00:00Pelayo put away the knife with which Fina stabbed Santiago.
00:06Marten.
00:08Marten.
00:10Marten.
00:32This is a nightmare, Marta.
00:36We were happy.
00:38Finally, we had the life we had always dreamed of.
00:43Even if it was done in secret.
00:46But of course, it's much more than I could have ever dreamed of.
00:55Forgive me, I'm acting as if Pelayo's death only affects me.
00:58No, for God's sake, don't worry.
01:01You were his partner.
01:03And you were very much in love.
01:06But you loved her too, didn't you?
01:08A lot.
01:12It was very hard to see him leave this world in my arms.
01:20Sometimes I think about what would have happened if I had arrived earlier for the appointment, you know?
01:25That perhaps he would be alive now.
01:26That miserable thief wouldn't have dared to target two people.
01:30Don't know.
01:32Exact.
01:32You don't know.
01:34We shouldn't torture ourselves with what could have been.
01:38I myself think that...
01:39What would I say if I knew that our conversation at the airport was going to be the last?
01:43But what for?
01:46It's a useless thought.
01:48Now it's our turn to be strong.
01:51In our thoughts and in our hearts.
01:54We had arranged to have dinner because he wanted to tell me something important.
01:58And in the end, there wasn't even dinner.
02:02Life.
02:03And do you have any idea what he might have wanted to tell you?
02:06Don't know.
02:07I think maybe something related to dinner.
02:10Why do you think that?
02:14Because I found a photo report in a Mexican newspaper signed by her.
02:17Well, I could swear the photos are his.
02:20And Pelayo promised me that he would help me find something out.
02:24I understand.
02:26And that's why you think...
02:29Did he find out anything?
02:31What else important could it be?
02:34Dario, I...
02:35I want to go to Mexico.
02:37I know it sounds crazy, but...
02:39I've thought about accompanying you on your return trip.
02:42Because I need to try Fina.
02:43I need answers.
02:46Do you know that since Fina left?
02:48No matter how much I try to deceive myself, my life has stopped.
02:51No.
02:52I swear, the uncertainty...
02:55That's consuming me.
03:01What do you think?
03:05I told him I should have told you.
03:08That was the least you deserved.
03:10But of course, Pelayo was very afraid of your reactions.
03:13On the other hand, it was also not clear that...
03:15that his confession would fix things.
03:17I...
03:18I insisted, I swear, Marta,
03:19But it was he who had to tell you.
03:21What are you talking about?
03:23Marta, this is very difficult for me.
03:26Because...
03:28I don't know if I'm...
03:30betraying him or if I am somehow freeing him.
03:33But of course, I understand that I can release you,
03:35because...
03:36That way you'd stop torturing yourself and thinking...
03:37Darío, for God's sake, speak up.
03:39That?
03:41Pelayo knew it.
03:42The fact that?
03:43All.
03:45He knew everything because...
03:48He was the one who planned it, Marta.
03:51Pelayo.
03:52He forced Fina to leave you.
03:57What are you saying?
03:58It makes no sense.
03:59Marta, that Fina...
04:00He didn't abandon you of his own free will.
04:03She did it because she was threatened by your husband.
04:07Did he threaten her?
04:12I'm telling you, it doesn't make sense.
04:15How did he threaten her?
04:16He threatened Fina with reporting her for Santiago's murder.
04:20Listen, it can't be because Pelayo helped us cover up what happened.
04:23He put the knife away.
04:25Pelayo kept the knife with which Fina stabbed Santiago.
04:31Marten.
04:32Marten.
04:35Marten.
05:01The conversation between Gabriel and Marta unfolds
05:04at an extremely delicate moment, the recent mourning for the death of Pelayo.
05:09However, far from being an encounter marked by respect and empathy, the scene became
05:15It turns into a confrontation fraught with tension, recriminations, and uncomfortable truths.
05:19which reveal the complex relationship between the two.
05:22From the beginning, Gabriel adopts a seemingly correct attitude.
05:27He approaches Marta with a formal greeting and asks her how she is, showing, in theory,
05:32concern for their emotional state.
05:35He even mentions that he wanted to offer his condolences personally, but that Marta's father
05:40He did not allow it.
05:41At first glance, his behavior could be interpreted as polite and respectful.
05:47However, that facade doesn't last very long.
05:50Marta responds coldly.
05:52He acknowledges that he knows about the condolences, but shows no gratitude or openness.
05:57His attitude is distant, almost curt, which already suggests that he doesn't believe in sincerity.
06:03Gabriel's.
06:04This detail is key, because it establishes from the beginning that there is no trust between them.
06:09nor goodwill.
06:10Gabriel tries to continue in that seemingly considerate tone, suggesting that Marta should
06:16take a few days to mourn.
06:18But this proposal, which might seem reasonable in another context, is received by Marta as
06:24a provocation.
06:25Her reaction is immediate and direct; she asks him what he's playing at.
06:30This moment completely changes the tone of the scene.
06:33Marta abandons all formality and confronts Gabriel openly.
06:37He accuses him of falsehood, not only in his condolences, but in everything he represents.
06:43His words are harsh and forceful.
06:46For her, everything about Gabriel is fake, from his kindness to his marriage.
06:51This accusation is not accidental.
06:53Marta is not only rejecting his gesture, but she is also bringing to light a perception
06:59that she has of him.
07:00He sees him as a hypocrite, someone who keeps up appearances while living a different reality.
07:06completely different.
07:07This is reinforced when she mentions her extramarital affair, ironically asking how
07:13He's going out with his lover.
07:14This comment is not only a personal attack, but also a way to expose him.
07:20Marta is not willing to allow Gabriel to hide behind a respectable image.
07:25It forces him to confront the truth of his own behavior.
07:29Gabriel, faced with this reaction, tries to stop the conversation.
07:33She says she would like the day to pass peacefully and proposes calling it a day.
07:38the discussion.
07:39However, his attempt to remain calm is not entirely sincere.
07:44He also accuses Marta of acting, of playing the role of a grieving widow.
07:49This accusation is especially cruel, considering the context.
07:53Marta is in mourning and Gabriel questions the authenticity of her grief.
07:58This moment further intensifies the conflict, because it's not just about personal differences,
08:04but rather a total lack of respect for their suffering.
08:08Marta responds with a direct question, asking him why he is such a bad person.
08:13This phrase sums up his perception of Gabriel.
08:16For her, there is no doubt about her character.
08:18However, Gabriel defends himself by saying that he has not said anything that is not true.
08:23With this, he tries to justify his words, relying on the idea that the truth, however harsh,
08:30It shouldn't be a cause for reproach.
08:32But the problem is not only what he says, but how and when he says it.
08:37Marta is not in a position to deal with that kind of provocation, and Gabriel seems
08:42ignore, or not care about, that context.
08:45The conversation reaches an even more tense point when Marta makes it clear that she doesn't.
08:50wants to be at Pelayo's funeral.
08:52This request is not only personal, but also symbolic.
08:56The funeral is a space for respect and farewell, and Marta believes that Gabriel has no place there.
09:02there.
09:02However, Gabriel responds from his position of power.
09:06Remember that he is the factory director and that, because of his position and family connections,
09:11It would be logical for him to attend the funeral.
09:14This argument introduces an element of authority and status, as if its presence were justified.
09:20for social rather than personal reasons.
09:23Marta does not accept this justification.
09:25It reminds him of a past incident in which his father kicked him out of the house and warns him
09:31that what will happen now will be much worse if he decides to run.
09:35This threat makes it clear to what extent she is willing to defend her decision.
09:40This moment is key because it shows Marta's determination.
09:43Despite being in a vulnerable moment, he does not let himself be intimidated nor does he give in to authority.
09:49Gabriel's.
09:49On the contrary, she is firm and protective of her space and the memory of Pelayo.
09:55The scene takes a turn when Álvaro appears.
09:58Marta's tone changes completely when she speaks to him.
10:01It shifts from intense confrontation to a more practical and controlled attitude.
10:06This change reflects their ability to adapt quickly to circumstances.
10:11Álvaro, for his part, responds with some uncertainty.
10:15He apologizes for not having heard her and seems worried, as if he fears he may have done something wrong.
10:20evil.
10:21This detail is interesting because it contrasts with the previous tension.
10:25Here, Marta is in control of the situation.
10:28She points out a specific problem: some boxes that are blocking the entrance to the
10:33offices.
10:34His tone is firm but professional.
10:37He asks her to take care of removing them, making it clear that this space is not a warehouse.
10:42Álvaro accepts the task immediately and apologizes, showing a willingness to correct.
10:47the mistake.
10:48This exchange, although brief, serves as a contrast to the previous conversation.
10:53There is no personal conflict here, but rather a functional and orderly interaction.
10:58Taken together, this scene reflects multiple tensions, both personal and emotional.
11:05and social.
11:05The conversation between Gabriel and Marta is not just a verbal confrontation, but a
11:11exposure of accumulated resentments, differences in values, and power struggles.
11:16Marta appears as a strong figure, capable of defending herself even in a moment of pain.
11:22His rejection of Gabriel is not impulsive, but based on a clear perception of his
11:27character.
11:28Gabriel, on the other hand, represents hypocrisy and a lack of empathy, using both the
11:34courtesy as well as provocation, depending on what suits him.
11:36Álvaro's appearance, although brief, adds an extra layer, showing how Marta can
11:43moving between the emotional and the practical without losing control.
11:46In short, the scene is intense and revealing.
11:50It shows how, even in moments of grief, conflicts do not disappear, but can
11:56become even more evident.
11:58And, above all, it makes clear that Marta is not willing to tolerate falsehood or dishonesty.
12:03with respect, regardless of the circumstances.
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