00:08I remember that before that I wanted to be a footballer,
00:12and then I studied international businesses.
00:15I think that in that search for an adolescent,
00:19what he wants to do in his life,
00:21I finally inclined to act,
00:23because it came to my life as a very close tool,
00:33so I had a very good benefit.
00:40At the beginning, in my adolescence,
00:43the issue of my son and my son,
00:46who was in his projects,
00:48I said, but then,
00:51God, give me a job,
00:53and I need a job,
00:55and I didn't realize it,
00:57and I realized that my benefactor was there,
01:01in the corner of the corner,
01:04and, well,
01:05it was my dad,
01:06it was my friend.
01:07How did you start to invest in your career?
01:11How did you start to invest in your career?
01:19How did you work with your career?
01:19My career is a school.
01:22It's like when you want to study a career
01:24and decide to invest in your career,
01:26six years of your career.
01:27To your career,
01:28I had to invest in the career,
01:33but in the career.
01:34So it's the most grateful and the most grateful that I brought to Pandillas Guerra y Paz.
01:44I had two dreams. One was to be in the big screen for the first time.
01:52I realized that in reality, the dreams are a long or short time.
01:59And the other one was that the fears are internal.
02:03You know that he had to reincarnate to another character, a great actor like Andrés Toro.
02:10There was a fear, but those fears are internal and they break down.
02:18It's like a football player who is a technical player.
02:22He is much more valid, much closer.
02:25He has more tools and more knowledge to reach, in my case, to the actors.
02:31I know how we feel the actors, the fears we have, the insecurities, because we are very insecure.
02:38So to know, from my position as actor, how we are,
02:41I think that in order to reach an actor, it's much easier.
02:46It's very useful but it's easy.
02:48It's perfect.
02:49I feel like when the character comes out of the right.
02:50You know what happens?
02:50We yeah.
02:50We don't see you.
02:50It's not an unsatisfying thing.
02:51You know, you don't see you.
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