- hace 7 horas
Quiet Please, Murder (1942) Full Movie ｜ Crime, Thriller ｜ George Sanders, Gail Patrick, Richard Denning [Full Movie] [Full Storyline]Full EP - Full
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00:00:28¡Gracias!
00:00:58¡Gracias!
00:01:27¡Gracias!
00:01:33¡Gracias!
00:01:34¡Gracias!
00:01:35¡Gracias!
00:01:36¡Gracias!
00:01:37¡Gracias!
00:01:37¡Gracias!
00:01:38¡Gracias!
00:01:38¡Gracias!
00:01:40¡Gracias!
00:01:41¡Gracias!
00:01:42¡Gracias!
00:01:42¡Gracias!
00:01:43¡Gracias!
00:01:43¡Gracias!
00:01:43¡Gracias!
00:01:44¡Gracias!
00:01:45¡Gracias!
00:01:46¡Gracias!
00:01:47¡Gracias!
00:01:48¡Gracias!
00:01:49¡Gracias!
00:01:51¡Gracias!
00:01:55¡Gracias!
00:01:58¡Gracias!
00:01:58como este original.
00:02:01Estolados.
00:02:02No hay preguntas.
00:02:04Plenty de suckas para comprar a buen forger.
00:02:06Eso ha sido hecho antes, también.
00:02:08¿Puedo llevarlo conmigo?
00:02:11Over mi cuerpo.
00:02:38Aquí hay una cosa.
00:02:43Es una cosa.
00:02:44Sí, sí.
00:02:45I pregunté a mi,
00:02:46I pregunté a mi,
00:02:47Rambescu,
00:02:47of all your clients,
00:02:49¿quién más le gustaría ver este trágil?
00:02:52Es vital para ti, señor Cleaver.
00:02:54Ya has dicho eso un par de vez.
00:02:56¿Cuánto tiempo harán más tiempo?
00:02:57¿Qué es lo más que te has,
00:03:00No sé si se ha dado cuenta.
00:03:01Por favor, por favor.
00:03:03Es una buena property, y más seguro.
00:03:06Los policías están buscando seis meses ahora.
00:03:09No, no.
00:03:11¿Puedo mostrar esto a alguien que conoce los libros?
00:03:13Por favor, sí.
00:03:18Pensaba que te iba a dar a mi bailar.
00:03:20Es lo que estaba diciendo.
00:03:22Ya he visto dos veces, parece que es un buen día.
00:03:25Revescu me enseñó el día.
00:03:27Los libros no están en mi línea.
00:03:29¿Qué piensas de eso?
00:03:30Es muy bien.
00:03:32Muy bien.
00:03:33Es todo lo que necesitas saber.
00:03:34La Blanda, la mejor experta de los libros.
00:03:39¿Qué dice ella?
00:03:40Me dijiste que ya tenía su opinión.
00:03:43Estoy muy preocupada.
00:03:51Voy a tomar.
00:04:20No.
00:04:21No.
00:04:22No.
00:04:24No.
00:04:24No.
00:04:25No.
00:04:25No.
00:04:27No.
00:04:28No.
00:04:29No.
00:04:33No.
00:04:34No.
00:04:35No.
00:04:36No.
00:04:36No.
00:04:39No.
00:04:41No.
00:04:46No.
00:04:48No.
00:04:49No.
00:04:49No.
00:04:51No.
00:04:51No.
00:05:00¡Gracias!
00:05:29¡Gracias!
00:05:52¡Gracias!
00:05:54Hey
00:05:54¿Dónde hay其á cosas?
00:06:04¡No iPodoro los clientes!
00:06:08¡Gracias!'
00:06:09¡Quien εус Tippettas!
00:06:10¡illiérra!
00:06:13¡Gracias!
00:06:14¡Incrito!
00:06:14¡Gracias!
00:06:15Give him his money back and hereafter do as I say, stick to larceny minded American suckers
00:06:20He looked like one to me
00:06:22He isn't, he's spending German money
00:06:24Some of the loot the Nazi crowd smuggled out of occupied Europe
00:06:28Uh-huh, so they can look like exiled kings if and when they escape after the war
00:06:32Clevers buying for Goering or Himmler, investing in works of art
00:06:37Literary rarities like diamonds are supposed to be safe in the event of post-war inflation
00:06:40Well he's stuck this time, I'm sorry I didn't get him for more
00:06:43You're giving him his money back
00:06:45I am not
00:06:50You asked for that
00:06:52Then get rid of the idea that you're running this show
00:06:55I can always find another outlet for my stuff
00:06:59And that's what you think
00:07:02Do you know what the Gestapo is?
00:07:04If you do, he will take my advice and settle with Mr. Cleaver
00:07:07That man's the saddest, there's not an ounce of mercy in him
00:07:10You two boys should get along
00:07:12You always say you enjoy being hurt
00:07:17Yes
00:07:25A very clever imitation
00:07:27Beautifully aged paper
00:07:30An offset printing process retouched by hand
00:07:34The work of an artist
00:07:37But I do not like to be fooled
00:07:39Mr. Cleaver, Mr. Cleaver, how can you say such thing?
00:07:43I am a respectable art dealer
00:07:45Then I return your work of art
00:07:48I want my money back
00:07:50You get me to this trouble
00:07:52Believe me, Mr. Cleaver
00:07:54I only act as agent for this woman
00:07:56She says it's genuine and I believe it
00:07:58She pays commission
00:08:00So I suspect it
00:08:01Where did you get this hamlet?
00:08:03A man named Flegg
00:08:05Forger of rare books
00:08:06It looks like his work
00:08:07I saw samples of it in Europe
00:08:08I am a respectable man
00:08:10I do not swindle people
00:08:12And the man I represent does not like to be swindled
00:08:14Who? Field Marshal Gehring?
00:08:17My client prefers to remain nameless
00:08:19And I repeat
00:08:20He will not submit to being swindled
00:08:22You knew you were buying stolen profit
00:08:24But not a forgery
00:08:25Your other customers may not complain
00:08:27But I do
00:08:28This is terrible
00:08:30My reputation
00:08:31If you think you're being swindled
00:08:32Why don't you call the police?
00:08:33Oh, I won't need their help
00:08:35I'm sorry you feel this way
00:08:37I can't make good the money
00:08:39Then produce Mr. Flegg
00:08:45I'll deal directly with him
00:08:46He's a very difficult man to reach
00:08:48I suggest you find a way
00:08:49Quickly
00:08:51Now as for you
00:08:52Robescue
00:08:53No
00:08:54No
00:09:07Your Mr. Flegg
00:09:08Probably doesn't know about the hamlet deal
00:09:11It was your own idea, wasn't it?
00:09:13And you pocketed the money behind his back
00:09:17He did it deliberately
00:09:19Then you must bring him to me
00:09:20But he'd never
00:09:21You can find some way
00:09:25You needn't bother to tell the police
00:09:27About what happened here
00:09:30It won't stop us
00:09:32I don't work alone
00:09:36I shall expect to hear from you within the hour
00:09:38Plenty of time to locate Flegg
00:09:41Good day, Miss Plenty
00:09:44Possibly
00:09:50Follow her
00:09:51I think she's safe
00:09:52She'd do anything to save her own skin
00:10:06Report to me at the usual place
00:10:23What's you?
00:10:23He's been waiting for an hour
00:10:25I don't know him
00:10:26Doesn't look like ready cash
00:10:28Tell him no, I haven't time now
00:10:32You'd better make time, sister
00:10:33The name is Myra Blandy
00:10:38Don't be in such a hurry
00:10:40I'll handle this
00:10:45What is it, Mr. McBurn?
00:10:49Well
00:10:50I expected something ten years older and fat
00:10:53Come back in ten years
00:10:54No party name of William Shakespeare?
00:10:58Not personally
00:10:58I wasn't around in 1600
00:11:00But I sell books of his
00:11:01So I hear
00:11:03Just what are you driving at?
00:11:04The verbiage edition of Hamlet
00:11:06It was snatched from the local library
00:11:08Six months and nine days ago
00:11:09And a guard was killed
00:11:10Yes, I read all about that
00:11:12And I understand you know
00:11:14Where it can be picked up cheap
00:11:15You're misinformed and you're insulting
00:11:17I don't deal with thieves
00:11:18You'll find the door over there
00:11:20And I also hear very confidentially
00:11:22And correct me if I'm wrong
00:11:24That imitations of this Hamlet
00:11:26Are being passed off at fat prices
00:11:28You're wrong
00:11:29Good day
00:11:30Look, I want a little cooperation, sister
00:11:32Edgar T. Collins shot me down here from New York
00:11:36About a Hamlet he bought
00:11:38He doesn't like it
00:11:39I've never sold Mr. Collins any books
00:11:41No, he bought it from a fellow named Sims in Baltimore
00:11:44I don't see how that concerns me
00:11:46You want a blueprint?
00:11:48I traced it to you
00:11:50Oh, you're a detective
00:11:51Hmm, private man
00:11:52Well, I'm afraid you've been seriously misinformed
00:11:54I've never dealt with any Mr. Sims in Baltimore
00:11:58Look, beautiful
00:11:59You're on the well-known spot
00:12:01So pull your ears in
00:12:02Collins doesn't want his money back
00:12:04He wants blood
00:12:04He's a nut on book collecting
00:12:06And wants everything kept on the up and up
00:12:08He didn't buy your Hamlet a stolen goods either
00:12:10So his skirts are clean
00:12:11He isn't afraid to make a complaint
00:12:15Now this is all between you and me
00:12:17But if I drop a hint in the DA's here
00:12:21Well...
00:12:22A smart lawyer might beat the rap for you
00:12:23But would you still be in business after all the publicity?
00:12:26I don't know what you're talking about
00:12:30Can't we play ball?
00:12:32You're not in this alone
00:12:33You handle the hot stuff for somebody
00:12:35Who is it?
00:12:37He'd kill me
00:12:38Who?
00:12:39Fleck?
00:12:43Yeah, that's one the cops don't know
00:12:45Yet
00:12:47This, uh, Shakespeare stuff
00:12:48I'm told it's Fleck's product
00:12:49He's good from way back
00:12:51Where do I reach him?
00:12:53I don't know
00:12:54Come on, let's have it
00:12:55There are reasons why I have to handle the stuff he sends me
00:12:57The Hamlet isn't my only headache
00:12:59I'm really afraid
00:13:02Blackmail?
00:13:03The right man could steer you out of it
00:13:06Do you mean it?
00:13:07Of course, I'm in business myself
00:13:09But the fee wouldn't be too high
00:13:11Oh, I'd pay you anything
00:13:12Now you help me build a case against Fleck
00:13:14And I'll see that your skirts are kept clean
00:13:16Deal?
00:13:17Deal
00:13:17When do I meet him?
00:13:18Well, you better let me arrange it
00:13:19I never know when he'll phone
00:13:21I can't talk very well here
00:13:23Where are you staying?
00:13:23The Bradley house
00:13:24Pick me up for dinner
00:13:25All right, about seven
00:13:26Swell
00:13:27Oh, by the way, I'm great for getting something very important
00:13:30What?
00:13:31My retainer
00:13:32Nice work if you can get it
00:13:34Playing both sides
00:13:35No, Fleck's the other side
00:13:36You see, Collins hires me
00:13:38And you pay off to be kept out of the case
00:13:40Oh, I see
00:13:42How much?
00:13:44Oh, how about 500?
00:13:46How about 250?
00:13:48All right
00:13:49On account
00:13:51You know, I like a businesswoman who knows her business
00:13:54Of course, 500 would have bought you a better dinner
00:13:58Thanks
00:14:00Every instinct tells me I'm a fool
00:14:02But I'm trusting you because I want to
00:14:04You needn't worry
00:14:05I lied to you because I was afraid
00:14:09You still afraid?
00:14:10Not so much
00:14:11See you at seven
00:14:16And bring that smile along
00:14:41Hello, Mr. Cleaver
00:14:42Myra Blandy
00:14:44I spoke to Fleck
00:14:45He won't meet you
00:14:46He absolutely refuses
00:14:48Of course I want to cooperate
00:14:51I have a suggestion
00:14:52Leave a book in my name at the information desk
00:14:54At the public library on K Street tonight
00:14:56I'll have Fleck pick it up
00:14:57That'll identify him when he asks for it
00:15:00Oh, by the way, he uses the name of Mac Byrne
00:15:02Hal Mac Byrne
00:15:03He mustn't know about me
00:15:05Yes, tonight at 8.30
00:15:06Goodbye
00:15:11Hello, Lady Dracula
00:15:12And how are you this pleasant afternoon?
00:15:14Some tea?
00:15:15No, thank you
00:15:17We're in the mood, aren't we?
00:15:19How many butterflies did you torture since lunch
00:15:21Hoping one would turn on you?
00:15:24Something tells me our little Myra harbors a secret
00:15:28How do things go today?
00:15:30Nothing very exciting
00:15:31Boston-wide
00:15:32For some more of your penmanship
00:15:33And a Dickens autograph
00:15:34See anybody amusing?
00:15:36Not a soul
00:15:38Are you sure?
00:15:40Positive
00:15:41I hear that Hal Mac Byrne
00:15:43Is quite the ladies' man
00:15:45Oh, yes, I was going to tell you about him
00:15:47Yes, my little liar
00:15:48After I dragged it out of you
00:15:50Who told you?
00:15:52The book world isn't very big
00:15:53He was followed to your place
00:15:54And if you weren't so stupid
00:15:55Disobeying orders
00:15:56He wouldn't be bothering you
00:15:58Don't fret, I can handle Mac Byrne
00:16:00There's only one way to handle his kind
00:16:02I'll handle it my way
00:16:03Wait a minute, have you fallen for this cop?
00:16:05Jim
00:16:07No woman would have walked out of me for that
00:16:09But you stay
00:16:11Why?
00:16:13Because I'm a punishment in your life
00:16:15Your conscience demands it
00:16:17Boy, don't give me the old chestnut
00:16:18About our expecting punishment
00:16:20Because we were taught to as kids
00:16:22But we do
00:16:23Your everlasting lying
00:16:24Your flirting with danger
00:16:26Is a secret desire
00:16:27To be caught off guard
00:16:28And hurt
00:16:29Listen to Dr. Freud
00:16:31Why do you think
00:16:32There are so many automobile accidents
00:16:33Mere carelessness?
00:16:36No
00:16:37The unconscious impulse
00:16:38To punish ourselves
00:16:39Is sometimes so great
00:16:40It becomes self-destructive
00:16:41When we should be alert
00:16:42And on guard
00:16:43Our enemy
00:16:44Conscience
00:16:45Super-ego
00:16:46Betrays us to psychic justice
00:16:48A healthy body
00:16:49Prays sick
00:16:49Or we fear insanity
00:16:51Or we show poor judgment
00:16:52In a crisis
00:16:53And make a mistake
00:16:54That destroys us
00:16:56And what did all this wisdom
00:16:57Ever buy
00:16:58Our amateur psychoanalyst?
00:17:00You
00:17:02You may be my automobile accident
00:17:04You're dangerous to my interests
00:17:06And it excites me
00:17:08To play with my own life
00:17:10The way we live
00:17:11Is a constant threat
00:17:12To our security
00:17:13But we love it
00:17:14Giving and taking pain
00:17:18Torturing fear of destruction
00:17:20Psychiatrists say
00:17:21There's a little of it
00:17:22In most people
00:17:23But it has run away
00:17:24With us
00:17:25So that when I make a mistake
00:17:26It's my conscience punishing me
00:17:28Precisely
00:17:29You may be crazy
00:17:31But I'm not
00:17:33Funny part about it
00:17:34Is that no court
00:17:35Or sanity commission
00:17:36Would ever call us crazy
00:17:39But we're really
00:17:40A couple of walking
00:17:41Horror stories
00:17:42Speak for yourself
00:17:43Darling
00:17:45Ah
00:17:46The lady
00:17:47Who never makes a mistake
00:17:50All right
00:17:50When do I get at McBurn
00:17:52I said I'd have him
00:17:54Bungle the job
00:17:55When are you seeing him
00:17:56For dinner
00:17:57Then he has an appointment
00:17:59At the public library
00:18:00And after that
00:18:00Public library
00:18:02They've got some books I want
00:18:04Some rather priceless books
00:18:05I've been working on
00:18:06A new set up to get at them
00:18:09McBurn
00:18:09I can use him
00:18:10Two birds with one stone
00:18:12Please Jim
00:18:12Let me take care of McBurn
00:18:13Why
00:18:14Is there something else
00:18:15Somebody you haven't told me about
00:18:17No
00:18:18It's my job
00:18:19Do you want to be an eyewitness
00:18:22No
00:18:24I'm surprised
00:18:27All right
00:18:28Deliver the cop to the library
00:18:30And then go home
00:18:33You're quite a girl
00:18:34Myra
00:18:36Freud
00:18:36Lombroso
00:18:37Havelock Ellis
00:18:38They all had your number
00:18:40Who was it wrote
00:18:41Women seek intense
00:18:42And terrifying emotion
00:18:43Because they really enjoy it
00:18:44It's as necessary
00:18:45To their comfort
00:18:46As water to a fish
00:18:47As natural as breathing
00:18:49Can I fix you something darling
00:18:51What do you have in mind
00:18:52Poison
00:18:58Best dinner I ever had
00:18:59Must have been the company
00:19:01Funny coincidence
00:19:02I liked it too
00:19:04I knew we'd get along
00:19:05The minute I laid eyes on you
00:19:11Let me know if I get fresh
00:19:13I promise
00:19:14Are you so good to all your clients
00:19:15Service
00:19:16That's the McBurn trademark
00:19:17Oh driver
00:19:19Will you please stop a minute
00:19:21At the public library
00:19:21On K Street
00:19:22Okay
00:19:25You know I feel even better
00:19:26Than I did a second ago
00:19:27No gun
00:19:28Had a case last month
00:19:30Where a party packed
00:19:30To Derringer
00:19:31Did she appreciate your service
00:19:33Well I don't know
00:19:34She was 64
00:19:38When are we going to talk
00:19:39About flagging
00:19:40You've been too busy
00:19:41Telling me about
00:19:41About the life and times
00:19:42Of Mr. Hal McBurn
00:19:44Well I was just trying
00:19:45To get a nerve enough
00:19:46To talk about you
00:19:49Be original
00:19:49Don't say it
00:19:51What?
00:19:52Did anyone ever tell you
00:19:53About your eyes?
00:19:55I like yours
00:19:57Even if I wouldn't trust them
00:19:58Open or shut
00:19:59Oh you wouldn't
00:20:01I promise trouble
00:20:03I like trouble
00:20:05Well be careful
00:20:06This is a new hat
00:20:07What a crack to make
00:20:08At a time like this
00:20:09Do I worry about
00:20:10My $10 bonnet
00:20:14I hope you're
00:20:15On the level with me
00:20:16Of course I am
00:20:18What made you say that?
00:20:20Well I was getting
00:20:21Lonesome on this case
00:20:23No more
00:20:28I hate to disturb you
00:20:30Sister but if it's
00:20:31Books you want
00:20:31This is the joint
00:20:37If you live here
00:20:38I have to pick up a book
00:20:39Ask for it
00:20:40At the information desk
00:20:41It's in my name
00:20:42Now why do you want a book
00:20:43When I'm around
00:20:43Hurry up
00:20:56Women seek intense and terrifying emotion
00:20:59Because they really enjoy it
00:21:00Do you want to be an eyewitness?
00:21:04Closing time
00:21:0615 minutes
00:21:08Closing time
00:21:0915 minutes
00:21:27Tommy
00:21:29Tommy
00:21:29Tommy
00:21:32I'm awfully sorry I thought you were someone else
00:21:34Well lucky Tommy
00:21:36Closing time 15 minutes
00:21:40Closing time 15 minutes
00:21:46Say where's the information desk?
00:21:48Why it's always been right here
00:21:49Oh good
00:21:50Have you got a book?
00:21:52I'd like a good murder mystery
00:21:53Plenty of blood
00:21:54Fiction room second floor
00:21:55Thanks
00:21:55Say if there's a call from me
00:21:56You know where I am
00:21:57Lieutenant Creighton
00:21:59Homicide squad
00:22:03Better hurry mister
00:22:05Closing time
00:22:06Is that the way the cops in this town keep them trim?
00:22:09Reading books
00:22:09A book never hurt anybody
00:22:11Have you got one for Blandy?
00:22:13Myra Blandy
00:22:14Is that your name?
00:22:15Do I look like her?
00:22:18Blandy
00:22:18I'll see
00:22:20Been in this racket long?
00:22:21About a year
00:22:22Like it?
00:22:23Most of the time
00:22:25Gee how do you stand the quiet in here?
00:22:27I'm hardened to it
00:22:29You know you ought to be in pictures beautiful
00:22:32I'm not kidding
00:22:35Here's your book
00:22:36Oh thanks
00:22:37Say um
00:22:38Do you suppose to
00:22:39Excuse me
00:22:44Mr. McBurn
00:22:45Yeah
00:22:46I'd like to talk to you for a minute
00:22:48Who are you?
00:22:49I have information regarding certain literary forgeries
00:22:53I'll listen
00:22:54Let's go in here shall we
00:23:41I thought we could be alone here for a minute
00:23:44Uh what's on my mind
00:23:45They all go to a bomb proof bank vault tomorrow
00:23:48Air raid protection
00:23:49Well I'd be glad
00:23:50Did I tell you the New York library buried
00:23:53Fifteen million dollars worth of books for the duration
00:23:55Yes
00:23:56I've been petrified since we've lost Hamlet
00:23:58This little handful
00:24:00A hundred and fifty thousand dollars
00:24:04I'm petrified myself
00:24:08They'd make quite a haul
00:24:10Perhaps you've got your eye on them Mr. Flag
00:24:13McBurn's the name
00:24:15I'm afraid I must disagree
00:24:18What were you going to tell me about fortress
00:24:19Let's have it quick
00:24:21That money must be returned
00:24:24Just like that
00:24:25Just like that
00:24:26The consequences will be serious if you decide otherwise
00:24:29Sue me
00:24:30I don't know what you're talking about
00:24:33You're a fake Hamlet Mr. Flagg
00:24:35I'm not Flagg
00:24:36You're pig-headed as a German
00:24:38Those who swindle my leaders don't get away with it
00:24:41So you are a hiney
00:24:43For the last time
00:24:44Are you going to make good our losses?
00:24:47Sorry I can't go for the sixty-four dollar question
00:24:49I've got a date
00:24:52One of your stormtroopers
00:24:53I missed the first two reels
00:24:55I don't get it
00:24:55Gentlemen we're closing now
00:24:57It's almost nine o'clock
00:24:58Oh thank you
00:24:59We're just leaving
00:25:03Take him out the back way
00:25:10We know how to make you cooperate Mr. Flagg
00:25:20You must use the other door gentlemen
00:25:23Air aid precaution
00:25:24Lock in this one
00:25:26It's closing time sir
00:25:28McBurn
00:25:28Nice of you to drop in
00:25:30What do you want?
00:25:30I was told to give this to McBurn
00:25:32I'll take it
00:25:36Thanks
00:25:37Wait for me here
00:25:40Hey take me two
00:25:41I don't like him
00:26:00You are back
00:26:37No, no, no, no.
00:26:40No, no, no.
00:26:42I'll come back in the morning.
00:26:43You can spend the whole day up there, but not now.
00:26:46Eh?
00:26:50I'll have to turn out all the lights when I come back.
00:26:54How does the field of work for Adolf?
00:26:56Think you're Superman?
00:26:58I'm in a hurry, please.
00:26:59I want to cook a wolf.
00:27:00You're going to have him.
00:27:02Oh, no, it's the name of the cookbook.
00:27:04It's the cook of the wolf, the harder cook of the wolf.
00:27:07If I know the name of what the fuck, I've got to ask you.
00:27:09Try the reading room.
00:27:11Oh, if I get around the runs, to run around,
00:27:13to go here or go there, you'd think I was a taxpayer.
00:27:19You can't do business with Hitler.
00:27:22Only a crook or a fool would want to.
00:27:26There is something we can do with him.
00:27:28Yeah?
00:27:28Yeah.
00:27:37I told him a military secret and he fainted.
00:27:39Poor kid.
00:28:04Yeah.
00:28:10Yeah!
00:28:15Here we are.
00:28:17Stay right where you want.
00:28:19What was that crash?
00:28:20Somebody fell.
00:28:26i'm craving homicide dead mm-hmm somebody shoved a knife in the stomach don't let anybody leave the
00:28:34building lock the doors you're all material witnesses please remain at the other end of
00:28:41the room another guy you got me now be of help my name's nick burn private man new york agency
00:28:50sorry lady you've got to stay in here yes i can use you what's headquarters number i'll call them
00:29:00outside line see where it is isn't that the coroner's job do as i ask
00:29:08hello inspector henderson craven speaking k street public library nine five man knifes
00:29:14yeah send the boys over yes sir we're ready at this end we'll stage the best murder investigation
00:29:20you ever saw
00:29:23yeah dark daily's here and still sober too uh the coroner's entitled to one little drink isn't
00:29:28he yes sir be there in five minutes okay step on it
00:29:32get anything this paper say his name's martin cleaver
00:29:37cleaver you know him odd name seems to be in the art business
00:29:43first the hamlet quarto now this it's getting to be a habit
00:29:47and i suppose we may expect the same results from the police nothing
00:29:51you can expect what you like who are you i'm edmund walpole head of the reference room
00:29:55our ten thousand dollar reward for the recovery of the hamlet seems to be no incentive to you people
00:30:00uh-huh ten g's huh i'm your man but why don't you do something the murderer may still be among
00:30:05us
00:30:05keep your pants on i've got to wait for my technicians to arrive don't let anybody touch the body
00:30:10who would want to
00:30:13anybody leave not since he did the dive
00:30:15good and our man's still in here
00:30:21have you been here long madam no you come directly to this chair
00:30:26no uh first i went over to show me
00:30:34you knew he was meeting cleaver why didn't you tell me
00:30:36why i'm as surprised as you are
00:30:38who did this to me deliberately
00:30:41i thought you found danger exciting
00:30:43from you not from them
00:30:46my men are coming i've got to go through with this masquerade
00:30:49good luck
00:30:51not here the neighbors might complain
00:30:53careful
00:30:54lying to me now may be your conscience
00:30:57that one careless move
00:30:59i never make any
00:31:01all right
00:31:01i'll go into that later here comes my coroner
00:31:05murdered a library
00:31:07what was he waiting
00:31:08he's snappy where's joe
00:31:10you know what's through joe
00:31:11get everybody's story where he was and what he saw
00:31:16we've got to get the books and get out quick
00:31:19nail mcburn first chance you get he's still with us
00:31:21uh-uh
00:31:22which one
00:31:24well
00:31:25what kept you so long
00:31:28some nutman's took me for flag
00:31:30was he going to be here tonight
00:31:32i wouldn't know
00:31:35don't you believe me
00:31:36sure beautiful
00:31:37why shouldn't i
00:31:37you didn't tell the police i know flag
00:31:39just keep your mouth shut and let me handle this
00:31:42you hired me and you're going to get service
00:31:44you ever have a funny feeling you walked right into something
00:31:46mine says there's a bullet looking for me
00:31:48keep your eyes open i need a pal
00:31:54knife
00:31:54pointed scissors spike something like that did it
00:31:58did you turn up anything
00:32:00yes i did
00:32:01yes i did
00:32:02and miss obo
00:32:02yes that's the man
00:32:04please
00:32:05may i go now
00:32:06you stay at your desk
00:32:07you and a man named uh benson went into the manuscript room with cleaver
00:32:12uh-huh
00:32:12said he wanted to talk to me and uh and he was called away
00:32:15why did you stop benson
00:32:17oh but i didn't lieutenant
00:32:18he took sick and fainted didn't you
00:32:20then i remembered my first aid and i was just going for a glass of water when cleaver sailed over
00:32:25the balcony
00:32:25i wasn't with them
00:32:26you're lying both of you
00:32:27am i
00:32:28all right don't talk i'll take a pair of you down to headquarters
00:32:32that's good as done
00:32:35two
00:32:36carrying one for a friend
00:32:38say lieutenant there was a cleaver in the book ragged
00:32:40we ought to check the rare stuff
00:32:42that's a good idea
00:32:43a wolf though
00:32:44where'd you keep it
00:32:45our valuable books they're safe in the manuscript bar
00:32:48let's take a look
00:32:52outside line
00:32:54huh
00:32:56why not
00:32:57police orders lieutenant craven says no outgoing calls
00:33:01okay
00:33:09you ought to have a horn on that thing
00:33:11lord byron's don juan
00:33:13read copy
00:33:14they're all still here
00:33:15it would be impossible for a thief to open this safe
00:33:17whose handwriting is this
00:33:19byron's
00:33:20his own corrections
00:33:21i guess that makes it worth plenty
00:33:23looks like the original cell lander
00:33:25it is
00:33:26what's a cell lander
00:33:27a slipcover to keep the book clean
00:33:29you know books mr craven
00:33:31yes i'm a great reader
00:33:32anything i could lay my hands on
00:33:34memory like an elephant
00:33:35listen
00:33:36if cleaver and his mob were after these
00:33:38and the killer's still in the building
00:33:39these books go under police protection right now
00:33:41we'll lock them up at headquarters
00:33:42all right
00:33:43perhaps the police ought to take the thomas jefferson manuscript too
00:33:47it's a priceless historical document
00:33:49oh yes by all means
00:33:50anything you say
00:33:51it's over here
00:33:56i bet you've got a theory all your own
00:33:58maybe
00:34:00i agree with mr craven
00:34:01you're not telling everything you know
00:34:03maybe
00:34:04have you any clippings on the theft of the hamlet quarter
00:34:06yes
00:34:07i'd like to look them over
00:34:08i'll get them for you
00:34:19jefferson was president when he wrote this article on curing ham
00:34:25a very interesting piece of americana
00:34:27ought to bring a good price to the open market
00:34:30thomas jefferson
00:34:32yes
00:34:32a very good price
00:34:34it's a collector's item all right
00:34:36you're making a very wise move
00:34:37putting it in a safe place along with the exhibition books
00:34:41we'd hate to lose those five little books wouldn't we
00:34:44you'll have to sign for it lieutenant
00:34:45oh gladly
00:34:47i'll get the five books
00:34:48sign here please
00:34:49we always have to have a receipt for any books taken off the shelves
00:34:52didn't know i could get a hundred and fifty thousand dollars so easily
00:34:55lieutenant craven
00:34:56lieutenant craven
00:34:57lieutenant craven
00:34:58they're gone
00:34:59and they were right on this desk a minute ago
00:35:01you were here
00:35:03what a search
00:35:03i saw no one else come in
00:35:05well there was a stack boy collecting books
00:35:07he could have picked them up by mistake
00:35:08that's right
00:35:09he was pushing baby carriage 103 or 130
00:35:11let's go find him
00:35:12need any help with that
00:35:14not from you
00:35:14truck 103 tells his station it's on the third tier
00:35:17we're on the fifth
00:35:18now
00:35:20why do you want these
00:35:21ever have a hunch
00:35:22what's going on now is tied up with that hamlet job
00:35:24i need an angle
00:35:25you think whoever killed that guard
00:35:27is in the building again
00:35:28maybe
00:35:29where is station 126 in the stacks
00:35:31126
00:35:32126 on this floor
00:35:33show me
00:35:39say you've got a couple of books in here
00:35:42two miles of books
00:35:43suppose we might get lost
00:35:45you might
00:35:46leave the way
00:35:48it's just like the big house
00:35:50every book's got a number
00:35:51the dewey decimal system
00:35:52we classify our books by numbers instead of titles
00:35:55very tricky
00:35:56for instance
00:35:56a book on agriculture
00:35:58is in the 630 group
00:35:59and then say books on
00:36:00fruits
00:36:01orchards and vineyards
00:36:02are classified as 634
00:36:04there are ten major classifications
00:36:06philosophy is 100
00:36:07religion 200
00:36:08literature is 800
00:36:09history 900
00:36:10sold to the little lady in the red hat
00:36:12then each volume has an office number
00:36:19you ever try using all that concentration on something that wears pants and smokes a cigar
00:36:23uh-huh
00:36:26we're getting married when the army's through with him
00:36:28yeah what's he like
00:36:29you
00:36:29that's why i mistook you for him when you came in tonight
00:36:31oh he's an ape
00:36:33not here
00:36:35you know i wish i'd met you before noon today
00:36:37why
00:36:37i wouldn't have already fallen for somebody else
00:36:41you couldn't compete with my army man
00:36:43i've never been arrested for trying
00:36:45this is station 126
00:36:49what are you looking for
00:36:50it's a book i wanted
00:36:51do the mice take the books around here
00:36:53we don't have mice
00:36:54well maybe the stack board took it
00:36:56well that's easy to find out
00:36:58freddie
00:37:00oh freddie
00:37:02he might be downstairs
00:37:03i'll get him
00:37:04you sound just like a husband
00:37:06let's get the compliments
00:37:19that you okay
00:37:23who's there
00:37:24mac
00:37:25mac where are you
00:37:27where
00:37:27what are you wandering around in here for
00:37:29looking for you darling
00:37:30i have to tell you something
00:37:32go ahead
00:37:33craven he's flag
00:37:36yeah
00:37:41he knew too much about rare books for an ordinary copper
00:37:43i was afraid to tell you before but i want to play square with you
00:37:47you knew he was pulling this job tonight
00:37:49no i swear i didn't
00:37:51i'm gonna watch my step
00:37:53he's got a lot of innocent people sort of somebody might stop a slugger to get wise
00:37:57don't let on you know now's your chance to get him
00:38:00mac you do believe me
00:38:03i want to beautiful
00:38:04mr mcburn
00:38:06get back outside and thanks
00:38:09up here
00:38:11do you want me sir
00:38:12miss ryan had to go with old walpole
00:38:14did you take any books off this truck
00:38:16oh no sir
00:38:17the morning ship puts him away
00:38:18i see
00:38:18gee my girl's waiting for me in a drug store and she'll get sore
00:38:22why can't i call her and tell her i'm stuck here
00:38:24you know that cop on the switchboard says no outgoing call the police rule or something
00:38:29i know we're bottled up
00:38:30just roll with the punches and you'll recover
00:38:33who's down there
00:38:35who wants to know
00:38:37craven
00:38:38that you mcburn
00:38:38yeah
00:38:40i want to see you
00:38:57don't you fool
00:38:58you said
00:38:58he's got the books
00:39:00wake him up
00:39:12make him talk but don't finish him until you get those books i'll wait for you outside
00:39:19could i get anyone a drink of water
00:39:22you've got to stay here
00:39:23the police don't want you to leave your places
00:39:26where's the woman who was in this chair
00:39:32where is she
00:39:34she closed us up
00:39:36you know what to do
00:39:40go find her
00:39:45quit stalling
00:39:45we know you got them
00:39:48don't lie
00:39:49where'd you put them
00:39:53where is she
00:39:55look at home
00:39:58nerd
00:39:58kept
00:40:07and
00:40:08down
00:40:09and
00:40:20No, no, no.
00:40:45No, no, no, no.
00:41:07No, no, no, no.
00:41:26No, no, no.
00:41:41No, no, no.
00:41:45No, no, no.
00:42:12No, no, no.
00:42:25No, no, no.
00:42:55No, no, no.
00:43:31No, no.
00:43:37No, no.
00:43:51No, no.
00:44:13No, no.
00:44:16No, no.
00:44:47No, no.
00:45:18No, no.
00:45:20No, no.
00:45:21No, no.
00:45:22No, no.
00:45:22No, no.
00:45:33No.
00:45:36No, no.
00:45:37No, no.
00:45:41No, no.
00:46:11No, no.
00:46:21No, no.
00:46:52No, no.
00:46:54No, no.
00:47:27No, no.
00:47:37No, no.
00:47:53No, no.
00:48:24No, no.
00:48:31No, no.
00:48:34No, no.
00:48:36No.
00:48:36No, no.
00:48:37No.
00:48:41No, no.
00:48:48No.
00:48:49No, no.
00:49:16No, no.
00:49:19No, no.
00:49:20Oh, wait a minute.
00:49:20You can't do that.
00:49:21Mr. Craven, I'm the air raid warden for this building.
00:49:24I have my orders.
00:49:25Miss Ovo, air raid.
00:49:27Miss Hartwig, can you hear the sirens?
00:49:29Take everybody to the shelter.
00:49:31Now, please walk.
00:49:32Don't run.
00:49:33Don't get excited.
00:49:35This way, please.
00:49:36This way.
00:49:38Don't be nervous.
00:49:39Our shelter is bomb-proof.
00:49:41Everything's under control.
00:49:43Don't get excited.
00:49:46¡Muy bien, chicos!
00:49:48¡Muy bien!
00:49:50¡Muy bien, señor!
00:49:51¡Muy bien!
00:49:53¡Vamos de aquí!
00:49:54¿Qué es lo que voy a hacer?
00:49:56¡Muy bien!
00:49:57¡Muy bien!
00:49:59¡Muy bien!
00:50:06¡Muy bien!
00:50:08¡Muy bien!
00:50:09¡Muy bien!
00:50:10¡Muy bien!
00:50:11¡Muy bien!
00:50:14¡Muy bien!
00:50:26¡Muy bien!
00:50:48¡Muy bien!
00:50:52¡Muy bien!
00:50:54¡Muy bien!
00:51:22¡Gracias!
00:51:41¡Gracias!
00:52:22¡Gracias!
00:52:41¡Gracias!
00:52:47¡Gracias!
00:53:06¡Vamos!
00:53:37¡Vamos!
00:53:38I thought you knew all the dirty tricks.
00:53:50¡K!
00:53:52¡K!
00:54:01¡Vamos!
00:54:07¿Qué haces?
00:54:09¡No, eso es un descanso!
00:54:11¡Vamos!
00:54:29¡¡Vamos!
00:54:29¡Yá, Pau, ¿no?
00:54:32¿Quieres que hay que irme?
00:54:33¿Alguien?
00:54:34¡Listo,scheник!
00:54:35¡Vamos!
00:54:36¡Ajá, Pau, ¡Vamos!
00:54:39¡Yá, Pau, Nosotros, ¡Ey!
00:54:40¡Ajá, Pau!
00:54:50¡Ajá, Pau, Nosotros, ¡No, nos vamos!
00:54:52¡No!
00:54:52¡Sí, ¡Ya!
00:54:56¡Mira!
00:55:31No, no, no, no, no, no, no, no.
00:55:53Your racket is new.
00:55:55But of all the crazy stunts trying to put the slug on me in the air
00:55:58when you could do it on some dark, quiet street?
00:56:00Two birds with one stone.
00:56:02When you killed the wrong man,
00:56:03why didn't you finish what you started on me?
00:56:06Because of the emotional suspense,
00:56:08the anticipation of whether you'd catch me or not.
00:56:11You see, I belong to a strange breed.
00:56:15We find pleasure in fear and pain.
00:56:18You like to be hurt?
00:56:20It's a form of self-punishment.
00:56:22Ah, bueno, voy a hacer todo lo que puedo para ti.
00:56:25Lo siento, pero el juego es terminado.
00:56:27Quiero que lo que quiero.
00:56:30El placer fue en el libro. ¿Por qué le preguntó su hijo, Benson?
00:56:33Gracias, yo lo hice.
00:56:41Pero es un desastre de tiempo.
00:56:45Dejado en terror.
00:56:47Pero no le aprecio.
00:56:51No, no, no, no, no.
00:56:53No, no, no, no.
00:56:54No, no, no, no, no.
00:56:54Si, ¿por qué le preguntó dónde están?
00:56:56Después de la mujer de la mujer.
00:56:59Me lo arreglaré.
00:57:00Me lo arreglaré, pero no te confío de ti.
00:57:02Si tú insistes que eres tan estupor,
00:57:04yo tendría que hacer cosas mi manera.
00:57:07Oh, no, no hay que mostrar una luz.
00:57:09Es definitivamente contra las ruas.
00:57:11Pero la puerta está abierto.
00:57:13Oh, sí.
00:57:13Bueno, no ponen más luz.
00:57:15Oh, Mr. Walpole.
00:57:16Sí, mi querido.
00:57:17No tiene dificultad.
00:57:18No hay que llame.
00:57:19the final de la mujer.
00:57:21No hay que llame.
00:57:22Todo se hace suvertido.
00:57:28La espalda en la mano puede generar dolor.
00:57:32La llame de la mano no es muy cómoda, ¿no?
00:57:35Bueno, es un humo muy�o, ¿no?
00:57:37Quiero saber si quieres ver la espalda en la vida?
00:57:38Sobre suave.
00:57:40No, vaya a dejarlo.
00:57:41¿Para usted tiene la semilla.
00:57:43¿Dónde están?
00:57:43I no tengo que usar el teléfono.
00:57:44No, no, no, no.
00:58:17No, no, no, no, no.
00:58:45Yes.
00:58:47Walpole.
00:58:48So he's in it with you.
00:58:51Let's go down there.
00:58:55Perhaps I ought to call him back just to make sure.
00:58:59I don't know how many signals you want, but I can't stand this darkness.
00:59:03With a murderer loose, I want life.
00:59:05Miss Orwell.
00:59:06Miss Orwell.
00:59:08You're disobeying my orders.
00:59:22¡Suscríbete al canal!
00:59:40¡Suscríbete al canal!
01:00:10¡Suscríbete al canal!
01:00:12¡Suscríbete al canal!
01:00:40¡Suscríbete al canal!
01:00:54¡Suscríbete al canal!
01:01:04¡Suscríbete al canal!
01:01:15¡Suscríbete al canal!
01:01:25¡Suscríbete al canal!
01:01:31¡Suscríbete al canal!
01:01:47¿Has hablado de mí?
01:01:49No hay palabras.
01:01:51No lo dejó.
01:01:54Gracias, Mac.
01:01:55Si me protege a cliente, me protege.
01:01:58You're in the clear.
01:01:59Just as you promised.
01:02:00Cigarette?
01:02:02No, gracias.
01:02:07No, gracias.
01:02:08Something's wrong.
01:02:08What is it?
01:02:13Where are those five books you lifted off that stack wagon?
01:02:16Don't give me that.
01:02:17You got them and you let Flegg gun for me, thinking I had them.
01:02:19You're out of your mind.
01:02:21Stop acting.
01:02:21You tried to play me off against Flegg.
01:02:23Why not?
01:02:24I was a lucky guy.
01:02:25I might knock off Flegg.
01:02:27That'd make you top man in the racket.
01:02:28A swell setup.
01:02:30And you're made of ice.
01:02:36And a retainer.
01:02:42I kept my end of the bargain.
01:02:45You're not in the Flegg case so far, but from right now, you're on your own.
01:02:49You've got to listen to me.
01:02:50Where are those books?
01:02:51I don't know.
01:03:02Could be.
01:03:08920.
01:03:10Darwin's biography of African chieftains.
01:03:14All books are classified according to number.
01:03:16Here's 900.
01:03:19Here's 930.
01:03:20Carlson's history of Rome.
01:03:23C-31.
01:03:25The letter C, maybe.
01:03:27I explained that memo.
01:03:29C-31.
01:03:31Yeah, Charleston's ancient tales of the Nile Delta.
01:03:59You sure had a date in the morning.
01:04:01With 150 grand.
01:04:03Going to blame a girl for trying?
01:04:05I'd have told you.
01:04:06In a pig's eye.
01:04:08Look, beautiful.
01:04:09Nothing ties you to the killings tonight.
01:04:10No proof.
01:04:11But I'm going to nail you for the Hamlet forgery.
01:04:14Revenge?
01:04:15No.
01:04:15To teach you a lesson.
01:04:17You had me going for a while.
01:04:19But a man doesn't mean a thing to you.
01:04:21You live for little Myra and nobody else.
01:04:23And you'll always be that way.
01:04:25Mac.
01:04:27What you said was true until you came along.
01:04:29Oh, don't hand me that one.
01:04:30Any dame who worries about her hat and a taxi.
01:04:33That was the tip-off to me.
01:04:34But I didn't want to believe it.
01:04:35Mac.
01:04:36I love you.
01:04:37It's the first time I've ever been able to say that to any man.
01:04:40Oh, lay off.
01:04:41You've yelled Wolf too many times.
01:04:42I wanted to give you a break.
01:04:44But you tried to destroy Kay, that innocent kid.
01:04:47You were the only one who knew she'd spotted Flake.
01:04:50And you tried to tip him off about it.
01:04:51I couldn't help it.
01:04:52I was jealous.
01:04:53You?
01:04:53No.
01:04:54You wanted to convince Flake you were on his side.
01:04:57And that was your big mistake.
01:04:58You were falling for her.
01:05:00No.
01:05:00She doesn't mean a thing to me.
01:05:01Only what she stands for.
01:05:02She's waiting for some guy in the Army.
01:05:06But you wouldn't get it.
01:05:07There are thousands like Kay.
01:05:08And a lot of guys in the Army counting on him.
01:05:10Daydreaming about things after the war.
01:05:12Her useless death would have hurt him.
01:05:14Yeah, maybe I am a sentimental slob.
01:05:16But I don't buy that.
01:05:17Thanks for the buggy ride.
01:05:27Oh, so you know where they were all the time, eh?
01:05:29Nope.
01:05:31I found this on Flake and figured it out all by myself.
01:05:34And don't horn in on the reward.
01:05:36Is that so?
01:05:37Yeah.
01:05:42Mack, you have to see me home.
01:05:44Oh, no.
01:05:44You're the only one I can count on.
01:05:46Kleber's men are out there and they know what happened.
01:05:47They'll kill me.
01:05:49Maybe they will.
01:05:49Maybe they won't.
01:05:51People who do business with Hitler's mob know the payoff.
01:05:54So ask the cops to take you home.
01:05:55Oh, Mack, don't desert me now.
01:05:57I'm sick of your lying.
01:05:58I'm not lying.
01:05:59I tell you, I'm terrified.
01:06:01Yeah, you're like Flake.
01:06:02You love it.
01:06:09Good night.
01:06:10Or I mean, good morning.
01:06:12Exciting night, wasn't it?
01:06:14Mr. Walpole, would you mind seeing me home?
01:06:17I don't want to go out alone.
01:06:19Why, there's nothing to be afraid of now.
01:06:21Flake's been taken to headquarters
01:06:23and our streets are the safest in the country.
01:06:44I do not work alone.
01:06:49My dear, we all set in motion
01:06:51the means of our own destruction.
01:06:58Do you know where I can get a taxi?
01:07:00Not around here, but there's a stand four blocks down.
01:07:06Let's go.
01:07:36¡Gracias!
01:08:05¡Gracias!
01:08:09¡Gracias!
01:08:10Derek Pausman, that dummy. Which way'd you go?
01:08:11Heading east towards Main Street. What's up?
01:08:13One of the Cleaver's gunmen just found out open a German's papers.
01:08:41No, no, no, no, no.
01:09:07I guess you're not all alike, but right now I'm not very good company.
01:09:23She was involved somehow, wasn't she?
01:09:26You liked her too.
01:09:30I feel like a guy who's lost his pet cat.
01:09:34Did you ever have a cat when you were a kid?
01:09:36Mama's her dad to go.
01:09:39You know what it means to lose something you could do without, but had to have.
01:09:46Come on, I'll buy the coffee.
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