- 1 day ago
The Brokenwood Mysteries S12E04 (2026)
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TVTranscript
00:00:05Excuse me! Excuse me! You're on!
00:00:14Welcome, everyone, to this inaugural excursion of the Brokenwood Flyer.
00:00:21The culmination of years of hard work and planning by the many dedicated pharaoh equinologists of Brokenwood.
00:00:31That's a fancy talk for Iron Horse enthusiasts, and I'm sure you all know that already.
00:00:38I'm sure you also know that we wouldn't be here today without the sheer grit, determination and fundraising stamina of
00:00:46two of the Brokenwood Vintage Railway Society's leading lights, Rosalie Barnes and Shane Griffin.
00:00:54They have committed years to this exciting project, and today is the day when it all comes to fruition.
00:01:01Oh, my God!
00:01:04What'd you do that for?
00:01:05You know what blooms like? He'll prattle on all day if you let him.
00:01:08Mrs Baker's already in a flap about getting away on schedule.
00:01:12Always thought there was a touch of Mussolini about that woman.
00:01:14Huh?
00:01:15Makes the trains run on time.
00:01:17No, I think Rosalie's the one who's putting the strings.
00:01:19As usual.
00:01:21I'm bitter.
00:01:21I'm not bitter.
00:01:22No, you've spent three years pretending to have an all-consuming interest in vintage trains, hoping to catch Rosalie's glad
00:01:30eye, only to find out that the woman of your dreams has taken up with the sap of a man
00:01:36half your age.
00:01:37Shane's not half.
00:01:38Anyway, you can talk.
00:01:39You French...
00:01:40All aboard!
00:01:42When each day is a rover in the hills of smoke
00:01:50Leave me right back here
00:01:56I had a dream last night
00:02:00We were riding on a silver train
00:02:05So good
00:02:11Well, congratulations, you did it.
00:02:13With a lot of help.
00:02:15If Egan's father hadn't come to the party, when he did, we'd still be back at the cake stall and
00:02:20raffle stage.
00:02:24How are we doing for time?
00:02:25Oh, relax.
00:02:26We're all on track.
00:02:27Oh, on track!
00:02:34Oh, right, so it should be me driving, you know that, don't you?
00:02:36How did you work that out?
00:02:37It's in the blood.
00:02:39Dad was a rail woman for 50 years.
00:02:41Gandy with a shovel, was he?
00:02:42The only reason it's you and not me...
00:02:46You haven't got the upper body strength, not pretty hard yet.
00:02:51Hey.
00:02:57There's nothing quite like it, is there?
00:02:59Hmm?
00:02:59The romance of train travel.
00:03:01You're not in a hurry.
00:03:03It's only 20 minutes to Little Lake by car.
00:03:06This will take twice as long.
00:03:08Wait, yeah, but that's not really the point though, is it?
00:03:10It's why they closed the line in the first place.
00:03:13It wasn't needed.
00:03:15Devil on horseback?
00:03:16No, thanks.
00:03:18Oh, no thank you.
00:03:33What the hell's that?
00:03:35Huh?
00:03:35There's something on the track.
00:03:36Just look.
00:03:39Oh, jeez!
00:03:40That's not something!
00:03:41That's some body!
00:03:42Stop the bloody train!
00:03:45Oh, jeez!
00:03:52What?
00:03:54Why have we stopped?
00:04:07What the hell do you think you're doing?
00:04:08You could've got yourself killed.
00:04:10Well, like you care.
00:04:11Just go ahead and kill the planet instead.
00:04:13Give me strength.
00:04:14Unbelievable.
00:04:15Billy McKelvey!
00:04:17What silly game are you playing now?
00:04:19It's not a game!
00:04:20This is a wake up call!
00:04:21What's wrong?
00:04:22It's the middle of the afternoon, we're already awake.
00:04:24Cole is killing the planet!
00:04:27Cole is killing the planet!
00:04:29What's all this?
00:04:29Cole is killing the planet!
00:04:31Somebody call the cops!
00:04:33Cole is killing the planet!
00:04:34I will not have her ruin Rosalie and Shane's.
00:04:36I mean, everyone's big day.
00:04:38I'll deal with you up at the lake.
00:04:40Come on!
00:04:41On the train!
00:04:41No!
00:04:42You can't make me!
00:04:43You'll do as you're told, or you'll make things worse for yourself.
00:04:46Come on!
00:04:47Come on!
00:04:48Don't touch me!
00:04:52More things!
00:04:53Are you okay to keep going?
00:04:54We can swap places if you're feeling a bit fragile.
00:04:58No!
00:04:58No!
00:04:58I'm fine!
00:05:01Come on!
00:05:02Pick up the train!
00:05:07It's just a hobby for you lot!
00:05:10No!
00:05:13No!
00:05:14No!
00:05:16No!
00:05:16No!
00:05:16No!
00:05:18No!
00:05:19No!
00:05:19No!
00:05:26No!
00:05:27No!
00:05:29No!
00:05:30It's just a hobby for you lot!
00:05:32It's just a hobby for you lot, that you're not thinking!
00:05:33Oh, you don't want to know what I'm thinking, young lady!
00:05:35Coal is killing the planet!
00:05:38Coal is killing the planet!
00:05:40Coal is killing the planet!
00:05:42It's a quaint little train in Brokenwood. Your head's on wrong.
00:05:45Now you just don't care, because you'll be dead soon.
00:05:47No, no, no. All right, Chatty Cathy, wrap it up.
00:05:50We're almost at the stop for Little Lake.
00:06:01Everyone else in Florida, party can't miss it.
00:06:05This is going really well, I think.
00:06:09Where's Rosalie?
00:06:09Oh, she'll be somewhere tattooing with your frog.
00:06:11I'm going to sneak a cigarette in my life.
00:06:13No, no, no. You go with the others.
00:06:15She wants to make a big entrance. I'll find you.
00:06:23Rosalie? You there?
00:06:26Rosalie?
00:06:34Rosalie?
00:06:48Mrs. Baker?
00:06:57Hmm.
00:06:59Mike?
00:07:00I don't want to be rude, but now's not a good time.
00:07:02I'm trying to find a runaway bride.
00:07:04Uh, I might be able to help you with that.
00:07:06Okay.
00:07:15What's all this carry-on? Is someone getting married?
00:07:18That was the plan, yes.
00:07:22Did you know anything about this?
00:07:23All I know is I was supposed to get fed.
00:07:25It's hungry business, shoveling coal.
00:07:27Oi!
00:07:28Don't touch.
00:07:29You reckon the bride's done a runner?
00:07:31I sure wish I'd done a runner on my wedding day.
00:07:35I don't know.
00:07:37She's a fine figure of a woman, Miss Trudy.
00:07:45Ah, thanks for keeping everybody here.
00:07:48It wasn't hard.
00:07:49Never expecting a picnic.
00:07:51I haven't said anything about Rosalie.
00:07:54I wouldn't know how.
00:07:55Ah, we'll handle that.
00:07:56Ah, next of kin?
00:07:58Oh, um...
00:08:00Oh, Regan.
00:08:01And Rosalie's daughter in...
00:08:04Shame.
00:08:05The groom.
00:08:10Thank you, Mrs Baker.
00:08:11Oh, good job.
00:08:13Well, what's her story?
00:08:14Ah, we just need to interview everyone about a recent incident.
00:08:19Oh, right.
00:08:19That jumped up little madam on the tracks.
00:08:21You think she'll be old enough to know better.
00:08:24Right.
00:08:25Just hold that thought.
00:08:31We're treating your mother's death as suspicious.
00:08:34She may have simply just fallen from the train, but we need to be sure about it.
00:08:39Okay.
00:08:40And we need someone to give us our formal ID.
00:08:43That should be me.
00:08:45If you don't feel up to it, we can ask Rosalie's fiancee.
00:08:49The what?
00:08:50The wedding was going to be a surprise.
00:08:52It's Rosalie's idea.
00:08:53I feel I would have been happy with the registry office.
00:08:57When was the last time you saw Rosalie?
00:08:59When the train had stopped.
00:09:00She'd gone up the front to get changed into her wedding dress.
00:09:03I thought she might need a hand with the fiddly bits.
00:09:06Everything all right in there?
00:09:07Go away!
00:09:08You're not supposed to see me.
00:09:10It's bad luck.
00:09:11So you didn't actually see Rosalie.
00:09:13You just spoke with her through the door?
00:09:16Yeah.
00:09:17Did anyone witness the exchange?
00:09:19No, I doubted everyone else had left the carriage by then.
00:09:21Trying to work out why the train had stopped.
00:09:24We must have stopped just in time.
00:09:26And then everyone got off to see what was happening.
00:09:28Including Rosalie?
00:09:30I really can't remember.
00:09:32There was a lot going on.
00:09:35More than you realised.
00:09:38What?
00:09:38The surprise wedding.
00:09:40You had no idea?
00:09:42None.
00:09:43But you knew that your mother and Shane Griffin were in a relationship?
00:09:47Everybody knew.
00:09:48Mum had been raving about it for months.
00:09:51But Shane made her happy.
00:09:53For the first time in her life, I think.
00:09:58So neither Regan Barnes nor Shane Griffin remember seeing the victim after the train stopped?
00:10:04Well, Shane said he'd talked to Rosalie through the toilet door and then got off the train with the others.
00:10:09And Doug and Ron were busy letting rip at Lily.
00:10:13I talked to Doug.
00:10:14Pinko Greeny.
00:10:15And she was lying on the tracks like some sort of dams all in distress.
00:10:19And she gets up with a placard and starts waving it around, going on about coal and the planet.
00:10:25God knows what she was trying to achieve.
00:10:27So, what did the Pinko Greeny have to say for herself?
00:10:30Huh.
00:10:31Not much.
00:10:32Lily McKelvey, 145 Old Creek Road.
00:10:35Date of birth, 27 March 2008.
00:10:38And that's all you're getting.
00:10:40She seems very well trained for an 18-year-old.
00:10:43Are we sure she was acting alone?
00:10:46I'm afraid Mrs. Bake is in a bit of a state.
00:10:49Any idea when we might get the all clear?
00:10:51As long as they've given their initial statements, everyone's free to go.
00:10:54Oh, lovely.
00:10:55Ah, just not on the broken wood flyer.
00:10:57We still need to inspect the carriages.
00:10:59Ah, I see, I see.
00:11:00I'll see what I can do.
00:11:01Um, what's the point in being there if I can't rustle up a council coach when we need one?
00:11:05And, uh, Lily McKelvey.
00:11:07Don't worry about her, she's coming with us.
00:11:09Okay.
00:11:14Oh, here.
00:11:16Mimi, give me your hand with that.
00:11:18Ow.
00:11:19Thank you, Ron.
00:11:20Got it?
00:11:20Yeah.
00:11:24See, Jug, that's what a gentleman looks like.
00:11:31Well, hello there.
00:11:33You sound relaxed.
00:11:35Not at all.
00:11:35Slogging it out, you know how it is.
00:11:37Wow.
00:11:37I need you to find what you can on a Lily McKelvey.
00:11:41You want to know if she has any kind of regular involvement in climate, protest, that sort of thing?
00:11:47Well, you, I will clear my desk.
00:11:49Give the board a wipe while you're at it.
00:11:51We're going to need it.
00:11:58So Doug and Ron are in the engine cab with no access to the carriage.
00:12:04And everyone else is in here.
00:12:07Black roses.
00:12:09Old choice.
00:12:11And then at a certain point, Rosalie moves to the front of the carriage.
00:12:16To change.
00:12:19But ended up down there.
00:12:26Before falling or being pushed onto the tracks while everyone else was preoccupied by Lily's protest.
00:12:34Or, so they want us to believe.
00:12:43What if the offender wasn't one of our travellers?
00:12:47Someone else got on board the train before it left Brokenwood and waited for their chance to attack.
00:12:53Risky.
00:12:54Risky.
00:12:54With nowhere to hide.
00:12:56There's only this one cubicle.
00:12:58Yeah.
00:12:59And a black rose for a corsage.
00:13:02Slightly weird.
00:13:11For R.
00:13:14You know what this means.
00:13:20Next step.
00:13:21Hand-writing samples from everyone on the train.
00:13:24Hmm.
00:13:25What did you find on Lily McKelvey?
00:13:28Yeah.
00:13:29Brokerwood's answer to Greta Thunberg.
00:13:31Her socials are dedicated to protest content.
00:13:34Nothing about today's protest?
00:13:36If you're going to go to all that trouble to stop a train, you'd want the world to know about
00:13:40it, right?
00:13:40You'd be live streaming or at least making sure someone was there to record it.
00:13:45Well, perhaps somebody did.
00:13:47Maybe the protest was just a diversion.
00:13:50Well, whatever happened, it went down fast.
00:13:54The Crimestoppers report about the body on the tracks came through at 2.47.
00:13:58Not long after the train moved off again.
00:14:00Who did that report come from?
00:14:02Well, someone who saw something but didn't want to get involved.
00:14:05Called it in anonymously.
00:14:07Well, Lily might be more forthcoming now that she knows that somebody has died.
00:14:12Oh, um, Gina's gonna be expecting one of us soon, so fight amongst yourselves.
00:14:17Heartbreaker.
00:14:18Uh, was that you volunteering?
00:14:21Nice one.
00:14:29I'm assuming you weren't actually tied to the tracks.
00:14:33I'm not an idiot.
00:14:34Did you have any help getting into position?
00:14:37Lying down isn't hard.
00:14:39At my age, anyway.
00:14:40Hmm.
00:14:42No one to cheer you on?
00:14:44No.
00:14:47Thanks for your phone, Lily.
00:14:50Who's Noah?
00:14:53At 2.45pm you got a text.
00:14:56Just two words.
00:14:58You okay?
00:14:59From someone called Noah.
00:15:01He's my boyfriend.
00:15:04Did he know about your protest?
00:15:06No.
00:15:07Then why the text?
00:15:08Why those words?
00:15:09You okay?
00:15:10He was just tricking in.
00:15:11I guess.
00:15:13Just, it's the kind of guy he is.
00:15:15Tell me a bit more about him.
00:15:19I cannot be precise about the time of death.
00:15:21No, I get it, Gina.
00:15:22Usual terms and conditions apply.
00:15:24But when I arrived at the scene,
00:15:25what we call the tracking of the eyes had not begun.
00:15:28Impalo Mortis was not complete.
00:15:30It can only have been a matter of minutes.
00:15:3215 or 20.
00:15:33That's pretty precise.
00:15:35What do you mean?
00:15:36I am very precise.
00:15:38Yeah, of course, but you just...
00:15:39Do you think my job is easy?
00:15:42No, but you just...
00:15:43You want me to hand you the bone saw?
00:15:44So, knock yourself out.
00:15:46No, I'm good.
00:15:49Good.
00:15:50Now, cause of death.
00:15:52See here?
00:15:53One significant impact wound
00:15:56and the number of small scrapes and bruises along her right side.
00:16:01She died when she hit the rail track.
00:16:03Not necessarily.
00:16:05What does this tell us?
00:16:09She bounced.
00:16:13Mike would understand.
00:16:14Well, Mike's not here, so...
00:16:16Perhaps she was fatally hit on one side of the head.
00:16:19And then...
00:16:20Thrown from the train and landed on the other side.
00:16:24Very good.
00:16:25Now, we have a guest.
00:16:32Come through.
00:16:42That's her.
00:16:44That's my mum, Rosalie.
00:16:48Was it quick?
00:16:49Very.
00:16:50If you'd like, we can keep you up.
00:16:52Has anyone told Dad?
00:16:55Hayden Barnes.
00:16:57As in Barnes Farming Supplies.
00:16:59Regan's father and Rosalie's ex-husband.
00:17:02Simms is with him now.
00:17:04Excuse me.
00:17:06I'm here for my daughter.
00:17:08You must be Mr McKelvey.
00:17:10Troy.
00:17:11Could you get Miss McKelvey, please?
00:17:13Of course.
00:17:16Come on through.
00:17:18Come on through.
00:17:20I'm Bridget, Lily's grandmother.
00:17:22Where is she?
00:17:23She'll be here soon.
00:17:24You do realise she's only 18?
00:17:26Old enough to be charged with breach of the police.
00:17:29Not today, however.
00:17:30We're letting her off with a warning.
00:17:32You just thought you'd scare her by keeping her here all afternoon.
00:17:35Hey, dear.
00:17:36You all right, love?
00:17:37Can we go, please?
00:17:40Your granddaughter has been helping us with our inquiries into a suspicious death.
00:17:46A woman died on the train that was stopped by her protest.
00:17:49She didn't say anything about that when she rang.
00:17:52Does the name Rosalie Barnes mean anything to you?
00:17:58You were close?
00:18:00Used to be.
00:18:01Old school friends.
00:18:02We travelled overseas together.
00:18:03It was a long time ago.
00:18:06How did it?
00:18:07What happened?
00:18:07We'll be releasing a statement in due course.
00:18:10Right.
00:18:11I should go.
00:18:13Lily told us that she was in a relationship with one of your farmhands.
00:18:19Noah.
00:18:19Noah Dunphy.
00:18:21If you see him, could you tell him to get in touch?
00:18:23Why do you want to talk to Noah?
00:18:24We'll explain that when we see him.
00:18:27All right, I'll pass that on.
00:18:29Thanks, love.
00:18:32It's hard to believe, uh, she had a big train launch this afternoon. I thought, I thought she'd be swilling
00:18:38champagne all day.
00:18:39I have to ask you this. Where were you around 2.45pm?
00:18:44Quarter to three, uh, I was here. Yeah, you can ask Dan.
00:18:50And when was the last time you saw Rosalie?
00:18:52A few weeks ago, we met to sign the divorce papers.
00:18:55It was all very amicable, if you're wondering.
00:18:58My daughter, does she know?
00:18:59Yeah, she identified the body, so she may need some support.
00:19:02All right, Bob.
00:19:03Okay, I'm here. I'm here.
00:19:05It's gonna be okay.
00:19:13Uh, did some research on the McAlvys, found this.
00:19:17Bridget and her best friend, Rosalie, protested in the closure of the Brokewood Railway Line, uh, way back in the
00:19:2280s.
00:19:23The line was closed anyway, but the track was never pulled up.
00:19:25And then, 40 years later, Rosalie's the driving force behind the Brokewood Flyer.
00:19:30Mm-hmm.
00:19:31Uh, which was bitterly opposed by Bridget's son, Troy.
00:19:33He was pushing his own plan to turn the track into a cycle trail.
00:19:43Well, it was either restore the rails or pull them up.
00:19:46Council had been shunting that decision down the track for about 30 years.
00:19:50Excuse the pun.
00:19:52I would have done the same if I'd known what a kerfuffle it would turn into.
00:19:55What swung her in favour of the Vintage Railway?
00:19:58Well, no word.
00:19:59Rosalie.
00:20:00She was a bit of a steam engine herself, if you get my drift.
00:20:02A hard woman to say no to.
00:20:04Help that she had Hayden Barnes's money behind her.
00:20:06Before the divorce, I mean.
00:20:08Though I imagine she, uh, took a good chunk of it with her when they split.
00:20:12He bought the engine and carriages, paid for the restoration.
00:20:15Troy McKelvey must have found it hard to compete.
00:20:17He just couldn't promise the investment we were looking for.
00:20:20Whatever he had himself, he sank into buying up land along the tracks.
00:20:23He had some grand scheme for accommodation and a cafe.
00:20:27Actually, I've got it here somewhere.
00:20:31Um...
00:20:31Yeah.
00:20:34How are you expected to pay for it?
00:20:35I have no idea.
00:20:38This is the McKelvey farm here, eh?
00:20:41Yeah, what's left of it.
00:20:42Troy's been selling bits off trying to claw back his investment.
00:20:45Uh, do you mind if I get a copy of this?
00:20:48It would be a pleasure.
00:20:51Follow me, young man.
00:20:54Brand new photocopier.
00:20:57Very flash.
00:20:58Voice activated.
00:21:02And copy.
00:21:07Got it, yeah, you have to say it right.
00:21:09And copy.
00:21:14Annoying.
00:21:15Might just, uh, use the old digit there.
00:21:27Trudy.
00:21:29There's a Noah Dunphy drink here.
00:21:31Friend of yours, is he?
00:21:32It's a professional inquiry.
00:21:34Thought so.
00:21:36Don't make me say it.
00:21:37It's not knocking if he hasn't done anything wrong.
00:21:40Sure.
00:21:42Lena.
00:21:45On my tab.
00:21:47What was that you just did?
00:21:48But you know what a tab is, don't you?
00:21:50It's not a nose tab you think.
00:21:52What's that all about?
00:21:53Trudy nose.
00:21:55That's all that matters.
00:21:57Okay, so Noah comes in with his mates every now and then and...
00:22:01You know.
00:22:02Well he was always hitting on me.
00:22:04I mean I got there and it was just nothing.
00:22:07Nothing more.
00:22:07Two pails.
00:22:09And a hazy.
00:22:10Thanks very much.
00:22:11Appreciate it.
00:22:16Thanks again.
00:22:17Do you?
00:22:18Do you like cats?
00:22:20Yeah.
00:22:21Cats are, uh, cats are cool.
00:22:22Cool.
00:22:23I have a cat suit at home.
00:22:25You know, I mean like for special occasions.
00:22:30Okay.
00:22:31Uh, that's, that's um, that's interesting.
00:22:34Yeah?
00:22:35Thanks.
00:22:37Lena.
00:22:45I thought you said he hit on you.
00:22:48He did.
00:22:49He said I was interesting.
00:22:51And he's cute.
00:22:52I mean not.
00:22:53Not as cute as Chad.
00:22:54Oh.
00:22:55You think so too?
00:22:56No.
00:22:56I just...
00:22:57But then, no one is.
00:22:59But he is a little bit bad boy.
00:23:00Which is nice sometimes.
00:23:01Right?
00:23:03Thanks Lena.
00:23:04Yeah.
00:23:06Oh.
00:23:07Hello.
00:23:08You're here for that pizza for Shane.
00:23:09Well normally I would have cooked him something but...
00:23:11I don't know, I can't seem to settle.
00:23:13I'm all a quiver.
00:23:14It's all good.
00:23:16Mrs Baker?
00:23:17How is Mr Griffin holding up?
00:23:19Do you really need to ask?
00:23:21Oh, I'm sorry.
00:23:23I know you're only doing your job and...
00:23:26That's how the police mind works, isn't it?
00:23:28The nearest and dearest are the biggest suspects.
00:23:30But I am telling you, Shane is one of nature's gentlemen.
00:23:34He wouldn't hurt a fly.
00:23:36And Hayden Barnes.
00:23:38Would you say the same about him?
00:23:42Well, that's a different story.
00:23:52Thanks.
00:23:54So, it's hard to say if it's intel or just gossip.
00:23:57But according to Mrs Baker, Hayden and Rosalie's split wasn't as amicable as he tried to make out.
00:24:06We get lots of those.
00:24:07I am not a bloody ATM for your pet project!
00:24:11Oh!
00:24:12Grow up!
00:24:13This is bigger than us!
00:24:15Us?
00:24:15What us?
00:24:16You've already got yourself a new toy boy?
00:24:18Is everything alright?
00:24:19You're welcome to the gold-dicking cow.
00:24:21Good luck to you.
00:24:25Obviously, Rosalie liked her men younger.
00:24:27She had 10 years on Hayden as well.
00:24:30Did Hayden know about Rosalie and Shane's wedding yesterday?
00:24:34He didn't say, but Mrs Baker insisted that no one knew about it.
00:24:37Not even her own daughter, Regan.
00:24:38Check in with Shane.
00:24:40Check in with Shane.
00:24:41Find out if he or Rosalie got any more aggro from Hayden.
00:24:44Or the McKelvies for that matter.
00:24:47Oh?
00:24:48Well, Lily clearly isn't a fan.
00:24:50And Rosalie and Troy were practically feuding over rival schemes.
00:24:54Ahem.
00:24:58This is the McKelvie farm.
00:25:00And this is the additional land that Troy bought for the tourist development.
00:25:06Right next to where Lily stopped the train.
00:25:08And Bridget's old friend, Rosalie, was killed.
00:25:19What do you got?
00:25:20Noah Dunphy is still not responding to my calls.
00:25:23But that could be because he has a history of prior arrests.
00:25:27Disorderly behaviour, assault.
00:25:29Assault on who?
00:25:30Was related to a protest action.
00:25:32Bit of pushing and shoving on the front line of a march.
00:25:35Climate protest?
00:25:36Coal, mining, oil.
00:25:38Anything that messes with the environment, he's against it.
00:25:40So his text to Lily, moments after his stunt, was in no way a coincidence.
00:25:45Gotta go.
00:25:47Uh, Lily, I was hoping you could help us.
00:25:50I've already told you everything.
00:25:51We've been trying to track down Noah, but we can't-
00:25:53Yeah, me too.
00:25:54So if you see him first, let him know from me that we're done.
00:25:56Okay?
00:26:04I think the kids call it ghosting.
00:26:08Was there something else you wanted?
00:26:10Yes, actually.
00:26:14Why are you so interested in Noah?
00:26:16Well, he's Lily's boyfriend.
00:26:18Uh, for now.
00:26:20It's reasonable to assume that he knew about a protest.
00:26:24Maybe he filmed it.
00:26:26I mean, after all, you know, what's a protest these days of it isn't all over the internet.
00:26:30Well, it's a bit of a stretch to go from being a protester to a murderer, isn't it?
00:26:37Uh, we had an anonymous tip-off about Rosalie's body.
00:26:41Whoever made that report may have seen more than they initially shared.
00:26:45Right.
00:26:46The incident happened very close to your land. Did either of you see anything out of the ordinary?
00:26:52I was here, making jam, head down over the kitchen bench.
00:26:55I was up in Old Creek Paddock, fixing some fences.
00:27:00Nowhere near.
00:27:01Meanwhile, your daughter was tying herself to railway tracks.
00:27:05Did you know about that?
00:27:08Uh, she's always up to something.
00:27:10Thought she was just going to wave a sign.
00:27:12We've always encouraged Lily to think for herself.
00:27:16She's so compassionate and engaged.
00:27:18And that's something to be admired, isn't it?
00:27:21A chip off the old block, perhaps.
00:27:25Do you think, uh, Lily's protest was inspired by this?
00:27:32Well, you'd have to ask her.
00:27:34You had your own reasons to oppose the Vintage Railway.
00:27:38Your failed development plans.
00:27:40Oh, come on.
00:27:42Must have been very frustrating.
00:27:43Well, not to mention expensive.
00:27:46We lost that fight ages ago, and accepted it ages ago.
00:27:50Why are you giving me and my mum the third degree?
00:27:52We weren't even on the train.
00:27:55Shouldn't you be chasing the people who were?
00:27:57All lines of inquiry are being explored.
00:28:00Which is why I'm going to need a handwriting sample from each of you.
00:28:10Here you go.
00:28:13Not going to win any awards for calligraphy with that.
00:28:16Sorry to disturb you.
00:28:17It's fine.
00:28:19Anything to help find whoever hurt Rosie?
00:28:22Can you think of anyone who might want to do that?
00:28:24No.
00:28:25No, she was wonderful.
00:28:27She was very caring, very passionate.
00:28:29Although, her passion could rub some people up the wrong way.
00:28:32Like Hayden?
00:28:33If Rosie had done me, I'd be devastated too.
00:28:37How did you and Rosie get together?
00:28:39Well, there was no overlap if that's what you're getting at.
00:28:41Understood.
00:28:42We were both on the committee for the train project.
00:28:45Lots of long nights and weekends.
00:28:51I keep thinking she's going to come out of the bedroom or bring me a glass of wine.
00:28:57You and Rosie weren't the only ones who gave a lot to the rail project.
00:29:01Hayden Barnes made a huge commitment too, didn't he?
00:29:04It was his money that-
00:29:05It was Rosalie's money as well.
00:29:06That's what marriage means, sharing everything.
00:29:12I wonder how much Hayden shared with Rosalie in the divorce.
00:29:16Hmm.
00:29:16And who's in line for it now?
00:29:18Yeah, I'll chase up the will, but...
00:29:20Regan, you'd think.
00:29:22And probably Shane.
00:29:23Shane.
00:29:24And they were both on the train.
00:29:25Shane may have been the last person to talk to Rosalie.
00:29:28Hmm.
00:29:28The romantic toilet door exchange.
00:29:30But what did he do after that?
00:29:35Mrs Baker?
00:29:38I was wondering if I could get my things from the train.
00:29:41My clipboard and whatnot.
00:29:42I've got another wedding this weekend.
00:29:44I can only hope that that couple hasn't caught wind of my involvement with this debacle.
00:29:50RIP Rosalie, obviously.
00:29:52Your timing is immaculate, Mrs Baker.
00:29:55We're in need of your insight.
00:29:59Please, come on through.
00:30:01Oh!
00:30:04Sort of a thing, isn't it?
00:30:08Actually being part of a murder investigation.
00:30:11Could you talk us through what happened?
00:30:13Starting at the beginning.
00:30:17Well, um, Ron and Doug were at the front.
00:30:20Anyway, I should drive.
00:30:22I have seniority.
00:30:23Seniority?
00:30:24What you have is being scared of hard work.
00:30:28Um, we're not so worried about them.
00:30:31Uh, can you remember where everyone was on the train?
00:30:35Um, well, the catering was in this one, and then we were all in the back.
00:30:41There was, um, General Mingling.
00:30:48Do you recall where Shane Griffin was?
00:30:50Oh.
00:30:51Um, he was mainly talking to a friend.
00:30:55Fellow train geek.
00:30:57They're a special breed, those ferrant-ninquinologists.
00:31:01Uh, Shane told us he went to speak to Rosalie through the cubicle door when the train stopped.
00:31:06Oh, yeah, that sounds about right.
00:31:08Uh, he was the only other person on the train who knew what she was really doing, I tell you
00:31:11what.
00:31:12It wasn't easy keeping that a secret.
00:31:14Sorry.
00:31:15So, was Shane with you when you got off the train, or was he still back with Rosalie?
00:31:21I remember him turning up at the tracks.
00:31:23It's not a game! This is a wake-up call!
00:31:26What's all up?
00:31:27It's the middle of the afternoon, we're already awake!
00:31:29Cole is killing the planet!
00:31:31Cole is killing the planet!
00:31:33What's all this?
00:31:34I can't be certain how long he was on the train before he joined us, Lily was very distracting.
00:31:40And he...
00:31:43No, no, no, no, not Shane Griffin. He would never.
00:31:47He was such an integral part of the planning.
00:31:50There was a theme.
00:31:51I had it all worked out.
00:31:53Champagne flutes.
00:31:54Tick.
00:31:55Doilies. Tick.
00:31:57Flowers.
00:31:58Oh, what in the blazes are those?
00:32:00I was very clear with that florist when I wanted, I'll be having strong words with Jenny Monroe.
00:32:03I quite like them actually.
00:32:05Really?
00:32:09No, they were not from me.
00:32:11Definitely not part of my catalogue.
00:32:13Besides, black roses are a terrible omen for a wedding.
00:32:18They symbolise death.
00:32:20Yes.
00:32:20Would Rosalie have known that?
00:32:28That node could have been attached to the flowers.
00:32:31And I know where else I've seen black roses recently.
00:32:40I'm not much of a flowers man, but I imagine these are pretty rare.
00:32:44Yeah, I suppose.
00:32:46So, if a bunch of black roses were to show up in the vicinity, chances are they would have come
00:32:51from your garden?
00:32:52There are florists in town, you know.
00:32:53Sure.
00:32:54But I'm talking about a hand-picked bunch.
00:32:56Tied with a ribbon.
00:32:57Delivered with a note.
00:33:01Is this your writing?
00:33:03Yes.
00:33:04It's an interesting message, given that black flowers symbolise death.
00:33:08Is there anything you want to share, Hayden?
00:33:11Look, black roses don't just symbolise death.
00:33:14They're transformation, new beginnings, endings, farewells.
00:33:20Yeah, I know exactly the type, but Rosalie planted this bush.
00:33:24She told me all about it.
00:33:25She would have known what I was saying.
00:33:27Mum was wearing one of the roses on her dress.
00:33:29She wouldn't have done that if she thought Dad was being threatening.
00:33:32You told us you weren't at the launch and that you haven't seen Rosalie for weeks.
00:33:36Dad couldn't handle actually being there and seeing her with shame.
00:33:39Can you blame him?
00:33:41So I said, I'll drop the flowers off.
00:33:44Right.
00:33:46Excuse me.
00:33:48Gina.
00:33:50Will you be okay? I've got to take my car to the garage.
00:33:53See you soon.
00:33:53Everything alright, bud?
00:33:54Yeah, just a service.
00:33:56I should only take a few hours.
00:34:02For me, nothing can beat the appeal of a steam train.
00:34:05The Trans-Siberian Railway, it's on my bargain list.
00:34:08Your what?
00:34:10My bugger list.
00:34:11You know when you say, bugger it, let's just do it?
00:34:15It's a very common expression, Mike. I'm surprised you don't know it.
00:34:18I think you mean bucket list.
00:34:20Well, the things you want to do before you kick the bucket.
00:34:22But what has the bucket done to you?
00:34:24Oh, it's a saying.
00:34:25Well, anyway.
00:34:26The broken-out flyer, it's not of the same league, of course.
00:34:29But one day, I hope for a ride.
00:34:32Now, I have something I think you'll like.
00:34:35Fire away.
00:34:36When I looked closer at the two headwinds, I found something interesting.
00:34:42Metallic fragments in both of them.
00:34:44So the murder weapon was metal?
00:34:47Same as the railway tracks.
00:34:48Same age.
00:34:49Same wear.
00:34:51Same rust pattern.
00:34:53Rosalie was hit with the length of rail iron.
00:34:56A small length.
00:34:57Unless the offender was very strong.
00:35:03Mrs. Baker can vouch that everyone got off the train at the same time she did, except for Shane Griffin.
00:35:10Oi, you lot. Anyone home?
00:35:17Hello?
00:35:19You want to talk to this guy?
00:35:22Noah, you are a hard man to find.
00:35:24Not really.
00:35:34Get in.
00:35:35That's piss off.
00:35:36Not for me, you idiot.
00:35:38You have to talk to the police or they'll think you killed her.
00:35:41Look, he knows his rights, so don't try anything dodgy, okay?
00:35:45Wouldn't dream of it.
00:35:46Just because he has priors doesn't mean he's done anything wrong.
00:35:49Ghosting your girlfriend isn't technically a crime.
00:35:55It was one text. The timing was freaky. It doesn't mean anything.
00:35:58You weren't exactly in a hurry to talk to us, though.
00:36:01So you're saying, despite your prior history of protest action, you had no idea what your girlfriend was planning to
00:36:07do?
00:36:08Look, the real target should be the freight trains carrying the coal from the mines, and she's out here trying
00:36:12to shut down a vintage train.
00:36:14It was pathetic. It was almost embarrassed to be involved.
00:36:16So you were involved?
00:36:19No comment.
00:36:20It is weird that there's nothing on the socials about it.
00:36:23So if we checked your phone, there wouldn't be any footage of Lily's protest.
00:36:29Lo and behold.
00:36:32He obviously was in one of the trees by the line.
00:36:35There's Doug and Ron exiting the engine cab first.
00:36:39Everyone else piling out of the carriage.
00:36:42Mrs. Baker.
00:36:44Mayor Bloom. All the others.
00:36:46Alibis confirmed. That's something.
00:36:48There's Regan.
00:36:50But where's Shane?
00:36:51He said he was checking in with Rosalie.
00:36:54Yep. Wait for it.
00:36:56So, Regan gets back on briefly, presumably to alert her mum.
00:37:02And there she is stepping back off, followed by Shane, which means he's getting off the train a good minute
00:37:10after everyone else.
00:37:11Enough time?
00:37:12If he worked fast.
00:37:13You can't see the back of the train from this angle.
00:37:16Why would he want to kill someone he's supposed to be marrying?
00:37:19Well, I followed up with Rosalie's lawyer.
00:37:22Shane is a main beneficiary in the will, as is Regan.
00:37:26Is this all the footage?
00:37:28According to Noah...
00:37:29I stopped recording when Lily got taken onto the train.
00:37:32And did you see anything else, or anyone else?
00:37:35No. We'll need your phone.
00:37:37And there was nothing unusual in his call log.
00:37:39Uh, ditto his search history.
00:37:41So if Noah is to be believed, he wasn't the person who called Crimestoppers?
00:37:46Well, he said he took off once Lily was on board the train.
00:37:49Where did you go?
00:37:50Back home.
00:37:52Well, Lily told us you were ghosting her, so presumably she couldn't find you there.
00:37:56I didn't stick around for long. I went to a mate's place.
00:37:59Well, we will need to speak to that mate.
00:38:01Oh, you can't. He's in Sydney.
00:38:03I needed some space to myself, so I crashed out there instead.
00:38:06Why did you need some space?
00:38:09To work out what I was gonna do.
00:38:11Dump Lily.
00:38:12And leave town.
00:38:14To make it sound worse than it was.
00:38:17Look, I was over it.
00:38:19This train thing was the last straw.
00:38:21I just wanted to bail without more of Lily's drama.
00:38:25Yeah, I'm not sure I'm buying that.
00:38:27Agreed. Where is he now?
00:38:28At the McAlvey's, but we told him to stick around.
00:38:31Good.
00:38:32Me and my lockdown baby.
00:38:36We had a ticket on a silver train.
00:38:41Coming true.
00:38:43It's out here, you reckon?
00:38:45Yep. Clear line of sight to the tracks.
00:38:50The train would've obscured whatever was happening to Rosalie at the back of it.
00:38:55Once it moved off, though.
00:38:58Thanks, guys.
00:39:01Oi!
00:39:01What, am I not allowed to turn?
00:39:03Not on my train.
00:39:04Protocol.
00:39:05Hardly the worst thing that has happened on your train, is it?
00:39:10If Noah was still close by after the train moved off, he would've been able to see Rosalie's body.
00:39:16But he claims he didn't make the Crimestoppers report.
00:39:19But he might've seen who did.
00:39:21Or he committed the crime himself.
00:39:24Could the phone have been on a tripod?
00:39:27He left it here while he boarded the train?
00:39:30Hmm.
00:39:31The footage was pretty shaky.
00:39:32Had to be handheld.
00:39:34Or he was working with someone else.
00:39:35He gave them the camera while he went to the train.
00:39:38If he is hiding something, what's his motive?
00:39:47Sorry, I don't know what else I can tell you.
00:39:49Well, what I can tell you is that we've got footage that confirms your story about being last off the
00:39:53train.
00:39:54Okay.
00:39:55Good.
00:39:55Good.
00:39:56What I'm interested in is what you were doing before that point.
00:40:00I told you I was talking to Rosalie.
00:40:02She was changing and I thought after that she'd probably have a cigarette so I left her to it.
00:40:08Here you are.
00:40:08You have to help.
00:40:09With what?
00:40:10Mrs Baker's yelling at someone.
00:40:11I don't know what's going on.
00:40:12Okay, we're good.
00:40:13Everything on Mrs Baker's schedule was timed to the minute so I knew she'd be in a flap at the
00:40:17delay.
00:40:18So, what schedule?
00:40:20Yeah, nothing left to chance.
00:40:24It's like holding on to a little piece of her, which is silly, I know.
00:40:30But I can tell you that when I spoke to Rosalie it was around 2.35pm, changing time.
00:40:36Can I take that?
00:40:38You'll get it back.
00:40:41Sure.
00:40:43I can email you a copy of that too if you like.
00:40:45Thanks.
00:40:46Why is it so important to know when I got off the train?
00:40:52Mrs Baker said you might go down that route.
00:40:55We're following all lines of inquiry.
00:40:57You've got this so wrong.
00:41:01That's another branch of the old rail line.
00:41:03That's right.
00:41:04It was never part of the restoration plan though so most of the tracks were pulled up years ago.
00:41:08How were they disposed of?
00:41:10I don't have an idea.
00:41:11I suppose it would have been taken off for scrap.
00:41:14Hmm, thank you.
00:41:14Hmm.
00:41:18What's that?
00:41:19Regan Barnes?
00:41:20Yes, on bereavement leave of course, poor thing.
00:41:22Just popped in to get a few things.
00:41:57Hello?
00:41:58Hi there.
00:41:59You alright?
00:42:00Yeah, just taking a walk.
00:42:03Helps me think.
00:42:05Am I right in thinking that this used to be the old Johnson sawmill line?
00:42:09It's going back a bit, but yeah.
00:42:12Is Troy around by any chance?
00:42:15Well, he's out just now, but he shouldn't be too long.
00:42:18I'm happy to wait.
00:42:30You better come up to the house then.
00:42:32Oh, well, if you insist.
00:42:38And this is where you tell me I haven't changed a bit.
00:42:41Apologies, they caught my eye.
00:42:43That's okay.
00:42:44I took a long stroll down memory lane last night.
00:42:46This is you and Rosalie?
00:42:48Hmm.
00:42:50You, uh, obviously had some adventures.
00:42:52Oh, Rosalie, she was the adventurous one.
00:42:55She taught me into all sorts of things.
00:42:56There's one of us on a rollercoaster somewhere.
00:42:58The look on my face.
00:42:59Is this Troy?
00:43:02Hmm.
00:43:03He was born overseas?
00:43:05Poland.
00:43:06And I hope you're not going to ask me about the father.
00:43:09No.
00:43:10Well, that is the end of the adventures.
00:43:13Well, it started a new one, I suppose.
00:43:15Parenthood.
00:43:17Hmm.
00:43:18Solo parenthood.
00:43:20I moved home when Troy was a few months old.
00:43:23We'd be back in here with Mum and Dad.
00:43:25And they were remarkably non-judgmental, given the circumstances.
00:43:31And Rosalie?
00:43:32Hmm.
00:43:34Three years in New York.
00:43:38Two in Paris.
00:43:39And God knows where after that.
00:43:40We lost touch.
00:43:42Our lives were so different.
00:43:52Shane mentioned he went up to the cubicle, just after the train stopped.
00:43:56I guess so.
00:43:58What, you didn't see him go?
00:44:00I saw him come back, if that helps.
00:44:03Everyone else had got off by then, so I got back on to find him.
00:44:06I told him Mrs Baker was stressing out and he should go and see what was up.
00:44:09And did he?
00:44:10Yes.
00:44:11But I got off before him.
00:44:14So there was a time when she and Shane may have been the only two people in the carriage.
00:44:23You don't think?
00:44:24No, we're just trying to establish a timeline, that's all.
00:44:27But if you do have reason to believe that Shane wanted to harm your mother, then you should tell us.
00:44:35Regan?
00:44:37Mum was super rich and Shane is super broke.
00:44:41The only thing he has is thousands of dollars of debt.
00:44:46I don't know where Troy's got to, he should be back by now.
00:44:49Oh, sorry.
00:44:52Sims.
00:44:53Regan Barnes is suggesting Shane Griffin has money issues.
00:44:56I see.
00:44:57Bring her in.
00:45:00I'm just calling Troy.
00:45:02Tell him I'll catch up with him another time.
00:45:13It's a big call you've made suggesting that Shane Griffin killed Rosalie for her money.
00:45:19I didn't say that.
00:45:20No, you stopped just short.
00:45:22I don't want to believe it, but the facts are the facts.
00:45:25I thought you should know.
00:45:27This debt of Shane's, how do you know about it?
00:45:29I work for the council, in the rates department. Shane's house is owned by his dad who's in a dementia
00:45:34care unit, but he hasn't paid his rates for the last 20 years.
00:45:38And Shane is responsible for that?
00:45:40He has power of attorney.
00:45:41But no way of paying.
00:45:43Well, it's nearly 200,000.
00:45:46The council's been talking about forcing the sale of the house.
00:45:49Well, if Shane wanted access to Rosalie's money, surely marrying her would get him that.
00:45:53It was still her decision, what to do with it.
00:45:56Maybe she didn't know about the debt.
00:45:57She never mentioned it.
00:45:59Why didn't you tell her?
00:46:01And lose my job for breaking confidentiality.
00:46:03Did Rosalie ever mention changing her will to include Shane?
00:46:07Not to me.
00:46:10She did though, didn't she?
00:46:13But, whether Shane knew that is another question.
00:46:22This way.
00:46:25How did you get along with the council?
00:46:26I'm still on hold.
00:46:28But they said my call was very important to them.
00:46:31Be quick, get a walk.
00:46:33Hmm.
00:46:34Talk to Shane.
00:46:36See what he has to say for himself.
00:46:38Yes.
00:46:39I'm afraid Dad did let things get out of hand.
00:46:42I don't know if it was his dementia or just sheer bloody mindedness.
00:46:45How's that?
00:46:46Well, there was a dispute with the council over a boundary line.
00:46:49Years ago.
00:46:50Dad used to get pretty worked up about it.
00:46:53So he stopped paying his rates?
00:46:55Did Rosalie know about the debt?
00:46:57Yeah, of course. We didn't have any secrets.
00:47:00Good news, I think.
00:47:02Case closed.
00:47:03No, our case. Not yours.
00:47:05Or is it?
00:47:06Closed, I mean.
00:47:07I mean, I wouldn't know, would I?
00:47:09How could I?
00:47:10I mean, could I?
00:47:11No.
00:47:11Sorry.
00:47:13I've been talking to the council about it.
00:47:15They were paying it off in instalments.
00:47:16But it's just, it's all the interest and the penalties.
00:47:20That's the real kicker.
00:47:21I bet.
00:47:25That was DSS Shepard calling from the council office.
00:47:29Your father's rates debt was paid in full today.
00:47:33A scheduled payment from the account of Rosalie Barnes.
00:47:36With the reference, wedding gift.
00:47:51Thanks.
00:47:51Thanks.
00:47:53It was Regan, wasn't it?
00:47:56Who told you about the debt?
00:47:58I knew she didn't think much of me, but I didn't think she'd think to that.
00:48:00Well, she's just lost her mother.
00:48:02She's looking for answers.
00:48:04I feel sorry for her.
00:48:06They never really got along.
00:48:08Rosie was a wonderful woman, but motherhood was not her forte.
00:48:12She was always finding fault with Regan with her hair and with her clothes and with her attitude.
00:48:17Mothers and daughters, eh?
00:48:20The last big blow up was a few weeks ago.
00:48:22We'd asked Regan to meet us for a drink while I was running late.
00:48:26I don't believe this.
00:48:29You're a sad, old, miserable joke.
00:48:32Darling, I'm trying to help you.
00:48:34No, you're just trying to control me!
00:48:36What's new?
00:48:38Regan.
00:48:39Regan!
00:48:40Get back here!
00:48:41Regan.
00:48:43What was that about?
00:48:46A man.
00:48:48Did she say who the man was?
00:48:50I didn't think it was my business.
00:48:52Not her father.
00:48:58I wouldn't like it if my mother tried to dictate my love life.
00:49:02You don't have a love life.
00:49:04You don't know that?
00:49:06No, I think I do.
00:49:07Anyway, that's not the point.
00:49:09I'm just saying I wouldn't like it, but I wouldn't bash her over the head with a piece of railway
00:49:13line.
00:49:14I don't think Regan went that far either.
00:49:16Noah's video and all the other evidence suggest that she didn't get the opportunity.
00:49:21Shane, on the other hand.
00:49:22Senior.
00:49:30Yeah, Mum said you wanted to see me.
00:49:32I was out your way.
00:49:34I thought a chat might be useful.
00:49:35You've probably seen our search team working along the railway tracks.
00:49:39Yeah.
00:49:40Yeah, we need to extend the search into the surrounding properties.
00:49:44There's a chance the offender has disposed of the murder weapon somewhere in the area.
00:49:49Right.
00:49:51What was the weapon?
00:49:52We're still ascertaining that.
00:49:55If you have no objections, I could come out with a team this afternoon, take a look around.
00:50:00Yeah, go for it.
00:50:01You're wasting your time, mate.
00:50:03Yeah, very likely.
00:50:04It's, uh, all part of the job, though.
00:50:06That's it, then.
00:50:07One more thing.
00:50:08You said you were working on a fence that afternoon.
00:50:11Yeah.
00:50:12Did anyone see you?
00:50:14Yeah, Jock Wilson.
00:50:16He's got the neighbouring farm, uh, laid up with a broken ankle.
00:50:19But, uh, gave me a wave around, uh, three o'clock.
00:50:24Oh.
00:50:25Good to know.
00:50:34Hey, Sims.
00:50:35Get your gumboats.
00:50:54They look like railway tracks, don't they?
00:50:56Yeah, they were, uh, lying around out by the road for years.
00:51:01What do you eyes saw?
00:51:04Nobody wanted them, so, uh...
00:51:06So, you decided to help yourself?
00:51:08Thought they might come in handy one day?
00:51:11I had a mother-in-law that was like that with ice cream containers.
00:51:18So I had a word to Jock, and yes, he does remember seeing Troy working on the fence at exactly
00:51:25three o'clock.
00:51:26He knows it was three o'clock because he'd just turned on the wireless to listen to the news.
00:51:31Yeah, it's Jock, old school.
00:51:32Then I got a full rundown of the day's activities, starting with Wordle, first thing in the morning, he got
00:51:38it in three,
00:51:38through till five o'clock when he sat down to watch The Chase,
00:51:42which is when he happened to glance out the window and see Troy still at it.
00:51:46Hard worker, that boy, needs feeding up.
00:51:48It's chicken soup from Jock's freezer.
00:51:50Yeah, ta.
00:51:51Thanks again for your time.
00:51:53I'm so full of shit!
00:51:54Puss off and leave me alone!
00:51:59Any idea what that was about?
00:52:02Your young love?
00:52:09They were just lying there.
00:52:13Undisturbed by the look of the weeds.
00:52:16Then again, someone could have just slid one out from the back.
00:52:19Those things weigh a ton.
00:52:20If you were going to use it as a weapon, you'd want to cut it down, right?
00:52:23There were tools in the shed that could have done that.
00:52:26Who had access?
00:52:27To the rails?
00:52:29Troy?
00:52:30Bridges?
00:52:31Lily?
00:52:31Noah?
00:52:32Or anyone who knew where they were and wanted to point the finger at the McElvys?
00:52:36Yeah, maybe.
00:52:37I'm wondering how quickly I could get from the crime scene to the Old Creek paddock fence line.
00:52:43Where Jock saw Troy working at 3pm?
00:52:46Lily's protest stopped the train here at 2.40.
00:52:50It moved off again five minutes later and Rosalie's body was reported on the tracks at 2.47.
00:52:56So, if Troy's our man, he had less than 20 minutes to get from point A to point B.
00:53:04Is that even doable?
00:53:06There's only one way to find out.
00:53:13Okay, here we go.
00:53:16Ready.
00:53:18Set.
00:53:19Go!
00:53:27How ya'll, man?
00:53:30When the name of the name of the Dre?
00:53:35He's a bad man!
00:53:36He's a bad man!
00:53:38He's a bad man!
00:53:38He looks like a boss.
00:53:41He looks like a boss!
00:53:43He looks like a boss!
00:53:5522 minutes, 43 seconds.
00:53:58Too slow.
00:54:01So, unless Troy McKelvey can run like Usain Bolt,
00:54:06you probably didn't kill Rosalie.
00:54:11You know, I gotta say, I thought you'd be faster.
00:54:13It was soft, underfoot.
00:54:16Challenging conditions.
00:54:17Usain Bolt couldn't run like Usain Bolt in that terrain.
00:54:20Hang on.
00:54:22Hang on.
00:54:25Is that...
00:54:34Going somewhere, Noah?
00:54:36We thought you were told not to leave town.
00:54:38I had to get away from Lily.
00:54:39She's doing my head in.
00:54:41You're not having much luck with this hitchhiking thing, are you?
00:54:43No, this is, uh, this is perfect.
00:54:46You guys were going to be my first up.
00:54:48Good idea.
00:54:54Sleep out on me.
00:55:00Right, Noah.
00:55:02What have you got for us?
00:55:03Oh, well, I may have not given you the full picture earlier.
00:55:07Come on, back on the train!
00:55:21Come on, back on the train!
00:55:22When the train left, I didn't know what to do, so I started heading back to the house.
00:55:26You know, she's Lily's Nana.
00:55:27They gave me a place to stay, and I felt like I owed them some loyalty.
00:55:30So that's why you didn't tell us, but did you tell Lily?
00:55:34What, that her nan's a murderer?
00:55:38Yeah.
00:55:39Yeah, I did.
00:55:40Eventually.
00:55:41Well, you saw how that went.
00:55:43You are so full of shit!
00:55:44Lily!
00:55:46What?
00:55:47You don't want to believe me.
00:55:48There's no coming back from that.
00:55:50It's better you just...
00:55:51...head the road.
00:55:56So, she was protesting about coal trains, then got run over by a coal train.
00:56:01Karma can be cruel at times.
00:56:03Well, that's not quite.
00:56:05Frodo, you know I can't comment on an ongoing investigation.
00:56:08Yeah, no, of course.
00:56:11Excuse me.
00:56:13Regan, I just want to thank you for bringing Shane's rates issue to our attention.
00:56:19No worries.
00:56:20You might not be up with the latest, but the debt has been paid off.
00:56:25What?
00:56:26By your mother.
00:56:28Scheduled payment.
00:56:29A wedding gift.
00:56:30That must be a relief for Shane.
00:56:33Excuse me, I have to go.
00:56:42Simms.
00:56:42A witness has Bridget McKelvey at the scene.
00:56:44Yeah, I'll be there.
00:56:50We have a witness that puts you with Rosalie's body after the train left.
00:56:54What witness?
00:56:55Are you denying that you were there?
00:56:58Okay, all right.
00:57:01Despite everything, I wanted to see the line in action again.
00:57:08And the train moved off while I was watching, and that's when I saw her.
00:57:13Did you see anyone else there?
00:57:15No.
00:57:16A report was made to Crimestoppers around that time.
00:57:19Was that by you?
00:57:20One last act of kindness for your former friend, perhaps?
00:57:24If we checked your phone, would we find evidence of that call?
00:57:33Yes.
00:57:35What was me?
00:57:43Well, I couldn't just leave her there.
00:57:47After what you'd done?
00:57:49What?
00:57:50Where you had motive.
00:57:51Your conflict over the railway line.
00:57:53Access to the likely murder weapon on your property.
00:57:56And opportunity.
00:57:57You were there when the train stopped.
00:58:00Did you climb aboard and murder Rosalie Barnes?
00:58:06You might want to call a lawyer, Ms. McKelvey.
00:58:13Well, that feels like the closest we're going to get to a confession.
00:58:16What we have is only circumstantial, and I think Bridget knows that.
00:58:19Hmm.
00:58:20How did she know that the train would stop, or that Rosalie would be at the front of the carriage?
00:58:25Maybe the details of Lily's protest are in the family group chat.
00:58:29Well, let's find out how chatty they were.
00:58:45Let's find out how chatty they were.
00:58:49That's fine.
00:58:51Lily, how much did your Nan know about your protest?
00:58:55What do you mean?
00:58:56Did she know exactly when you'd be stopping the train?
00:58:59Uh, I doubt it.
00:59:01Why would you want to know that?
00:59:06What?
00:59:07So she could get on board and attack Rosalie or something?
00:59:10No.
00:59:11No, wait.
00:59:12She would never do something like that.
00:59:14It was just me and Noah.
00:59:16Okay?
00:59:17Nan had nothing to do with it.
00:59:18Nothing to do with what?
00:59:20I was about to inform Lily.
00:59:22We've arrested Bridget for Rosalie's murder.
00:59:25What?
00:59:27Wanting to talk to her?
00:59:29Well, you can't just yet.
00:59:30You got it wrong.
00:59:31Have we?
00:59:33Bridget was seen on the tracks next to Rosalie's body.
00:59:36Your mother has found herself in a serious situation.
00:59:38That's all Lily, if we find out that she's been lying to us.
00:59:46Do you think we got to Troy?
00:59:48Without a meda weapon, it's hard to make those charges stick.
00:59:53Hey, what have you got?
00:59:54Uh, Mrs Baker's run sheet.
00:59:57Everyone who had it would have known that Rosalie was scheduled to be at the front of the carriage to
01:00:02change outfits.
01:00:03Uh, so Mrs Baker, Rosalie, Shane?
01:00:07Yeah, but there was someone else.
01:00:09Shane emailed me a copy of the run sheet, and as I scrolled back through the chain, I saw all
01:00:14the recipients, including someone who received it in error.
01:00:19Hi, it's Becky.
01:00:21I'm mortified.
01:00:23When DC Chan was called, I could have kicked myself.
01:00:25In my defence, it was an easy mistake to make.
01:00:27Her address was very similar to Rosalie's.
01:00:31Regan Barnes.
01:00:32Well, she said she didn't know about the wedding.
01:00:35I guess it is possible she never read the email.
01:00:38Or...
01:00:39She's lying to us.
01:00:42Hey, I've got a little job for you.
01:00:49Hi, Regan.
01:00:50It's Detective Sims.
01:00:51I was hoping we could have a chat.
01:00:58Sorry to intrude.
01:01:00Oh, you actually shut up.
01:01:01We were just going through some photos for the remembrance board.
01:01:04Thought we'd do it over a Pimm's.
01:01:06So much to choose from.
01:01:07Such an amazing life she had.
01:01:09Could we have a private word?
01:01:10Sure.
01:01:11What about this one of you and your mum?
01:01:13Yay or nay?
01:01:13No.
01:01:15Some people find their baby photos embarrassing, I suppose.
01:01:19They'd not rock the boat.
01:01:23Regan, some of the things you told us don't match up to what we've discovered elsewhere.
01:01:29Would you like me to spell them out for you, or would you like to tell me yourself?
01:01:33God, I was afraid this would come up.
01:01:36I did tell a white lie, but it was only because I wanted to protect him.
01:01:40Who?
01:01:41Dad.
01:01:43Keep talking?
01:01:44When the other guy was asking Dad about the bunch of roses, I told him that I'd been the one
01:01:49to deliver them to Mum.
01:01:51But that wasn't true.
01:01:53Dad was there that day.
01:01:54He was on the train.
01:01:59I need to see my Nana.
01:02:01Which person is yours?
01:02:02How many old women do you have in custody, you factious pigs?
01:02:05All right, take it down a notch.
01:02:07No, where is she?
01:02:09If you calm down, you can come on through.
01:02:14You good?
01:02:19Where's your dad?
01:02:21Shouldn't be alone when you're this upset.
01:02:22I don't know, he took off after those other cops came around.
01:02:26I'll make you a cup of tea.
01:02:27Try calling him again.
01:02:42Okay.
01:02:43Yes.
01:02:44I put the roses on the train, I promise you.
01:02:46I took off before I saw Rosalie.
01:02:48Why give her flowers at all?
01:02:49I wanted her to know I wished her well.
01:02:51It was her big day.
01:02:52You knew about the wedding.
01:02:54How?
01:02:55She told me.
01:02:56After we signed the papers.
01:02:57Two champagnes.
01:02:59First date, Ray.
01:03:00Last, actually.
01:03:02We just got divorced.
01:03:03Oh, slave.
01:03:04Sorry.
01:03:05No, not at all.
01:03:07Um, we are celebrating closure.
01:03:09Oh.
01:03:11To the end of our journey.
01:03:20Happy ex-wife, happy life, right?
01:03:22Do you really mean that?
01:03:24Don't tell me you want half the house after all.
01:03:26I want something from you, but not that.
01:03:29What?
01:03:30Shane and I are going to get married.
01:03:33Quite soon.
01:03:35I'd love it if you would give us your blessing.
01:03:38Yeah, she'd ask for the moon, that one.
01:03:40And not for a second think why you might not be able to give it to her.
01:03:43But I got there in the end.
01:03:44That's what the flowers were.
01:03:46Closure for me.
01:03:47A new start for her.
01:03:48So why lie about your whereabouts that day?
01:03:51Or rather, why let Regan lie for you?
01:03:53I was in shock.
01:03:54And I suppose I was worried how it might look to you lot.
01:03:57How's that?
01:03:59Like the angry ex did it.
01:04:01You would have heard about those fights we had in public.
01:04:04But that was early on.
01:04:05I got over it.
01:04:06What about Regan?
01:04:08Not so forgiving.
01:04:10I blamed her mum for the breakup.
01:04:11She always took my side, even though I was no angel.
01:04:14I never asked her to lie.
01:04:16Anyhow, I didn't think it would matter, since I had an alibi.
01:04:21You're a gardener.
01:04:23So, why do you think Regan decided to tell the truth now?
01:04:26No clue.
01:04:28I love that girl to bits.
01:04:30But Rosie had that girl in therapy for years.
01:04:31I still have no idea what makes her tick.
01:04:41The tickies have Regan's laptop.
01:04:43They should be able to find out if she opened that run sheet attachment or if it went straight
01:04:48to spam, like she claimed.
01:04:49Since she's been erratic with the truth, I wanted to check on her movements.
01:04:54I saw her get picked up by someone at the council offices while her car was in for a service.
01:05:01I've got the council CCTV footage.
01:05:09Okay.
01:05:10That ute.
01:05:12That's Troy McKelvey's.
01:05:13So he was playing taxi.
01:05:15Well, that makes sense.
01:05:16Helping her out as she grieves her mother.
01:05:18An olive branch, perhaps?
01:05:19Well, I saw him parked outside Hayden's place today.
01:05:22He took off when he saw me.
01:05:23And they were both at the coffee cart today?
01:05:25Together?
01:05:26No.
01:05:27Regan took off when she saw him.
01:05:29It's almost like she didn't want to be seen with him.
01:05:31Because the families hate each other?
01:05:34Or an illicit love affair?
01:05:36Well, Shane did say that Rosalie and Regan had been arguing about a guy she was seeing.
01:05:41Well, there you go.
01:05:41Romeo and Juliet.
01:05:43And Troy kills Rosalie so that he and Regan can be together.
01:05:46Well, they are both grown adults.
01:05:49They don't need parental permission to be in a relationship.
01:05:52And killing your partner's mother is hardly a romantic gesture.
01:05:58Can you tell me when Troy shows up to pick up Lily?
01:06:09Troy and Regan.
01:06:11What do you know about their relationship?
01:06:13There isn't one.
01:06:14They hardly know each other.
01:06:16Yes, given the hostility between your families.
01:06:19How far back does that go?
01:06:20What do you mean?
01:06:22Troy and Regan, did they know each other when they were young?
01:06:24I told you.
01:06:26After Rosalie came back here, we didn't have much to do with each other.
01:06:29Well, I was busy with Troy trying to make a go of the farm.
01:06:32And Rosalie was busy snagging herself a rich young husband.
01:06:37Different worlds.
01:06:39And then there was the conflict over the rail.
01:06:42Oh, Rosalie always had to get away, no matter who she hurt.
01:06:45I guess that almost counts as a motive.
01:06:48What?
01:06:49You seem determined to prove that you have one.
01:06:53Troy McHelvey's here.
01:06:54He wants to talk.
01:06:58But whatever mum might be saying, she didn't kill Rosalie.
01:07:02How can you be so sure?
01:07:04Well, she's pretty fit for her age.
01:07:06But it's still a big ask, isn't it?
01:07:08To think that she could climb onto a train, attack Rosalie, throw her off the back and then jump off.
01:07:15All in a matter of minutes.
01:07:17Well, you seem to have a very clear idea of what happened.
01:07:20Do you want to tell us about the murder weapon too?
01:07:23Well, how about I tell you that we believe it was a length of sawn-off rail line.
01:07:28The likes of which were lying around on your farm.
01:07:31That Bridget would have had access to.
01:07:32She also had a motive.
01:07:34So did I.
01:07:36Doesn't prove anything.
01:07:37Well, it could be either of you.
01:07:39Could be both.
01:07:41Were you working together?
01:07:43No.
01:07:45I was in the paddock.
01:07:48Jock saw me.
01:07:49You remember?
01:07:50I do.
01:07:51So unless you want to change your story, Bridget will remain in custody.
01:07:57Why don't you tell us about your relationship with Regan Barnes?
01:08:01There is no relationship.
01:08:03Well, you've been seen near each other multiple times recently.
01:08:08Today, for example, when I saw you waiting outside her house, picking her up from the council offices yesterday.
01:08:13We hung out a few times, that's all.
01:08:16You dated.
01:08:18Regan pulled a pin long before it got close to that.
01:08:21Because her mother disapproved.
01:08:23Rosalie interfered.
01:08:25Regan called time.
01:08:28And how did that make you feel?
01:08:30Angry?
01:08:31Angry?
01:08:33No.
01:08:34It wasn't like that.
01:08:36So why have you been trying to see her?
01:08:37The woman just lost her mother.
01:08:39I was offering her condolences.
01:08:42That's all.
01:08:44Nothing concrete to charge him with?
01:08:47Hopefully his concern for Bridget will keep him close by.
01:08:50Mike!
01:08:51Gina!
01:08:55I brought you this.
01:08:56Oh.
01:08:57The love train.
01:08:59A trans-Siberian journey into the heart of Russia.
01:09:01You were so interested yesterday.
01:09:04The translation is poor, but the story...
01:09:06Oh, thank you.
01:09:10Actually, are you free tomorrow morning?
01:09:13For you?
01:09:14Yes, of course.
01:09:15Work or pleasure?
01:09:16Lots of, but of both.
01:09:18Let's call it fieldwork.
01:09:19I look forward to it.
01:09:25What?
01:09:26What?
01:09:27I said it was work, didn't I?
01:09:38All aboard!
01:09:40I say that.
01:09:41You better get it in there quicker than this.
01:09:50So romantic.
01:09:52Steam travel.
01:09:54Thank you for this, Mike.
01:09:56I'm ticking off my bucket list.
01:10:22You better get it, Max.
01:10:28I'll be right back.
01:10:41Right, this is where the work part of the trip begins.
01:10:47Okay, start the train up again, same speed as the other day.
01:10:51I'll tell you when to stop.
01:10:52Roger that.
01:10:53Yeah, I'll roger that too.
01:11:10I'll roger that too.
01:11:15I'll roger that too.
01:11:17Sims?
01:11:19Regan's not at home, and she's not answering her phone.
01:11:21Could she be ashamed Griffin's or funeral planning?
01:11:24Chalmers checked, they were supposed to have a meeting, but she never showed.
01:11:28Still no answer.
01:11:29Is this like her?
01:11:30It's not the first time she's taken off to get her head together.
01:11:33Stop here, please.
01:11:34What?
01:11:35No, no, not you. Keep looking.
01:11:36Gotta go.
01:11:44There are better spots for a picnic further back.
01:11:48Eight minutes.
01:11:49Mike, if this is all you needed to calculate, I could have done it with simple mathematics.
01:11:54If a train leaves point A, travelling at X kilometres per hour...
01:11:59Ah, yes.
01:11:59But what would happen if a person jumped from a moving train, travelling at X kilometres per
01:12:04hour?
01:12:05I think this is not a hypothetical question.
01:12:08If they were fit and strong in their role on landing, they could survive jumping from
01:12:14a moving train with no injuries.
01:12:16Still need to clear the fence and make it to the paddock, though, to be seen from Jock's
01:12:20house.
01:12:27Oh, move a bit slower. Imagine you're carrying a heavy murder weapon.
01:12:36I often imagine this for my job.
01:12:41Mike, some of these fence posts are made of iron.
01:12:45A very particular iron.
01:12:49Yeah, and the person of interest was seen here on the day, mending the fiends.
01:13:08Oppa.
01:13:09Gotcha.
01:13:29Just listen to me, Regan.
01:13:31I can't.
01:13:32Oh, fuck.
01:13:33Call Simms.
01:13:34Get back up here now.
01:13:39Put the knife down, Rick.
01:13:42Put it down, Regan.
01:13:43That's a good idea, Regan.
01:13:44You have to help me.
01:13:45They killed my mother.
01:13:46Yeah, that's the conclusion I came to.
01:13:48You have to arrest him.
01:13:50Take him away.
01:13:50He's dangerous.
01:13:51I can certainly take care of things from here.
01:13:53Regan, put the knife down, please.
01:13:55You have to arrest him.
01:13:57I will, but I can't do that until you put the knife down.
01:14:00You won't let him get away.
01:14:01Backup's on the way.
01:14:02You're not going anywhere, are you, Troy?
01:14:05Except jail.
01:14:06Regan.
01:14:10Regan.
01:14:11Regan.
01:14:12Regan.
01:14:13Regan.
01:14:15Regan.
01:14:15Regan.
01:14:15Regan.
01:14:18Regan.
01:14:18What are you doing?
01:14:19No.
01:14:19No, it was him.
01:14:20He killed her.
01:14:21But he didn't do it alone.
01:14:23Regan Barnes, I am arresting you as an accomplice in the murder of Rosalie Barnes.
01:14:27So you have a right to remain silent.
01:14:28You do not have to...
01:14:29No.
01:14:30I didn't do it.
01:14:31Give it up, Regan.
01:14:33Give it up.
01:14:35There ain't no point lying anymore.
01:14:38I'm going to take your handcuffs off of you now.
01:14:47She won't do it.
01:14:49She won't let her.
01:14:52She won't do it.
01:14:53She won't do it.
01:14:56You don't have to say anything, remember?
01:15:06It was always about her. Everything was always about her.
01:15:10She never pulled me first.
01:15:12That's what mothers are supposed to do.
01:15:13They're supposed to do what their daughters first, but she never did.
01:15:16She was selfish.
01:15:19And she used people.
01:15:20Everyone.
01:15:21Me.
01:15:23And Dad.
01:15:24And Bridget.
01:15:26And everyone.
01:15:30Why?
01:15:34Their psych team are on their way.
01:15:36What color were your houses on?
01:15:41What songs did she sing to you in the night?
01:15:46Did she comb your hair and tie it up?
01:15:50When she looked at you, did she see herself?
01:16:05Take me to the place where you grew your home.
01:16:19It took me a while to figure out how you did it.
01:16:23For starters, how did you know that Rosalie would be in the cubicle when the train stopped?
01:16:27And then I realised, Regan knew.
01:16:32She got sent the run sheet by mistake.
01:16:36The only place to change is at the front of the carriage.
01:16:39There's a cubicle.
01:16:39That's where she'll be.
01:16:41You knew enough about Lily's protest to know where she would stop the train.
01:16:46So you lay in wait.
01:16:51You wanted Rosalie's death to look like an accident, so your weapon matched the rails that Rosalie would fall on.
01:17:09Then, with everyone preoccupied by the protest, you made your move.
01:17:16Oh, fortune teller
01:17:21Don't tell me too much
01:17:29Count it on my fingers
01:17:33The night fingers
01:17:37Then blows
01:17:41You read it in the water
01:17:46So much slaughter
01:17:48What you didn't know is that Bridget saw you
01:17:52What?
01:17:54She was there, she saw it all
01:17:56In silence, in silence, oh
01:18:07You then hid in the cubicle
01:18:11Quicker to train to Old Grey Paddock than to run
01:18:22Making it in time to be seen by Jock at 3pm
01:18:25You return later to conceal the murder weapon
01:18:28Having welded it back to the rail
01:18:44Buried, it became part of the fence line
01:18:55Smart guy, aren't you?
01:18:56To be fair, I didn't have it all figured out
01:19:00I mean, I could see what your motive would be
01:19:04But Regan
01:19:05Why would she have wanted her mother dead?
01:19:09Look, I've never seen her like that before
01:19:12Completely
01:19:14Out of her mind
01:19:20You shouldn't be here
01:19:21The police think I had something to do with her
01:19:23Yeah?
01:19:24Well, showing up here is not going to make you look more innocent
01:19:26Well, what do I do?
01:19:29Riggs, listen to me
01:19:31The cops think it was mum
01:19:33I've arrested her
01:19:34What?
01:19:35She's letting them think it was her
01:19:39I tried to talk to her
01:19:42Talk some sense and she wouldn't listen
01:19:44What the hell is the matter with you?
01:19:45But that's good
01:19:46If she's prepared to take the blame, that's good
01:19:48Look, I can't do that to mum, I can't
01:19:50But if Bridget's already convinced
01:19:51Look, it doesn't matter
01:19:54I'll leave you out of it, I promise
01:19:56What?
01:19:56The cops don't need to know you had anything to do with it
01:19:59It's just me
01:20:00No, they'll know
01:20:01They'll work it out, you'll say the wrong thing
01:20:03Please don't
01:20:04Look, they will believe me
01:20:06For mum's sake
01:20:15Make them believe you
01:20:17Show them
01:20:18How desperate you are
01:20:22I'll help you
01:20:23Put the knife down Regan
01:20:24Put the knife down
01:20:25Come on, put the knife away Regan
01:20:27She wanted you to look guilty by taking your own life
01:20:31That's a rather extreme suggestion
01:20:34It's the only way she could trust me not to drop her in it
01:20:37Rosalie disapproved of your relationship
01:20:40You see, that's the bit I couldn't understand
01:20:44Until I spoke to Bridget again
01:20:47The photo of Troy as a baby
01:20:49It was taken at a maternity hospital
01:20:52In Poland, I told you
01:20:53I saw a similar photo yesterday
01:20:56Same curtains, same pictures on the wall
01:20:59Same baby
01:21:00Only the woman holding him was Rosalie
01:21:03So?
01:21:05She was there on the day?
01:21:06Of course she was
01:21:08She was wearing a hospital gown
01:21:10And a patient bracelet
01:21:12The last letters of your name were clearly visible
01:21:15It was Rosalie who gave birth but to the hospital
01:21:17It was Bridget McKelvey
01:21:19It was your name on the birth certificate
01:21:23Who were we hurting?
01:21:27I wanted a child
01:21:29And Rosalie wasn't ready to be a mother
01:21:32Never really was
01:21:34Asked Regan
01:21:35Did Troy know all this?
01:21:37Oh, Aunt Regan must have told him
01:21:40She came to me in a state a few weeks back
01:21:43Is it true?
01:21:44What?
01:21:45What my selfish cow-offer mother said is it true?
01:21:48I finally find a decent man
01:21:49And mum has to ruin it
01:21:51She can't stand sending anyone else happy
01:21:53Least of all me
01:21:54She just has to hoard it all for herself
01:21:56All the attention, all the love
01:21:58She's just sick
01:21:59Regan, listen
01:21:59I don't-
01:22:00No, just tell me!
01:22:01Is it true?
01:22:03Is Troy my brother?
01:22:15If it were up to me
01:22:18Troy would never have known
01:22:21He's mine
01:22:23And that's all that matters
01:22:28Regan obviously told you
01:22:31And you didn't say anything to Bridget
01:22:34It didn't change anything between us
01:22:36But it changed everything with Regan
01:22:40She told me at the pub
01:22:42And yeah, she was a little dark on it
01:22:44Hey
01:22:47If Rosalie had been a better mother to her
01:22:50She might have been able to let it go
01:22:53But...
01:22:56Something snapped
01:22:59She was obsessed with getting back at her
01:23:02And then at a point
01:23:04She shared her plan with you
01:23:11Don't bail on me now
01:23:15We deserve some happiness
01:23:16We deserve some happiness
01:23:17So does Bridget
01:23:19Since we can't be together
01:23:20We can at least get us all some money
01:23:22You went along with her plan to frame Shane
01:23:30Proof of his debt, Mr. Droid
01:23:32I bloody hope so
01:23:33You believed that Regan would inherit a large chunk of money from Rosalie
01:23:39Regan offered to share it with you
01:23:40Maybe it was enough to clear your debts
01:23:44Keep Bridget in her old age
01:23:47What you didn't know was that Rosalie had already committed most of her funds to clearing Shane's rates bill
01:23:54You killed her for money that was never coming your way
01:24:16Thank you for her lovely service
01:24:18May she rest in peace now
01:24:20Time for Pimms, I feel
01:24:22Thank you for her lovely service
01:24:24Trains keep on rolling
01:24:48How a funeral can bring people together
01:24:51Funerals and free beer
01:24:53Excuse me?
01:24:55Put it on my table
01:24:56How a funeral can bring people together
01:24:56Not hard to imagine what kind of tab you're running
01:24:59Tell him
01:25:01Now
01:25:03Trudy offered me a year of free tab beer
01:25:06Because I did a favour for her
01:25:09Shifting some stolen goods
01:25:12It wasn't as dodgy as it sounds
01:25:15And don't think I haven't been keeping track either
01:25:17Your year's up as of yesterday
01:25:19Shut up
01:25:20Excuse me, I don't want to come between you two lovebirds
01:25:23What the hell is that supposed to mean?
01:25:25Just try to keep it seemly, eh?
01:25:27This is a wake, after all
01:25:29Another beer?
01:25:30Yeah, I reckon
01:25:32On your tab?
01:25:33I haven't got a bloody tab
01:25:34Start one
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