- 2 days ago
Vanished S01E01 [Full Movie] [Vertical Drama]Full EP - Full
Category
🎥
Short filmTranscript
00:11You
00:19Stranger
00:19I got offered a teaching position. You and I could live together
00:26Yeah, sir
00:27Sir, I can't. One sec
00:30Did my boyfriend return?
00:32Uh, no
00:37You know how many people are reported missing each day in France
00:43I know where Tom got off the train
00:45There was a door in the conductor's office
00:48Oh, the conductor is in the conference town
00:50This is all getting quite dramatic
00:51His name is Marie Chirou. He was hiding something I could tell
00:54The police are either useless or corrupt
00:57Tread carefully, Miss Monroe
00:59You know Tom better than anyone
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London
01:08You probably know more than you realize
01:11It's the same I rose, Finch
01:13Reminds me of you
01:29If you love me with my own
01:38Tell my heart which way to go
01:46Hey, look at that
01:50What's that?
01:52What's that?
01:52Pottery
01:53Maybe
01:54Greek
01:56It's probably been here for hundreds of years
01:58It's so beautiful
02:03Here
02:06No, you keep it
02:07Why?
02:10During those nights
02:11During those nights
02:12When you're in one far flung corner of the earth
02:14And I'm in another
02:15I want you to think of me
02:16With the same wonder and tenderness
02:17As you do when you look at that piece of clay
02:19We're two weary hearts
02:21Yeah
02:22Aglow
02:23Aglow
02:24No
02:27If you love me
02:30Let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
02:45Tell them
02:47What's that?
02:56You want to get the world
02:59Who will you see?
03:00From
03:02To
03:11This洁
04:27Excuse me.
04:28Hi.
04:29My name is Alice Monroe, and I need help.
04:32My boyfriend, Tom Parker, he works for this charity, and he's missing.
04:37Can someone help me?
04:39Can I speak to someone in charge?
04:40Tom Parker?
04:41Yes, Tom Parker.
04:42One moment, please.
04:49Hi.
04:50This is Tom Parker.
04:51Oh.
04:58Alice?
05:00Yeah.
05:01Hi.
05:02I'm Alex Durant.
05:04I've heard so much about you from Tom.
05:06You have?
05:07You know Tom?
05:07Yes, of course.
05:08We used to work together in the field before I became a student.
05:13Metaphorically speaking.
05:15What happened?
05:16Um, Tom disappeared.
05:20What do you mean he disappeared?
05:22Okay, so he called here at SOS from Paris two days ago.
05:27Do you know who?
05:28He said he was talking to his uncle from England, but like, why?
05:31I don't know why he would lie to me.
05:32It's possible he was trying to call Jordan.
05:36We can route calls through here so you don't have to pay international charges, but I know
05:42he's coming here after vacation, so there's no need for him to call him before.
05:46We encourage our people to take a complete break when they're on holiday, and especially
05:53Tom, after what he's been through.
05:55What do you mean?
05:58Tom, how's he been since the incident?
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:11Okay.
06:12I'm going to tell you this, but when Tom comes back all happy and healthy, I'd prefer if
06:20you kept me out of it, okay?
06:21Just tell me what happened, please.
06:25It happened about nine months ago in Jordan.
06:30There was this young boy named Malik, just eight years old, and he lived in one of the
06:38camps where things were already hard, but that night it got even worse.
06:42His mom went into labor alone in the middle of the night.
06:47And she was very sick, had no one to help her, so Malik ran for four miles, all the way
06:53to where the SOS team was staying, and got Tom to drive them to the hospital.
06:59The baby was delivered safely, but the mother's condition kept getting worse.
07:03So, with his mom's sake, Malik dropped out of school, scavenging for food.
07:11He tried to take care of his family, and then Tom saw what was happening.
07:18And Tom being Tom, he promised Malik that if he went back to school, he would make sure
07:22where his family was taken care of, but unfortunately, bandits raided the camp.
07:35They took women and children, and no one knew who had survived, and Tom was obsessed.
07:44He spent weeks searching for Malik and his family, and eventually, they found him.
07:56The boy, alongside his mother and sisters, in a mass burial pit, ten clicks outside of the camp.
08:08We all have our breaking point, and that was Tom's, at least I think it was.
08:13But he didn't want to pack it in.
08:15We got him a counselor, we tried to give him support, but something in him had shifted, yeah?
08:21He disappeared, sometimes for days.
08:23There have been discussions to take him out of the field, but he wasn't himself anymore.
08:27He just seemed lost.
08:30Alice, I don't think he ever really came back from what happened.
08:40Sorry, I, uh, I, you, you didn't know any of this?
08:47Alan, I just don't understand why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity for a thousand lifetimes.
09:01Sometimes it just gets under your skin.
09:04He just seems so normal in Paris.
09:06But maybe that dose of nomadity was the thing that shook him.
09:10But he'll show up.
09:11If it's not tomorrow, then soon.
09:13I'll call Jordan, and if he contacts anyone there,
09:16I'll make sure to let me know.
09:22Don't worry.
09:24Alice will find him.
11:00It could be a person...
11:01O'Reilly?
11:02Where did you find that?
11:04I was looking in Tom's notebook and it's... it was in there.
11:08O'Reilly?
11:10It could be anything or anyone.
11:13Anything else in the notebook?
11:15Not really.
11:16I was just on a post-it note.
11:17Okay.
11:19Leave it with me.
11:20I will look into it.
11:24I will.
11:26I will.
11:52Oh, I don't. It's a hunch. Would you prefer it to be another woman? Look around you. What do you
12:03notice? Men paint women's names on their boats to pretend those women are central to their life. And men, they
12:14run away to the sea with their buddies.
12:17Et voilà. Aurélie.
12:29Anyone here? Bonjour. Hello.
12:35Well, what are we gonna do? What the heck? What? Oh. Every good journalist carry them.
12:45Oh, my God. Keep lookout.
12:48Oh, my God. Keep lookout.
12:48Yeah.
12:50Yes.
12:53Oh, my God.
12:54Oh.
12:55On the tip of my job.
13:02Oh, my God.
13:08Oh.
13:13Oh, my God.
13:16Oh.
13:52Oh my God.
13:58Is it his?
14:07Alice?
14:08Alice?
14:10Alice?
14:12Alice?
14:15Alice?
14:16Alice?
14:21Alice?
14:23Alice?
14:23Alice?
14:23Alice?
14:24Alice?
14:24Alice?
14:33It's Uncle Brian.
14:34It's in London.
14:35I don't know what happened.
14:38It's Uncle Brian.
14:39He's in London.
14:42It's in London.
14:43What happened?
14:49It's Uncle Brian.
14:50It's in London.
15:10I came as soon as I could.
15:12Hey.
15:15Yeah, I spoke to Jordan.
15:18You were right?
15:19Tom did make a call on Thursday morning.
15:24And?
15:25He wanted to be put through to one of his colleagues.
15:32Alistair is no easy way to say this.
15:35No, I met her, actually.
15:40That woman that you're...
15:42Were they...
15:46Are they...
15:47It's really not in my place to speculate.
15:50Come on.
15:58He's not thinking rationally.
16:07So, what happens now?
16:12My God is he will show up somewhere,
16:15or makes contact with someone in the next 48 hours,
16:18and then you both need to decide what happens next.
16:23If I were you, I would go to Al.
16:26Go to Al.
16:27There's no need to hang around in my say.
16:30If he turns up, he'll be the first one to know.
16:33Okay?
16:35Okay.
16:37Alice, I wish I had better news.
16:40I'm sorry.
16:41No, it's okay.
16:42You've been very kind to me.
16:48Call me for tomorrow, yeah?
16:51If you need anything at all.
16:54Okay.
16:56Okay.
17:05I wish I had better news.
17:13I wish I had better news.
17:14I wish I had better news.
17:14I wish I had better news.
17:14I wish I had better news.
17:15I wish I had better news.
17:16I wish I had better news.
17:16I wish I had better news.
17:16I wish I had better news.
17:16I wish I had better news.
17:16I wish I had better news.
17:16I wish I had better news.
17:17I wish I had better news.
17:17I wish I had better news.
17:18I wish I had better news.
17:21I wish I had better news.
17:25I wish I had better news.
18:56Here you go.
18:58Sister, one day we will be free from fighting, violence, people crying in the street.
19:19Is everyone here from the dig?
19:22Yeah, why?
19:25I kind of want you to show me your world.
19:30Come on.
19:38This is totally illegal, you know.
19:41We get caught.
19:42What?
19:43Well, I could get fired.
19:47What's that man back there, your boss?
19:50Rafiq?
19:51Yeah, why?
19:53I think your job is safe.
19:57Oh, really?
20:00Come on, Jeff.
20:05Come here.
20:09Yeah.
20:11This was built by the Nepotians.
20:15Was that 9th century?
20:174th century.
20:18A.D.?
20:19B.C.
20:19B.C.?
20:22Did you say the Nepotians?
20:24Oh, you didn't hear me?
20:25No.
20:25Oh, now you know.
20:28That's what all it was.
20:29Yeah, sure.
20:30It actually flourished due to trade routes, incense, spices, silks, and of course, it's gorgeous rock-cut architecture.
20:39It was annexed by the Romans and fell into total disrepair.
20:42By the time the earthquakes hit in the 6th century, entire infrastructure was basically destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:54As is that interesting to you.
21:03Very.
21:13Andy?
21:14You guys looking forward?
21:17No, I didn't.
21:19Rachi?
21:21Go.
21:34He's coming back.
23:51Excuse me.
24:00Excusez-moi.
24:02Excusez-moi.
24:04I need help, please.
24:07Hello.
24:08Hello.
24:13Hey, I'm looking for Maurice Giroux.
24:14Is he around here?
24:16Maurice?
24:16Oh, I'm sorry.
24:18He left around an hour ago.
24:20Do you know where I could find him?
24:22Uh, why?
24:24Uh, it's personal.
24:26Do you have an address or a number or something?
24:28Oh, I'm afraid I can't give this address to a stranger, but, uh, how do you know Maurice Giroux?
24:33I don't.
24:33He was the conductor on a train I took recently and I need to tell...
24:37Yeah, okay.
24:38I'm sorry.
24:38When was that I...
24:40I can't just give out his address, you understand?
24:43Yes, of course.
24:46Okay.
24:47Sorry.
24:54I think she slept together about a month ago.
24:56It wasn't a big deal, kind of casual, but now it is a big deal because I'm pregnant with
24:59Maurice's child.
25:01I need to speak to him right now.
25:02What did she say?
25:03Oh, yeah.
25:06She said she was born by Maurice.
25:08What?
25:09What?
25:10What's going on?
25:14What is this?
25:15What?
25:16What is this?
25:16Sorry.
25:17I'm sorry about my colleagues.
25:18Sorry.
25:19Of course.
25:20I'll give you his address.
25:22Sorry.
25:23Good.
25:24Of course.
25:24Here.
25:32Here.
25:45I'm sorry.
25:53Here.
25:59Oh!
26:05Stop, stop, stop.
26:34Mon bébé, qu'est-ce que tu fais ? Je t'ai perdu, c'est quoi le bordel ?
26:38Viens là, pourquoi tu veux pas me parler ? Je te promets que t'en viendras jamais comme la mienne.
26:43Alex, 20 minutes.
26:44Laisse-moi 20 minutes.
26:4620 minutes ? Comment ça 20 minutes ? Je suis pas connu pour deux, trois.
26:49Deux, c'est le tétongue gay, ça.
26:50Bah, tu es une foule, toi, t'es conne.
26:51Back up !
26:55Get out of my way !
26:57Oh, tu vois, c'est loin.
26:58Tranquille.
27:00Ça va, oh.
27:01Ça va, tiens.
27:02Tu vas te blesser, là, arrête.
27:04Ça se voit qu'elle en a jamais tenu, hein.
27:06Ouais, ça se voit.
27:08C'est comme ça qu'on tient plutôt.
27:10Comment vous pouvez avoir confiance ?
27:15Comment on fait maintenant ?
27:19Regarde-moi quand je te parle.
27:23Eh, viens danser à la bâche à ta mère.
27:29Viens, viens danser à la bâche à ta mère.
27:31Cassez-vous, j'appelle la police.
27:32Oh là là.
27:33Oh !
27:34Vous m'entendez ? Vous êtes sourds ?
27:35Allez, on dégage !
27:37Oh, t'es une pite à la place du cerveau.
27:39Dans ta gueule, je t'ai dit.
27:40Tu pourrais parler encore une fois comme ça ?
27:42J'étais en collune.
27:43Bien encore.
27:44J'appelle ta mère.
27:45Cassez-vous, j'ai dit.
28:24Cassez-vous, j'ai dit.
28:46Cassez-vous, j'ai dit.
29:14Oh, shit.
29:16Oh, my God.
29:17Non, non, non, non, non.
29:19OK.
29:25Oh, my God.
29:26What the fuck ?
29:33Madame ?
29:35Madame ?
29:35Ne vous êtes qui ?
29:37Madame, Madame, hold on.
29:38Madame, there's no way.
29:39Wait, wait, wait.
29:39Hold on.
29:40It's okay.
29:40I know.
29:41What, did you just...
29:42Eu m'en so sorry.
29:43I don't want to...
29:44I don't know.
29:45I just got in there.
29:46I can't get pulled.
29:46Alec! Alec! Alec! Alec! Alec!
30:26Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec!
30:33Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec!
30:34Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec!
30:41Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Alec! Ale
30:46I'm going to take care of you.
30:53I'm going to take care of each other.
31:00Matt, Matt, she's going to take care of you.
31:02Come on, we're going to take care of you.
31:18Let's go.
32:04It's not a matter of policies, it's a matter of marketing.
32:07When did you get so cynical?
32:10Here's your money.
32:15Something has happened, I need to see you right away.
32:18Alyssa, is everything okay? I thought you'd left.
32:21No, no, it's not. I just went to see the conductor, the one from Tom's train, and when I got
32:26there, he was dead. He was dead. He was dead.
32:28Wait, wait, wait. Slow down, okay? Are you okay?
32:32Yeah, I saw the man who did it.
32:36What man?
32:36He was very muscular, he had very dark hair with like a bun.
32:42Where are you?
32:44I'm at the Hotel Peron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
33:07She saw you.
33:09She's at the Hotel, room 218.
33:14Go there now.
33:15Go there now.
33:17See you later.
33:24Go there now.
33:34Go there now.
33:35Go there.
33:36Go there.
33:38Go there.
33:39Go there.
33:45The more amigos, it's alright.
33:45The marvelous actor's being enough, tonight is that She'll be really safe.
34:00what i was right about the conductor what i went to his apartment but when i got there
34:06he was already dead he someone slit his throat who have you spoken to um just one person from
34:13tom's charity coming actually to meet me right now alice which hotel which hotel are you staying at
34:20peron i'm coming now do not speak to anyone you hear me do not speak to anyone
34:45so
34:58so
35:14I have a delivery for Alice Monroe.
35:51I have a delivery for Alice.
36:00I have a delivery for Alice.
36:33I have a delivery for Alice.
36:34Are you okay?
36:35Yes.
36:36Okay?
36:37I'm having a panic attack.
36:39Freeze.
36:41Oh my God.
36:42Freeze, freeze, slowly.
36:44Oh my God.
36:45You're safe, Alice.
36:48It's Durand.
36:48The works at SOS.
36:51Don't answer.
36:52No, he's been helping me.
36:54I cannot protect you if you do not want to be protected.
36:58Uh...
36:58Does he know which hotel you are staying at?
37:00Yes, but it does.
37:02Who else knows?
37:03I guess Inspector Drax...
37:04Okay, so at least one of them is trying to kill you, huh?
37:11I didn't tell you about SOS.
37:14How do you know that's where Tom worked?
37:20How do you know that's where Tom worked?
37:25It's my job.
37:27What is?
37:30To...
37:30To know things.
37:32Okay, you better start telling me some truths or I'm gonna call him back.
37:34Don't be so stupid.
37:35Okay, fine.
37:36Don't be so...
37:37Please!
37:42Tom got off the train because of me.
37:45What?
37:46I will explain.
37:47What?
37:48First, we need to go somewhere safe.
37:51First.
37:55Shit, my bags are at the train station.
37:57Okay.
37:58Don't worry.
37:59Let's go to the train station.
38:01Seriously, what is going on?
38:23I'm something like a pet noir for your former lover.
38:30The truth is, for the past six months, I've been investigating him.
38:36On the train, I was following him.
38:40Either he saw me or someone told him I was on it and he must have panicked and got off.
38:47Why on earth are you investigating him?
38:51I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
38:59Tom.
39:00Yes.
39:06I have reason to believe.
39:09You are so, so far off on this one that Tom would never, ever...
39:16Did you know he kept a boat in Marseille?
39:20So you knew about the boat?
39:22Yes, of course.
39:25So you lied to me?
39:26No.
39:27I'm with her.
39:28The truth.
39:28That's very different.
39:30I thought you were helping me.
39:32I was investigating you.
39:37Who do you work for?
39:38Oh.
39:39I'm freelance.
39:41It suits me better.
39:42Yeah, when did they let you go?
39:47Five years ago.
39:51I'm not going to listen to any more of this nonsense.
39:53You don't know Tom at all.
39:54I'm leaving.
39:56Where to?
39:57It's the police, obviously.
40:00You told me only two people knew you were staying at Le Perron, right?
40:05Durand and Drax.
40:07So the question is, which one is trying to kill you?
40:11If I had to choose, I would bet on Durand.
40:14He's too smooth, too polite, too, too German.
40:17Okay, no.
40:17No.
40:18Alex has been kind.
40:19He's been helpful.
40:20Okay.
40:20So Drax.
40:22Hmm.
40:23The city is packed with dirty cops.
40:25Maybe he plans to set you up for Jero's murder.
40:28Oh my God.
40:28This is insane.
40:30There has to be a very simple explanation for all of this.
40:33Explanation?
40:34For what?
40:35A guy showing up at your door, ready to kill you?
40:38Give me a simple explanation for that.
40:45Have you seen the news?
41:10You have nowhere to go.
41:12The controller Mori Jero, we're actively looking for the suspect number one.
41:16An American named Alice Monroe, the trentaine.
41:20You have no information concerning this person.
41:22You have no information.
41:24Contact the police.
41:26He's stuck in the morning and out ofarning the present room.
41:32Is she тебя the same thing as you do?
41:34It's gone visit the deaf, deaf, deaf, deaf, deaf people.
41:43Okay.
41:52You'll go on.
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