Igra sudbine 1761 epizoda (25/4/2026)

BrightSoul

Igra sudbine  1761 epizoda (25/4/2026)

Transcript

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01:28A o čemu se onda radi?

01:29Radi se o tome što sam ja nešto rekao i to će biti tako kako sam rekao i ja.

01:34Mhm.

01:35Jau, meni je tek sad ovo sve sumnjivo.

01:38A zašto si sve ovo rekla? Čemu sve ovo?

01:41Dobro, zašto ne bih, to je istina mu.

01:43Ja sam van sebe, ovo ne liči na nju. Kao što znaš, ovo se nikad prije nije desilo. Ja ne

01:48znam, ja ne znam šta da radim ovo je.

01:52Ovo je, ja ne znam što da radim o Aleksa.

01:56Znam kako je leka.

02:01Imamo samo jedno rašenje.

02:06Gorane.

02:07Mhm.

02:08Treba mi pomoć.

02:10Pomoć?

02:10Nadu za tebe što god treba, samo reci.

02:13Da sam pomerim komodu, pa mi treba malo muška ruka.

02:15E?

02:16Evo je.

02:18Muška ruka, mido.

02:19Edi pomozi, Nadi, da pomeri komodu.

02:22Šta ja?

02:23Ha?

02:24Šta ja, jadna ne bila šta je što bož?

02:26Ja da pomeram komodu.

02:27Hm?

02:27Tjugo ga izgova pored mene može koju rebe da ih čupat.

02:31Tekako!

02:32Spis!

02:33Stavi me!

02:34Cime!

02:34Olobe!

02:35Usi me!

02:37Olobe!

02:50Olobe!

02:51Spis!

02:58Spis!

03:00Olobe!

03:01Urošo.

03:01Oziv?

03:04Joj...

03:05Ja ne mogu da si sjetim, izvinite.

03:07Ali znam da je vlasnik Kruna Kapitala, to znam!

03:11Kruguje da.

03:11Dobro.

03:12Još nešto?

03:14I don't know anything.

03:15It's important to me.

03:17Okay.

03:18Well, in the last time, he helped Lenk.

03:20He found it.

03:22What is it?

03:24In the sense?

03:26In the process.

03:28Atelje L.

03:31We need to test it.

03:32We will be able to test it.

03:34You have to be able to test it.

03:41No one will be able to test it.

03:45Is he the own company?

03:46Yes.

03:47What do you know about him?

03:50What about him?

03:52What about him?

03:55We don't know anything about him nor about his company.

03:57He's called Krona.

04:00Where is he?

04:03I don't know.

04:06I don't know.

04:06What about him?

04:07What about him?

04:09What about him?

04:11What about him?

04:13What about him?

04:18I don't know.

04:19I'm going to invite you to five stars, so I'm going to invite you.

04:25My son, you've been happy.

04:28In fact, you've been happy everything except me.

04:35You've lost me.

04:37How did I lost you?

04:41I've lost you.

04:44Where did you go, son?

05:05They tell you that life is writing poems.

05:10They tell you that life is not fair.

05:15Sometimes it's good, but often it's bad.

05:19And everything is not clear, apart from the truth.

05:29Like love in the war, there is no rules.

05:38You have one life, only one chance to become the one who is the star.

05:47I am a soul of love, only one chance to become the one who is the star.

05:57Someone who wants someone, someone who doesn't want someone.

06:01As in the sea, the world is the star.

06:05And we are our own soul of love.

06:12We are our own soul.

06:16Oh, oh, oh, oh, oh, oh, oh

06:47So, it's time to start home visits.

06:51Do you think?

06:53Yes.

06:54Let's go first to his company and see how the Phantom looks.

07:01That's right.

07:03Do you want to announce it as a meeting with him?

07:07No, no.

07:09It's better to be announced.

07:12We play a little bit on the factory in the house, to be able to get out of the car.

07:16So, we're going to the bomb?

07:18Yes, I'm going to the bomb.

07:19In any case, it's better to not announce it.

07:21If the Phantom doesn't have any connection with Lenkin,

07:24it's better to get him out of the car,

07:26not to call the police.

07:29Yes, we'll do that.

07:32I'm going to try and don't be afraid of Lenkin's land.

07:34This is a great thing for me.

07:36Yes.

07:41Given the name you needed onu,

07:47can you describe a nightmare?

07:57Ah, somewhere of Mileta was almost a weird disappointment.

08:01She can't reach it, but…

08:03Mileta, what happened?

08:05No, I didn't put it in details but everything is good to talk.

08:11So, if I understand correctly, you are going to help someone who didn't fall for you to be able to

08:19help you?

08:20Well, I'm going to help you, but it's not like that.

08:24But it's an important thing.

08:26Okay.

08:29You know where you are going and why.

08:33I believe you.

08:38What are you doing today?

08:41I have a job in the city.

08:43When?

08:44In the afternoon.

08:47Then you can join me in the kitchen.

08:51I don't care.

08:53I don't care.

08:55Of course.

08:57Of course.

09:21I don't care.

09:23I don't care.

09:25I don't care.

09:26I'm out of my way.

09:27I'm out of my way.

09:28the frequency of this kind of frequency.

09:31No, my mother, there's no sound.

09:33I don't hear it.

09:35Okay.

09:37Listen to me.

09:38What should I say?

09:40I don't want to repeat.

09:42If I need to repeat,

09:44I'm going to repeat it.

09:46I'm going to repeat it.

09:46Listen to me, my mother.

09:49What should I say?

09:52For your good.

09:54And for Nadine's good.

09:58I don't want to be able to repeat.

10:02I'm going to repeat it.

10:04I'm going to repeat it.

10:04I'm going to be able to repeat it.

10:07I'm going to repeat it.

10:09For the relationship with Nadine,

10:12you need someone who is responsible and is not.

10:16You are not.

10:18I am all of that.

10:20But I'm going to be your own category.

10:22But I'm going to be my own category.

10:24Your own category.

10:26How are you?

10:27How are you?

10:29How are you?

10:30You are not my son.

10:32You are not my son.

10:34You are not my friend.

10:54But I'm gonna be out of you.

10:56You are not my son.

10:59You don't have a sin.

11:01You are not my son.

11:02You are not my son.

11:08I'm going to be scarier.

11:13Ukočena!

11:14Kicma, ukočena!

11:16Eto to ti zvijestalje.

11:17Eto.

11:18Bravo mili!

11:20Evo ide pržanica za slučenje.

11:22Apa!

11:23Stavno džep.

11:27Mmmmmmmmmmmmm!

11:28Ajde, neba, leti ga je kako žvači lepo.

11:32Ukočeno ti se vilicu ili kicma?

11:34Sve zajedno!

11:39Mogli da si najzikovakšu kunguču?

11:41Eto, okupe.

11:58I'm not sure.

11:59I'm going to give you a break.

12:01It's time for a meal.

12:04When I'm going to eat it's a mess.

12:06I don't like food.

12:10What is it?

12:11What is it?

12:12What is it?

12:13What do you think about me?

12:15I'm just saying that.

12:18What is it?

12:20What is it?

12:20What do you think about your daughter's daughter?

12:24It's not going to be when you hear what happened.

12:29My mother has been killed.

12:31I've been left for a while.

12:38You're wrong.

12:43You're wrong?

12:44You know what you're wrong?

12:45You're wrong.

12:46Sad.

12:49You're wrong.

12:51You're wrong?

12:54I've heard you might have a little...

12:56...that's a crass of the head.

12:57Don't let you get out of love.

13:00You're right.

13:02I'm just looking for you.

13:18Exactly, achieve the value of all these errors look on the other side.

13:23What about how you need to do this.

13:26Don't do it, because you will lose your mind while you is serious.

13:33Peace out.

13:34под a happy geh.

13:34Good Judy.

13:35Good morning.

13:36Hello.

13:36Maša?

13:38Rukašina, Nebojša.

13:40Where are you here?

13:42Where are you here?

13:43What are you doing here?

13:45I'm doing.

13:47Interesting.

13:49How are you?

13:51Good day.

13:53Of course.

13:55What is it?

13:56What happened?

13:57Nothing.

13:58How can I help you?

14:01We need to talk to the owner of the company, Mr. Nikolic Rožev, if there is no problem.

14:35How are you doing?

14:36Where are you doing?

14:37Here.

14:38Everything is here.

14:39Good.

14:41Good.

14:42Good.

14:43Oh, how are you doing?

14:44Great.

14:45Why wouldn't it be like that?

14:47Yes, yes, yes.

14:48Okay.

14:49Super.

14:51Do you think you're giving money in humanitarian reasons?

14:55Yes.

14:56What do you ask?

14:57You mean, no?

14:57No.

14:58Of course not.

14:59Come on.

15:01Come on.

15:03Thank you for this.

15:04No, no, no.

15:22Hello, do you hear me?

15:24I'm here.

15:25Are you ready?

15:27I'm ready.

15:28I'm ready.

15:30I'm ready.

15:32I'm going to send you to the location where we'll be happy.

15:35It's important.

15:36Anything else?

15:36No.

15:37Just do what I'm talking about.

15:38It's important.

15:40It's important.

15:40Bye.

15:59Come on.

16:00The situation is very serious.

16:03Maša, now check out what I asked you.

16:05Of course.

16:07Good.

16:08Good.

16:11Good.

16:11And why is the director needed?

16:15We would have talked directly with him, if you understand.

16:22Okay, but I'm here for the organization of his work.

16:25So you can't even work without me here.

16:28Okay. So, I've come to one of the girls.

16:34Why is the director so important? What do I say?

16:39It's important because your director, Uroš, has been quite together with a few people.

16:45We are interested to know some new details about him.

16:50I understand. And he's the obligation to give him a statement.

16:53No, no. He's not the obligation to talk about anything with us,

16:56but he's the great interest to tell us everything he knows.

17:03I'm going to check out his free term and I'm going to ask you the director of the director.

17:10Do you think he needs to be an attorney?

17:13No.

17:14But if he's insisting, he can get more and more information.

17:18No, no, no, no, no.

17:19No, no, not what role.

17:38Tell me, Natasha.

17:40The police search emailed you.

17:42Why did you ask me?

17:42No, why?

17:44Yes, to you.

17:46Because of which?

17:47They say that it's not a girl.

17:49Okay, I have to explain it.

17:52You see him with him. They didn't say his name.

17:57What?

18:00He's not a girl?

18:02I don't know. He left the visit to call him.

18:06Don't worry about the tambour.

18:07Please, follow me.

18:08Let's go.

18:13Hello.

18:15Hello, Grkljane.

18:17I ask you to come back to me.

18:20Let's go.

18:49Sorry, I didn't say that it's free.

18:53I know that it's free because you're waiting for me.

18:59Okay.

19:01Let's go.

19:03Okay.

19:03No.

19:04No.

19:05No.

19:06There's no need for you.

19:08I have one for you for you.

19:09No.

19:13No.

19:14No.

19:15No.

19:18No.

19:26You.

19:29Hello.

19:33Should I go?

19:37You need to bring one gift to one place.

19:43Do you know where it is?

19:46I will tell you details, but you need to do something for me.

19:54You need to confirm that a person has taken a gift.

20:01You need to confirm that a doctor has taken care of.

20:27Okay.

20:29We are now aware of it.

20:30We are waiting for you.

20:34I don't know what to do.

20:35I don't know what to do.

20:36I don't know what to do.

20:37We are going to do something wrong.

20:40We want to be the director as much as possible.

20:43It is not under the law.

20:45I don't know what to do.

20:47I'm not going to lose my mind.

20:56The secretary?

20:58Like a assistant.

21:01Who does it?

21:02Who does it?

21:04You don't know what to do.

21:06That's why you have to do it.

21:08You don't know what to do.

21:13There is a flower.

21:13That's a young woman.

21:15folders.

21:16When old you have your own own family.

21:18Right?

21:20What are you?

21:21We have a man.

21:24Directly in the law of Jazi.

21:27Directly.

21:28I am not that...

21:30As I would say.

21:32However, I did not lose my credibility at all.

21:36You know, not a woman...

21:41How do you say to call me your daughter?

21:44Good, Lukasic.

21:46Let's go, let's go, let's go.

21:49Let's go, let's go.

22:08Do-bro, do-bro, bit će sve u redu, čoveče.

22:11Dobro, mora da bude sve u redu, mora.

22:14Razumeš?

22:15Samo mi ni jasno kako je do ovoga došao?

22:17Ko je znao sve za mene i nju?

22:19Dobro, nemoš mora da jurimo repove, sad moramo pametno, pametno, nemoš?

22:22Pametno da reago.

22:23Pametno da reago.

22:24Jeste.

22:25Dobro, i šta sad, ja znam da je sve ovo zbog mene, jer ona nema nikakve veze sa biločin.

22:29Dobro, nije ni to apsolutno kažno, volako.

22:33Ajde, kaže mi još jednu stvar.

22:35A, Nataša mi je poslala nebojšin broj, odkud to?

22:39Nebojšin broj?

22:40Eh.

22:41Pon je do sad bio miran kao bubujca.

22:44Ne znam, proverit ću, stvarno ne znam.

22:45Ja sam mislio da ti njega imaš u šaci.

22:50Ja, ja ti ide, kako mogu biti od koristi?

22:52Kako to, baš mi živo zanim.

22:54Pa, imam nebojšu sad u rukama i tek sad treba da počnemo da dobijamo informacije koje su nam korisne.

23:02Verujem je.

23:10Uostalom, ova je samo prvi korak. Kako ne shvataš, jesi toliko glum?

23:14Ej, pazi kako mi se obraćaš.

23:18Dobro, koč.

23:19Eto, sad ne znam šta si ti to saznalo.

23:21Rekla sam ti, treba mi vreme, ne ide tako brzo ko što si ti zamislio.

23:26Ja sam ti bi rekao da nam vreme ističe.

23:28Ne, sad je baš sve kako treba.

23:30Konačno imamo svog čoveka koji će da igra kako mi kažemo, kada mi kažemo.

23:35Uostalom, stvari su po tebe dobre.

23:37Kako to?

23:37Pa nisi uopšte povezan sa slučajem.

23:40Nemaju pojma ni tambura, ni Nebojša da imaš veze sa ovim. Što se mene tiče, tako će i ostati.

23:46Ma da, znaš šta?

23:49Ajde, ajde.

23:51Pa ako mi se nešto desi, Nebojša će odmah posumljati.

23:59Moram da priznam da umeš da izabereš argument.

24:06Očekam se bavile o Enkinim slučajem.

24:09Da, očito da se bavi. Proverit ćemo.

24:11Dobro.

24:14Ima neko dobro da nastrada, samo saznam li ko je.

24:17Dobro, zaboravio si još nekoga.

24:19Koliko sam zaboravio, šta?

24:20Tamburu.

24:22Kakve se tambura sadima?

24:23Pa mi smo udarili nisko.

24:26Polako.

24:28A tambura je udario još niže.

24:31Dobro, i šta dalje?

24:33Šta dalje?

24:34Što se mene tiče čimo otkrijemo ko su otmičari, to treba sve zakopati.

24:39Dobro.

24:40Ništa da čekamo da se jave otmičari pa da vidimo kogodan su.

24:44Tako je.

24:46Samo polako.

24:47Dobro.

25:01Od ko ti znaš doktora Vujoševića?

25:04Nebitno, mislim posao je posao, zar ne?

25:07Da.

25:08Tako je, posao je posao.

25:09A meni treba da ti, meni potvrdiš da li je on preuzeo ovu pošiljku ili nije.

25:13U redu.

25:16I pošto poznaješ doktora, mislim da bi bilo dobro, u stvari, morao bi.

25:20Da se prerušiš.

25:23Kako da se preruši?

25:25Da se maskiraš.

25:28Nešto poput tebe, jel?

25:30Ja nisam maskirana.

25:32Pa dobro.

25:36Gde treba to obavim? Gde idem sa pošiljkom, šta?

25:40Javit ću ti detalje.

25:44Izvini, ali nešto si mi poznata, znaš?

25:48Ljudi mi uglavnom tako često kažu, zato što sam u stvari verovatno veoma, veoma obična.

25:55Da.

25:57Pa dobro, mislim, da te ne bi mešao sa drugima, bilo bi dobro da znam tvoje ime.

26:07Gospodin Žotopić, tako me zove.

26:29Gospodin Žotopić, tako me.

26:39I am so bored!

26:53Gospodin Žotopić!

26:55Odlepiću!

26:57Odlepiću!

27:07Ej, Ksenđa.

27:09Spašavaj me Ivona!

27:11Šta bi?

27:12Šta šta bi, čoveče? Zatvorena sam ovde u ovoj sobi. Niko ne priča sa mnom.

27:17Niko, onim pticama u kavezu je bolje nego meni. Neko ih gleda. Neko priča sa njima. Ko priča sa mnom?

27:24Niko!

27:24Verujem ti, najde malo dođi do fejma, dođi malo se zezamo.

27:28Ma kakav fejm, čoveče, ubiće me uroš.

27:31Što?

27:33Pa šta što? Relja i ja se krijemo.

27:37Od koga?

27:38Pa ne znam, ne znam od koga.

27:40Svaki put ista priča. Oni meni kažu šta ja treba da radim i onda ja to treba da uradim, da

27:46poslušam šta su oni meni rekli.

27:47Ali meni je muka od toga i ovog puta sam mislila da ih zajebem.

27:52Ali nisam još toliko luda.

27:55Još!

27:56Joj, kako mogu da ti pomognem?

28:01Pa možeš.

28:03Slike mi sve muškarca u fejmu.

28:06Mislim, meni je muka više. Ja gledam samo Relju i ove ljude na Instagramu i Tik Toku. Ne mogu više,

28:12smorili su.

28:13Nije neki izbor. Malo je ljudi ovde. Čekaj, vidim samo jednog tipa.

28:17Dobro, češ ti kakva su vremena došla?

28:20Slike mi bilo koga, samo da je muško.

28:23Iskreno, mator je malo.

28:25Ivona, nema veze da li je mator. Bitno je da li je lep. Razumeš?

28:31Jer ako je lep, onda nije bitno što je mator. A ako je ružan, onda ću da budem srećna što

28:37sam sa Reljom, eto.

28:38Čekaj, daj mi minutu.

28:40Hajde, požuri.

28:43Eh, poslala.

28:56I, šta kažeš, kakva je presuda?

28:59Pa...

29:28Ej.

29:30Ej.

29:31Ej.

29:32Ej.

29:34Ej.

29:35Ej.

29:36Dobio se jedan posić od trećeg lica.

29:39Trećeg lica?

29:41Ej.

29:42To sad nije bitno, nego imam još druga ti kažem. Kaži. Mislim da znam ko stoji iznad Krkljana. Przo radiš,

29:57burazem?

29:58Znam te, znaš me.

30:01Hajde, slušajte.

30:04Zna šta, mislim da Velibor Topić i njegova supruga u stvari uopšte nisu poginuli sa obrećene sreće.

30:15Ej.

30:16Molim?

30:17Mislim da su nažirali svoju smrt. Zumeš?

30:22Ej, ubij me ti ako ja tebe razumem išta.

30:24Dobro, polako. Jasniću.

30:26A ko je uopšte Velibor?

30:27A čekaj, polako. Sve ću da ti objasnim.

30:30Slušajte.

30:30Hajde, molim te.

30:32Dakle.

30:48Kako je on je princeza?

30:51Smešna ko je bioskov.

30:52Kuka plače, kune, ne smiruje se.

30:55Dobro, dobro, dobro. To je samo bitno da nije izgubila duh.

30:58Na, mislim nije još.

30:59Ali je vatra živa.

31:01Pazi, nije još ni doručkovala.

31:03A sad mi jasno što se dopala vam tvojom, brat Urošu.

31:06E, brate, on meni nije ništa, ponajmanje od toga brat.

31:10Da pominješ mogo bih ga pozvati.

31:13Ja da ga zovem?

31:14Jok, ja ću ga zovem, brate, pa znam moj glas.

31:16Šta moj ne znam?

31:18Pa jel znam?

31:21Pa ne znam.

31:22To ti kaži.

31:24Ajde.

31:25A čekaj, šta ko mi si javi Grpljan?

31:27On znam joj boj glas.

31:28A otku znam, stavi tu fantomku preko, brate.

31:33Ajde, se ja moram da smišljam.

31:36Ako ti si javi,

31:38ako nisiguran da je on, brate, prekini vezu.

31:53Znači.

32:02That's it.

32:05Let's go.

32:07Hello?

32:10Do you know who it is?

32:14No, maybe a cable operator.

32:19When the girl is stuck, she is still a little bit.

32:24Listen to me now.

32:26When the girl is in order, she doesn't miss anything.

32:31Okay.

32:31How much money do you need?

32:34Will she miss her head?

32:36I told you that she doesn't miss anything.

32:38It's okay to talk to me.

32:41It's okay.

32:42You know?

32:43I'm going to talk to you.

32:46I'm going to talk to you.

32:48I'm going to talk to you.

32:49Do you know who it is?

32:50Do you know who it is?

32:59Hello?

33:00I'm going to talk to you.

33:02I'm going to talk to you.

33:07I don't have a house.

33:08This way?

33:29You are going to talk to me like that.

33:30You are going to talk to me like this.

33:34You are going to talk to me like this.

33:35If you are going to talk to me like this.

33:35What are you talking about?

33:36We will find everything at dinner.

33:37I don't know how to talk to me.

33:38I tell you that everything will be able to do, see you.

33:42I don't know how much of the family is wearing with all of them

33:47and how Lule will be able to do that, that's what they have to do.

33:51Lule is a big girl, I have to explain everything, everything, everything.

33:56I can't do that.

33:57I can't do that, so I'll be able to do that soon.

34:02And I don't need to do that, that's why we need to hear something else.

34:05I don't know.

34:07I don't know why you always talk about it.

34:10Because I'm quite experienced to know that today a miracle isn't there.

34:16Let me tell you something.

34:17Look at our history, it's just a miracle that we are always together.

34:22What do you think that something else can't be able to do?

34:27Olga, I have written you for your passion and gratitude.

34:34I have written you for your passion.

34:36I have written you for your passion and your passion.

34:38What are you talking about?

34:39You're my man, you're my man, you're my man!

34:42What are you doing?

34:43I'll be soon to be a complete slave.

34:46There we are.

34:47See, if you want to find someone else, I can understand.

35:11What do you mean?

35:12The lady who invited me to work. Do you know how it's called?

35:16What?

35:18What do you mean?

35:19What?

35:20Topic?

35:21Topic.

35:21Good, good, good.

35:24I don't believe that it's a coincidence, understand?

35:28I don't have a lot of topic.

35:30What do you mean?

35:44What?

35:45What?

35:46I didn't find a lot.

35:47It wasn't a moment.

35:48What if it wasn't a moment?

35:50You have to learn how to calm down.

35:52You have to copy the cards in our hands, not in their hands.

35:55But then we will find them for them, understand?

35:58And we will give them a number, an opportunity, and so on.

36:02And so on.

36:06And then you will find them for them, to know?

36:20And I don't know.

36:30What?

36:31I can see that Lenka will appear somewhere and that there will be an ecological explanation for all of this.

36:41Hello?

36:43Wait!

36:43What happened to me is that one of my friends, a young woman, has disappeared.

37:02And now I have certain doubts and doubts that she is in relation to your director, Uroš.

37:14Aha, a...

37:16Jel se možda ta žena zove Lenka?

37:31Ikad neću završiti.

37:37Jana?

37:38No.

37:40Zato što ti meni nisi rekla da Ivan ima glauko?

37:43Zato što mi je sam rekao da će vam saopštiti.

37:47Ali on je sve vreme držao u tajnosti.

37:49Pa znam, rekla sam mu da ne može to da čuva kao tajnu, ali...

37:52ne znam što meni nisi rekla.

38:05Ne je ništa. Niko.

38:07Što da se možda nije sama otelo?

38:09Uroš se, molim ću pa.

38:13Ti znaš...

38:15da ću ja sve vas da popijem.

38:18Prvo tebe.

38:20Razumeš to?

38:35Ajde, ajde. Ti su se baš natovaraju. Očekaj, evo, pilovoj će. Ajde, upadaju.

38:42Zdravo.

38:43Ćao.

38:44Ćao.

38:44Stela, drago mi je.

38:45Aleks, drago.

38:46Dobro, dobro. Ajde, ajde, šeći, šeći.

38:49Na slušaj, Stela, imamo... imamo veliki problem.

39:04GĄ Akoje, da li si se čuo sa Vuličkom ili video možda?

39:14Ne.

39:15Ne.

39:16Ne.

39:20Iszole.

39:22Ma ne te li viju?

39:23No, no, to ti za uspomeną.

39:35The story, what do you have?

39:37I know something very, very important and important.

39:41I don't know how to tell you, because you're testing alive.

39:44Let's talk.

39:55Let's talk.

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