- 15 minutes ago
Ponies - Season 1 - Episode 06: Night Moves
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TVTranscript
00:06You
00:07Previously on ponies. I think what I'm doing is important. Your sister
00:11You know about Galina. He killed her. You think she was a prostitute? Looks that way
00:17Who murdered her?
00:19Soviet government KGB. Same organization who employs a man you want me to date?
00:23Where would an important American man go looking for some company and had some money to spend?
00:27Dr. Maria. This one I don't know.
00:29Of course I'm gonna be careful. You can trust me.
00:31Twyla can manage things with your grandmother. The best person to have on the ground is someone who's not emotionally
00:36invested.
00:38How did anybody else find out about this mate?
00:40I don't know.
00:40B, I don't know what to tell you.
00:42It doesn't fucking matter. All that matters is getting my grandmother.
00:44Caterpillar! He helped us! He gave me this!
00:47Sometimes I wonder if all is pretending. I'm gonna forget what's even real.
00:53What?
00:53We have a mole. We have a fucking mole.
01:00What about Niagara Falls?
01:02It's predictable. And what is it really? Some water rolling down a hill? A very large hill?
01:09Chris.
01:10What?
01:12Are you afraid of heights?
01:14No.
01:16You know, I grew up in a high rise. Looking out my window every day. Never scared the hell out
01:20of me. Made me want to vomit. Give me the chills. Where'd it go?
01:24Oh my god! Chris, how did I not know this? You were a pilot!
01:27Yeah, but in a plane, I'm in control.
01:29Wow.
01:31Wow.
01:33Wow.
01:33Wow, is that... is that Manya?
01:35Oh, yeah.
01:37God, she looks so much like you.
01:39Mm-hmm.
01:40Where is she?
01:41Presklav, I think.
01:42Yeah, she used to vacation there with her best friend in the summer.
01:46She said those were her most cherished memories of her time in Belarus.
01:50Well, maybe we should honeymoon there.
01:52The Soviet Union? No, you really are joking.
01:54Do we really need a honeymoon?
01:57I mean, I'm...
01:58I love being with you anywhere.
02:19Let's go.
02:31Whoo- Voyage!
02:46Let's go!
02:48Let's go!
02:48Let's go, Wala!
02:49Let's go!
02:49First you're going to go with me, then you're going to die.
02:53Andrei, I'm just so tired.
02:55Shut up!
02:59Why did you leave me?
03:01Why did you leave me?
03:02Because I heard you.
03:05How can a man talk like a young woman?
03:08Just a man like you.
03:11You have to teach me to work.
03:15You don't know what I did and who I protected.
03:19But now I know what you're for.
03:52Plan for you in a powerful Person,
03:53Blind наст!
03:53Then you tend to question like me…
03:53When I getaniyayayayayayayayayayayayayayayayayayuyayayayayayayayayayayayayayayay
04:18To be continued...
04:46Open the door!
04:57Go and shoot them.
05:03Two!
05:05So, right here is where Trent found it?
05:07Yeah, just about.
05:09Great.
05:10We need this today, with the DCI on his way from the airport.
05:14Yeah, it's a bit abnormal, isn't it?
05:16For the Director of Central Intelligence to fly all the way out to Moscow?
05:19He was only confirmed last month. This is protocol.
05:22But it goes without saying, he doesn't need to know our fireplace was bugged.
05:25Oh?
05:29Okay.
05:36Oh!
05:41Oh, God.
05:47Has this always been here?
05:53Christ almighty.
05:55I know, they put us in a building designed to be surveilled, but tunnels, that's brazen even for them.
06:00Yeah, the Soviets have never been known for their subtlety.
06:07No footsteps.
06:09The Soviets didn't use these tunnels to plant the bug.
06:12Someone must have come from our side.
06:13Holy smokes!
06:14I want eyes and ears on all embassy staff.
06:18Anything suspicious?
06:19I want to know about it.
06:21I'm already doubling my efforts, but I should let you know.
06:23I think that the cafeteria workers are compromised.
06:25They don't have access to this level.
06:27Okay, never mind.
06:27I think our man is closer to us.
06:29Or woman.
06:32Whoever the mole is, Ray, I want them found.
06:53Wait.
06:55Uh, Maria?
06:56Uh.
06:57No, thank you.
06:58Maria.
06:59Maria.
07:01Wow, uh, you look, uh, different.
07:03I remember me.
07:04I went to your work.
07:06What are you doing here?
07:07I, uh, simply needed a change.
07:09This is work now.
07:11Why?
07:12Uh, did...
07:13Are you okay?
07:14Did something happen?
07:15Nothing.
07:18Everything.
07:19What?
07:21You can...
07:22You can tell me.
07:24I, uh...
07:25I did a job.
07:26I did well.
07:27I leave.
07:27Uh-huh.
07:28But, uh, next day, the...
07:30The man who hired wanted to meet.
07:31And when I come, I could feel that he was, um...
07:34Preparing himself to...
07:36To make me dead.
07:38Oh, my God.
07:39I was not going to wait and become another dead girl.
07:41So I run.
07:43I'm sorry.
07:46Now, here I am.
07:49Wait, do you know who the guy is, or...
07:52No?
08:15Did you know about this Chris and Galina tape?
08:20And you didn't think to tell me?
08:22It's not pertinent information.
08:23My husband having an affair with a Soviet?
08:26With my assets?
08:27Murdered sister?
08:28And that it is all on tape?
08:30That didn't sound like pertinent information to you?
08:35Well, was this compromat?
08:36Was Chris being blackmailed?
08:37He wasn't being blackmailed.
08:38He wasn't even having an affair.
08:40I'm sorry.
08:41Do you need to watch it again?
08:43You see the part where he cups her breast?
08:44He only did this to prove his loyalty.
08:49Mrs. Grant...
08:52Your husband pretended to work for the Soviets.
08:54At my request.
08:56In order to convince the KGB that he was trustworthy
08:59and gain their confidence,
09:00he had to give them something that could ruin his life.
09:03Your reaction proves why this tape was effective.
09:07It...
09:07It proves that I had absolutely no say in my marriage.
09:11He was an exceptional agent.
09:13But this job demands sacrifice.
09:17Most people are not cut out for it.
09:20But the woman who marches into Langley
09:22after her husband's death
09:23and demands to be sent back to Moscow
09:25is not most people.
09:29But it is past time you decided
09:31whether you're gonna dedicate yourself fully to this job.
09:34Because half measures in this life will only get you killed.
09:39And committing to this life won't.
09:48Where?
09:51Where?
09:53Where?
09:55Where?
10:02controlled
10:03Hopefully
10:03For a few months
10:03I conducted you here.
10:06In the past year
10:06You helped me activate the cameraman that I made you.
10:10You were in this hotel in the last time, and so I wrote it all in detail.
10:16But now I can't even turn it off.
10:21I'll show you, can I?
10:38Hello?
10:42What are you doing?
10:44What are you doing?
10:45What are you doing?
10:45What are you doing?
10:46What are you doing?
10:47I know, we haven't talked about you.
10:50Maybe it's too long.
10:51It's too long.
10:54But today's evening, it's dangerous.
10:58Listen, I don't know what I'm doing, but you'd better go out.
11:02I know what I'm doing.
11:05We've been a long time.
11:07I can't even talk about myself, as I've been doing it.
11:11Gala!
11:13Gala!
11:24Gala!
11:26Gala!
11:52It's like it's right here, okay?
12:08Bea?
12:12Bea?
12:14You okay?
12:15I'm fine.
12:17I mean, I can hear you in there.
12:20You're not, you're not fine.
12:23What do you need?
12:26How long are you gonna keep ignoring me?
12:30Is this, is this still about Manya?
12:35I mean, that wasn't my fault.
12:37I did everything I could, you know?
12:39It's just, it's not about you.
12:40Then what is it about?
12:44I saw something here.
12:48A tape.
12:51Chris with, with another woman.
12:56They were together.
13:00What?
13:01I mean, just it was for an operation or for this fucking job.
13:07Oh.
13:08Okay.
13:10So then, so it was sex, you know, for the job.
13:14I mean, you know that doesn't count.
13:18My husband slept with another woman.
13:20It counts.
13:21It fucking counts.
13:23You know how this job works.
13:25I mean, sometimes we gotta be other people.
13:28You know?
13:29Do things we wouldn't normally do in our life.
13:31And I mean, it's just sex.
13:35It doesn't have to be a big deal.
13:38Well, I loved my husband and he betrayed me.
13:47Um.
13:49B?
13:52Chris didn't betray you.
13:57Tom did.
14:00What are you talking about?
14:02I barely, I barely even met him.
14:03What do you mean?
14:05Um.
14:07Tom was the mole.
14:09What?
14:10Vera, Vera told me right before she died.
14:13I guess Tom was the one that was, you know, feeding the information to the Soviets.
14:18So, Tom was the one that, he's the one who got Chris killed.
14:26What?
14:26Yeah.
14:27Well, why, why, why, why didn't you tell me this before?
14:31I was worried it would change things between us.
14:33Well, of course it fucking changes things.
14:36You, you had information about my life that you kept from me.
14:39I should be able to decide how I feel about my life.
14:43I know, you should.
14:45I just, but see now you're, now you're mad.
14:48And I'm telling you something about Tom and you're blaming me like it's my fault.
14:51It's not my fault.
14:51Well, because it is your fault, okay?
14:53It is.
14:53Because you had this information and you decided to keep it.
14:56Yeah.
14:56And you didn't tell me.
14:57And now you tell me now when I'm dealing with all this stuff.
15:00When I'm dealing with fucking fixing things with Andre.
15:04What, what, what do you, what do you, what do you gotta fix with Andre?
15:05I have to seduce him.
15:06Which of course for you isn't a big deal because sex doesn't matter.
15:08But I still have feelings.
15:14Wow.
15:19Wow.
15:20Wow.
15:21I mean, I'm really trying here and you're, what, cause I, I fuck guys and I don't let it bother
15:27me?
15:27I, I don't have feelings?
15:29That's what you think of me?
15:31I thought, I thought you were my friend, but you're just, you're just like every other girl I grew up
15:36with.
15:36You just love feeling superior to someone like me.
15:40Right?
15:57Hey.
15:58Oh, thank God.
16:02I thought I was going to die.
16:03And I kept trying to prepare myself until I realized there is nothing to prepare.
16:08It's, it's the end.
16:11But it turns out I'm more valuable, alive.
16:15At least for now.
16:18Oh my God.
16:21I did however think that with all the foreigners in town for the Elton John concert tomorrow and all the
16:26cameras they've gathered, they must be doing an operation at that hotel tonight.
16:29You're probably right.
16:30I, I thought you might want to send people there, see what's going on.
16:33Well, I don't make those kind of decisions, but that's valuable.
16:44What?
16:45Nothing.
16:45I just, you had this terrifying encounter and you went out of your way to get me this intel.
16:53When my sister died, I thought there was no way I could ever get answers.
16:56Truth isn't something you have access to here.
16:59For most of my life I accepted it.
17:03Doing this, it has ignited me.
17:05My life may be small, but in my own way I am defiant.
17:12For what if the answers you discover hurt more than not knowing?
17:19It's better than sitting in the dark.
17:30Can I use your apartment tonight?
17:34Yeah.
17:36Dane.
17:38Dane!
17:39Hi.
17:40I left three messages.
17:41Did your girl not get them to you?
17:42I don't have a girl.
17:43Really?
17:44You should.
17:45I'll get somebody signed up there.
17:47Listen, I know you might not think much of us on the sixth floor, but I know more than you
17:50think.
17:51As office manager, I have a very valuable vantage point.
17:54I know that we are in trouble.
17:55I know about the...
18:00I'm afraid I don't know what you're referring to.
18:03No.
18:03No, so you don't get to do that actually because that thing was found on my son.
18:07And I don't take my son lightly.
18:08I take my son very serious.
18:10I'm well aware of that.
18:10First on my list, obviously, the toilet has back.
18:12She shows absolutely no interest in being a secretary.
18:15It's almost comical.
18:16At the very least, I think she should be fired and investigated.
18:21From what I was told, she had no income after her husband's death.
18:24I'm sorry, I didn't realize the State Department was a charity.
18:29Well, next, obviously, is my nanny, Evie.
18:33Dismiss me all you'd like.
18:34But her looks are a walking distraction.
18:36And she shows up out of the blue.
18:38And I've got her snooping more than once.
18:39And she has the most access to Trent.
18:43And then there's him.
18:46Do you know that Shep sees a shrink once a week?
18:49Mm-hmm.
18:51Answer me this.
18:52Does that look like a man capable of introspection?
18:58Thanks to Redford, we know that tonight, at Hotel in Tourist, the KGB is running a blackmail operation.
19:05Now, our objective is to infiltrate this blackmail operation by finding one of the hidden cameras they've planted throughout the
19:11hotel rooms and replacing one of the KGB tapes with a tape of our own.
19:16The technology that Redford has been smuggling out has allowed us to create an exact duplicate tape.
19:21The only difference is that our tape has a tracking device hidden in it.
19:25Oh.
19:26Since Caterpillar was unable to provide us with the coordinates, this is going to be how we figure out the
19:32location of the Compromat facility.
19:34Right.
19:35Next slide.
19:36Uh, no.
19:37That is, that's, that's all.
19:38That's it.
19:39That's all the slides.
19:40Two.
19:41Slides.
19:42Raymond.
19:43The rest are still being developed by the lab, so.
19:48Okay, so, uh, how many of these blackmail videos have the Soviets collected?
19:53Well, we don't know the exact number, but we suspect thousands, if not more.
20:00There is enough material in this Compromat facility to have us under the influence of Soviets for decades to come.
20:08So that's probably why Sveta just showed up at George's door, because she was trying to get Compromat on him.
20:13That is exactly what I was thinking.
20:15Yeah, but then why, why would they kill her? I mean, they're not gonna kill every call girl that does
20:19one of these things.
20:20Whoever is doing this is doing it for a very specific reason.
20:23So how do we help? How do we infiltrate the operation?
20:28Right.
20:28So, the plan, uh, that we came up with is that I will pose as an easy mark, and you
20:36will be, or pretend to be, a, a woman of the night.
20:44A prostitute.
20:49I think I have a better idea.
20:56I will be, a woman of the night.
20:58Let me know.
21:15So, the house will be able toaces and stay in space.
21:17Wow!
21:22I will walk with.
21:22So, I'm waiting for a moment,
21:28I'm sorry, I'm sorry. My car doesn't have to load.
21:33And I told you that your husband is in the car.
21:40Andrey?
21:41My son, my son, my son.
21:43All right, all right, all right, all right, all right, all right, all right.
21:59I'm sorry, all right, all right, all right, all right, all right.
22:06I'm sorry, all right, all right.
22:08I'm sorry.
22:10I'm sorry.
22:11I'm sorry.
22:11But, but, you're here.
22:13I'm not supposed to be so much to talk to you.
22:17You're just doing it until you're supposed to be.
22:21But listening to her, my son, I remember her loved her grandmother.
22:29That's right there, in my old village.
22:31Yeah.
22:50The Earth is just a show.
23:21Ivana, I didn't know you were coming.
23:23Maria asked me to, and I don't want to stick to my work.
23:40So, is this kind of music allowed, or it's not popular enough to be a problem?
23:52You really think that what is happening in the hotel is connected to the death of my friends?
23:59I think it might.
24:01Yeah.
24:02That's why, um, you know, I could use your help tonight.
24:05You know, if I'm there posing as a prostitute, then that could attract unwanted attention,
24:08but you, you're known in those circles, so...
24:12But I, I run for a reason.
24:14You want me to put myself in danger again?
24:17I know.
24:18But I'll be there.
24:19Every step of the way.
24:20I, I won't let anything bad happen.
24:22I swear.
24:23You're not just an embassy secretary, are you, Twyla?
24:29You don't actually want me to answer that, do you?
24:38What the hell were you just doing?
24:40Listen.
24:41Answer.
24:42Me.
24:44I was only buying hash.
24:46Here.
24:55Hash.
24:56So this is your therapy?
24:58My marriage is falling apart, right?
25:00It's, it's the only thing that keeps my mind calm.
25:45Right.
25:46Okay.
25:51Do you see her?
25:53Uh, she'll be here.
25:58I promise.
25:59Yeah.
26:00Next.
26:01Good evening.
26:02I'm Mr. Howard's secretary.
26:04We have two rooms booked for the night.
26:06Of course.
26:07Here you go.
26:07Now, I'll tell you what, Audrey.
26:08You cancel my 8.30.
26:10After that shit storm in D.C., I'm gonna need a stiff drink.
26:13Then another one after that.
26:14Of course, sir.
26:15Yes.
26:16Just one moment.
26:19Just a, mate.
26:20Okay.
26:24Oh, shit.
26:25It's her.
26:26Yeah.
26:28Her.
26:34Did you know about this?
26:37Uh, not exactly.
26:39No.
26:39No.
26:41No.
26:42You're not in my list.
26:43You're not in my list.
26:44Irina, you're not in my list.
26:45You think, you think it's gonna work still, or?
26:48As long as he's buying it.
26:51Come on, girls.
26:53Come on.
26:55Come on, girls.
26:55Here you are, sir.
26:56You are in our suite.
26:58Floor 4, room 12 and...
26:5912?
27:00Floor 4, room 13.
27:0213, thank you.
27:03Okay.
27:04Oh, yes.
27:04But first, please, allow me to show you to the bar.
27:07We have a new American drink on the menu.
27:11Right.
27:11Harvey Wallbanger, made with the finest Russian vodka.
27:15Oh.
27:15Galliana liquor and fresh orange juice.
27:18I think you will enjoy it.
27:19A small taste of home.
27:20Just so long as it's got alcohol, it's good with me.
27:24Well, we have everything you could want in Russia, including the most beautiful women.
27:30Aha.
27:31Oh.
27:31Oh.
27:32Oh.
27:33Well, thank you, but not really my style.
27:40You know, you might have better luck with her over there.
27:44He prefers a twiggy type, you know.
27:46Just anything to get him out of my hair for the night.
27:49All right.
27:50I gotta get myself to bed.
27:52Don't wake me up before nine.
27:54Oh.
27:54Of course not.
28:04Bonsoir.
28:07Are you not a sight for sore eyes?
28:11I insist on buying a drink.
28:15How about we go to a room?
28:17More private?
28:19To my room.
28:26This way.
28:27Where are you from?
28:29Paris.
28:30Do you know?
28:30We're going to the sky.
28:32Wait.
28:33Oh.
28:35Can I join the party?
28:38C'est Noël.
28:40Yes.
28:41You want to go to Paris as well?
28:42Sure, yeah.
28:43Yeah.
28:44She can come, huh?
28:45Yeah.
28:45Yeah.
28:55Hi.
28:56May I come in?
29:00No.
29:02No, no.
29:03I love my wife.
29:04Well, let's keep this between us.
29:07No.
29:09Really, really.
29:12No.
29:15Please.
29:17We don't have to do anything.
29:19But if I go back on Thursday.
29:25Please.
29:32Okay.
29:39I'm surprised you never tried it.
29:42It's much more popular in America, right?
29:44No, it is.
29:45It is.
29:45I was just always too nervous.
29:49I didn't want to get in trouble.
29:51Oh.
29:53Must be the old you.
29:55The one who cared about getting in trouble.
29:57Mm-hmm.
30:03I never used to break any rules.
30:06I just waste this voice in my head telling me I shouldn't.
30:12Yeah.
30:14Could you ever foresee smoking hash with your foreign asset in Moscow
30:19while waiting for the KGB agent you're seeing?
30:24No.
30:26No.
30:30No.
30:32No.
30:34No.
30:40I'm...
30:46I also have voices in my head.
30:51This quiets it down a bit.
30:55Sometimes it's like I'm having five conversations in my head at once.
31:01Who I should be.
31:03Who I shouldn't be.
31:06What I should say.
31:08What...
31:10What I should not say.
31:15What language I should be speaking.
31:21Hmm.
31:24It would be nice to quiet that chatter.
31:27Just hear the voice you're speaking.
31:35You okay?
31:38I see, I see.
31:40Okay.
31:40It's all right.
31:43It's fine.
31:44I...
31:44I know...
31:45I know what to do.
31:46If you're willing.
31:47Mm-hmm.
32:07Just try to focus on music.
32:09Nothing else.
32:11That's how you'll escape.
32:13Trust me.
32:15Yeah!
32:16It's all right.
32:18It's all right.
32:19I won't forget.
32:21All the times I've waited patiently for you.
32:28And you'll do just what you choose to do.
32:33And I will be alone again tonight.
32:39But yeah.
32:41Music.
32:42Cigarettes and drinks.
32:43Yes.
32:44Bienvenue.
32:45Bienvenue chez moi dans mon royaume.
32:48Yeah.
32:49We must celebrate.
32:51We must celebrate.
32:53Here I am with no wife to report to.
32:56No.
32:57Prime Minister to be reprimanded.
33:02And half a bottle of vodka to share.
33:06Yeah.
33:09Qu'est-ce qu'il y'a?
33:11Is there a problem at serving?
33:13No.
33:14No problem.
33:15Salute!
33:16Salute!
33:18Salute.
33:18Un autre.
33:20Ah, merci.
33:24Oh, putain.
33:27Putain.
33:28Votre musique.
33:28Your music.
33:29Your music is shit.
33:30The food eats.
33:33Oop!
33:33The music is shit and your food, but your girls...
33:39Right, right.
33:40Aren't they just...
33:42Delicious.
33:44Something.
33:45Yeah.
33:47Yeah?
33:48Right?
33:51Go to the bathroom.
33:53Yeah.
33:55Why don't we get a little comfortable?
33:58Yes?
34:01What?
34:04Where you go, we will follow.
34:11Why do you still wear clothes?
34:12Mmm!
34:14Je sais pas.
34:15Okay.
34:15I don't know.
34:16Why do you still wear clothes?
34:19C'est magnifique.
34:24Woah!
34:25Here I'll...
34:26Yeah.
34:27I don't know.
34:29I don't know.
34:31I don't know.
34:33I don't know.
34:35I don't know.
34:35I don't know.
34:37I don't know.
34:38Foreigners can never hold Russian vodka.
34:40It's only a matter of time.
34:44So.
34:45So.
34:48What is next?
34:56Well...
34:57I mean, we're supposed to...
34:58Look for that camera.
35:04So.
35:05...
35:05...
35:05...
35:07...
35:07...
35:07...
35:07...
35:09Let's go.
35:11Open the door.
35:19I brought your wine.
35:21I understand, Andrew.
35:23You didn't see my wife?
35:30Is there any information about where the lady is?
35:35He said to me if he told me the lady is in a room.
35:36I did not stand here.
35:37Why do you not remember her?
35:38There is information on you.
35:40Maybe I will help you.
35:54To help you.
35:57I'll help you...
36:00I'll help you.
36:01Well, now you want to help.
36:06What are you, Andrew?
36:11What are you?
36:13Well, what are you?
36:17What are you doing?
36:18What are you doing?
36:20There is a place for him.
36:23Well, what do you do?
36:24What are you doing?
36:28Don't kill me.
36:30Don't kill me.
36:42Don't kill me.
36:46Don't kill me.
36:51Is it there?
36:52No.
36:52No.
36:53Okay.
36:54Down there?
36:55Yeah.
36:56Okay.
36:58Is it in there?
36:59No.
36:59Okay.
37:00Yeah.
37:01No table?
37:02Yeah.
37:03Okay.
37:05Okay.
37:06Okay.
37:07No.
37:07Not there.
37:08Inside the drawer.
37:13Yeah.
37:14Okay.
37:14Okay.
37:30Am I funny to you?
37:39Oh, my God.
38:01Oh, my God.
38:43I can't remember the last time I...
38:46You knew exactly what I needed.
38:48It's not so hot if you see someone.
38:52You see me.
39:02You have to go.
39:06Will it be okay here with him?
39:10I'll be okay.
39:14I'll imagine someone else.
39:19Just listen to your own voice.
39:24Idu!
39:24Idu!
39:25Idu!
39:26Idu!
39:37Idu!
39:53Idu!
39:54Idu!
39:55Idu!
39:56Idu!
39:56Idu!
39:56Idu!
40:08Idu!
40:09Idu!
40:11Idu!
40:23Idu!
40:24Idu!
40:29I'm coming.
40:31I'm coming.
40:33I'm coming.
40:37I'm coming.
40:40I'm coming.
40:41What's going on?
40:49I'm coming.
40:52I'm coming.
40:53I'm coming.
41:04I'll take the pork chops
41:07Yes, unfortunately we do not have the pork chops
41:12Uh, then I'll have the French meat, whatever the hell that is
41:16Yes, we are out of that too
41:19You can't possibly be out of the fish with gelatin, can you?
41:24In fact, the whole third page we do not have
41:29Why don't you just bring us two of whatever it is you do have
41:34Thank you
41:38God, I hate Moscow
41:40It's a shell of a city
41:42And to think it's my own men bringing me here
41:45So, uh, how's the new job, sir?
41:48You want to do small talk?
41:50You know I am here
41:52And it's because you
41:53Sir, um, before you continue I should make you aware of some plain clothed friends
41:59Behind me at the bar
42:00Over there by the front door
42:02And of course, right beside us
42:09I thought living with my mother-in-law was oppressive
42:12Sorry, sir, it's just the way they do things here
42:14They're not subtle, but...
42:23Well, it's a miracle anything gets done here
42:25But your choice of agents
42:26Um, sir
42:27I mean, it would make sense if it were eye candy
42:28But you shop at a totally different candy store, so then...
42:31Sir, I'm sorry, uh, you shouldn't...
42:38That's like that every day
42:39Yes
42:42Sir, I promise you, although our tactics may seem unconventional
42:45We're on the verge of a major breakthrough
42:48Unconventional's not gonna cover for you, Mr. Walter
42:50I mean, what were you thinking?
42:51You hired two unqualified women
42:54And then you let a grandma wander off
42:56That was...
42:57It's a goddamn embarrassment
42:59So one more thing winds up out of place
43:01And I'm talking a hairnet on a cafeteria worker in the embassy
43:05You can kiss not just Moscow, but the entire company could buy
43:10Yes, sir
43:33Relax, Andre
43:36Just let me take care of you
43:50Who did this to you?
43:56I look better this way
44:00Better with scars
44:05We're the same, you and me, Nadia
44:09When you're born in the provinces like us
44:12You know how easy it is for our life to go to waste
44:16But there's also an advantage of once being very small
44:21Or underestimated
44:22Mm-hmm
44:24That is our power
44:25Mm-hmm
44:27When my husband died, it would've been so easy for me to go home
44:32I didn't want it
44:34It felt small
44:37I wanted a life
44:40With a lot of surprises
44:44Mm-hmm
44:47And are you surprised
44:49To be here
44:52Right now with me?
44:54Yes
44:55Yes
44:58What's your dream, Andre?
45:07More
45:09I dream of more
45:13What are you willing to do, Andre?
45:22The elites
45:23I have what I need to fuck them
45:29Leverage
45:33Every man has secrets
45:36There's something
45:38There's something
45:39Some piece of knowledge that could ruin every life
45:43I was never going through it
45:48Everyone's got a weak spark
45:52The secrets, Nadia
45:53The secrets, Nadia
45:57I find it
46:00And they will give me the world
46:03They'll never see you coming
46:13To be forced
46:14To be able to wonder
46:15The glow
46:15Is Jericho
46:30There's a soul
46:31The poor
46:32I don't know.
47:10Do I scare you?
47:13Because I should.
47:23Was I good?
47:24Oh yeah, Frenchie, you were great.
47:29C'est bien.
47:33So, the next time that he comes to you and he's apologetic,
47:37you're going to look at him in the eyes and you're going to say...
47:41I will say, no, you have had your chance.
47:45From here on out, you're only thinking of...
47:50Yourself.
47:51There you go. Look at you, see? That's a weight. That's a weight off.
47:58Oh.
47:59I'm sorry.
48:01It's okay, it's okay.
48:03Here, why don't I just...
48:04I'm sorry.
48:06I just...
48:08I don't know how to thank you.
48:09Julia, you have already done more than enough.
48:14Come here.
48:17It's hard to find someone who listens.
48:20Nobody listens to me.
48:22I am listening to you right here, right now.
48:25Thank you so much.
48:27Get it all out. There you go.
48:29Oh, yeah. Oh, my goodness.
48:32Here.
48:33Here.
48:34Here you go.
48:36Here.
48:47Well...
48:52Well...
48:58I'm sorry.
49:00We couldn't get more answers from Maria.
49:03Yeah, yeah.
49:04You know, Ray said we can track the tapes now, so I'm confident maybe that'll help us get more information.
49:10Or it will lead to nowhere.
49:12Or that, yeah.
49:14Did she say anything about the guy that hired her? Anything that could, you know, help us find him?
49:21Well, it did not use his real name.
49:23But she said what he looks like.
49:26High cheeks, blonde hair, deep blue eyes that look right for you.
49:35Oh, my God.
49:37Oh, my God.
49:42Oh, my God.
50:11I will see you soon, you know.
50:19I will.
50:19My God.
50:20Well, let's see you later.
50:21Where is your main weapon on presentation?
50:21Yeah.
50:24You are almost all right.
50:25And he could think of something that makes you feel better.
50:25I'mDown You 잘, you, Ives!
50:26Oh, fuck you, Chris.
51:03Uh, I, I need an, I need an outside line.
51:14I, I, I, I need to see you.
51:27Mr. Ray?
51:30Oh, wow.
51:31You scared me.
51:32I was worried.
51:34You were out so late.
51:35Oh, sorry.
51:36I, I, I get reheating dinner, but...
51:39You did?
51:40I'm so sorry.
51:41No.
51:42Okay, well, thank you.
51:50Oh, I'm sorry, do you want to, do you want a plate?
51:53We can eat together if you want.
51:55Oh, don't worry.
51:56It's fine.
51:57Yeah?
51:59Okay.
52:01Okay.
52:04Okay.
52:06How was your night?
52:11Uh, it was good.
52:13It was really, um, you know, busy.
52:20Hello?
52:31Hey.
52:32Hey.
52:33Hey.
52:34I have so much to tell you.
52:37Hold on.
52:38Come the fuck in.
52:40Yeah?
52:42Hey, I'm gonna I need it.
52:54It goesァ.
53:10Okay.
53:10And the thing for me,
53:10What we have to do is what's in it?
53:11You're all alone, she's the only one who'll come take you far away, take your breath away, but she'll leave
53:28you crying in the night.
53:31She will leave you crying in the night. Oh, she's gonna leave you crying in the night. She's back.
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