- 4 hours ago
My Sexy Mentor Seduced Me [Full Movie] [Watch Free Online]Full EP - Full
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00:00:10I
00:00:10Shouldn't be here. I'm birdie Edwards. I can be anywhere. I want to be. I don't want you here birdie
00:00:20Look I
00:00:21Came to apologize
00:00:23You were right
00:00:25You mean that?
00:00:28I do
00:00:37Prove it
00:00:39Well the student is now the teacher. Stop talking on your knees
00:00:49Call to me
00:01:00Now show me how sorry you really are
00:01:31Yeah, there you are
00:01:32Come on
00:01:33Brace over
00:01:34Sorry I got distracted
00:01:36That girl, who is she?
00:01:53God she is insanely beautiful
00:02:00A toast
00:02:02To my wife
00:02:05The birdie Edwards my finest creation
00:02:08Cheers to your finale sweetheart
00:02:12What's next birdie
00:02:14What's next birdie
00:02:16Actually
00:02:18Mason and I have some thoughts about producing a new play
00:02:21Together
00:02:22Isn't that right my love
00:02:23Well, actually I have a better idea
00:02:26You know the fans are demanding a revival of stones fantasy and we're gonna give it to them
00:02:32Will birdie Edwards play Greta stone once again?
00:02:35Well better yet
00:02:35We are on the search
00:02:37For a new Greta stone
00:02:39And birdie will mentor her new protege as I did for her
00:02:4420 years ago
00:02:46It's time for birdie to
00:02:48Pass the torch
00:03:00Excuse me
00:03:03Yes you
00:03:04Do you have a light?
00:03:06Just matches
00:03:07Sure, that'll do
00:03:26You're filthy
00:03:31You're filthy
00:03:31We were understaffed
00:03:33It's a busy night
00:03:35Closing night for you
00:03:36Which you were amazing
00:03:38By the way, I've been such a huge fan for like
00:03:41Do you work here?
00:03:42Yeah, I'm new
00:03:44Just moved here actually
00:03:46Another transplant
00:03:49Excuse me?
00:04:06You're too pretty to take out the trash
00:04:11Don't you dare
00:04:13Don't you fucking dare Carl
00:04:14You know what this means to me
00:04:18How could you?
00:04:20Next!
00:04:22Over 200 auditions in that one single Greta
00:04:26I guess it's not that easy finding my replacement, huh?
00:04:32Um...
00:04:33I...
00:04:34Could give it a try
00:04:37Alright
00:04:38Show us what you've got
00:04:40Matches girl
00:04:45I hate your face
00:04:47Your eyes
00:04:48Worst color of brown
00:04:50Mud
00:04:51Dirt
00:04:52Broken clay
00:04:54And your big nose just
00:04:56Always pointing you north of nowhere
00:05:00But it's your mouth that I hate the most
00:05:03Lips I cannot taste
00:05:05A laugh I cannot forget
00:05:07A smile
00:05:08And a smile
00:05:10And for someone that's not me
00:05:17Thank you
00:05:20Wow
00:05:21That face
00:05:22The cheekbones of Merrill
00:05:23The eyes of Hepburn
00:05:24That body
00:05:26Stop thinking with your dick for once, Mason
00:05:29Although
00:05:30She is better than anyone else we've seen
00:05:32But can she carry a whole show by herself?
00:05:36Vera?
00:05:39Are you ready to be the next Greta Stone?
00:05:43It was the craziest thing
00:05:45I mean, one minute I'm sweeping Raisinets
00:05:48And the next I'm auditioning for Birdie and Mason Edwards
00:05:53I didn't know you wanted to act
00:05:56Yeah, since I was a kid
00:05:57But I never thought it would happen
00:06:00Well, you're definitely beautiful enough to be an actress
00:06:04Kyle, I don't really think we should
00:06:06Thought you wanted to thank me for letting you stay here?
00:06:09I do, but...
00:06:10Just relax
00:06:33Is that on my face?
00:06:35What?
00:06:41What?
00:06:42Well, it would really show me how grateful you are to me for...
00:06:46Getting you the job
00:06:47I was just kidding
00:06:50Hey, but...
00:06:51I mean, if you want to
00:06:53Okay, you...
00:06:54Had nothing to do with me getting that role
00:06:56Well, I got you the job at the theater
00:06:59So without me, you wouldn't have gotten the audition
00:07:02Are you being serious right now?
00:07:03Ah, come on, you talk way too much
00:07:05Okay, I said no!
00:07:17And...
00:07:18And not like a little girl, like...
00:07:20Like...
00:07:21A woman...
00:07:22That wants to be touched
00:07:24Alright, stop
00:07:26This is an Edwards show, okay?
00:07:28Not community theater
00:07:30We have less than three months
00:07:32And it's like I'm watching a middle school dance
00:07:34Why don't you two take five?
00:07:42She's far more green than I thought
00:07:45Maybe we recast
00:07:47It's too late for that
00:07:48It's all over the press
00:07:50The city's buzzing about this play
00:07:53What if the girl stays with us?
00:07:55Right?
00:07:56That way you can really train her
00:07:58You're the only one that can do it, Bertie
00:07:59No
00:08:01Put her up in a hotel for goodness sake
00:08:03We need to keep her close so she can learn from you
00:08:06Okay? Come on, you're the best in the biz
00:08:07You just want her close so you can sleep with her
00:08:10Would you stop with that?
00:08:12You want the show to be a success or not?
00:08:16Fine
00:08:18But I want 15% of the revenue
00:08:2110
00:08:22Deal
00:08:39Vera, come here
00:08:44Sit
00:08:45I'm sorry, I was just looking around the house
00:08:47It's massive
00:08:51You want to watch me?
00:08:57Then watch me
00:09:22Say it
00:09:25What do you want from me?
00:09:27I...
00:09:31I can't give you anything until you ask
00:09:34How about you?
00:09:52We'll see
00:09:52I won't be able to work.
00:09:56I will see the staff in the kitchen
00:09:56To theoni
00:09:57Aren't you getting away?
00:10:07An area
00:10:12vera oh mr edwards hi please call me mason sorry don't apologize so make sure that you're
00:10:21comfortable here and everything you need guest bedroom is the opposite way oh oh can you have
00:10:30it made steam this for me? sure sit here one scoop of yogurt a half a cup of berries and
00:10:57a cup of green tea is
00:10:58what you'll have what from now on you will eat what i tell you to eat sleep when i tell
00:11:04you to sleep
00:11:05and do exactly as i say for the next three months is that understood do i have a choice do
00:11:11you want
00:11:11to be a star yes of course good eat your breakfast and then meet me in the living room for
00:11:18your first
00:11:18lesson don't disappoint me there
00:11:34i was rereading the script i love the monologue in act two take off your clothes
00:11:41excuse me strip why our deal is that you do everything i say remember if you're a man i
00:11:50wouldn't but i'm not a man so what are you afraid of
00:11:59you know what no i'm not gonna let you humiliate me you think your body is humiliating well now i
00:12:06really have to see what's going on under there you wouldn't get it try me because i can't stand to
00:12:14be
00:12:14you know what you looked at i was teased a lot as a kid
00:12:20an actor's job is to shed every ounce of inhibition in order to become a canvas for the character
00:12:27let's try again
00:12:42tell me what you see i don't know i can't
00:12:49your long limbs and determine josh are your strength
00:12:54but your shy eyes believe an innocence you haven't yet lost
00:12:59your heaving chest and flushed cheeks say
00:13:03you're enjoying me looking at you
00:13:05i am
00:13:08are you
00:13:11that's enough wait don't stop what about the rest of my body
00:13:33you're firm and soft and all the right places
00:13:38but your posture needs work strength comes from your core
00:13:42not only on the outside
00:13:47but deep down inside
00:13:55do you like it when i touch you there
00:14:02do you like it when i touch you there
00:14:09hello
00:14:11what is going on here
00:14:13it's a disinhibition exercise
00:14:15and it was working perfectly until you came stomping in darling
00:14:19don't stop on my account please proceed
00:14:23can we help you with something
00:14:24yes you can
00:14:26i just want the two of you to know
00:14:28that the whole town is buzzing about the revival
00:14:31in your mentorship at the bureau
00:14:33look out l.a. wants to do a cover story on the two of you
00:14:42not without a little makeover first
00:14:46shall we
00:14:47watch me walk away
00:14:50putting myself on display
00:14:52one two three a day
00:14:54i'm on my way
00:14:55on my way
00:14:55i'ma have you on tiptoes
00:14:58watching my diamond after blow
00:15:00i know you wanna take me home
00:15:02i'm on my way
00:15:13now you're ready
00:15:15say goodbye to ver gibson
00:15:18say hello
00:15:20to vera grace
00:15:26vera grace
00:15:27something the matter
00:15:28nope
00:15:30speak up
00:15:31sorry it's just
00:15:33it's all happening
00:15:34really fast
00:15:35you need to choose now
00:15:36do you want to be a star
00:15:38or not
00:15:39i do
00:15:43be a grace
00:15:45good
00:15:46yes do you have a say
00:15:49i had no say in my name
00:15:51birdie edwards
00:15:53lord's
00:15:54i don't have an iconic name
00:15:56not to me
00:15:58i don't want to take mason's name
00:15:59did you really have to
00:16:02it's not really a thing anymore
00:16:05it was to him
00:16:06and the edwards family
00:16:08even in our prenup
00:16:09never wanted to get married
00:16:13mason practically forced me
00:16:15he controlled everything
00:16:17my name
00:16:18my image
00:16:19my career
00:16:20my diet
00:16:22sounds familiar
00:16:24it was different
00:16:26believe me
00:16:28i lost control
00:16:31fame came overnight
00:16:32i didn't have time to choose
00:16:34i just went along with it
00:16:37and now fast forward
00:16:38fifteen years later
00:16:41i'm
00:16:42really coming to grips with it
00:16:44birdie
00:16:45anyways
00:16:47we should go rehearse
00:16:52okay vera
00:16:53try a sexy pout
00:16:56so much for the
00:16:57next big starlet
00:16:58huh
00:17:00maybe you just aren't good
00:17:01at your job
00:17:05close your eyes
00:17:18now stay focused on me
00:17:25arch your back
00:17:26yes
00:17:28beautiful
00:17:29let's get you up there
00:17:30with her
00:17:31come on
00:17:42you two have an intense connection
00:17:44it's almost like watching a proud mother with her daughter
00:17:53what
00:17:59i just want to be alone
00:18:01just ignore him
00:18:02he's an idiot
00:18:03that's easy for you to say
00:18:04you're 23
00:18:06yeah and you're one of those beautiful women in the world
00:18:09don't
00:18:10patronize me pharaoh
00:18:13i think
00:18:14you're the sexiest woman i've ever laid eyes on
00:18:23what are you doing
00:18:24i
00:18:25i thought
00:18:26you thought what
00:18:26i'm married
00:18:28but
00:18:29you've been flirting with me since the day we met
00:18:31no i haven't
00:18:32it's called acting
00:18:35so
00:18:36you've just been stringing me along
00:18:39i'm mentoring you
00:18:41this is what it takes to become a star
00:19:04i have to admit
00:19:07i've seen those photos of you over here today
00:19:10very
00:19:11very hot
00:19:26ow you're stubble
00:19:28you like it
00:19:29i don't actually
00:19:32besides you reek of cheap perfume
00:19:34come on birdie
00:19:35you know i have eyes for you
00:19:37my wife
00:19:42i said i'm tired
00:19:50wow she's really making progress
00:19:52great work birdie
00:19:53okay vera put your arms around adam's neck
00:19:56adam hands on her waist
00:20:06kendrick's sick you wanna step in
00:20:08sure
00:20:13vera put your arms around birdie
00:20:16the torment of that woman's kiss
00:20:18who makes us her footstool
00:20:21her plaything
00:20:22her toy
00:20:24sorry this just
00:20:25isn't working without kendrick
00:20:27you should be able to work with any scene partner
00:20:30including a chair
00:20:31i'd take the chair over you
00:20:33any day
00:20:33all right let's take five
00:20:35we got back two
00:20:37after the break
00:20:40you can't talk to me like that
00:20:46i'm sorry i hurt your feelings at the photo shoot
00:20:50i overreacted
00:20:52it was just misunderstanding
00:20:54yeah it's all in my head
00:20:55let's keep it professional
00:20:57okay
00:20:58you're making great progress
00:21:00i know you don't want to sabotage that
00:21:03i thought i told you water or green tea only
00:21:10you're acting like a child
00:21:14put that soda down or
00:21:16or what
00:21:16i'll spank you
00:21:19put that soda down
00:21:24or there'll be consequences for breaking the rules
00:21:28prove it
00:21:44is this what you want
00:21:46answer me
00:21:48yes
00:21:56be quiet or i'll stop
00:22:10i think that's enough for today
00:22:13give me the soda
00:22:17good girl
00:22:22no
00:22:23that isn't how this is going to work
00:22:25you will follow my rules
00:22:28do you understand
00:22:30yes i understand
00:22:33yes i understand
00:23:00thanks
00:23:08thirty-three
00:23:11thirty-three what
00:23:12thirty-three blueberries make half a cup
00:23:15okay
00:23:16you get off on having all the control i see
00:23:20i'm doing this for you
00:23:23whatever you say
00:23:26without restraint this industry will eat you alive
00:23:30trust me
00:23:32learn to submit here
00:23:33to me
00:23:34in a safe space
00:23:36rather than submitting to the pariahs out there
00:23:40submission is the only chance to understand true dominance of the
00:23:44stage
00:23:45and of yourself
00:23:47so
00:23:49are you asking me to be your sub
00:23:54this arrangement is for business
00:23:56not pleasure
00:23:57what if someone catches feelings
00:24:01as long as we follow the rules
00:24:02everything will be fine
00:24:04the rules
00:24:05just do as i say
00:24:07it's that easy
00:24:11first rule
00:24:13no matter how edgy it gets
00:24:15you can always say no
00:24:16and two
00:24:19no kissing
00:24:20no sleepovers
00:24:22and no sex
00:24:24my purpose is to make a star
00:24:27not a plaything
00:24:28are you sure
00:24:29you kind of seem to be enjoying this
00:24:33i enjoy doing my job
00:24:35just business
00:24:38fine
00:24:45no okay that makes sense
00:24:47all right i'm off
00:24:48oh
00:24:49see you at dinner
00:24:50i i forgot i have a um late night meeting with a potential investor so can we reincheck it
00:24:55sure
00:24:56okay
00:24:56have a good day
00:24:58two
00:25:02shall we
00:25:12i want you to look at me
00:25:13like really look at me
00:25:15all of me
00:25:17not like a little girl
00:25:19like a woman that wants to be touched
00:25:21stop
00:25:24breathe
00:25:25take your time
00:25:27again
00:25:29i want you to look at me
00:25:32like really look at me
00:25:35all of me
00:25:37and not like a little girl
00:25:40like a woman
00:25:42that wants to be touched
00:25:47better
00:25:49what does this have to do with the scene
00:25:51acting is all about submission
00:25:53in order to embody the character
00:25:55you must submit to their every fear
00:25:57every pain
00:25:59and every desire
00:26:01submission is when you fully trust
00:26:04do you trust me
00:26:06yes mistress
00:26:08good girl
00:26:22i want you to use that on me
00:26:35are you okay
00:26:38yeah
00:26:39do you want more
00:26:40yes please
00:26:42yes
00:26:48do you want more
00:26:49no
00:26:49no
00:26:52i
00:27:21Don't listen to that.
00:27:22It's not true.
00:27:23Session's over.
00:27:31And if I know one thing to be true, it's this.
00:27:34As the moon is my witness, I vow to never stop looking for you.
00:27:38The memory of your eyes, your lips, your touch will never fade into eyes...
00:27:43Let's pause for a minute.
00:27:49What is Greta's objective in this scene?
00:27:53She goes on this journey to find love.
00:27:55You sure?
00:27:57I think so.
00:28:03You think so?
00:28:07How can you act if you weren't committed to your motivations?
00:28:10You must have full conviction.
00:28:15Now tell me again, what is this scene about?
00:28:20Love.
00:28:21Wrong.
00:28:23It's about desire.
00:28:24Aren't love and desire the same thing?
00:28:29No.
00:28:31Love is what you feel here.
00:28:33But desire...
00:28:36Is deeper.
00:28:37Now let's try and exercise.
00:28:42Okay.
00:28:44Tell me your fantasy.
00:28:46Now.
00:28:48I can't.
00:28:50Why not?
00:28:54Because...
00:28:56Because it's about you.
00:29:01For the purpose of this exercise, you should share it with me.
00:29:06Well, in my fantasy, we go away together.
00:29:14Just the two of us.
00:29:18Somewhere quiet.
00:29:20Secluded.
00:29:22No interruptions.
00:29:25No one can find us.
00:29:28And then what happens?
00:29:32We'd open a bottle.
00:29:36Good Italian bread.
00:29:39Then we'd play music.
00:29:42And I'd cook dinner for you as you sat across the counter and told me about your life.
00:29:50Sounds like a date.
00:29:52Not a fantasy.
00:29:54It's a fantasy to me because I'm breaking all your rules.
00:30:01We'd get a good day buzz on.
00:30:03And eat and drink.
00:30:06And laugh about how weird I was as a kid.
00:30:09And then you would confess that you were just as weird.
00:30:16And then I'd kiss you.
00:30:21Sweet.
00:30:22Soft at first.
00:30:25And long.
00:30:26And deep.
00:30:30Our mouths wet and hungry for each other.
00:30:38And then I'd want to see you naked.
00:30:41So I could run my tongue down every crevice of your body.
00:30:47I want to know what you taste like.
00:30:52I want to kiss you everywhere.
00:30:54Every inch of you and I wouldn't stop.
00:30:57It's fine.
00:30:57That's enough.
00:31:08It's just doing as you asked.
00:31:10Great.
00:31:12And let's take the scene from the top.
00:31:19On behalf of Edward's Productions, please put your hands together for our very own Greta Stone, Vera Grace.
00:31:37You're a great, huh?
00:31:39Hi, Kyle.
00:31:40I don't even recognize you anymore.
00:31:43You've changed.
00:31:44It's just for the play.
00:31:46Birdie's really taken me under her wing.
00:31:50Oh, I know.
00:31:51What's that supposed to mean?
00:31:53Well, it seems to me that she's, uh, taking a liking to you.
00:31:58Well, the success of the play is riding on it.
00:32:00So, it's just business.
00:32:03You used to be so perfect before all this, you know?
00:32:08Birdie, you know, whatever it is you're doing with Vera, it's working.
00:32:13Yeah.
00:32:15She's really blossomed.
00:32:16I think she's ready.
00:32:18I think so, too.
00:32:20You know, for your next career move, you should really consider casting.
00:32:28That's a great idea, Cass.
00:32:30I'll consider it after you lose a few extra pounds.
00:32:51Everyone will be looking for you soon.
00:32:54I needed a break.
00:32:56It's a lot.
00:32:58Gotta get used to all that attention.
00:33:01That'll be your life soon.
00:33:03I'm not trying to replace you.
00:33:06You know that, right?
00:33:09I know you're not trying to, but it's happening, no matter what.
00:33:17It's just the way it goes.
00:33:20I'm sorry.
00:33:21I'm sorry.
00:33:23Don't apologize for things you can't control.
00:33:30So, who's your friend in there?
00:33:32Who?
00:33:35Kyle?
00:33:37Yeah.
00:33:39I wouldn't exactly call him a friend.
00:33:42Oh.
00:33:43Are you together?
00:33:46Why are you asking?
00:33:51Wait a minute.
00:33:54Are you jealous?
00:33:59I don't know.
00:34:00No.
00:34:01Why would I be?
00:34:02Because I saw the way you were looking at me in there.
00:34:05Like how?
00:34:06Like I was your property.
00:34:09And, like, maybe you want my fantasy to come true, too?
00:34:19I am curious, in your fantasy.
00:34:25What are you making me for dinner?
00:34:28Pasta.
00:34:30From scratch.
00:34:33Maison's never cooked me dinner.
00:34:36Let alone pasta.
00:34:39Well, you deserve a big old bowl of pasta.
00:34:44That's definitely against the rules.
00:34:48It's my fantasy.
00:34:50Fuck your rules.
00:34:57Bertie Edwards?
00:34:59It's so dark in here, I could barely tell it was you two.
00:35:02Sorry to interrupt.
00:35:04Would you two mind doing an interview?
00:35:06Yeah.
00:35:07Absolutely.
00:35:08Let's start with you, Miss Farrah Grace.
00:35:10How has it been having the one and only Bertie Edwards training you?
00:35:14Well, it's been a lot of work, but I wouldn't want to learn from anyone else.
00:35:21She's the best.
00:35:22You two must be spending a lot of time together.
00:35:24You've grown close, would you say?
00:35:26Yeah, we've really bonded.
00:35:28Bonded.
00:35:30We've really been bonding over our love of the craft.
00:35:34Bertie, over 20 years ago, you boldly introduced us to the imitable Greta Stone, which made you a star.
00:35:41How would you say your Greta differs from Farrah's Greta?
00:35:46Well, I think my Greta was curious, but scared.
00:35:52Scared of what?
00:35:54To come out of her fantasy world.
00:35:57Because of fear, she missed out on true happiness.
00:36:01But I think Farrah's interpretation is definitely teaching the character to go after what she desires.
00:36:11I think this new Greta Stone 2.0 wants more than to give in to her desires.
00:36:18She needs love.
00:36:23Greta Stone doesn't need anything.
00:36:32Ah, shit.
00:36:34What?
00:36:36I am so sorry.
00:36:38I didn't forget, but...
00:36:39But you forgot about our anniversary trip.
00:36:42I had this big investor meeting that got added to my schedule last minute.
00:36:46Is this investor another one of your young blondes?
00:36:50Bertie, why do you do that?
00:36:52Am I wrong to assume?
00:36:54You know what?
00:36:55It doesn't matter.
00:36:56Forget the cabin.
00:36:57No, no.
00:36:57Hey, hey, hey.
00:36:58You love the cabin.
00:36:59Why don't you and Vera go get a little R&R before opening night?
00:37:03You two have been working so hard lately.
00:37:08Actually, I would like to blow off a little steam.
00:37:10Yeah.
00:37:11You can make it a rehearsal immersion.
00:37:13I love it.
00:37:23Pack your bags.
00:37:25We're going on a trip.
00:37:27Wait, really?
00:37:29It's a work trip.
00:37:30Don't get too excited.
00:37:44My house staff must have gone to the wrong vacation home.
00:37:48You have more than one?
00:37:49Let me call them.
00:37:50Someone is getting fired today.
00:37:51No, no.
00:37:52Don't.
00:37:53Don't do that.
00:37:54Let's go.
00:37:54I can book us a hotel in town.
00:37:56We've been driving all day.
00:37:57Can we just stay here?
00:38:00Maybe I can hire someone.
00:38:03Okay, you need to relax.
00:38:05I got this.
00:38:07All right.
00:38:07Let's see what we're working with.
00:38:15Yeah, we're going to need to go get groceries.
00:38:18And get more wine.
00:38:20Stats.
00:38:27Thermostat's not working.
00:38:30I can call someone.
00:38:34No need.
00:38:35We can build a fire.
00:38:38It's not gas, though.
00:38:40Ooh, even better.
00:38:41You know how to build a fire.
00:38:44I can do a lot of things.
00:38:45Thanks.
00:38:47Thanks.
00:38:53I don't know how to do laundry.
00:38:57Well, it seems like I'll be teaching you a few things this weekend.
00:39:13Nothing tastes better than fresh pasta.
00:39:16Here, come.
00:39:17No.
00:39:17It's fun, and it's easy.
00:39:19I promise.
00:39:20You can't eat it unless you help.
00:39:24You're just going to hold your hand here, like.
00:39:27Hold it out like this.
00:39:29Keep pulling so that there are no wrinkles.
00:39:34Perfect.
00:39:50All over my face.
00:39:52So, from that day on, I was known as Pie Face.
00:39:59Wow.
00:40:00I can't unsee it now.
00:40:05You know, I think this is the first time I've heard you laugh.
00:40:09I laugh all the time.
00:40:11You don't.
00:40:14You're right.
00:40:16I don't.
00:40:19I like it.
00:40:22It suits you.
00:40:26I think I've had too much wine.
00:40:29There, I should go to bed.
00:40:35Great.
00:40:43Thanks.
00:40:52Well, are you just going to stand there, or are you going to help me?
00:40:56Actually, yes.
00:40:58I'm going to stand here and watch you.
00:41:06The sheets are all crooked there.
00:41:13Anything else, Your Highness?
00:41:15Yes.
00:41:17Bend over and do it again until I say it's perfect.
00:41:21Remember, I'm in charge.
00:41:37Take off your clothes.
00:41:39Do it now.
00:41:59You need to be punished for talking back to me.
00:42:02Lay on the bed.
00:42:03Now.
00:42:05Now.
00:42:06Now.
00:42:08Now.
00:42:09Now.
00:42:09Now.
00:42:10Now.
00:42:26Stop laughing.
00:42:51Wait, where are you going?
00:42:53You made the bed?
00:42:55You should have it.
00:42:57Stay with me.
00:42:59Please.
00:43:03That's against the rules.
00:43:05Fuck your rules.
00:43:09You know you don't want to stop.
00:43:18Rules are rules.
00:43:20It won't happen again.
00:43:28No, you don't want to stop.
00:43:58You're not paying attention.
00:44:00Did you just hear what I said?
00:44:02Sorry. Guess I'm still reeling from the mindfuck of yesterday.
00:44:06We're actors. It's what we do.
00:44:09That definitely wasn't acting.
00:44:15Suddenly you're an expert?
00:44:17I am on you.
00:44:23Your heart's pounding.
00:44:26Your hands are sweating.
00:44:31Your cheeks are flushed.
00:44:33You can lie, but your body tells the truth.
00:44:49I shouldn't have done that.
00:44:50Why not?
00:44:52Because I'm married.
00:44:53To a man.
00:44:54And he's not here.
00:44:55But I am.
00:44:57On your anniversary weekend.
00:44:59This was his idea.
00:45:00You know, for someone that likes control, you're a real sub when it comes to Mason.
00:45:05It's complicated. You wouldn't understand.
00:45:08Mason made me what I am. I can't just turn my back on him.
00:45:12Do you even love him?
00:45:17Of course I do.
00:45:20You're lying near yourself.
00:45:23Again.
00:45:25That's enough. I'm done with this.
00:45:26Fine.
00:45:28If you don't want me, walk away.
00:45:31Then I can be done with this too.
00:45:32I'd like to wait.
00:49:15I love you, Bernie.
00:49:18Vera.
00:49:20Hey.
00:49:21Hope the two of you are enjoying the weekend so far.
00:49:23Yeah, we have been.
00:49:25Yeah, we have been.
00:49:25I'm starving.
00:49:26Is there anything to eat?
00:49:27In the kitchen.
00:49:27Okay.
00:49:31What am I supposed to do?
00:49:33I don't know.
00:49:34How about being honest about who you are?
00:49:37Stop living a lie?
00:49:37It's not that easy.
00:49:39Well, pretending seems pretty fucking hard, too.
00:49:43I'll figure this out.
00:49:45I'll figure this out.
00:49:46I just need some more time.
00:49:49Okay?
00:49:49Just until the show wraps.
00:50:06I'll figure this out.
00:50:09I'll figure this out.
00:50:10And my love.
00:50:12Tired of it, too.
00:50:13Greta.
00:50:14You have to choose.
00:50:15But it's impossible to choose.
00:50:19So why not have both?
00:50:21Very good, Vera.
00:50:23Kendrick, you're still a little late on your cue, buddy.
00:50:31I got to take this.
00:50:33It's the investor.
00:50:34Run the show?
00:50:35Yeah.
00:50:36Great.
00:50:41Thank you, gentlemen.
00:50:44Hey, I can't talk right now.
00:50:47Can't stop thinking about you, either.
00:50:50Got any notes for me?
00:50:51Sure do.
00:50:52You got to get a little bit closer.
00:50:54Oh, do I?
00:50:55Uh-huh.
00:51:02You're going to get me in trouble.
00:51:04Okay.
00:51:05Bye.
00:51:09Can I help you?
00:51:10Mr. Edwards, I'm so sorry to bother you, but I need to talk to you about something.
00:51:15Yeah, I got to get back to it.
00:51:17I'm on the clock.
00:51:18It's about Birdie.
00:51:19She's having an affair.
00:51:23Excuse me?
00:51:24Birdie is having an affair with your lead actress, Vera Grace.
00:51:28Okay, I don't know who you are, but I certainly don't need a janitor to tell me about my wife.
00:51:33I'm the concessions manager.
00:51:35I'm the concessions manager, and I do know what I'm talking about.
00:51:38Oh, okay, Mr. Concessions manager.
00:51:40What proof do you have?
00:51:42I've seen them together.
00:51:45Kissing?
00:51:46Kissing?
00:51:46In bed?
00:51:46What?
00:51:47On stage.
00:51:48Just the looks, the touching.
00:51:51Look, if you watch them closely, you'll see it, too.
00:51:54Okay, look, I don't expect you to understand this, but my wife is an amazing actress.
00:51:59She creates chemistry on stage, so whatever you think you saw, you didn't.
00:52:05Cass, get this guy.
00:52:06He's disrespecting the theater and my wife.
00:52:08Have him fired immediately.
00:52:09You're going to regret this.
00:52:11Pretty soon, the whole world is going to see what's right underneath your nose.
00:52:22Ahem.
00:52:23Oh, Aisin.
00:52:26Birdie was just giving me her insights on Greta's promiscuity
00:52:30and the lack of quality male suitors in her world.
00:52:34Where are Adam and Kendrick?
00:52:36Oh, we gave them a break so we could work some things out alone.
00:52:43Do you mind if I take the reins back?
00:52:45No, of course not.
00:52:46Sure.
00:52:51Why don't we show Vera the proper slow dance?
00:52:55Check.
00:52:56Mm-hmm.
00:52:59Do you remember our wedding night?
00:53:01Mm-hmm.
00:53:11You meant wearing a new necklace.
00:53:13Oh, um, it was a little tight on my neck, so I took it off.
00:53:25Make sure you get used to it.
00:53:29Back to work?
00:53:32Mm-hmm.
00:53:35Gentlemen, from the top.
00:53:51I see you got your collar on, like a good dog.
00:53:55Mason must be thrilled.
00:54:01I'd like to put you on a leash.
00:54:05I'm sorry, I know this isn't ideal.
00:54:07What?
00:54:08No, I personally love watching you be manhandled in public by her husband
00:54:12while I sneak around in the shadows.
00:54:14It feels like you're ashamed to be with me or something.
00:54:17What?
00:54:20No, I'm not.
00:54:21Hey, back in five.
00:54:23Mm-hmm.
00:54:25You okay?
00:54:26Yep.
00:54:27Be right there.
00:54:31I promise, when this is all over, I will leave him.
00:54:36I only want to be with you.
00:54:38Our way.
00:54:40I wish there was a way for us to be together now.
00:54:44I just want to touch you and not care who sees it.
00:54:48Maybe I know a way.
00:54:51What are you doing tonight?
00:55:03I can't do this.
00:55:04Hey.
00:55:06I'm in charge tonight.
00:55:10Come on.
00:55:18I've never been to one of these before.
00:55:20What, a masquerade party?
00:55:22A lesbian party.
00:55:25You can be yourself here.
00:55:35Well, I've never felt this free before.
00:55:38That's why I love this place.
00:55:40It's not this place.
00:55:44It's you, Vera.
00:55:57Oh, my God.
00:55:58You're Buddy Edwards.
00:56:01Excuse me?
00:56:03I'm your biggest fan.
00:56:04I've seen Stone's fantasy at least 50 times.
00:56:07I'm sorry.
00:56:08I don't know what you're talking about.
00:56:10I'm sorry.
00:56:11I thought you were the actress of Buddy Edwards?
00:56:15You look so familiar.
00:56:16Are you sure you're not famous?
00:56:17Oh, trust me.
00:56:18She's not.
00:56:19Oh.
00:56:20I feel terrible.
00:56:22Can I buy you both a drink to make up for it?
00:56:25It's fine, really.
00:56:27Have a good one.
00:56:34Oh.
00:56:36I had a lot of fun tonight.
00:56:37Oh, who said it was over?
00:56:44Sorry.
00:56:46Sorry I took that picture of you.
00:56:49You're fine.
00:56:50Have a good night.
00:56:53Hey.
00:56:56How would you like making 500 bucks?
00:57:04Make me one of your martinis.
00:57:06I think we should just go to bed.
00:57:08We have a big day tomorrow.
00:57:09Oh, but I'm having fun.
00:57:12I just want to be with you.
00:57:18So, earlier was a lie?
00:57:21No, of course not.
00:57:25But that was fantasy land.
00:57:27This is real life.
00:57:30So, real life means always having to hide who we are?
00:57:34Never actually being together?
00:57:35That's not fair.
00:57:38Tonight was fun.
00:57:41But we have to stay focused on the play.
00:57:43Oh, my God.
00:57:44It's always about the fucking play.
00:57:45Oh, your voice.
00:57:46Why?
00:57:47I'm not afraid to tell everyone who I love.
00:57:51Vera, what do you say?
00:57:54I love you, Birdie.
00:58:01Clearly, you don't feel the same.
00:58:03I'm such a lady.
00:58:09Don't touch me ever again.
00:58:26Don't touch me ever again.
00:58:48Come in.
00:58:56I told you I didn't want to see you again.
00:58:59Why are you here?
00:59:04Because I wanted to let you know that I've been thinking.
00:59:09And, uh, Vera, I'm in love with you, too.
00:59:18You mean that?
00:59:20I do.
00:59:28On your knees.
00:59:45Birdie, what the hell are you doing?
00:59:48Mason, I can explain.
00:59:49No, don't bother.
00:59:50I already know about all your deviant behavior.
00:59:51She is not deviant.
00:59:54We're in love.
00:59:59You poor idiot girl.
01:00:00Do you honestly think that Birdie Edwards is in love with you?
01:00:04She only loves this spotlight.
01:00:05Oh, oh, oh, oh, oh.
01:00:06And the 10% cut that she's making off of you.
01:00:09How dare you?
01:00:10You don't know the first thing about her.
01:00:13Mason is right.
01:00:15But that was before everything.
01:00:19So it really was just business.
01:00:21It wasn't.
01:00:22Or at least not anymore.
01:00:24How am I supposed to believe anything you say?
01:00:27Why don't I help speed this up here?
01:00:42Birdie, what is it?
01:00:48You know, the whole world knows about the two of you.
01:00:51Well done.
01:00:52So what?
01:00:53I'm not ashamed of who I am or who I love.
01:00:57Mason, I am sincerely sorry.
01:01:00We didn't want you to find out this way.
01:01:02We never meant to hurt you.
01:01:03But Birdie and I just want to be together.
01:01:07We should go to a press conference.
01:01:09Oh, I want the world to know how I feel about you.
01:01:12But do you think that's a bit much?
01:01:14I already contacted Gwen's office.
01:01:16We're meeting her tomorrow.
01:01:17Good.
01:01:19She'll handle it.
01:01:20Wait, what is happening here?
01:01:22Who's Gwen?
01:01:22She's our publicist.
01:01:25So you're just going to have your publicist sweep this under the rug?
01:01:28This is how celebrities handle crises.
01:01:33What about starting our lives together?
01:01:36Living our truth?
01:01:40It wasn't supposed to come out that way.
01:01:42So what?
01:01:43It's out.
01:01:44I don't care how.
01:01:45I just care about being with you.
01:01:51It's complicated.
01:01:52Yeah, it's complicated.
01:01:53I'll say.
01:01:54We've got less than ten fucking minutes to open this show.
01:01:58And every single member in that audience is going to know about this scandal.
01:02:01And it's your job to fucking make them forget it.
01:02:03The show must go on, right?
01:02:06It's all you've ever cared about?
01:02:09Well, good luck finding your new Greta Stone.
01:02:11No, Vera, you're not thinking clearly.
01:02:13Actually, I've never felt more clear about anything in my entire life.
01:02:17I see who you are.
01:02:20A fame monster that he created.
01:02:23Always afraid to be honest.
01:02:25Show your true self.
01:02:27You're living in a gilded cage, Bertie.
01:02:31I mean, if that's what being a star is, then I don't want any part of it.
01:02:34Thanks.
01:02:35Do you know how much time and money I've invested in you?
01:02:39A million girls would die to be in your place.
01:02:42You are an ungrateful brat.
01:02:45You're a joke, Mason.
01:02:47And a sham.
01:02:48The only one with any real talent is Bertie, and you've been riding her coattails for years.
01:02:53You may have convinced her that she needs you, but you'll never convince me.
01:03:00Listen, if you walk out that door, you're never coming back.
01:03:11Come with me.
01:03:12Come with me.
01:03:15We can make our own art together, just like we talked about.
01:03:18Please.
01:03:23I love you.
01:03:32Good luck with the show.
01:03:44Ladies and gentlemen, I regret to inform you that tonight's and all subsequent performances
01:03:50of Stone's fantasy are canceled.
01:03:52Until further notice.
01:03:55Excuse me?
01:04:09This is what we need to do.
01:04:11Lots of couples' time and charity work.
01:04:14In fact, photos of you two doing charity work as a couple.
01:04:17Yeah, I used to volunteer at the children's hospital all the time, so...
01:04:23No, you didn't.
01:04:24Well, I gave blood once or twice.
01:04:31Why are we doing this?
01:04:32Because if we don't turn this PR nightmare around and get the show back on its feet,
01:04:37we will lose every cent we have, Bertie.
01:04:41No.
01:04:44I don't think it'll work.
01:04:45Trust me, this is a tried-and-true strategy of many a floundering celebrity.
01:04:49No.
01:04:51I mean, this won't fix what's wrong between us, Mason.
01:04:58I'll give you two a moment.
01:05:03Haven't you caused enough trouble already?
01:05:06Just answer me one question.
01:05:10Are you happy?
01:05:12What kind of question is that?
01:05:13A simple one.
01:05:15Because I can honestly say
01:05:18I'm not happy.
01:05:21I don't know if I've ever been.
01:05:23How dare you?
01:05:25I have given you everything that you ever wanted.
01:05:31Except love.
01:05:34You're not leaving me.
01:05:36Because if you do, I will take everything.
01:05:40I know all about the other women, Mason.
01:05:43You can have the house.
01:05:45But I want the theater.
01:05:48You owe me that much.
01:05:51You'll never make it without me.
01:05:55Maybe.
01:05:59But I'm going to try anyways.
01:06:13The number you are trying to reach is no longer in service.
01:06:17The number you are trying to reach is no longer in service.
01:06:47I've never felt this free before.
01:06:59I've never felt this free before.
01:07:00You owe me that much.
01:07:05Oh.
01:07:07Birdie.
01:07:10This is phenomenal.
01:07:15I was struck by inspiration and it just poured out of me.
01:07:20Did that inspiration take the form of a beautiful, dark-eyed girl named Vera Grace?
01:07:28I love her, Cass.
01:07:31I'm no longer afraid to admit it.
01:07:35That's why I need you to tell me where she is.
01:07:37I'm sorry, I don't know, Bertie.
01:07:40She must have left a forwarding address.
01:07:43She did, but it was a P.O. box.
01:07:46I'm afraid I don't know any more than that.
01:07:48No phone number, nothing?
01:07:51I wish I could help.
01:07:59I'm gonna miss seeing you every day, Bertie Edwards.
01:08:02You are a true star.
01:08:09What are you gonna do now?
01:08:11The only thing I know how to do...
01:08:14Take this broken heart and...
01:08:17Turn it into art.
01:08:26Bertie, you have a new play coming out, A Masked Love Affair.
01:08:30Yes.
01:08:31It's a much smaller production than I've been involved with in the past, but it's the one I'm most proud
01:08:37of.
01:08:38You wrote, you're directing, and you're starring in this play.
01:08:41You're quite the triple hyphenate.
01:08:44Tell us about this play.
01:08:46Well, it's about finding yourself when you didn't even realize how lost you were.
01:08:52And it was inspired by someone very special to me.
01:08:56You're the only one that knows me.
01:09:00All of me.
01:09:03There are parts of me that came alive because of you.
01:09:07I'm ready to make this fantasy a reality.
01:09:14You're the only one that I have loved you.
01:09:36You're the only one that came alive.
01:09:44you
01:10:21you
01:10:49you
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