- 10 hours ago
مسلسل Prodigal Son مترجم - Episode 2
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00:02Malcolm?
00:05Malcolm, listen to me.
00:07I want you to remember something.
00:09Dad!
00:21Dad!
00:23Dad, let's sit here.
00:30Dad, let's sit here.
00:34Dad!
00:36Dad!
00:48I feel good.
00:51I knew that I would not.
00:54I feel good.
00:57I knew that I would not.
01:01So good.
01:03So good.
01:04I got you.
01:07I feel nice.
01:09I thank you for my past and its many lessons.
01:14I feel nice.
01:17I feel good.
01:18Let's pull this part!
01:34Hey.
01:35Hey, you shouldn't be down here.
01:39Where's the girl?
01:41We don't know.
01:44But we did find other things.
01:47You were right.
01:50Your dad was going to kill me.
01:59Come on.
02:07Hello, Mother.
02:08Morning, Sunshine. Join me for brunch.
02:10Adolfo's outside with a car.
02:12Listen, I'm a little busy, so...
02:14Are you going to eat a meal today?
02:16When would I assume?
02:17Then you can do it with me.
02:21Hey!
02:25I said, if you sit me next to Huma Abedin and the Madoff one weekend,
02:29I swear I will throw a splendid fit.
02:32Now I'm at a table of Sacklers.
02:36I hate the Met.
02:39I hope I'm not boring you.
02:41Sorry, work's blowing up.
02:43Our scanners just picked up a call.
02:45Four dead bodies in Brooklyn Heights.
02:46Quadruple homicide?
02:48Crazy, right?
02:49Network might even break into coverage for it.
02:50Fingers crossed.
02:52Love you.
02:52Bye!
02:56Well, nothing like a little murder to cheer you up.
03:03You look exhausted.
03:04Yeah, well, not sleeping will do that.
03:08Night terrors?
03:11Yes.
03:15Are you being safe?
03:17Mouth guard, their restraints.
03:20Nightmares always did require a seatbelt.
03:26I know what's triggering them.
03:29Seeing your father again.
03:31What?
03:32No, I promised you, I haven't seen him in years.
03:35I know that.
03:37I just meant he's been featured on the news lately with that copycat story.
03:43Media loves a charismatic serial killer.
03:46Right.
03:47Of course.
03:50What are you not telling me?
03:55Uh, these nightmares.
03:59I've been seeing new things about that night, and, uh...
04:05The girl in the box?
04:07Again with the girl in the box.
04:11They never found her.
04:13She didn't exist.
04:14Never found doesn't mean never existed.
04:16The guilt you wear like a millstone around your neck.
04:19It'll crush you.
04:22Stop.
04:22I can't.
04:24I have to find out what happened.
04:26To her.
04:27To me.
04:28And...
04:28I know what happened.
04:30You snuck into your father's hobby room.
04:32You found photos of his victims.
04:35His plans.
04:37Enough evidence to put him away for a hundred lifetimes.
04:39But there wasn't any girl.
04:40What if there was?
04:41There has to be a reason I keep seeing...
04:43No, there doesn't.
04:46Nightmares aren't real, Malcolm.
04:48And neither was she.
04:49End of story.
04:50As an investigator, end of story rarely means case solved.
04:54And that's your problem.
04:55You think life is a case to be solved.
04:57Sometimes it's just a tragedy to be endured.
05:05Let me guess.
05:07Lieutenant Gil Arroyo of the NYPD has a new case only you can solve.
05:16City boy.
05:17All right.
05:18Chocolate.
05:18Good.
05:20You land a quadruple homicide and don't call me right away?
05:23I'm hurt, Gil.
05:24Don't be.
05:25I had to clear your consulting with the brass.
05:27Sure you're up for this?
05:29After the copycat, I thought you might take a break.
05:31Me?
05:32Never.
05:33I'm great.
05:35Completely cool.
05:36One hundred percent.
05:38You should have said ninety, one hundred.
05:39I know you're lying.
05:41I'm glad you're here.
05:42I need that brain of yours.
05:44This crime scene is seriously messed up.
05:46Well, that's my specialty.
05:49Thank you, Rob.
05:50We're coming to you from Brooklyn Heights.
05:52We haven't gotten an official word, but sources tell us that the four victims were all members of the same
05:57family.
05:59Oh, hell no.
06:01Oh, hell yes.
06:03Danny?
06:04Jamie?
06:05It's JT.
06:06Guess Gil's putting the team back together.
06:09Is he now?
06:10Nothing's official.
06:11Bryce just consulting, not touching the evidence or questioning witnesses.
06:14Got it?
06:14Got it.
06:15Great.
06:15And good morning.
06:23Now, what were you thinking?
06:25Did he say team?
06:26He's just...
06:27Consulting.
06:27I know.
06:28But the last time he did this, he chopped a man's hand off with an axe.
06:30And saved his life.
06:34Bryce is the best profiler around.
06:36Nobody else can get inside the mine if you kill her like him.
06:38Yeah, chip off the old block.
06:39What do we know about them?
06:42The Boots of Karras are a shipping family.
06:45Aristos was the father.
06:46Founded the company with his wife, Cora, back in Greece.
06:49The children, Jeffrey and Helen, grew up here and ran the family business.
06:53Neighbors didn't hear anything unusual.
06:55No signs of forced entry.
06:56Staff made the meal.
06:57Left at eight.
06:57They returned this morning.
06:58They found this.
07:00Why was Aristos the only one with his mouth sewn shut?
07:03What was the killer trying to say?
07:06Or stop Aristos from saying...
07:08Stop!
07:09You're too close.
07:11Oh, Special Agent Bright.
07:13It's me, Idrisa.
07:15Oh.
07:17You're, um, too close.
07:19I'm sorry.
07:20Dr. Tanaka.
07:21Or is it Ms. Tanaka?
07:23Ms. Ms. Ms. Tanaka, definitely.
07:26It's so good to see you.
07:28I'm away in the car, cool.
07:29I take it they were poisoned?
07:31I take it.
07:32You are right.
07:37So, there's no evidence of external trauma.
07:40Uh, the cyanotic discoloration of the lips indicate that they ingested poison.
07:44Uh, but I won't know specifics until I do my tox cream.
07:47What are you seeing, Bright?
07:49This wasn't a dinner.
07:51It was an obligation.
07:55How do you know?
07:56Four separate meals.
07:58Four separate cuisines.
08:01They even had their own condiments and serving dishes.
08:04This family didn't share anything.
08:06Someone demanded they attend.
08:08I'm betting on Aristos, the father.
08:11He does know about bad dads.
08:13Since there was no forced entry, we can assume they knew the killer and let him in.
08:22What's this discoloration?
08:24Vitiligo.
08:26So, the disease causes the skin to lose pigment.
08:28There's also fresh bruising on either side of the face.
08:31He's also been crying.
08:34Crying.
08:35They're bruising.
08:38Killer held his head so he couldn't look away.
08:41Aristos was forced to watch.
08:47That's why they were tied up.
08:49This wasn't only murder.
08:50It was torture.
08:51Targeting the father.
08:53Aristos.
08:54He had a front row seat at his family's execution.
08:56The killer must have poisoned Aristos after the others died.
08:58There's also a post-mortem incision in his epigastric area.
09:02Why would he do that?
09:03Give me a sec.
09:04I'll take a look.
09:05So, we're dealing with a highly organized killer, enacting a methodical plan with Aristos as the target.
09:16Excuse me.
09:18Hello?
09:19Malcolm, my boy.
09:20It's Dad.
09:22What?
09:22How the hell do you have a phone?
09:24No, I don't.
09:25I have phone time.
09:27A critical distinction.
09:29My calls had been exclusively reserved for my medical consultations, but I was able to pull a few strings to
09:35help the NYPD and their newest profiler.
09:39So, I heard about this quadruple homicide.
09:43That's quite a story.
09:48How do you even know I'm here?
09:50Oh, my, what, you're actually on the scene?
09:53Oh, that's great.
09:54Go, go stand behind your sister.
09:55Go on, I, I bet I'll be able to spot you.
09:58No.
09:59No.
09:59No, no, no, you're busy.
10:01Of course, I get it, I get it.
10:06So, tell me about the bodies.
10:11Every killer leaves their own unique signature.
10:15Now, I want to hear all the details.
10:18I want to really be able to see it in my head.
10:22I don't need your help.
10:24Oh, don't be a killjoy.
10:27I have so much to offer.
10:31And we're both obsessed with murder, like father, like son.
10:42Wrong number.
11:03What the hell did they come from?
11:06They were inside of me, Tom.
11:09The killer inserted them through the abdomen.
11:12The shield perimeter.
11:14They put a rush on ASU.
11:16Idrissa, I need you to move away from the body.
11:18I can't.
11:20There's one on me.
11:21It's okay.
11:23Don't move.
11:24How do you know they're not poisonous?
11:25Oh, they're very poisonous.
11:26The black mouth, coffin-shaped head.
11:29These are black mambas.
11:30Whoa, whoa, what are you doing?
11:32It's okay.
11:32I had a few snakes as a kid.
11:34Of course you did.
11:38How you doing, Idrissa?
11:39I can't move.
11:40That's good.
11:41Your brain is protecting you.
11:43There's a part of the cerebellum called the vermis.
11:45It's one of the more primitive parts of the brain.
11:47When you're afraid, it can freeze your motor functions.
11:50That's fascinating.
11:52Right?
11:52I know.
11:53For a million years, our brains have been freezing us at the sight of snakes.
11:57Which makes sense.
12:02If we don't move, we're not a threat.
12:07Slow breaths, Idrissa.
12:13But when we do move...
12:22Secure those snakes.
12:24CSU is coming.
12:30Okay.
12:31You can stay for one more case.
12:36This is Bright.
12:37Leave a message.
12:39Hello, Malcolm.
12:41It's your dad.
12:42I heard more about the case.
12:44Ooh, gruesome stuff.
12:46Anyways, if you want to bounce around some ideas, give me a call.
12:59Idrissa?
13:01It's fine.
13:02Don't worry.
13:03She's already back to work.
13:04Got her talk screen.
13:05The boots of cars were poisoned with metal prolau, a beta blocker.
13:08Nasty stuff.
13:09Killer used it to shut down their hearts.
13:10Well, they certainly had enemies.
13:12The family made their money in the shipping trade.
13:13You know how many shifty people they dealt with?
13:15They've been involved in hundreds of lawsuits over the years, government fines, they were
13:19even investigated by Interpol.
13:20Well, family of snakes.
13:21Maybe that's the message.
13:22A business associate after revenge.
13:24Oh, this crime scene didn't feel like business.
13:27It felt personal.
13:28Like it was directed at Aristos.
13:30Don't all murders seem personal, do you?
13:31JT, shut up.
13:32You're a dick.
13:33No, JT's right.
13:34We're not going to get anywhere until we move through this, so let's do it.
13:39Hi.
13:40My name's Malcolm Bright, but I was born Malcolm Whitley.
13:43My father is Dr. Martin Whitley, one of the most notorious serial killers since Jack
13:47the Ripper.
13:48Killed 23 people, at least.
13:51All while raising me as the perfect dad.
13:53Yes, he's a psychopath, but I'm not.
13:58I'm just me.
14:01What else can I tell you?
14:04Was it, um, like, was it weird?
14:09Having a serial killer for a father?
14:12Yeah, it was super weird.
14:18Okay, good talk.
14:21Now, back to those snakes.
14:22In mythology, snakes represent fertility, guardianship, and vengeance.
14:28I'm going to take a wild guess and say it was vengeance at Aristos.
14:30Yes, right.
14:32Our killer was so angry, he destroyed an entire family.
14:35We may be dealing with a family annihilator.
14:37What's the MO?
14:38Well, there are several classifications.
14:40Self-righteous, blame their mother.
14:42The enomic, fear financial ruin.
14:43The paranoid, kill to protect their family from a perceived threat.
14:47The disappointed, want love.
14:49They're usually male, struggle with depression, and often kill themselves afterward.
14:53But not this one.
14:54Are we sure there aren't any more family members?
14:55I'll circle back with the DMV, social security office.
15:04You're going to answer that?
15:08No.
15:09This is Bright.
15:10Leave a message.
15:12I respect that you're conflicted about picking up.
15:15But as Oscar Wilde said, the only way to fight temptation is to yield to it.
15:20Oh, it's Dad, by the way.
15:23Give me a call.
15:24Malcolm, Dad.
15:25Remember Bradford Bishop?
15:27Killed five members of his family in 76 and was never caught.
15:30I always wondered.
15:32Well, phone time is ending for the day.
15:34Total bust.
15:35Thanks for that.
15:36I really would like to speak with you.
15:37You sound me tired on the phone.
15:38Well, maybe I could help with that.
15:40I don't know.
15:40Help with anything.
15:41I just want to help.
15:42Damn it!
15:47Well, hopefully we can speak tomorrow.
15:50Goodbye, my boy.
16:08So, Aristos had another son.
16:10Yes, sir.
16:11Liam Houser.
16:12Changed his name five years ago back in Greece after he and his dad had a falling out.
16:17He could be our family annihilator.
16:19Or the next victim.
16:22What is this place?
16:24No idea, but the building's deeds and Liam's name.
16:26There he is.
16:30Liam?
16:31YPD, you have a minute to answer a few questions?
16:37Uh, yeah.
16:39Sure, what can I do for you?
16:40Have you spoken to your family recently?
16:43No, not in, like, five years.
16:46We're not close.
16:48Why?
16:49What's up?
16:52Well, I hate to be the one to tell you this.
16:54They were murdered.
17:02Well, uh, like I said, I don't, uh, wait, do you not know who did it?
17:08Not yet.
17:09We were hoping that you could help us figure that out.
17:11I got no clue.
17:12Like I said, I haven't seen them in years.
17:16What happened?
17:17They were poisoned.
17:18And snakes were left behind at the scene.
17:23Did that mean anything to you?
17:25No.
17:27Those are some pretty serious gloves you have there.
17:30Double Kevlar, custom made.
17:34Sorry, uh, do you mind if I just take a breather?
17:38This is just all so...
17:40Wait, here.
17:44Wait, wait!
17:45Hold up.
17:46What the hell is that sound?
17:48What's that smell?
18:02He's a black market animal dealer.
18:03Damn it, Bright.
18:04I told you to wait.
18:07Let's go.
18:45Liam, we just want to talk.
18:52No, no, no, no, no!
18:57Right?
18:58That way.
19:00Right?
19:00Right?
19:07Fine.
19:08It's just a small one.
19:09Probably not.
19:12This is Dr. Powell with the 1-6.
19:14I got a 10-13.
19:15I need an ambulance.
19:17Right?
19:18Right?
19:19And you're looking at me, okay?
19:20You're gonna be fine.
19:21You're gonna be fine.
19:22Two.
19:23Three.
19:24Right.
19:25Right.
19:27Right.
19:28Dad!
19:34Dad, what's in here?
19:491956 when you could get a 10-13 pick.
19:49It's all over here.
19:57Hello?
19:59Where is the…
20:00Oh my God.
20:01Hello?
20:02Get Dr. Cantor. He's awake.
20:03What's in this? What drugs did you give me?
20:05I need to be able to wake up. I need to be able to wake up.
20:08Why did you get me?
20:14Liam Houser has asked me to relay a message.
20:16Why you?
20:18It's my understanding Mr. Houser was estranged from our victims.
20:23Well, I've represented the Boots of Karras family for some time.
20:25And Liam knows, in spite of their schism, I'll do my best to protect them.
20:30Let me guess, he didn't do it.
20:31That said, he would be willing to come in and discuss your homicide investigation.
20:36Great.
20:37If you can guarantee he won't be charged with anything in connection with his import-export business.
20:42That's a non-starter. I've got a guy in the ER because of him.
20:48Look, I got a warrant out for Liam's arrest if you really cared about your closest father.
20:53His father was my client.
20:54And a friend.
20:57Sorry.
20:58Yeah.
20:59Let me know if I can help.
21:12No, it's not.
21:13They can't force me to stay.
21:14Oh, is that how you talk to your in-case-of-emergency person?
21:18Since when did you get back into snakes?
21:20I'm not.
21:21Tell them I'll sign the discharge AMA.
21:23They don't even know how you're awake.
21:25You were given some serious sedatives.
21:26What was it, a fentanyl?
21:28I'll take that in my morning coffee.
21:29No, it's something to brag about.
21:31Like, I don't take sedatives anymore.
21:33Okay?
21:34If I can't wake up, it's like I'm trapped in there.
21:38Dad?
21:40Yeah.
21:43No, someone's getting a call.
21:50Seventeen missed calls.
21:51Who the hell would...
21:51It's, uh, nobody.
21:58How did your nightmares get so intense?
22:01Was it coming home, the copycat case, too much dad on the brain?
22:07Something like that.
22:14It's okay.
22:15You can tell me.
22:18Whoa, hey.
22:20Hello, Malcolm.
22:21It's Dad.
22:22Holy.
22:23Dad again.
22:24It's almost 4.30.
22:25Hey, kiddo, it's your father.
22:27Son's beginning to set.
22:28Dad here.
22:29I have thoughts on the case.
22:31Does Mom know about this?
22:33Of course not.
22:34If she knew, you wouldn't be in a hospital.
22:35You'd be in a morgue.
22:36She can never know.
22:37Have you lost your mind?
22:38These nightmares, they're new, Ains.
22:41It's like my subconscious is trying to show me something.
22:42Like what?
22:45Lost memories.
22:46I think there's some missing time between when I found the girl in the box and when I called the
22:50cops.
22:51How much time?
22:51I don't know.
22:53Dad's the only one who can help me understand it and remember it.
22:58You think our serial killer father is going to help you?
23:02After everything he's done.
23:05Don't do this.
23:06Don't go back to him.
23:08Don't let him in your mind.
23:11What else can I do?
23:13He was there.
23:15He knows the truth.
23:19I have to go.
23:44Malcolm, you've got my messages.
23:48Come, let's solve a murder.
23:56There's only one thing I want from you, and that's the truth.
24:01Tell me what you did to me.
24:03All right.
24:04Take a seat.
24:06Ask me anything.
24:10I've been remembering things about my childhood.
24:13Good things.
24:15The girl in the box.
24:16After I found her, did you drug me to keep me from calling the police?
24:19Malcolm, when was the last time you slept through the night?
24:22You used chloroform, didn't you?
24:23On a ten-year-old.
24:24They make it look so easy in the movies, but it's tricky stuff.
24:27You know, the wrong dose can easily kill you.
24:29Which is a long way of saying, no, of course I didn't drug you.
24:31The girl that I saw.
24:33Wasn't real.
24:34Look, I may have done some bad things, but I never did that.
24:40Don't take my word for it.
24:41Ask the police.
24:42Ask your mom.
24:43We all agreed.
24:45There was no girl in a box.
24:47They're wrong.
24:48You're lying.
24:49Goodbye, Dr. Whitman.
24:50You're after a family annihilator.
24:53What?
24:54Your suspect.
24:56This Liam character on the cover of the Daily News.
25:00Isn't this your profile?
25:02My profile is constantly evolving.
25:05Got it.
25:05Your method is a mix of psychology and on-the-fly improvisation.
25:10I love it.
25:11Oh, I've always been fascinated by familicide.
25:16To love one's family that much.
25:19Averted, yes.
25:21Narcissistic, sure.
25:23But it's most certainly love.
25:27Love.
25:28What are you talking about?
25:30You didn't kill us.
25:32Well, I'm not an annihilator.
25:35Love didn't drive me to kill anyone.
25:38No.
25:39It drove me to have you.
25:42I'm leaving.
25:46And you're wrong.
25:48It's not always about who they love.
25:50It's about who loves them.
25:52And this annihilator was consumed by his hatred for Aristos.
25:57But...
26:01But Aristos didn't love them back.
26:06What's that now?
26:08Liam didn't care enough about his family to kill them.
26:11He wanted out.
26:12He even changed his name.
26:15Our killer wanted in.
26:16Oh, that's good.
26:20That's why he made Aristos watch the others die.
26:22He was punishing him.
26:24Taking the one thing that Aristos never gave him.
26:27A family.
26:28So maybe the killer saw Aristos as a father figure?
26:32No.
26:33Maybe Aristos was his father.
26:35I think we're looking for an illegitimate child.
26:37Oh my goodness.
26:38Are we solving the crime right now?
26:40I have to go.
26:41I'll move so quickly.
26:43Well, let me know what happens.
26:45Remember, my door is always open.
26:48Deal.
26:49It wasn't Liam.
26:50Bright, listen.
26:51The snakes?
26:51The killer was using them to frame Liam.
26:53Annihilate the black sheep of the family by having him take the fall for the crime.
26:56Liam took the fall, all right?
26:58What?
27:00Twelve stories.
27:01Jump from the top of his father's building.
27:05Family annihilators usually take their own lives, right?
27:10Guess he does fit the profile.
27:16Gil!
27:17Liam wasn't our killer.
27:18Give us a second, Bright.
27:20The boots of Karras were killed by someone who loved the family and who wanted their love in return.
27:24Liam didn't care about either.
27:25Excuse me.
27:25Sorry.
27:26What the hell are you doing?
27:28I'm working the case.
27:29Our case just went flat.
27:30The brass warns to close it and move on.
27:33They're wrong.
27:34The killer is still out there.
27:35An illegitimate child, I'm sure of it.
27:37He could have pushed Liam off the building.
27:38Take a breath.
27:39I don't need to take a breath.
27:40And I don't need to sleep.
27:41And I don't care if I seem crazy.
27:43I'm right.
27:44Right?
27:47You want to be a part of this team or not?
27:48Of course I do.
27:49You know that.
27:50But I also want to find this killer.
27:52Let me run this down.
27:54There were payments.
27:56I went through a resource's finances.
27:58Over the last month, he sent a set of payments to an anonymous recipient.
28:00You know, I thought that it was Liam, but maybe...
28:02He tried to pay off the annuity.
28:08I could buy you a few hours.
28:10Go to a resource lawyer.
28:12I want to know who he's writing checks to.
28:23Mr. Littman?
28:26NYPD?
28:27Sorry to barge in like this.
28:28But we had a few questions come up.
28:30Regarding Liam?
28:31I heard.
28:32When we spoke, I had no idea he was suicidal.
28:35Oh, we're not sure he was.
28:37We think Liam was killed by the same person that murdered his family.
28:40Possibly an illegitimate child.
28:41Bank records show that you made payments for Aristos to an anonymous recipient.
28:45Do you know who he was paying?
28:47Dad, we're hungry.
28:48I'm coming, sweetie.
28:51Uh, those payments were small loans and not some kind of hush money.
28:55Aristos was a family man.
28:57How long did you work for him?
29:00Fifteen years.
29:03It was like a mentor?
29:05Absolutely.
29:07All this is because of him.
29:11Dad!
29:12My kids really are starving.
29:14Give me one second.
29:20Let's wipe our hands.
29:22I want that one.
29:23Right?
29:24What is it?
29:26He fits the profile.
29:28He's the right age to be Aristos' son.
29:30He's exhibiting multiple stress reactions and he's still protected with the victim.
29:33But it makes no sense.
29:35You'd have to hate Aristos to torture him like that.
29:36Not for the annihilator.
29:38You have to love him like family.
29:48You said Aristos was a family man, but come on, his family hated him.
29:52Hey, don't...
29:53Don't say that.
29:57Who's the man's dead?
29:58Daddy, can I go swing now?
30:01Did you get enough to eat?
30:04Okay.
30:09She has vitiligo.
30:12Yeah, she's self-conscious, but the doctor says it's homeless.
30:16No one runs in the family.
30:19Aristos had her teeth.
30:23Which makes sense.
30:26So you're his son.
30:30Did Aristos know?
30:32Is that why he hired you?
30:35No.
30:37I sought him out.
30:40Worked for him for years.
30:41He had no idea.
30:44Finally, I got up the nerve to tell him.
30:46I thought,
30:47you welcomed me with open arms?
30:51He wrote me a check for 50 grand and told me to get out of his life.
30:59Why don't you come down to the station with us?
31:01Your family doesn't have to find out like this.
31:07You're never going to find out.
31:16Right?
31:20The food.
31:22We poisoned them when we showed up.
31:24You knew we were on to you.
31:31Yo, Litman poisoned himself and his family.
31:34Right, how long we got?
31:35They're already unconscious.
31:37Ten minutes before they're dead.
31:38Five for the girl.
31:39We need the ambulance at 3131 Sycamore Lane.
31:45What do we do?
31:46Right.
31:48Litman poisoned the Butsikara's family with a high dose of metaprolo.
31:51Stop their hearts.
31:52I'm thinking he used the same thing on them.
31:53What do they need?
31:55A jump start.
31:56A real kick.
31:58Atrophy.
31:59I have a med kid in the car.
32:00Go, go, go, go, go.
32:01There we go.
32:18Grabbing the leg.
32:19Soft issue.
32:34how long before it works i don't know it depends on the dose
32:50okay you're all right honey are you okay
33:09don't don't don't do it i don't want to live i know
33:31you saved that family today as a part of this team you should be proud of yourself
33:40yeah definitely
33:46kid what do i need to know how bad is it
33:51you don't have to worry about me i can do the job
33:59actually it's the place i feel most normal
34:04i need it yeah that's not a good thing
34:12nobody should need this
34:16why'd you come back brighton you could have gone anywhere stayed away from new york and your
34:20father's legacy why come home you can only run away from your past for so long
34:29and you know home is where the heart is
34:34here's the family
34:42you'll uh call me in on another case
34:46yes absolutely one hundred percent
35:02you know hey what's that one drink and you're falling down i'm fine it's fine
35:09they uh must have given me ativan at the hospital that or antihistamine
35:18something's reacting with the alcohol but i'm fine no no no no no bright you're not getting
35:23yourself home like this pal a little help here please
35:37you know you didn't have to escort me i told you i was just gonna come home and sleep
35:41where are you though yeah you sure do have a lot of blades yeah uh blunt force weapons as well
35:52the morning star uh is from the 13th century i guess it's good to have hobbies is this a parakeet
36:01yeah don't make it weird
36:07how do you sleep like this yeah who says i sleep these are for the night terrors
36:14what do you do when you have company well never slept with anyone i mean i'm not a
36:21i mean i've had sex plenty of sex i quit i got it oh are you having some trouble
36:36my hand-to-eye coordination is a little bit lacking i can see that can i help you
36:43that really okay
36:51thank you you're welcome
36:59so uh what's this the craziest thing you've ever seen not even close
37:06i can't let this guy
37:10good night bright
37:19martin it's everything look who came and visited me in the cellar
37:25oh malcolm you know you're not allowed to dad's hobby room
37:29he'll be too hard on that little guy i think he was sleepwalking
37:33is he all right did he hurt himself no don't fret jesse he's fine
37:36i doubt he'd even remember this in the morning oh sweet dreams my love
37:48my loves
37:57good night mommy
38:06i saw a girl
38:09i saw her
38:11no malcolm
38:13the girl was only a dream
38:23it was all just a dream
38:52malcolm
38:55how long have you been here
38:59tell me about the girl in the box
39:03oh
39:04death again
39:06there wasn't any girl
39:08there couldn't be
39:09there was
39:11i remember her
39:11your dreams
39:12they're not dreams
39:14they're memories
39:16after i found her you drugged me
39:19and that gave you just enough time to
39:20what kill her
39:22chop her up
39:24what did you do
39:26during this
39:28missing time
39:33i don't know
39:39be careful malcolm
39:43you didn't call the cops after you found the girl
39:46and how long did it take you to make that call
39:49days weeks
39:51months
39:54how many other people died
39:58why can't you remember
40:06perhaps it's better if you don't
40:19don't worry dr quickly
40:21i plan to find out
40:27stay
40:29good for you
40:29god
40:54Did you ask me to call?
40:55He came back?
40:57Yeah, he just left.
41:01Thank you, David. That's good to know.
41:38Greg, move your head.
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