:50Why do you get serious?
57:52Ganga Ram Ji said,
57:53when I film it,
57:55I'm going to check my name.
57:56When I'm here, I'm going to check my name.
57:59Are you shooting the film?
58:01I'm an actor.
58:02He said,
58:03I'm going to talk to the actors.
58:04No.
58:05But who do good work,
58:06they can do it, sir.
58:1025 years old,
58:11released a release.
58:1225 years old,
58:13released a release.
58:15This is a mimicry.
58:19Papa,
58:21he's a girl.
58:22He's a new son.
58:23He's a girl.
58:25He played a girl in the night.
58:28We went to the restaurant,
58:29we didn't change clothes.
58:31The girl was dressed.
58:32He went to the washroom.
58:33The girl's costume.
58:34He went to the man.
58:35So,
58:36he was laughing.
59:08He's a girl
59:11Got you.
59:32He was filming your weakness.
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