- 11 hours ago
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Short filmTranscript
00:28Transcription by CastingWords
00:31Are you sure it didn't happen?
00:33Not to me it didn't, whatever it was.
00:46Bye, Norman.
01:06Bye, Norman.
01:41Bye, Norman.
02:06Good morning, Lolly.
02:07Good morning, Mr. Shenley.
02:10Now, now, Lolly, you know her agreement.
02:12Sorry.
02:13Good morning, Norman.
02:15That's better.
02:17Much better.
02:23Good morning, sir.
02:28Mr. Shenley.
02:29Yes, indeed.
02:29Good morning.
02:30My name is Rayburn.
02:31There is a property I should like to discuss with you.
02:34I see.
02:34Are you disposing of or purchasing?
02:37Selling.
02:37You're disposing of.
02:39Very well.
02:40Would you sit down?
02:44Now then, is the said property situated in the neighborhood?
02:48It's about 15 miles to the north, on a lane off the B2134.
02:52It's called Lower Moat Manor.
02:55Lower Moat Manor.
02:57And you are the vendor, sir?
02:58The owner?
03:00No, I am the chief executor of the former owner's estate.
03:04She died several years ago.
03:06I see.
03:07Coffee?
03:09I beg your pardon?
03:10Would you like a cup of coffee?
03:12My assistant, Miss Fellows, here will fix you a cup and a jiffy.
03:15Oh, thank you.
03:16No, thanks all the same.
03:17Oh, thank you.
03:18Not at all.
03:20When I say she died, actually, she disappeared.
03:24But now she's been legally pronounced dead, so I am in a position to put the house on the
03:28market.
03:28As chief executor?
03:29Exactly.
03:30And you want me to arrange the transaction?
03:34Well, I should like you to take a look at the place and discuss it with me.
03:38I've drawn a rough map of how to get there.
03:42And here are the keys.
03:44All right.
03:46I shall go and have a look at it this very morning, Mr. Rayburn.
03:50I would appreciate it.
03:51The executors would like to get it off their hands as quickly as possible.
03:54Yeah, well, leave it with me.
03:55These old properties can still fetch a very good price.
03:59I presume it is an old property.
04:02Oh, certainly, yes.
04:03Very old.
04:04With ten acres of ground, but not lived in for a number of years.
04:07As I understand, not to worry.
04:14I'll leave it with you for a moment.
04:16Good morning, Mr. Shepard.
04:17Good morning.
04:23Sounds as if it might fetch a good price.
04:27Did you get his address?
04:29No, it'll be on this map.
04:34It's funny, it isn't.
04:36Or his phone number?
04:38No.
04:39Well, never mind.
04:40He'll get in touch with us sooner or later.
04:42Goodbye, sexy.
04:46Won't be long.
04:50Bye, Norman.
04:52Bye.
05:18Bye, Norman.
05:19Bye.
05:19Bye.
05:27Bye.
05:28Bye.
05:29Bye.
05:30Bye.
05:31Bye.
05:32Bye.
05:35Bye.
05:37Bye.
05:37Bye.
05:37Bye.
05:37Oh, my God.
06:16Oh, my God.
06:40Oh, my God.
07:32Oh, my God.
07:47Oh, my God.
07:49Hello, hello, hello.
07:57Hello.
08:09Oh, my God.
08:27Oh, my God.
08:29Oh, my God.
08:30Oh, my God.
08:32Oh, my God.
08:34Oh, my God.
08:36Oh, my God.
08:39Oh, my God.
09:14Oh, my God.
09:17Oh, my God.
09:19Oh, my God.
09:20Oh, my God.
09:23Yeah.
09:24Oh, my God.
09:30Oh, my God.
09:32Oh, my God.
09:33Oh, my God.
09:49Oh, and suddenly it came up, and the doors opened.
09:54And?
09:56And, um...
09:59What's the time?
10:02Half five.
10:07And?
10:10And a body fell out.
10:14A body fell out.
10:16Right.
10:18Anyone we know?
10:21No.
10:23Anyone you know?
10:26Oh, for God's sake, Emily, don't start all that again.
10:29I'm not starting anything again. It's you that just about throttles me in the middle of the night.
10:33Five-thirty, actually.
10:34Guilty conscience, perhaps.
10:36Go back to sleep.
10:37I intend to.
10:44Not worth it for me.
10:45No.
10:48I'll get my own breakfast and get to the office early.
10:53Good idea.
10:55There's always plenty to do.
11:03What time does she get there?
11:06Who, dear?
11:07Nothing.
11:10Nothing.
11:13Nothing.
11:20No?
11:23No.
11:56Oh, my God, you gave me a fright.
11:59I often get in early.
12:01You do? Why?
12:03You know, the early bird.
12:06What? Me the worm?
12:08Could be, Norman. Could be.
12:11You, uh...
12:12You look different, you know.
12:15From when?
12:16Yesterday.
12:18Yesterday was Sunday.
12:20Rubbish.
12:22Yesterday was...
12:25Oh, my God, yes.
12:28It was a terrible nightmare I had last night.
12:31Did I come into it, darling?
12:33No.
12:34No.
12:36Yes, but only in the beginning.
12:39There was this old house a man wanted to sell.
12:44I dreamt I drove out to have a look at it.
12:47Are you sure it didn't happen?
12:49Not to me it didn't.
12:51Whatever it was.
12:52And this dead woman fell out of the dumb waiter.
12:55Charming.
12:56Not me, by any chance.
12:58No.
12:59No, it was, um...
13:01My wife.
13:04Oh, well, that doesn't need much explaining.
13:07But you don't have to kill her, Norman.
13:09Just divorce her.
13:11But it was so real, Lolly.
13:12I can't believe the place doesn't exist.
13:15Lower Mote Manor, it was called.
13:17Well, where was he?
13:19In the dream, I mean.
13:20It was about 15 miles north.
13:23Well, why not try again?
13:26I think I might.
13:27I've still got that map the man gave me.
13:29I'll have a look.
13:31And then, Norman...
13:33And I'll phone you.
13:35Well, don't be long, love.
13:36We've got a date tonight.
13:38Don't worry.
13:38It's engraved on my heart.
13:41Hey, Norman, hang about.
13:44If it was only a dream...
13:45A dream?
13:46It was a bloody nightmare.
13:47A nightmare, then.
13:49How come you've still got the map?
13:51How come I'm...
13:54Oh, God, I see what you mean.
13:57What the hell's going on?
13:59Well, start with a house there or not.
14:04Yes.
14:06Yes.
14:07Yes, start with a house.
14:10Yes.
14:11Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
14:20Yes.
14:21Yes.
14:23Yes.
14:24Yes.
14:27Yes.
14:28Yes.
14:29Ah! Ah!
14:33Ah! Ah!
14:39Aww!
15:05Norman Shensley, assistant.
15:11Lolly?
15:11Yes, it's me.
15:13Any luck?
15:14There's not a sign of it.
15:15Did you follow the directions on the map?
15:17Yes, I did.
15:18I got it right.
15:20Norman, he's there.
15:22Norman.
15:30Hello?
15:31You shouldn't have killed her, Mr. Shensley.
15:33How did you get...
15:34You shouldn't have killed your wife.
15:36Who the hell are you?
15:53Hey, you!
15:54Help me!
15:55I need help me!
15:56Hey, you!
15:58Please!
15:58Help me!
15:59Let me help!
16:01Get them!
16:02Please!
16:02Please!
16:04Hey, you!
16:05Please!
16:06Help!
16:06Please!
16:07Get me!
16:13Please!
16:18These are going!
16:20Please!
16:21Please help me!
16:22Get them!
16:22I need...
16:23I need...
16:23I need...
16:24Please!
16:25How do I do?
16:25Ah!
16:26Ah!
16:32Oh!
16:34Ah!
16:41Ah!
16:42Oh!
16:44Ah!
16:45Ah!
16:46Ah!
16:51Oh!
16:53Ah!
16:53My dear?
17:10My darling, my dearest, you must be forever.
17:16You must be.
17:26Yes, yes.
17:27I love you.
17:29I adore you.
17:37Now what's going on?
17:40What's all this I love you, I love you stuff?
17:44Oh, I was dreaming.
17:46The moment I thought I was.
17:48I can't remember when you said it last.
17:50It was making a funny noise, like kissing.
17:53I don't know what was happening.
17:56It was another nightmare.
17:57What do you mean, another nightmare?
17:59Like the one I had last night.
18:01No.
18:03The night before, I mean.
18:06First I've heard of it.
18:07But I told you, the old house and the dumb waiter and the body.
18:11I don't know what you're talking about.
18:15I can't believe, I can't believe the house wasn't there when I went back.
18:22Was it you were kissing?
18:24I didn't know I was.
18:25Must have been a change for you.
18:27Well, you wouldn't be interested.
18:28Not anymore, I wouldn't.
18:30Knowing you was thinking of somebody else.
18:31All you should do is I ask.
18:33About what?
18:33About giving me a divorce.
18:35A divorce?
18:37Why on earth should I?
18:38It's not me that's done anything.
18:40Then what am I supposed to have done for heaven's sake?
18:42Oh, don't give me that.
18:44All those secretaries you've had.
18:46Assistants.
18:47You imagine these things.
18:48All right.
18:50I'll go and start the breakfast.
19:07I know it was only a dream, Lolly, but it's wonderfully real.
19:12Wonderful.
19:13You shouldn't say things like that to me.
19:16Why not?
19:17Don't you want me to find you attractive?
19:18I don't mind.
19:20Don't mind?
19:20Is that all?
19:22No, I like it, Norman.
19:25But a girl has to think of her reputation.
19:28How do I know you're sincere?
19:29Me?
19:31You know I'd marry you tomorrow if I was free.
19:34I believe you, Norm.
19:36So get free.
19:38I'm doing my best, darling.
19:40How?
19:41Well, I've asked for a divorce more than once.
19:43Well, what if she keeps saying no?
19:45She'd better not.
19:46Well, what if she does?
19:48Well, I can always pack it in and leave, can't I?
19:50Can you afford to pay?
19:51Pay?
19:52Well, keep two women, put it that way.
19:55Oh, I don't see why not.
19:56I don't do badly here.
19:57No.
19:58Like that house you said you were dealing with.
20:01Disappearing into thin air.
20:03First it was there, you said.
20:04Then it wasn't.
20:05In both dreams, you said.
20:09That's right.
20:11So, now you're awake.
20:14Third time lucky, perhaps?
20:18You're right.
20:20I think I'll have just one more look.
20:24Just to satisfy myself.
20:37Give me a sense.
20:38Oh, man.
20:40I think I will have to ask you.
20:43If you're walking or not.
20:45I'm in the middle of your head.
20:45Because you're walking.
20:45Oh, you're in the middle of your head.
20:48You're walking.
20:49I'm walking.
20:50We're walking around.
20:54I'm walking.
20:55We're walking around.
20:55You're walking around.
20:57Nothing.
20:57Oh, my God.
21:50Oh, good morning.
21:51Good morning, sir.
21:52My name is Shenley of Shenley and Company, estate agency.
21:55I wonder if the owner of the house is available for a word.
21:59Malaysia, I'm still at breakfast, sir.
22:01Well, I wonder if you'd be good enough to hand in my card.
22:07Could you come this way, please, sir?
22:19It looks a tricky job.
22:21Very tricky, sir.
22:23Going to give it a good clean, I expect.
22:25Exactly, sir.
22:27Ladies to drip, we'll see you now, sir.
22:29Oh, thank you.
22:41Mr. Shenley, your ladyship.
22:45Oh, how do you do, Lady Stradwick?
22:47It's very good of you to see me.
22:49Not at all.
22:50I don't get many visitors these days.
22:53Mabel, dear, bring another cup for Mr. Shenley.
22:56Very good, your ladyship.
22:58I must apologize for the disturbance in the hall.
23:01Oh, not at all.
23:02I always insisted that the chandelier should be taken down once a year
23:07and the pendants washed with soapy water.
23:10I believe that is the usual practice.
23:12Now, Mr. Shenley, what can I do for you?
23:16Lady Stradwick, I have a rather strange story to tell.
23:20How delightful, pray continue.
23:22Well, last night, no, wait a minute.
23:25It was several nights ago.
23:27I dreamt that a Mr. Rayburn,
23:29well, perhaps I should first explain that I'm an estate agent.
23:33So it says on your guard, Mr. Shenley.
23:35Oh, yes, of course.
23:36And I think I may say, without undue modesty,
23:39to be the leading one in this neck of the woods.
23:42Neck of the woods, what a delightfully colorful phrase.
23:46Pray continue.
23:48Well, this Mr. Rayburn asked me to look over this house,
23:53Lower Moat Manor, with a view to selling.
23:56And a very pretty view, I always think.
24:00So I drove out here,
24:01and it was empty as far as I could make out,
24:04and very run down,
24:05and I came into this room,
24:08and, well, behind that chiffonier,
24:11there was a dumb waiter.
24:14How very interesting.
24:16It came up from below,
24:18in my dream, of course.
24:20Yes, yes, I follow you.
24:22Ah, thank you, Mabel.
24:24Do you take milk, Mr. Shenley, and sugar?
24:27No, please, no sugar.
24:29May I continue?
24:31Well, it turned out to be a nightmare.
24:36Quite horrific.
24:38But when I woke up,
24:40or thought I had,
24:42and tried to find this house,
24:43it wasn't here.
24:45Oh, God!
24:46What a lovely surprise.
24:48Oh, I'm so in sympathy with you, Mr. Shenley.
24:52Such stuff as dreams are made on.
24:57Not made of,
24:58which he often quoted wrongly.
25:03Do continue.
25:04And your tea.
25:06Well, now I've come back,
25:07and, uh...
25:09I was wondering,
25:10would you think it very forward,
25:11if I asked to look behind that piece of furniture,
25:14just to see if the dumbwaiter's still there?
25:17Oh, please do!
25:38Ah.
25:39Have you discovered something, Mr. Shenley?
25:42No, Lady Strudwick,
25:43but it has a distinctly hollow sound.
25:45You see, this is where the dumbwaiter would have been.
25:48Listen.
25:50Come in.
25:56Something the matter, Mr. Shenley?
25:58I thought I heard some...
25:59someone say, come in.
26:00Oh, quite possibly.
26:02I believe some stupid girl
26:04got herself walled in many years ago.
26:06No, but I mean...
26:08I must have been hearing things.
26:10I am a great believer
26:12in psychical manifestations, Mr. Shenley.
26:15I haven't been up to now.
26:17I consider that your first dream
26:19was a glimpse into the past,
26:22and the second,
26:23when this house wasn't here,
26:25into the future.
26:28Are you considering selling the house, then?
26:30I mean, that's really what I'm here for.
26:33Do you know the expression,
26:35one might as well be hanged for a sheep as a lamb?
26:38Oh, yes, of course.
26:40I have a problem concerning this house.
26:44Do you smoke, Mr. Shenley?
26:46Uh, thank you.
26:47Yes, I do.
26:49Bork and Soprani, this side,
26:52Virgins in the middle,
26:53and Turkish on the outside.
26:56You shouldn't have done it, Mr. Shenley.
26:58Oh, my God, no!
27:00Such a pretty little tune.
27:01Help me!
27:02Help me!
27:03You shouldn't have killed your mother.
27:05I can't help you, Mr. Shenley.
27:08You see,
27:09I'm dead.
27:11Aren't you?
27:14Mr. Rayburn will take care of everything.
27:24I can't help you.
27:36Give me, give me, give me.
27:41Give me, give me.
27:42We are...
27:43People!
27:47Help me!
27:48Help me!
27:49Try to strangle yourself!
27:51Don't you get this bloody thing up!
27:53Hold it off me during the night,
27:55then round and round your neck!
27:56Are you trying to strangle me?
27:57Not me!
27:58It's you that twist and turn and laugh and kiss.
28:01I don't know what there is to laugh!
28:05You've done what's happening to me.
28:07Better try and get back to normal.
28:09Bath, breakfast, office,
28:11sweet mystery of life.
28:32Not a bloody nightmare.
28:35That house we talked about yesterday.
28:37What house?
28:39Lower Mote Manor, for God's sake.
28:40What other house?
28:41The one I've been dreaming about.
28:43Just it's there,
28:44then it's not there,
28:44then it's there again.
28:45A bloody hangman this time.
28:48Easy does it, Norman lad.
28:49Just because you go on dreaming,
28:50there's no call to take it out on me.
28:52No, no, of course not, Lolly.
28:53I'm sorry.
28:54Forgive me, darling.
29:10What's on the agenda?
29:12That block of flats.
29:14Oh, yes.
29:15They're in a terrible state.
29:18Well, perhaps they could be
29:19patched up and renovated.
29:21Anyway, let's go and survey them.
29:23Dammit all, I am a surveyor.
29:25And afterwards?
29:28After what?
29:30After we've surveyed.
29:33What did you have in mind?
29:36I thought you might take me out.
29:38To dinner?
29:39Why not?
29:40Why not indeed.
29:43What are you going to tell your wife?
29:45You leave that to me, sweetheart.
29:48Just get her on the blower.
29:49What do you have in mind?
30:13Yes?
30:14Mrs. Shenley?
30:16Yes?
30:17I have Mr. Shenley for you.
30:23Hello?
30:25Yes?
30:27It's Norman, dear.
30:29You're going to be late home?
30:31How did you guess?
30:32There's a property you can only see over at night.
30:35Absolutely right.
30:36You don't expect to be home after midnight?
30:38Probably not.
30:39You rotten sod! You don't fool me!
30:41No, Emily.
30:43You don't sell anything on these nightly excursions,
30:46do you? Or do you? And what?
30:48Look, if you're so
30:50bloody fed up, why don't you give me a divorce?
30:52Because I wouldn't wish you
30:53onto any other poor sucker of a woman.
30:55Well, if you're going to be like that.
30:58Bitch.
31:00Well done, Norman. Keep it up.
31:02Bitch.
31:03One of these days.
31:04One of these days soon, Norman.
31:07Soon. I mean, she's got no understanding,
31:09no sympathy.
31:11Nightmares. Not a word.
31:14Not a word.
31:17There, there.
31:18Not to worry.
31:21Lolly will look after you.
31:23Lolly will love you.
31:26Lolly will come with lovely Norman
31:29to survey the silly old block of flat.
31:53Vandals.
31:55Little bastards.
32:00Press caretaker's bell, 8.30 to 6.30.
32:03It was quarter to five.
32:05Funny way to greet the surveyor
32:07if they really want to know the facts.
32:10I wouldn't want to live here.
32:12I'd have it demolished pronto.
32:14It might be worth reclaiming
32:16if the building itself is sound.
32:18Okay, no caretaker.
32:20What do we do now?
32:22We start at the roof and work down.
32:34Let me drive. Which floor?
32:36The top.
32:40Darling, darling.
32:41Oh, yes, Norman.
32:44I'll pack up and leave tomorrow.
32:47Kiss me.
32:54Best time in a lift.
33:14Four floors.
33:15Not enough.
33:17Not as nice as a phone box,
33:18is it, Lolly?
33:19It's a...
33:20Phone box, don't you do?
33:23Oh, no, that was a dream, wasn't it?
33:25How do we get up to the roof?
33:27Up the apples, darling.
33:28You first.
33:30All right, lover.
33:43Are you ready, Miss Fellows?
33:46Aye, aye, darling.
33:47Flat roof.
33:49Lead.
33:50Barely a rolling.
33:52That is rusting.
33:54Paintwork peeling.
33:56Got that?
33:57Sort of.
34:00Norman.
34:01What?
34:02Come here a sec.
34:05What?
34:06Look down there.
34:08It's nothing, just maintenance.
34:09Well, I don't like the look of it.
34:12The meat perched up here.
34:14Don't you trust me, Lolly?
34:15Would I expose you to anything dangerous?
34:17I don't think that's funny.
34:19It's not meant to be funny.
34:21Anyhow, I want out for one.
34:23All right, darling.
34:24We'll go down.
34:34Well, get it open, Norman!
34:39God Almighty!
34:40They're going to knock us out!
34:42No, no.
34:42They would never have sent me here.
34:44Where?
34:45Where did they send you?
34:46Oh, here.
34:46Here, of course.
34:47Well, what does it say on there?
34:49It says, um, Campbell Building C Block.
34:51That's right, isn't it?
34:52That's wrong, you half-wit.
34:53This is A Block.
34:55It's not.
34:55It is.
34:56I saw it on the entrance as we came in.
34:57God Almighty.
34:58Take it.
35:21Ah!
35:23Ah!
35:24Ah!
35:24Ah!
35:26Ah!
35:33Keep your head, Norman. Keep your head.
35:59Keep your head.
36:26Keep your head.
36:57I'll take her.
36:58Let me wake up.
37:00Yeah, God let me wake up.
37:01You shouldn't have done it, Mr. Shenley.
37:06You shouldn't have killed your wife.
37:11There's something very wrong.
37:14What?
37:14I do all I can.
37:16I can't hear you.
37:17He's so stubborn.
37:20I think we should make an appointment.
37:26Appointment.
37:28Appointment.
37:30Something very wrong.
37:31Yes, Doctor.
37:34When I've spoken to him, I'll phone you back and make an appointment.
37:39Yes, very worrying.
37:42And there's something else.
37:44Of course.
37:48He has formed a, well, a liaison with his secretary.
37:54Well, I suppose it's an affair, though that would surprise me, as he hasn't thrown any enthusiasm
37:58in that department for a number of years.
38:02Yes, Doctor, of course.
38:05Goodbye.
38:14I have.
38:15Norman.
38:16Ah, here we are.
38:18You've overslept again.
38:19Oh?
38:20I have.
38:22Oh.
38:23That's unlike me.
38:25All these dreams.
38:27All what dreams?
38:29Oh, I told you.
38:31The old house.
38:33The telephone bones.
38:34And now the demolition site.
38:37I haven't the faintest idea what you're on about.
38:41No, I suppose not.
38:42But one thing I do know, you're not yourself.
38:45No?
38:46Well, perhaps that's just as well.
38:49What does that mean?
38:51Nothing.
38:54You ought to see Dr Melbury.
38:57Why?
38:58Because I say so.
39:01And if I tell him I want a divorce and he agrees with me,
39:05will you give me one?
39:06Divorce?
39:07We have talked about it before, you know.
39:09When?
39:10Yesterday, just before I went to the survey on that block of...
39:15No, no, it was on the rue.
39:18You see, it's all a dream.
39:19It's been going on now for days.
39:22You see, you do need to see the doctor.
39:25All right, but I also need a divorce.
39:28Well, you go and be looked at first,
39:31and then we'll talk about it.
39:34Very well.
39:35I'll go and ring for an appointment.
39:37I'll drink your tea.
39:49You can see clearly this mass adjacent to the brain cells.
39:54Very clearly.
39:56The radiologist says there's no doubt about it, I'm afraid.
40:00It's the tumour in the brain.
40:03It's serious, then?
40:08Very serious.
40:10Indeed, if we're to succeed,
40:12you must go straight from here into hospital and have it removed.
40:15I see.
40:16I see.
40:17Then there's really no alternative.
40:20Is there, Norman?
40:22No.
40:24No, no.
40:25Let's get it over with as quickly as possible.
40:29Let's move.
41:03I'll call.
41:05Saw?
41:05Something not quite right here, sir.
41:08Huh?
41:09Heartbeat irregular.
41:11Very irregular.
41:12Oh.
41:17Seems to be going.
41:23Not responding.
41:36Parts sweep to zero.
41:37FALLY.
41:40Parts sweep to zero.
41:41FALLY.
41:48Parts sweep to zero.
41:55FALLY.
41:59Poor Chad.
42:03There's nothing we could do.
42:05Nothing.
42:07Flawed heart.
42:09I'll go and get a porter.
42:12Porters are on strike.
42:15Then we'll wheel him down ourselves.
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46:27Shenley's office. Good morning.
46:29Is Mr. Shenley there?
46:31He hasn't come in yet. Who's speaking?
46:36When do you expect him?
46:38He usually comes in at nine. Who is speaking?
46:43I'll ring back a bit later.
47:01Good morning, Mr. Shenley.
47:03I expect you're wondering why I'm turning up at ten at Emma instead of nine.
47:08There was a phone call for you a minute ago, but the gentleman wouldn't leave a message.
47:13Nolly, nolly. Guess what?
47:15No idea, Mr. Shenley.
47:18I'm now free to marry you.
47:21You're what?
47:22Like I said I would.
47:23Mr. Shenley, don't.
47:25Back to Mr. Shenley, is it?
47:26Well, we'll soon see about that.
47:28Oh, yes.
47:29Go on.
47:29Take it down to this.
47:31That's why I'm late.
47:32It's only fun time to make up my mind.
47:35Go on.
47:36Open it.
47:37Open it.
47:41Diamonds.
47:41I wish.
47:41But I don't get it, Mr. Shenley.
47:43But you've got it, Lolly.
47:47You see, this is for all we've meant to each other in the past.
47:53And we'll go on meaning now.
47:57Are you feeling all right, Mr. Shenley?
47:59All right.
48:00I'm on top of the world.
48:02Because now we can be together till death has departed.
48:08Please, Mr. Shenley, please.
48:10What are you up to?
48:12What's the matter?
48:13Darling, darling, Lolly.
48:15I know it was only a dream, but let's make the most of it.
48:17Let's keep it a dream.
48:18A simple dream.
48:19No more nightmares.
48:24Well, oh, have we here?
48:25Hello.
48:26Mr. Shenley?
48:27That's me in person.
48:29I don't suppose you remember me, sir.
48:30But I do.
48:31I do.
48:33Yes, three months ago this office was broken into.
48:35You called the police.
48:36I was...
48:36Yes, but I've seen you since then.
48:39You have?
48:39No, I don't recall.
48:40Oh, yes.
48:41Mr. Rayburn.
48:42The tramp.
48:43The car-taker.
48:45Care-taker.
48:47That rogue of a surgeon.
48:49I'm not quite with you, Mr. Shenley.
48:51Oh, I'm getting used to it.
48:53To what, exactly, sir?
48:55A long, long dream.
48:56One into the other.
48:59Like...
49:00Death.
49:02Death.
49:03Death.
49:03Sir.
49:05Mr. Shenley, I have to ask you a few questions.
49:08Far away.
49:10When you left your house this morning...
49:12Oh, but did I?
49:12Pardon?
49:13Well, I may have done, or I may not have done, depending where I am in the dream.
49:18Well, let us put it this way.
49:20If you left your house this morning, was everything as usual?
49:23Oh, yes.
49:24It's much the same as any other morning.
49:27Except, of course, this time my wife was dead.
49:31That is correct, sir.
49:34I suppose I should have been surprised that she was found so quickly.
49:38But I'm not.
49:38It seems there's no sense of time in dreams.
49:41But I'll tell you one thing.
49:42Do you know?
49:43It was all in colour.
49:45As your wife's sister called at the house and found her in the bedroom.
49:48That's right.
49:49Except, of course, my wife doesn't have a sister.
49:53You shouldn't have killed your wife, Mr. Shenley.
49:56That's it.
49:57That's the voice on the speaking tube, in the telephone booth, in the cigarette box.
50:02Mr. Shenley, I must ask you to accompany me to the station.
50:05What, to help you with your enquiries?
50:07Of course I will.
50:08Happy to oblige.
50:09And before you know it, quite a different dream will begin.
50:12What makes you think this is a dream, sir?
50:14Well, I'll tell you.
50:14You see, when the dream began, you told me that I'd killed my wife on Friday the 13th.
50:19Well, Friday the 13th must have been several days ago.
50:23No, Mr. Shenley.
50:27Today is Friday the 13th.
50:42Oh, my God, no.
50:45No, it's not.
50:50Look, I never killed Emily.
50:53No, she fell out of bed and hit her head on the floor.
50:58I'm alone, sir.
51:00It's not fair.
51:02I thought it was still a dream.
51:05Nolly, tell them I love you.
51:06Tell them I only did it so they could be married.
51:08She insisted, Inspector.
51:10She wouldn't let me touch her.
51:12I don't know what he's on about.
51:14Honestly.
51:15Not to worry, miss.
51:16We'll take care of him.
51:17It is a dream.
51:18I know it's a dream.
51:19It's more like a dream than all the other things.
51:21Is he nutting or something?
51:22We'll work something out.
51:24Don't take me away.
51:25I did it for you.
51:26I love you.
51:27I love you.
51:27Nolly, please.
51:28Don't let me take you away.
51:30I love you.
51:30Perhaps you wouldn't mind coming out to the station later and making a statement.
51:33I'd be happy to, Inspector.
51:38Spooky, isn't it?
51:40You could say that.
51:43You know where I hang out, do you?
51:46I'll find my way.
51:48Good.
51:49I'll see you then.
52:16Henleys?
52:18Is Mr. Shenley there?
52:21He isn't here at the moment.
52:24Can I help you?
52:26My name is Rayburn.
52:29Yes, Mr. Rayburn.
52:31I represent a property called Lower Moat Manor.
52:35Lower Moat Manor?
52:37I should like to place the property on the market.
52:40When will Mr. Shenley be back in the office?
52:44It's very difficult to say at the moment, sir.
52:50It may be some time.
53:19I want to go to the office.
53:19I've affected the property with the property.
53:19You're so brave.
53:20You're so brave.
53:25The property on the market.
53:25It's very important to play시.
53:26We will never go to the office.
53:26This is the property on the market.
53:26This property is the property.
53:27You've got to go to the house to get yourself to buy a product.
53:30You have to go to the house to buy a product.
53:30Look, you're a great, beautiful, simple.
53:30I can't recommend that you have to buy a product.
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