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Boeing Boeing (1965) Part One (ENG) HD [Full Movie] [New Drama]Full EP - Full
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Short filmTranscript
00:08This is Paris, and that is the 1.30 plane to New York.
00:13It will land in America, 4,000 miles away, at 5.30 this afternoon, in four hours' time by the
00:21clock.
00:22It's wonderful, isn't it? Of course, it takes more than four hours.
00:26But you see, the jet is so fast, it races the sun.
00:31This is what has happened since the big jets came.
00:35Time has been annihilated.
00:38Constantly, the great airliners take off.
00:43And land.
00:53And for each aircraft, you have, naturally, air hostesses.
00:59These delectable creatures, selected for their beauty and charm, are in a state of perpetual migration.
01:07For days, they fly the great air routes of the world.
01:10And then, they like to come down.
01:13And whenever possible, they like to come down in Paris, and all regret leaving.
01:19One wishes that one could get to know all of them.
01:22Some of us, indeed, have tried.
01:25And that is our story.
01:54One wishes that one could get to know all of them.
02:11One wishes that one could get to know all of them.
02:12One wishes that one could get to know all of them.
02:13One want to turn themäßig���self, but when are our compared to them?
02:19One wishes that one could get to know all of them.
02:23One wishes that one could get to know all of them.
02:26And he's your premieres.
02:26This race will have blessed, September saw older really from the%.
02:26La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
02:35la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
02:35la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
02:35la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
02:35la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
02:36la, la, la, la, la, la, la, la, la, la, la, la
03:09you better hurry my love
03:12bernard darling do you think i've got time for a few more kidneys of course you do
03:15you hurry bertha i adore kidneys for breakfast don't you uh not particularly i just barely
03:20get a vitamin pill down bertha you call me sir yes another brace of kidneys another please
03:27and some more of that smelly stuff you pour over them no thank you and it's not smelly
03:33stuff it's the natural juice of the organs very good for the complexion i don't want to
03:38know what it is miss i don't like the look of it myself but then i'm not here to reform
03:44the world we can do without your editorial comments just bring the kidneys well don't
03:50blame me if it makes you sick you don't have to eat them do you heaven forbid then what
03:54are you arguing about and hurry miss vicky has to catch a plane i only have two hands honestly
04:02but she means well not for me i mean very well just broil the kidneys they are already broiled
04:10i know her appetite i anticipate then bring them there is no need to shout oh it's not
04:18easy you know she's really becoming impossible bernard if it goes on much longer we just have
04:25to get rid of her but i don't know why you say that i don't think she likes me but
04:30of course
04:30she likes you she loves you it's um just the food that you eat that no thank you that upsets
04:37her uh my love it's getting late i don't know when i'm with you time just whistles by oh sweet
04:46of you
04:46to say so no it's true is it the same for you of course my love does it drag when
04:51i'm away terribly
04:52never excuse me anything else yes you can bring me some coffee and some more strawberries for miss
05:06vicky no honestly darling this will be enough fine there's good news bertha
05:12you see she doesn't like me but she does like you no no she's put me into my food but
05:17she does
05:17like you she doesn't oh when i first get home she's friendly enough but when it's time to go
05:21she's decidedly hostile even anti-british well i'll bet you it's because she's sad you're leaving
05:26that's why because i'm your fiance but of course
05:32it's uh 8 42 i just have to put my hat in your jacket very good uh tell me my
05:39love uh when do you
05:41get back well let me see it's monday today we arrive in the canaries at 1708 layover for a night
05:47and get to accra at 1620 we return by way of lisbon
05:54and uh what time are you back in paris thursday evening then off again on sunday
05:59well what time uh thursday evening my love 18 45 excellent why do you always have to check
06:07everything on the timetable to avoid confusion what confusion my love i'm a busy man i want to
06:12arrange my business so i'm finished by the time you get back so that we can be together from thursday
06:17to sunday you are a genius and because you're such a dare i'm going to give you a surprise right
06:21now surprise oh i tell you that woman's going to drive me up the wall all right bertha you want
06:27to put the coffee down on the table then you can listen from the kitchen okay there are thousands
06:31of french housekeepers i have a work permit miss and the reason i have it is because i was discharged
06:38from the united states army in paris france honorably honorably you had a choice you bet your life i had
06:45i was chauffeur to the commanding general really eisenhart pershing oh uh excuse me do you mind
06:53getting the bags please yes sir thank you
06:58uh now my love now you were saying uh surprise yes you had a surprise we're getting a brand new
07:04aeroplane i think they're transferring me to it yes huh that's wonderful it's the new vc10 it's got
07:09four magnificent engines that develop 20 000 pounds of thrust each marvelous marvelous especially for us
07:15it is 20 000 pounds of thrust does something for us of course makes the plane much much faster
07:21we'll be together more often and much longer 20 000 pounds of thrust
07:29you don't seem very pleased by my surprise oh but i am oh yes yes yes i am i'm i'm
07:34nuts about the idea
07:35uh but i don't want to get too excited i mean you're not transferring tomorrow anything
07:39are you not tomorrow but soon very soon oh that's wonderful oh here we go yes exactly on time
07:48you think you were a pilot the way everything's timed to the minute well everything has to be get
07:52the door but why well i'm a foreign correspondent we wouldn't want to miss one little minute of the
07:55time we have together because i have to work now would we huh you see of course i am now
07:59bertha you
08:00will look after mr bennett while i'm gone won't you i'll do my best but it's not easy
08:04that's enough bertha we're falling behind schedule we'll talk to you later that'll be a thrill
08:13come along vicky goodbye
08:15be good
08:31oh come on
08:39oh
08:42oh
08:43oh
08:43oh
09:02Lisa!
09:06Mr. Bernard Lawrence, telephone, please.
09:15Hello? Bernard Lawrence here.
09:17Mr. Lawrence, I have a telegram for you.
09:20Read it.
09:22Transferred Paris. Arriving this AM. Hotel space impossible.
09:28You can put me up. Signed, Robert Reed.
09:31Pierre, I never got the message. You never delivered the telegram. Understand?
09:38I don't understand, but I understand.
09:41Okay.
09:44Lisa!
09:47Exactly on time.
09:49I have to check out. Just five minutes,
09:52and then we'll be all cozy in our little Paris home.
09:55Wunderbar.
09:57Hurry up. Hurry.
09:59Hurry up, Billy.
10:20I still don't believe it.
10:45oh what's the matter better did we frighten you this job keeps me too tired to get frightened
10:50it's not easy you know well none of us get things easily uh what do we have for lunch better
10:59well i i
11:00thought of souffle with some muffins souffle souffle is for people mit our teeth what we need is good
11:07solid food knackwurst sauerkraut and heavy black bread have you any idea how long it took me to
11:15dream up that souffle you don't get those things by rubbing two sticks together you know it often
11:19tastes like it no girl hey you have got the knackwurst haven't you yes but it's old you haven't been
11:24here
11:24for three days three whole days and nights i'm gonna start this souffle oh just a moment i have to
11:35see
11:35that for myself there's nothing wrong with this you're right of course i am if you can stand the smell
11:51we'll have this what's that um kidneys kidneys
12:04bernhardt yeah who was here for breakfast breakfast yes here that it's kidneys yeah but kidneys you don't
12:12need kidneys me kidneys i hate oh kidneys uh that was um robert reed from consolidated press he was here
12:19he
12:19was here for breakfast yes uh-huh oh i thought you and he didn't get along well uh we're professionally
12:24you know uh but uh you know how it is with rival newspaper men always bickering always fighting
12:28oh i thought he's in berlin well he was in berlin but then they transferred him now to paris yes
12:33that's it and uh why are you asking me all these questions don't you trust me oh i'm sorry liebling
12:41no no no you must think i'm terribly suspicious well yeah yeah oh i'll tell you what i'm going to
12:49do
12:50what liebling i'm going to take a bath and make myself all fresh and powdery for you oh my liebling
13:00miss claire miss claire miss claire miss claire uh what does that mean see you later see you later yes
13:16it's positively unnatural what well god didn't make us all the same way that's all what are you muttering
13:24about i have to do her laundry every time she gets here leave me alone how can she get so
13:31dirty in
13:32only three days it's not easy for me around you keep saying that you get paid well enough don't you
13:38yeah but not enough and i've been meaning to talk to you about that why don't you sit down last
13:43week
13:43i worked 89 hours i had my shoes resold twice 22 frank gotta do the laundry i gotta remember who
13:53eats
13:53what who wears which lingerie who's going who's coming you don't need a housekeeper around here
13:59you need a univac machine look liebling yeah yeah i have a surprise for you yes you can throw away
14:06my
14:06old schedule the old schedule well how will i count the minutes until we're back together again on the new
14:10schedule what what new schedule i'm going to be transferred to the new intercontinental jet
14:16it's a super boeing with a cursing speed of mach 0.88 mach 0.88 terrific four rolls royce jets
14:24each
14:24one with 21 000 pounds of thrust i'll be home much more often that'll bend this schedule
14:34well when is when is this going to happen as soon as a new plane is delivered
14:39isn't it wonderful yes it's wonderful
14:44bis gleich
14:55mark 843 21 000 pounds of thrust
15:01hello vicky but where are you at the airport they delivered the vc10 they sent a car to the
15:07runway and took me off my plane so i can go on the new one me isn't that marvelous marvelous
15:12i'm
15:13coming right home they'll call me when the flight's ready but don't come home no no don't come home
15:17you stay there i'll come out to the airport
15:33i'll come out to the airport the british embassy you know and uh would you tell frulein lisa for
15:39me that i'm out at the uh that's frulein lisa oh of course it is who else would it be
15:43hi uh i've
15:44got to go out to the airport the british ambassador oh you just said that oh are you all right
15:48you
15:48look pale no one uh better get him a glass of schnapps no no no i'm fine fine fine uh
15:53he he's
15:54just excited miss he's beginning to realize what these new schedules are gonna do for him well that's
15:59it that's obviously what excited me bertha you're brilliant yeah i know if it's so obvious i don't
16:05see why it's brilliant well it's brilliant because bertha thought of it i mean there was this obvious
16:09fact staring me right in the face and i didn't even see it but bertha did why it's brilliant by
16:12comparison
16:15i'm leaving you'll be back soon as soon as i can you know the newspaper business
16:25he's just like a big kid isn't he yeah dead-end kid
17:03i haven't seen the geek um she said to tell you she'd gone up to the coffee bar
17:30and i don't know where's vicki yes of course yes she came up and i don't know where's vicki
17:58that gentleman you were speaking to wasn't that bernard lawrence yes you know him uh yes he's an old
18:04friend oh a remarkable man enormous amount of energy i see you know him pretty well yourself well thank you
18:12oh
18:34vicki vicki
18:39I won't wait!
18:48Bernard, what are you doing here? Your phone went out of order.
18:51Isn't it wonderful about the BC-10?
18:53Wonderful.
18:53Come on, we can be home in 20 minutes.
18:54No, no, no, I came here to be with you.
18:56Well, that was very sweet of you, darling, but now we can really be together.
18:58Well, no, we can't. You see, I have to cover a story.
19:02Yes, I'm covering a story about a new airplane.
19:04Famous foreign correspondent covering a story about a new airplane.
19:07Well, you see, I knew you were going to be here alone.
19:09And in order to be able to do that, I have to cover the story about a new airplane.
19:12So, you see, we've got to stay here.
19:14I'm very disappointed.
19:15Oh, don't be. Next time we'll be together twice as long. Come on.
19:19Eins, zwei, drei, vier.
19:22Eins, zwei, drei, vier.
19:25Eins, zwei, drei, vier.
19:29Eins, zwei, drei, vier.
19:32Eins, zwei, drei, vier.
19:33Drei, vier, eins, zwei, ein, halb.
19:39Die dritte Übung. Händen auf die Hüften legen.
19:41Der Oberkörper im Preise drehen, den linken Fuß ausstrecken.
19:45Hochheben, jetzt der rechte Fuß.
19:48Das wird Ihnen schöne Hüften geben.
19:50Nicht mühlich werden, Sie müssen arbeiten.
19:53Sie müssen verstehen, dass man am Ortenweg arbeiten muss.
19:56Ja.
19:58Uh, just tell the driver to honk the horn.
20:01Eins, zwei, drei, vier.
20:03Nicht mühlich werden.
20:04Bertha!
20:07Bertha!
20:08Ja?
20:09Cancel the Knackwurst.
20:10They delivered the new Superboy and I'm going to be on it.
20:14Wunderbar.
20:15I have to go back to the airport.
20:18We're going to miss you.
20:28Now, to be absolutely certain, you leave Accra tomorrow, right?
20:33Right.
20:34And you're back in Paris at 1845 Thursday evening, right?
20:37No.
20:38Wednesday midnight.
20:39This is the VC-10.
20:40It cuts ours.
20:41Oh.
20:42Orange juice, please.
20:43Très bien, madame.
20:44Vodka martinis.
20:44C'est bon, monsieur.
20:47I wish you wouldn't do that.
20:48Makes me feel as though you're always squeezing me in.
20:50Well, my love, I have to arrange my schedule.
20:52You wouldn't want me to be busy on an assignment when you get back, now would you?
20:56Speaking of assignments, the new planes in the hangar,
20:59I don't see how you can cover this story from a bar.
21:01That statement, young lady, is a knife in the back of every newspaper man in the world.
21:05Oh, no.
21:06Oh, yeah.
21:07It's me, Robert.
21:07Hi, Bernard.
21:08Hi.
21:08We were talking about you this morning.
21:10Oh, we were?
21:11Well, no, no.
21:12Bertha and I were, yeah.
21:13We were saying how wonderful you were doing in Berlin.
21:15Are you going back?
21:16Oh, no.
21:16I've been reassigned to Paris.
21:17Didn't you get my wire?
21:18No.
21:19Oh.
21:21Anything interesting happening in Paris?
21:23Nothing.
21:23Just routine stuff.
21:25Been hibernating.
21:26Uh-huh.
21:27Like a bear.
21:28And I take it this is Mama Bear?
21:30Uh, Miss Vicki Hawkins, British United, Robert Reed, Consolidated Press.
21:35Yes.
21:36Nice to meet you.
21:36Won't you sit down?
21:37Uh, won't I be intruding?
21:38Yes.
21:39Oh, thank you.
21:39I will.
21:42Let's see.
21:43Comfortable?
21:45Oh, uh, s'il vous plait, uh, donnez-moi un vodka martini très sec.
21:51Très sec, monsieur.
21:52Oui.
21:55Tell me, have you, uh, known Bernard Long?
21:58He doesn't know.
22:00He doesn't know what?
22:01That I'm your fiancée.
22:02You are?
22:03Oh, yes, of course.
22:04You are my fiancée.
22:06Delighted.
22:07I'm so lucky to have a man like Bernard all to myself.
22:09Don't you think?
22:10Oh, absolutely.
22:12What's that?
22:15Oh, that's our new VC-10 I was telling you about.
22:17We're starting it today because of Lufthansa's Super Boeing.
22:20Lufthansa?
22:21Today?
22:22I don't see how you can write a story about airplanes when you don't know anything about what you're writing.
22:27Oh, that never stopped a good newspaper, ma'am.
22:31Très sec, monsieur.
22:32Merci beaucoup.
22:33You know you're the first friend of Bernard's I've ever met.
22:35He's so secretive.
22:37Yes, I know.
22:38He's even concealed you from me.
22:39Do you know that I've never ever known where he's lived in Paris?
22:41We have a marvelous apartment.
22:43It's a slum.
22:43Is it big?
22:44Enormous.
22:44Very small.
22:45You gotta put me up for a couple of days, Bernard.
22:47I mean, every decent hotel in Paris is loaded.
22:49You know, what with the tourists and everything?
22:50Oh, stay at the YMCA.
22:52Nonsense.
22:52You can come to our place.
22:54You can keep Bernard cocky while I'm away.
22:55He gets very lonely.
22:56I accept.
22:57Will the crew of British United Flight number 237 please check with operations?
23:05Oh, oh.
23:05Oh, please don't get home.
23:06You see, now where would we have been if we'd gone back to the apartment?
23:09Where indeed?
23:10You're right as always.
23:11He's a genius, you know.
23:12I heard.
23:13Bye-bye.
23:14No, you stay here with your friend.
23:16I'll come back and say goodbye if we're going straight out.
23:18Will the crew of British United Flight number 237 please check with operations?
23:25Do you know how lucky you are?
23:26I guarantee you I do.
23:28If I could only find a girl like that.
23:30You're going to the YMCA.
23:32I'll find one there.
23:34You're not gonna look in my apartment.
23:35But this is your fiancee.
23:37This is different.
23:37Robert, the last time I saw you was in Casablanca.
23:41I lost a story, two flamenco dances, and a case of whiskey.
23:44I suppose that was different, too.
23:46Did you see Bernhard?
23:48Yeah.
23:53What are you doing?
23:55You don't have to laugh it up.
23:56He'll bring you another one.
23:57There he is.
23:59Oh, I'm sleeping.
24:01I dropped my watch.
24:02I'm so happy I found you.
24:04Oh, and you must be the friend from breakfast.
24:06Yes.
24:07Yes.
24:08Uh, breakfast?
24:10Oh, you are not Mr. Reid from Berlin who had the English breakfast with Bernhard this
24:14morning?
24:15Uh.
24:15Oh!
24:16Oh, the English breakfast.
24:17Yes, of course.
24:18And those English kippers are just marvelous.
24:21Kidneys.
24:21I mean kidneys.
24:23I always confuse kippers and kidneys.
24:25But I'm not Mr. Reid.
24:26You can call me Robert.
24:27I'm Lisa.
24:28Uh, Lisa?
24:29Yeah, but you seem not to know me.
24:31Uh, well, should I?
24:33Well, that's Bernhard's friend.
24:35Of course he knows you.
24:36He knows all about you.
24:38He knows I'm your fiancee?
24:40Oh, yes, fiancee.
24:42Certainly.
24:43He does nothing but talk about you.
24:44He's completely obsessed with you.
24:47What are you doing here?
24:49Operations phone.
24:50I've just been promoted to the new superjet.
24:52Congratulations.
24:53We're going out immediately.
24:55Uh, well, that's why I'm here.
24:56You know, I waited for you here.
24:57I knew you were coming back to the airport.
24:59He anticipates everything.
25:01He really is a genius.
25:05Well, I'm off.
25:06Don't get up.
25:10Well, darling, I have to go back to Frankfurt and London, Montreal and back to Paris.
25:15Uh, uh, and when do you plan to be back in Paris?
25:17Day after tomorrow.
25:18Day after tomorrow.
25:19Day after tomorrow.
25:19At what hour?
25:20Uh, 2100.
25:212100, eh?
25:21He hates confusion so much.
25:24Don't you, Liebling?
25:24Yes, I do.
25:25He's just a slave to my schedule.
25:29Oh, excuse us.
25:31Excuse me?
25:33Auf Wiedersehen, mein Liebling.
25:34Auf Wiedersehen, mein Liebling.
25:35Auf Wiedersehen.
25:46Auf Wiedersehen.
25:47And you're getting luckier every minute.
25:50Well, you know how it is with these girls,
25:52flying around the world, Karachi, Cartoon, Caracas.
25:54I know, I know.
25:56And I know that tone of voice from the past, so leave it alone.
26:00I wouldn't touch it for the world, not even the slightest push.
26:03Take off in 15 minutes. Don't get up.
26:05Again, don't you?
26:07See you at midnight, darling.
26:09It's midnight.
26:10Midnight?
26:11When I'm flying, I go to the galley and look out of the porthole at the moon
26:15at exactly midnight.
26:16And Bernard looks up out of his bed at the same time.
26:19So, you see, we're together even when we're both alone.
26:22Because we're both looking at the very same moon.
26:26That's cute.
26:28Vicky's very imaginative.
26:30It's delightful.
26:31Excuse us.
26:32Would you excuse me, Vicky?
26:33Should I leave?
26:34Oh, no, no.
26:46I'll go see you, please.
26:49Goodbye.
26:50Goodbye.
26:51Cheerio.
26:52Mm-hmm.
26:52Bye.
27:03I can't wait to see your apartment.
27:06You never will.
27:07Oh, why not?
27:08We can double date you and Vicky and me and Lufthansa.
27:11You're going to a hotel.
27:13Then I'll miss Lufthansa, and so will you when I tell her about Vicky.
27:17You wouldn't.
27:17I would if you forced me to go to a hotel.
27:22Yeah, all right.
27:2656th Avenue de Lorraine.
27:28Seed berth of my housekeeper.
27:30I've got to go back to the office.
27:32I don't know when he finds time to work at all.
27:35Problem, monsieur?
27:36Oh!
27:37Nothing.
27:38It was just...
27:40That's outrageous.
27:41I wouldn't pay it if I were you.
27:42You're right.
27:43I won't.
27:47Hang on, big mouth.
28:04Bertha?
28:05Monsieur?
28:06Je suis son ami, de monsieur Laurence.
28:10What?
28:11Je suis son ami, monsieur Laurence.
28:15I'm an American.
28:17Oh, I'm Mr. Lawrence's houseguest for a couple of days.
28:21He a guest, too?
28:23Oh, no, he's a cab driver.
28:25Oh.
28:26Did you bring your family with you?
28:28Oh, no, I'm a bachelor.
28:30So is Mr. Lawrence.
28:31Yes, I know.
28:32I'm Robert Reed.
28:34Oh, the breakfast one.
28:37Everyone seems to be preoccupied with my breakfast.
28:40Mr. Lawrence didn't say anything about you coming to stay.
28:44Oh, well, you know how he is forgetful.
28:46Mr. Lawrence can't afford to forget anything.
28:49Uh-huh.
28:49What room did he say you could stay in?
28:52Did he say what room?
28:54No, he wouldn't tell you.
28:55I mean, I think he left it up to you.
28:57Oh.
28:59Well, this is the guest room, and this is the bathroom.
29:03Yeah.
29:03And this is, uh, uh, well, and this is his bedroom, and this is the spare room.
29:08It's kind of like a dormitory here.
29:11You don't know the half of it.
29:13Oh.
29:14Uh, may I sit down?
29:15Oh, certainly.
29:16Thank you very much.
29:18It's all right.
29:18You're, uh, you're a guest around here, you say.
29:23Uh, I kind of get the idea that you're not happy about it.
29:26Well, it's another mouth to feed, and it's another soul to keep track of, but I'm not very strong, you
29:33know.
29:33I took this job because my doctor said I should avoid excitement.
29:38Um, are you used to a varied diet?
29:42I have the broadest tastes.
29:44Oh, another one.
29:46I, uh, I kind of think I know what you must go through.
29:50No, you don't.
29:51But it's, uh, nice to find a young man with some consideration.
29:56So, you go in the guest room and rest up, and I'll go out in the kitchen and get you
29:59a nice cold drink.
30:01And, uh, Mr. Reed.
30:03Yes.
30:03Um, you forgot something.
30:06I'm sorry.
30:08Uh, merci.
30:09Uh, ça va.
30:22Oh, God.
30:40Dear, when the story comes in off the wire, I want you to translate it for me in the next
30:43ten minutes.
30:44What's the hurry, Mr. Lawrence?
30:46Why not seppelisje les aperitifs?
30:48Are you going to cut out the usual dialogue, or do I get someone else, huh?
30:52If you choose, you do not engage me primarily for my linguistic services.
30:56Yes.
30:57As we both know.
30:58By the way, I have for you a lovely thing from the Far East.
31:02Some other time, Pierre.
31:04What's going on in the office, huh?
31:05Oh, uh, you're up for a promotion.
31:08What?
31:09They intend to put you in charge of the New York office.
31:11New York?
31:12Oh, no.
31:13Are you sure?
31:14To get into the personnel files was not easy.
31:17It cost me 100 francs.
31:19Yeah, my money.
31:20But I don't want to be promoted out of Paris.
31:22Of course not.
31:23Did Adam want to leave the garden abedon?
31:25Try its leg, will you?
31:27As you wish, as you wish, as you wish.
31:44Bonjour, chérie, chérie.
31:54I don't believe we've met.
31:56You're not Bernard?
31:59How dare you?
32:02Oh, well, I was just sitting here minding my own business.
32:04But what are you doing in my apartment?
32:08Your apartment?
32:09My name's Bernard.
32:11Well?
32:12Oh, well, I'm terribly sorry.
32:14I didn't mean to take advantage of you.
32:16It's just that I was expecting Bernard.
32:18You were expecting Bernard to kiss you?
32:21No, no, of course not.
32:22No, no.
32:23I, I, well, this was so delicious.
32:26I just hope you'll forgive me.
32:28I'm Bernard's guest.
32:29My name is Robert Reed.
32:31And I am Jacqueline Grilleux.
32:32How do you do?
32:33Please sit down.
32:36You seem not to know me.
32:38Has not Bernard told you about me?
32:40Oh, oh, yes.
32:41Oh, absolutely.
32:42Of course.
32:43He talks about nothing else.
32:44That's all he talks about is Jacqueline this and Jacqueline that.
32:48Here are Jacqueline, there are Jacqueline everywhere.
32:50You are his fiance.
32:51Yes.
32:52I thought you would be.
32:53And you are an old friend.
32:55I never know.
32:56He's so secretive.
32:58Yes, and I can't imagine why, Miss Grilleux.
33:00Oh, because you and Bernard are old friends.
33:02You may call me Jacqueline.
33:04Oh, well, thank you.
33:05And you must call me Robert.
33:07How do you do?
33:08Glad to know you.
33:10Sit down.
33:12Sit down again.
33:13Yes.
33:14You know, he's terribly jealous.
33:17You won't say anything to him about my kissing you.
33:19Oh, no, I forgot about it already.
33:21You have?
33:22Well, it was so sudden without warning.
33:24If there had been a warning, there would not have been any kiss.
33:28Exactly.
33:29Without anticipation, a kiss is nothing.
33:31Actually, you know, I could easily forget not to remember a kiss that meant nothing.
33:36But a kiss that meant something, that I could remember to forget.
33:40There is something fuzzy about that logic.
33:43No, not at all.
33:44An honest, meaningful kiss would ensure my complete silence and absolute discretion.
33:51You want me to kiss you again?
33:53As a bribe?
33:55No, as a kiss.
33:56A little kiss.
33:58But I could not.
33:59I would never forgive myself.
34:01But it's just to help you and Bernard.
34:04I don't understand that.
34:06Well, you're his fiancée, and I'm his dearest friend.
34:08We must protect him from any misunderstanding.
34:11Newspapermen, they're in heat all the time.
34:13Ah, Berta.
34:16Are we having my souffle tonight for dinner?
34:18Right now, that's the plan.
34:20Ah, thank you.
34:21Let me take this.
34:22Where are you going, Jacqueline?
34:23To my room to wait for Bernard.
34:27Please.
34:29I, uh, I thought I would be a gentleman and open the door for her.
34:37Oh.
34:51Don't ask.
34:52Oh, I was just going to ask if you were through with what you were doing.
34:56And you're going to hang around here.
34:58Fine.
34:59Well, then, uh, I might as well just go and lie down a while.
35:03I get tired during the day, you know.
35:06A little nap never hurts.
35:08But thanks, Bertha.
35:11Uh, I'll just lie down.
35:13Mm-hmm.
35:14And I'll wake myself up.
35:16Mm-hmm.
35:32Jacqueline.
35:36Jacqueline, can you hear me?
35:38Go away.
35:40But what's one little kiss?
35:44I just want one little kiss I can expect, and I promise I'll say nothing to Bernard.
35:49Oh, all right.
35:51Get ready.
35:58When?
36:02Mm-hmm.
36:05Oh, Robert.
36:07Jacqueline.
36:09Bertha, what's going on here?
36:12Jacqueline!
36:12You're early.
36:13Why are you yelling?
36:14Am I yelling?
36:15Well, of course I'm yelling.
36:16I've got every right to yell.
36:17I wanted to explain to Robert.
36:19Uh, Jacqueline already explained.
36:21Oh, she did, huh?
36:22Oh, well, then everything is fine.
36:23Then why don't we all have a drink?
36:24Yes, good.
36:25Uh, did Bertha unpack your bags?
36:27Yes, uh, I'm...
36:28Wonderful.
36:28Oh, what are we going to have for dinner?
36:30Don't you worry.
36:30I'll go see what we're going to have for dinner.
36:32Where's Bertha?
36:32I'm here.
36:33Oh, good, good, good.
36:35Yeah, that's fine.
36:35It's a funny life, being a maid around here.
36:38Yes.
36:42Oh, there you are.
36:43Are you all right?
36:44Yes, I'm fine, fine.
36:45Just a little hyperactive.
36:47Uh, excuse me?
36:53Somehow, I never get to answer the phone around here.
36:55Well, it, uh, it might be somebody who only speaks French.
36:59But I speak French.
37:02Well, it, uh, it might be the butcher.
37:04He only speaks German.
37:06Hello?
37:08It's the butcher.
37:10Well, I'm going to get ready for my bath.
37:17It wasn't the butcher.
37:18It was the Lufthansa from Frankfurt.
37:20What did she say?
37:21Hello, Liebling.
37:23Oh, you.
37:24There's something I want to tell you.
37:26Yes, what is it?
37:28I forget.
37:28It'll come to me.
37:33Hello?
37:34Hello?
37:34It's her again.
37:36Fraulein D-Cup.
37:37Give me a phone.
37:40Hello?
37:41What?
37:42What?
37:42No, it's laryngitis.
37:44Oh, yes, it came out very quickly.
37:45Mm-hmm.
37:46But that's very sweet of you to say, my Liebling.
37:48Well, of course, I can say it.
37:51Well, right now?
37:55Ich liebe dich, too.
37:58No, no, don't call me from Montreal.
38:00It's too expensive.
38:01Yes, but you have a good trip.
38:03Auf Wiedersehen.
38:04Bye.
38:05You'll need this.
38:10Yes, what is it?
38:13Nothing.
38:14Nothing, you.
38:18Was that the telephone again?
38:19Yes.
38:20Why are you whispering?
38:22Am I whispering?
38:23It's laryngitis.
38:24I'm not whispering, no.
38:25It was not for me?
38:26No, no, no.
38:27No.
38:27Are you expecting a phone call?
38:28They might call from the airport.
38:31They are changing schedules because of our new fast plane, the Ultra Caravelle.
38:36Oh.
38:36And they want you to be one of the hostesses on it, right?
38:40How did you know?
38:42Hmm.
38:42Well, it was obvious.
38:44But they haven't changed your schedule yet.
38:45No, except we are going one hour later tomorrow morning.
38:48One hour later?
38:4911.30 instead of 10.30.
38:51Hmm.
38:52Good.
38:52Why do you say good?
38:54Oh, did I say good?
38:55Uh-huh.
38:56Yeah, you did.
38:56I heard it.
38:57I said good because it's going to give us an extra hour in the morning.
39:00Oh, you are so sweet.
39:02Yes, yes.
39:03Who was it then?
39:05Who was who?
39:06On the telephone.
39:07It was not another woman, was it?
39:09Another woman.
39:10Are you kidding?
39:12You marvelous little French pussycat.
39:14Another woman indeed.
39:17Another woman.
39:19Well, who was it?
39:21It was a wrong number.
39:24Some lunatic was on the phone.
39:26What is this?
39:28Hmm?
39:29What's what?
39:30This letter.
39:31It has an English stamp on it.
39:33Vodka fingers.
39:36It's addressed to someone named Victoria Hawkins.
39:40That's Hawkins.
39:41Listen up.
39:42Huh?
39:43Well, it's obviously not me.
39:45No, he's not Victoria Hawkins.
39:48Obviously.
39:49Well, what is he doing here?
39:50Well, you know how they are down at the post office.
39:54No.
39:54How are they?
39:55I just remembered.
39:57Well, what?
39:57What I wanted to tell you.
39:59What is it?
39:59Huh?
40:01A dinner's almost, Barry.
40:03All right.
40:03Thank you, Bertha.
40:04Now, tell me something.
40:06What is this?
40:07Uh, it's a letter.
40:09I can see that.
40:10But it's addressed to a Miss Victoria Hawkins.
40:13Do you know her?
40:14Never heard of her.
40:15She sounds like some kind of a foreigner.
40:17It's a foreigner.
40:17Well, what is he doing here?
40:19I, uh, uh, uh, uh.
40:22Oh, that old idiot downstairs, you know?
40:25The conscientious.
40:26Yeah, the idiot.
40:26He said that I took this letter.
40:28It belonged to somebody else on the block.
40:30That's my mistake.
40:31Yeah, you see, there's always a logical explanation for everything.
40:34My mistake, Caroline.
40:36Uh, mademoiselle.
40:37Uh, that's all right, Bertha.
40:40Uh, we're only human.
40:42Yeah.
40:43Some of us, anyway.
40:45Ah, sweet person.
40:47I'm sorry, darling.
40:49You must think I am terribly suspicious.
40:51Well, you are a little bit.
40:53I will be out soon, all fresh and powdery for you.
40:56Mm-hmm.
40:58Fresh and powdery.
41:12What are you doing?
41:15Changing over.
41:16You don't want Air France wearing Lufthansa's underwear, do you?
41:18No, I do.
41:19You should get lost in it.
41:24I'm tired.
41:25Now, why should you be tired?
41:28I suppose you think I've got nothing on my mind but women, right?
41:31Why not with a layout like this?
41:33What else would you have on your mind?
41:34Remember the time you covered that Suez thing?
41:36Yeah.
41:36You had these four dames, an Israeli machine gunner, the Arabian masseuse.
41:40Wait a minute.
41:41They weren't all stacked up over the field waiting to come in.
41:44Well, I admit that today is a bit unusual.
41:47Unusual?
41:47Well, Bernard, I don't like to pry, but you are engaged to all these girls, right?
41:51Yes.
41:52Mm-hmm.
41:53And, uh, they all have the idea of getting married, right?
41:57Of course they do.
41:58I mean, how else do you think polygamy works?
42:01But isn't that a little risky?
42:02Plus the fact it's against the law.
42:04You know, three wives, I mean, you don't...
42:06Wait a minute.
42:06Wait a minute.
42:07Who said anything about wives?
42:09They're fiancés, and that's the way they're going to stay.
42:11That way, I have all the advantages of married life without any of its inconveniences.
42:16Do you understand?
42:17And besides, fiancés are a lot friendlier than wives.
42:21You're kidding.
42:23Now, three is the perfect number.
42:25Less would be monotonous.
42:27More would be terribly tiring.
42:29Three is just ideal.
42:31But it's immoral.
42:33Immoral?
42:34All three think they're the only one.
42:36Now, if they don't think it's immoral, why should I?
42:38I tell you, it's the only way to live.
42:39Yeah, but isn't it just a little complicated?
42:41No.
42:41All you need is a timetable.
42:42I'll bet you do.
42:43No, not what you think.
42:44An airline's timetable.
42:46Oh, to get away in a hurry.
42:48Come here, I'll show you.
42:50Here's a timetable for all the major airlines in the whole world, all in one volume.
42:55One volume.
42:56You understand now, don't you?
42:57Yes.
42:58You really don't, do you?
42:59No.
43:01Let me see.
43:01Let me put it this way.
43:03Each one of my fiancés has been recruited from the different air personnel.
43:06Each is an airline hostess.
43:08And very beautiful.
43:10They've been tried and tested.
43:12Uh, you know, the entrance exam to these major airlines is very difficult.
43:15They have to be healthy, good at cooking, witty, friendly.
43:19Friendly.
43:19I understand it from your point of view, but what do the girls get out of it?
43:24What do they get out of it?
43:25They get security out of it.
43:26I mean, flying around like that, it's good for them to know that there's someone down below
43:29that they can come home to.
43:30There's not enough people down below to go around, huh?
43:33Well, they happen to be in love with me.
43:34That's nice.
43:37Well, I take my hat off to you, but I must admit, I don't think it's going to last.
43:41Get on, huh?
43:41Uh-uh.
43:42Sit down.
43:43Yeah?
43:44Please.
43:44All right.
43:46Get on, huh?
43:48Look at this.
43:49Lisa will be arriving in Montreal this evening.
43:52Jacqueline, who leaves tomorrow morning, will be arriving in Tokyo.
43:55And Vicky, by this time, will be between Lisbon and home.
43:58So, you see, my fiancés wheel around the earth, one towards the sun, one towards the
44:04moon.
44:04And they all eventually, in turn, come back to me.
44:07It's geometrical.
44:08It's poetic.
44:10Sort of like one up, one down, one pending, huh?
44:13Mm-hmm.
44:14Yeah, you might say that.
44:16Well, old friend, now that you know everything, you understand why it's important that you
44:21find your own place.
44:22Because your presence here makes it highly complicated.
44:25You know, now that I realize how remarkably uncomplicated you've made everything, I just
44:31wouldn't trust myself staying anywhere else.
44:33Oh, I never thought you'd stooped up blackmail.
44:36Oh, don't call it that.
44:38Get away.
44:38No, say admiration.
44:40Envy, maybe.
44:41And something else.
44:42A deep-seated curiosity.
44:44Because now that I've heard, I can't wait to see your geometrical poetry come unglued
44:49at the scene.
44:50Look, nothing's going to happen unless you make it happen.
44:53You breathe one word.
44:54No.
44:55You open your mouth once.
44:56Wait a minute.
44:56Wait a minute.
44:56I will protect this setup as though it were my very own.
44:59Yeah, but that's what I'm afraid of.
45:01Bernard, we've had our differences over the years, but I do recognize genius when I
45:06see it.
45:08You can trust me.
45:11You call for a translator, Monsieur Reed.
45:13I am Pierre.
45:14Ah, your fame precedes you, Pierre.
45:16Oh, I'm known in Berlin.
45:17Oh, in the newspaper fraternity, you have the reputation of a man with simple taste.
45:21Money.
45:23Do you know Bernard Lawrence of International Press?
45:25I seem to have heard the name.
45:27You couldn't ever by chance have worked for International?
45:30I don't even know the address.
45:32I see.
45:33What is, uh, Monsieur Lawrence's present status with International Press, uh, employment-wise?
45:38Uh, thank you.
45:40It is quite possible that Monsieur Lawrence will soon be transferred to New York.
45:44Are you sure?
45:45The information costs me 200 francs.
45:51Where does he get his fiancés?
45:53Uh, pardon?
45:54Oh, come on, Pierre.
45:55What's the source of supply?
45:57I mean, there must be some kind of a pool, or a specific restaurant, or a certain someone
46:01with the right contacts.
46:03I do not know, Monsieur, and it would be very expensive to find out.
46:07Find out.
46:08I will begin immediately.
46:10Uh, you don't intend to interfere with Monsieur Lawrence's, uh, arrangement?
46:15Well, certainly not.
46:16I like it the way it is, along with the maid and the apartment.
46:20Ah, against the day that Monsieur Lawrence may be transferred to New York.
46:23Exactly.
46:24It would be too expensive for him to take everything with him.
46:26You are a friend, Monsieur.
46:29Is there anything I can do for you here, uh, the translating?
46:32No, not at all.
46:34I have to be going.
46:35Just get the information.
46:37At once, sir.
46:38May I use the telephone?
46:39Certainly.
46:40Go right ahead.
46:53Monsieur Lawrence?
46:54He's just leaving.
46:56I am going to follow him.
46:58Don't excite yourself.
47:01Goodbye.
47:04Goodbye.
47:13Goodbye.
47:15Goodbye.
47:17Goodbye.
47:19Goodbye.
47:22Goodbye.
47:23Goodbye.
47:25Goodbye.
47:26Goodbye.
47:26Goodbye.
47:27Goodbye.
47:29Goodbye.
47:30Goodbye.
47:30Goodbye.
47:30Goodbye.
47:31Goodbye.
47:37Oh, hi, Bertha.
47:39Well, Mr. Reed.
47:40I see Air France has flown. Who's up next?
47:42I mean, what lady?
47:44I know what you mean.
47:46British United.
47:47It's due in after midnight.
47:49After midnight, huh?
47:51Poor Bertha.
47:52You've put in a pretty big day.
47:55I'm curious, Bertha.
47:56Do you get here around dawn?
47:58I sleep here.
47:59You too?
48:00I mean, you do?
48:02Where?
48:03In the back.
48:04You wouldn't believe what it's like.
48:07Yes, I would.
48:09You know, Bertha, Mr. Lawrence means well,
48:11but he's so involved with all his work and everything,
48:13and I feel a little guilty.
48:14I hope I'm not too much of an inconvenience for you.
48:16Oh, well, I...
48:17I mean, I know what you go through
48:19with all of the confusion and the changing,
48:21and I remember what you told me.
48:23You're not very strong.
48:24No, underneath I'm very delicate.
48:27And you have a very spiritual face, Bertha.
48:30I don't know how I keep up.
48:33Because you're loyal.
48:35Because of finer feelings.
48:38And no matter what, honor.
48:40And I'm not a complainer.
48:42Of course you're not.
48:43Anyone can see that.
48:45Bertha, why don't you sit down?
48:46I hate to sit when a lady is standing.
48:49Well, be here, sir?
48:50Why, of course.
48:51We're in France.
48:52E pluribus unum.
48:55Sit down, Bertha.
48:56Have a cigarette with me.
48:57Oh, I'd rather have a drink.
48:59Oh.
49:00All right, I'll catch you one.
49:04Now, Mr. Lawrence, as smart as he is,
49:06doesn't realize what he has here.
49:08Now, take me.
49:09I came to Paris to find an apartment just such as this.
49:12With a housekeeper.
49:14At the highest salary.
49:15Who would make some elegant meals.
49:18Well planned in advance.
49:19With no changing menus.
49:21No constant adjustments.
49:24And tolerant.
49:26And she must understand that a man,
49:28a bachelor such as myself,
49:29is after all a man.
49:32And possibly a discreet relationship.
49:36One discreet relationship.
49:39With possibly a countess.
49:41Or an older woman of quality.
49:43Quality instead of quantity.
49:45Huh, Mr. Reed?
49:46That's the idea.
49:48And I just thought, Bertha,
49:49possibly you could help me find such a woman.
49:52A countess?
49:53A housekeeper.
49:56Who could that be?
49:57No one's scheduled at this time.
49:58Probably the police.
49:59I've been expecting them for months.
50:01Well, I don't understand it because...
50:03Oh, Lisa!
50:04Surprise!
50:05Nice to see you.
50:06Uh, Lisa, that's strange.
50:09We didn't expect you back until tomorrow.
50:11Let me take that for you.
50:13He talks just like my bell nut.
50:15He always has to know the minute I touch down.
50:18But do I have to eat?
50:19Well, I'll get out the knockwurst.
50:21She'll get some knockwurst out.
50:22That's funny.
50:23We thought you would be in Montreal.
50:25Oh, that's a surprise.
50:26They turned right around and flew back.
50:28We set a two-way record.
50:30Won't Bernard be delighted?
50:32Hysterical.
50:32But I'm here.
50:42Oh!
50:43Oh!
50:43Oh!
50:45Oh!
50:46Oh!
50:48Oh!
50:50Oh!
50:50Oh!
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