05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48What are you going to say.
05:50What are you going to say.
05:51I'm going to tell me about that.
05:54I was wondering when you noticed.
05:58It's a cyanide rose finch.
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05I see.
06:06I just thought you'd have it with you forever.
06:08Mm-hmm.
06:09It reminds me of you.
06:10A bird just chirping away.
06:13Loudly.
06:14Chirping.
06:14Loudly.
06:25So, come on, are you holding out or something?
06:28How is Jordan?
06:30Um, well, you know, dysentery, malnutrition, backhanders to cops and politicians, just the
06:39usual.
06:40Five stars on Yelp.
06:42Highly recommend.
06:43Mm-hmm.
06:43Mm-hmm.
06:44Mm-hmm.
06:45Mm-hmm.
06:48Mm-hmm.
06:49Well, I have some news.
06:51I got offered a teaching position, associate professor of archeology, Princeton.
07:02Oh, my God.
07:03Alice.
07:04I mean, that's amazing.
07:06Yeah.
07:07Mm-hmm.
07:08That's exactly what you wanted.
07:09I'm so proud of you.
07:11So.
07:15I'm going to have an apartment, you know, a place on campus from which you and I could
07:20live together.
07:28I know it's going to be hard to leave all the dysentery.
07:30I totally understand.
07:32No.
07:33No.
07:33No.
07:34No.
07:34No.
07:34No.
07:35No.
07:36No.
07:37No, no, no, no, big.
07:40No.
07:40Oh, big, um...
07:41Big.
07:42No, um...
07:43Wow, for a man with an English literature degree, you really have a way with words.
07:47No, I know, it's, it's, it's a skill.
07:49We've talked about this before.
07:51We have.
07:52Listen, I love that we get to meet up in hotels all over the world
07:55and that we actually want to have sex with each other all the time.
08:02But I want this job.
08:05You know, I want to build a life that's mine,
08:09not just uncovering other people's.
08:13We have to make a decision.
08:15You and me, like, Tom, I love you.
08:19I love you so much.
08:20And I want to keep loving you.
08:22And I'd like to do it while I'm actually looking at you.
08:30And I love you, Alice Munro.
08:35And...
08:39I want to be with you.
08:44Even in New Jersey?
08:47Especially in New Jersey.
09:04Hey, what time is it?
09:10Tom?
09:16Tom?
09:17Mom?
09:19Hey.
09:21Hey.
09:23Hey.
09:23Uncle Brian.
09:24He's in London.
09:25Oh.
09:26Why don't you go downstairs, order some breakfast?
09:29It trains at 10.30.
10:01Wow.
10:06Hi.
10:08Sorry.
10:09Ryan talks like it's an Olympic sport.
10:11Oh, it's okay.
10:12So, you know that hotel you wanted to go to in Arles that was so expensive it would have left
10:19us destitute for the rest of our lives?
10:21Yes.
10:22Well, it turns out that Brian and the owner are on the same board for this wildlife project and Brian
10:27has called in a favor.
10:30Oh, my God. Are you kidding?
10:33Can we get massages and lay by the pool?
10:35Yes, yes.
10:36Can we have oysters and champagne?
10:37We can do whatever you want.
10:38Oh, I love you.
10:42Well, I feel it's very conditional right now.
10:44Oh, no, it is.
10:44Oh, it is?
10:45Completely, yes.
10:58Don't.
10:59Stay there.
11:01It's almost over.
11:10Oh, that's a bingo.
11:13Okay, maybe we don't do impressions of fictional SS officers as we're traveling through previously occupied France.
11:20What do you think?
11:22Okay.
11:24True income?
11:25Oh, my God, no.
11:26Nine.
11:27For you all.
11:43Hi.
11:44Hello.
11:46Uh, sorry, I can't hear you.
11:50Can you, can you repeat that?
11:52Pas de tΓ©lΓ©phone.
11:57One second.
11:58Yeah.
11:59All right, one second.
12:03Vous Γͺtes en vacances avec votre mari?
12:05Ah, ouais.
12:07Nous salons...
12:08Aro.
12:09Oh, yeah.
12:10And he's not my husband, he's my boyfriend.
12:17Okay.
12:38All right, let's go.
12:43Ah, yeah.
12:43Eh, ouais.
12:44C'est quoi ?
12:46C'est quoi ?
12:47A chaque temps ?
12:48Euh, c'est quoi ?
12:50C'est quoi ?
12:51On a le fait ?
12:51Ouais.
12:52Ouais, je vous en parle.
12:53Γa va, on a une belle vie ou on a une belle vie ou une belle vie.
12:55Je sais pas.
13:09Mesdames et messieurs, bonjour.
13:10Our train TGV from Marseille-Saint-Charles will arrive in Gare d'Avignon in a few minutes.
13:16Avignon, 5 minutes left.
14:03Did my boyfriend return?
14:06Marami?
14:13So weird.
14:15Where are you?
14:22Hi, this is Tom Parker.
14:25Watching an unavailable leave a message after the time.
14:38Tom?
14:54My husband and my husband, our TGV arrive at Gare d'Avignon within a few minutes.
14:58Come to make sure you recover all your baggage.
17:33Okay, but we made a stop back there.
17:36We stopped.
17:37It's true, we stopped for a few minutes before Avignon.
17:39The doors are open only when the train is at the stop and in a car.
17:42Okay, they only open up.
17:45I just want to find my boyfriend.
18:02I'm sorry, I'm sorry, but what's in here?
18:05It's reserved for a person.
18:07Okay.
18:08It's open.
18:08Yes.
18:09Could you please open it?
18:10No.
18:11What?
18:11No.
18:12The passengers are not authorized to enter.
18:14It's the rule.
18:15What can I do?
18:16It's the rule.
18:17It's the rule.
18:18It's the rule.
18:18It's like that.
18:18It's all.
18:19It's the rule.
18:23Mr. Giroux, may I please look inside?
18:26It's important.
18:27It's the rule.
18:37Tom, I've been looking all over for you.
18:38Where?
18:41Tom, are you there?
18:52Tom.
18:54Look.
18:56I'm there.
19:01I'm there.
19:29Do you know Marseille?
19:32No.
19:32No, but it's...
19:34I'll be fine.
19:35I'm okay.
19:35Thanks.
19:36What are you going to do?
19:38I don't know.
19:40We're supposed to go to Aurel, but maybe I'll go to the police.
19:44Do you need me to take you?
19:46No, no.
19:46I'm...
19:47You've been so helpful.
19:49I'm just kind of...
19:50I'm...
19:52Where is the police station?
19:54You go down the hill.
19:56It's on your right.
19:57You can't miss it.
19:58But are you sure I can take you?
20:01No, I'm fine.
20:02I'm...
20:03Positive this is all a big misunderstanding, so...
20:11You know...
20:13If you need help, I'm Helen.
20:19Alice, thanks.
20:26So, good luck, Alice.
20:29And don't worry.
20:31It's going to be okay.
20:33Bye.
20:35Bye.
20:36Bye.
20:39Bye.
20:45Bye.
21:25Do you know how many people are reported missing each day in France?
21:31600 on a good day.
21:33Okay.
21:34Well, that cannot be an excuse to not help me.
21:36Please.
21:37It is 48 hours before a person can be described officially as missing.
21:41He has only been gone for two hours.
21:44He left his bag, you say.
21:46What about his passport?
21:47Yes, I have it.
21:48I have it right here.
21:51Just one second.
21:54Okay.
21:54Hold on.
22:04I don't...
22:05I don't...
22:06I don't understand.
22:08Mother Monho, how long have you known your boyfriend?
22:15Um, well...
22:17We've been dating for four years.
22:20We met in Jordan.
22:21That's where he heads the region for SOS Global.
22:24It's a...
22:24It's a charity that helps Syrian refugees.
22:28I'm currently working in Albania, so we meet up when we can and...
22:31Oh, glamorous couple, huh?
22:34And you work in Albania?
22:36Yes, I'm an archaeologist.
22:37I'm a...
22:39What?
22:41Why, it's disagreements.
22:43Have you had any lately?
22:45No.
22:48Anything else?
22:49Any changes of circumstance?
22:52I mean, I got offered a position at a university, a job.
22:56It would mean relocating to America for both of us.
23:01And he agreed?
23:03Yes.
23:04Are you sure?
23:05Yes, I'm sure.
23:07Because there are three major reasons people disappear.
23:11Work, money, and relationships.
23:19So?
23:21So perhaps your boyfriend wanted to escape the relationship,
23:26so he got off the train at Avignon without telling you, eh, voila?
23:29He would never do that.
23:31You don't know Tom.
23:32I am no man.
23:37Okay, Inspector Drax.
23:44I really need to find him.
23:48Please, help me.
23:5448 hours, Miss Monroe.
23:5748 hours.
24:06Go, go, go, go, go.
24:13Oh, that's great.
24:29Oh, I got to go.
24:42Oh, oh, oh.
25:05Sorry, thank you.
25:35Hey, are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture, too.
25:46Oh, I don't have a spare spare, I'm afraid.
25:48Sorry.
25:50Right.
25:51What, what's in there?
25:53Uh, uh, vaccines.
25:56Yeah, without refrigeration, they'll be useless within a couple of hours.
26:00So you're screwed?
26:03Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:10It's, um...
26:12That way.
26:16Okay, so if I don't help you, children might die, and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:26Well, then, I guess you'd better hop in.
26:36All right.
26:46Hey.
26:48Tom Parker.
26:49Alice Monroe.
26:50Nice to meet you, Alice Monroe.
26:51You, too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:57Yes, it is.
27:12Shoes off at your house, then, is it?
27:15What?
27:16Want to know what gives you away?
27:18It's shirt.
27:20The AC unit.
27:21No dust.
27:23It means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No.
27:31No, I like it.
27:32I like hygiene.
27:33Mm, good.
27:33It's just that sometimes...
27:36Oh, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:44I'm actually an archaeologist.
27:46Trust me.
27:47I know how to get dirty.
27:55No, no, no.
27:57No, no, no.
28:39Okay, can you stop already up here?
28:44Okay.
28:44Let's see if I play.
28:58Let's see if I play.
29:35Let's see if I play.
30:16Let's see if I play.
30:33Let's see.
30:34Let's see if I play.
30:57Chwingo?
31:43Oh, my God, it's Tom.
32:13Oh, my God.
32:35Oh, my God.
33:06Oh, my God.
33:22Hi.
33:23Hello.
33:24Mademoiselle Monroe.
33:26What a pleasant surprise.
33:27So, has the prodigal son returned?
33:29No, but, um...
33:31Ah, ben voilΓ . Then we can report him missing tomorrow.
33:34Can I please have a moment of your time, please?
33:36Walk with me. I'm late to the cinema.
33:39For an Alain Delon double bill and Madame Drax will not take it kindly.
33:42If I'm late...
33:43I know where Tom got off the train.
33:45Bravo, Madame Clouseau.
33:47I followed the line back from Avignon where the train stopped, and I found this.
33:54Bubblegum.
33:55Well, yeah, it's Tom's favorite. He offered me a piece before he disappeared.
33:59Hmm. And the ejected seat on the train, where was that found?
34:03He should really be a stand-up comedian, you know that?
34:05My wife doesn't think so.
34:07So, there was a door in the conductor's office.
34:09Oh, the conductor is in the compass now. This is all getting quite dramatic.
34:13His name is Maurice Giroux. He was hiding something, I could tell.
34:16You have to bring him in for questioning.
34:17I have to go to the cinema. Samoai awaits.
34:20You know, I'm not making this up.
34:22And I'm late.
34:24Nice car.
34:29My wife makes the money in our house.
34:32I chose well.
34:33Better than you, it seems.
34:36Tread carefully, Miss Monroe.
34:38You know, I chose well.
34:39You know, I chose well.
36:26Mr. Tom.
36:28Mr. Tom.
36:29Are we here?
36:30All right.
36:31No.
36:31Are we here?
36:31Salma, Salma.
36:32One sec.
36:33Can you take these in there?
36:34Yeah.
36:34Just tell me to her.
36:35They need to be in the fridge right away.
36:38Okay.
36:41Okay.
36:4236-2.
36:46Hi.
36:47Who are you?
36:49I just gave Tom a lift.
36:51You broke down?
36:52Yes.
36:52He did.
36:53It's the second time this week.
36:55The man couldn't change a tire.
36:57His life depended on it.
36:58He said these need to be refrigerated.
37:00I know.
37:04Wait, what's happening?
37:09Stay back.
37:12What's he doing?
37:18Stop.
37:20Stop.
37:21Hey, hey, hey.
37:23You're not taking him.
37:24You're not taking him.
37:25You're not taking him.
37:31You're not taking him.
37:33You're not taking him.
37:37You're not taking him.
37:49Yola!
37:51Who are they?
37:53Local bandits.
37:55I think no one will notice missing refugees from Syria.
37:58Take them down to Tripoli, sell them to traffickers for a king's ransom.
38:04He stopped them before?
38:07He may be useless with cars, but he could talk a dog off a meat truck.
38:48You look like you need a drink.
38:53Something must have happened to Tom before it happened, Jan.
38:56I just feel like the conductor had something to do with it.
38:58I mean, you saw him yourself, the way he was acting, all shifty.
39:02What do you think happened?
39:04Okay, this is going to sound insane, but I think Tom was kidnapped.
39:10Is he rich?
39:12No.
39:13Are you rich?
39:14No.
39:14So why would someone kidnap him?
39:18Maybe it's not about money.
39:19Oh, it's always about money.
39:25What is...
39:29Oh, diabetes.
39:32Wow.
39:36Okay, so what do I do?
39:38The police are either useless or correct.
39:42And if you're really lucky, they're both.
39:45Great.
39:46What then?
39:47What am I?
39:50I'm an investigative journalist.
39:53Who are you?
39:54An archaeologist.
39:56Yes.
39:56You're like me.
39:58You look for clues in the past to tell you about the future.
40:02You know Tom better than anyone, so you probably know more than you realize.
40:12Did he mention anyone or anything?
40:16Who has he been in touch with lately?
40:26Has he said anything strange?
40:34Find something more than a piece of twinkum and maybe I can help.
40:39I think he's the same.
40:42You're like me too.
40:45Come on.
40:54I really don't know.
40:54That means you're like me.
40:55Come on.
40:55What's your life?
40:57I really don't know.
40:57I'm sorry.
41:03Don't know.
41:04Huh?
41:07I really don't know.
41:07You know what he's telling me to do?
41:09And I really don't know.
41:22So Brian, he's in luck, he's in luck, he's in luck, he's in luck, he's in luck.
41:46SOS Global, Bureau de Marseille.
42:22SOS Global, Bureau de Marseille.
43:07SOS Global, Bureau de Marseille.
43:37SOS Global, Bureau de Marseille.
44:07SOS Global, Bureau de Marseille.
44:37SOS Global, Bureau de Marseille.
44:39SOS Global, Bureau de Marseille.
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