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Bergerac.2025.S01E05.540p.x265.AAC [Full Movie] [English Subs]Full EP - Full
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00:04you're far more ruthless than i could ever be i think you're the most dangerous man i've ever
00:08met i never thought kim was unsafe with you of course she is safe kim i'm okay julian who was
00:18driving your car in the lead up to kate's murder ellie these photographs were on your phone they're
00:23of the wayfield house did you take kate sent them to me kate had a second secret phone that she's
00:28hidden somewhere john blakely's life was ruined what about my life it's about your confidence
00:33in the conviction they found my hair in his car he disputes that are you a corrupt cop
00:39who pursues vendettas by framing innocent men no comment
00:55what the hell are you doing john oh you've spoken to chloe then oh she's a real bloodhound
01:00that one well that's a shame i was on a roll but this will be far more entertaining right you
01:06listen
01:06to me yeah you did it you were guilty i was found guilty on the false means i've been thinking
01:16how
01:17many other poor innocent souls have you stitched up i don't know about you but that keeps me awake at
01:21night yeah what about sophie armstrong do you think about her oh i think she'd want the right man to
01:26pay
01:32for the crime now careful jim god's eyes are everywhere cctv of the soul now i forgave you
01:39but you just kept coming you stopped me from starting over after i'd served my time the only
01:45reason we went to the press is because we can't trust the police who's we someone who hates you as
01:50much
01:50as i do arthur wakefield so the law is paralyzed for the wicked surrounds the righteous so justice go
02:00forth perverted yeah thou shalt not fucking abduct
02:48where's julian
02:51he's at the police station
02:55he uh he left the opera on the night of i didn't mention it for obvious reasons
03:03uh then he uh took my car drove it here he was seen on route on cctv
03:13he must have killed kate
03:16but why he took out a life insurance policy on kate with 250k presumably to pay off his gambling debts
03:24but i thought you'd paid them off that he'd managed to stop yeah so did i looks like he's fooled
03:29us all he only faked the ransom after lily had been taken what no his own daughter he need to
03:37call
03:37lawrence get him to draw up a strategy um clean insanity say that we did everything that we could
03:44to help but in the end addiction won out you know you're ungrateful little
03:48shit you've robbed us of everything we need to preserve what little we have left of our reputation arthur
03:54i i i what i need to tell you something
04:06uh
04:12uh
04:42hi dad
04:43and i could have seen you being killed yeah well she should keep her fantasies to herself
04:50the thing is
04:54she doesn't want me to see you for a bit
04:56what
04:58i'll tell you you've sorted yourself out
05:00who does she think she is look it's not her choice kim okay it's yours um
05:07look i'll talk to her put her on
05:09no dad
05:09no i'm not gonna let her take over your life kim
05:12i don't want you two fighting
05:15again
05:20she's coming i should probably go
05:22wait sorry you can't even talk to me now kim
05:36hi
05:38guess who just came to the hostel like a man possessed
05:41bergerac yeah totally lost his shit
05:44the cage has rattled prison beckons
05:47so how long till you run the story because i can't wait
05:50i spoke to sophie
05:52i was hoping she'd concede that bergerac had coached her into identifying you but
05:58she is convinced it was you right but we still have the second search of the car
06:03no i just had to explain this to arthur wakefield
06:07it's not enough without hard proof that bergerac did this we could be sued for defamation
06:13sorry are you saying that you're not going to run it
06:16i'm sorry john
06:19you're serious
06:26okay fine
06:31you need to go
06:33to
06:33to this address
06:35it's the house i grew up in
06:37you'll need to go into my old bedroom top of the stairs first on the right
06:41there's a wardrobe
06:43taped to the inside of the wardrobe
06:45an old mobile phone
06:46i need you to get it and i need you to bring it to me
06:49but why can't you get it
06:53it's not safe for me to go there
06:56but it is safe for me to go there
06:58you said you need evidence
07:00wait so there is evidence
07:03well why didn't you use it at trial
07:06you'll see
07:29so
07:31we know that julian took out a life insurance policy on kate right around the time he went into
07:35debt with ruccini people have life insurance policies you know for all we know maybe she had
07:39one on him it doesn't mean that he was desperate enough to kill her and besides
07:43insurance companies don't pay out immediately after a murder it's a long shot by him he was
07:48desperate enough to fake a ransom note to his father for his own daughter that's opportunistic
07:53it's not premeditated one it's a key difference not premeditated he knew that she was at home
07:58alone with no cctv he snuck out the opera house he took his dad's car master wakefield in the nursery
08:03with a candlestick julian look is definitely um it's promising but arthur is still in the frame
08:11um hold on uh any luck enhancing the uh cctv of arthur wakefield's car yeah i i sent it to
08:17tech but i'll chase him up yeah what what exactly did she say i haven't gone into any detail with
08:25her
08:25she just gave me the headline i put her in here
08:32chief inspector i came here to tell you that it was me driving arthur's car from the opera house
08:47i slipped out from the stalls took arthur's keys from his coat pocket and drove back to the house to
08:53talk to kate what about something she said before we left about ellie robson i presume julian must have
09:01told her we'd been receiving threatening letters why why what did kate say that she empathized with ellie
09:07and that concerned me and then during no non tremare o perfido sorry um oh do not tremble you treacherous
09:17one act one scene nine it struck me that they may have been in contact with each other okay so
09:23you
09:23left yeah okay what happened when you got back to the annex well we talked and i was right i
09:30mean earlier
09:31had convinced kate that there was some great conspiracy that she was denied all this money and
09:38kate was naive enough to believe her okay so an easy target for a vengeful woman well i'm sure ellie
09:45was very convincing it's just one problem the usher told us that no one left the stalls before the
09:52interval well they're wrong i don't know and it doesn't seem inconceivable to me that you wouldn't
09:59step up and take one for the wakefield team was this arthur's idea that you would put yourself in
10:06the frame to save him your petticoat showing chief inspector i'm sorry your fixation with arthur
10:16okay for the sake of argument then uh you go back to the annex uh because kate and ellie are
10:22conspiring conspiring to do what exactly well that's what i wanted to find out
10:26i mean there isn't any proof so the best kate could hope to do would be to i don't know
10:33undermine
10:34arthur in some way damage his profile our profile i made it very clear that that would be a very
10:42very
10:42bad idea and i left right and kate was still alive yes absolutely why didn't you tell us this before
10:52because i knew how it would look and i didn't want arthur grieving a daughter-in-law he was in
10:59effect
10:59stabbing him in the back but i can't stand by and watch julian be incriminated so um kate thought there
11:07was proof i'm sorry about the illegal purchase of our light cirrus you said there wasn't any proof
11:12kate thought there was their plan was kate would go to the theater ellie would sneak into the house
11:18and go to arthur's laptop and take all of the incriminating evidence and sneak out and take it to
11:23the press i mean kate had sent ellie hand-drawn plans of the house the location of the laptop
11:28the passcode i see ellie got cold feet kate's last message to ellie was if you won't expose arthur
11:34i will kate feigned illness so she could get the information herself where did this argument take
11:42place it was more of a conversation where did this conversation take place in the nursery lily was in
11:51her cot i need i need to understand the conversation where were you where was she
11:59i was in the doorway kate was by the fish tank okay this is what i don't get why why
12:05would kate put
12:07herself and her baby at risk by conspiring against arthur wakefield while under his roof
12:18she was leaving she was taking lillian she was leaving that's why there was a half-packed bag in
12:23the nursery she was packing and she got interrupted and that was the ultimate kick in the teeth wasn't
12:28it after everything you and arthur and julian has done for her she was going to break up the wakefield
12:34empire your surrogate family run for the hills no wonder you lashed out no that that's not what
12:39happened this wasn't just about arthur it was about you you'd given your whole life to this
12:44family to this company and this ungrateful bitch was going to destroy it all no that i told you what
12:50happened but we talked i i went back and we we talked that that's all i want to talk to
12:57her
13:01so margaret finds kate about to leave with the intention of exposing arthur wakefield
13:05she tries to stop her it gets out of hand she bashes kate over the head unless arthur has put
13:11pressure on margaret to sacrifice herself in order to protect the family name arthur will have told her
13:17about the speed cam picture of the car so maybe she's come forward because she knows it's only a matter
13:22of
13:22time before we identify her anyway and her story ties in with the time of death julian and arthur still
13:28don't have alibis and the usher said that no one left the stalls get simon to talk to the usher
13:35again
13:36if he still says no one left the auditorium then we charge julian wakefield if he says he's not sure
13:42now then it looks like margaret's our killer where are we with forensics finally came back this morning
13:47other than the family mia and margaret there are four unidentified dna traces they did just have
13:53decorators in so we have to track them down so we can eliminate them this guy i swear to god
13:58i have to go another lunch date is it just a stuff to do here meeting with my therapist actually
14:08you know i would not say that he was the best advert for the effectiveness of therapy thought you had
14:13stuff to do
14:38hi so sorry to do this i was just in the area and i saw the for sale
14:43sign and i just couldn't resist asking for a sneaky peep
14:50come on there's a lady here that wants a viewing
14:59hi no viewings without an agent you could be anyone
15:03no totally absolutely fine i'll um i'll talk to you i've just been a bit reluctant
15:11to deal with agents you have to give over your details don't you and then you just become
15:16inundated especially if you're a cash buyer and not in a chain but no so sorry to disturb you
15:27wait
15:29all right
15:32thank you thank you thank you so much thank you
15:40oh wow original features why are you selling up oh we're going to live with our son mark in scotland
15:49oh lovely is he your only child do you want a viewing or our life story
15:58tea coffee coffee would be great thanks
16:03well go on
16:09well it's okay i can whiz around save you i've been enough of a nuisance already
16:20you said that no one left the stalls during the first act are you sure about that yeah yeah no
16:26definitely
16:27i need you to be certain the thing is i'm not supposed to leave my post at the door
16:33josh if you're dead that's not a criminal offense but withholding evidence is
16:41this girl that works here in the cloakroom she uh she asked me to meet her in the storeroom
16:52okay so i did and what time was it this is really important josh
17:048 40.
17:13how quick was this quickie
17:18i was back in position for the interval at 9 20. 9 20. and you're telling me the truth this
17:25time
17:26yeah look
17:39coffee's ready i'll be down in a minute
17:52so
18:13it's
18:14so
18:15it's
18:15so
18:38What are you two poking about in here?
18:40I'm a photographer.
18:42I just thought this would make a really good dark room.
18:44It's time you went.
18:56She won't be having coffee.
19:36And back in the room.
19:38Yeah, it's not that easy to navel gaze when you've just had a lead on a murder investigation.
19:42Oh.
19:44Well, you're my priority.
19:46Oh, wow. Thanks, Pete. I'm touched.
19:50How did it go with Kim?
19:53Not great.
19:55We got interrupted.
19:56Oh. Because of the case?
19:58It does have a habit of doing that.
20:01Well, go on then.
20:03What's this lead?
20:05Arthur Wayfield's looking less likely.
20:08Margaret is PA.
20:10She caught Kate trying to leave the house the night she was killed.
20:13Kate was planning to expose Arthur for defrauding Jonathan Robson.
20:18She was working with his daughter, Ellie.
20:21Everyone talks about Kate being weak and naive, gullible.
20:29But the Kate that sent messages to Ellie from her secret phone was sharp.
20:33She was confident.
20:34She was principled.
20:36There's so much about Kate's life that we don't know about.
20:38What's that graze on your knuckles?
20:40Oh.
20:41That's nothing.
20:43I punched a wall.
20:45I was quite restrained considering the alternative was John Blakely.
20:48Where did this happen?
20:50John's Hostel.
20:51Yeah, I know.
20:53I know I shouldn't have gone there, but no damage done.
20:59Well, apart from to my hand.
21:01Why did you want to punch him?
21:03The point is, I didn't punch him.
21:05Why are you still hounding John Blakely?
21:09I...
21:09You know, this anger I'm picking up on, this lack of control.
21:13Ah, here we go.
21:13What if it's projection for the anger you feel at losing Rachel?
21:18You're hurling yourself into work to avoid dealing with your grief.
21:22And as a result, your emotions are getting displaced because you're not targeting the original source.
21:27I cannot see him.
21:27Or maybe I'm doing it because I'm trying to find out who killed a young woman who was brave enough
21:30to bring that fucking tyrant down.
21:33Look, I need to find Kate's second phone, so let's just chat when her killer's been caught, yeah?
21:50I knew there was a reason I kept every charger I'd ever end.
21:54So you saw him then?
21:58How was Mum?
22:00She seems...
22:03sad.
22:06Yeah.
22:08He won't let her reach out to me.
22:09He's a beast.
22:13There.
22:14There.
22:14You see?
22:16I took some photos that I was going to send to her father, but I never used this one.
22:20No, no, no.
22:20Go back.
22:21You see through the window.
22:22That is my father's red Metro.
22:24That's not my car.
22:25That is not the car that they planted the evidence in.
22:28That's Sophie Armstrong.
22:33You wanted proof.
22:34There it is.
22:35No, you said you were innocent.
22:37You lied to me.
22:38It's not about Bergeret planting the evidence.
22:40It's...
22:41That was true.
22:42Look.
22:42She was a child.
22:45I'd have never pursued this if I'd known.
22:50Fine.
22:51Fine.
22:51Hmm.
22:52Hmm.
22:53Just take a minute.
22:56I mean, you've met with her.
22:57She's fine, isn't she?
22:59She was a child.
23:00Look what you did to her!
23:01I served my sentence!
23:05He hasn't.
23:06I think we're done.
23:08Here.
23:13I fucking see you.
23:21Yes.
23:34Well?
23:38I, um...
23:40I've been charged with perverting the course of justice and bailed to attend court.
23:47Well, I'm, uh...
23:50Sorry to hear that, Margaret.
23:51Hmm.
23:55However...
23:55There is an upside.
23:57We know it wasn't Julian.
23:59Hmm.
24:02Why? What were you going to say?
24:05Well, they know I didn't do it.
24:08Well, I wouldn't be so sure.
24:10Bergerac's convinced I'm covering for you out of some sort of die-hard loyalty.
24:16Even when we're telling the bloody truth, you're determined to pin it on me.
24:19I'm telling you.
24:21The man's not well.
24:26Hmm.
24:29You've got to tell him.
24:33Arthur, we were just talking about you.
24:35The Bergerac expose.
24:37Enough dicking around.
24:38You run the story tomorrow.
24:40I'm sorry, Arthur.
24:40But whatever Bergerac did to frame him, we have evidence that proves conclusively that Blakely did, in fact, abduct that
24:46girl.
24:47Yeah, right, but I mean...
24:48You're not saying Bergerac didn't falsify evidence, are you?
24:52No, I'm saying I'm not jeopardizing my career or my reporters by printing a story that champions someone who abducts
24:59young girls.
25:02Fine.
25:03I'll be talking to the owner and the board.
25:04Be my guest.
25:05I'm sure they'll agree with me.
25:07This isn't a story.
25:08It's a suicide note.
25:09Thank you for your time.
25:11Arthur, please.
25:12Please, just listen to me.
25:14All that Blakely cares about is hurting Bergerac.
25:17Now, I know that aligns with your objective, but...
25:21Blakely, he's a very sick man, so take my advice.
25:25I have nothing more to do with him.
25:27He's toxic, Arthur.
25:28If you have to go after Bergerac, find another way.
25:32Noted.
25:36Yeah, I know.
25:39You know that, um, man you brought here to my house, John Blakely?
25:45Turns out he abducted the girl.
25:48So now they're not running the story.
25:50Well, I'm, I'm sorry.
25:52I thought he'd be able to help somehow.
25:56Just explain to me again, why were you in the annex when Kate died?
26:03As you know, she'd been speaking with Ellie Robson and wanted to find out what they were planning.
26:08Hmm.
26:09So you would have been the last person to see Kate alive?
26:13Hmm.
26:14Bergerac was right, you were loyal to a fault.
26:17What?
26:18What's she saying, Arthur?
26:20Hmm?
26:21Oh no, no, no.
26:22Just thinking aloud, that's all you know.
26:36One day someone's going to walk through that door.
26:39And it won't be about Jim.
26:42Every time I get close to a breakthrough, he talks about work.
26:46The lines between personal and professional are blurred.
26:50I think he's projecting his buried rage at losing Rachel onto his suspects.
26:55Yes, he was ranting about Arthur Wakefield this morning, again.
26:58And then there's John Blakely.
27:00Oh, that's sorted.
27:01He's no longer in the frame.
27:03Yeah.
27:03Jim went to see him last night.
27:05At his hostel.
27:07Ended up punching a wall.
27:08Dickhead.
27:09Rather than being a healthy diversion, this case has become an addiction of sorts.
27:13A replacement for alcohol, which he'll do anything he can to perpetuate.
27:18Everyone can master a grief, but he that has it.
27:22Bumper sticker?
27:23Shakespeare.
27:25My bad.
27:29I'm gonna have to take him off the case.
27:59Where, where are the, um...
28:02Where are they?
28:02The, um...
28:03The...
28:04Where are the photos at Kate's and Taylor's?
28:05Oh.
28:07Uh...
28:08Under here.
28:17Are forensics still in the annex?
28:19Yes.
28:26Come on, fine.
28:28Just follow me.
28:36My lip даёт.
28:47Cimes on this.
28:51Cime's tailed.
28:52Poppy.
28:52Sa esté John Birgerac.
28:53You're still at the wayfield house, right? Yeah. Yeah, I'm just in there. Okay. I need you to go to
28:58the nursery. What are you up to Jim?
28:59I just go to the fish tank
29:04Jim I need a word in my office. Sorry, poppy. You've gone quiet. Where are you? Yeah, I was I
29:09was downstairs
29:11You see the the fish tank just go to it. I need you to look inside
29:15What we're looking for? It's just loads of fish. What about the
29:19Isn't there like stones at the bottom little tiny stones just can you dig around in there? What is he
29:24doing? I have no idea, poppy
29:28What are you doing
29:31Poppy poppy talk to me. I don't want to harm the fish. No the fish are fine. We can replace
29:36the fish enough Jim Jesus would you wait
29:42Poppy
29:53Nothing in the stones, but what else a log it's quite realistic for plastic. Okay. Can you pick that up?
29:58Can you look inside?
30:04Jim hang up. I need to talk now. Yeah, no just hold on poppy talk to me
30:14There's like a freezer bag and there's a phone in it. Yes
30:18Yes, what excellent work poppy. I'm coming to pick it up now. Um, uh, we got it. We got Kate
30:23second phone
30:28Margaret said Kate was by the fish tank and you know, I thought
30:31Um, she's not gonna be feeding them. So why is she there? She was hiding a secret phone because someone
30:36was heading into the annex
30:37And then I saw the waterproof bag in the corner of the photo that Kate sent to Ellie
30:41I enlarged it. Why would Kate have a waterproof bag for the phone in the fish tank? Thank you and
30:46good night
30:46That's actually very smart. Yeah, I know right. I I now we're gonna find out who the real Kate is
30:52because I think it's on there
30:53Everything we need to know. Jim we need to talk. Absolutely. I'm just gonna pick up the phone and swing
30:56by once I'm done
30:57I know you went to see John Blakely and punched his wall
31:03Okay, um
31:05I didn't touch Blakely, um, but no I messed up. I appreciate that now, but I swear that will never
31:11happen again. It's harassment Jim
31:12um
31:17You arrested Arthur Wakefield when I expressly told you not to you took your daughter on an arrest and now
31:22this I took a huge risk on you
31:24Yeah, I just got as a massive breakthrough. Yes, and I need to secure a conviction
31:28We can't risk some lawyer getting the case thrown out because you freestyled protocol. I'm sorry Jim. I have no
31:34choice but to
31:35No, no, no, no, no, no, no take you off the case. I
31:39found Kate fun
31:42And you can rest easy that tech forensics will help us with it
31:46No, I never doubted your brilliance as a detective Jim, please don't do this
31:50Not now don't take this away. I need this
31:55Take some time get your priorities straight
31:58Go home
32:00Be a dad
32:05Right back to work everyone
32:07Thanks to Jim that we have Kate's phone
32:10Our best lead so far
32:12Come on.
32:45Come on.
33:15Come on.
33:44I am not silenced because of the darkness, nor because the thick darkness covers my face.
33:50God has made my heart faint.
33:54He...
33:58Fuck off.
33:59There's a good lad.
34:09I won't stay long.
34:11The last thing I need today is tetanus.
34:15You haven't been quite straight with us, have you, son?
34:18No, I said Bergerac planted evidence to secure my conviction.
34:22No, you weren't straight about who you are.
34:25You failed to mention that you're a grubby little sicko that abducts young girls.
34:31One.
34:33Young girl?
34:34Hmm.
34:36It's an interesting hill to die on.
34:38Fine.
34:40What can I do for you, sir?
34:42You wasted my time.
34:43However, my forgiveness knows no bounds.
34:46Nor does my generosity.
34:52Bergerac's address.
34:55And what am I expected to do with this?
34:58Use your imagination.
35:02And what do I get in return?
35:03Well, he's as mature and immune as he is mine.
35:06You said he lost you, your job.
35:09Well, we're always looking for fit, hardworking young men for our sights.
35:12Fresh start.
35:14Clean break.
35:16Blah, blah, blah.
35:21I'm not just an animal that you can let loose on someone.
35:26Really?
35:28Because I think that's exactly what you are.
35:39Hello, darling.
35:41How was your day?
35:42I didn't attend any arrests.
35:44You'll be glad to know.
35:49Starting early, Gran?
35:52Maybe we have something to celebrate.
35:54Oh, what?
35:55I don't want to trace a break to Corfu.
35:57Very funny.
35:58I'm not that drunk.
36:02I've seen this.
36:04They do skiing trips.
36:05They have a state-of-the-art music department,
36:08complete with a recording studio.
36:12Places are like gold dust.
36:14So I took the liberty of signing you up for next term.
36:18What?
36:20Your grades are suffering.
36:23They have a 98% pass rate.
36:28Your GCSEs are coming up.
36:40I have a thirst for knowledge and already possess a broad understanding of the cultural, historical, and geographical, which makes
36:47me eager to discover more.
36:51Is she AI-generated?
36:54What about my friends?
36:55You'll keep your old ones and make new ones.
36:58With these twats?
36:59Your mother, darling, was very happy there.
37:03I wish I should agree.
37:05Think of it as a new adventure.
37:09There's been enough change.
37:11Darling, sweetheart, you were so keen before.
37:14I was being nice.
37:17It's my life.
37:19My decision.
37:21Dad was right.
37:22About what?
37:23Don't you surprise me?
37:24You're trying to take over.
37:27Because right now it seems I'm the only responsible adult in your life.
37:33It's not me who keeps letting you down.
37:36Remember that.
37:59Granny's only going to sign you up to the posh private school.
38:01It says I have to start next term.
38:04What?
38:05Granny's trying to turn me into a burden of mum that doesn't even exist.
38:09You're right.
38:09She's trying to take over.
38:14Not on my watch, love.
38:29Hey, it's just the one.
38:32Fuck you, Dad.
38:34Kim.
38:34Stay away from me!
38:36Kim.
38:37Kim.
38:38Kim, I'm sorry.
38:39Leave me alone.
38:40Just, please, you just come back and we can talk.
38:43It's not when you're pissed, we can't.
38:46Why did you have to prove Granny right?
39:01Kara, it's not a good time.
39:03What?
39:09Kate only had two contacts in her phone.
39:12Ellie Robson and someone called Fred.
39:17Ellie's phone is Ellie's phone.
39:18But Kate's and Fred's were pay-as-you-go, so untraceable.
39:22And it looks like she deleted the messages about once a week.
39:25So they don't go back very far.
39:27But what she says is really interesting.
39:37Margaret hates me.
39:41Watching and listening, pretending to be on my side.
39:45Right, and this is to the, uh, um, Fred guy, straight woman.
39:50Heart emoji is a reply.
39:51What?
39:52Um, the more I dream about breaking free, the more she keeps tabs on me.
39:56Margaret.
39:57Fred says you can do this.
40:01How many of these are there?
40:02Loads.
40:03And this is just one week.
40:04Almost all of them about Margaret.
40:06Margaret.
40:07Told me today how lucky I was to be welcomed into the family that I was adopted like Lily.
40:11A stray.
40:12Look at this.
40:13A few days later.
40:14Just had a big argument with Margaret.
40:15She said Julian would be better off without me.
40:17Then she said they'd all be better off without me.
40:19I can't breathe, Fred.
40:21And this?
40:22The night she was killed.
40:24They've all gone.
40:25Tonight's the night.
40:25Arthur needs to be exposed.
40:26I just need the documents and then I go.
40:30And then, I couldn't resist saying something to Margaret, though, which is probably silly.
40:36Funny, though.
40:38Cry laughing and magic from Fred.
40:39Then Kate says, thank you.
40:40I couldn't have done this without you.
40:41Fred replies, you did this all yourself.
40:43What a joy it's been to know you.
40:45Safe travels.
40:46Kate was clearly terrified of Margaret.
40:48What you said in her interview, I think you were right.
40:51She comes back to the annex.
40:54She talks to Kate.
40:56Kate tells her what she's planning to do.
40:58And Margaret kills her.
41:04Sorry, I need to take this.
41:07Charlie, look, I need to talk to Kim.
41:09I thought she was with you.
41:11She ran away.
41:12Hasn't gone to her violin class.
41:13Her friends haven't seen her.
41:15And now she's not answering her phone.
41:18Look, I'm going to send you an address.
41:20Meet me there.
41:25I need to go.
41:28Let me give you a lift.
41:30You don't need to be breathalyzed on top of everything else.
41:52I'd say she left my arm just after half past four.
41:56I'm half an hour away on foot.
41:58How long was she with you?
42:00About a minute.
42:03Um, okay, find the nearest footage to my house.
42:10There.
42:11There she is, there.
42:12Can you...
42:14Where is she going?
42:16What have you got on King Street?
42:18Try to Massie's.
42:20There, is that her?
42:21What has she got?
42:22She's got flowers.
42:24She didn't have those before.
42:27She's going to the graveyard.
42:29I do champagne Charlie to do.
42:31I know I'm a Saint-Bichardette school, Mum.
42:34I know you were bullied there, but were too nice to tell her.
42:38I don't even know who knows you anymore.
42:42I miss you.
42:46I just want to hug you.
42:49Hold on to you.
43:10Where is she?
43:12Where is she?
43:13Where is she?
43:13She was here.
43:13She was...
43:14She was here.
43:14We saw her just a minute ago.
43:21Wait in.
43:26Hey.
43:31We'll find her.
43:38Hey.
43:39Hey.
43:40Hey.
43:45Miss you.
43:47Every day.
43:49Kim left with a man.
43:51Average height.
43:52Fair hair.
43:52Dark jumper.
43:53He had his arm around her.
43:54What?
43:56Who?
43:58Who could it be?
44:25Vengeance is mine.
44:28I will repay.
44:30I will repay.
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