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The Crown S01E09 [Full Movie] [Must See]Full EP - Full
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00:00:11If your sweetheart sends a letter a good-bye,
00:00:26it's no secret.
00:00:29You feel the record.
00:00:33This way, by the way.
00:00:43The end of the bar.
00:00:49Hello.
00:00:50Hello, Porchy.
00:00:54Find the place all right now?
00:00:55Taxi driver, dear?
00:00:57Yes.
00:00:58Of course.
00:01:00Wonderful.
00:01:15Is it just me or is this place faintly ridiculous?
00:01:20Two of my great hates in life, fine dining in central London.
00:01:25I just thought it's the kind of special occasion place one came if one had a special question
00:01:31to ask.
00:01:43This moment I wish I were a poet, not a horse breeder.
00:01:55Will you marry me?
00:02:01Oh, poor G.
00:02:03That sounds like a no.
00:02:05No.
00:02:06No.
00:02:06It's not a no.
00:02:08No, no, no, no, no, no, no, no, no.
00:02:13Twelve no's.
00:02:14I would love to.
00:02:16On one condition.
00:02:19That you don't still hold a torch for her.
00:02:22Who?
00:02:25Who?
00:02:27Her.
00:02:36I know how close you were and how close your families still are.
00:02:41It's true.
00:02:41She and I, we are close.
00:02:43I was close to her father.
00:02:45I am close to her sister.
00:02:46Our families are close.
00:02:48In many ways, and I speak as a breeder myself, it would have been a good match.
00:02:52Perfect match.
00:02:53I won't deny it.
00:02:56Except for the fact it was never on the cards.
00:03:03For her, there was only ever Philip.
00:03:18What was his name?
00:03:22And for you?
00:03:31It was only you.
00:04:09Liesbeth.
00:07:01What portrait?
00:07:03It's the official portrait commissioned by both houses.
00:07:06It's your present.
00:07:08Sutherland?
00:07:09Hmm.
00:07:11Never heard of him.
00:07:12He's got quite the reputation.
00:07:14He's a modernist.
00:07:15I'm sure I can trust a modernist with an English name.
00:07:19Give me a German modernist.
00:07:22Or an Italian.
00:07:24They're the ones who have to start all over again.
00:07:27Whatever would an Englishman want to change?
00:07:29Right.
00:07:50It's grand to be home again after so long an absence.
00:07:55The surgeon who operated on me told me yesterday that all was well.
00:08:00I'll need to have a further period of convalescence, put on some weight.
00:08:06There's nothing else to worry about.
00:08:09As I said, it's grand to be home again.
00:08:12Well, I look forward to being back at work just as soon as possible.
00:08:37Hello?
00:08:38Poor G.
00:08:40I hope I'm not disturbing.
00:08:42Goodness.
00:08:43Am I disturbing?
00:08:47No.
00:08:48Good.
00:08:49It's all real.
00:08:50I think we're making a mistake.
00:08:52I think we should lead from the start.
00:08:55And I think you're wrong.
00:08:57But we both know he doesn't hold up naturally.
00:08:59We tried holding him up against Darius before, and Darius won.
00:09:03That was the Guineas, which is a mile.
00:09:06This is the King George.
00:09:08A mile and a half.
00:09:11What will we do if he plays up before the race?
00:09:13He always plays up.
00:09:15That's who he is.
00:09:17You don't seem the slightest bit worried.
00:09:20Anything else?
00:09:22Well, can I just say one more time, for the record, I think we should start fast and run at
00:09:30a good clip.
00:09:33Noted.
00:09:34I am right sometimes, you know.
00:09:36Even you said yourself that I have good instincts.
00:09:39You do.
00:09:41I might well live to regret it.
00:09:44That and a good many other things.
00:09:47Oh, dear. Such as?
00:09:49Good night.
00:09:52Good night.
00:10:29Mr. Sutherland, Prime Minister.
00:10:31Good morning.
00:10:32How do you do?
00:10:33Good morning.
00:10:33Hello.
00:10:34How do you do?
00:10:34Good morning.
00:10:35How do you do, sir?
00:10:36It's an honor.
00:10:37I don't know.
00:10:37The honor is mine.
00:10:45So where do you want me?
00:10:52So, will we be engaged in flattery or reality?
00:10:57Are you going to paint me as a cherub or a bulldog?
00:11:01I imagine there are a great number of Mr. Churchills.
00:11:04Yes, indeed there are.
00:11:06Well, as you search for him perhaps I can implore you not to feel the need to be too accurate.
00:11:14Why?
00:11:15Accuracy is truth.
00:11:16No.
00:11:17For accuracy we have the camera.
00:11:20Painting is the higher art.
00:11:24I paint a bit myself, you know.
00:11:28Yes, sir, I know.
00:11:30And I never let accuracy get in the way of truth if I don't want it to.
00:11:34If I see some landscape I like and I wish there wasn't a factory in the background, I leave the
00:11:41factory out.
00:11:45So, Mr. Sutherland, tell me, I'm fascinated, what is your process?
00:11:54First I shall take some photographs.
00:11:57They'll be useful as reference when I get back to the studio.
00:12:00Then I shall do some charcoal sketches, studies of the head, hands, and then I'll work the sketches up.
00:12:09The actual painting will be done in my, uh, studio at home.
00:12:16Um, is this, do you mind?
00:12:18Perfect, all right, carry on.
00:12:22What pose are you thinking of?
00:12:27Seated.
00:12:31A good right standing, it might be more commanding.
00:12:36Dynamic.
00:12:38It might make me look younger.
00:12:42I thought the painting was supposed to celebrate reaching a certain age.
00:12:46Four score years, Winston.
00:12:48Yeah.
00:12:49I think seated is more senatorial.
00:12:52Oh, senatorial.
00:12:55What nonsense.
00:13:00Yes, I agree.
00:13:09Cigar or no cigar?
00:13:13No cigar.
00:13:15Garter rose or no garter rose?
00:13:17No finery.
00:13:18No grandiosity.
00:13:22Dressed merely as a parliamentarian.
00:13:26A prosaic.
00:13:32I liked him.
00:13:33Yes, I could tell.
00:13:35He was smith, blushing like a little girl.
00:13:38Well, he is rather a wow.
00:13:42A wow?
00:13:43Torn, handsome, saturnine.
00:13:47A bit of a Heathcliff.
00:13:48He wants total control.
00:13:50Well, any artist worth anything would insist on that.
00:13:53We don't really want to flatter her.
00:13:55Yes, I do.
00:13:56No, you don't.
00:13:58Besides, it's manifestly clear he's a fan.
00:14:00Oh, no, don't be silly.
00:14:02You can smell the socialism on him.
00:14:04Even the socialists acknowledge you saved the country.
00:14:07Well, through gritted teeth.
00:14:10I have the protective instincts of a loving wife, and I can tell you this one is not an assassin.
00:14:16Oh, no, don't be silly, oh.
00:14:19Oh, no, don't be silly.
00:14:19Oh, no, don't be silly.
00:14:20Oh, no, don't be silly.
00:14:20And Cathy Oro with 50.
00:14:22The first four-year-old winner.
00:14:24And what's the fourth, Oro-Royal won?
00:14:30Oro, the win for Oro, the Queen's horse, followed by Vamos and Darius Milbaugh.
00:14:36It's a fucking moment.
00:14:39It's a week.
00:14:42It's a man.
00:14:52It was a, it wasn't a thing.
00:14:53It wasn't a thing.
00:14:54It was a program.
00:14:55It's so forever.
00:14:56I know, I know.
00:15:09What a champion.
00:15:11What a champion.
00:15:13Oh, hello.
00:15:15Hello.
00:15:26I remember getting the phone call from your father
00:15:28when he was born
00:15:31by Hyperion
00:15:32out of Angelola.
00:15:33Yes, we gave him his first milk, remember?
00:15:38Watching him grow up, everyone thought his elder brother
00:15:40would be the star. Your clever
00:15:42papa always had an instinct for this one.
00:15:44The underdog.
00:15:45And he backed him.
00:15:47And an underdog became a star.
00:15:50Yes, it is his favourite horse.
00:15:53So,
00:15:54what's next, Roger?
00:15:57Well,
00:15:57we've received an invitation
00:15:59to the Laurel International.
00:16:02America?
00:16:03Yes, next month.
00:16:05Well, he's what?
00:16:07Four?
00:16:08Already at the older end of the spectrum.
00:16:10If you're asking my opinion.
00:16:12Well, that is why I asked for you today.
00:16:16My honest advice,
00:16:18I'd consider retiring him now.
00:16:20At the top of his game,
00:16:22the best middle-distance horse in Europe
00:16:24with a sky-high market value.
00:16:27Let him earn you some proper money as a stud.
00:16:30Well, I'm surprised to hear you turn down the opportunity of going to America.
00:16:37Why?
00:16:38Well, that's where your girlfriend's from, isn't it?
00:16:42Fiancée.
00:16:44Fiancée?
00:16:45Goodness.
00:16:49Who is she?
00:16:51Money, I hope, so you can keep out the stables.
00:16:53Well, actually, she's a portsmann.
00:16:55Dear, so no money.
00:16:56Some money.
00:16:57But horse mad.
00:16:59Well, she'd have to be.
00:17:03You'd approve, I think.
00:17:06Well, can I meet her?
00:17:08If you promise you won't scare her.
00:17:09Why would I scare her?
00:17:10You're the queen.
00:17:12Only some of the time.
00:17:13All the time.
00:17:14That makes you terrifying.
00:17:16And she's heard a lot about you.
00:17:19From whom?
00:17:20From me.
00:17:22Some of it nice, too.
00:18:01Oh, the one you let get away.
00:18:06What?
00:18:07And he's always carried a torch for you.
00:18:09What, she?
00:18:11That's nonsense.
00:18:13He told me himself.
00:18:15One night while in his cups.
00:18:18That doesn't count.
00:18:21When a man's had a drink, that's when the truth comes out.
00:18:24No, that's when the nonsense comes out.
00:18:26Besides, you have interests in common.
00:18:29Forces aren't an interest for you.
00:18:31They're a passion.
00:18:32A passion your husband doesn't share.
00:18:34He has other passions.
00:18:36So I hear.
00:18:43What happened?
00:19:06Sir, good morning.
00:19:12The Foreign Secretary is here, sir.
00:19:14Shall I show him in?
00:19:16No.
00:19:18Not here.
00:19:33Sorry to keep you waking.
00:19:35As apposite as ever.
00:19:38I didn't mean it like that.
00:19:44There's ugliness in the air, Anthony.
00:19:48I have nothing of beauty to say.
00:19:50Then say what you must.
00:19:52Deposit your ugliness and go.
00:19:55I have more important things to do.
00:20:01Very well.
00:20:07At some point, every leader must ask himself whether by staying in office he is giving to the country or
00:20:18taking from it.
00:20:19Helping or harming.
00:20:23And I would suggest that for some time now, you have been taking and harming.
00:20:31And therefore, I come to you, in the name of the party and of the country, for the very last
00:20:38time, Winston, to bid you to stand down.
00:20:42I will in good time.
00:20:43At the right time.
00:20:45The right time was nine years ago when you lost us the election.
00:20:49And I have since avenged that defeat by winning us the last election.
00:20:53I won a second, Winston!
00:20:55I won that!
00:20:56I won that!
00:21:02People voted conservative in the clear expectation that you would give way to me.
00:21:07Oh, that is such rubbish!
00:21:09They voted conservative because they couldn't stomach socialism!
00:21:13Inflation is out of control.
00:21:15And with every misjudgment, with every miscalculation, with every utterance you make, that appetite to return to the left is
00:21:25growing!
00:21:25Be careful, Anthony.
00:21:27Too much excitement is not good for one so soon after an operation.
00:21:31Spoken by a man who, only two months ago, was effectively dead.
00:21:35Which makes two of us.
00:21:37I have recovered.
00:21:38That's not what I hear.
00:21:40I hear you're a shadow of your former self.
00:21:44That when you walk, the pills rattle around inside of you!
00:21:48I have something that you'll never see again.
00:21:52A clean bill of health and a stallion said the same.
00:21:57He died robbering on the floor!
00:22:01Mr Sutherland is here.
00:22:04Hello, Anthony.
00:22:05Anthony was just leaving.
00:22:08Hello, Timmy.
00:22:11Yes, I was, uh...
00:22:15Just leaving.
00:22:17Here we are.
00:22:19Morning.
00:22:21This is my wife, Kathleen.
00:22:24She'll assist me sometime.
00:22:26I hope you don't mind?
00:22:51All right.
00:22:58Over here.
00:23:07What's that you're using?
00:23:09Pencil.
00:23:10But which kind?
00:23:134B or 6B or something. I'm not sure.
00:23:19It's a 6B.
00:23:21And on what paper?
00:23:23Drawing paper.
00:23:24I paper heavyweight cotton,
00:23:26cold-pressed, decal-edged,
00:23:28sized with gelatine.
00:23:36How many paintings has your husband complete in a year, Mrs Sutherland?
00:23:41Three or four.
00:23:44Would you care to guess how many I average?
00:23:47Ten?
00:23:50Fifteen?
00:23:51Sixty.
00:23:53Of course.
00:23:54I'm just a hobbyist.
00:23:56An enthusiast.
00:23:58Not a major artist like your husband.
00:24:03Taking his time.
00:24:04More than me.
00:24:07Over here.
00:24:08I don't know.
00:24:38I did a little reading about you, Mr. Sutherland, after our last session.
00:24:44Did you?
00:24:44Yeah, quite interesting.
00:24:46From what I read, this is all very new to you, this portraiture.
00:24:51I don't think anyone starts out wanting to be a portraitist.
00:24:54Yeah, but in your search for your metier, you've tried a bit of everything.
00:24:59That's true.
00:25:02I came to painting quite late.
00:25:04But now that you've found it, you'll never leave it, yes?
00:25:07Mm-hmm, yeah.
00:25:08I quite understand.
00:25:27How is it, Mrs. Sutherland?
00:25:32It has truth.
00:25:35Am I to be allowed a peek?
00:25:37No.
00:25:38Why not? I could give you advice.
00:25:42After all, I know this face better than you do.
00:25:46If you've made the neck too thick or the arms too long, I can tell you.
00:25:50I find in general people have very little understanding of who they are.
00:25:54One has to turn a blind eye to so much of oneself in order to get through life.
00:25:58And you see it as your responsibility to bring all that out into the open?
00:26:01Certainly.
00:26:02The good as well as the bad.
00:26:03Just concentrate on the good and all will be well.
00:26:07You're not just painting me, you know.
00:26:10You're painting the Prime Minister of the United Kingdom of Great Britain and Northern Ireland
00:26:15and everything that great office represents.
00:26:17Democracy.
00:26:18Freedom.
00:26:18Freedom.
00:26:19The highest ideals of government and leadership.
00:26:22Just remember that.
00:26:34Yes?
00:26:36Lord Porchester, Your Majesty.
00:26:40Plug in.
00:26:42Porchy.
00:26:43What a palaver.
00:26:44What is?
00:26:45Getting through to you.
00:26:47I picked up the phone to you just after nine this morning.
00:26:50It's now gone midday.
00:26:51Oh, don't exaggerate.
00:26:53But yes, I know, it is infuriating.
00:26:55Fire away.
00:26:56You asked me to come to some figures for you with regard to Oriole.
00:26:59Although I'm numerically dyslexic, runs in the family, I'm afraid, like the high forehead.
00:27:04I have done the sums.
00:27:06See if this helps you with your decision.
00:27:08In the course of his lifetime as a racehorse, Oriole has made you just over £40,000.
00:27:13Goodness.
00:27:15But, if you were to put him out to stud, he could make you far more.
00:27:18He's a recognised champion with a top-notch pedigree.
00:27:21You could stand him at Walfleton's stud for top dollar.
00:27:27Well, that's the decision then.
00:27:30Good.
00:27:31And in the meantime, I'll ask if I can get you a direct line.
00:27:36To you?
00:27:37Yes, to me.
00:27:38Why?
00:27:39Or is there anyone else you wanted to speak to here?
00:27:42No.
00:27:43Good.
00:27:47Dollar.
00:27:48What is it?
00:27:49Top dollar.
00:27:50I need numbers.
00:27:52400.
00:27:53A pot.
00:27:54A shot.
00:27:56Sorry, I'm trying to find a less onomatopoeic expressive.
00:27:58What is ultimately...
00:27:59I know what it is.
00:28:00A shag?
00:28:01A cover.
00:28:02A cover?
00:28:04Yes, that's the correct term.
00:28:06For a horse hump.
00:28:09Yes.
00:28:12So what might you earn, then, over the course of the year?
00:28:14Well, in one year alone, Aurel might cover 40 mares, making about 16,000 pounds.
00:28:23Good for him.
00:28:24In the course of his lifetime at the stud, he might sire 500, 600 foals, making me over 200,000
00:28:31pounds.
00:28:31Creating an entire generation of offspring.
00:28:34Yes.
00:28:36Father to all the fells in our stables and any other stable that could afford him.
00:28:40Yes.
00:28:42Oh, I see.
00:28:42So in time, every horse out there could somehow be related to Aurel.
00:28:49Yes, I suppose so.
00:28:53Like old man Carnarvon.
00:28:56Who?
00:28:58Your friend Porchy's father.
00:29:01Porchy?
00:29:02No.
00:29:02Like I said, his father.
00:29:05Yes, they're both called Porchy.
00:29:07Wasn't that the rumour?
00:29:08What rumour?
00:29:10Oh, that he'd had so many affairs.
00:29:13An entire generation of British aristocrats was related to him.
00:29:16An illegitimate Porchy.
00:29:19In every great house in the land,
00:29:23high foreheads everywhere.
00:29:26A numerical dyslexia.
00:29:29What?
00:29:30Nothing.
00:29:31What?
00:29:33Nothing.
00:29:37Michael!
00:29:39Dear boy!
00:29:45Good night.
00:29:47Good night.
00:29:50Let me have a look here.
00:29:53Marvellous.
00:29:53Shall we?
00:29:54Come on.
00:29:54You look beautiful.
00:29:56Mm-hmm.
00:29:56п
00:30:02What?
00:30:16What?
00:30:19Bye.
00:30:20Mm-hmm.
00:30:22Good night.
00:30:26I was a nun.
00:30:26Let's go.
00:30:56Let's go.
00:31:26Let's go.
00:31:30Let's go.
00:31:31How is it?
00:31:31Too bad, sir.
00:31:32Good morning.
00:31:45Good morning.
00:31:47Morning.
00:31:48Good morning.
00:32:00Good morning.
00:32:02Good morning.
00:32:24You good morning.
00:32:34Good morning.
00:32:35Good morning.
00:32:37Painting the picture is like fighting a battle.
00:32:41A bloody battle.
00:32:43In the gladiatorial fight to the death,
00:32:46the artist either wins or loses.
00:32:51Are you winning?
00:32:53I hope so.
00:32:56You think I'll like it?
00:32:58I think that's possibly too much to ask for.
00:33:02But I do take comfort from the fact that your own work
00:33:05is so honest and revealing.
00:33:08Oh.
00:33:10Thank you for the compliment.
00:33:17Are there any works that you're referring to in particular?
00:33:22I was thinking especially of the goldfish pond here at Chartma.
00:33:27The pond? Why the pond? It's just a pond.
00:33:31It's very much more than that,
00:33:32as borne out by the fact that you've returned to it
00:33:35again and again, more than 20 times.
00:33:37Well, yes, because it's such a technical challenge.
00:33:40It eludes me.
00:33:43Perhaps you elude yourself, sir.
00:33:45That's why it's more revealing than a self-portrait.
00:33:48Oh, that's nonsense.
00:33:50It's the water, the play of light, the trickery, and the fish down below.
00:33:59I think all our work is unintentionally revealing,
00:34:02and I found it especially so with your pond.
00:34:04Beneath the tranquility and the elegance and the light playing on the surface,
00:34:08I saw honesty and pain, terrible pain.
00:34:12The framing itself indicated to me that you wanted us
00:34:17to see something beneath all the muted colors deep down in the water.
00:34:25Terrible despair.
00:34:27Hiding like a leviathan, like a sea monster.
00:34:31You saw all that?
00:34:34Yes, I did.
00:34:37Perhaps that says more about you than me.
00:34:39Mm-hmm.
00:34:42Perhaps.
00:34:46May I ask you a question, Mr. Sutherland?
00:34:50It's about one of your paintings.
00:34:53The one you call pastoral.
00:34:55With all that gnarled and twisted wood,
00:35:01those great ugly dabs of black,
00:35:05I found something malevolent in it.
00:35:10Where did that come from?
00:35:13Well, it's very perceptive.
00:35:15That was a very dark time.
00:35:18My son, John,
00:35:23passed away at age two months.
00:35:30Oh, man.
00:35:32I am sorry.
00:35:39Yes, thank you.
00:35:59You have five, yes?
00:36:01Four.
00:36:04Marigold was the fifth.
00:36:07She left us at age...
00:36:10two years, nine months.
00:36:12Septicemia.
00:36:13I'm so sorry, I had no idea.
00:36:18We settled on the name Marigold,
00:36:22on account of her wonderful golden curls,
00:36:27the most extraordinary color.
00:36:32Regretfully,
00:36:34though perhaps mercifully,
00:36:36I was not present when she died,
00:36:40when I came home.
00:36:42Clemmie...
00:36:45roared like a wounded animal.
00:36:54We bought Chantwell,
00:36:58a year after Marigold died.
00:37:03That was when I put in...
00:37:08the pond.
00:37:10The pond.
00:37:35the pond.
00:37:37Yes.
00:37:55Oh.
00:37:59It's a pleasure.
00:38:06I look forward to seeing it.
00:38:10Oh.
00:38:16Oh.
00:38:20Oh.
00:38:22Oh.
00:38:22Oh.
00:38:24Oh.
00:38:24Oh.
00:38:25Oh.
00:38:26Oh.
00:38:26Oh.
00:38:37Oh.
00:38:38Oh.
00:38:39Oh.
00:38:40Oh.
00:38:50Hello.
00:38:53Shall we?
00:38:55Oh.
00:38:56Oh.
00:39:00Well, given this is Aureole's debut,
00:39:02and we want to leave nothing to chance,
00:39:04I've called up three different mayors.
00:39:06Very rarely does a Forsterest make a fruitful tryst.
00:39:10One wants the perfect foe,
00:39:11one needs to be prepared to wait for the perfect peril.
00:39:14Shall we?
00:39:16Meet Neocracy.
00:39:17Oh, the Aga Khan's.
00:39:19Yes.
00:39:20Recently retired, with a good record as a winner.
00:39:22lovely temperamental my only concern would be is she perhaps a little too
00:39:27special I worry that if we were pleased through to it nothing would ever happen
00:39:33which is why I've also called up Turkish blood as you can see an altogether
00:39:38different properties strong willful with a terrific track record herself really
00:39:43would be breathing the best with the best I'm sensing about memory your aureole
00:39:49is something of a sensitive soul I hate him to be intimidated or come unstuck and
00:39:54faced a fiery warrior like this that's very considerate of your portrait
00:39:58which is why I have a good feeling about our third candidate feast your eyes on
00:40:02temple bar the hot thoroughbred with the winning streak herself there's a little
00:40:07on the young side perhaps just three we don't mind that do we
00:40:16immediate engagement yes I must say I do like this one would appear the feeling is mutual
00:40:29telegrams have been pouring into dining street today to wish to Winston Churchill a happy 80th birthday
00:40:36on this the 30th of November they come from all parts of the globe
00:40:44happy birthday
00:40:45darling old pug
00:40:53mom
00:40:55happy birthday
00:41:12CHOIR SINGS
00:41:54CHOIR SINGS
00:42:00CHOIR SINGS
00:42:01CHOIR SINGS
00:42:02CHOIR SINGS
00:42:31CHOIR SINGS
00:43:08CHOIR SINGS
00:43:10CHOIR SINGS
00:43:27CHOIR SINGS
00:43:28CHOIR SINGS
00:43:54CHOIR SINGS
00:43:57CHOIR SINGS
00:44:00CHOIR SINGS
00:44:01CHOIR SINGS
00:44:27CHOIR SINGS
00:44:33CHOIR SINGS
00:44:35CHOIR SINGS
00:44:44CHOIR SINGS
00:44:46CHOIR SINGS
00:44:49CHOIR SINGS
00:44:50CHOIR SINGS
00:44:51CHOIR SINGS
00:44:54CHOIR SINGS
00:45:10CHOIR SINGS
00:45:30A fine patriotic piece of modern art.
00:46:10Why are you here?
00:46:13I understand you've rejected the painting.
00:46:15I have.
00:46:16On what grounds?
00:46:17That is not a painting, it's a humiliation.
00:46:22How shall I paint him today?
00:46:26Sitting on a chair, producing a stool.
00:46:30A broken, sagging, pitiful creature, squeezing and squeezing.
00:46:36That's not how it's being seen.
00:46:37That is how it is, and I will not accept it.
00:46:41I don't think it's wise to reject it.
00:46:43It was commissioned by the members of the joint houses of parliament as a sign of respect.
00:46:47But then they should have commissioned an artist who is respectful,
00:46:51instead of a Judas wielding his murderous brush.
00:46:55Look at it!
00:46:55It is a betrayal of friendship and an unpatriotic, treacherous, cowardly assault by the individualistic left.
00:47:06As regards the friendship?
00:47:07Clearly there is none.
00:47:11I accepted this commission because I admired you and I came through the experience admiring you even more.
00:47:16You make monsters of everyone you admire?
00:47:20It's not vindictive.
00:47:22It's art, it's not personal.
00:47:25You are a lost soul.
00:47:29A narcissist without direction or certainty.
00:47:32Please, sir.
00:47:34Don't overreact.
00:47:35Give it time.
00:47:36I showed the sketches to your wife throughout the process.
00:47:39She remarked on how accurate they were.
00:47:40That is the whole point.
00:47:42It is not a reasonably truthful image of me!
00:47:46It is, sir.
00:47:47It is not!
00:47:47It is cruel!
00:47:49Age is cruel!
00:47:57If you see decay, it's because there's decay.
00:47:59If you see frailty, it's because there's frailty.
00:48:03I can't be blamed for what is.
00:48:07And I refuse to hide and disguise what I see.
00:48:14If you're engaged in a fight with something, then it's not with me.
00:48:23It's with your own blindness.
00:48:36I think you should go.
00:48:38When you do when you fly.
00:48:41But...
00:48:48Go!
00:48:55Let's chill...его...
00:48:58To get
00:48:59can stop! You didn'tFast.
00:48:59It's a toute wлетuser.
00:48:59That's time.
00:49:02Later time, I'll have to
00:49:03What can weettle up on you. You?
00:49:22he's right what I am that man in the painting
00:49:31wretched and decaying
00:49:34and I cannot go on
00:49:37you've said that before
00:49:43this time I mean it I'm tired
00:49:49you've had enough
00:49:52I have my love
00:49:59this time I really have
00:50:00good
00:50:02good
00:50:03good
00:50:05good
00:50:06good
00:50:06good
00:50:07good
00:50:10good
00:50:11good
00:50:11good
00:50:47Of course, I knew it was coming.
00:50:50If I'm being frank, there were one or two moments when I might have even hoped for it, too.
00:50:57Prayed, no doubt.
00:51:06You really have been the most remarkable servant to your country.
00:51:09Thank you, ma'am.
00:51:10No, Winston.
00:51:12On behalf of us all.
00:51:20And you wish for Mr. Eden to take over?
00:51:23I do.
00:51:24Well, that will make him happy.
00:51:26For a day or two, he might even stop cursing me.
00:51:31Then he will be overwhelmed by a job in which no man can ever succeed, and curse me again for
00:51:38leaving it to him.
00:51:41It might be an idea not to tell him that before he starts.
00:51:44No, ma'am.
00:51:50So, this is our last audience.
00:52:02Yes.
00:52:08However, will I cope without you?
00:52:11You will be fine, ma'am.
00:52:15I have nothing more to teach you, which is why it's time for me to leave.
00:52:30No matches, Tim.
00:52:34No matches, Tim.
00:52:35No matches, Tim.
00:52:49No matches, Tim.
00:52:55Bye.
00:53:01Bye.
00:53:07Bye.
00:53:11Bye.
00:53:13Bye.
00:53:14Bye.
00:53:16Bye.
00:53:24You're up.
00:54:07Renaming London Airport?
00:54:09I want something more personal, Thornton.
00:54:16What about dinner?
00:54:18Here?
00:54:19Or Buckingham Palace?
00:54:19No, there.
00:54:21Downing Street?
00:54:22Yes.
00:54:23It would be quite the compliment.
00:54:25You and Philip go there for dinner.
00:54:28I'll ask Philip.
00:54:30No, you'll tell Philip, motherly.
00:54:33Dinner?
00:54:34Downing Street, oh God.
00:54:36Why not?
00:54:39Does she look anything?
00:54:42I mean, if I were a stallion, would I fancy her?
00:54:46Attraction isn't so much about looks.
00:54:49Smell.
00:54:50Oh, I see.
00:54:51Well, does she smell good?
00:54:52Well, we'll see.
00:54:53Maybe.
00:55:03Rather like us, darling, when we were courting.
00:55:05Shhh.
00:55:06Shhh.
00:55:06Will you please?
00:55:08Be quiet.
00:55:10Yeah, look.
00:55:11Here we go.
00:55:12All right.
00:55:14You all right?
00:55:15Yeah.
00:55:17Hold her steady.
00:55:24I see.
00:55:28Over there.
00:55:32Back off.
00:55:34Good.
00:55:36Good guy.
00:55:38Good boy.
00:55:40Is that it?
00:55:44Two thousand guineas for that.
00:55:46Two thousand guineas for that.
00:55:46As long as he's done what he needs to do, and it bears fruit, I don't mind.
00:55:50Well done, Porchy.
00:55:54Yes, indeed.
00:55:56Well done, Porchy.
00:55:58I hear he's been given a direct line.
00:56:01Who?
00:56:02Porchy, so he can call straight in.
00:56:04I know only because I tried to get one for Mike and was refused.
00:56:08Yes.
00:56:09On account of him not being a family member.
00:56:12Porchy is like family.
00:56:13Is he?
00:56:15Yes.
00:56:16Part of the furniture.
00:56:19Well, as long as you don't sit on him any time soon.
00:56:33Well, that all seemed to go well.
00:56:35Yes, it did, isn't it?
00:56:38You're right.
00:56:42Mmm.
00:57:08Can you leave us now, please?
00:57:10Yes, ma'am.
00:57:28I have nothing to hide from you.
00:57:31Nothing.
00:57:35Portchy is a friend.
00:57:39And yes, there are those who would have preferred me to marry him.
00:57:43Indeed, marriage with him might have been easier.
00:57:48Might have even worked better than ours.
00:57:53But to everyone's regret and frustration, the only person I have ever loved is you.
00:58:03And can you honestly look me in the eye and say the same?
00:58:17Can you?
00:58:32Pray silence for Her Majesty the Queen.
00:58:44My lords, ladies and gentlemen, dear Winston and Lady Churchill.
00:58:56My confidence in Sir Anthony is complete, and I know he will lead the country on to great achievements.
00:59:06But it would be useless to pretend that either he or any of those successors who may one day follow
00:59:13him in office will ever, for me, be able to hold the place of my first Prime Minister.
00:59:20To whom my husband and I owe so much, and for whose wise guidance during the early years of my
00:59:29reign, I shall always be so profoundly grateful.
00:59:40I will remember you always your magnanimity, your courage at all times, and for your unfailing humour, founded in your
00:59:59unrivaled mastery of the English language.
01:00:05I take comfort from the fact that in losing my constitutional advisor, I gain a wise counsellor, to whom I
01:00:20shall look for help and support in the days which lie ahead.
01:00:33May there be many of them.
01:00:34May there be many of them.
01:00:50May there be many of them.
01:00:52May there be many of them.
01:00:53May there be many of them.
01:00:56May there be many of them.
01:01:04May there be many of them.
01:01:10May there be many of them.
01:01:11May there be many of them.
01:01:12May there be many of them.
01:01:12May there be many of them.
01:01:12May there be many of them.
01:01:13May there be many of them.
01:01:13May there be many of them.
01:01:16May there be many of them.
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