- hace 2 días
Cinco desconocidos se encuentran atrapados en un ascensor. Como el radio de comunicación está descompuesto, deberán ingeniárselas para poder salir de ahí.
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CortometrajesTranscripción
00:06:27There's no glass on the ground.
00:06:29Truck wasn't here when he made impact.
00:06:32Must have rolled.
00:06:34Ah.
00:06:42Your guy jumped from that building.
00:06:44What?
00:06:45Your dead guy turned the corner here?
00:06:50These things are made to bounce trucks off them.
00:06:55You gotta be kidding me.
00:06:57Let's walk it.
00:06:59Yeah.
00:07:13Let's go.
00:07:30You all got to do that.
00:07:32Let's go.
00:07:33What do, no, no, no!
00:07:38Larson.
00:07:40Kill me.
00:07:42Floor.
00:07:45Hold on, look.
00:07:53Hey, hey lady.
00:07:55We got to sign in.
00:07:55Oh, where's Ramsey?
00:07:57He knows me.
00:07:58Ramsey's out sick.
00:07:59You got me.
00:07:59And that means you got to sign in.
00:08:03I mean, do I look like such a threat?
00:08:06Don't blame me.
00:08:07They got procedures.
00:08:11Keep dreaming, dog.
00:08:17You got to cover the sign in.
00:08:20Some lawyers on 39 need this right away.
00:08:22Well, you're not taking the stairs again.
00:08:24Well, what else am I gonna do to stay in shape?
00:08:26To 39?
00:08:27Just get on the damn elevator.
00:08:31Come in.
00:08:33It's too tight for me.
00:08:34You can squeeze in.
00:08:36No.
00:08:54Hold, please.
00:09:00I have 42, please.
00:09:01You bet.
00:09:03Now, see this I can do.
00:09:05You hold that?
00:09:06Oh, I'm sorry.
00:09:09Thanks for your help.
00:09:11Don't mention it.
00:09:21All right, look.
00:09:23This is his bug.
00:09:39auchiimoo's and gele題 appearance.
00:09:40Where are you now?
00:09:40This is the end.
00:09:40I'm so sorry, I try to put this on a nuance issue.
00:09:41Notโcop, but I've had to have one.
00:09:58Oh, come on, man. Don't do this.
00:10:14I'm gonna put a stick on it. How we doin'? Same score. Thanks. Yeah. Why's elevator six in inspection mode?
00:10:31Huh? Elevator six.
00:10:38Oh, full house. Two queens, three jacks.
00:10:46Call Dwight. Yeah. Yo, Dwight, you got a problem? Tell me about it. I'm already up on 35 fixing it.
00:10:54The elevator? No, the broken window.
00:10:57You're not fixing the elevator? Screen set six is on inspection mode. We got people stuck in there.
00:11:02Are you sure you're reading that right? Your eyes ain't what they used to be.
00:11:07You know what? I'll ask your mom to read it for me next time I got her bent over the
00:11:10console.
00:11:12My mom's 78. Have at it.
00:11:16Yeah, listen, buddy. Just go up to the machine room and check it out, okay? On my way.
00:11:37He's trying to get something jump-started. Don't you have emergency procedures?
00:11:43I don't know. I'm just a temp. I just started working here.
00:11:46Well, don't you service these things?
00:11:48Try hitting the emergency button.
00:11:56Don't you keep up your equipment?
00:12:00I don't know. I just said it. Don't you have a walkie-talkie?
00:12:04No. I don't think I need it. Don't you think it would have been good?
00:12:07Don't you shut up? Yeah. Take it easy.
00:12:10I mean, seriously. You don't have a walkie-talkie?
00:12:14Hey, people, we see you in there. We're stuck. Hang tough. We got the building engineer on his way.
00:12:19When was the last time you heard somebody say hang tough?
00:12:21What'd you say? Nothing.
00:12:24What'd you say? Nothing.
00:12:26Is he picking a fight?
00:12:27Can one of you look towards the camera and say something loud and clear, please?
00:12:34Your building suck!
00:12:38I can't hear you. The speaker in the car is supposed to let us talk both ways, but you can
00:12:41hear me.
00:12:42He's working on this end, yeah.
00:12:44He just said he can't hear us. Didn't say we should talk louder.
00:12:47Okay, um, give us a sec.
00:12:50Well, this is reassuring.
00:12:56I gotta be somewhere.
00:13:02You're not gonna get a signal in here.
00:13:04I just need to call my job so I don't get fired over this.
00:13:09Typical bullshit.
00:13:11Do any of y'all have a signal?
00:13:13I've got one, Bob.
00:13:30Hello. This is Larson. Can you please connect me to my job at the security desk? Can you hear me?
00:13:39Tell him to get us out of here.
00:13:42Hello?
00:13:48I'll just have to do.
00:13:51Well, at least we got tunes.
00:13:54Don't sing under that apple tree with anyone else but me.
00:13:59Come on, Grandma. You know the words.
00:14:00Anyone else but me.
00:14:01Don't be a jerk.
00:14:03I'm sorry. I'm sorry.
00:14:05Miss Manners, did I offend your noble sensibilities?
00:14:09Why don't you lay off, pal?
00:14:10Why don't you suck a butt?
00:14:12This is great.
00:14:14Let's just pick on the nice guy for bringing a little levity.
00:14:17Maybe we should all just stop talking for a while.
00:14:22Sure.
00:14:30This is joking.
00:14:32Joking.
00:14:58Hey, Dwight, are you there yet?
00:15:00Almost.
00:15:04Hey, look, man. I'm just glad you're Dave again.
00:15:06I'm just glad you're glad.
00:15:07You know what I meant.
00:15:08You know, after all your... your troubles and...
00:15:11I know what you meant.
00:15:15So, how's that been going for you?
00:15:17Good. 90 days tomorrow.
00:15:20Wow. 90 days.
00:15:22Man, it seems like just yesterday since we were...
00:15:24Not to me, it doesn't.
00:15:35You wouldn't happen to have a broken window up there, would you?
00:15:38Yeah.
00:15:41Facing this direction?
00:15:42Mm-hmm.
00:15:44Big enough to fit a person through it?
00:15:46I suppose.
00:15:49Please stop sweeping.
00:15:50I'm declaring this a crime scene.
00:15:53Car 602.
00:15:55What the hell is that?
00:15:57Look out!
00:16:03You might want to secure that better.
00:16:05Okay, okay.
00:16:05In her story, innocent people always die.
00:16:10Poor souls just trying to help out who didn't realize what they were dealing with.
00:16:15He doesn't take kindly to those who stand in his way.
00:16:21Hey, old man.
00:16:23Doesn't say inspection mode here.
00:16:24Circuits look fine.
00:16:26Okay, try flipping elevator six.
00:16:27I'll tell the people in the car you count to 20 to do it.
00:16:30Cool.
00:16:33Inspected and certified August 12th by G. Carson.
00:16:39Hey, what do you say we go visit G. Carson when we're out of here?
00:16:42Tell him what we think of his inspecting prowess.
00:16:45Uh, people, we're gonna flip off the lights for one sec just to see if there's a short delay here.
00:16:49You're gonna come off the power?
00:16:50Does that mean we can drop?
00:16:52You'll be fine.
00:16:53I just didn't want you to pass.
00:16:55What's happening?
00:16:56Nothing, nothing.
00:16:56Just relax.
00:17:02Get off me!
00:17:04Get off me!
00:17:06Sorry.
00:17:13What's wrong with you, man?
00:17:21When I was younger, my brother locked me in a trunk for six hours.
00:17:25I have trouble with any space.
00:17:28Oh, great.
00:17:39Alright.
00:17:59Can we get out through that?
00:18:01What are you gonna do is shimmy up the cables?
00:18:05You'll be a lot safer in here.
00:18:07Do you know where the bathroom is in this thing?
00:18:09Did it work?
00:18:11No, it's still stuck.
00:18:13Let me go check the mains in the basement.
00:18:22All right, thanks a lot.
00:18:24Wow.
00:18:26What's going on?
00:18:27You know that window on 35?
00:18:29Yeah.
00:18:30Looks like somebody might have jumped through it.
00:18:34Today?
00:18:35Yeah, this morning.
00:18:39Uh, thanks for bearing with us, people.
00:18:41We should get you back online in a few minutes.
00:18:44It's been minutes.
00:18:46How long is it going to take?
00:18:54When we get out of here, you're going to need a good rest.
00:18:59Mattress mania?
00:19:00That's us.
00:19:01No, everybody's had their mattress too long.
00:19:03Am I right?
00:19:05You didn't follow that advice about flipping it every few months.
00:19:09And now you've worn a groove into it and you think, well, I'm used to it.
00:19:13So, hey.
00:19:15But I do miss the way it felt when it came fresh out of that bag.
00:19:18Look at those shoes.
00:19:20They've been through the mill.
00:19:21They're saying someone deserves a better place to lie down.
00:19:26You're not insulting my shoes.
00:19:27The point is, a new mattress will cost a lot less than you think.
00:19:32You don't have to be as well off as this one.
00:19:35I'm not that well off.
00:19:38What makes me good at selling mattresses is I can look at a person's clothes and know exactly how much
00:19:46they can afford to spend.
00:19:48And you, lady, you're no super sleeper.
00:19:51Oh, my God.
00:19:53They keep playing the song over and over and over.
00:19:58Can't they just turn the music off?
00:20:04Did you just touch my ass?
00:20:07What?
00:20:08You wish, sweetheart.
00:20:09I don't know who you think you are, but keep your hands off me.
00:20:15Whatever.
00:20:19Oh.
00:20:23Must be working on the lights again.
00:20:27Hey, Dwight.
00:20:29Dwight.
00:20:30I'm here.
00:20:30I'm heading into the pit.
00:20:32They just lost power number six again.
00:20:33Is that you?
00:20:34You can't do that from here, Dio.
00:20:37Huh.
00:20:38That's strange.
00:20:40I'm looking at elevator six right now.
00:20:42I can't see anything wrong with it.
00:20:43Well, the lights keep shorting out and the passengers are getting scared.
00:20:46See if this helps.
00:20:49Oh.
00:20:50Oh, come on.
00:20:54Come on.
00:20:55Anything?
00:20:57No, no change.
00:20:58Well, the only other thing I can think to do would be going back up to the roof, climbing down
00:21:02and resetting the car manually.
00:21:04Yeah, yeah, good. Do that. Do that. Call me when you get there.
00:21:07All right.
00:21:09Come on.
00:21:26Let's go.
00:21:27Hey.
00:21:31Oh, my.
00:21:32Oh, my...
00:21:35Hey.
00:21:35Oh, my...
00:21:43Come on.
00:21:50Come on.
00:22:00All right.
00:22:06Get out of here.
00:22:08Off you go.
00:22:09Off you go.
00:22:10There you go.
00:22:30Shit.
00:22:32Conspected by G. Carson.
00:22:36What was that?
00:22:38What?
00:22:39I thought I was.
00:22:44Shit.
00:22:54You all right?
00:22:56I'm just...
00:22:57I think someone pulled my blouse.
00:22:59I'm...
00:23:00You're bleeding.
00:23:02Here, here.
00:23:02Stand up.
00:23:03Let me help you.
00:23:10Oh, I...
00:23:11I think I got cut.
00:23:13What's going on in there?
00:23:16I don't know.
00:23:17I'm just scared.
00:23:19I think that lady got hurt.
00:23:21Did she?
00:23:22Yeah, see that?
00:23:25What in the world?
00:23:27Oh, my God.
00:23:34What's he saying?
00:23:36I can't tell what he's saying.
00:23:38I can't tell what you're trying to say.
00:23:42Turn off the music.
00:23:43Turn off the music!
00:23:46Maybe they don't like the music.
00:23:48The music's still on?
00:23:49Yeah.
00:23:50Well, turn it off.
00:23:51It's probably driving the nuts.
00:23:52Okay.
00:23:53Um, how?
00:23:54There's a kill switch right behind the...
00:23:56Right under the key box.
00:24:06Thank you!
00:24:08What happened to her?
00:24:11It feels like something bit me.
00:24:14Wait, wait.
00:24:14Does anybody have anything sharp on them?
00:24:16They might have cut her.
00:24:17She might have cut herself on them.
00:24:18No.
00:24:21Why you got blood on you, man?
00:24:27She fell into me.
00:24:29So you cut her?
00:24:30What?
00:24:30No, no, no.
00:24:31Something must have happened to her,
00:24:32and then she fell into me.
00:24:34She probably did it to herself.
00:24:35Come on.
00:24:36Bit or won't back?
00:24:37You think this is a bite?
00:24:39No, nobody got bit.
00:24:40What else could have done that?
00:24:41Well.
00:24:41I'll tell you.
00:24:42I don't know.
00:24:42I'll tell you a serrated blade could have.
00:24:44You wouldn't happen to have a knife
00:24:45with a serrated blade on you, would you?
00:24:47No.
00:24:48Okay?
00:24:48You mind if we search your pockets?
00:24:52Yes, I do mind.
00:24:53You mind if we search yours?
00:24:54Go right ahead.
00:24:55Maybe she has a serrated blade on her.
00:24:57Are you seriously suggesting
00:24:58that I would do this to myself?
00:24:59I don't know.
00:25:00Give me another reason to kick your ass.
00:25:03Jeez, bro.
00:25:04Take it easy, okay?
00:25:05Bro?
00:25:08I'm not your bro.
00:25:11Can you turn towards the camera
00:25:14and show us what happened to you, please?
00:25:20Oh, my God.
00:25:21Whoa.
00:25:26Okay, we've got to call the police.
00:25:42We have a possible 2-4-0 at 3-3-3 Locust Street.
00:25:473-3-3 Locust.
00:25:49That's got to be right around you.
00:25:52Here.
00:25:55Strange.
00:25:556-0-2 responding.
00:25:57Happen to be right outside.
00:25:58Put me on it.
00:25:59Call me that 6-0-2.
00:26:01That's convenient.
00:26:02I don't make the calls.
00:26:03They just come for me.
00:26:05Go.
00:26:09Markowitz.
00:26:13Hey, how's your girlfriend?
00:26:14Shut up.
00:26:22What are you doing?
00:26:23I thought I saw something.
00:26:26What do you mean?
00:26:27I saw it like what?
00:26:29Something.
00:26:30Something.
00:26:36Okay.
00:26:37You see it?
00:26:39Yeah, look, that's just...
00:26:42That's just grain in the image.
00:26:43That's, you know, it's a mistake.
00:26:44It's like when people see Jesus in a pancake or something.
00:26:48No, no.
00:26:50Esto...
00:26:50Esto es algo malo.
00:26:54Ramirez.
00:26:55Ramirez, you're freaking me out.
00:26:57Come on.
00:26:59Hey, hey.
00:27:01Hey, hey, listen to me.
00:27:03We need to convey calm.
00:27:04These people are relying on us, okay?
00:27:06So stop this shit right now.
00:27:08Come on.
00:27:21Come on.
00:27:31I don't even know why we're trying this.
00:27:33I mean, in the express shaft, there's not going to be another opening until the 23rd floor.
00:27:38Maybe we're close.
00:27:39Could this elevator fall?
00:27:41I doubt it.
00:27:42Because we've got to be 20 floors up, just dangling over nothing.
00:27:46Can we stop talking about this, please?
00:27:50Come on.
00:27:52Come on, Rick.
00:27:54Come on.
00:27:55No, no, no.
00:27:56Stay away from me, man.
00:27:57I can help.
00:27:57I want to get out of here, too.
00:27:59Why don't you sit your creepy ass down in the corner over there?
00:28:03We can all keep an eye on you.
00:28:11I'm three.
00:28:13One, two, three.
00:28:18We're just over here.
00:28:23And why do you think this might be an assault?
00:28:25Well, she seemed to be having words with one of the other passengers just before it happened,
00:28:28and now it looks like they're all keeping an eye on him.
00:28:30Which guy?
00:28:31That guy right there.
00:28:33Do we have communication?
00:28:34Yeah.
00:28:34We have an open line here.
00:28:36You can talk, but we can't hear.
00:28:39Hello, everyone.
00:28:41This is Detective Bowden, Philadelphia PD.
00:28:44We're working hard to get you out of there.
00:28:45Shouldn't be much longer.
00:28:46Please just remain calm.
00:28:49How soon till we get in?
00:28:51The engineer's working on it now.
00:28:52Usually we get these things going pretty quick.
00:28:54Does engineer work for you guys or the elevator company?
00:28:57Works for us.
00:28:57Okay, call the elevator company and have them send someone.
00:29:00Okay.
00:29:00And have the fire department send some guys.
00:29:02You got it.
00:29:04At least one of your staff's aboard.
00:29:06Oh, yeah, the guard there is, uh, he's a temp, actually.
00:29:08Ben something, I don't know, he started yesterday.
00:29:11Okay, call the temp agency and get all the info they have on him.
00:29:15And the others?
00:29:16We don't have names for the others.
00:29:18What?
00:29:19You should see the face.
00:29:20No.
00:29:20What face?
00:29:21No, nothing.
00:29:21I saw a face.
00:29:23Like, there's no face.
00:29:24Tell him about the face.
00:29:25No, look, Ramirez is kind of religious.
00:29:27Just ignore him.
00:29:27Trust me.
00:29:29I'd like to get a sense of who you all are.
00:29:33One at a time, I'd like you to hold up your driver's license to the camera so I know who
00:29:37I'm talking to.
00:29:38That's a good idea.
00:29:41Yeah.
00:29:47Try and get it closer to the camera.
00:29:50The lighters are too small.
00:29:53Is there a sharpness setting on this thing?
00:29:55No.
00:29:56That's as good as it gets right there.
00:29:58You can put your IDs away.
00:29:59All right, thanks.
00:30:01Do any of you have a pen on you?
00:30:06No one?
00:30:16I want you to account for everyone on the visitor's log.
00:30:19Find out which of these people didn't show up for their appointment.
00:30:21You got it.
00:30:26You sure?
00:30:26Okay.
00:30:38Keep him away from me.
00:30:55You must be working on the power again.
00:30:59Geniuses have done a bang-up job so far.
00:31:12Go, go, go.
00:31:13Oh, no.
00:31:18Let's go.
00:31:20Oh, no.
00:31:28No, no, no.
00:31:29Let's go.
00:31:30You're fine.
00:31:31Look at that car!
00:31:32Look at that car!
00:31:33Look at that car!
00:31:34Look at that car!
00:31:36Any other exits?
00:31:37No, sir.
00:31:38That's everywhere.
00:31:39Hey, got some info on your guard.
00:31:41What do you got?
00:31:42Check this out.
00:31:43Hey!
00:31:44Something else is happening.
00:31:59Is he dead?
00:32:096-0-2, we have a possible 187.
00:32:11I need backup.
00:32:13How to rewind this thing?
00:32:15I, uh, rewind, fast forward, and that's frame to frame.
00:32:18Frame to frame.
00:32:20Everyone just keep breathing.
00:32:21We're gonna get you through this.
00:32:22Just take it easy, okay?
00:32:24So today, someone committed suicide.
00:32:27A woman got hurt.
00:32:28Now a man is dead.
00:32:29Yeah, what are you trying to say?
00:32:33Look, how many times have you seen a child fall and barely miss the edge of the table with their
00:32:37head?
00:32:39Why is it so red that they hit it?
00:32:40Get to your point.
00:32:42Okay.
00:32:44Okay.
00:32:45Okay.
00:32:45Look.
00:32:50What are you doing?
00:32:52Come on.
00:32:52Oh.
00:32:54When he's near, everything goes wrong.
00:32:57Toast falls jelly side down, children hit tables, and people get hurt.
00:33:02Okay.
00:33:03The police do not want to hear this stuff from yours, okay?
00:33:05So just stop now.
00:33:06Sometimes he takes human form and torments the damned on earth before stealing them away.
00:33:12Where I come from, we call it the devil's meeting.
00:33:17Is this guy for real?
00:33:18Look, I'm sorry.
00:33:20Yeah.
00:33:23You must consider that one of those people might be the devil.
00:33:28All right.
00:33:29I need you to stop telling campfire stories and get your head in the game.
00:33:32It's okay.
00:33:33It's all right.
00:33:35Markowitz, look at this guy right here.
00:33:37Yeah.
00:33:37Lights go down.
00:33:40They come back up.
00:33:42He's closer, but he's moving away.
00:33:44What were you saying about the guard?
00:33:45Oh, right.
00:33:46Yeah.
00:33:46He's a real piece of work.
00:33:49Assault, assault, assault.
00:33:52Beat a guy into a coma with a baseball bat.
00:33:55That's great.
00:33:55These the kind of guys you hire for security?
00:33:58Like I said, he's just a temp.
00:34:00Some temp.
00:34:03Could that mirror break from him hitting it?
00:34:11Then how did-
00:34:12What's that cop doing out there?
00:34:18He's probably trying to figure out which one of us is the murderer.
00:34:49In the story, men would always try to fight him with force, but some battles can't be fought with weapons.
00:34:55Will you all please clear a space between the camera and the body so I could see him?
00:35:00Don't touch the body.
00:35:02This is a crime scene now.
00:35:03Though I know you're stuck in there and expect you to do as little damage to it as humanly possible.
00:35:07Got it?
00:35:09Any luck with the elevator company?
00:35:10They're out of business.
00:35:13Guess that figures.
00:35:16A shard of glass sliced up and into the jugular is definitely not an accident.
00:35:25Who chooses a contained room with three witnesses for a killing?
00:35:29Unless they're so worked up they can't control themselves.
00:35:32These people are shook up, but they don't look murderous.
00:35:36I'm missing something here.
00:35:45I need a volunteer to help me out.
00:35:53There's a piece of paper hanging out of his pocket.
00:35:56Very carefully I want you to take it out and hold it up to the camera.
00:36:01Here.
00:36:18You're on the floor.
00:36:27Here I am.
00:36:28I'm here to walk.
00:36:28Here.
00:36:37I've never seen a person die.
00:36:42Yeah, Vaughn.
00:36:45Pretty awful, huh?
00:36:49So what, you have?
00:36:53Yeah, I spent some time in Afghanistan.
00:36:58I see some things I wish you hadn't.
00:37:03Lacey, you've been trained to kill people.
00:37:07Hoorah.
00:37:15How's your jumper shaping up?
00:37:17Hey.
00:37:19Can you take a look at the suicide note?
00:37:21Most of it makes sense, but then it ends with,
00:37:24I can hear the devil's footsteps drawn here.
00:37:28Usually suicide notes are either all crazy or all rational,
00:37:32but this one's both.
00:37:34It's strange, isn't it?
00:37:37Yeah, it is.
00:37:44This one?
00:37:45Elevator key.
00:37:49He's not catching.
00:37:50All right, try the Halligan.
00:37:54Something's jamming.
00:37:55Come on.
00:37:58Look, if I can...
00:38:00If I can get up there,
00:38:01I can maybe figure out what's wrong with this thing.
00:38:06I'm a mechanic.
00:38:08Pretty good with this sort of thing.
00:38:18He's trying to escape.
00:38:21He's trying to escape!
00:38:23He's trying to escape!
00:38:24He's trying to escape!
00:38:24Stop!
00:38:25Stop it!
00:38:25Stop!
00:38:26What are you doing?
00:38:27Oh!
00:38:30What the hell are you doing?
00:38:32We're all gonna stay right here
00:38:34until this thing's over.
00:38:35You knew what I was doing!
00:38:36Look, I told you what I was doing!
00:38:37I don't know you!
00:38:42It's not our policy to discuss cases under review.
00:38:45It kind of damages the reputations of our member businesses.
00:38:48Look, someone just killed him on his way here.
00:38:49I need to know who knew he was coming here
00:38:51and who wanted him dead.
00:38:54Well, the line would stretch around the block.
00:38:57The guy was a real scumbag.
00:38:59Three years ago, he started one of those Ponzi schemes
00:39:02and when it collapsed, a lot of people lost their asses.
00:39:05A guy even killed himself over it.
00:39:07Do you have a list of people that got burned by him?
00:39:08Yeah.
00:39:09The ones that filed.
00:39:10I'm gonna need it.
00:39:11So what do you say we get to know each other a little bit better?
00:39:14Here.
00:39:16Come on.
00:39:17Frisk me. Search me.
00:39:18Huh?
00:39:18See? Then I'm not carrying anything suspicious.
00:39:23Come on!
00:39:35You're next.
00:39:43There's a good chance one of our people didn't sign in.
00:39:45How's that?
00:39:46That person might be on this list.
00:39:48What's this?
00:39:49Our victim lost a lot of people a lot of money.
00:39:51These are the ones that filed complaints.
00:39:52The killer's probably smart enough not to be on both lists.
00:39:55Look for the one that didn't sign in.
00:39:57Did you just want video of the guy who died
00:39:59or also the girl that got hurt?
00:40:00All of it.
00:40:01Since they got in the car.
00:40:02Okay.
00:40:03Detective?
00:40:06I see.
00:40:09That's what you're talking about?
00:40:12Everybody believes in him a little bit.
00:40:14Even guys like you who pretend they don't.
00:40:32What's this?
00:40:36An apology note left at the sight of a hit and run.
00:40:39My wife and son were killed out on Bethlehem, probably five years ago, but...
00:40:46That's okay.
00:40:48Because whoever did it is sorry.
00:40:52You can tell by the heartfelt apology on the back of a car wash coupon.
00:40:56So no, I don't believe in the devil.
00:40:57We don't need him.
00:40:59People are bad enough by themselves.
00:41:04Stop the tape.
00:41:06Pack it up.
00:41:08Faster.
00:41:08Faster.
00:41:09There.
00:41:10Gonna play it.
00:41:12Get out of here.
00:41:12She was acting like he grabbed her.
00:41:17What is she up to?
00:41:22Folks, do me a favor.
00:41:23Keep your hands off each other.
00:41:25Leave the police work to me.
00:41:26I'll be in there any moment.
00:41:29Won't I?
00:41:52Stop it.
00:41:55I don't like him touching me.
00:41:57He's touching me.
00:41:58I don't like it.
00:41:59Stop pushing him, bunch of men.
00:42:01Stand back.
00:42:02Oh, hell no.
00:42:03I know you're not doing what it looks like you're doing.
00:42:05Spray that in here.
00:42:05You're gonna blind all of us.
00:42:07I'll do it.
00:42:07Seriously, put it down.
00:42:09Lady.
00:42:16Dwight, where are you?
00:42:18You gotta stop disappearing.
00:42:19Seriously.
00:42:21Dwight.
00:42:22Hang on a sec.
00:42:24Dwight, you gotta get into that car right now.
00:42:26Where are you?
00:42:28Uh...
00:42:29I can't.
00:42:31Dwight, I need you to stay on walking.
00:42:33Man!
00:42:40Can you see this?
00:42:42Huh?
00:42:42You see this?
00:42:46Used by October 21st, 1987.
00:42:50She was scared.
00:42:52Relax.
00:42:52She tried to pepper spray me, man!
00:42:54I saw it.
00:42:54I saw it.
00:42:55I saw it.
00:42:58Dwight.
00:43:03Dwight.
00:43:04We're being saved.
00:43:07Dwight, where are you?
00:43:11Come on, pick up.
00:43:12Pick up!
00:43:13They hear something.
00:43:15They hear your guy moving in the shaft.
00:43:18Then how come he's not answering?
00:43:20Dwight.
00:43:21Dwight, this is serious.
00:43:23You need to pick up, Dwight.
00:43:24Thank you!
00:43:26Pick up, Dwight.
00:43:27Pick up.
00:43:32Aw.
00:43:34No, no.
00:43:36Hey!
00:43:37Hey!
00:43:38Hey!
00:43:38Oh, no.
00:43:40Hey!
00:43:40Hey!
00:43:41You all right?
00:43:42Come on!
00:43:44Hey!
00:43:46Hey!
00:43:48Come on!
00:43:49Come on!
00:43:50Hey!
00:44:14Dwight, where the hell are you, man?
00:44:16Come on!
00:44:16What floor did Dwight enter the shaft from?
00:44:19He entered from the roof.
00:44:23What are they looking at?
00:44:25Dwight!
00:44:26Dwight, pick up!
00:44:50Come on!
00:44:52Looks like he fell.
00:44:54He's impaled right on top of the elevator.
00:44:56Hurt real bad.
00:44:57Possibly dead.
00:45:03Hey, Bowden.
00:45:04I think the people in the elevator can hear our radios.
00:45:10You're not.
00:45:10Yeah, that's confirmed.
00:45:13Can you switch to channel 8?
00:45:15The car's stuck on 21.
00:45:17Mark, what's up to the fire department?
00:45:19Looks like they have to go through the wall on 21.
00:45:21Looks like they have to go through the wall on 21.
00:45:22This is lustig.
00:45:23You can't just go through the wall.
00:45:25Sure we can.
00:45:26That's why you have insurance.
00:45:31Fire command.
00:45:32Go to 8, please.
00:45:37there she is sarah carraway we know the security temp is benjamin larson and we know mccormick
00:45:43what other names aren't accounted for uh jane something looks like kowski the older woman
00:45:54find me footage of this guy
00:46:12oh you gotta be kidding me did she just steal that lady's wallet so vince was a scam artist
00:46:17this woman jane's a thief sarah there's a liar and our guard is a thug quite the crew we have
00:46:24here
00:46:26i still haven't seen this guy here
00:46:32what was that it's okay hard drive crash that guy number two
00:46:39here we go
00:46:43any other angle on the lobby just the main entrance
00:46:48there
00:46:52okay rewind back
00:46:55faster
00:46:57there he is stop it
00:47:04where's that satchel
00:47:12he doesn't there's no satchel in the elevator
00:47:16whoa whoa whoa
00:47:21shit
00:47:23oh no
00:47:25what's happening
00:47:29don't come near me any of you
00:47:32maybe you know if i could just
00:47:33go
00:47:33and
00:47:36got
00:47:48the hell's gone on
00:47:50dude
00:47:51what
00:47:51who
00:47:52what
00:47:52what
00:47:53who
00:47:53who
00:47:53who
00:47:54who
00:47:55who
00:47:57who
00:48:06Turn on the lights!
00:48:23That's it.
00:48:24Shut down the building.
00:48:26Bring everyone down to the lobby.
00:48:28Nobody comes in or out but us.
00:48:31Which guy do you think is doing this?
00:48:33There are three people in there that are all capable.
00:48:36Well, she's not doing it.
00:48:38I'm ruling nobody out.
00:48:40The fire department wants to know if you have a shutoff valve
00:48:42before they get through the wall, just in case.
00:48:44Yeah, it's, uh...
00:48:45It's in the basement.
00:48:50I'll go.
00:48:56They're bad people. That's why they're here.
00:48:57No, two of them are here because I just got on the wrong elevator.
00:49:00Yeah, and I just happen to have the wrong job,
00:49:02and you just happen to take the wrong call.
00:49:12He never does this in secret.
00:49:16There's a reason we're to the audience.
00:49:25Whoa, whoa, whoa, hold on, hold on.
00:49:27No one's getting in this building right now.
00:49:29I know, I'm supposed to meet somebody upstairs.
00:49:30Well, you're going to have to call them and tell them you can't make it.
00:49:32Well, can you tell me what's happening?
00:49:33He always kills the last victim
00:49:35in front of the person they love most
00:49:39to make cynics of us all.
00:49:41No, no, don't touch me.
00:49:42I'm not going to leave her just hanging here.
00:49:46Where are you going to put her?
00:49:48I haven't thought that far ahead.
00:49:56Funny, all the stuff starts happening
00:49:58right after you start working here.
00:50:00Seems to me you're the only one who knows where the cables are.
00:50:17What are you doing?
00:50:21Trying to close your eyes.
00:50:26It doesn't work until they're dead for a few hours.
00:50:36Okay, you enter the building with a satchel.
00:50:38You see a sign-in desk you want to avoid.
00:50:39Where do you go?
00:50:44Restroom.
00:50:44Yep.
00:50:57Got it.
00:51:12Could those be used to rig an elevator?
00:51:15I have no idea.
00:51:17But he doesn't sign in and then he hides these.
00:51:43God save you, Mary.
00:52:01What the hell is that?
00:52:02I wish you'd stop.
00:52:13I don't even know your name.
00:52:22I'm Ben.
00:52:24I'm Sarah.
00:52:29I'm Tony.
00:52:44So where'd your claustrophobia go?
00:52:46Excuse me?
00:52:50I've never seen claustrophobia come and go like that.
00:52:56Are you trying to say something?
00:52:57Yeah, yeah.
00:52:57Then say it.
00:52:58Okay, I'm saying I didn't do this and I very much doubt that she did, so that leaves you.
00:53:02I'm saying I think this claustrophobia thing, I think it's an act.
00:53:08Yeah, I'm saying I think you're alive.
00:53:10I'm saying I'm saying I'm dying.
00:53:41Back away from each other now! Get off!
00:53:46We're going to keep you safe, and here's how.
00:53:48Everyone get to a corner and place your hands on the wall
00:53:51so everyone can see that you're not up to anything.
00:53:53Go ahead. Do it!
00:53:58You won't have to keep this up long.
00:54:00The building is surrounded by police.
00:54:09In a hypothetical conversation that I'm not really having,
00:54:14how would this story of yours end?
00:54:18They all die.
00:54:22That's it?
00:54:24Yeah.
00:54:27This is not your fault.
00:54:31And they made the choices that brought them here.
00:54:37You're going to love this.
00:54:38What do you got?
00:54:39She has a criminal record, too.
00:54:41Three counts of blackmailing rich married men.
00:54:44Now, where this gets interesting,
00:54:45is a couple of years ago the arrest stopped.
00:54:47Guess why?
00:54:48Tell me.
00:54:49Well, her name is Sarah Carraway.
00:54:51Carraway, Carraway?
00:54:52Yeah, she married into the family.
00:54:54So she shoplifted an heir?
00:54:55Yeah, something like that.
00:54:56What's she doing here?
00:54:57Well, according to the sign-in sheet,
00:54:59she's going to see a lawyer on 42 named Wayne Kazan.
00:55:04Excuse me.
00:55:05Excuse me.
00:55:07Hey, listen up.
00:55:08Quiet down.
00:55:09Quiet down.
00:55:12Hey, quiet!
00:55:14Philadelphia PD.
00:55:16I'm looking for a Wayne Kazan.
00:55:18Is there a Wayne Kazan down here?
00:55:19Yeah.
00:55:22Excuse me.
00:55:23What's up?
00:55:24Did you have a meeting today with a Sarah Carraway?
00:55:27I don't know.
00:55:28Do you have a subpoena?
00:55:29Come on.
00:55:29You could tell me that much.
00:55:30I might have.
00:55:31Why?
00:55:32She was attacked.
00:55:33Who has motive to hurt her?
00:55:35Well, you know, I can't divulge personal information.
00:55:37Come on, man, give me something.
00:55:38Give me something to work with here.
00:55:39I'm trying to save your client's life.
00:55:41Here.
00:55:46I guess I do what you guys normally do,
00:55:48and start with the person closest to her.
00:55:51Thanks.
00:55:52And just so you know,
00:55:53my specialty is forensic accounting.
00:55:58Markowitz, get Mrs. Carraway's husband on the phone.
00:56:07She'll be okay now.
00:56:17All right, get in there.
00:56:36All right, get in there.
00:56:37I might have found the problem.
00:56:39The bad wire looks like it could be shorting out the circuits.
00:57:03Okay.
00:57:07Easy.
00:57:31Ah, fine.
00:57:34Baskin, we're going to need the large target saw up here as fast as you can bring it.
00:57:44Look, we need two more on 21, okay, guys?
00:57:46Any luck getting hold of the husband?
00:57:47No, not yet.
00:57:48I called his office, and his secretary said he'd call me right back.
00:57:55Back up!
00:57:56Heads up! Heads up!
00:57:58Come on, come on!
00:57:58Back up!
00:57:59We're back in the way!
00:58:00Get away and back up!
00:58:01What happened?
00:58:02Anybody see what happened?
00:58:03Medic!
00:58:04He came through the door!
00:58:05Breathe. Breathe.
00:58:08Lester.
00:58:09Back away! Back away! Move back!
00:58:12Get everybody back!
00:58:14Back away!
00:58:33Put your hands back up on the wall.
00:58:34It hurts.
00:58:40Put your hands back up on that wall.
00:58:46Or what?
00:58:51Just leave her alone.
00:58:52She's in pain.
00:58:53Don't you see what she's doing?
00:58:57Check's a twist.
00:58:58What are you talking about?
00:59:00Yeah, it's what we used to call people like her in the Marines.
00:59:04Suddenly, out of the blue, everybody would start fighting with each other.
00:59:07Tempest of flair.
00:59:08People would start getting hurt.
00:59:09But then we realized...
00:59:12He's just a new guy.
00:59:15Telling everybody what other people said.
00:59:17Stirring shit up.
00:59:18But there wasn't any.
00:59:21Until one night when we'd be delivering shit out of that twist.
00:59:27And then, just like that, everything would go back to normal.
00:59:36Are you threatening me?
00:59:39I just want you to know that I know.
00:59:43Man, just shut up and keep your hands on the wall.
00:59:45I don't know.
01:00:03Sarah Carraway's husband won't talk to us.
01:00:05He lawyered out.
01:00:06Her lawyer told me she's locating all his money.
01:00:09I bet she's about to leave him and he might know it.
01:00:11That would definitely give him motive to kill her.
01:00:13What if he's trying to kill his wife?
01:00:15Where are Jankowski and Vince McCormick dead?
01:00:17I don't own Carraway's security.
01:00:18It's about the maintenance to come down and shut the bay doors.
01:00:23Sarah Carraway's husband doesn't own Carraway's security, does he?
01:00:29Meet me in the office.
01:00:40He's not done yet.
01:00:41It's the Kensington Sniper all over again.
01:00:44What's a Kensington Sniper?
01:00:45A few years ago, a guy shot four strangers and then his own wife, trying to make a personal
01:00:49killing look like a serial.
01:00:50The guard works for the woman's husband.
01:00:52I think the two victims were just a decoy.
01:00:54The guard is going to kill her.
01:00:55I need to be in that elevator right now.
01:00:57Move!
01:00:57All right.
01:01:02Please don't let him kill me, Ben.
01:01:03I won't.
01:01:05Come on, be in next to me.
01:01:06I'll keep you safe.
01:01:10Don't worry.
01:01:17Hold up your cell phones.
01:01:19Use the screens as flashlights.
01:01:23Don't let it go dark in there.
01:01:24Keep the light on each other.
01:01:25Keep shining it all around the elevator.
01:01:41Keep shining it all around the elevator.
01:02:01It just doesn't make any sense.
01:02:05Oh my God, it is you.
01:02:09Please, lady.
01:02:11They can't hear you.
01:02:13You don't have to pretend anymore.
01:02:15We both know who did this.
01:02:18Yeah, we do.
01:02:31Put down the glass and get your hands on the wall.
01:02:33Now.
01:02:35I should kill you right now.
01:02:37I should kill you right now before you try anything else.
01:02:39I should kill you right now.
01:02:40And what will be your defense?
01:02:42Huh?
01:02:44She killed them all so I had to kill her?
01:02:47Something like that.
01:02:49You take me down.
01:02:52They're pinning all of this on you.
01:02:55And you know it.
01:02:57Big, tough guy like yourself.
01:03:02This is what he does.
01:03:04He wants us to doubt everything.
01:03:06Markowitz.
01:03:08Markowitz.
01:03:08We're getting close, Fox.
01:03:11Hurry up.
01:03:14How would I do it?
01:03:15Do what?
01:03:18According to your story,
01:03:19how would I save them?
01:03:24There's no easy answer.
01:03:27I mean, you're never going to get these people
01:03:28to see themselves as they really are.
01:03:32Because it's the lies that we tell ourselves
01:03:34that introduced us to him.
01:03:48Look at what you're doing.
01:03:50Don't think just because I'm a cop,
01:03:52I don't know what you're going through right now.
01:03:57I've been to hell.
01:04:02Six months ago,
01:04:05I...
01:04:08checked into a hotel
01:04:09and I nearly drank myself to death.
01:04:12The thing is,
01:04:14when you're self-destructing,
01:04:16it looks like it's the world's fault.
01:04:18Like you dealt a series of shit hands,
01:04:20but that's not real.
01:04:21Okay?
01:04:22It was all on me.
01:04:24All of it.
01:04:26I realized...
01:04:27my only way out of hell
01:04:28was to take responsibility
01:04:29for what I had become.
01:04:33You are responsible for this.
01:04:36You realize that, don't you?
01:04:37Take responsibility for what you're doing.
01:04:42Put down the glass.
01:04:47Put down the glass.
01:04:51Oh.
01:04:56I'll put this down if you do, too.
01:05:00Okay?
01:05:02We'll call the truth.
01:05:29Good.
01:05:31You're doing the right thing.
01:05:36Sir?
01:05:37We found a woman
01:05:38who thinks she knows someone
01:05:39in the elevator.
01:05:39Send her in.
01:05:43No.
01:05:44Get in there!
01:05:45Get in there now!
01:05:47Whoa!
01:05:52No!
01:06:33This is the woman I was telling you that.
01:06:34Pull her outside.
01:06:36Tony.
01:06:40You know him?
01:06:41He's my fiance.
01:06:42He had a job interview here today and he didn't want to bring his tools in with him.
01:06:45I was late picking them up.
01:06:47Tony what?
01:06:48Janikowski.
01:06:48Tony Jankowski.
01:06:58He signed in.
01:07:00Then who is?
01:07:02Come on, breathe.
01:07:02Right there.
01:07:03Come on, breathe.
01:07:05Come on, breathe.
01:07:06Come on.
01:07:07Come on.
01:07:08Breathe.
01:07:08Come on.
01:07:10Come on.
01:07:12It's her.
01:07:16Get in there already.
01:07:20Who are you?
01:07:21Today, I'm an old woman.
01:07:24Grab her the moment you get in.
01:07:27Are you ready for your turn, Anthony?
01:08:13Oh, my God.
01:08:21Oh, my God.
01:08:57Oh, my God.
01:09:02Oh, my God.
01:09:07Oh, my God.
01:09:13Oh, my God.
01:09:20I'm sorry.
01:09:23I'm sorry.
01:09:24Oh, my God.
01:09:41I deserve this.
01:09:43You don't believe that.
01:09:45Yes.
01:09:45Yeah, I do.
01:09:49I should never have left.
01:09:50It's my fault.
01:09:52It's all my fault.
01:09:53You think you can make up for the choices you made.
01:10:22No.
01:10:25No.
01:10:26No.
01:10:26You think you can be forgiven?
01:10:28No.
01:10:30Channel 8.
01:10:33I killed a mother and I killed a mother and her son on Bethlehem Pike five years ago.
01:10:39It was a hit and run and I was never caught.
01:10:48I'm so sorry.
01:10:51I'm so sorry.
01:10:53I'm so sorry.
01:11:11No.
01:11:32Damn. I really wanted you.
01:12:02Come on, come on, come on, come on.
01:12:14Where is she?
01:12:16Where'd she go?
01:12:32Where'd she go?
01:12:58Where'd she go?
01:12:59Where'd she go?
01:13:05The fine.
01:13:10The ratchet.
01:13:11The ratchet.
01:13:16The ratchet.
01:13:18The ratchet.
01:13:21The ratchet.
01:13:29I'll take them in.
01:14:11That was my family on Bethlehem, Pike.
01:14:19That was my son.
01:14:32I've been waiting for this moment for five years, all the things I'd say to you, what I'd do.
01:14:46The thing is, I forgive you.
01:15:01After my mother would finish her story, she would always comfort us.
01:15:07Don't worry, she'd say.
01:15:10If the devil is real, then God must be real too.
01:15:26If the devil is real, then God must be real.
01:15:58If the devil is real, then God must be real.
01:15:59If the devil is real, then God must be real.
01:16:13If the devil is real, then God must be real.
01:16:21If the devil is real, then God must be real.
01:16:57If the devil is real, then God must be real.
01:17:04If the devil is real, then God must be real.
01:17:09If the devil is real, then God must be real.
01:17:27If the devil is real, then God must be real.
01:18:24If the devil is real, then God must be real.
01:18:39If the devil is real, then God must be a God.
01:18:44If the devil is real, then God must be real.
01:18:57You
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