00:00I understand.
00:15But that is the opposite of what Gabriel wanted to do.
00:19I know, I thought about it,
00:22but that kind of exposure would be affected by one person.
00:30And the point is that if we already do good things,
00:32and if this is a humanitarian thing,
00:33that it will be an action,
00:35and not something else.
00:38What are we doing?
00:39What are we doing?
00:41I can't understand anything.
00:43All of us, friends, friends, friends,
00:46friends together,
00:47all of us together,
00:48to listen to each other,
00:50to listen to each other,
00:51to help us,
00:52It's not a problem, of course.
00:57How are you, Mrs. Gabriela?
01:00How are you, Mrs. Gabriela?
01:01How are you, Mrs. Gabriela?
01:02How are you, Mrs. Gabriela?
01:04No, no.
01:05That is what you see immediately when she is Mrs. Gabriela.
01:26Yes.
01:26I don't care about you.
01:27No?
01:30I don't care about you.
01:34Just work.
01:38I'll remember that face-up.
01:42I'll remember that face-up.
01:43I'll remember that face-up.
01:44I hope.
01:45No, no, no, no, no, no, no, no!
01:49This can't happen.
01:50What is it, Kajo?
01:51What is it? Listen to this complaint from the bank.
01:53The relationship to the joint is impossible.
01:56It's blocked.
01:58You understand?
01:58What?
02:00No, my dad.
02:01Who would be the other one?
02:02Wait, he left me without dinars.
02:04You understand?
02:05When you're upset.
02:08Okay, you know.
02:13You can always believe me.
02:16I know.
02:17But the question is,
02:19leave me alone alone.
02:20I don't care about my problems.
02:21I have my problems.
02:24I started dancing with the time.
02:26I can't stop it.
02:27Okay, go and dance.
02:29Do you understand?
02:30When I arrived?
02:31I'm killing my car,
02:33even though I'm corrupt.
02:37They don't burn.
02:38They can burn.
02:39They can burn as much as they want,
02:41but I know that you're clean.
02:42And I am.
02:43You're completely clean.
02:44So...
02:45What do I have?
02:47I have only my job.
02:52Look.
02:53Look.
02:55Look.
02:57a little slime.
02:59What?
03:01It's a new carpet.
03:02New facade.
03:04So that's me.
03:05a beautiful, beautiful.
03:06I can not say beautiful.
03:07Nice, beautiful.
03:09Beautiful, beautiful.
03:10Sweet girls here,
03:11what are you working here?
03:11Yes.
03:12What are you laughing?
03:24What do you mean?
03:30The situation is not a problem.
03:31What is the situation?
03:33What is the situation?
03:34What is the situation?
03:35What is it?
03:37The guy is there.
03:39I'm there.
03:40You said something about the story. Where do you think you'll find us?
03:45I would like to tell you that.
03:47And the time and the date?
03:50Soon. Soon.
03:52Okay. I'm waiting for your instructions.
03:55El, do you have a request?
03:57Good seconds were nice, but now no longer.
04:01I pray.
04:03You pray? What do you pray?
04:05We have a quick break for Alex.
04:10But we can't let you go without the order of order.
04:13How do you order order?
04:14I am!
04:15I was the owner of this company.
04:17The owner.
04:20Two of us in front of you.
04:26I really don't have the ability to deal with each other.
04:31Wait, wait, wait.
04:33I'm going to follow someone who wants to kill you.
04:37So?
04:40You're crazy.
04:40If I see you, I'm going to ask you.
04:42I'm going to ask you.
04:43What's going on to come here?
04:46Anton.
04:47I'm going to ask you.
04:48It's a better answer than that.
04:50Better answer?
04:51No.
04:51Now I'm going to tell you a little better answer.
04:54Or...
04:55I'm going to ask you a question.
04:59Who what's going on to say?
05:00Or maybe there's nothing to you.
05:01I'm going to ask you.
05:03I'm going to ask you a question.
05:50Sous-titrage MFP.
06:22Sous-titrage MFP.
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30:22S-Trage MFP.
30:24I tell you, so is natural my job.
30:28How much do you say, it will be easier.
30:31I know.
30:39I made a mistake.
30:42How much?
30:44Big.
30:45Big, big.
30:47Big, big that it may need to be taken up.
30:54Well, that smells great.
30:57Is.
31:00What do you think about now?
31:05I have to admit everything i have to be accepted.
31:12I have jobs and careers, but I live in the wrong way, I can't.
31:18I don't know what you've done, but I can't tell you a specific advice.
31:24But what I can tell you about my experience and my job is that
31:32you might need to exclude the advice.
31:38Only you laugh, but you know that I am the right.
31:41You know how she says, the people.
31:44The beloved bullseye of the brothers.
31:49There is also the one, the holy tyrant,
31:57the blessed soul of the world.
32:02That's a serious poetry.
32:06We have all the police, we need something.
32:08Or you have.
32:10Certainly.
32:11Really.
32:30What?
32:33This is the best place in the city.
32:36Look at me.
32:38It's good that I don't buy.
32:39It's delicious, not just in the video.
32:42This is Jiko Bele Maestro.
32:44Listen, this place is phenomenal.
32:46It's often when you come home,
32:47and you bring us this place,
32:49but I've talked about it.
32:53For you there is no place.
32:55What do you do?
32:56I know your secret.
32:58You don't have any smell, any food, and any food.
33:03Why are you talking about it?
33:05You are normal.
33:06I know your secret.
33:08You invited me to go home,
33:09to live here,
33:12and I'd be able to do it.
33:14I got you in the house,
33:16and you are normal.
33:17Don't forget me.
33:19I know you.
33:20How do you talk about it?
33:22It was horrible.
33:23Get out of here.
33:24Get out of here.
33:25Get out of here.
33:25Get out of here.
33:27Get out of here.
33:29Get out of here.
33:29Get out of here.
33:30I'll do it again because of you,
33:30and I'm in so much.
33:32I'm out of here because of you.
33:33Because of this man's very niche.
33:35I've seen you.
33:37You've seen the most funny I've saw this.
33:39You've seen the most funny.
33:40Do you know?
33:41Maybe I'm the most funny.
33:48That's not funny.
33:54What do you think of the problem?
33:56Some newsmen are not happy about it.
34:00Are they just the usual vampires and the blackmailer that is looking for a new story?
34:04It's been ruined, although it's not all.
34:07The lawyer who leads the investigation is again called.
34:10Will you not start the investigation again?
34:12No, but he was looking for a new payment.
34:15Everyone is running away. That's why I called you to ask you.
34:19Lea, are you here?
34:21Tu, tu sam, tata.
34:22Ovo ne mora da bude definitivno.
34:24Možda smo samo oprezni bez razloga, ali bolje i to nego ono najgore.
34:29Tata, najgore je da se sazna istina i da se tako obrukam da ništa ne može da me spere.
34:35Veruj mi, nemoj da se sekiraš. Sve će biti u redu.
34:39Pokušat ću.
34:39Samo se ne evljaj na telefon i ne pristaj da te IKO uhvati uživo za intervju.
34:45Ako dođeš u nepriliku, samo ponavljaj, bez komentara.
34:49Ako dođe do toga, ja ću da se ubijem.
34:52Polako. Kažem ti, sve će biti u redu.
34:55Okej, tata.
34:56Okej, volim te. Ćao.
35:07Nema, to je Gabriela 100%.
35:08Znači, ta žena je toliko nenormalna da ne može da nas ostavi na miru nikad.
35:12Ona prosto mora nas zamaltretira sve redom.
35:14Viđi, ne znam je li ona ovaj put zakuvala čorbu.
35:18Na kraju kraja možda čovjek neće da radi dupli posao u isto vrijeme, ne znam.
35:22A kako neće da radi dupli posao? Molim te, on je honorarac.
35:25On i i žele da rade što više poslova odjednom. Kad je nekom to bio problem?
35:51Ja to znam, nije mi jasno zbog čega to napominjate.
35:55Zbog toga što je sve sasvim sigurno došlo do Nebojše.
35:59Zbog toga što je sasvim sigurno do Nebojše.
36:29Zbog toga što je sasvim sigurno do Nebojše.
36:36Njaš kakva je. Zanimlj me kakva je.
36:39Ma želi ti radi posao?
36:41Pa, radi.
36:42I moraš da nabaviš neku plavu periku. Moraš neke velike crne naočare.
36:47Dobro, je i naočare ali kako da nabavim plavu periku.
36:51I don't know, Vanja. I don't know.
36:53I don't know where to go.
36:54I don't know where to go.
36:55Go to a sexy shop, go to a site where I don't know.
36:59I don't know where to go.
37:00I see that you're good to know where you're in.
37:03I pray.
37:15Who does it work with such people?
37:17I love it.
37:18I love it.
37:19It's the only thing to do with work.
37:22But I don't know who he hit.
37:25He hit us.
37:26He hit us.
37:26That's why Donnie and Milo,
37:29we've come back to him.
37:30Who is one?
37:33That's right.
37:33He hit us.
37:44He hit us.
37:46He hit us.
38:00He hit us.
38:03He hit us.
38:04He hit us.
38:06He hit us.
38:24He hit us.
38:30He hit us.
38:32He hit us.
38:34He hit us.
38:37He hit us.
38:48He hit us.
39:00He hit us.
39:02He hit us.
39:02He hit us.
39:04He hit us.
39:18He hit us.
39:30He hit us.
39:36He hit us.
39:37He hit us.
39:38He hit us.
39:42showing you.
39:43He hit us.
39:44That way.
39:45and for your sake it is important to talk about it.
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