- 1 day ago
Category
🎥
Short filmTranscript
00:00:17There's a lot of money in it for you.
00:00:21These two were accountants in our main office, and they've caused us a great deal of trouble.
00:00:27This one, Rico Grando.
00:00:30Embezzled most of the gold that came to us out of Thailand.
00:00:33He's trying to escape to Australia at the moment.
00:00:36But this is the one we're most interested in, Gintoko Rio.
00:00:40They arrested him, and he's being grilled at Paris' headquarters.
00:00:43Who knows how long he can hold out?
00:00:45If he talks, it means the end of my whole project.
00:00:49Tarugi, we need your help.
00:00:51We've got to shut him up.
00:00:56Do it any way you like when we get him.
00:00:59He's in room number eight, at the Tokyo Investigation Division.
00:01:06Double the money.
00:01:07Double it, Otoguro.
00:01:08Or I won't do it.
00:01:11All right.
00:01:12You get double.
00:01:33Pull up there, you!
00:01:45There he is.
00:01:46Get him.
00:01:46Yes, sir.
00:01:48Pull up.
00:01:50Stop!
00:02:04There he is.
00:02:07Hold it.
00:02:15Stop!
00:02:27All right, you.
00:02:31Come on out.
00:02:33There he is.
00:02:35Oh, my God.
00:02:40Come on.
00:02:45Come on.
00:02:48Get the hell.
00:02:53Come on.
00:02:54Get the hell.
00:03:00Come on.
00:03:01Come on.
00:03:20I
00:03:20Must say really handled them karate, huh? You must be an expert
00:03:34All right, don't you not use this being stubborn talk
00:04:04Say your prayers
00:04:05Oh
00:04:39Oh
00:04:46Oh
00:04:46Oh
00:04:46Oh
00:04:47Oh
00:04:51His vocal cords are damaged
00:04:53He's never going to talk to anyone get a doctor get a doctor here right away get a doctor
00:04:59All right, here's the key to the handcuffs
00:05:19This cuts had a day so long dad
00:05:27And this one
00:05:31Real Grendel
00:05:32When's he get his?
00:05:34As soon as I'm able to get around to it
00:05:37You're really a killer
00:05:39Listen man, you got no time to waste
00:05:41And don't forget
00:05:43There's all that bread
00:05:44Uda
00:05:47Uda
00:05:48Uda
00:05:50Uda
00:05:50Uda
00:05:52Uda
00:05:54I realize you took on this case at the request of the commissioner
00:05:58And I know how bad this is
00:06:01But you know we're not at liberty to do what we want
00:06:05That incident brought this thing to a head
00:06:08And you take orders when you're with the police here
00:06:11I know that sir
00:06:13It's just that the whole thing was my fault
00:06:15Give me another chance
00:06:18He got our witness away from under our nose
00:06:21I want to ask you
00:06:23Please
00:06:24I want to take charge of the case again
00:06:26Yamagami
00:06:26I can't
00:06:28I can't
00:06:34Very well sir
00:06:35I realize
00:06:36It's selfish
00:06:39Will you take this please?
00:06:42My designation
00:06:53Yes
00:06:53Yes
00:06:54That's right
00:06:55What's that?
00:06:57You're on the trail of Rio Grande
00:06:59That's good
00:07:00Go and get him
00:07:14help me
00:07:14help me
00:07:35Information
00:07:36Melbourne Flight 32 B
00:07:38Will he be leaving today?
00:07:41It will be leaving in time right?
00:07:43Thank you
00:08:25Oh
00:08:56Oh
00:09:19Oh
00:09:43Oh
00:10:13Thoughts
00:10:14Thoughts
00:10:15But
00:10:16I
00:10:17I
00:10:21I
00:10:22I
00:10:25I
00:10:25I
00:10:32Oh, my God.
00:10:59Oh, my God.
00:11:46Oh, my God.
00:11:59You like it, huh?
00:12:01That statue is really a splendid one.
00:12:03Man, that's like solid gold.
00:12:05I wonder what it'll bring on the market.
00:12:08Don't be stupid.
00:12:09It's a great national treasure.
00:12:12As long as it stays right here.
00:12:14The statue's priceless.
00:12:16And to think that Grandall was taking it with him.
00:12:22It's needed to rip off the idiots who think we're building our center.
00:12:29But the fuzz is on to you.
00:12:31How the hell do the pigs know?
00:12:35I let those two men handle too much of our money and they tried to get away with it.
00:12:39Now we're in trouble.
00:12:43There's somebody in Tokyo who tipped off the police.
00:12:47I think Mazuoka of the Seibukan school.
00:12:50Too bad, Dad.
00:12:53There's a sergeant called Yomagami.
00:12:56He's a student of Mazuoka.
00:12:59They're like the strongest, huh?
00:13:02The Seibukan.
00:13:03The Seibukan.
00:15:29Am I doing something that's bad?
00:15:31My child, you must concentrate.
00:15:34Blank your thoughts out.
00:15:35Clear out earthly ideas.
00:15:37And think only this.
00:15:39I want to.
00:15:40Yes, Father.
00:15:48I'll begin again, I must.
00:16:09Well, tell me, were you fired?
00:16:12No.
00:16:13I asked to be put back on the case to atone for my error.
00:16:18I handed in my resignation.
00:16:20They wouldn't agree to that.
00:16:22So I'm on leave of absence.
00:16:25I really think it's their way of saying I can go my way on the case, although unofficially, of course.
00:16:32Well, that's typical.
00:16:35Well, you know, Otaguru eliminated those two men.
00:16:40They knew too much about his business, which means Otaguru's plan is a lot more sinister than we thought.
00:16:46And the things we should act quickly.
00:16:50He has a cute little setup that he calls the Asian martial arts center.
00:16:54And he's raised over six billion yen, which he raised in Asian countries.
00:16:59So you know it can't be legitimate.
00:17:01Well, that's more than I thought.
00:17:03Yes, and there's more to it.
00:17:05I think Otaguru is working with another organization.
00:17:08What do you mean?
00:17:10The mafia has an inside track on this whole thing, I think.
00:17:16Our own police have been checking things out with the United States authorities.
00:17:21Though at the moment, there's nothing to go on.
00:17:25Your news is awful for Japan.
00:17:27You and I must certainly bring this to an end.
00:17:30Kolo! Kolo!
00:17:34Yes?
00:17:35You'll get in touch with all the Asian countries where our school has chapters.
00:17:40I want to find out how Otaguru and his organization are raising all that money.
00:17:45And check that Otaguru isn't using my name.
00:17:49Anything shady there, they must send reliable witnesses to Tokyo.
00:17:53Start calling them up.
00:17:54Yes.
00:17:59Here's another thing.
00:18:00I'd like to know more concerning Tsurugi.
00:18:03Terry Tsurugi?
00:18:05Does he come into this business?
00:18:07Yes.
00:18:08He's no ordinary man.
00:18:10Considering what he did to those two witnesses of ours.
00:18:14All he could use was his two fingers.
00:18:17And he ruined those vocal cords.
00:18:20His two hands were tied.
00:18:22And even that didn't stop Tsurugi.
00:18:26It had to be Tsurugi.
00:18:28And you know him, don't you?
00:18:30I must say I do, yes.
00:18:32And if he's your enemy.
00:18:34Yamagami, I'd advise you to be careful.
00:18:38He's a genius at karate.
00:18:40We both tested our skills here once.
00:19:10He's a genius at karate.
00:19:13Rama and panicking.
00:19:26Let's go.
00:20:03I don't know.
00:20:13I don't know.
00:21:04I don't know.
00:21:12All right.
00:21:12I'll work out with you, if you like.
00:21:35I'll work out with you, if you like.
00:22:05Oh, you're getting good, I must say.
00:22:23Mr. Otagoro, I want to explain to you the reason why I came.
00:22:29I'm here because I heard you're exploiting karate and its spirit, and I urge you to reconsider.
00:22:35I don't care about the others.
00:22:37But when you repeat such gossip to me, then I shall stop it.
00:22:42I believe in Bushido and karate, and you know that.
00:22:45How can you say that I exploit our mutual trust?
00:22:49I hope you haven't, believe me.
00:22:51And yet, the police investigation has started.
00:22:55Police know nothing.
00:22:57Take a look at this.
00:23:00Money has been donated with enthusiasm.
00:23:03It's for this martial arts center.
00:23:06Better not listen to Gasset.
00:23:08I'm as honest as you must walk up.
00:23:12And in time, you'll be seeing our institute going up.
00:23:16That's when you'll be convinced.
00:23:28I warn you that there is contrary evidence, and I can't allow you to continue your scheme.
00:23:36Evidence?
00:23:37I'm not telling you about all the things I suspect.
00:23:41Just return the money.
00:23:42That's your only hope.
00:23:46Let's pray.
00:24:17Welcome to Tokyo.
00:24:54There's a very good reason that in his country he's the top.
00:25:02These are the blueprints.
00:25:15What I'd like you to tell me is the date you intend to begin construction on this.
00:25:21Well, actually, you see, I cannot give you exact dates as yet.
00:25:27All right, then. You can tell me the cost, can't you?
00:25:34Really? You don't have the authority to ask me that.
00:25:38Anything on paper with you?
00:25:41Bring a warrant or forget about it.
00:25:46All right. The gentleman's leaving.
00:25:53Stop it. Do you hear?
00:26:12Please, let us roll. Let us roll.
00:26:32Please, stop. Please, stop.
00:26:37No, no, no. Don't hit me.
00:26:38I didn't do anything.
00:26:40Please.
00:26:42I think I know where you fit in.
00:26:45And what happens now.
00:26:47I don't know.
00:26:51I don't know.
00:27:20Let's go.
00:28:10Hey, I don't need music for this.
00:28:12It's groovy, Jack. I first dug it in the orphan's hole.
00:28:16I used to sneak out at night, dance with the GIs and talk with them.
00:28:22Oh, I love Americans.
00:28:24They taught me to groove.
00:28:26They'd come here and furl her out of Korea.
00:28:30I dug it. It was fun. It was all laughs.
00:28:33Stop talking like that.
00:28:36Or I'll beat your ass. Just forget about it.
00:28:40I'm so sorry.
00:28:45You're right, Jackson.
00:28:47I should thank you for all you did for me.
00:28:50When you picked me up here on the street, I was starving.
00:28:53Because how would I have ended up?
00:29:03Thanks a lot, Tom.
00:29:08Terry Tsurugi, Kitajima's subway station.
00:29:14South entrance.
00:29:16Go immediately.
00:29:18Terry Tsurugi, Kitajima's subway station.
00:29:22South entrance.
00:29:23Go immediately.
00:29:25Message over.
00:29:29Come to Kitajima station. You'd better move it.
00:30:19Who gave it to you?
00:30:23Well, how did you know it was me, then?
00:30:30What did he look like?
00:30:33What else did he say?
00:30:34Oh, boy.
00:30:38.
00:30:39.
00:30:39.
00:30:39.
00:30:48.
00:30:50.
00:30:51Let's go.
00:31:35Take the money.
00:32:06Afraid to carry out our order to kill Maz Walker?
00:32:10You think you can buy anything?
00:32:13I just can't do it, I can't.
00:32:15Your mission is to do it.
00:32:17Stick it right in your ass.
00:32:20You can order me around even if you have money.
00:32:22I think you'd better think this over.
00:32:26Because you know what can happen.
00:32:30Don't threaten me.
00:32:33Because I know just what can happen to you.
00:32:39No.
00:32:46But what do we do?
00:32:49Arrange to get rid of him.
00:32:53He knows too much, so kill him.
00:32:59Arrange to get rid of him.
00:33:03He knows too much, so kill him.
00:33:13Hey, Terry, you're losing your marble.
00:33:18Why did you tell him no?
00:33:20Because I had to.
00:33:22Why should I kill him?
00:33:25Maz Walker's the only one I can trust.
00:33:27You'll be murdered, and then what are you going to do?
00:33:31No, do it as worth it.
00:33:34And there's all that money waiting.
00:33:36Don't throw it away.
00:33:37Terry, that green is clean.
00:33:40This cold is terrible.
00:33:42Why did you pick such a cold place?
00:33:44Hey, why don't you think it over?
00:33:45Terry, let's go back to Tokyo.
00:34:10Let's go back to Tokyo.
00:34:19Hey, let's go back to Tokyo.
00:34:28Hey, let's go back to Tokyo.
00:34:28Hey, let's go back to Tokyo.
00:34:29Hey, let's go back to Tokyo.
00:34:29Hey, let's go back to Tokyo.
00:34:29Hey, let's go back to Tokyo.
00:34:29Hey, let's go back to Tokyo.
00:34:29Hey, let's go back to Tokyo.
00:34:30Hey, let's go back to Tokyo.
00:34:30Hey, let's go back to Tokyo.
00:34:32Hey, let's go back to Tokyo.
00:34:33Hey, let's go back to Tokyo.
00:34:34Hey, let's go back to Tokyo.
00:34:34Hey, let's go back to Tokyo.
00:34:36Hey, let's go back to Tokyo.
00:34:37Hey, let's go back to Tokyo.
00:34:44Hey!
00:34:53Yeah!
00:35:00Yeah!
00:35:11Hey!
00:35:12Hey!
00:35:14Hey!
00:35:14Hey!
00:35:16Hey!
00:35:19Hey!
00:35:20Baseball!
00:35:24Hey!
00:35:32Ah!
00:35:39Ah!
00:35:46Oh, my God.
00:36:11Oh, my God.
00:36:47Oh, my God.
00:37:11Are you all right, Pauzy?
00:37:15You hurt?
00:37:18Oh, yes.
00:37:26Come back.
00:37:31Come back.
00:37:47That's a pretty good physique.
00:37:49You don't get that sitting around.
00:37:51Sports, that's what you're into, right?
00:37:53I'd say ping pong or badminton, right?
00:37:56Huh?
00:37:58I know how it is.
00:38:00Karate is my thing.
00:38:01I'm good.
00:38:03I reached the fourth then, and it wasn't easy.
00:38:07Oh, when you get to that point, you're untouchable.
00:38:09It's a combination of oriental mysticism and brute strength.
00:38:13You learn that the best offense is always your own defense pattern, huh?
00:38:17And once you know that, there's nothing to fear, nothing to worry about, except for putting on too much weight.
00:38:21You've got to be careful because it can slow you down.
00:38:23But I watch it, and I've developed a chop that can paralyze the heart.
00:38:27Once I do that chop, an opponent can't stand up to me.
00:38:30I know I've got to...
00:38:31Hey, look at this.
00:38:32It's one of my best.
00:38:33Watch you learn something.
00:38:34Not many can do this.
00:38:36It's my best trick.
00:38:41Oh, my throat's a little dry.
00:38:43It's the heat in here.
00:38:44Now, I'm going to split a rock with my bare hands.
00:38:47It took me a year to learn this.
00:38:49Oh, it's hot.
00:38:54Oh, that was pretty embarrassing.
00:38:57But you learn from everything, like never pick up a hot rock, eh?
00:39:00Remember that.
00:39:01In karate talk, we call a thing like this a burn.
00:39:04Injuries are never going to put a stop to a fourth dano.
00:39:07Makes it sharper.
00:39:08That's where the oriental mysticism comes in.
00:39:10As Confucius say, once bit and twice shy, and watch out for hot rocks, eh?
00:39:31Let me get in.
00:39:37How can you treat a fourth dano like this?
00:40:03How can you treat a fourth dano like this?
00:40:32Hey
00:41:02Oh
00:41:08Oh
00:41:25This is a photograph of the head of our Rangoon chapter
00:41:29He disappeared and then a week later his body turned up
00:41:33Mutilated on the shore and the police haven't solved it yet
00:41:39A good man
00:41:41I know he worked very hard
00:41:43I think it almost certain
00:41:45My friend was killed on orders from the mafia
00:41:53In his desk we found this letter
00:41:58It contains a demand for a donation of a hundred thousand dollars
00:42:03The letter was sent by Odokuro
00:42:06But inside it was signed by you
00:42:08I thought so
00:42:10He forged my name
00:42:12In New Delhi last month
00:42:15Three of our men
00:42:17Were forced to make contributions
00:42:18One didn't have any cash
00:42:20His diamond was accepted
00:42:37What an evil man
00:42:39Now I think we can really get him
00:42:49Hey
00:42:49Wait a minute
00:42:50Wait for me
00:42:51Oh
00:43:00Wait for me
00:43:01Wait for me
00:43:09Wait for me
00:43:11Wait for me
00:43:11Wait for me
00:43:11Wait for me
00:43:11Wait for me
00:43:11Wait for me
00:43:11Wait for me
00:43:11Wait for me
00:43:12Wait for me
00:43:21Wait for me
00:45:09I can see the mafia works through you.
00:45:13Oh, you and I could have had a nice evening, huh?
00:45:17No, no, no, please, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:45:50Oh
00:46:12Oh
00:46:51So the mafia works through you, too
00:47:15No, Terry, please
00:47:17You mustn't
00:47:18You mustn't go there
00:47:19Listen to me
00:47:20Please, don't
00:47:22You mustn't
00:47:23It's dangerous
00:47:25It's too dangerous
00:47:57You're back
00:48:04That's right
00:48:05I'm back and not a corpse
00:48:11Oh, my sorry
00:48:11Stop it
00:48:13Stop it
00:48:14Stop it
00:48:28Don't be quiet
00:48:29You guys
00:48:32Don't be quiet
00:48:32Don't be quiet
00:48:33Don't be quiet
00:48:37Don't be quiet
00:49:11No!
00:49:47You're going to be a corpse again.
00:49:53I'll remain on earth till I complete my vision, which is to kill you.
00:50:01This is an age of wonders in which even a heart can be transmitted by skilled doctors.
00:50:11If you have enough money and the will to live, they can supply you with artificial vocal cords like mine.
00:50:24And so I return.
00:50:26The mafia has ordered me to kill you, and I'm going to do just as they say.
00:50:33And if they hadn't, I'd kill you now, gladly, because I want to change.
00:50:43The only reason they went through the operation is to kill you and survive.
00:50:54Churugi, let's go.
00:51:00Drop my alarm and conclude what you started long ago.
00:51:13No, you must.
00:51:15Don't go.
00:51:16Please.
00:51:17Please.
00:51:17Come on.
00:51:51Come on.
00:52:36Come on.
00:52:53Come on.
00:53:18Come on.
00:53:53Come on.
00:54:28Come on.
00:54:30Come on.
00:54:33Come on.
00:54:35Come on.
00:54:37Come on.
00:54:39Come on.
00:54:43Come on.
00:54:45Come on.
00:54:46Come on.
00:54:51Come on.
00:55:15Come on.
00:55:18Come on.
00:55:24Come on.
00:55:25Come on.
00:55:27Come on.
00:55:32Come on.
00:55:46Come on.
00:55:55Come on.
00:56:01Come on.
00:56:12Come on.
00:56:14Come on.
00:56:16Come on.
00:56:26Come on.
00:56:35Come on.
00:56:38Come on.
00:57:30Come on.
00:57:34Come on.
00:57:37Come on.
00:57:39Come on.
00:57:40Come on.
00:57:52Come on.
00:57:55Come on.
00:57:56Come on.
00:57:56Come on.
00:58:00Come on.
00:58:09Come on.
00:58:14Come on.
00:58:30Come on.
00:58:35Come on.
00:58:38Come on.
00:58:40Come on.
00:58:45Come on.
00:58:45Come on.
00:58:45Come on.
00:58:45Come on.
00:58:59Come on.
00:59:00Imara.
00:59:01Right.
00:59:06This is the best restaurant in Tokyo.
00:59:08I come here often.
00:59:09I'm very happy you get a chance to eat here.
00:59:13Now come, toast.
00:59:15Yes, good luck.
00:59:16All the best.
00:59:17Here's to success.
00:59:25Help yourself.
00:59:33Look out!
00:59:54Come on!
00:59:56No!
00:59:56Ah!
00:59:56lá, ál, ál!
00:59:57Ah!
00:59:59Ah!
00:59:59Ah!
00:59:59Ah!
01:00:00Ah!
01:00:01Ah!
01:00:06Oh!
01:00:07Ah!
01:00:15Let's go.
01:00:18Let's go.
01:00:21Oh, no.
01:00:38Let's go.
01:01:08Let's go.
01:01:14Let's go.
01:01:17Let's go.
01:01:20Let's go.
01:01:20There, it's me.
01:01:22You're all right.
01:01:24Come on, now.
01:01:25Come on.
01:01:26Come on.
01:01:28We've got to get with it.
01:01:40You're coming, too.
01:01:41Come on.
01:01:43You're not dead.
01:01:46You'll be all right.
01:01:55You came back, Terry.
01:02:05You came back, Terry.
01:02:06Get away.
01:02:10Sergeant!
01:02:12Get away from here.
01:02:16Please, please lift on.
01:02:18Peter!
01:02:20You think father's a spy. He's not. So do not hurt him.
01:02:24Oh, no.
01:02:25You got to let him go.
01:02:27You'd better shut up. Your father's a traitor and your mother's a whore. You're no Japanese. You're half-breed. You're
01:02:33scum.
01:02:36Daddy!
01:02:38Daddy!
01:02:40Daddy!
01:02:46Listen, my son.
01:02:49Trust no one.
01:02:51You can count on no one but yourself.
01:02:56Improve your skills, son.
01:02:59Harden your body.
01:03:01Harden your body.
01:03:02Become the number one man.
01:03:05Do not ever let anyone beat you.
01:03:21It's me, Terry. It's Kitty. Don't you know me?
01:03:31Three days. You've been unconscious so long.
01:03:42Eat something.
01:03:44And you stayed with me?
01:03:46As long as you're all right.
01:03:49And now, you're going to have to get out of town.
01:03:53What about you?
01:03:56I'll do all right.
01:03:58You mustn't...
01:03:59You mustn't worry about me.
01:04:04The Mafia here...
01:04:06They're sure to murder anyone who betrays them.
01:04:21You knew.
01:04:23You knew all along.
01:04:26All the jiving of yours.
01:04:29Nobody can trust a girl who jives like that.
01:04:35I'm sorry.
01:04:40I've been telling you.
01:04:41For the Mafia.
01:04:43All that about my life as a kid.
01:04:46That's all true.
01:04:49I...
01:04:50I was an orphan.
01:04:51I had nobody.
01:04:53All that part I was honest about.
01:04:55All of it.
01:05:02I didn't know.
01:05:05After I got to dig you.
01:05:08How I'd feel.
01:05:14Now...
01:05:15I'll do whatever it is you want.
01:05:32What I'd like to do...
01:05:36Is kill Otoguro, but I must make sure Masuoka's all right.
01:05:41Otoguro's been killed and they injured Masuoka.
01:05:46Yamagami's murdered.
01:05:48Is that true?
01:05:50Nobody's going to stop them.
01:05:52They're all criminals.
01:05:55Masuoka will be murdered.
01:05:58I heard the Mafia say so.
01:06:01You sure of that?
01:06:06That's pretty good, Tsurugi.
01:06:09Come.
01:06:10Go.
01:06:12Ah!
01:06:31Somebody's got to stop these murders.
01:06:39Terry, be careful!
01:07:01Oh!
01:07:19No!
01:07:20No!
01:07:21Let me alone!
01:07:22No, let go of me!
01:07:23No!
01:07:24No!
01:07:25Let me alone!
01:07:26No!
01:07:27No!
01:07:33Ah!
01:07:37Ah!
01:07:41Ah!
01:07:56Oh, my God.
01:08:15Oh, my God.
01:08:48Oh, my God.
01:09:04What did he do to you?
01:09:08What did he do?
01:09:18Oh, Terry.
01:09:21It's you.
01:09:24Oh, my God.
01:09:26Oh, my God.
01:09:29Oh, my God.
01:09:33Oh, my God.
01:09:38Oh, my God.
01:10:06Oh, my God.
01:10:07So, you're the mafia boss in the area.
01:10:10I wouldn't say boss.
01:10:12I'm in charge, though, as long as I aim at your head.
01:10:17And I've got a job to do.
01:10:20Don Costello is the name.
01:10:21So, you're Costello.
01:10:23The girl betrayed us.
01:10:26Nursing you when she was hired to set you up.
01:10:28Unwise to do that.
01:10:31It's clear she'll be sorry.
01:10:35I'm showing you how the mafia works.
01:10:38They had a very good idea to take over the whole lousy yellow hemisphere and get rid of them.
01:10:49But then, Masoco and you got into it and spoiled our game.
01:10:57We don't tolerate anybody like that.
01:11:04We don't tolerate anybody like that.
01:11:05See what I mean?
01:11:06Now it's your turn.
01:11:10Costello.
01:11:12Listen.
01:11:14I'll do it at me.
01:11:17Triggy.
01:11:18And I have a date.
01:11:21With destiny.
01:11:24It was set long ago.
01:11:30Okay.
01:11:34So, Rogi.
01:11:37Are you ready to die?
01:11:40You'll see.
01:12:02See?
01:12:30Let's go.
01:13:08Let's go.
01:13:30Let's go.
01:14:03Let's go.
01:14:39Let's go.
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01:15:06Let's go.
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01:15:39Let's go.
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01:20:42Let's go.
01:20:42Let's go.
01:21:13Let's go.
01:21:42Let's go.
01:22:13Let's go.
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