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The Night Manager - Series 2- Episode 6 Watch Full Episode
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00:00His name is Jonathan Pine.
00:04You'll have support teams.
00:05Identify them and deal with them.
00:07Yes, it's me.
00:08I have guests.
00:10I'll leave you my findings.
00:12For your hard work.
00:14Game over.
00:15What about the guarantees I asked for?
00:18I can't give you any of those.
00:19You played me.
00:21I wire Matthew Hillis fifty million dollars
00:24to be a free man.
00:27Tomorrow morning, you'll agree to hand yourself in.
00:30If you don't, I will destroy you.
00:32I know Roper's your father.
00:34Did Roper tell you about his other son?
00:36He's used you, Tenney!
00:38There's a coup being planned in your country, Consuelo.
00:40And you're gonna help me stop it.
00:41It's an electromagnetic weapon.
00:43Tomorrow the weapon will be dropped by parachute.
00:45It'll fly to Cabrera's camp.
00:47You have to stop it from getting there.
00:49Your English friend has been listening in on the house,
00:52which means he's inside the operation.
00:54I want Jonathan Pine.
01:21I want Jonathan Pine.
01:24I want Jonathan Pine.
01:28I want Jonathan?
01:38I want Jonathan Pine
01:58You can't touch the cow, you can't lose the cow.
02:02Uh, can we run the cow over?
02:06Ah, here he is.
02:08What do?
02:09Sit down, have a pastry.
02:12I'm not hungry.
02:14So, what's going on?
02:16All is going to plan.
02:18I want you to go to the Cabreras and tell them.
02:21Deliveries tonight, bang on schedule.
02:24You leave in an hour.
02:25Take one with you.
02:27Okay.
02:28And you?
02:29I will follow in due course.
02:31I have a small matter that requires my attention.
02:37I'll call the Cabreras to let them know.
02:47Okay, Eduardo.
02:49Hi.
02:50How are you doing?
02:52I'm here with Mr. Gilberto.
02:54Necesito que le diga a Cabrera que todo va según el plan.
02:56¿Estamos?
02:57Fine.
02:59Todo, todo.
03:01Be careful, Teddy.
03:03Ya voy para allá con el señor Carrascal.
03:05Nos vemos en el punto de encuentro.
03:08Listo.
03:15Don.
03:22Okay, I called Consuelo and she told me there's an abandoned firing range about 25 miles east
03:27of the city.
03:28It's called San Marco.
03:29We can land the plane there.
03:55Rumpelstiltskin, prompt as other.
03:56So, what do you say to my offer?
03:59Well, actually, I was more curious to know what you felt about mine.
04:02Fifty million.
04:04Join the party before it's too late.
04:09No deal.
04:10But I'll be seeing you.
04:12Soon, I hope.
04:13Sooner the better.
04:15I miss that smile.
04:47I miss that smile.
05:25I miss that smile.
05:37Tell Basil we're diverting the plane, then pick up Consuelo.
05:40I want a reception committee on the ground.
05:42Colombian and international.
05:44I want it.
05:49I'll call you when I get to telly.
06:04How far is it?
06:05In any normal country, two hours.
06:08In Colombia, four.
06:16Roxana.
06:17Hello.
06:17Are you there? Can you hear me?
06:19Yes.
06:19Yeah, they found us.
06:20I got out.
06:21I'm on a bus headed towards someone.
06:23Help me.
06:23I need your help, Matt.
06:24What do you mean?
06:24Where's Tom?
06:25I don't know.
06:25I don't know.
06:25He ran.
06:27I got a call.
06:28I'll call you back.
06:28Roxana.
06:30What happened?
06:31We need to make a detour.
06:38No.
06:55No.
06:56No.
06:57No.
06:58No.
06:59Both.
07:20Where are you?
07:21I'm almost there.
07:22When you get off, you open to the parking lot.
07:25I'll be able to see you.
07:31It's Matthew Ellis, right?
07:35He was killed when he was killed.
07:38Look at that. Everything is solved.
07:41How is it solved, Juan?
07:43Relax.
07:53This operation is mine, Juan.
07:56I invented it.
07:59And I deserve to know what the hell is going on.
08:01So you're saying it, right?
08:04Our princess of Miami has returned to the game.
08:07That's all you have to know.
08:08And Gilberto confies in that shit, really.
08:11Well, yes. You should be happy with her.
08:14Why, Juan?
08:15Why, why?
08:18Your father's English control with a single finger.
08:22Dale.
08:29Let's go.
08:31Let's go.
08:34Let's go.
08:46Let's go.
08:47Let's go.
09:00Let's go.
09:00Let's go.
09:01Let's go.
09:14I'm going to call Cabrera, and I'm going to tell you that we've arrived.
09:18Go ahead.
09:37Should I get her?
09:38No.
09:39I'll go.
09:51Yeah.
09:55Okay, I'm delayed picking up Roxana.
09:58No, no, no, no se preocupe ya por eso. Estamos listos acá.
10:02No pierda su tiempo.
10:28I'm here.
10:30I can see you.
10:31Where are you?
10:34Matthew, where are you?
10:37Hello?
10:39I'm in the blue car to the left, about 30 yards from here.
10:43He's in the blue Opal Astra at the end of the car.
10:45Go, go.
10:59Goodbye, Roxana.
11:00And good luck.
11:03You're going to need it.
11:05Here we go.
11:15It's not in the car!
11:27It's not in the car!
11:34I'll tell you that.
11:35You're going to need it?
11:37You're going to need it?
11:38All right.
11:39I'm coming to you.
11:40Matthew Ellis escape.
11:42I think someone told you.
11:44Who's the deal?
11:47Who's the deal, Juan?
11:47How long time are you going to Los Cabrera?
11:49How will you know?
11:51What's the deal?
11:52What's the deal?
11:52That's right, Juan.
11:55Eduardo,
11:57have you ever called to Los Cabrera?
11:58No, I can't believe it.
12:01Let me tell you.
12:02Of course.
12:03That's right.
12:03What do you do?
12:08Well, you have to call me, right?
12:10No, Juan, it's necessary.
12:12No trust me, really.
12:15Toma.
12:17Tómalo.
12:21Malpario.
12:23No.
12:27Levántate.
12:29Es una mierda, Juan.
12:31Malparido yo.
12:33Tú sabías el plan de Roper, ¿no?
12:36De ir a Inglaterra sin decirme nada
12:37y dejarme aquí, mierda.
12:39Por supuesto que lo sabía.
12:41Es una mierda.
12:42Tú era ese único huevón que no tenía ni puta idea.
12:44Pero por favor, por favor,
12:47escúchame a este...
12:48No vales nada, mierda. Te lo suplico.
12:51¿Qué suplicas, Juan?
12:52No lo hagas, por favor.
12:52No te quiero matar.
12:53No lo hagas.
12:54Es que tranquilo se me mete al carro.
12:56Está bien, por favor.
12:57Gracias.
12:59Tranquilo.
13:07No.
13:12No.
13:13No.
13:14No.
13:16No.
13:24No.
13:25No.
13:26No.
13:27No.
13:28No.
13:28No.
13:34No.
13:54Photos and coordinates from Jim.
13:57You take the car.
13:58I'll find my own way.
14:02You've been kind to me, Martin.
14:04I mean, you didn't have to be.
14:09You've been kind to our people.
14:13So anything I can do?
14:16Just find Tavo, okay?
14:18Okay.
14:19And let me know where you are.
14:41We have to postpone.
14:43Nothing is being postponed.
14:45I have a deadline and I intend to meet it.
14:47It's too risky.
14:49Until you find him, I'm pulling the operation.
14:52What did you say?
14:54You heard.
14:56Myra, darling, I wonder if you know how to cook a frog.
15:01If you chuck him into boiling water, the little bugger just jumps right back out again.
15:06But if you ease him in at room temperature, gradually crank up the heat, he doesn't notice a thing.
15:12Until his brain is gently boiling in its own juice.
15:17You're the frog in this analogy, because you hadn't figured that out.
15:21You're going to regret speaking to me like that.
15:24Is that a threat, Myra?
15:27Are you pondering a spot of treachery?
15:29Well, then remember this.
15:31You ordered the killing of Rex Mayhew in his Surrey home.
15:35If I go down, I'll happily take you with me.
16:08I'll happily take you with me.
16:11Where is he?
16:18Help me.
16:47What is going to happen to him, if all this works?
16:51You know what?
17:01I was there, in the office that night in Cartagena.
17:07I saw you, when you were alone, hurting yourself.
17:16I was there.
17:18You don't have to be that person, Teddy.
17:23You can disappear into those hills, back to your sister.
17:28Be Eduardo Vidal again.
17:33No one will ever know he can be free.
17:41They're not with him alive.
18:04When did you fall in love with him?
18:07Was it in London, first encounter?
18:11Or was it when he pulled his Lazarus act here in Columbia?
18:15You fell into his arms, and in his arms you stay.
18:19I didn't tip him off.
18:20Well, then, how did he know?
18:21Who told him?
18:23Is there a plan?
18:24Is he coming here, on his white charger?
18:28Is that the lure?
18:30See, Frisky and I have some experience in this area.
18:34If we want someone to share their secrets, we tend to find a way.
18:36I didn't tip...
18:38Enough!
18:38Off!
18:39I warned you, I made it perfectly clear.
18:42Don't touch me, you...
18:43Let me make something clear.
18:44You're right about Matthew Ellis.
18:47He is so easy to fall in love with, but I chose not to.
18:51Maybe I was wise to his true intentions, or maybe I'm just not capable of love.
18:55But either way, I didn't lose my heart to him.
18:58And if someone did, it wasn't me.
19:13Take it back to the house.
19:24Oh, you beauty.
19:49Oh, you're right.
20:06Hey!
20:12Hey!
20:17What's going on?
20:19Is everything fine?
20:23Nothing.
20:25What's your rascal?
20:27I'm going to give you something to be.
20:29What's going on?
20:37Out.
20:38Out.
20:40What's going on?
20:42What's going on?
20:45What's going on?
20:49Who's this?
20:50Who's this?
20:50This guy is called Matthew Ellis.
20:53He's got to be wrong.
20:54He told us that he was a investor.
20:56He put two days in an airplane to Paris.
20:59Lo que no entiendo, José,
21:01es como mierda estaba ayer desayunando con Rupert.
21:05Dice que lo siguieran.
21:07El imbécil manejó hasta acá y se alquiló
21:08una habitación de hotel aquí cerca.
21:10En el camino, el señor Carrascal lo intentó llamar.
21:13Me sacó un arma.
21:15¿Y?
21:16Por eso Juan ya no está con nosotros.
21:18Tráiganlo.
21:20¡Vamos!
21:25¡Fuera de ahí!
21:26¡Vamos!
21:27¡Vamos!
21:35¡Vamos!
21:40¡Vamos!
21:42¡Vamos!
22:00¡Vamos!
22:02¡Vamos!
22:03¡Vamos!
22:03I need to come now.
22:19I'm at the rear exit, Orange Kia, now.
22:36Go, go, go, go.
22:41I'll tie my hands down.
22:44Who are you, hmm?
22:47What's your name?
22:49You know mine. It's Matthew Ellis.
22:51Sorry?
22:52Matthew Ellis.
22:55What's your name?
22:58It's Matthew Ellis.
23:00Not according to this, Mr. Birch.
23:04Liar.
23:04You're supposed to be in Paris, Matthew.
23:07With your ex-wife and your beautiful little daughter.
23:10What the fuck were you doing yesterday, eh?
23:13Having lunch with this man?
23:14Preservation under Andrew Birch?
23:17Who is he?
23:20Answer! Who is he?
23:21He's just an old friend. His name's Giles Merriman.
23:25I promise you, just...
23:30Wrong answer.
23:32Who the fuck is he, eh?
23:35Answer!
23:35Okay.
23:38One last chance.
23:40Who is he?
23:44His name...
23:46is Richard...
23:47Onslow.
23:49Raper.
23:50And why did you meet him?
23:52Just business.
23:53Ah, business.
23:54When you came here, you called him from the hotel phone.
23:57Didn't you?
23:58Escuchen esto.
24:00Listen to this.
24:02When we meet again, the Cabreras will be dead.
24:04You and I will be on British soil.
24:07Not a mosquito or Colombian in sight.
24:11And Jose Cabrera?
24:12Their regrets?
24:14Jose Cabrera is a cowboy.
24:16He's not fit for civilized company.
24:19I'll be seeing you.
24:20Soon, I hope.
24:21Sooner the better.
24:21I miss that smile.
24:53Alright.
24:54Okay.
24:55I work for British intelligence.
24:57How do you know Raper?
25:01Egypt.
25:01Nine years ago.
25:02I infiltrated an operation of his.
25:04I recruited him out of the counter.
25:06I've been working there ever since.
25:07What are you doing here?
25:10If I tell you, I want guarantees,
25:13I'll walk away with a Sistana.
25:14Flight back to London.
25:16Huh?
25:19Fuck.
25:19Fuck, I...
25:20Fuck.
25:26Fuck.
25:28Fuck.
25:30Fuck.
25:33You've been running weapons deals for the last two years.
25:36Six shipments.
25:37It's a poor rebel army.
25:40There's a military plane coming here tonight.
25:44You think it's going to airdrop the last shipment, an electrical weapon, to ignite your war.
25:52There will be no weapon.
25:55What the fuck do you mean?
25:59It's a trap. It's Roper's idea.
26:03The plane will parachute in 50 combat paratroopers.
26:06Special Forces Brigade La Hungla.
26:08What will they do?
26:13They'll kill every single one of you.
26:20Let's go for that plane.
26:31It's important that the plane lands somewhere totally secure.
26:36No one knows about this place, right?
26:38No.
26:39It hasn't been used for decades.
26:45Okay.
26:57Call your team. Tell them to bring cameras and we're going to make this a show.
27:14Come on, Puzzle. Don't let me down.
27:17Come on, Puzzle. Don't let me down.
27:38what we want.
27:39Come on.
27:42I know.
27:49I know.
27:55I know.
27:58It's not a part of the plane was that much mayor.
27:59Okay?
28:00Yeah.
28:02All good.
28:05Yeah, I just got back and I am absolutely knackered.
28:10I'm being taken to a flat they've got for me.
28:13Some bloody warehouse conversion and sodding battersy.
28:18I could come over and help you settle in.
28:20I would love that, but not tonight, my love.
28:24I am getting up at the crack house of sparrows tomorrow to go up to Oxford.
28:27Sure, I'm helping out an old friend.
28:31Well, how about I come over tomorrow instead?
28:34We can have dinner.
28:35Darling, I'll call you back.
28:36Excuse me, where the hell is this?
28:38The address all was given.
28:39He's got a head office gag, buddy.
28:41Well, clearly head office is balls dark.
28:51Hold on.
28:52We'll just go and find out.
29:09Jesus!
29:11Evening, you lordship.
29:15Oh, God.
29:16Oh.
29:16Oh, I wouldn't bother trying to call Myra Cavendish if I were you.
29:19We've got half an army out there.
29:27What do you want?
29:29Well, first I've got something to show you, and then you and I can have a chat.
29:45Confirmed, chief.
29:45Cargo's in the air.
29:46Fine.
29:50Victor, get the jeep ready.
29:52Five minutes.
29:53Yes, sir.
29:55Juan Miguel, would you be kind enough to book me a car to Bogota Airport tomorrow morning,
29:5911am?
29:59Si, senor.
30:00Gracias.
30:19My mother was a woman of great economy.
30:23My father's auction house was struggling, as it often was in times of recession.
30:28She could change our lifestyle overnight.
30:31Out went the champagne, in came the cheap stuff from Italy.
30:36She once persuaded the local picker, who never drank champagne in his life, poor chap.
30:43A glass of Bulma's cider was actually Dom Perignon.
30:51She would start washing the sheets once a month.
30:55At boarding school, I got sandwiches instead of the roast beef.
30:59I pride myself on being an adaptable man.
31:04When circumstances demand, I shed a skin and pick up a new one.
31:09No regrets.
31:12No nostalgia for the past.
31:15Nothing is so precious that it can't be sacrificed.
31:19Nothing and no one.
31:23My father was sentimental.
31:27But you're not.
31:28No.
31:30No.
31:30His death cured me of that.
31:35I'm shedding a skin now.
31:38Next to you.
31:41Hm.
31:43What did I do?
31:53Victor?
31:54Let's go.
31:56Car's ready.
32:07What have you got yourself involved with, Sandy?
32:09Regime change on foreign soil.
32:12British diplomat being murdered in his own back garden.
32:16What's the parole board going to say?
32:21I've no idea what you're talking about.
32:25Oh, how was the Columbia trip?
32:27Flying visit, I hear.
32:29Was it seeing the old man?
32:35You see, I already know about the coup.
32:37I know there are arms being smuggled.
32:39I know there's British money involved.
32:41But what I still haven't got is hard evidence connecting Richard Roper with Myra Cavendish and the Columbian plot.
32:48But you get me that.
32:50And you can walk away.
32:52Squeaky clean.
32:52You might even get to see your kids again.
32:54But you fail me on this.
32:57I will put you away for the rest of your fertile fucking life.
33:03Stop taking the bullet for Richard Roper, Sandy.
33:06Because I tell you this for free.
33:08He will never take one for you.
33:18Night-night.
33:34Cardo.
33:41Dame un segundo con este malparido.
33:46Es personal, Carla.
33:49Ok.
34:01Roper's on his way.
34:04Let me see.
34:19We went too far.
34:21It was necessary.
34:27Hey, listen to me, ok?
34:30Deceiving Jose is one thing.
34:31Lying to Roper is another.
34:35When you're with him, you have to make him believe that you still love him.
34:42He's the man in the black car.
34:45The father you've always adored.
34:47You show him nothing less than the devotion he deserves.
34:55Like a dog.
34:57Like a dog.
34:59Like a dog.
35:06Just have faith.
35:13Goodbye, Matthew.
35:19Have faith.
35:24It's okay.
35:26It's okay.
35:36Carlos!
36:02I'll tell you that.
36:03Okay.
36:06I'm sorry, I'm sorry.
36:10I asked you about my own cars.
36:11It's okay.
36:15I want you to leave.
36:17When the plane calls, the pilot will send the coordinates to the correct way.
36:21Where do we send the plane?
36:24It's an abandoned base, San Marcos. It's close to here.
36:28It's used to go to Perico, Mexico.
36:30It's safe.
36:34These are the coordinates.
36:35Here is where we have to send it.
36:46Here we go.
36:48We're going to receive it like nothing, like always.
36:52In the delivery zone, we're going to get it.
37:02Welcome, Richard.
37:03Let's do it.
37:05Voila, Jose.
37:08This has been a long time coming.
37:11Worth the wait, I hope.
37:13I hope so, too.
37:16And there is the young master.
37:20Planes in the air?
37:21Everything go according to plan here?
37:24Everything went perfectly.
37:26Where's Karas gone?
37:29I'm going to the drop zone to make sure it's ready.
37:33Bollocks.
37:38He's doing coke in the bushes somewhere.
37:41Probably.
37:42Let's go.
37:45Here's your army.
37:48Ready for action.
37:53Hey.
37:55How old are you?
37:56How old are you?
37:5813.
37:5913.
38:03Kings of America.
38:05That's just it.
38:07Kings of America.
38:10Libertad.
38:11Sangre libertad.
38:22Sangre libertad.
38:25Well, thank you, Jose.
38:27Beer.
38:28Or something.
38:30Beer would be very nice.
38:31Yes, thank you.
38:32Good night, gentlemen.
38:35Good night, Consuelo.
38:36Very good, Trujillo.
38:37I like your efficiency.
38:38I want photos of absolutely everything.
38:41I want evidence of those English guns on the Colombian ground.
38:56Look at that.
38:57Bang on time.
39:00Why don't you do the honors, Jose?
39:05This is Stout Cortez over
39:33God, how's that? How's that, eh?
39:39Shall we?
39:47This way, look, I'm here
39:51The plane's turning east. He's heading our way
39:58Let's make sure we get everything please
40:01Let's go to the entry zone
40:05All right, Teddy
40:07Are you still angry with me?
40:09No
40:12I was doing some thinking
40:17I made a mistake with Matthew Ellis
40:19I'm sorry
40:21Well, we've all done that sometimes, haven't we?
40:26All I ever wanted was to please you
40:28And you do
40:30We're here now, that's what matters
40:33This thing that you...
40:35Well, why not?
40:37No sky like a jungle sky
40:49Let's go
40:50Bob, let's go
40:50Bob, let's go
41:03I hope you come along
41:08I do have insurance policies in place
41:16Where did you get that photograph?
41:18Oh, I've been busy, madam
41:20Do you want to see what else I've got?
41:22The case for the prosecution
41:25I've got emails from you to Adam Hollywell
41:27I've got texts to Miami, Medellin
41:30I've got phone records, arms lists
41:35And a handwritten note from your luxurious London address
41:39Connecting you to Roper's Dirty Plot
41:42All I need now is the shipment itself
41:45And that's on its way, isn't it?
42:06There's a plane in the Columbia night sky right now
42:09With a shiny British weapon
42:11For Roper's Rebel Army
42:14For Jonathan Pines sending it to me
42:16And when it arrives, there's going to be an international scandal
42:19Your operation will be exposed
42:21Your investors will be publicly shamed
42:23And Richard Roper will be no more
42:25And as for you
42:27You ordered the execution of Rex Mayhew
42:30One of the gentlest men to ever grace this earth
42:32But my choice, you'd be home drawn and courted on Westminster Bridge for all to see
42:38But the service wouldn't survive that
42:41So, tomorrow morning I want you out
42:44Resignation letter on the desk
42:46And you can piss off
42:55But let's go
43:05Let's go
43:10I despise your kind, you know that?
43:12It's mutual
43:13I've nothing to apologize for
43:17I serve my country.
43:19I do the job asked of me, and I would happily do it again.
43:23Seriously, where the fuck is Karasko?
43:26On the hill?
43:28He will be the first one to see the plane.
43:30No, you do the honors, Richard.
43:32Like the welcome fires.
43:33Richard Roper is not a job you do.
43:37He's a choice you make.
43:39You get into bed with Roper, you get into bed with weapons of death,
43:42poison, gas, the murder of children who barely breathe God's air.
43:47You have condemned yourself to the lowest circle of hell,
43:50and I will take fucking pleasure in hearing you scream.
44:13Oh, you'll want to hear this. It'll be good.
44:15This is London.
44:18This is Consuelo Arbenz, head of the Colombian Supreme Court.
44:23I have a visual on the plane,
44:25and we're ready to document the arrival of your British weapon.
44:32The plane's late.
44:35Maybe there's a headwind.
44:38There's no wind.
44:40He should be here.
44:42Maybe it won't come at all.
44:44What do you mean by that?
44:46Jose, if that's a joke, your timing is fucking awful.
44:50I wish it was.
44:56Carlos Mijo,
44:58what did you just say?
45:01What Englishman?
45:04Frank Andrew Burtz.
45:06I'm sorry, Richard.
45:10They were watching us at the restaurant.
45:13They followed me here.
45:16They know everything.
45:19The second plane's another location.
45:21You are making a very big mistake.
45:23I don't know what this man has told you,
45:24but he is a British intelligence agent.
45:27I know who he is.
45:28No, you don't.
45:29I'm telling you, this is a trap.
45:31I know.
45:31You don't know anything.
45:33I know that if I allowed that plane to drop its cargo,
45:37I'd be a dead man.
45:38But you wouldn't care, would you?
45:40I'm just another Colombian mosquito.
45:46Give up, Dickie.
45:48Game's over.
45:48Shut the fuck up.
45:51All right, Jose.
45:52I'll give you that one.
45:53You're not to blame.
45:54But I want you to listen to me very carefully.
45:57That plane's cargo contains exactly what I promise,
46:00a state-of-the-art British electromagnetic pulse weapon.
46:03It took off from a military airfield this afternoon
46:05on its way here.
46:07Teddy, tell them.
46:12Teddy, tell them!
46:14What?
46:16What do you want me to say?
46:19That you lied to me about everything?
46:22That you've been using me?
46:26That you always plan to go back to England
46:30to your only son, Danny?
46:36The one that you love so much?
46:39Let me tell you something.
46:41Dad, you will never see that kid ever again.
46:46You die tonight under my Colombian sky.
46:51And I will bury you myself.
47:05You are very good.
47:11Well, come on then, Teddy.
47:13Let's not disappoint Mr. Birch.
47:15He's come a long way for this.
47:17Show him what you're made of.
47:18Show him the blood you come from.
47:20If it were done when tis done,
47:22then twere well it were done quickly.
47:25Teddy what?
47:26Why don't I count you down?
47:29One thousand!
47:30Teddy, come on!
47:32Nine hundred and...
47:38I do believe that's mine.
47:41Don't.
47:42Hey, hey, hey, hey, I'm going to stay fucking new.
47:45Don't move.
47:46Trust me, Hazel.
47:47This is a call you want me to take.
47:55Evening, Frisky.
47:57You're fucking late!
47:59Sorry, Chief.
48:00Bring her in, will you?
48:05Now, where were we?
48:16What's that?
48:18That, my friends, is an aeroplane.
48:30There are no soldiers, Jose.
48:33What is it doing here?
48:35I don't know.
48:36See?
48:37There are two sides to every story.
48:39Just as there are sometimes two aeroplanes
48:42with two very different cargoes.
48:47Watch the cops, Jonathan.
49:00Watch the cops, Jonathan.
49:06Watch the cops.
49:09Watch the cops!
49:11Watch the cops.
49:20Watch the cops.
49:21Watch the cops.
49:25Move, move, move.
49:28Move!
49:29Quiet!
49:29Why don't you go and open your present, Jose?
49:35You'll never doubt me again.
49:38No, don't go there.
49:40Look, you've found some fucking traitorous.
49:43Quiet!
49:43Quiet!
49:52Hello, I need a help.
49:53I need help.
49:59I need help.
50:15Papa, how's the alarm?
50:18As I promised.
50:33He sent us a fucking red rose.
50:41Case dismissed.
50:45Guess I'll see you around.
50:48Must visit you in France one day.
50:56You're a real big game hunter, aren't you, Jonathan?
51:01First my American sweetheart in New Yorker.
51:05Now my very own son.
51:08Always the prize trophy.
51:11Just like you're hell-bent on plunging a stake into my fucking heart.
51:17You demand love by tyranny.
51:22Richard, it'll only get you so far.
51:26Well, we'll see how far it gets me.
51:32As for you, Eduardo...
51:37When you were a baby...
51:40You had the face of an angel.
51:50Te perdono.
51:53I forgive your immortal soul.
52:00But not your mortal one.
52:02No!
52:03No!
52:05No!
52:32No!
52:33No!
52:34No!
52:38Just so you know, Jonathan.
52:41My alpha was real.
52:47We could have done so much together.
52:52Richard...
52:52Leave that piece of shit to...
52:54Don't go!
52:57Don't go!
52:58Don't go!
52:58Don't go!
52:59Don't go!
53:01Find him!
53:07Don't!
53:08No, let's move.
53:10Get in!
53:12What?
53:15Help!
53:24They're all I see.
53:25I can't lose them!
53:26Hold on!
53:32Get in!
53:33Get in!
53:34Go!
53:39Get in!
53:40Get in!
53:41Get in!
53:41Get in!
53:42Get in!
53:46Get in!
53:49Get in!
53:56Go, go, go, go, go, go, go, go!
54:25Nothing is so precious that it can't be sacrificed, nothing and no one.
54:33I'm shedding a skin now, next to you.
54:46I've dug deeper into the Hollywood fires and there's something else, there's something beyond Roper.
54:51There's a bigger game, Mum, and I haven't.
55:34I've dug deeper into the world.
55:36I've dug deeper into the world.
56:03MUSIC PLAYS
56:06Oh, oh, oh, oh, oh.
56:40Hello, Danny.
56:44Hi.
56:47Missed your old man?
56:49Oh, oh, oh, oh, oh, oh.
57:11Ready?
57:13Where are we going?
57:14I thought I'd bust you out of jail for the weekend.
57:17Give you a tour of the new place at Oxfordshire.
57:20Sandy show you the pictures?
57:21Yeah.
57:22Um, it looks cool.
57:26There's a tennis court at the back.
57:28Well, I shall warn you, I've been practicing.
57:35C-pub.
57:39Oh, Danny, there was something I wanted to ask you.
57:43How would you feel about us getting some dogs?
57:48Sounds good.
57:51In Colombia, the death toll has risen to 600 overnight
57:55as civil war rages following Monday's sudden power cut.
57:59As thousands flee Medellin in panic, the army...
58:13Now you masters of war
58:19You that build all other guns
58:26You that build the dead plains
58:33You that build the big bombs
58:39You that hide behind walls
58:46You that hide behind
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