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The.Sandman.S02E12 [Full Movie] [Full Series]Full EP - Full
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05:06¡Suscríbete al canal!
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09:20¿Por qué sabes que soy un jornalista?
09:22¿Cuántas sexed infernavales hay en el mundo?
09:26¿Tienes leer mi columna?
09:28Cuando tengo tiempo.
09:29¿Tienes tiempo? ¿Por qué?
09:33Mira, te diré pero no me crees.
09:37¿Por qué?
09:41Porque...
09:45Soy muerto.
09:50Tu muerte?
09:51Sí.
09:55Pero no tienes nada que preocuparte porque...
09:58Hoy es mi día de hoy.
10:01Oh.
10:05¿Mudio es un día de hoy?
10:07Solo una.
10:09Cada cien años.
10:10Solo para ver cómo es como ser humano.
10:14No.
10:16La muerte vive en shortage.
10:17No.
10:19No, este lugar es solo la forma de hacer me sentir confortable.
10:24Tecnicamente, ahora mismo, estoy solo unos minutos.
10:26No.
10:42No.
10:44No.
10:46Pero cosas bien.
10:48Pero a fin.
10:51Voy a ver.
10:51Solo, casi os negocios.
10:59Los vermeその 좋은 personas.
11:24¿Qué pasa?
11:54¿Qué pasa?
12:16¿Qué pasa?
12:16¿Qué pasa?
12:18Sexta
12:21¿Qué pasa?
12:23¿Qué pasa?
12:25¿Qué pasa?
12:25¿Qué pasa?
12:29¿Qué pasa?
12:29¿Qué pasa?
12:31¿Qué pasa?
12:33¿Qué pasa?
12:43¿Qué pasa?
12:49¿Qué pasa?
12:53¿Qué pasa?
13:09¿Qué pasa?
13:12¿Qué pasa?
13:15¿Qué pasa?
13:17¿Qué pasa?
13:17¿Qué pasa?
13:30¿Qué pasa?
13:32¿Qué pasa?
13:33¿Qué pasa?
13:36¿Qué pasa?
13:38¿Qué pasa?
13:39¿Qué pasa?
13:42¿Qué pasa?
13:44¿Qué pasa?
13:54¿Qué pasa?
13:57¿Qué pasa?
13:58¿Qué pasa?
14:01¿Qué pasa?
14:02¿Qué pasa?
14:07¿Qué pasa?
14:13¿Qué pasa?
14:18¿Qué pasa?
14:19¿Qué pasa?
14:19¿Qué pasa?
14:21¿Qué pasa?
14:31¿Qué pasa?
14:36¿Qué pasa?
14:38¿Qué pasa?
14:40¿Qué pasa?
14:42¿Qué pasa?
14:44¿Qué pasa?
14:48¿Qué pasa?
14:49¿Qué pasa?
14:49¿Qué pasa?
14:49¿Qué pasa?
15:02No, no, no, no.
15:19Chef's choice.
15:20All right.
15:21One veggie flatbread with a works.
15:24There was this zen monk, right?
15:26And he orders one of these.
15:28Do you know what he says?
15:30Make me one with everything.
15:32You've heard that one, eh?
15:33Oh, I hadn't.
15:35Oh, that looks delicious.
15:38What do I owe you?
15:39Nothing.
15:39Keep your money.
15:40What?
15:41No.
15:42A beautiful woman with a healthy appetite.
15:44You make me feel glad to be alive.
15:46You enjoy that?
15:48This might be the best thing I've ever tasted.
15:50Saxony, you've got to try it.
15:51Oh, thank you.
15:52Hey, try it.
15:53Mmm.
15:55I think enough time has passed now that I'm allowed to go home.
15:58What do you mean?
16:00My flatmate and her girlfriend asked me to leave so they could...
16:04Have sex?
16:05Aw, that's sweet of you.
16:07Look, no idea how long that's going to take.
16:09How long have they been together?
16:11Three weeks-ish.
16:12No, he might be out a while.
16:15Oh, taxi!
16:16What are you doing?
16:18I have an entire list of things I want to get done while I'm here.
16:21Like what?
16:22Mmm, like go to the opera or BFI.
16:26Oh, I want to get a chai in the queue at Dishun.
16:29And then a party, then maybe an after-party.
16:32Oh, and then I want to get a full English at the Regency Café.
16:36Oh, and I promised Mad Hattie I'd find her soul.
16:40How does that sound?
16:41Like too much for one week, let alone one night.
16:44Challenge accepted.
16:48Let's go.
16:50No.
16:52Why not?
16:53Because I don't know you.
16:55And if you don't get in this cab, you never will.
17:00Where to, love?
17:02Sexton, where would you like to go?
17:05Home?
17:06Um, where's home?
17:08He can't go home.
17:09His roommates are having sex there.
17:11Nice.
17:11Yeah.
17:12Well, anywhere else you want to go?
17:15I've no idea.
17:17That's the human condition, isn't it?
17:20Where would you like to take us?
17:21Me?
17:22Yeah.
17:23First place that pops into your mind?
17:26Well, I always like a bit of greenery.
17:29Can't see a drive through the park?
17:31That sounds perfect.
17:32Hop in.
17:35But what about the opera and the shooting?
17:38We'll get there.
17:39As my older brother would say, certain destinations are inevitable.
17:46After you.
17:50Right when I laid eyes on you, I thought to myself, oh, could it be someone that's made this for
18:03me?
18:05Can I ask you a question?
18:08Is it personal?
18:09Very.
18:10Good.
18:11Yeah, go on.
18:12I'll ask.
18:13What is it you think makes life worth living?
18:19Well, my sister, Maggie, she thinks it's men.
18:25For me, it's at the end of my night shift.
18:31And the sun's just coming up.
18:34And I've got London all to myself.
18:36And just for a moment, everything, everything feels possible.
18:43Yeah.
18:45I love that.
18:47Yeah.
18:48What about you, Sexton?
18:50What makes life worth living?
18:55That moment when your clubmate stops having sex and you get to go home.
19:00I asked you a serious question.
19:02I gave you a serious answer.
19:04You two deserve a night out.
19:06Oh, now that sounds like wisdom to me.
19:08What do you have in mind?
19:10Well, the Undercut Club's just down the road.
19:12The Undercut Club?
19:14Have you been?
19:15No, I've never had the pleasure.
19:16You're better off.
19:18Believe me.
19:19Have you been?
19:21My ex used to drag me there for 80s nights.
19:24And 90s nights.
19:26But never 90s nights.
19:29Is it fun?
19:31If you like that sort of thing.
19:33What, if you like fun?
19:34If you like crowds and overpriced drinks and drugged up wannabe cyberpunks who look like
19:40they've escaped from a bad movie.
19:42Okay, you're actually making me want to go now.
19:44You sold it to me, I'd go.
19:46Would you like to?
19:47I'd love to.
19:48But I'm on the clock, so...
19:50I'd better drop you two there, yeah?
19:56Yes, please.
20:13What do I owe you?
20:14Nothing.
20:16It's a gift.
20:17Really?
20:18Thank you.
20:20Say thank you, Sexton.
20:23Yeah.
20:25Thank you.
20:26What?
20:27No problem.
20:28Well, London taxi drivers don't generally give people free rides through the park at rush hour.
20:34Yeah.
20:35Yeah.
20:36But there's something about her.
20:37I like her.
20:40But if you're so bothered, that'll be 60 quid.
20:52Well, thanks, now.
20:56Thanks, now.
21:00Do you have a knack for never having to pay for anything?
21:03What's it like to live for free?
21:05Nobody lives for free, Sexton.
21:07Especially not me.
21:09Now, I have 20 pounds and, ooh, two pence.
21:13Even if that's enough to get us in the club.
21:15I'll get you in.
21:16I'm not going.
21:17Why not?
21:19Are you scared you're going to see Sylvie?
21:23Sylvie?
21:24Your ex.
21:26How did you know she's called Sylvie?
21:29Because I know everyone.
21:31That's my job, remember?
21:33What I don't know is why you won't come in with me.
21:38Because this is not my idea of fun.
21:43These are not my people.
21:45Sexton!
21:47You're in here!
21:49I thought you were having privacy with Amelia.
21:52Oh, we had a row instead.
21:53I messaged you.
21:55My phone died.
21:56What was the row about?
21:59Sorry, are you with Sexton?
22:02Yeah.
22:02No.
22:06I'm, um...
22:06Dee Dee.
22:08Billy, this is Dee Dee.
22:10Dee Dee.
22:10This is, uh, my flatmate, Billy.
22:14Pleasure.
22:15So, how did you two meet?
22:17Stop smiling.
22:18It's not like that.
22:19I found him on a flight tip.
22:20Oh, well, that does sound more like it.
22:22What was the row about with Amelia?
22:24Oh, sex.
22:25My girlfriend basically accused me of being a sex addict.
22:28What?
22:28Are you?
22:29She says I just want to spend all my time alone with her, and I don't want to hang out
22:34with
22:34any of her friends.
22:35They're all inside, waiting for me.
22:38She'll be so happy you're here.
22:40She might even forgive me.
22:41I'm not staying.
22:44He's scared he's going to see Sylvie.
22:46He's dying to see Sylvie.
22:47No.
22:48I'm not.
22:53What's...
22:54Is she here?
22:56Only one way to find out.
23:00And Amelia knows the guy on the door, so we can get him for free.
23:03For free.
23:04You hear that?
23:06Come on, sexism.
23:07It's my lucky day.
23:08And yours.
23:09It's my lucky house.
23:26It's my lucky house.
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27:28¿Qué es el señor?
27:30¿Qué es el señor?
27:31¿Y en el señor Sexton?
27:33Hola, Theo.
27:34Sexton.
27:36¿Y en el señor?
27:37Este es mi amigo, Didi.
27:41Theo es...
27:42...el manager?
27:45El señor DJ, club promotor
27:47...y tu hostia.
27:53Gracias, Theo.
27:56Sí, gracias, Theo.
28:00Sexton.
28:02Tu amigo, Didi.
28:04¿Cómo has conocido ella?
28:06Yo solo meto ella hace un tiempo.
28:08¿Vocas trae una chica a un club que conocí?
28:10¿Vocas hace un tiempo?
28:13No suena como tú, Sexton.
28:15No me no me, Theo.
28:17No, no, no.
28:19¿Qué es lo que nos ha dicho?
28:21No, no, no me preocupes.
28:22No me preocupes.
28:23No me preocupes.
28:24No me preocupes.
28:26No, no.
28:27No me preocupes.
28:29¿No?
28:31So, tu te ofrecs.
28:33¿Cuál te haces dinero?
28:34Encorro otras personas para hacerlo?
28:37Ah, Selvie va ser muy feliz de escuchar,
28:41...que te conocí una persona.
28:43No.
28:44No, Didi y yo no?
28:46No, no.
28:46¿Qué tal?
28:47¿Qué tal vosotras?
28:48¿Qué tal Natalí?
28:51¿Y dos?
28:52Sí, pero Natalí hace una cosa.
28:56No, no, no.
28:59Tal vez por eso es por eso que estamos juntos.
29:16Me encanta este lugar.
29:18Bien hecho.
29:26No, no, no, no, no, no, no.
29:46Los Teferos todos quisieron vivir siempre, no?
29:48Algunos de ellos lo hicieron.
29:50Algunos de ellos sabían mejor.
29:52La muerte no es todo lo que se ha creado.
29:55No sé por eso.
29:58Si sabías que iba a vivir siempre, puedes hacer lo que quieres.
30:03No tienes que ser miedo de nada.
30:06De nada.
30:11Do You don't need immortality for that though, do you?
30:18Did section show you this used to be at the department store?
30:20The club?
30:21Yeah, bed linens, garden furniture, kids toys. Also upstairs. You need to provide the parties. I can give you the
30:31tour. You feel like?
30:32Yeah, maybe later. Sure.
30:39Do you want to dance?
30:42I'd love to, but I came with Sexton, so...
30:47Ah, Sexton doesn't dance. At least not according to Sylvie.
30:53Shall we?
30:58There's a car!
31:06What is wrong with you? She likes you.
31:10She likes everyone.
31:12I can't work out whether she's being serious or not.
31:16She told me...
31:22She thinks she's death.
31:25What?
31:27She thinks she's the living incarnation of death.
31:32She told you that?
31:34Oh, she'll tell you. If you ask her, she's not shy about it.
31:41Maybe I will.
31:42Someone needs to save her from D.A.
31:44Come dance with us.
31:46No.
31:48According to Sylvie, I don't dance.
31:51It's to prove her wrong.
31:56She's a little more.
32:01She's a little better.
32:06She's a little slower.
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36:19Es un símbolo.
36:20Es un sígil.
36:22Es un sígil.
36:24De nada más, yo decide quién vive y morir.
36:27¿Qué pasa con eso, Theo?
36:31Te espero que lo hagas.
36:35¡Pío!
36:37¡Pío!
36:38¡Pío, no hay que irme aquí!
36:40¡Pío!
36:41¡No me need help!
36:43No puedo escuchar, Sexton.
36:53¡Pío, no hay que irme aquí!
37:05¿Did you tell him your death?
37:09I didn't have to.
37:14He summoned me here.
37:26So welcome, Mart.
37:39I'm so sorry, Sexton.
37:43It's not your fault.
37:46It is.
37:47You warned me, but I got cocky.
37:51I just thought it doesn't matter if something happens to me.
37:55That's what today's for.
37:59I didn't think I'd be hurting other people, too.
38:02You haven't hurt anyone.
38:08What about Mad Hattie?
38:11At this point, we'll never find our soul.
38:14Well, I thought you were just humoring her.
38:17No, of course not.
38:19She's counting on me.
38:23And I only have a few hours left.
38:26Until what?
38:31Until my one day every hundred years is over.
38:41Ah, here we go.
38:44We'll get the door open.
38:46We'll open Theo's skull.
38:48Sexton.
38:49Put that down.
38:51You could hurt him.
38:54You sure you're deaf?
38:56Doesn't mean I go around killing people.
38:59Doesn't it?
39:00No.
39:03There is such a thing as free will.
39:05People make choices.
39:08People don't choose to die.
39:12Normally, there's war.
39:14There's famine.
39:18Disease.
39:19I'm not saying it's not painful to be alive, but it's not always painful, is it?
39:31No.
39:37In fact, sometimes it's so nice that you forget that there's suffering everywhere.
39:46All the time.
39:48People with nothing struggling to survive, to keep their families alive.
39:55It never stops, no matter what I say, or do, or write, no matter how hard I try to make
40:01a difference.
40:02I don't.
40:02I can't.
40:03Which leads me to why bother.
40:08Which leads me to what's the point.
40:14I keep having to remember that you've only ever been human.
40:21So you don't know what it's like not to be able to feel these things.
40:32What it's like not to have free will.
40:36You don't know how free will.
40:39My siblings and I have our duties.
40:43And we perform them.
40:50Except for one day.
40:54Every hundred years.
40:58A death takes a holiday.
41:02Spends it locked in a storeroom.
41:06Well, that's my fault for making plans in the first place.
41:10For having these expectations.
41:13Which makes it impossible to just enjoy what the day actually turns out to be.
41:23You'd think I would have learnt my lesson by now.
41:31What?
41:42Marbles.
41:53When Theo comes back, he'll slip on these, he'll fall non-fatally, and we'll get away.
42:00Are you trying to save your life with those?
42:02Or mine?
42:03Ideally.
42:06Both.
42:07What a difference a day makes.
42:12What do you mean?
42:15The sleeping pills.
42:17In your pocket.
42:19I'm not judging you.
42:22There is such thing as free will.
42:26And...
42:27Today you want to live?
42:34What the fuck are you doing?
42:37Were those meant for me?
42:46Where's my egg?
42:47At the bottom of the Thames.
42:49It doesn't fucking work.
42:50Not the way you wanted it to.
42:52Well...
42:53It doesn't matter.
42:55Because I've got you.
42:57And you're coming with me.
42:58Theo, she's not that.
43:00I've told him.
43:01He doesn't believe me.
43:02Even if she was, you don't need her.
43:03You've got the power to kill.
43:05It's in your hands.
43:06I don't want her to kill anyone.
43:11I wanted to bring someone back.
43:18Natalie.
43:22Will you bring her back for me?
43:26I can't.
43:28It was my fault she died.
43:31No.
43:32It wasn't.
43:36Natalie overindulged one night.
43:39Theo, you did everything you could to try to save her.
43:43Including summoning me.
43:47You know who's going to believe that, though, are they?
43:52They're all going to think I killed her, and why wouldn't they?
43:57I'm going to spend the rest of my life in prison.
44:04I'm best.
44:06Theo.
44:07Will you take me like you took her?
44:08No, Theo.
44:09Listen.
44:09Theo, put the gun down.
44:11Shut the fuck up, Sixten.
44:12I know you think I killed her, too.
44:13I don't.
44:14I swear.
44:14Theo, put the gun down.
44:15Just stay back!
44:16I don't know.
44:25Theo.
44:28He's hit his head.
44:31Get help.
44:33Call an ambulance.
44:41Please bring her back to me.
44:45Once they're gone, it's too late.
44:49Are you taking me now?
44:52Not today.
44:56Today's my day off.
45:13I said he's going to be okay, but he might have a concussion, so we'll keep him overnight.
45:17Thought maybe we could go and see him tomorrow?
45:21I won't be here.
45:25Right.
45:28Death only gets one day off.
45:36Well, it wasn't the day I wanted, but it was probably the day I needed.
45:48And there's the proof.
45:50You like it?
45:52It's perfect.
45:54How much is it?
45:56For you?
45:58Ah, just give it to her.
46:00We all know you're going to.
46:03For you?
46:0530 quid?
46:0730 quid?
46:11Is it real silver?
46:1430 quid, love, you're lucky it's real metal.
46:16Well, how much for that?
46:20How much you got?
46:2220 pounds and two pence.
46:27I'll take the pence.
46:29I'll take the pence.
46:29You keep the pence.
46:31Thank you.
46:36I had a really good time today.
46:41You enjoyed being held captive at gunpoint?
46:45No.
46:48But it was part of the whole thing.
46:53And I wanted the whole thing.
46:57Speaking of which.
47:01For you.
47:03It's all I got left.
47:07You never know when I'll come in handy.
47:09Hmm.
47:09Oh, and this is for Mad Hattie.
47:30Thank you.
47:36Have a lovely day.
48:07It just goes so fast.
48:13You want to hang on to every second.
48:18You give anything for just one.
48:33Please.
48:35Help.
48:39Dee Dee!
48:51Dee Dee!
48:54Dee Dee!
48:58She's dead, love.
49:00She's gone.
49:05You can't bring her back now.
49:13Did she give you the pence?
49:24Give her me a...
49:27Give her me a...
49:30That's the cost of life.
49:42No, no, no, no, no.
50:08There you are.
50:13I knew she'd find her.
50:22Me soul.
50:25This was called Delia.
50:28Me baby.
50:30I wasn't mad at you back then, of course.
50:33They called me Henrietta, and I lived in a fine house.
50:38Long time ago now.
50:41All gone.
50:46I suppose I'd better hide you again.
50:53If she'd stuck around, I could have asked her where to put it, but no one would think of looking.
51:01I'd give her time, only boy.
51:07Another hundred years, but she'll be back.
51:23A few minutes later, the paramedics came and took her away.
51:32They thought it might have been a heart attack, but what if she really was death?
51:44It would not be nice if death was someone, and not just pain and emptiness.
51:52Someone friendly, genuinely likes people, and is kind and funny.
52:06No idea.
52:10No idea.
52:30I was wondering what I was talking about, and we thought we need to stop by.
52:33There's sex now, right?
52:34See for yourself.
53:01No, no, no.
53:07Do you want a cup of tea?
53:10Yeah.
53:11Yeah, if you have time.
53:24Milk and sugar?
53:26Three sugars.
53:32So that was it?
53:40Yeah.
53:43How was it?
53:51It was wonderful.
53:53It was filled with people.
53:58I got to breathe and eat and dance.
54:03I only wish it didn't have to end like that.
54:07It always ends.
54:09That's what gives it value.
54:12When you get to be alive, even for a day, well, it's really only one way to stop living.
54:23I suppose so.
54:27Was it worth it?
54:33I wish it could have gone on forever.
54:41Take my hand.
54:42You've got to spend your mind.
55:11I just wanted to find the rest of you.
55:12I just wanted to play the game.
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