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00:00:28¡Suscríbete al canal!
00:00:57¡Suscríbete al canal!
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00:04:15¡Suscríbete al canal!
00:04:17He delights in the sound of his own voice
00:04:20But like so many humans
00:04:22The words don't seem to matter
00:04:25If he will forgive my humble surroundings
00:04:31Phil Davis sent me to you, Mr. Wong
00:04:33Yes
00:04:34My life has been threatened
00:04:36He said you'd be able to help me
00:04:40A request from a friend
00:04:42Is virtually a command
00:04:45If you'll state your case, please
00:04:47Well, I haven't any case
00:04:48I'm just convinced that somebody's out to get me, that's all
00:04:52Whom do you suspect?
00:04:53Anyone, everyone, every place I go
00:04:55I tell you it's driving me crazy
00:04:57How long have you been bothered by this
00:05:02Shall we say apprehension?
00:05:05For a couple of months
00:05:06You see, about that time my two partners and myself
00:05:09Arranged to ship a load of chemicals abroad
00:05:11From that time on we've had a lot of trouble
00:05:14Just what sort of trouble?
00:05:16Factory deliveries held up
00:05:18Railroad shipments damaged
00:05:19Ships withdrawn that I'd already charted
00:05:22I see
00:05:22Go on
00:05:23My office has been entered and rifled several times lately
00:05:27Ah
00:05:28Anything taken?
00:05:30Desk, file search, but nothing taken
00:05:34Is there anything else you can tell me?
00:05:37Yes
00:05:38A couple of days ago
00:05:39A Miss Petroff dropped into the office with a letter of introduction
00:05:43Yesterday I saw the man from whom she said she got the letter
00:05:46He had never heard of her
00:05:50How about these two partners of yours?
00:05:52Wilk and Meisel, they're okay
00:05:54We've been associated for 15 years
00:05:56I don't know
00:05:57I seem to have the feeling that I'm being followed
00:05:59That I was followed here tonight
00:06:00It all seems so indefinite
00:06:02I...
00:06:03Well, I just can't give you a single clue, Mr. Wong
00:06:05On the contrary, Mr. Dayton, you have
00:06:08You spoke of a forged letter
00:06:11You have it?
00:06:12Why, yes, of course
00:06:13At the office
00:06:13Will you do this?
00:06:15Will you come to the office and talk it over?
00:06:17I'll pay you anything you ask
00:06:18But I must have help or I'll lose my mind
00:06:21How will 10 o'clock in the morning suit you?
00:06:23Fine
00:06:24I do appreciate this, Mr. Wong
00:06:26Appreciate it immensely
00:06:27In the meantime, what would you advise me to do?
00:06:30I would suggest
00:06:33An almond duck
00:06:34Smothered with succulent water chest
00:06:36A little rice wine
00:06:38What?
00:06:38I beg your pardon
00:06:40Have you a good cook?
00:06:41Yes
00:06:42Then go home
00:06:43Have a good dinner
00:06:44And sleep
00:06:45He rests well
00:06:47He dines well
00:06:58Good night, Mr. Wong
00:06:59And thank you again
00:07:00I'll see you tomorrow morning at 10
00:07:01Good night
00:07:03Look out, Wong
00:07:06That wasn't my chopper
00:07:07That wasn't John
00:07:08I saw his face
00:07:13Oh
00:07:18Listen, John
00:07:18Listen to my chopper
00:07:20John
00:07:20Easy
00:07:21John
00:07:21John
00:07:22What happened?
00:07:23What happened?
00:07:25What?
00:07:40Good morning, Mr. Dayton
00:07:43Good morning
00:07:45Mr. Wong will be here at 10 o'clock
00:07:46I'm not seeing anyone else, understand?
00:07:48Why, Mr. Meiser and Mr. Wilker are in your office waiting for you
00:07:53Oh
00:07:54Thank you
00:08:02Good morning
00:08:03Anything wrong, Dayton?
00:08:05Nothing wrong with me
00:08:06What's on your mind?
00:08:08Simon
00:08:09We overlooked a little matter in our partnership agreement
00:08:13It's quite important
00:08:15Yes?
00:08:16What is it?
00:08:17There's nothing that covers the situation which will arise if one of us dies
00:08:23Meisel thinks of everything
00:08:25In order to simplify things, I've drawn up an additional clause to our agreement
00:08:30I'll read it to you
00:08:32In the event of the demise of any of the three principles to this agreement
00:08:36It is understood and agreed that his interest shall revert in its entirety
00:08:40To the surviving principles and or principles
00:08:45We both sign
00:08:46The way I figure, it's wise to always be prepared in a case like this
00:08:59I wish we'd never gone into that
00:09:02Not trying to back out again, Dayton
00:09:04No
00:09:05Well, don't
00:09:07You're in this too deep for that
00:09:09That ship is going to sail
00:09:28Mr. Wong should be here by now
00:09:32Why, he's not here for 20 minutes, Mr. Dayton
00:09:34Well
00:09:46I'm going to kill you
00:09:50I'm going to kill you
00:09:51I'm going to kill you
00:10:04Here we go
00:10:15¡Suscríbete al canal!
00:10:42¡Suscríbete al canal!
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00:12:29¡Suscríbete al canal!
00:12:31¡Suscríbete al canal!
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00:13:01¡Suscríbete al canal!
00:13:04¡Suscríbete al canal!
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00:13:51No, no, no, no, no, no.
00:14:36This man wasn't shot.
00:14:37He's not a markman.
00:14:39Looks like heart failure.
00:14:40What about this gun?
00:14:42Even with my rather limited experience,
00:14:45I would say the doctor was correct in his assumptions.
00:14:48Simon Dayton was not shot.
00:14:50¿Cómo se sabe? ¿Has examinado el cuerpo?
00:14:53No.
00:14:54Pero he examinado el cuerpo.
00:14:56No hay miedo que no ha sido tirado.
00:15:08¿Qué te encontré?
00:15:10Un pez de glas.
00:15:12Ahora, mira, lo mismo.
00:15:13El doctor me dijo que ha tenido un dolor de dolor.
00:15:16Ahora, ¿verdad que alguien le dijo a la cabeza con un bottle?
00:15:18No, hardly.
00:15:20I'm not suggesting this is part of a bottle.
00:15:23It's as thin as a piece of eggshell.
00:15:26Chief, do you want to see this?
00:15:28I found it in his inside pocket.
00:15:34Those are Mr. Dayton's paper.
00:15:35Have you a right to read them?
00:15:37I've already read them.
00:15:38What's up to you anyway?
00:15:39Who are you?
00:15:40One of the partners?
00:15:41No, sir.
00:15:42Well, who are you?
00:15:43Mr. Dayton's office manager.
00:15:44Sit down.
00:15:46Yes, sir.
00:15:48If I might, please.
00:16:03When I got your message, Mr. Wong, we prepared everything.
00:16:06So nice of you to take so much trouble.
00:16:08Oh, we're always interested when you decide to work out one of your experiments with us.
00:16:11Mr. Simpkins is anxious to meet you.
00:16:13Oh, yes.
00:16:13I told him that we were at Oxford together.
00:16:16Oh, really?
00:16:16He's the scientist, you said you want.
00:16:26Mr. Simpkins?
00:16:27Mr. Wong.
00:16:29Delighted, Mr. Wong.
00:16:29How do you do, Mr. Simpkins?
00:16:31We didn't have any glassblowers on the faculty, but Mr. Simpkins assures me he's one of the
00:16:35best in San Francisco.
00:16:36I'm sure of it.
00:16:39Now, do you think you can determine from these small pieces of glass the size and shape of
00:16:45the original?
00:16:49Well, I don't see why not.
00:16:51Then shall we go to work?
00:17:14Calcium, 0.063, silicate of potash, 0.6.
00:17:220.0653, manganese, 0.217.
00:17:27That much manganese?
00:17:29Yes.
00:17:30Why?
00:17:31Awfully brittle glass.
00:17:32Must have been made by a Bavarian.
00:17:34Why do you say that?
00:17:36They're the only glassblowers I know who use that much manganese.
00:17:40From the curvature, it must have been almost a perfect sphere.
00:17:4465 millimeters in diameter.
00:17:46About two and a half inches.
00:17:48Mm-hmm.
00:17:55Try to reproduce the size and the thickness as closely as possible.
00:18:27Gracias por ver el video
00:18:29Gracias por ver el video
00:19:04Gracias por ver el video
00:20:14Gracias por ver el video
00:20:36Gracias por ver el video
00:21:11Gracias por ver el video
00:25:07Did you ever see one of these?
00:25:11No, I can't say that I have
00:25:14Some type of light bulb I should say
00:25:16Pardon me
00:25:17Isn't Mison a Bavarian name?
00:25:20It was Arisne I believe
00:25:23Why?
00:25:27Are we to consider ourselves under arrest, Captain?
00:25:31No, you can go
00:25:32Thank you
00:25:40Well, a lot of information we got out of them
00:25:44Devlin!
00:25:44Yeah, Chief?
00:25:45Any more of them out there?
00:25:47Yeah, a woman
00:25:48Who is she?
00:25:51I picked her up in the Dayton Chemical Works
00:25:52Yeah?
00:25:53Bring her in
00:25:55This way, lady
00:25:59What's your name?
00:26:00Margaret Dolan
00:26:01Sit down
00:26:04Where were you at 9.30 this morning?
00:26:06At 9.30 this morning
00:26:07I was in the Dayton Chemical Building
00:26:09On the fourth floor
00:26:11What were you doing there?
00:26:12What I'm always doing
00:26:13What's that?
00:26:14Scrubbing floors
00:26:17That'll be all
00:26:18Thank you, lady
00:26:18This way, lady
00:26:21Devlin
00:26:22Yeah
00:26:23Nice going
00:26:24Thanks, Chief
00:26:25Get out of here
00:26:28Well, that's all of them
00:26:30Oh, no
00:26:31You're forgetting Mr. Petrov
00:26:33The one with the letter of introduction
00:26:35But to say nothing of the party or parties
00:26:37Who rifled Dayton's office
00:26:38And the guy that stole Dayton's car
00:26:41And the man who stole Dayton's car
00:26:44Look
00:26:45Romer's got a motive
00:26:47At least he thinks he has
00:26:48The formula
00:26:49Meisel and Wilkes have a motive
00:26:52But the Russian gal
00:26:53And the guy that stole Dayton's car
00:26:56See if you can dope that out for me
00:27:01You blunder
00:27:02Both of you
00:27:05You must have
00:27:06Or Dayton wouldn't have gone to Wong
00:27:09And you
00:27:14I told you
00:27:15I told you to be careful
00:27:17Dayton's out of the way
00:27:18Yes, but that Chinaman saw your face
00:27:20I'll take care of him
00:27:21We're not taking any chances like that
00:27:27We've got to stop that boat
00:27:29And get their formula
00:27:30Won't take them long
00:27:31To get that boat loaded
00:27:32Then we've got to work fast
00:27:34It's the formula that worries me
00:27:36If we could only reach Roma
00:27:38It's impossible
00:27:39He's in jail
00:27:40Then it's got to be Wilk or Meisel
00:27:42It'll be Wilk
00:27:47I'm having cocktails with him tomorrow
00:27:52Olga
00:27:53You can be very clever
00:27:54When you're not careless
00:27:59And you
00:28:00You watch the boat
00:28:01And remember, be careful
00:28:03Wong is a clever man
00:28:05But if you watch your every movement
00:28:07As you've been trained
00:28:08And as I do
00:28:09Even Mr. Wong can be fooled
00:28:12You won't find anything in there, Wong
00:28:14We've checked it completely
00:28:15The only fingerprints on the car
00:28:17Are Dayton's in his chauffeurs
00:28:19What'd you find?
00:28:21Well, the man who stole Dayton's car
00:28:23Obviously picked up a companion
00:28:25I don't think Dayton smoked
00:28:27This type of cigarette
00:28:28You mean there's something
00:28:29In the tobacco?
00:28:31A kachina bar
00:28:33It's mixed with tobacco
00:28:34In South America
00:28:35Look, Wong
00:28:36First you give me a Russian
00:28:38Now we've got to hitchhike
00:28:39In South America
00:28:40A nice menagerie you're getting
00:28:43Where do we go from here?
00:28:45To Karl Romer's house
00:28:47All right, Devlin
00:28:48Back it out
00:28:49Tommy, bring that car over
00:28:50Right
00:28:56What about your international duet?
00:29:00You're still holding Karl Romer, aren't you?
00:29:02Yes
00:29:03Well, then we must eliminate him
00:29:05Before we can proceed
00:29:06What do you expect to find at Romer's?
00:29:09I don't know, Street
00:29:11But it won't hurt to look
00:29:27I don't like to disturb him, Ms. Romer
00:29:29But we'll have to look over your husband's workshop
00:29:32Why don't you let Karl come home?
00:29:34He didn't kill Mr. Dayton
00:29:35He was only angry because Mr. Dayton
00:29:37Kept his formula
00:29:38All he wanted was to frighten him
00:29:40Yeah, well, if that's true, Ms. Romer
00:29:42You haven't anything to worry about
00:29:43He'll be out in a couple of days
00:29:44You know that's all Karl did
00:29:46Why, the gun wasn't even loaded
00:29:48All we are trying to do is to help your husband, Mrs. Romer
00:29:52Now, if you'd allow us to have a look at the room where he worked
00:29:55We haven't anything to hide
00:29:57You can see everything
00:29:59My husband is innocent
00:30:00Come this way, please
00:30:11This is where Karl works
00:30:13Would you like to see Karl today?
00:30:15Oh, can I?
00:30:16Yes, you get your hat and coat and we'll take you down
00:30:22What are you looking for?
00:30:25Sand
00:30:26Sand?
00:30:27What are you going to do, build a beach now?
00:30:30White sand
00:30:31And what's the difference?
00:30:33It's used in the manufacture of glass
00:30:41Oh, Ms. Romer, I'd like to ask you a few questions about your husband
00:30:44Was he ever mixed up with the officials, that is, the law?
00:30:47Oh, no, sir
00:30:48By the way, Mrs. Romer
00:30:49Where was your husband born?
00:30:51He was born here in San Francisco
00:30:53And he's lived here all his life?
00:30:54Yes, sir
00:30:55Let's go
00:30:57Are you going with us?
00:30:58No, I'm going home
00:31:00But if you need me, I'll be there
00:31:02Thanks, I'll remember then
00:31:25I'll be there
00:31:49I'll be there
00:32:18I'll be there
00:32:21¿Qué es lo que se dice?
00:32:22¿No se dice? ¿No se dice?
00:32:25¿No se dice?
00:32:52¿No?
00:32:54¿No se dice?
00:32:56¿Qué es lo que se dice?
00:32:57¿Qué es lo que se dice?
00:33:01El Murderer planting the instrumento de death.
00:33:04We know it was planted in Dayton's office shortly before his death.
00:33:08¿No?
00:33:09No, no, no.
00:33:10No, no, no, no.
00:33:12So was my soul.
00:33:15That is true.
00:33:17I admit that the death of my partner was very profitable to me,
00:33:20but outside of that, I can't help you.
00:33:22The Countess Dubois.
00:33:24I'm sorry we have to cut our visit so short.
00:33:26I quite understand.
00:33:32I'm glad you called, Mr. Wong.
00:33:37Countess, I'm honored.
00:33:39Mr. Wilk, Baron von Kronz.
00:33:41How do you do?
00:33:42How do you do?
00:33:43I'm glad you came with the Countess.
00:33:46My dear Countess, what an unexpected pleasure.
00:33:51And may I add, looking even more charming than when I saw you last.
00:33:55I regret not recalling the occasion.
00:33:58I regret having made so faint an impression.
00:34:01Surely you remember.
00:34:03The Argentine Ball at the Embassy in London.
00:34:06Oh, of course, how stupid of me.
00:34:08But there were so many other celebrities there.
00:34:11Mr. Wong, Baron von Kronz.
00:34:14How do you do?
00:34:15How do you do?
00:34:17It's still Mr. Wong.
00:34:18As yet, I've had no occasion to change my name.
00:34:22Are you in a hurry, or will you join us in a cocktail?
00:34:25Well, since you insist.
00:34:28Allow me, Countess.
00:34:33And are you going to be in San Francisco, Long Countess?
00:34:36Just a fortnight.
00:34:37Really?
00:34:40Oh, allow me.
00:34:42If you mind.
00:34:43Baron, may I have one of your cigarettes, please?
00:34:49Thank you.
00:34:49If I may.
00:34:56No brand.
00:34:57I have them especially made for me.
00:34:59Hmm.
00:35:03Very pleasing, individual flavor.
00:35:07A trace of Katrina.
00:35:14I brought the papers Mr. Wilk wanted from the office.
00:35:17Mr. Wilk is engaged at present.
00:35:20I'll just leave him in the library.
00:35:21I think that'll be all right, sir.
00:35:26Pardon me.
00:35:27Yes?
00:35:28I have the papers.
00:35:29All right.
00:35:30Thanks.
00:35:44Your health, Countess.
00:35:45Thank you.
00:35:46Well, I seem to be just in time.
00:35:51Mr. Wong?
00:35:53Hello.
00:35:55Countess Dubois.
00:35:56My partner, Mr. Meisel.
00:35:58How do you do?
00:35:58Mr. Meisel.
00:36:15To our better acquaintance, Countess.
00:36:18Special delivery letter for you, sir.
00:36:21Excuse me.
00:36:22Oh, Baron.
00:36:27Mr. Meisel.
00:36:28Baron von Franz.
00:36:42Pardon me.
00:36:57Well, I think I have everything arranged as you suggested.
00:37:00It's all right, Russell.
00:37:00You can go now.
00:37:16Miguel.
00:37:16I'm going to beat the police, man.
00:37:18You can go now, man.
00:37:26I'm going to beat the police.
00:37:31I can go now, man...
00:37:31I'll do it, man.
00:37:32There's a little orange.
00:37:32I can go now, man.
00:37:33I will do it in the first couple of weeks.
00:37:33I'm going to be able to get the police.
00:37:33Can you just go now?
00:37:33Hey, guys, guys, we're going to finish.
00:37:33I'm going to make a deal.
00:37:34I'm going to make the police.
00:37:34I'm going to make a deal of messing with myبل.
00:37:37I'm going to make a deal of my biggest deal.
00:37:37But when we're not going to make a deal of this deal.
00:37:39We're going for a hot spot which is like a big deal of things.
00:37:41I'm going to make a deal of different ones who made a deal of things.
00:37:52es que si se le gustan
00:37:54este es cristian wilk
00:37:54un asunto recibe un warning
00:37:56mi vida es en peligro
00:37:57come right away
00:37:58are you home
00:37:59yes
00:38:00i'll be right out
00:38:01come on
00:38:06on that last grade
00:38:07this car pulled ahead of all the others
00:38:09hey tommy
00:38:093800 block on webston
00:38:11make it snap
00:38:11right
00:38:17not
00:38:21the
00:38:22it
00:38:22not
00:38:25the
00:38:26the
00:38:26the
00:38:26the
00:38:54Gracias por ver el video
00:39:25Gracias por ver el video
00:39:46Gracias por ver el video
00:39:48Gracias por ver el video
00:41:51Gracias por ver el video
00:42:55Gracias por ver el video
00:44:24Gracias por ver el video
00:44:56No, you know you're innocent
00:45:00Let us sit down
00:45:07I refuse to be held here any longer
00:45:09As attorney for the deceased
00:45:10I demand you let me phone the district attorney
00:45:12I'll have to call headquarters
00:45:37I thought I told you not to put
00:45:39And he calls through
00:45:41Oh, all right, put him on
00:45:43Listen, Sam, I can't hold this guy
00:45:45Meisel much longer
00:45:46He wants to call the DA
00:45:48Insist as attorney for the two murdered men
00:45:50You can't hold him
00:45:52Wait a minute
00:45:53Meisel's hollering for the DA
00:45:55Can't I hold him as a material witness?
00:45:57Yes, you can
00:45:59But if you do
00:45:59You won't have your job in the morning
00:46:04Look, Devlin
00:46:05Release all of them
00:46:06Yeah, let them go
00:46:07But make them go straight home
00:46:09Yeah, where I can get a hold of them
00:46:10If I want them
00:46:11I don't care what he says
00:46:13He's the suspect and the material witness
00:46:16You can go
00:46:23You can all go
00:46:27But you gotta go right straight home
00:46:29And stay there
00:46:29In case Street wants you
00:46:31Yes, sir
00:46:32Do you think Captain Street
00:46:33Will call out the militia
00:46:34If I see that the countess has supper?
00:46:36Street wants it's your own home
00:46:38Where it can be reached
00:46:39Tell Captain Street
00:46:40That the countess and I'll be having dinner
00:46:42For the next hour
00:46:43But after that
00:46:44You'll be at your own home, Mr. Meisel?
00:46:46Yes, but only because
00:46:47I intended to go there
00:46:48In the first place
00:47:16For the next place
00:47:17We'll be at your רié
00:47:17Now to search for
00:47:19What is possible?иса
00:47:24Wanda
00:47:25Will Wanda
00:47:25Wanda
00:47:55Gracias.
00:48:09Gracias.
00:48:38Gracias.
00:49:08Gracias.
00:49:08Take her into the matron.
00:49:09Okay, Captain.
00:49:10Come on, lady.
00:49:12You're the toughest nut I've ever had to crack.
00:49:15Chief.
00:49:16Yeah?
00:49:17Lady to see you.
00:49:17I don't want to see anyone.
00:49:19It's the lady.
00:49:21Keep working on them, boys.
00:49:27Hello, honey.
00:49:29Do you want to see me?
00:49:30I thought we had a date tonight.
00:49:33Oh, I'm sorry.
00:49:35I got...
00:49:42I got tied up inside.
00:49:43You know how it is.
00:49:44I thought I heard a woman's voice in there.
00:49:46Who is it?
00:49:47Mrs. Romer.
00:49:48Good heavens, not Mrs. Romer.
00:49:50Why?
00:49:51Oh, nothing.
00:49:51She just mailed a warning letter that Romer smuggled out of jail.
00:49:54I suppose that makes her a criminal.
00:49:56Yes, it does.
00:49:57Why, she's no more guilty than he is.
00:49:59Oh, look.
00:50:00Let's don't go into that, Myra.
00:50:02She's alright.
00:50:03She's with the matron.
00:50:04Sam, can I see her?
00:50:06Why don't you let me take her to her sister's?
00:50:07You could find her just as easily there.
00:50:09Alright, alright.
00:50:10I'm tired.
00:50:11I don't care.
00:50:11Maybe I killed him.
00:50:12Maybe you did.
00:50:15Look, honey.
00:50:16Phone the matron and tell her I'm coming down to get Mrs. Romer.
00:50:20No date, huh?
00:50:21I'll be back for you later.
00:50:23I'm here.
00:50:28Hello?
00:50:29Captain Street?
00:50:30No.
00:50:31No, Captain Street isn't here.
00:50:34Mrs. Hawkins of the DA's office.
00:50:36This is Theodore Meisel speaking.
00:50:39Tell Captain Street that I have just finished dining with the Countess Dubois and I'm on my way home now.
00:50:45If Street wants to make anything of it, he can reach me there in about an hour.
00:50:58Everything going alright?
00:51:00Yeah.
00:51:01I'll have her loaded by morning.
00:51:02Alright, fine.
00:51:14Put it away.
00:51:35Where have you been?
00:51:36Well, the police held me.
00:51:37Held you for what?
00:51:39Now, don't tell me you don't know Wilk was killed.
00:51:42Wilk killed?
00:51:43Oh, come on.
00:51:44How did you do it?
00:51:45I didn't.
00:51:51Oh, Anton, don't be so modest.
00:51:55You're crazy.
00:52:04That leaves two of them.
00:52:07Two?
00:52:08Only Meisel.
00:52:10And Mr. Wong.
00:52:11Wong?
00:52:13Yes.
00:52:14Why do you think I left the place?
00:52:16He suspects us.
00:52:18He was here and searched the apartment.
00:52:20Here?
00:52:21How do you know?
00:52:22I saw him.
00:52:23And you let him get away?
00:52:25Yes.
00:52:26Why?
00:52:29Because we're calling on him tonight.
00:52:52No.
00:53:03Oh.
00:53:10Oh, no.
00:53:12Oh, no.
00:53:15Oh, no.
00:53:21I saw him.
00:53:22Oh, no.
00:53:24Good evening, Mr. Russell.
00:53:26You found what you were looking for?
00:53:28Yes, I did.
00:53:29Would it by any chance have anything to do with your employer's death?
00:53:32Oh, no, of course not. It's my contract.
00:53:34You see, I had a personal contract with Mr. Dayton.
00:53:37I was afraid the successor may not live up to its terms.
00:53:39But why in the dark?
00:53:41I was afraid. I was afraid my life might be in danger.
00:53:43And tomorrow might be too late.
00:53:44You see, I understand the authorities are taking all Mr. Dayton's effects tomorrow.
00:53:49That's true.
00:53:52You were very close to your employer, weren't you?
00:53:55Oh, very close. He's more than an employer to me.
00:53:57He's my best friend.
00:53:58Would you really like to help?
00:54:00I would, of course.
00:54:02Then go home and stay home, and I'll have one less person to bother about.
00:54:15Carl, can't you see this is getting you nowhere?
00:54:17That you'll have to tell us what you know eventually?
00:54:20Your turn, Captain.
00:54:22Listen, Romer.
00:54:22You know who killed Dayton and Wilk.
00:54:24But what's more important, I know you know it.
00:54:26Now, you may think you're saving that measly neck of yours by not talking, but you're not.
00:54:31Many a man has swung for no one less than you do.
00:54:37My wife.
00:54:39She's safe at her sister's.
00:54:40You're not lying to me.
00:54:42No, we're not lying.
00:54:42She's at your sister's.
00:54:44You want the name of the murderer?
00:54:46Yes, Carl.
00:54:46Yes.
00:54:48You must be very careful.
00:54:50Take no chances.
00:54:52He's a very cunning and desperate man.
00:54:54He'll stop at nothing.
00:54:55Who is it?
00:54:56We'll take every precaution, but who's the man?
00:54:58It means my life if you fail.
00:55:00We'll not fail.
00:55:01We'll get him before he can strike again.
00:55:03The man who murdered Simon Dayton and Christian Wilk is Theodore Meisel.
00:55:14How do you know?
00:55:17I was working at his house one day, and I heard him talking to someone, and he said,
00:55:22Wilk fades out of the picture just 56 hours after Dayton.
00:55:28I didn't think anything of it at the time, but after Mr. Dayton was killed, I got thinking,
00:55:37and a cold chill went down my back.
00:55:40That's why I sent the warning letter to Mr. Wilk.
00:55:46Meisel.
00:55:48I knew it.
00:55:49Get the boys.
00:55:50Two cars.
00:55:50Tear gas.
00:55:51The whole works.
00:55:51Right.
00:55:52You two men stay here and protect Carl.
00:55:54Get him anything he wants from the kitchen.
00:55:56Send him and get the radio from the matron's room.
00:55:58I knew I'd crack this case.
00:56:00Would you like to come along and see me pinch a murder?
00:56:02I should be delighted.
00:56:04Follow me.
00:56:07Well, that was a tough one.
00:56:12All right, men.
00:56:13515 Marks and Square and no slip-ups.
00:56:40All right, let's go.
00:56:49All right, Harry, take the back. Devlin, take that side.
00:57:01Cap, somebody out cold in there.
00:57:03Break in.
00:57:22Meisel.
00:57:28Well, he found out the house was surrounded and took the easy way out.
00:57:36All right, Devlin, call headquarters.
00:57:38One of you men stay here until the doctor gets here.
00:57:40The rest of you search the house.
00:57:43Seems kind of useless, though.
00:57:45This man's obviously taken his own life.
00:57:47Yes, and with the same weapon.
00:57:50Why not?
00:57:51He knew it was fast and he knew it was sure.
00:57:53Yes, it's very fast and it's very sure.
00:57:56You know, I hated to work on poor little Roma the way I did.
00:57:59But it was the only way I could crack the case.
00:58:01And just what happens to Roma now?
00:58:04Let him go.
00:58:05There's no good reason to hold him any longer.
00:58:09I wonder if you'll bring him to my house on the way.
00:58:12Why?
00:58:13Well, he'll talk more freely now.
00:58:16And I think we should know a little bit more about Meisel.
00:58:19Yeah, that's okay.
00:58:25Say, Wong, I've got a date.
00:58:28You mind if I bring Myra along?
00:58:30She's down at the station waiting for me.
00:58:31Delighted.
00:58:32It's my servant's day out.
00:58:33But I think we can have some tea.
00:58:35Yeah, tea.
00:58:35That's great.
00:58:39We didn't use our beans.
00:58:40We'd have figured this out a long time ago.
00:58:41You'll be right with you, Myra.
00:58:43Let him go and make out the report.
00:58:45Those DA men are going to phone their office and explain that to him.
00:58:47And get a hold of the newspapers.
00:58:48I don't want this story gummed up.
00:58:53Sorry, Myra.
00:58:53I was held up.
00:58:54Did they get your watching money?
00:58:56No, I mean I was delayed.
00:58:57You're telling me.
00:58:58Look, it may not seem of any importance to you, but I've just solved the murder case.
00:59:02Hooray!
00:59:03It was Meisel.
00:59:04Meisel?
00:59:05Yeah.
00:59:05I knew Romer was innocent all the time, only I had to get a few facts out of him.
00:59:09I can't tell you everything.
00:59:11You're wonderful.
00:59:12Are you going to release Romer now?
00:59:13Yeah.
00:59:14Oh, sweet.
00:59:15There's a...
00:59:16Well, there's a few questions we've got to ask him.
00:59:18Goodbye.
00:59:19No, Myra.
00:59:20Not me.
00:59:20Wong's going to question him.
00:59:22We're going to Wong?
00:59:23Yeah.
00:59:23Oh, darling.
00:59:25Mm-hmm.
00:59:25No, no, no, no.
00:59:57No, no, no, no, no.
01:00:26No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:00:30no, no, no, no.
01:00:36Well, this must be Mr. Lascari.
01:00:41I don't think we've met before.
01:00:43How do you do?
01:00:45And the Baron.
01:00:47I'm so sorry my servant wasn't here to let you in.
01:00:51Good evening, Countess
01:00:54Really, your presence in my poor house
01:00:56Gives me more honor than I can reasonably bear
01:01:00Let the phone alone
01:01:01My dear Baron, I was only going to turn on the light
01:01:05Is there any reason why we should have no light?
01:01:12That's better
01:01:13Do sit down
01:01:14You sit down
01:01:16With your permission, Countess
01:01:24Well, this looks like quite an evening
01:01:28Talk, Wong, and talk fast
01:01:30Why have you been trailing us?
01:01:32Trailing you?
01:01:33Yes
01:01:34You were in my apartment tonight
01:01:36Your apartment?
01:01:37I saw you
01:01:38What did you take off my desk?
01:01:41Mr. Anton Moll's blotter
01:01:43You are Mr. Anton Moll, aren't you?
01:01:46What of it?
01:01:47What's your interest?
01:01:49I was called in on the Dayton case
01:01:53What has that got to do with us?
01:01:55Well, it seems fairly simple
01:01:58You tried to stop the shipment
01:01:59Some poison gas to the enemies of your country
01:02:03Well, the next move, of course
01:02:05Was to obtain possession of the formula
01:02:07From the four men who owned it
01:02:09You tried to kidnap Mr. Dayton
01:02:11I remember your face in spite of the fog, Lascari
01:02:14Let's let him have it
01:02:16Let's let him have it
01:02:16Now
01:02:18And the next morning, Mr. Dayton was found murdered
01:02:22Am I right so far?
01:02:25I see by your faces that I am
01:02:28Very gratifying
01:02:30You know
01:02:31In my country, a teller of tales asks no final reward
01:02:36This isn't getting us anywhere
01:02:37You then turned to the most dangerous of all deadly weapons
01:02:41A beautiful woman
01:02:43And I must say that Miss Petra played her path to perfection
01:02:48Cut the compliment
01:02:49But in spite of all your efforts
01:02:51You still appear to be without the formula
01:02:54Because you've got it
01:02:56I'll give you exactly four minutes to hand it over
01:02:59But if I assure you that I haven't the formula
01:03:01You've wasted a half a minute already
01:03:09You drive a very hard bargain, Mr. Moore
01:03:15I have no choice but to accept
01:03:30This glass ball contains a concentration of the poison gas you're looking for
01:03:38What do we care? Where's the formula?
01:03:40The formula is of no use to you unless you understand its operation
01:03:44Shut up!
01:03:45You've destroyed us all!
01:03:47Don't move!
01:03:48Anybody!
01:03:49The slightest exertion will kill you instantly
01:03:56This room is filled with poison gas
01:04:00Invisible
01:04:02Colorless
01:04:03Swift
01:04:04It's in your lungs
01:04:07Seeping into your bloodstream
01:04:10There's no escape
01:04:13Soon you
01:04:14You feel a sensation of choking
01:04:17A tingling in your fingers
01:04:20Paralysis of your limbs
01:04:23No pain
01:04:26When I see numbness flowing through your veins
01:04:31Annoying at your brain
01:04:34Just as the poison reaches the heart
01:04:38And then
01:04:39Then the sleep of everlasting death
01:04:43Let's get out of here!
01:04:45Stay where you are
01:04:47Now face the other way, please
01:04:58What?
01:05:00Come in!
01:05:02Just in time, Street
01:05:04But not for tea, I guess
01:05:07Ah, the Countess
01:05:09Allow me to present the Countess Du Bois
01:05:12Miss Olga Petrov
01:05:14Originally Miss Sophie Doane of Brooklyn
01:05:17Captain Anton Molle
01:05:19Who has been cashiered from at least three armies
01:05:22And our good friend Lascari
01:05:24Who was born
01:05:25Well, was born without a conscience
01:05:29Are they mixed up in us?
01:05:31Only indirectly
01:05:32In this particular case
01:05:34They haven't killed anyone
01:05:35But I assure you
01:05:37They gave me a most uncomfortable
01:05:39Four minutes
01:05:41If you call your men, please
01:05:42All right, over there
01:05:49Congratulate you on your exoneration, Mr. Romer
01:05:52Thank you
01:05:52Devlin, pick up at Wong's and make it snappy
01:05:55So nice to see you again, Miss Ross
01:05:58Now, Mr. Romer
01:05:59I know how anxious you must be to get home
01:06:02But there's a small service that you can do me if you will
01:06:06With pleasure
01:06:06Oh
01:06:08I have the photographs of our three friends here
01:06:13With a long list of the crimes for which they are wanted by the Federal Government
01:06:19Now, Mr. Romer
01:06:21There is one small point that I can't seem to get quite clear
01:06:28Of course, it is obvious
01:06:29The suicide of Meisel clearly establishes the identity of the murderer
01:06:36But we have yet to determine the method that he used
01:06:42Now, you no doubt have experimented from time to time
01:06:45As we all have
01:06:46With vibrations of sound
01:06:48And use those vibrations to shatter tubes or globes of glass
01:06:54But Meisel went a step further
01:06:56He filled the glass globe with your poison gas
01:07:00Then made use of some form of sound
01:07:03That he could control from a safe distance
01:07:06So all he had to do was to plant the globe in his victims' quarters
01:07:10And wait an opportunity to explode it
01:07:12I think it is more than likely that he was preparing to take the life of one of us
01:07:17Where accidentally he destroyed himself
01:07:20I am sorry to spoil your theory of suicide street
01:07:26Now, I am positive
01:07:29That this globe is identical
01:07:32With the globes that were used in the murders
01:07:35I have destroyed two or three myself in my own experiments
01:07:39With various forms of sound
01:07:41But not when it was filled with gas
01:07:44As this one is
01:07:48So tonight, if you will help me
01:07:50I am going to try a radio
01:07:51I have a sending set
01:07:53If it succeeds
01:07:54All we have to do is to look for one in Meisel's home
01:07:57And needless to say
01:07:58We will operate it from an adjoining room
01:08:01But I assure you
01:08:02There is enough poison in this
01:08:04Oh, excuse me
01:08:09Your carriage approaches
01:08:11So sorry you can't stay
01:08:14When you are at liberty
01:08:15Do call again
01:08:17Steve!
01:08:20Watch that!
01:08:23Please don't be alarmed
01:08:25That one too was empty
01:08:29All right, Devlin
01:08:30Cut them and take them away
01:08:31Don't forget you have another passenger street
01:08:34Yeah, Romer too
01:08:36So you always arrange to have your victims
01:08:39Call the police themselves
01:08:40And the sound of the siren
01:08:43Exploded the globe
01:08:46Clever
01:08:47Very clever, Romer
01:08:49Well, let's start moving
01:08:50That goes for you too, sister
01:08:52Moving right along, Charlie
01:08:54Well, that's off the slate
01:08:57I knew it all the time
01:09:00It was Romer
01:09:01I hope you're convinced
01:09:02Oh, I am
01:09:03Thanks to Mr. Wong
01:09:05You're very clever
01:09:06But I don't see how you figured out
01:09:07Look, Myra
01:09:08Mr. Wong is tired
01:09:09And I'm tired
01:09:10And we have a date
01:09:11Oh, have we?
01:09:12Yes, for supper and a show
01:09:13Oh, so nice of you to remind me
01:09:15At midnight
01:09:15We'll probably wind up
01:09:16In a lunch wagon
01:09:17Well, you know what you were doing
01:09:18When you started running around
01:09:19With a detective
01:09:20Oh, you admit it
01:09:21What?
01:09:21That you're a detective
01:09:22Good night, Mr. Wong
01:09:23I do hope we meet again sometime
01:09:25Good night, Miss Ross
01:09:26Good night, Wong
01:09:27That's a fine crack
01:09:28To make in front of Mr. Wong
01:09:30Don't stand, no access still
01:09:34Lovebirds
01:09:36Lovebirds
01:09:40All the time, too much music
01:09:42Have a nice day
01:09:43A very nice day
01:09:46You like something to eat?
01:09:48Chicken noodle?
01:09:50No
01:09:50Pork chop?
01:09:51No
01:09:52What do you like?
01:09:54Just a cup of tea
01:09:56Yippo cha
01:09:57Olay, yippo cha
01:09:59All right
01:10:03Romeo
01:10:04Don't stand
01:10:27Don't stand
01:10:28Gracias.
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