- 8 hours ago
Shockproof (1949) Full Movie ｜ Cornel Wilde, Patricia Knight [Full Movie] [Full Story]Full EP - Full
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Short filmTranscript
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00:02:56SIT DOWN
00:03:00NOW THEN
00:03:01YOU UNDERSTAND
00:03:02YOU'RE NOT
00:03:02PERMITTED TO
00:03:02DRIVE A CAR
00:03:03YOU'RE NOT
00:03:03PERMITTED TO
00:03:04DRINK
00:03:04ALCOHOLIC
00:03:04BEVERAGES
00:03:05YOU MAY NOT
00:03:06BORROW MONEY
00:03:07YOU MAY NOT
00:03:07CARRY A WEAPON
00:03:08YOU MAY PURCHASES
00:03:10CLOTHES AND FOOD
00:03:10BUT NEVER ON CREDIT
00:03:11ALL PURCHASES
00:03:12MUST BE FOR CASH
00:03:13DID YOU READ THIS?
00:03:14I'VE GOT IT MEMORIZED
00:03:16OUR OBJECTIVE
00:03:17IS THE REHABILITATION
00:03:18OF THE CRIMINAL
00:03:19WE'LL HELP YOU
00:03:20IN EVERY WAY WE CAN
00:03:20BUT IT'S UP TO YOU
00:03:21I'LL GET YOU A JOB
00:03:22AND A PLACE TO LIVE
00:03:23YOU CANNOT LEAVE THAT JOB
00:03:25YOU CANNOT CHANGE
00:03:26CAN I CHANGE MY EMPLOYMENT
00:03:27OR MY PLACE OF RESIDENCE
00:03:28WITHOUT FIRST
00:03:28OBTAINING THE PERMISSION
00:03:29OF THE BUREAU OF PAROLES
00:03:31YOU HAVE GOT IT MEMORIZED
00:03:34YOU MAY NOT ENTER
00:03:34INTO ANY CONTRACT
00:03:35WITHOUT THE CONSENT
00:03:36OF YOUR PAROLE OFFICER
00:03:37THAT'S ME
00:03:38YOU MAY NOT MARRY
00:03:40AND YOU'VE GOT TO CHANGE
00:03:41YOUR BRAND OF MAN
00:03:43WHO PICKS THEM FOR ME?
00:03:44YOU?
00:03:45DON'T WORRY
00:03:46YOU WON'T HAVE ANY TROUBLE
00:03:46FINDING NEW FRIENDS
00:03:48BUT BE SURE THEY'RE
00:03:49FRIENDS THIS TIME
00:03:51ON SOME OF THESE MATTERS
00:03:52WHEN CONDITIONS JUSTIFY IT
00:03:53AN EXCEPTION CAN BE MADE
00:03:54BY SPECIAL PERMISSION
00:03:55OF THE CHIEF PAROLE OFFICER
00:03:56HOWEVER NO EXCEPTION
00:03:57CAN BE MADE
00:03:58TO THE RULE OF NOT CARRYING
00:03:59A DEADLY WEAPON
00:04:00OR TO THE RULE OF NOT MARRYING
00:04:01THESE ARE BEYOND
00:04:02OUR POWER TO SANCTION
00:04:03YOU'VE GOT IT
00:04:04ALL MEMORIZED TOO
00:04:05HAVEN'T YOU?
00:04:06OH I SAY IT
00:04:07AT LEAST ONCE A DAY
00:04:08YOU CAN SAVE IT
00:04:09I KNOW IT ALL
00:04:10I CAN'T HELP THAT
00:04:12YOU'RE ON LIFE PAROLE
00:04:14OH HELLO SAM
00:04:16THIS IS UH
00:04:17JENNY MARSH
00:04:19TEAM MR. BROOKS
00:04:20OUR CHIEF PAROLE OFFICER
00:04:21HOW DO YOU DO?
00:04:23GLAD TO BE OUT EH?
00:04:26YES SIR
00:04:31NOW THEN YOU'RE ON LIFE PAROLE
00:04:33THAT MEANS YOU REPORT TO ME
00:04:34EVERY DAY
00:04:35EVERY DAY?
00:04:36THAT'S IT
00:04:37LATER IT'LL BE TWICE A WEEK
00:04:38THEN ONCE A WEEK
00:04:39HOW LONG DOES THAT GO ON?
00:04:41WELL IF YOU BEHAVE
00:04:41YOU CAN GET YOUR LEACH
00:04:42IN A COUPLE OF YEARS
00:04:46REMEMBER HIM?
00:04:49IF I TRY HARD ENOUGH?
00:04:50WELL TRY HARD TO FORGET
00:04:52HE'S DEAD
00:04:54I MEAN DEAD AS FAR AS YOU'RE CONCERN
00:04:56HE'S GOT A BAD REPUTATION
00:04:59OH
00:05:02YES SIR
00:05:02NOW LISTEN
00:05:03THIS IS IMPORTANT IN YOUR CASE
00:05:05YOU MAY NOT ASSOCIATE WITH
00:05:07OR CORRESPOND WITH
00:05:07OR MAKE ANY CONTACT WITH
00:05:09ANY INDIVIDUAL OF
00:05:10KNOWN BAD REPUTATION
00:05:11OR ANY PRESENT
00:05:12OR FORMER INMATE
00:05:13OF A PENAL INSTITUTION
00:05:13I KNOW ALL ABOUT HER
00:05:15YOU DON'T HAVE TO TELL ME
00:05:16HE'S NEVER LANDED IN THE PEN
00:05:17BUT HE'S COME CLOSE A DOZEN TIMES
00:05:19NOW I'M TELLING YOU
00:05:20IT'S THE WRONG SORT FOR YOU
00:05:21MY ORDERS ARE TO STAY AWAY
00:05:23DISOBEING MY ORDERS MEANS
00:05:24YOU BREAK PAROLE
00:05:25BREAKING PAROLE MEANS
00:05:26YOU GO BACK TO JAIL
00:05:27IS THAT CLEAR?
00:05:29YES SIR
00:05:33YOU SEE
00:05:34I'M THE TEACHER
00:05:35YOU'RE THE PUPUL
00:05:36SURE
00:05:37I'M THE ONE WHO GETS SPANKED
00:05:39NOT IN THE MODERN EDUCATIONAL SYSTEM
00:05:41THEY DON'T SPANK KIDS ANYMORE
00:05:43THEY JUST SEND THEM TO JAIL
00:05:45NOW LOOK
00:05:46TAKE A LITTLE ADVICE
00:05:47I THINK YOU'D BE BETTER OFF
00:05:48DROPPING THIS BITTERNESS
00:05:49AND FORGETTING THE PAST
00:05:51YOU'LL GET OVER IT
00:05:52IF YOU GET THE BREAKS
00:05:53AND I'M HERE TO SEE
00:05:54THAT YOU GET THEM
00:05:55YOU GOT CIGARATES?
00:05:58DO I HAVE TO CHANGE
00:05:59MY BRAND OF CIGARATES TOO?
00:06:01ALL RIGHT LET'S GO
00:06:02GO?
00:06:03YEAH I'LL GET YOU A PLACE
00:06:04TO LIVE NOT FAR FROM YOU
00:06:14RADIO DOESN'T WORK
00:06:15BUT IT CAN BE FIXED
00:06:17THE ROOM HAS MORNING SUN
00:06:19YOU LIKE IT?
00:06:20SIX DOLLARS A WEEK
00:06:21YEAH SHE LIKES IT
00:06:23I PAY THE FIRST WEEK'S RENT IN ADVANCE
00:06:25YOU PAY ME BACK
00:06:26OUT OF YOUR FIRST WEEK'S SALARY
00:06:28BATHROOM'S DOWN THE HALL
00:06:29TWO DOORS TO THE RIGHT
00:06:33FIRST WEEK'S SALARY
00:06:34FROM WHAT?
00:06:35OH
00:06:35NOW YOU'VE GOT A JOB
00:06:37OH
00:06:38REPORT THERE IN THE MORNING
00:06:40YOU GET TWENTY ONE DOLLARS A WEEK
00:06:41ASK FOR MR. LOGAN
00:06:42HE EXPECTS YOU
00:06:44THAT LANDLADY
00:06:44MS. TERRENCE?
00:06:45YES
00:06:45DOES SHE KNOW ABOUT ME?
00:06:47DON'T WORRY
00:06:48SHE WON'T SPY ON YOU
00:06:49UH
00:06:50YOU GOT MONEY FOR LUNCH AND DINNER?
00:06:51YES SIR
00:06:53OKAY
00:06:53I'LL DROP BY THE OFFICE
00:06:54AND SEE HOW YOU'RE GETTING ON
00:07:00WELL
00:07:01LOTS OF LIFE CHANNING
00:07:03TAKE IT EASY
00:07:13JUST A MOMENT
00:07:15YOU CAN'T SEE JENNY MARSH
00:07:17I DON'T THINK I KNOW YOU
00:07:18I'M JENNY MARSH'S PAROLE OFFICER
00:07:20IF SHE SEES YOU SHE BREAKS PAROLE
00:07:22I SEE
00:07:23SO THAT'S THE WAY IT IS
00:07:24THAT'S THE WAY IT IS
00:07:25NOW GET GOING
00:07:26HARRY
00:07:27JENNY
00:07:28HOW DID YOU LEARN THIS ADDRESS?
00:07:29WHAT RIGHT OF YOU TO QUESTION ME?
00:07:31I MEANT WHAT I SAID
00:07:31ABOUT NOT SEEING HIM
00:07:32IT'S A VIOLATION OF YOUR PAROLE
00:07:34NOW RUN ALONG WESSEN
00:07:35AND STAY AWAY
00:07:35YOU CAN'T TELL ME WHAT TO DO
00:07:36I CAN DO WHAT I LIKE
00:07:37AND GO WHERE I LIKE
00:07:38AND SEE ANY WOMAN
00:07:39I HAPPEN TO LIKE
00:07:40YOU HAVE NO AUTHORITY OVER ME
00:07:43I HAVE AUTHORITY OVER YOU
00:07:45TELL HIM TO GO
00:07:48PLEASE HARRY
00:07:50GO
00:07:51ALL RIGHT JENNY
00:08:08HOW DID HE KNOW WHERE TO FIND YOU?
00:08:09I DON'T KNOW
00:08:11WELL WHAT AM I SUPPOSED TO DO?
00:08:12HIDE?
00:08:13YOU BETTER WATCH YOUR STEP
00:08:13MISS MARSH
00:08:15ALL RIGHT
00:08:17I'LL STAY AWAY FROM HIM
00:08:18BUT YOU'VE GOT TO HELP ME
00:08:21CAN YOU GET ME A ROOM AND A JOB
00:08:22WHERE HE CAN'T FIND ME?
00:08:23MAYBE
00:08:24REPORT IN THE MORNING
00:08:30IT'S RIGHT OPEN THAT CALL
00:08:31I'LL SCREEN
00:08:33LASTER IS MOVING UP
00:08:37COULD MONTY HAVE MET US
00:08:38SOMEWHERE ELSE?
00:08:39BUT HE NEVER LEAVES HERE
00:08:41HE LIVES HERE
00:08:41EATS HERE
00:08:42SLEEPS HERE
00:08:42WORKS HERE
00:08:43BUT HARRY
00:08:44I'M NOT SUPPOSED TO GO
00:08:45INTO A PLACE LIKE THIS
00:08:46I WISH HE COULD HAVE MET US OUTSIDE
00:08:48IT WON'T TAKE LONG
00:08:49COME ON
00:08:49COME ON
00:09:05IN SPITE OF EVERYTHING
00:09:07THANKS MONTY
00:09:08I FEEL FINE
00:09:09WHAT'S THIS EMERGENCY CALL ABOUT?
00:09:12YOU KNOW JENNY'S ON PAROLE
00:09:13YEAH I KNOW
00:09:14FOR HOW LONG JENNY?
00:09:15THE BOOK
00:09:16LIFE PAROLE
00:09:17SHE WANTS TO BE
00:09:30THE STATE LEGISLATURE
00:09:31WHAT?
00:09:32YEAH
00:09:32THEY'RE TALKING ABOUT
00:09:33RUNNING HIM FOR ASSEMBLYMAN
00:09:34IN THE 84TH DISTRICT
00:09:36THEY CAN RUN HIM FOR PRESIDENT
00:09:37AS FAR AS I'M CONCERN
00:09:37LOOK
00:09:38WHAT ARE THE POSSIBILITIES
00:09:39OF A TRANSFER FOR JENNY?
00:09:42TOUGH
00:09:44TOO DIFFICULT FOR YOU MARTY
00:09:46UNLESS THE PRICE ISN'T RIGHT
00:09:47WELL
00:09:49SIT DOWN
00:09:57IF THE PAROLE BOARD IN SAN FRANCISCO LANDS HER A JOB IN A ROOM
00:10:01LOS ANGELES GIVES HER THE GREEN LIGHT
00:10:03SOUNDS SIMPLE
00:10:04IT ISN'T
00:10:06FIRST I GOT TO PLANT A FAMILY UP THERE
00:10:08THEY ASK FOR HER TO BE TRANSFERRED
00:10:105,000 FOR THE WHOLE SHOW
00:10:13OK
00:10:14WHEN?
00:10:15AS OF NOW YOU HAVE COUSINS IN SAN FRANCISCO
00:10:18FIRST COUSINS
00:10:20CALLED
00:10:20UH
00:10:22HARRIS
00:10:25YEAH
00:10:25CAN YOU COME IN FOR A MINUTE GRYF?
00:10:27BE RIGHT IN
00:10:38GRYF
00:10:38UH
00:10:38HOW'S JENNY MARSH COMING ALONG?
00:10:41JENNY MARSH OKAY
00:10:42WHAT'S SHE DOING?
00:10:43OH SHE'S GOING AFTER A JOB ON HER OWN
00:10:44BOOKKEEPING JOB
00:10:45FOUND ME ABOUT IT A FEW HOURS AGO
00:10:47THAT GIRL'S GOING PLACES
00:10:48SHE SURE IS
00:10:50RIGHT BACK TO PRISON
00:10:52TODAY
00:10:53WHAT DO YOU MEAN?
00:10:54WHAT HAPPENED?
00:10:56SHE WAS PICKED UP IN A BOOKIE RAID
00:10:57A BOOKKEEPING JOB
00:10:59JOE WILSON WAS PICKED UP TOO
00:11:01JOE WILSON?
00:11:02ANOTHER ONE OF YOUR PUPILS
00:11:04WHERE ARE THEY NOW?
00:11:05NEXT DOOR
00:11:11MR. RATT
00:11:12DON'T LET HIM SEND ME BACK
00:11:13YOU'RE OUT OF LUCK
00:11:14JOE
00:11:14YOU MEAN TWENTY YEARS
00:11:15I CAN'T TAKE IT
00:11:16GIVE ME ANOTHER CHANCE
00:11:17PLEASE
00:11:18I PROMISE THIS TIME
00:11:19YOU HAVE BEEN HAROLD TWICE
00:11:20THIS IS YOUR THIRD VIOLATION
00:11:22WHEN I'M THROUGH COVERING UP FOR YOU
00:11:26TAKE HIM TO HEADQUARTERS
00:11:28TWENTY YEARS
00:11:30TWENTY YEARS
00:11:31CLEAN
00:11:32GO ON
00:12:05THIRD VIOLATION
00:12:05JOE WILSON STUFF
00:12:08Mhmm
00:12:08THEY'VE TAKEN HIM TO THE HOSPITAL
00:12:09BUT HE WON'T LIVE
00:12:12ALL RIGHT
00:12:14WHAT DID THE GIRL HAVE TO SAY?
00:12:15I DON'T KNOW
00:12:16I HAVEN'T TALKED TO HER YET
00:12:17SHE'S STILL IN THERE
00:12:18SPRAINED HER ANKLE
00:12:18EXCUSE ME
00:12:32WHAT HAVE YOU GOT TO SAY FOR YOURSELF?
00:12:34LOOK I FEEL IT'S ALL MY FAULT
00:12:35THAT'S WHY I CAME ALONG
00:12:35YOU'RE A FOOL WESTON
00:12:36YOU KNOW THOSE PLACES
00:12:37RATED FOR PAROL VIOLATORS
00:12:38WHY'D YOU TAKE HER THERE?
00:12:40DID YOU GET HURT?
00:12:41I SPREAD MY ANKLE
00:12:42OFFICER
00:12:43YES SIR
00:12:43TAKE HER DOWN TO DR. DANIELS
00:12:45YOU WAIT HERE
00:12:46DR. DANIELS?
00:12:46YOU HEARD ME
00:12:49THIS WAY MISS
00:13:00HELLO
00:13:00HELLO
00:13:01GIVE ME DR. DANIELS PLEASE
00:13:05HELLO DOC
00:13:06THIS GRYF MARRIT
00:13:08I'M SENDING A GIRL NAMED JENNY MARSHE
00:13:10DOWN TO YOUR OFFICE
00:13:12YEAH
00:13:13SHE'S GOT A SPRAINED ANKLE
00:13:15SEE WHAT YOU CAN FIND OUT WILL YOU
00:13:16HOW OLD IS SHE GRYF?
00:13:19WHAT DOES SHE LOOK LIKE?
00:13:23BLONT
00:13:26DELICATE FEATURES
00:13:28BROWN EYES
00:13:31I SEE
00:13:32WELL SHE JUST SAW MAN JUMP OFF THE BALCONY
00:13:35VERY SHAKY AND UPSET
00:13:37WANT TO BE EASY TO WORK ON
00:13:39OK
00:13:55OK FOR SOUND?
00:13:57ECHO
00:13:58OK FOR SOUND?
00:13:59YEAH OK
00:14:00HERE
00:14:00NOW PLAY IT CAGY DOC
00:14:02THIS ONE'S SMART
00:14:02WHAT ARE YOU TRYING TO PROVE?
00:14:04I'M NOT SURE YET
00:14:05MAYBE THAT THE GIRL IS CHARACTER
00:14:06THEY ALL HAVE WHEN THEY'RE CAUGHT
00:14:07NEVER SHOULD HAVE BEEN PERROL
00:14:08SHH
00:14:09OVER HERE
00:14:10CAN YOU MAKE IT?
00:14:11I THINK SO
00:14:13MAKE IT EASY
00:14:14IT'S HER ANKLE DOC
00:14:17I'LL BE RIGHT OUTSIDE
00:14:18I'LL BE RIGHT OUTSIDE
00:14:19TAKE OFF YOUR STARKING
00:14:23SO
00:14:29I FEEL SICK
00:14:30REALLY HATE THAT BAD?
00:14:35I JUST SAW A MAN JUMP OFF THE BALCONY
00:14:37WHAT DID YOU DO THAT FOR?
00:14:40THEY WERE SENDING HIM BACK
00:14:42FOR GOOD
00:14:45GUESS IF I HAD THE NERVE
00:14:46I'D DO THE SAME THING
00:14:48NO YOU WOULDN'T
00:14:51YOU WOULDN'T
00:14:53WELL YOU REMIND ME OF MY DAUGHTER
00:14:56YOU EVEN LOOK LIKE HER
00:14:57WHY BECAUSE WE'RE BOTH FEMALE
00:14:59THAT'S ABOUT THE ONLY RESEMBLANCE
00:15:01BETWEEN HER AND ME
00:15:02IS YOUR MOTHER STILL LIVING?
00:15:04YOUR MOTHER?
00:15:05YES
00:15:06HOW LONG WERE YOU IN PRISON?
00:15:08FIVE YEARS
00:15:10FIVE YEARS
00:15:12MUST HAVE BROKEN HER HEART
00:15:13SHE'S STILL IN THE HOSPITAL
00:15:15IN THE ALCOHOLIC WARD
00:15:16AND YOUR FATHER?
00:15:18HE WAS NO GOOD
00:15:19I GUESS LIKE FATHER LIKE DAUGHTER
00:15:21IT'S HEREDITY
00:15:21IT'S ENVIRONMENT
00:15:23IT'S A JOKE
00:15:25THERE WERE NINE OF US
00:15:26I WAS THE OLDEST
00:15:27BLEW THEIR NOSES FOR HIM
00:15:29SCRUBBED HIM
00:15:30DOCTED HIM
00:15:30EVERYBODY LIVING IN THEM ONE ROOM
00:15:33SWILL PILE
00:15:34THAT'S WHAT IT WAS
00:15:34WHERE'D YOU GET HURT?
00:15:37IN A RAID ON A BOOKIE JOINT
00:15:39I BROKE PAROLE
00:15:40THAT MEANS I'M GOING BACK
00:15:42DON'T YOU THINK YOU WERE PRETTY SILLY
00:15:44TO GO TO A BOOKIE JOINT
00:15:45WHEN YOU WERE OUT ON PAROLE?
00:15:46I WENT WITH A FRIEND
00:15:47WHO HAD BUSINESS THERE
00:15:48FINE FRIEND
00:15:49GOT YOU IN A BIG JAM
00:15:51HE'S THE ONE WHO DIDN'T FORGET ME
00:15:53WHEN THEY SENT ME TO PRISON
00:15:55LOVE HIM
00:15:56HE WAITED FIVE YEARS FOR ME
00:15:59FOR ME
00:16:00A MAN WITH A COLLEGE EDUCATION
00:16:02NICE MANNERS
00:16:03MONEY
00:16:04EVERYTHING I NEVER HAD IN A MAN BEFORE
00:16:06PUT THAT IN YOUR TEST TUBE DOCK
00:16:08AND WHAT DO YOU SEE?
00:16:09WHAT DOES HE DO?
00:16:10GAMBLES
00:16:11IN A REFINED SORT OF WAY
00:16:16FEELS BETTER NOW
00:16:17IT'LL BE ALL RIGHT IN A DAY OR TWO
00:16:20OFFICER
00:16:21YES DOCK
00:16:21YOU CAN TAKE HER BACK NOW
00:16:23OK
00:16:24OH DOCK
00:16:25I...
00:16:26I JUST BOUGHT THIS OUTFIT
00:16:27IF YOUR DAUGHTER WEARS A SIZE 12
00:16:29SHE CAN HAVE IT
00:16:30I GUESS THEY WON'T BE NEEDING IT ANYMORE
00:16:36MY FEELING IS THAT SHE'S SENSITIVE
00:16:38CONFUSED AND ANGRY
00:16:40BUT GRIF'S RIGHT
00:16:41I DON'T THINK JENNY MARSH IS AN HABITUAL CRIMINAL
00:16:44WELL THEN YOU THINK SHE'S STRAIGHTENED THAT OKAY DOCK
00:16:46I MEAN IF SOMEBODY GAVE HER A BREAK
00:16:47I THINK SO GRIF
00:16:48YOU DO?
00:16:49YES
00:16:50I'M SURE OF IT
00:16:51WELL I STILL DON'T TRUST HER
00:16:53BUT GO AHEAD
00:16:54SHE'S YOUR CASE
00:16:55OH THANKS SAM
00:16:55YOU'LL SEE
00:16:57I'M RIGHT ABOUT IT
00:16:57OH I DON'T SAY SHE'S A HARDENED CRIMINAL
00:16:59BUT
00:16:59WHAT IS A CRIMINAL SAM?
00:17:01YEAH I'VE ALFEN WONDERED
00:17:02I SEE HIM EVERY DAY
00:17:03BUT I STILL DON'T KNOW
00:17:05A CRIMINAL IS SOMEBODY WHO COMMITS A CRIME
00:17:07GRIF SHE'S IN YOUR OFFICE
00:17:08AND GRIF
00:17:09THROW A SCARE INTO HER
00:17:11OKAY
00:17:12THANKS DOCK
00:17:23THIS WILL HELP YOU KNOW THE SCORE
00:17:2820 YEARS LATER A LIFER
00:17:30SHE LOOKS 60
00:17:32SHE'S 40
00:17:36SAME GIRL 10 YEARS LATER
00:17:37WITH ANOTHER ONE
00:17:39I'VE SEEN ENOUGH
00:17:40ALL RIGHT YOU'RE SENDING ME BACK
00:17:42BUT YOU DON'T HAVE TO TAUTURE ME FIRST
00:17:44SEND ME BACK AND SHUT UP
00:17:50SHUT UP
00:17:50Ask WESEN TO COME IN
00:18:00TAKE IT EASY
00:18:06FEEL BETTER?
00:18:08THANK YOU
00:18:14SIT DOWN
00:18:18MAYBE YOU'VE GOT SOMETHING SMART
00:18:20TO SAY
00:18:20WHATEVER YOU MAY THINK OF ME
00:18:21MORAT
00:18:21LET'S NOT GO INTO THAT
00:18:26WESEN
00:18:49WESEN
00:19:19HAS IT OCCURRED TO YOU
00:19:47I'M COUNTING
00:20:00DOES
00:20:00DOES
00:20:00DOES
00:20:00DOES
00:20:00DOES
00:20:16DOES
00:20:43DOES
00:20:44DOES
00:20:44DOES
00:20:44DOES
00:20:44DOES
00:20:45DOES
00:20:46DOES
00:20:46first outfit. I didn't know you had a private gold mine. Like it? Yeah. I bought it today.
00:20:54Yeah, it's, well, Harry's money? Yes. Well, I suppose there's no reason why you shouldn't use
00:21:03what's left of it as long as you have it. I looked to see if there was a rule against
00:21:07it,
00:21:07but there wasn't. Oh, look, if you'll just drop me at a restaurant, I'll... No, you're eating with me.
00:21:15Do you often take parolees to dinner? Mm-hmm. Are you married? I'm Italian over 21. What do you
00:21:23expect? Well, how does Mrs. Murat feel about this sort of homework? She encourages it. You're kidding.
00:21:35Hello, Fred. Get in. You're right. I'm telling you. Yep. And Jenny, this is Fred Bauer, Jenny Marsh.
00:21:41How do you do, Miss Marsh? How do you do? You didn't mention a chaperone. I'm not a chaperone. I'm
00:21:46a
00:21:46dishwasher. A dishwasher? Oh. At what restaurant? No, we're not eating in the restaurant. We're going
00:21:53to my house. Does Mrs. Murat expect this? Sure. I see. Hi. Hi. I brought Barry along for dinner,
00:22:09okay? Okay. Get in. This is Tommy. Cut out to Tommy, can't you, Griff? Oh, sorry. There's Mr. Thomas
00:22:23Murat and his friend Barry. Miss Marsh, Mr. Bauer. How do you do? Hello. Hi. Your son? Kid brother.
00:22:31Say, Griff, I told Barry you handle that killer, Mike Cardoza, and he said no. You did, didn't
00:22:37you? Wasn't he that killer, and you beat him up? Uh-huh. See? They give him all the killers.
00:22:42We're playing low-high next Saturday, semifinals. Can you come, Griff? Hey, why don't you sit
00:22:46back? You smell like a horse. Please. There's a lady present. Will you come, Saturday, Griff?
00:22:51Sure. Who's going to win? Oh, we'll annihilate him.
00:23:12Come on. Hi, Mom. Hi. Griff is bringing a lady and a man. Yes, Tommy. Yes, Tommy, I know.
00:23:25Ah, buonasera, Mamma Mia. Buonasera. Brought a couple of friends home for dinner. Jenny Marsh
00:23:31and Fred Bauer. I don't see Mrs. Marsh. You will have to take my hand, please. Yeah,
00:23:35ma'am. Oh, I'm sorry. How do you do, Mrs. Murat? How do you do, Mrs. Marsh? Hey, Barry,
00:23:39watch this. Blonde or brunette, Mom? Oh, brunette? Hey, you're wrong, Mom. She's never missed
00:23:45before. She can come with a voice in a handshake. She's blonde, Mom, and how? Oh, one mistake
00:23:51doesn't count. Won't you come in, Mrs. Marsh? I don't want to spoil your record, Mrs.
00:23:55Murat. I think I should tell you I'm really a brunette. Oh. Oh. Bleach. Uh-huh. Well,
00:24:02why do you know? Well, how's it done? Well, what do they use? It's a long story. Gosh, it
00:24:10looks good. Doesn't it? Sure does. Go get cleaned up, boys. Change your shade, Tommy. Yeah,
00:24:15man. Hurry up. I'm starving. Hey, let me have your coat. Thank you. Come on, Fred. You
00:24:22and I have work to do. Griff is our cook these days. Griff? Yes. Our part-time helper left.
00:24:28Oh, would you rather stay here? I'm going to the kitchen. Oh, I'd like to help. You have
00:24:35a nice big house here. It's an old house. Tommy was born here. How many of you are there
00:24:41living here? Just Griff and Tommy and me. No. Now? Is somebody missing? My husband died
00:24:50last year. I miss him. I'm alone all day now. What do I do? If you bring me the radishes
00:25:12from the refrigerator, I'll fix them. All right. Then you can set the table, if you don't
00:25:16mind. Yes, sure.
00:25:35Mrs. Morat is wonderful, isn't she? Yes, she's terrific. Griff Morat has done a lot for me.
00:25:41Are you an old friend? I'd like you to know something, Jenny. Yes? I'm not exactly a friend
00:25:48of the family. Oh. I'm one of his parolees. Yes. I appreciate what he's doing, bringing me
00:25:57here, meeting his friends like you and his family. But I don't like pretending to be something
00:26:02or not. So I thought I'd tell you.
00:26:23What's the matter? I'm leaving. Why? I don't have to take this. I wondered what it was all
00:26:28about. Well, now I know. It's part of the treatment. To be kind to jailbird system. Show
00:26:33them a bit of home life. Sweet influences for sick souls. Well, I don't need your pity or
00:26:37your mother's or anybody's. My mother doesn't know about you or about Barr. And she doesn't
00:26:42care. Anybody I bring home is okay. And that story about being married, what was that for?
00:26:48Afraid I might make a pass at you? I always say that. To the female parolees? Sure. If I'm
00:26:53asked, why not? You didn't have to. Believe me, it wasn't necessary. I didn't think it
00:26:56was. It's the regular procedure of the office. Regulation 86B. Then they'd better fix the
00:27:01regulation. Makes a liar out of you. And a liar's a bad example for the weak characters you
00:27:06deal with. Jenny, please try to get that chip off your shoulder. Come on, let's stop kidding
00:27:13each other. I want to talk straight to you. You're different, Jenny. You have a promising
00:27:20life ahead of you if you'll... I know. If I keep away from Harry Wesson. Well, why
00:27:25can't you? It isn't complicated. How would you feel if somebody had waited five years
00:27:30just for you? Are you sure he did? Yes. He's the only man who was ever really kind to
00:27:35me. He was. Patient and kind. Taught me what fork to use. How to dress correctly. How to
00:27:43speak correctly. Everything but how to think correctly. You'd do a great deal for Harry Wesson,
00:27:49wouldn't you? Yes. I'd do anything for him. You did. You even killed for him. That's
00:27:57right. I did. Thank you, sir. Oh, Griff. Yeah? What about Jenny Marsh? What about her? You've
00:28:10been trying to land her a job for more than a week. I checked. Four employers turned her
00:28:14down flat as soon as they learned she was a violator. Yeah, well, she's got a job. No kidding.
00:28:18I had to find her one where Harry Wesson couldn't get to her. I found it. She lives where she
00:28:23works. Eats there, sleeps there. She gets a hundred a month, one day off a week. She reports
00:28:27to me every day. What's the job? Taking care of a blind woman. Take it easy. Hi. Home already?
00:28:42Have a good workout? Yeah. Where's everybody? Mom went to bed. She's tired. Jenny's somewhere.
00:28:48Oh. Okay, maestro. Oh, hello. Hello. I thought this was your night at the Y. Oh, I was there.
00:29:05Uh, phoning somebody? I phoned to see what time a movie went on. Your mother said she wouldn't
00:29:09need me. Oh. Why? Did you think I was calling Harry Wesson? I didn't think you were. I was just...
00:29:15Is that why you got me this job here, so you could spy on me? I'm not spying on you,
00:29:19Jenny. It's my job
00:29:20to check on you. You're making it more than that because of Harry. That's not true. Isn't it?
00:29:25Okay, I admit that. Because he loves me and wants to be with me. What's wrong with that? He doesn't
00:29:29love anybody but himself. He's done everything for me. He gives you things with money he never earned,
00:29:33without denying himself anything. You don't know what love is. And you, teacher, do you know?
00:29:40Well, not from experience, but I've imagined it differently. When you fall in love, really
00:29:48in love, I think you'd know it for sure. A man would feel for the first time how wonderful
00:29:53life could be when he has someone to share it with. He'd want to give her the good things
00:29:57of life, not just the trimmings. Friends, home, children. And you'd think of her before
00:30:04himself in everything. Her welfare, her future, her happiness. And if she loved him, he'd be
00:30:11rich. Most men don't think like that. You only know Harry Wesson. I'm sorry, Jenny. I don't
00:30:20want to hurt you. I know that, Griff. Hey, what time does that movie go on? 8.24. Well,
00:30:33we'd better hurry. Griff, can I come, too? Come on.
00:30:53Let's go.
00:31:21I still don't get it. The guy was clear across the border.
00:31:24They'd never have caught him. So why'd he come back and give himself up?
00:31:28Something about human nature, Tommy. Happens all the time.
00:31:31Men show up and confess to crimes they committed 5, 10, 20 years ago.
00:31:35No kidding?
00:31:36Sure. All of a sudden they get a conscience.
00:31:38Starts to get them down and a kind of corrosion sets in.
00:31:42Anybody want some ice cream or anything?
00:31:44Ice cream? Silly question.
00:31:49Ice cream, Jen?
00:31:50Yes, Greg. Sure.
00:32:09I'll run over to the library and change the book.
00:32:12Don't hurry. It's nice here.
00:32:20I can't take it much longer, Harry. We can't live like this. I know I can't.
00:32:24That's foolish.
00:32:32Please, Harry. It's driving me crazy.
00:32:34They're so good to me, so kind. I've got to get out of there.
00:32:37What's bothering you? What happened?
00:32:39Griff Morant's falling for me.
00:32:42No kidding.
00:32:43I've been around long enough to know the signs.
00:32:46It's no joke. I don't find it a bit funny.
00:32:49I suppose it had to happen living in that house together for two months.
00:32:52He even held my hand in the movies the other night.
00:32:54I parole officer acting like a...
00:32:56It's good. It's great. Encourage him.
00:32:58It'll make things easy until that transfer comes through.
00:33:00Encourage? I don't understand.
00:33:02Look.
00:33:03Put him in love with you, baby.
00:33:05You'll be able to handle him.
00:33:06Okay.
00:33:07Well, I...
00:33:16And this is by Ralph Waldo Emerson.
00:33:19Give all to love.
00:33:21Give all to love.
00:33:22Obey thy heart.
00:33:24Friends, kindred...
00:33:25Hey, Mom.
00:33:27Jenny.
00:33:28I wrote a poem for school.
00:33:29Could I read it to you?
00:33:30Sure.
00:33:36Little Purple Violets by Thomas Murat.
00:33:39Little Purple Violets blowing in the breeze.
00:33:42Your beautiful fragrance puts me at ease.
00:33:45Whether in a glade or in a bayou,
00:33:47their beauty and fragrance reminds me of you.
00:33:50That's fine, Tommy.
00:33:52That's fine.
00:33:53Jenny, I dedicated it to you.
00:33:55Oh, thank you, Tommy. I love it.
00:33:57Won't your girlfriend...
00:33:58What's her name, Mary?
00:33:59Be jealous?
00:34:01Oh, she's just a kid.
00:34:03I see.
00:34:03Well, you better practice your piano, Tommy.
00:34:05But I like to hear Jenny read.
00:34:07Oh, you like to hear Jenny read.
00:34:08You like to help her wash dishes.
00:34:10You like to help her shine.
00:34:11And I like to hear you play the piano, Tommy.
00:34:14Do you?
00:34:14Uh-huh.
00:34:18I think he's falling in love with you, Jenny.
00:34:20I'm flattered.
00:34:22And so is Griff.
00:34:24Sometimes blindness is not a handicap.
00:34:26I know.
00:34:28And I think you know it, too, Jenny.
00:34:31But I don't think Griff knows.
00:34:34He's only a man.
00:34:36But it isn't possible.
00:34:39You know what's in your heart, Jenny.
00:34:42Do what you think is right.
00:34:49Give all to love.
00:34:51Obey thy heart.
00:35:04Griff?
00:35:05Yeah.
00:35:07Sorry I'm late.
00:35:08It's all right.
00:35:09Your dinner's ready.
00:35:13Well, where are Mom and Tommy?
00:35:15They went to the concert.
00:35:17Oh, that's right.
00:35:18I forgot.
00:35:19Anything wrong, Griff?
00:35:21Oh, if it's my hairdo, you're right.
00:35:22It's different.
00:35:24Do you like it?
00:35:25Yeah, I like it.
00:35:27Better eat your dinner.
00:35:29Shall I sit with you or are you?
00:35:30Yeah, would you?
00:35:31I hate to eat alone.
00:35:33I could have waited and had dinner with you.
00:35:35I wish I had.
00:35:38Do you, Jenny?
00:35:39Mm-hmm.
00:35:41Do you like the music?
00:35:42Yeah, fine.
00:35:44Nice music for dancing.
00:35:45I used to love to dance.
00:35:47Funny, I haven't thought about it much lately.
00:35:50Do you like dancing, Griff?
00:35:52Yeah, but I'm afraid I'm not very good at it.
00:35:56What's the matter?
00:35:59Jenny, do you have relatives in San Francisco?
00:36:01What?
00:36:02Cousins called Harris.
00:36:06Why?
00:36:07Now, this came into the office a couple of days ago,
00:36:09a request for a transfer to San Francisco.
00:36:12Oh.
00:36:13What do you think?
00:36:15Well, I...
00:36:16I don't know.
00:36:18I...
00:36:18Maybe I don't want to go.
00:36:22I don't think I want to be transferred.
00:36:29Why?
00:36:31Because I like my job.
00:36:32I'm glad you do.
00:36:34Because this is a phony.
00:36:36What do you mean?
00:36:37It was arranged by Harry Wesson.
00:36:39Did you know about it?
00:36:43Well, a long time ago,
00:36:44he did say something about trying to arrange a transfer,
00:36:47but I didn't know that he still...
00:36:48You meant what you said, Jenny.
00:36:49That you wouldn't have wanted to go?
00:36:51That's right, Griff.
00:36:52I don't want to go.
00:36:54You do believe me, don't you?
00:36:56Okay, Jenny.
00:36:58I believe you.
00:37:00Thanks, Griff.
00:37:03I...
00:37:04Good night.
00:37:06Good night.
00:38:07Easy does it.
00:38:08Griff!
00:38:09What happened?
00:38:10It's okay, Tommy.
00:38:11She's just having a nightmare.
00:38:12You better tell Mom it's all right.
00:38:13She'll be frightened.
00:38:14Hurry up.
00:38:18It's okay.
00:38:19You're all right now.
00:38:22Feel better?
00:38:26It was awful.
00:38:28Yeah, it must have been.
00:38:29I dreamed about you.
00:38:31Oh, is that bad?
00:38:33This was.
00:38:35We were walking in a forest and you kept getting caught in terrible steel traps.
00:38:40Oh, fine.
00:38:41And I kept warning you and warning you, but you wouldn't listen.
00:38:44Well, I hope you finally convinced me.
00:38:47Then you wouldn't let me go back.
00:38:49Back where?
00:38:50To prison.
00:38:51No, sir.
00:38:52Not a chance.
00:38:56I'm sorry I woke up the whole house.
00:38:58Well, everybody's entitled to a little nightmare now and then.
00:39:01You're sweet, Griff.
00:39:05Want a glass of milk?
00:39:06No, I'm fine now.
00:39:07I hope I'll be able to get back to sleep.
00:39:09Oh, sure.
00:39:09You're asleep.
00:39:11You're a sweetheart, Griff.
00:39:23I love you, Jenny.
00:39:25I know I'm no great prize.
00:39:27I don't make much money, although I have hopes.
00:39:30I'm just an everyday guy.
00:39:31I don't care much about nightclubs.
00:39:33I'm not a very good dancer.
00:39:35I guess I like mostly what you might call simple things.
00:39:39I guess I can't offer you the expensive gowns, expensive times that Harry Wesson can.
00:39:48But I do love you, Jenny.
00:39:55Will you marry me, Jenny?
00:39:58Oh, no, Griff.
00:39:59You don't know what you're saying.
00:40:01Oh, it's no good.
00:40:02It couldn't work.
00:40:03Is it still Harry Wesson?
00:40:04No, it's not that.
00:40:05It's just you don't know me, Griff.
00:40:07Griff, you deserve better than me.
00:40:09I know what I want.
00:40:11You know something?
00:40:13You're the first man who ever asked me to marry him.
00:40:16I know we can't get married right away anyhow until...
00:40:18But you could say yes now, couldn't you?
00:40:24Okay, Jenny.
00:40:25You think about it, but you know how I feel.
00:40:40Yes, sir?
00:40:41You have a ticket for me, Harry Wesson, for Havana, flight 6... 615.
00:40:44Just a moment, please.
00:40:48Harry.
00:40:49Jenny.
00:40:49I must speak to you.
00:40:50I'm so glad I caught you.
00:40:51Mr. Wesson.
00:40:52Excuse me, Mort.
00:40:53Yes, your ticket, sir.
00:40:54Flight 615.
00:40:55The limousine will leave in 6 minutes.
00:41:02Please don't go, Harry.
00:41:04Can't be helped.
00:41:05Then take me with you.
00:41:06What?
00:41:06I must get out of that house.
00:41:08I can't stay there.
00:41:09It's only for 6 weeks.
00:41:10You'll be all right.
00:41:11This is the wrong time for you to be going away for 6 weeks.
00:41:14Why?
00:41:14What happened?
00:41:16Griff proposed.
00:41:17He what?
00:41:18Well, last night, he wants me to marry him.
00:41:21I never dreamed he'd go that far.
00:41:24Parole's aren't allowed to marry.
00:41:26If you marry him, it means he's the one who made you break the rules.
00:41:29He didn't mean that.
00:41:30He just wants me to say yes now, and then after I'm off parole.
00:41:33If you can get him to marry you now and keep it secret, honey, it's sensational.
00:41:38What are you talking about?
00:41:39Look, he's got a blind mother and a little brother who worships him.
00:41:44And he needs that job because he's got political ambitions.
00:41:48Don't you see, Jenny?
00:41:49Once you're married to him, you can do anything, and he won't dare give you away.
00:41:54I can't do that, Harry.
00:41:56The minute that marriage license is in your pocket, Griff Morat is where he belongs, right behind the apron.
00:42:01I can't, Harry.
00:42:02I can't.
00:42:05Marty, you'll know where I am.
00:42:07The minute you're married, get out of that house and wire me.
00:42:10Bye, darling.
00:42:11But, Harry.
00:42:21The minute you're married, get out of that house.
00:42:55Good afternoon, Bureau of Paroles.
00:43:05Hello?
00:43:06Where am I?
00:43:09When?
00:43:09She just packed a few things and left.
00:43:11Oh, she told me, Griff, about you and herself.
00:43:15She said she couldn't live here with you and it wasn't fair to marry you, so...
00:43:20You got any idea where she went? Did she say anything to Indy?
00:43:22No, she just left, that's all.
00:43:25Oh, but Griff, there was something.
00:43:28I don't know what it is.
00:43:30It's something printed, I think.
00:43:34It seems to be a leaflet of some sort.
00:43:36It was on her bed.
00:43:53I have the list of passengers of Flight 615.
00:43:56There's Mr. Harry Duffy, Mr. Alan Waterman, J.J. Jennings...
00:44:01Jennings, a man or woman?
00:44:03Yeah, that was a man.
00:44:05Mr. Harry Wesson...
00:44:06Harry Wesson?
00:44:07Yeah, I thought you were looking for a lady.
00:44:09Yeah, that's right. Go on, please. Any other woman?
00:44:11Well, the only other woman is, uh, Miss Mary Wilson.
00:44:16What does she look like?
00:44:18I remember her.
00:44:19She was very nervous, sort of worried.
00:44:21Yeah, what does she look like?
00:44:23Well, she had gray hair, was about 65 years old, short and stout.
00:44:26Attention, please.
00:44:28Passengers on Flight 66 for Seattle.
00:44:32Flight 56 is leaving from Gate 3.
00:44:35Flight 56 for Seattle is leaving from Gate 3.
00:44:48Jenny.
00:44:49Griff.
00:44:55Why are you running away from me?
00:44:56Because I don't know what else to do.
00:44:57Now, that's no answer.
00:44:58I'm just no good for you, Griff.
00:44:59Don't say that.
00:45:00Look, it's just something I've done.
00:45:01Oh, no, no.
00:45:01I can't explain it to you.
00:45:03But being in your house, being with you, I...
00:45:05You're going to marry me now, today.
00:45:06Oh, no, no.
00:45:07Why?
00:45:07Don't you want to marry me?
00:45:08You do love me, Jenny, don't you?
00:45:10I thought I didn't.
00:45:10I was ready to leave, but...
00:45:11Oh, darling, it can't be.
00:45:13No, we'll manage.
00:45:13It'll be all right.
00:45:14We'll have to keep it a secret till you get your release.
00:45:16But it'll work out.
00:45:17But we'll be begging the parole.
00:45:18No, just bending it a little.
00:45:19It'll ruin you if they find out.
00:45:20Your job, your career.
00:45:21Nobody needs to know.
00:45:22We'll just tell Mom, maybe.
00:45:23That's all.
00:45:24But you do love me.
00:45:24Oh, yes, yes, yes.
00:45:26We can get a plane ride here from Las Vegas and get married.
00:45:28Parolees can't leave the state, but you'll be in the custody of a parole officer.
00:45:31That makes it all right.
00:45:32Oh, Griff.
00:45:33Oh, Griff.
00:45:34For you two to stay apart would have been wrong.
00:45:38But we must trust nobody with this secret.
00:45:41Griffin has much to lose if it is discovered.
00:45:44His whole career.
00:45:47Hope Jenny has more to lose.
00:45:49Her whole life.
00:45:51We must all be very careful.
00:45:54Oh.
00:45:58God bless you.
00:45:59God bless you.
00:46:39God bless you.
00:46:43Hello?
00:46:44Hello?
00:46:45Jenny?
00:46:48Yes, I'm home.
00:46:49Just got in.
00:46:51Why didn't I hear from you?
00:46:53Well, I...
00:46:54I couldn't.
00:46:55I...
00:46:55Couldn't you get him to take the lead?
00:46:58I thought you had him hooked when I left.
00:47:01What happened?
00:47:04Oh, you aren't alone.
00:47:05Just answer yes or no.
00:47:06Can you meet me?
00:47:09Well, yes, but...
00:47:11Good.
00:47:12Five o'clock, the library.
00:47:15Fine.
00:47:16See you.
00:47:18Tope.
00:47:20garden
00:47:20Heave
00:47:20yeah.
00:47:43Okay.
00:47:46Clyde cũ.
00:47:47There you go.
00:47:49Harry, you shouldn't have come here.
00:47:51You kept me waiting there for an hour.
00:47:53For what reason?
00:47:55Mrs. Morat isn't feeling well.
00:47:57Oh.
00:47:58But I... I...
00:47:59Yes?
00:48:00I did want to see you.
00:48:01Really?
00:48:02Because I have something to tell you, but I...
00:48:04Relax.
00:48:05Who are you afraid of?
00:48:06Please, Harry.
00:48:08Griff is coming home.
00:48:10He'll be here any minute.
00:48:11Oh.
00:48:11You must go, Harry.
00:48:13Jenny?
00:48:15Who's there?
00:48:18Is it Griff?
00:48:20Who came in?
00:48:22It's all right, Mom.
00:48:23It's just a friend of mine.
00:48:25Who's just a friend?
00:48:26Griff.
00:48:28Yes, Mom?
00:48:29Something's wrong, Griff.
00:48:32Mom.
00:48:34Go to your room.
00:48:36Please.
00:48:37Yes, Griff.
00:48:47Griff.
00:48:48You've had this coming for a long time.
00:48:52Griff, don't.
00:48:54Come on.
00:49:11How?
00:49:12Oh, Griff.
00:49:15Hey, hey.
00:49:15It's all right.
00:49:16It's all right.
00:49:18Now, look.
00:49:19I'm the one who got the poke in the mouth.
00:49:21Oh, Griff.
00:49:22I'm afraid.
00:49:24I'm afraid.
00:49:25Oh, don't worry, honey.
00:49:26He won't bother you again.
00:49:28Never again.
00:49:31Good afternoon, Bureau of Paroles.
00:49:34Mr. Morat?
00:49:40Hello.
00:49:41Hello, Mr. Morat.
00:49:42Yeah?
00:49:43This is Harry Wesson.
00:49:45I have something to tell you about your wife.
00:49:49Hello?
00:49:50Hello?
00:49:52Hello?
00:49:55Hello?
00:49:59Hello?
00:50:01Hello?
00:50:06Hello?
00:50:08Hello?
00:50:34Oh, my God.
00:50:39439 Wilshire. Apartment 203.
00:50:45Now, somebody shot Harry Wesson, but he's still breathing. Hurry it up, please.
00:51:21Hello?
00:51:22Griffin Ratt again.
00:51:24I think I know who did it.
00:51:26Jenny Marsh, a parole.
00:51:29I'll bring her in.
00:51:39I'll bring her in.
00:51:54Griffin.
00:51:55Yeah?
00:51:55Please come here.
00:51:56Where's Jenny?
00:52:02Jenny told me.
00:52:03I know.
00:52:03She told me the whole thing.
00:52:05She told me what happened.
00:52:06She wanted to turn herself into the police, but I made a way for you.
00:52:10Jenny shot that man because she loved you.
00:52:11She's a liar.
00:52:12I saw a letter she wrote in that used me, she in West End.
00:52:14She never loved me.
00:52:15No, no, no.
00:52:17Griff.
00:52:18Griff.
00:52:19I heard what you said, but it isn't true.
00:52:20You're a liar and you cheat.
00:52:21You're no good.
00:52:22I made a fool of myself over you.
00:52:23You would never again.
00:52:24Griff, please.
00:52:25Come on.
00:52:32Griff, you must listen.
00:52:33I don't care what happens to me, but I want you to know the truth.
00:52:36I went to Harry's apartment.
00:52:39I wanted to tell him about us.
00:52:43Oh, Jenny, come here.
00:52:45I can't stay, Harry.
00:52:46Mrs. Morat's waiting down the street.
00:52:48I had to speak to you.
00:52:50Oh, I'm sorry about what happened.
00:52:52I hope he didn't hurt you.
00:52:53What he did is nothing to what I'll do to him.
00:52:55Well, nobody pushes me around.
00:52:57Nobody.
00:52:58Harry, you've always been very generous and very kind, and I know you'll understand.
00:53:03Why didn't you get in touch with me during the whole six weeks?
00:53:06Well, it was pretty difficult.
00:53:07Why'd you refuse to accept that transfer to San Francisco?
00:53:10I didn't refuse it.
00:53:11They found out it was a false transfer.
00:53:12Who told them?
00:53:13You?
00:53:14No.
00:53:17Harry, I've come to tell you something.
00:53:19You've fallen for him?
00:53:22Yes.
00:53:24All the way.
00:53:24So that's why you didn't get in touch with me.
00:53:27You just stayed here playing kissing games.
00:53:30But you couldn't get him to marry you.
00:53:32The day you left, Harry, I ran away.
00:53:33I don't really think I knew why then.
00:53:35I was just mixed up, and I had to get away.
00:53:38But I know now.
00:53:41You're my friend, Harry, and I'm grateful to you.
00:53:44But I'm in love with Griff.
00:53:45In love?
00:53:49You're not in love with that fool.
00:53:51I've been happier than I ever was in my whole life.
00:53:54I didn't know I could be so happy.
00:53:56Oh, I know you'll understand.
00:53:57You've always been so sympathetic and...
00:54:02Hello?
00:54:04Yes, Monty.
00:54:07What's the date?
00:54:10Thanks, Monty.
00:54:12That's all I need.
00:54:16So I've come to ask you, if you'll leave me alone, Harry, and let me try to...
00:54:20Shut up.
00:54:21All along, I've had a hunch there was something wrong, not hearing from you.
00:54:25The way you acted at the airline office, his house, with him acting like he owned you, like a husband.
00:54:31And you didn't tell me yourself.
00:54:34Now I have to get Monty to check the marriage license bureaus.
00:54:36It's in the record, baby.
00:54:38In the record.
00:54:39You married him the same day I left.
00:54:41You've been in love with him all the time.
00:54:43I guess I have been.
00:54:44Do you think I'm going to stand still while you make a fool of yourself over that rover boy
00:54:47and then take you back when you come running to me again?
00:54:49I won't be coming back, Harry.
00:54:50You're so right, baby.
00:54:52Because you're not walking out on me.
00:54:55Not for Griff Morath.
00:54:56Not for him.
00:54:56Not for that fool.
00:54:57I'm sorry, Harry.
00:54:58I didn't want it this way.
00:54:59But that's it.
00:55:02You think I give up this easily?
00:55:05You think I'm going to have people laughing at me?
00:55:07I'll ruin him if it's the last thing I do.
00:55:09You will not.
00:55:10I'm just starting to see you as you really are.
00:55:13You've always had to be the big shot, the powerful one, handing out favors.
00:55:17That's why you like doing things for me.
00:55:18You did all right.
00:55:19I didn't know any better then.
00:55:20You think you can do better with Griff Morant?
00:55:22Griff is decent and he's smart.
00:55:24And he'll get places the right way.
00:55:25And he's showed you up every time.
00:55:27That's why you hate him.
00:55:29Not because of me.
00:55:29Shut up, Jenny.
00:55:30You shut up.
00:55:31I'm thinking clearer these days.
00:55:33You owe me five years, Harry.
00:55:35I shot a man to save your life and I went to prison for it.
00:55:38I didn't have sense enough then to think it was wrong that you let me go.
00:55:42But now I consider it a debt.
00:55:45We're even.
00:55:46I'm through, Harry.
00:55:47I'm no longer asking you to say goodbye.
00:55:50I'm just saying it.
00:55:52Oh?
00:55:53Well, before you say it, I want you to listen to a little speech I've got for Griff Morant.
00:55:58What do you mean?
00:55:59You and I had a deal, baby.
00:56:02You were to marry him so you could be with me.
00:56:05Remember?
00:56:05Well, I'm going to tell him about that.
00:56:07He'll never believe you.
00:56:09Won't he?
00:56:14I love you, darling.
00:56:16Please, Harry.
00:56:17Harry, please.
00:56:18I'm sorry for what I said.
00:56:19Please, Harry, you can't.
00:56:20Can't I?
00:56:20Watch me.
00:56:21Harry, I don't blame you, but...
00:56:22Excuse me while I push on to Dumpy off his wall.
00:56:24Information?
00:56:25Give me the number of the parole division.
00:56:26Harry, no.
00:56:27No, you'll break his heart.
00:56:28That's the idea.
00:56:29You catch on quick, Jimmy.
00:56:30Harry, please.
00:56:31I'll come back to you.
00:56:32I will.
00:56:32Just don't do that to him.
00:56:342230.
00:56:41Stop that.
00:56:43Put down that phone.
00:56:44Stop being melodramatic.
00:56:47Mr. Morat, please.
00:56:48I said put down that phone.
00:56:51Would you like to speak to him yourself?
00:56:53I'll tell him you're here.
00:56:55Hello, Mr. Morat.
00:56:56This is Harry Wesson.
00:56:58I have something to tell you about your wife.
00:57:07That's what happened.
00:57:10That's the truth, Griff.
00:57:13I have no reason to lie to you now.
00:57:16Maybe I'm no good, but...
00:57:19I do love you.
00:57:30Why did you do that?
00:57:31Where are we going?
00:57:32Griff, please.
00:57:32Why did you turn around?
00:57:33Where are you going?
00:57:34They're expecting me to bring you in.
00:57:35If I can make it to San Diego and the Mexican border before the alarm goes out,
00:57:38I can get you across before we're missed.
00:57:40No, Griff.
00:57:41You mustn't.
00:57:41If you're trying to be a life sentence, you haven't got a chance, Jenny.
00:57:44They'll never believe you.
00:57:44But you can't do this, Griff.
00:57:46It means you're throwing away your job, your whole career.
00:57:47I'm going to turn you in.
00:57:49Oh, Griff.
00:57:50The others have gotten away with it.
00:57:52We'll be all right.
00:58:03It's only 15 miles to the border, but we're running out of gas.
00:58:06Can't we make it?
00:58:08I'm afraid we'll have to take a chance and stop.
00:58:18Fill her up, please.
00:58:19Hurry.
00:58:19The others who arrived in this country today announces that she will marry the American
00:58:23industrialist.
00:58:23Two hamburgers to go out, please.
00:58:25One on in, gentlemen?
00:58:26Yeah, everything rushes.
00:58:27Let me write out.
00:58:27Harry Wesson, a gambler, was shot this morning.
00:58:30He named his assailant a woman called Jenny Marsh.
00:58:34Although he's still alive, doctors say he has little chance to recover.
00:58:38This woman, who was a paroled murderess, was being taken to the police by her parole officer
00:58:43when both disappeared.
00:58:45The police believe she murdered the parole officer and is using his car.
00:58:49The license number of the parole officer's car is 1-N-88-81.
00:58:54Hey, Pop, 4 hamburgers.
00:58:578-8-8-81.
00:58:57Coming right up.
00:58:588-1.
00:58:59Now for the sports roundup.
00:59:01Jesse Hernandez will take on Art Palma at New York's Madison Square Garden.
00:59:06The winner will be the logical challenger for the welterweight crown, Tony Edwards.
00:59:14Come on, hurry up.
00:59:15We're waiting to start.
00:59:16Okay.
00:59:17Okay.
00:59:43I'm still going to try for the border.
00:59:45But Griff, the alarm's out.
00:59:46They'll be looking for us.
00:59:47Not in this car.
00:59:48They're not going to question a honeymoon couple too closely.
00:59:51Okay.
01:00:17I'll take a look around.
01:00:20Mighty nice day for it.
01:00:25Stolen car.
01:00:26The crooks left the bride and groom standing at the curb.
01:00:28Nice way to begin a honeymoon, eh?
01:00:30I see.
01:00:31This is a good one.
01:00:32California license number 63W348.
01:00:48Hey!
01:00:50That won't do you any good.
01:00:52Anybody can tell from your face.
01:01:18Griff, we'll never get out of this.
01:01:19Yes, we will.
01:01:20Hold tight.
01:01:39We've got to get rid of this car.
01:01:41But then what?
01:01:43The bus.
01:01:44The bus.
01:01:52The bus.
01:02:28Yeah, put a slug right through them.
01:02:30Some beautiful blonde, eh?
01:02:41You'd like to change the color of your hair.
01:02:42You'd like to change the color of your hair.
01:03:13Well, maybe she's just curious.
01:03:15Well, we can't take any chances.
01:03:18Maybe I can pawn this.
01:03:20Pawn? Oh, Griff.
01:03:22Get enough money for a bus fare to someplace else.
01:03:29Got a nail file?
01:03:30Mm-hmm.
01:03:32Thanks.
01:03:34No, Griff!
01:03:35I know what I'm doing!
01:03:37The back is almost scratched up.
01:03:40Yeah, well, it had something on it I didn't like, anyway.
01:03:43Where'd you get this watch?
01:03:44It was given to me.
01:03:46I don't handle any hot goods.
01:03:47Look, I didn't steal it.
01:03:48Okay, okay. Don't get excited.
01:03:52Wait a minute. I want to see what the gold weighs.
01:04:05Hello, operator. Get in the police.
01:04:13Hello, Sarge.
01:04:14This is Sam Green.
01:04:16There's a guy in here trying to pawn a watch.
01:04:18I'm not sure, but I think it's the guy in the paper.
01:04:21You know, the lovers.
01:04:23Well, hurry it up. I'm no hero.
01:04:26Okay, I'll try to stall him.
01:04:39How much do you want for this?
01:04:40Well, it must have cost 200 bucks. I ought to get 100.
01:04:43You're crazy. I might give you 25.
01:04:45Oh, give me the watch.
01:04:46Take it easy. Take it easy.
01:04:47I might go a little higher.
01:04:50Where'd you say you got this?
01:04:51I told you it was given to me.
01:04:53What was on the back that you scratched off?
01:04:55I'm selling you the watch as is.
01:04:57Got anything else you want to sell?
01:04:59No.
01:04:59How about the ring?
01:05:00No. How much?
01:05:02How much do you want?
01:05:03Look, give me 50 bucks and let's stop all this.
01:05:07Mmm, 35 is more like it.
01:05:08I don't want to sell it. Give me the what.
01:05:10Get your hands up. Get your hands up.
01:05:12And what is this?
01:05:13I recognize you the minute you came in.
01:05:15Don't try anything funny.
01:05:16The police are on their way over.
01:05:17Look, mister, you're wrong.
01:05:18I don't know what you're talking about.
01:05:20Look, you keep the watch. I found it.
01:05:22Just let me out of here.
01:05:23Hey, don't move.
01:05:24Stay where you are. I'm warning you.
01:05:26You're this guy. I'm a rat.
01:05:27The guy with the murderers.
01:05:28Oh, no.
01:05:29It's a basketball trophy.
01:05:31Get out of the way.
01:05:32How much I want for this.
01:05:33Get out of here.
01:05:34You fool.
01:05:35Stop him.
01:05:36Stop him.
01:05:47Yeah, like I said, they can give you the book for carrying a heater.
01:05:50But a knife?
01:05:52Even a woodcarver carries a knife.
01:05:54Get it, Jack?
01:05:56Woodcarver.
01:06:00Ain't answered me yet.
01:06:05What racket you two in?
01:06:08Badger game?
01:06:10With a smart-looking tomato like her, it'd be a cinch.
01:06:14But what's the matter?
01:06:15It's so hot you're scared to talk?
01:06:17I ain't exactly cold myself.
01:06:20A little slug baby?
01:06:22Oh, thanks.
01:06:23I, uh, borrowed this on my last job.
01:06:2720-year-old whiskey.
01:06:30I only go for the best.
01:06:39What's tomorrow morning? Gang number four.
01:06:42Me?
01:06:42Buddy Smith.
01:06:44Address?
01:06:45Uh, 12-5-6-Amelita.
01:06:47Social security number?
01:06:49What's your social security number?
01:06:51Ain't you got a card?
01:06:52I, uh, I forgot it.
01:06:54I didn't bring it.
01:06:55Sorry, bud.
01:06:56Next.
01:06:57Name?
01:07:03Oh, Griff, I'm so glad you're back.
01:07:05There's nothing in this paper, either.
01:07:06We haven't been in for days.
01:07:08Do it.
01:07:09Oh, Griff!
01:07:11I never knew you could be so hungry.
01:07:13I guess these aren't from the Waldorf, but...
01:07:15Mmm!
01:07:16And they're wonderful.
01:07:18Where'd you get them?
01:07:20Car is going down the road.
01:07:21I hope they didn't cost much.
01:07:22We'll need money for dinner tonight.
01:07:24How much have we left, darling?
01:07:27Griff, we spent all our money yesterday.
01:07:30You had only enough for bus fare this morning.
01:07:33How did you get these?
01:07:35I borrowed them.
01:07:38All right, I stole them.
01:07:39What are we supposed to do, starve?
01:07:40I stole them because there's no other way.
01:07:42So eat them.
01:07:43You haven't had anything all day, Jenny.
01:07:44Eat!
01:07:46Oh, please don't cry, Jenny.
01:07:47We have...
01:07:48I'm not crying.
01:07:48It's just for you to have to steal.
01:07:51For you.
01:07:51How much is all this stuff worth?
01:07:53It costs you more than it's worth.
01:07:56Jenny, there's a policeman watching us.
01:08:00Let's go.
01:08:02I've had enough.
01:08:03Hey, you.
01:08:04Wait a minute.
01:08:06Come here.
01:08:08I've been watching you.
01:08:09What's the idea of littering up the park with your garbage?
01:08:11You raised in a pig pen or something?
01:08:13Coming in here and throwing his trash all around?
01:08:15I ought to run you in.
01:08:16Now clean up that mess.
01:08:18What do you think this thing is for?
01:08:19Decorations?
01:08:20Now tidy up everything so it's ship shape.
01:08:22Or say, help me, I'll write you both a ticket.
01:08:34This is my wife.
01:08:37I'll do.
01:08:38There's an empty house right next to where I live.
01:08:40Manager said you could have it.
01:08:41Fine.
01:08:47Keep the rain off you.
01:08:48It'll be fine.
01:08:50Oh, Lori, my wife.
01:08:52Hey, Mr. and Mrs. Parker.
01:08:54Wasn't that the name?
01:08:55Yeah, that's right.
01:08:55Hi.
01:08:56How do you do?
01:08:56Where you folks say you come from?
01:08:58Colorado.
01:09:00Well, we just came down from Montana.
01:09:03Originally from Colorado.
01:09:04Oh.
01:09:05Be back in a few minutes.
01:09:06Show your way to water.
01:09:08We're going in.
01:09:13What's the matter with you, Jenny?
01:09:15I told you it's Colorado.
01:09:16Colorado.
01:09:16The last place you said it was Montana.
01:09:18Just before we got off the bus, I told you Colorado.
01:09:20I couldn't remember.
01:09:21Well, I have to remember everything.
01:09:22Fake names, fake social security numbers.
01:09:24Remember to leave before they get wise to me.
01:09:26You don't even remember the name of a state.
01:09:29I'm sorry, Griff.
01:09:31I made a mistake.
01:09:32Well, we can't afford mistakes.
01:09:33You know how much it depends on it.
01:09:35Now, that guy probably suspects something's phony.
01:09:37It's no good, is it, Griff?
01:09:39If you just use your heads.
01:09:41Yes.
01:09:42Heads instead of hearts.
01:09:50Forgive me, Jenny.
01:09:51I didn't mean it.
01:09:53Griff, why do we quarrel like this?
01:09:55Sometimes I started.
01:09:56Sometimes you.
01:09:57We're not getting on with each other.
01:09:59Or with other people.
01:10:01What's happening to us, Griff?
01:10:03Nothing, honey.
01:10:04We're under strain.
01:10:04I'm sorry I was irritable.
01:10:07I don't know what's the matter with me.
01:10:09I'm just tired, I guess.
01:10:11That's not it.
01:10:12We're both jumpy and cross and all mixed up.
01:10:14We're not ourselves.
01:10:16We haven't had a happy moment since...
01:10:17Four weeks of this life would do it to anybody.
01:10:19We're living like pigs.
01:10:21Other people have been happy in a house like this.
01:10:24And doing work like this.
01:10:26Then we'll be happy, too.
01:10:27We will.
01:10:28I get 40 bucks a week on this job.
01:10:30They won't catch up with that phony social security number for seven or eight weeks.
01:10:34By that time, we'll have some money to get a long way from here.
01:10:37Hey, Parker.
01:10:38That's for you, Mr. Parker.
01:10:40Come on.
01:10:40The boss wants me to show you where you work.
01:10:42They're coming.
01:10:49Come on.
01:11:06Hey, it's about time.
01:11:09How do you like working here after two weeks?
01:11:12It's okay.
01:11:13You ever been in California?
01:11:16No.
01:11:17My wife's brother lives there.
01:11:18He owns his own house.
01:11:20You know how he got the money to pay for the house?
01:11:22He turned in a crook and got a reward.
01:11:27Maybe I'll live in California pretty soon.
01:11:31I hear it's a pretty nice place.
01:11:34Your wife ever been in California?
01:11:36No.
01:11:37My wife wants to live there.
01:11:39I told her.
01:11:40Get a crook, turn him in, get a big reward.
01:11:43We buy a house, live in California, too.
01:11:45She wants to be waitress and drive in a restaurant.
01:11:48Waitress.
01:11:50Your wife got ambition like that?
01:11:52No.
01:12:19Hello, dearie.
01:12:21Hello.
01:12:25Oh, dearie.
01:12:26I told her I'd gross enough to put the things on top of the head every time.
01:12:45Thanks, dearie, for picking up the paper for me.
01:12:47First delivery we've had in a week.
01:12:49Joe said he was going to give that paper boy a piece of his mind.
01:12:53Looks like everybody got a paper on time today.
01:12:55They can thank Joe for that.
01:12:57You ought to subscribe.
01:13:00Oh, thanks, honey.
01:13:01Just put them on top here.
01:13:03Here, that's it.
01:13:04The paper, too.
01:13:05Paper?
01:13:05Yeah, sure.
01:13:06Joe always reads it after dinner.
01:13:08Would you mind opening the door for me?
01:13:09It isn't locked.
01:13:10Oh, thanks, honey.
01:13:37Oh, darling.
01:13:38I'm sorry I'm late, honey.
01:13:40I came through town.
01:13:42Griff.
01:13:42I got something for you, June.
01:13:44A little present for my girl.
01:13:46A present.
01:13:46Go on, open it.
01:13:48It's an awful little present, but...
01:13:54Griff.
01:13:57Hey, hey.
01:13:58You know, it isn't that bad, is it?
01:14:02You know what they say.
01:14:03It's not the gift.
01:14:04It's the thought that counts.
01:14:06Yes, Griff.
01:14:07That really counts.
01:14:10Go back ahead.
01:14:10Don't let me stop you.
01:14:11I'm just paying you back the eggs I borrowed.
01:14:14Oh, it's no hot water again.
01:14:16I'm just going to wash my hair and...
01:14:18Well, it's dyed, isn't it?
01:14:20Oh, yes.
01:14:21You see, I thought...
01:14:22I can always tell dyed hair.
01:14:24I noticed the first day you got here.
01:14:25I bet you used to bleach it.
01:14:27Now it's dyed back to its natural color, huh?
01:14:29Yes.
01:14:30Oh.
01:14:32That's Joe.
01:14:33He's home.
01:14:34Wait till he sees there's no hot water.
01:14:35He'll yell like a bull.
01:14:37Fixing to go someplace, Terry?
01:14:38Oh, no.
01:14:39Yeah, what is it?
01:14:40There's no hot water.
01:14:42What'd I tell you?
01:14:42Yelling like a bull.
01:14:44That heat, it's all corroded.
01:14:46Once corroded...
01:14:47Lori!
01:14:48Oh, my God, I'm hungry.
01:14:49Come on, I'm hungry.
01:14:57Tell me if this isn't...
01:14:58Corrosion.
01:14:59What?
01:15:00That's what I'll...
01:15:06Oh, my God.
01:15:23What's wrong?
01:15:25We're going back, Griff.
01:15:28We're going to give ourselves up.
01:15:29Don't talk that way.
01:15:30Those people, they got you upset.
01:15:32That frowsy Dane with all the snooping.
01:15:34Sorry you have to put up with them.
01:15:36A lot of things.
01:15:37We'll get out of here.
01:15:38We'll go someplace else.
01:15:39We'd only have to run away again.
01:15:41No, we'll run so far this time
01:15:42they'll stop looking for us.
01:15:44Maybe they'll stop looking for us.
01:15:45But we'll never stop running.
01:15:47We're getting out of here.
01:15:49Griff, it's too late.
01:15:56He's already called the police.
01:15:57Police?
01:15:58Yeah.
01:15:58He knows?
01:15:59Yes.
01:15:59That's why she came over here, to make sure.
01:16:01How did they find out?
01:16:02The newspaper.
01:16:03Pictures of us again.
01:16:04You saw it?
01:16:05Yes.
01:16:05Well, then why didn't you...
01:16:06Come on.
01:16:08Let's hurry.
01:16:08It isn't too late yet.
01:16:09It is, Griff, for me.
01:16:15Jenny, please.
01:16:16You're all that matters to me.
01:16:17You can't go back.
01:16:18I've got to.
01:16:19It's no good this way.
01:16:20What kind of life is this for you?
01:16:21We haven't got a chance, Jenny.
01:16:23Yes, we have.
01:16:24A little chance, maybe.
01:16:25But at least a chance.
01:16:26There's no happiness this way, darling.
01:16:28We're breaking the rules.
01:16:30That's not for you, Griff.
01:16:32And it's not for me, either, anymore.
01:16:34Oh, it's better, Griff.
01:16:36Please.
01:16:37It's better.
01:16:42Yes.
01:16:45Let's go now, right away.
01:16:46We don't want to be caught.
01:16:48We don't want to give ourselves up.
01:16:50Wait.
01:16:53My present.
01:17:14Will you answer me, Joe?
01:17:16Did you not tell him?
01:17:17Yes, I told him.
01:17:19So what did you tell him, exactly?
01:17:20I told him if he didn't get us a new heater,
01:17:23I was quitting the company.
01:17:25Yeah, and he said.
01:17:26You take it from there, Flory.
01:17:28I'm tired.
01:17:30Tired.
01:17:34Hey, Flory.
01:17:36Yeah?
01:17:36There's a picture of a dame here in the paper.
01:17:38Looks like that girl next door.
01:17:41Nah.
01:17:43In the papers, they all look alike.
01:17:45She's a nice kid.
01:17:47Being married, they sure are crazy about each other.
01:17:50Come on, Joe.
01:17:51Eat this mess.
01:18:00Come on.
01:18:06The police are here, Mr. Wesson.
01:18:10Well, here they are, Wesson.
01:18:15All you have to do is identify her.
01:18:17She gave herself up.
01:18:27Well, just tell us if she shot you.
01:18:31It was an accident.
01:18:34An accident?
01:18:35Well, that isn't what you said in the report.
01:18:37It was an accident, I tell you.
01:18:44Well, I guess there's nothing more for us to do.
01:18:48Come on, Mike.
01:18:50What about jumping parole?
01:18:51She was with her parole officer, wasn't she?
01:18:53For two months?
01:18:54Yeah, for two months.
01:19:00Thanks, Harry.
01:19:01I'm a good enough gambler to know when I've lost.
01:19:04But it took a bullet to convince me.
01:19:08Ness, do me a favor.
01:19:09Yes, Mr. Wesson.
01:19:11Throw these people out of here.
01:19:27creo up.
01:19:28Yeah, no, no.
01:19:29No, no.
01:19:32No, no.
01:19:34No.
01:19:34No, no.
01:19:35No, no.
01:19:36No, no.
01:19:37No, no.
01:19:38All right, I'm bumble.
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