- 5 hours ago
The Brokenwood Mysteries S12E04 (2026)
Category
📺
TVTranscript
00:00:05Excuse me!
00:00:06Excuse me!
00:00:07You're on!
00:00:09I'm on!
00:00:14Welcome, everyone, to this inaugural excursion of the Brokenwood Flyer,
00:00:21the culmination of years of hard work and planning
00:00:24by the many dedicated pharaoh equinologists of Brokenwood.
00:00:31That's a fancy talk for Iron Horse enthusiasts,
00:00:35and I'm sure you all know that already.
00:00:38I'm sure you also know that we wouldn't be here today
00:00:41without the sheer grit, determination and fundraising stamina
00:00:45of two of the Brokenwood Vintage Railway Society's leading lights,
00:00:50Rosalie Barnes and Shane Griffin.
00:00:54They have committed years to this exciting project,
00:00:57and today is the day when it all comes to fruition.
00:01:01Oh, my God!
00:01:04What'd you do that for?
00:01:05You know what blooms like, he'll prattle on all day if you let him.
00:01:08Mrs Baker's already in a flap about getting away on schedule.
00:01:12I always thought there was a touch of Mussolini about that woman.
00:01:14Eh?
00:01:15Makes the trains run on time.
00:01:16No, I think Rosalie's the one who's putting the strings.
00:01:19As usual.
00:01:20Sound bitter?
00:01:21I'm not bitter.
00:01:22No?
00:01:23You've spent three years pretending to have an all-consuming interest in vintage trains,
00:01:28hoping to catch Rosalie's glad eye,
00:01:30only to find out that the woman of your dreams
00:01:33has taken up with the sap of a man half your age.
00:01:37Shane's not half!
00:01:37Anyway, you can talk.
00:01:39You faint!
00:01:40Oh!
00:01:40All aboard!
00:01:42Well, this day is a rover in the hills of snow
00:01:50Meet me right back here
00:01:56I had a dream last night
00:02:00We were riding on a silver train
00:02:05That's so good!
00:02:08Oh!
00:02:10Well?
00:02:12Congratulations.
00:02:12You did it.
00:02:13With a lot of help.
00:02:15If Regan's father hadn't come to the party
00:02:17when he did,
00:02:18he'd still be back at the cake stall and raffle stage.
00:02:24How are we doing for time?
00:02:25Oh, relax.
00:02:26We're all on track.
00:02:28On track!
00:02:34By rights, it should be me driving, you know that, don't you?
00:02:36How did you work that out?
00:02:37It's in the blood.
00:02:39Dad was a rail woman for 50 years.
00:02:41Gandy with a shovel, was he?
00:02:42The only reason it's you and not me
00:02:46You haven't got the upper body strength, not for any hard yet
00:02:51Hey
00:02:57There's nothing quite like it, is there?
00:02:59Hm?
00:02:59The romance of train travel
00:03:01You're not in a hurry
00:03:03It's only 20 minutes to Little Lake by car
00:03:06This'll take twice as long
00:03:08Wait, yeah, but that's not really the point though, is it?
00:03:10It's why they closed the line in the first place
00:03:13It wasn't needed
00:03:15Devil on horseback?
00:03:16No, thanks
00:03:18Oh, no thank you
00:03:33What the hell's that?
00:03:35Huh?
00:03:35There's something on the track
00:03:36Just look
00:03:39Oh, jeez, that's not something
00:03:41That's some body
00:03:42Stop the bloody train!
00:03:52What?
00:03:54Why have we stopped?
00:04:07What the hell do you think you're doing?
00:04:08You could've got yourself killed
00:04:09Oh, like you care
00:04:10Just go ahead and kill the planet instead
00:04:13Give me strength
00:04:14Unbelievable
00:04:15Billy McKelvey
00:04:16What silly game are you playing now?
00:04:19It's not a game, this is a wake up call
00:04:21What's wrong?
00:04:22It's the middle of the afternoon, we're already awake
00:04:24Cole is killing the planet
00:04:26Cole is killing the planet
00:04:28What's all this?
00:04:29Cole is killing the planet
00:04:31Somebody call the cop
00:04:32Cole is killing the planet
00:04:33I will not have her ruin
00:04:35Rosalie and Shane's
00:04:36I mean, everyone's
00:04:37Big day
00:04:38I'll deal with you up at the lake
00:04:40Come on
00:04:40On the train
00:04:41No!
00:04:42You can't make me
00:04:43You'll do as you're told
00:04:44Or you'll make things worse for yourself
00:04:45Come on
00:04:47Come on
00:04:48Don't touch me
00:04:52More things
00:04:52Are you okay to keep going?
00:04:55We can swap places if you're feeling a bit fragile
00:04:57Nah, nah, I'm fine
00:05:01Come on, back on the train!
00:05:30It's just a hobby for you lot, but you're not thinking
00:05:33Oh, you don't want to know what I'm thinking, young lady
00:05:35Cole is killing the planet
00:05:38Cole is killing the planet
00:05:40If you think the biggest threat to the planet
00:05:42Is a quaint little train in Broken Wood
00:05:44Your head's on wrong
00:05:45Now you just don't care
00:05:46Cause you'll be dead soon
00:05:47No, no, no, all right
00:05:48Chatty Cathy, wrap it up
00:05:50We're almost at the stop for Little Lake
00:06:01Everyone else and follow the path, you can't miss it
00:06:05This is going really well, I think
00:06:09Where's Rosalie?
00:06:10She'll be somewhere tattooing with her frog
00:06:11I'm gonna sneak a cigarette in my life
00:06:13No, no, no
00:06:13You go with the others
00:06:14She wants to make a big entrance
00:06:16I'll find her
00:06:22Rosalie?
00:06:23You there?
00:06:25Rosalie?
00:06:33Rosalie?
00:06:34Rosalie?
00:06:48Mrs. Baker?
00:06:59Mike?
00:07:00I don't want to be rude, but now's not a good time
00:07:02I'm trying to find a runaway bride
00:07:04Uh, I might be able to help you with that
00:07:15What's all this carry-on?
00:07:16Is someone getting married?
00:07:18That was the plan, yes
00:07:21Did you know anything about this?
00:07:23All I know is I was supposed to get fed
00:07:25It's hungry business, shoveling coal
00:07:27Oi! Don't touch
00:07:28You reckon the bride's done a runner?
00:07:31I sure wish I'd done a runner on my wedding day
00:07:35I don't know
00:07:37She's a fine figure of a woman, Miss Trudy
00:07:45Thanks for keeping everybody here
00:07:48It wasn't hard
00:07:49Never expecting a picnic
00:07:51I haven't said anything about Rosalie
00:07:54I wouldn't know how
00:07:55We'll handle that
00:07:56Next of kin?
00:07:57Oh, um
00:07:58Oh, um
00:08:00Regan
00:08:01Rosalie's daughter
00:08:02And
00:08:03Shane
00:08:04The groom
00:08:08Excuse me
00:08:10Thank you, Mrs. Baker
00:08:11Good job
00:08:13What's her story?
00:08:14Uh, we just need to interview everyone about a recent incident
00:08:18Oh, right
00:08:19That jumped up little madam on the tracks
00:08:21You think she'll be old enough to know better
00:08:24Right
00:08:26Hold that thought
00:08:31We're treating your mother's death as suspicious
00:08:34She may have simply just fallen from the train, but we need to be sure about it
00:08:39Okay
00:08:40And we need someone to give us our formal ID
00:08:43That should be me
00:08:45If you don't feel up to it, we can ask Rosalie's fiancee
00:08:49The what?
00:08:50The wedding was going to be a surprise
00:08:53Rosalie's idea
00:08:53I thought I would have been happy with the registry office
00:08:57When was the last time you saw Rosalie?
00:08:59When the train had stopped
00:09:01She'd gone up the front to get changed into her wedding dress
00:09:03I thought she might need a hand with the fiddly bits
00:09:06Everything alright in there?
00:09:07Go away!
00:09:08You're not supposed to see me
00:09:09It's bad luck
00:09:10So you didn't actually see Rosalie
00:09:13You just spoke with her through the door?
00:09:16Yeah
00:09:16Did anyone witness the exchange?
00:09:19No, I doubted everyone else had left the carriage by then
00:09:21Trying to work out why the train had stopped
00:09:24We must have stopped just in time
00:09:26And then everyone got off to see what was happening
00:09:28Including Rosalie?
00:09:30I really can't remember
00:09:32There was a lot going on
00:09:35More than you realised
00:09:37To what?
00:09:39The surprise wedding, you had no idea?
00:09:42None
00:09:42But you knew that your mother and Shane Griffin were in a relationship?
00:09:47Everybody knew
00:09:47Mum had been raving about it for months
00:09:51But Shane made her happy
00:09:53For the first time in her life I think
00:09:58So neither Regan Barnes nor Shane Griffin remember seeing the victim after the train stopped?
00:10:04Well Shane said he talked to Rosalie through the toilet door and then got off the train with the others
00:10:08And Doug and Ron were busy letting her up at Lily
00:10:12I talked to Doug
00:10:14Pinko Greeny
00:10:15And she was lying on the tracks like some sort of damsel in distress
00:10:18And she gets up with a placard and starts waving it around going on about coal and the planet
00:10:25God knows what she was trying to achieve
00:10:26So what did the Pinko Greeny have to say for herself?
00:10:31Not much
00:10:32Lily McKelvie, 145 Old Creek Road, date of birth 27 March 2008
00:10:37And that's all you're getting
00:10:40She seems very well trained for an 18 year old
00:10:43Are we sure she was acting alone?
00:10:46I'm afraid Mrs. Bake is in a bit of a state
00:10:49Any idea when we might get the all clear?
00:10:51As long as they've given their initial statement everyone's free to go
00:10:54Oh, lovely
00:10:55Just not on the broken wood flyer, we still need to unspeak the carriages
00:10:59Ah, I see, I see, I'll see what I can do
00:11:02What's the point in being mayor if I can't rustle up a council coach when we need one?
00:11:05And, uh, Lily McKelvie, don't worry about her, she's coming with us
00:11:09Okay
00:11:14Oh, here
00:11:16Let me give you a hand with that
00:11:17Oh, thank you, Ron
00:11:20Got it?
00:11:20Yeah
00:11:24See, Doug, that's what a gentleman looks like
00:11:27Oh, hello there
00:11:33You sound relaxed
00:11:34Not at all, slogging it out, you know how it is
00:11:36Well, I need you to find what you can on a Lily McKelvie
00:11:41You want to know if she has any kind of record of involvement in climate, protest, that sort of thing?
00:11:46Well, you, I will clear my desk
00:11:49Give the board a wipe while you're at it
00:11:51We're gonna need it
00:11:58So, Doug and Ron are in the engine cab with no access to the carriage
00:12:04And everyone else is in here
00:12:07Black roses
00:12:08Old choice
00:12:10And then, at a certain point, Rosalie moves to the front of the carriage
00:12:16To change
00:12:19But ended up down there
00:12:27Before falling or being pushed onto the tracks while everyone else was preoccupied by Lily's protest
00:12:33Or, so they want us to believe
00:12:35Or, so they want us to believe
00:12:43What if the offender wasn't one of our travellers?
00:12:47Someone else got on board the train before it left Brokenwood and waited for their chance to attack
00:12:53Risky, with nowhere to hide
00:12:55There's only this one cubicle
00:12:57Yeah
00:12:59And a black rose for a corsage
00:13:01Slightly weird
00:13:11Or R
00:13:14You know what this means
00:13:20Next step
00:13:21And writing samples from everyone on the train
00:13:23Hmm
00:13:25What did you find on Lily McKelvey?
00:13:28Yeah, Brokenwood's answer to Greta Thunberg
00:13:31Her socials are dedicated to protest content
00:13:34Nothing about today's protest?
00:13:36If you're gonna go to all that trouble to stop a train
00:13:38You'd want the world to know about it, right?
00:13:40You'd be live streaming or at least making sure someone was there to record it
00:13:45Well, perhaps somebody did
00:13:46Well, maybe the protest was just a diversion
00:13:49Well, whatever happened, it went down fast
00:13:53The Crimestoppers' report about the body on the tracks came through at 2.47
00:13:58Not long after the train moved off again
00:14:00Who did that report come from?
00:14:02Well, someone who saw something but didn't want to get involved, called it in anonymously
00:14:06Well, Lily might be more forthcoming now that she knows that somebody has died
00:14:12Oh, um, Gina's gonna be expecting one of us soon, so fight amongst yourselves
00:14:17Heartbreaker?
00:14:19Was that you volunteering?
00:14:21Nice one
00:14:25Thank you
00:14:29I'm assuming you weren't actually tied to the tracks
00:14:33I'm not an idiot
00:14:34Did you have any help getting into position?
00:14:36Lying down isn't hard
00:14:39At my age, anyway
00:14:41Hmm, no one to cheer you on?
00:14:44No
00:14:47Thanks for your phone, Lily
00:14:50Who's Noah?
00:14:53At 2.45pm you got a text
00:14:56Just two words
00:14:57You okay?
00:14:59From someone called Noah
00:15:01He's my boyfriend
00:15:04Did he know about your protest?
00:15:06No
00:15:06Then why the text?
00:15:08Why those words?
00:15:09You okay?
00:15:10He was just tricking in
00:15:11I guess
00:15:13Just...
00:15:13It's the kind of guy he is
00:15:15Tell me a bit more about him
00:15:19I cannot be precise about the time of death
00:15:21No, I get it, Gina
00:15:22Usual terms and conditions apply
00:15:24But when I arrived at the scene
00:15:25What we call the tracking of the eyes had not begun
00:15:28Impalo Mortis was not complete
00:15:29It can only have been a matter of minutes
00:15:3215 or 20
00:15:33That's pretty precise
00:15:35What do you mean?
00:15:36I am very precise
00:15:38Yeah, of course, but you just...
00:15:39Do you think my job is easy?
00:15:42No, but you just...
00:15:43You want me to hand you the bone saw?
00:15:45Knock yourself out
00:15:47No, I'm good
00:15:49Good
00:15:50Now, cause of death
00:15:52See here?
00:15:53One significant impact wound
00:15:56And the number of small scrapes and bruises along her right side
00:16:01She died when she hit the rail track
00:16:03Not necessarily
00:16:05What does this tell us?
00:16:09She bounced
00:16:13Mike would understand
00:16:14Well, Mike's not here, so...
00:16:16Perhaps she was fatally hit on one side of the head
00:16:19And then...
00:16:20Thrown from the train and landed on the other side
00:16:23Very good
00:16:25Now...
00:16:26We have a guest
00:16:32Come through
00:16:33Come through
00:16:42That's her...
00:16:44That's my mum, Rosalie
00:16:46Thank you
00:16:48Was it quick?
00:16:49Very
00:16:50If you'd like, we can keep you up
00:16:52Has anyone told Dad?
00:16:55Hayden Barnes
00:16:56As in Barnes Farming Supplies
00:16:59Er...
00:16:59Regan's father
00:17:00And Rosalie's ex-husband
00:17:02Simms is with him now
00:17:04Excuse me
00:17:06I'm here for my daughter
00:17:07You must be Mr. McKelvey
00:17:10Troy
00:17:11Could you get Miss McKelvey, please?
00:17:13Of course
00:17:16Come on through
00:17:20I'm Bridget, Lily's grandmother
00:17:21Where is she?
00:17:23Er...
00:17:23She'll be here soon
00:17:24You do realise she's only 18?
00:17:26Er...
00:17:26Yeah, old enough to be charged with breach of the police
00:17:29Not today, however
00:17:30We're letting her off with a warning
00:17:32You just thought you'd scare her by keeping her here all afternoon
00:17:35Hey, kiddo
00:17:36You alright, love?
00:17:37Can we go, please?
00:17:40Your granddaughter has been helping us with our enquiries into a suspicious death
00:17:46A woman died on the train that was stopped by her protest
00:17:49She didn't say anything about that when she rang
00:17:52Does the name Rosalie Barnes mean anything to you?
00:17:58You were close
00:17:59Used to be
00:18:00Old school friends
00:18:02We travelled overseas together
00:18:03It was a long time ago
00:18:05How...
00:18:06How did it...
00:18:07What happened?
00:18:07We'll be releasing a statement in due course
00:18:10Right...
00:18:11I should go
00:18:13Er...
00:18:14Lily told us that she was in a relationship with one of your farmhands
00:18:18Noah?
00:18:19Noah Dunphy
00:18:20If you see him, could you tell him to get in touch?
00:18:23Why do you want to talk to Noah?
00:18:24We'll explain that when we see him
00:18:26Alright, I'll pass that on
00:18:29Thanks, love
00:18:32It's hard to believe
00:18:34She had a big train launch this afternoon
00:18:36I thought...
00:18:37I thought she'd be swilling champagne all day
00:18:38I have to ask you this
00:18:41Where were you around 2.45pm?
00:18:44Quarter to 3...
00:18:46I was here
00:18:47Yeah, you can ask Dan
00:18:50And when was the last time you saw Rosalie?
00:18:52A few weeks ago
00:18:53We met to sign the divorce papers
00:18:54It was all very amicable, if you're wondering
00:18:58My daughter, does she know?
00:18:59Yeah, she identified the body, so she may need some support
00:19:02Sorry Bob
00:19:03Okay, I'm here
00:19:04I'm here
00:19:05It's gonna be okay
00:19:12I did some research on the McAlvys, found this
00:19:17Bridget and her best friend Rosalie
00:19:18protesting the closure of the Brokerwood railway line
00:19:21way back in the 80s
00:19:22The line was closed anyway, but the track was never pulled up
00:19:25And then 40 years later, Rosalie's the driving force behind the Brokerwood flyer
00:19:30Mm-hmm, which was bitterly opposed by Bridget's son, Troy
00:19:33He was pushing his own plan to turn the track into a cycle trail
00:19:43Well, it was either restore the rails or pull them up
00:19:46Council had been shunting that decision down the track for about 30 years
00:19:50Excuse the pun?
00:19:51I would have done the same if I'd known what a kerfuffle it would turn into
00:19:55What swung it in favour of the vintage railway?
00:19:58Only word
00:19:59Rosalie
00:20:00She was a bit of a steam engine herself, if you get my drift
00:20:02A hard woman to say no to
00:20:03Help that she had Hayden Barnes's money behind her
00:20:06Before the divorce, I mean
00:20:08Though I imagine she took a good chunk of it with her when they split
00:20:12He bought the engine and carriages, paid for the restoration
00:20:15Troy McKelvey must have found it hard to compete
00:20:17He just couldn't promise the investment we were looking for
00:20:20Whatever he had himself, he sank into buying up land along the tracks
00:20:23He had some grand scheme for accommodation and a cafe
00:20:27Actually, I've got it here somewhere
00:20:31Um...
00:20:32Yeah
00:20:33How are you expected to pay for it?
00:20:35I have no idea
00:20:38This is the McKelvey farm here, eh?
00:20:41Yeah, what's left of it
00:20:42Troy's been selling bits off trying to claw back his investment
00:20:45Um...
00:20:46Do you mind if I get a copy of this?
00:20:48It would be a pleasure
00:20:51Follow me young man
00:20:54Brand new photocopier
00:20:57Rari Flange
00:20:59Voice activated
00:21:02And copy
00:21:07Got it, yeah you have to say it right
00:21:09And copy
00:21:14Annoying
00:21:14Might just uh...
00:21:16Use the old...
00:21:17Digit there
00:21:27Trudy
00:21:29There's a Noah Dunphy drink here
00:21:31Friend of yours, is he?
00:21:32It's a professional enquiry
00:21:34Thought so
00:21:36Don't make me say it
00:21:37It's not knocking
00:21:38If he hasn't done anything wrong
00:21:40Sure
00:21:42Lena
00:21:45On my tab
00:21:47What was that you just did?
00:21:48But you know what a tab is, don't you?
00:21:50No, the nose tab you think
00:21:51What's that all about?
00:21:53Trudy nose
00:21:55That's all that matters
00:21:57Okay, so
00:21:58Noah comes in with his mates every now and then
00:22:01And...
00:22:01You know
00:22:02Well he's always hitting on me
00:22:04I mean I got there and it was just nothing
00:22:07Nothing cool
00:22:07Two pails
00:22:09And...
00:22:09A hazy
00:22:10Thanks very much, appreciate it
00:22:16Thanks again
00:22:17Do you like cats?
00:22:20Yeah, cats are uh...
00:22:22Cats are cool
00:22:22Cool
00:22:23I have a cat suit at home
00:22:24You know I mean like for...
00:22:27Special...
00:22:27Occasions
00:22:30Okay
00:22:31Uh...
00:22:32That's...
00:22:32That's um...
00:22:33That's interesting
00:22:34Yeah?
00:22:35Thanks
00:22:37Lena
00:22:44I thought you said he hit on you
00:22:48He did
00:22:49He said I was interesting
00:22:51And he's cute
00:22:52I mean not
00:22:53Not as cute as Chad
00:22:54Oh
00:22:54You think so too?
00:22:56No, I just...
00:22:57But then...
00:22:57No one is?
00:22:58But he is a little bit bad boy
00:23:00Which is nice sometimes
00:23:01Right?
00:23:03Thanks Lena
00:23:03Yeah
00:23:06Oh...
00:23:06Hello
00:23:07You're here for that pizza for Shane
00:23:09Well normally I would have cooked him something
00:23:11But...
00:23:11I don't know I can't seem to settle
00:23:13I'm all the quiver
00:23:14It's all good
00:23:16Mrs Baker
00:23:17How's Mr Griffin holding up?
00:23:19Do you really need to ask?
00:23:21Oh I'm sorry
00:23:23I know you're only doing your job
00:23:24And...
00:23:25That's how the police mind works, isn't it?
00:23:28The nearest and dearest
00:23:29The biggest suspects
00:23:30But I am telling you
00:23:32Shane is one of nature's gentlemen
00:23:34He wouldn't hurt a fly
00:23:35And Hayden Barnes
00:23:37Would you say the same about him?
00:23:41Well...
00:23:42That's a different story
00:23:53Thanks
00:23:54So...
00:23:55It's hard to say if it's intel
00:23:56Or just gossip
00:23:57But according to Mrs Baker
00:24:00Hayden and Rosalie's split
00:24:01Wasn't as amicable as he tried to make out
00:24:08I am not a bloody ATM for your pet project
00:24:11Oh!
00:24:12Grow up!
00:24:13This is bigger than us
00:24:15Us?
00:24:15What us?
00:24:16You've already got yourself a new toy boy?
00:24:18Is everything alright?
00:24:18You're welcome to the gold digging cow!
00:24:21Good luck to you
00:24:25Obviously, Rosalie liked her men younger
00:24:27She had 10 years on Hayden as well
00:24:30Did Hayden know about Rosalie and Shane's wedding yesterday?
00:24:34He didn't say, but Mrs Baker insisted that no one knew about it
00:24:37Not even her own daughter, Regan
00:24:39Check in with Shane
00:24:40Find out if he or Rosalie got any more aggro from Hayden
00:24:45Or the McKelvies for that matter
00:24:46Huh?
00:24:48Well, Lily clearly isn't a fan
00:24:50And Rosalie and Troy were practically feuding over rival schemes
00:24:57This is the McKelvie farm
00:25:00And this is the additional land that Troy bought for the tourist development
00:25:06Right next to where Lily stopped the train
00:25:08And Bridget's old friend Rosalie was killed
00:25:15What have you got?
00:25:20Noah Dunfer is still not responding to my calls
00:25:23But that could be because he has a history of prior arrests
00:25:26Disorderly behaviour, assault
00:25:28Assault on who?
00:25:29It was related to a protest action
00:25:32Bit of pushing and shoving on the front line of a march
00:25:35Climate protest?
00:25:36Coal, mining, oil
00:25:37Anything that messes with the environment, he's against it
00:25:40So his text to Lily, moments after his stunt, was in no way a coincidence
00:25:45Got to go
00:25:47Lily, I was hoping you could help us
00:25:50I've already told you everything
00:25:51We've been trying to track down Noah, but we can't
00:25:53Yeah, me too
00:25:54So if you see him first, let him know from me that we're done
00:25:56Okay?
00:26:04I think the kids call it ghosting
00:26:08Was there something else you wanted?
00:26:10Yes, actually
00:26:14Why are you so interested in Noah?
00:26:16Well, he's Lily's boyfriend
00:26:19For now
00:26:20It's reasonable to assume that he knew about a protest
00:26:24Maybe he filmed it
00:26:26I mean, after all, you know, what's a protest these days if it isn't all over the internet?
00:26:31Well, it's a bit of a stretch to go from being a protester to a murderer, isn't it?
00:26:37We had an anonymous tip-off about Rosalie's body
00:26:41Whoever made that report may have seen more than they initially shared
00:26:45Right
00:26:46The incident happened very close to your land
00:26:49Did either of you see anything out of the ordinary?
00:26:52I was here, making jam, head down over the kitchen bench
00:26:55I was up in Old Creek Paddock, fixing some fences
00:27:00Nowhere near
00:27:02Meanwhile, your daughter was tying herself to railway tracks
00:27:05Did you know about that?
00:27:08Uh, she's always up to something
00:27:10Thought she was just going to wave a sign
00:27:12We've always encouraged Lily to think for herself
00:27:16She's so compassionate and engaged
00:27:18And that's something to be admired, isn't it?
00:27:21Uh, chip off the old block, perhaps
00:27:25Do you think, uh, Lily's protest was inspired by this?
00:27:32Well, you'd have to ask her
00:27:34You had your own reasons to oppose the Vintage Railway
00:27:38Your failed development plans
00:27:40Oh, come on
00:27:41Must have been very frustrating
00:27:43Well, not to mention expensive
00:27:45Look, we lost that fight ages ago
00:27:48And accepted it ages ago
00:27:50Why are you giving me and my mum the third degree?
00:27:52We weren't even on the train
00:27:54Shouldn't you be chasing the people who were?
00:27:57All lines of inquiry are being explored
00:28:00Which is why I'm going to need a handwriting sample from each of you
00:28:10Thank you
00:28:11Here you go
00:28:12Not going to win any awards for calligraphy with that
00:28:15Thank you, sorry to disturb you
00:28:17It's fine
00:28:19Anything to help find whoever hurt Rosie?
00:28:22Can you think of anyone who might want to do that?
00:28:24No, no, she was wonderful
00:28:26She was very caring, very passionate
00:28:29Although, her passion could rub some people up the wrong way
00:28:32Like Hayden?
00:28:34If Rosie had dumped me, I'd be devastated too
00:28:37How did you and Rosie get together?
00:28:39Well, there was no overlap if that's what you're getting at
00:28:41Understood
00:28:42We were both on the committee for the train project
00:28:45Lots of long nights and weekends
00:28:51I keep thinking she's going to come out of the bedroom
00:28:53Or bring me a glass of wine
00:28:57You and Rosie weren't the only ones who gave a lot to the rail project
00:29:01Hayden Barnes made a huge commitment too, didn't he?
00:29:04It was his money that was-
00:29:05It was Rosalie's money as well
00:29:06That's what marriage means, sharing everything
00:29:12I wonder how much Hayden shared with Rosalie in the divorce
00:29:15Hmm, and who's in line for it now?
00:29:18Yeah, I'll chase out the will, but
00:29:20Regan, you'd think
00:29:21And probably Shane
00:29:23And they were both on the train
00:29:25Shane may have been the last person to talk to Rosalie
00:29:28Hmm, the romantic political door exchange
00:29:30But what did he do after that?
00:29:33Uh-huh!
00:29:35Mrs Baker!
00:29:38I was wondering if I could get my things from the train
00:29:41My clipboard and whatnot
00:29:42I've got another wedding this weekend
00:29:44I can only hope that that couple hasn't caught wind of my involvement with this debacle
00:29:50RIP Rosalie, obviously
00:29:52Your timing is immaculate, Mrs Baker
00:29:55We're in need of your insight
00:29:59Police, come on through
00:30:01Oh!
00:30:04Sort of a thing, isn't it?
00:30:08Actually being part of a murder investigation
00:30:11Could you talk us through what happened?
00:30:13Starting at the beginning
00:30:17Well, um, Ron and Doug were at the front
00:30:20Anyway, I should drive
00:30:21I have seniority
00:30:23Seniority?
00:30:24What you have is being scared of hard work
00:30:28Um, we're not so worried about them
00:30:31Uh, can you remember where everyone was on the train?
00:30:35Um, well, the catering was in this one
00:30:38And then we were all in the back
00:30:40There was, um, General Minglik
00:30:44Do you recall where Shane Griffin was?
00:30:50Oh, um, he was mainly talking to a friend
00:30:54Fellow train geek
00:30:56They're a special breed, those ferrenic-ninquinologists
00:31:00Uh, Shane told us he went to speak to Rosalie through the cubicle door
00:31:04When the train stopped
00:31:06Oh, yeah, that sounds about right
00:31:07He was the only other person on the train who knew what she was really doing
00:31:11I'll tell you what
00:31:11It wasn't easy keeping that a secret
00:31:14Sorry, so...
00:31:16Was Shane with you when you got off the train?
00:31:18Or was he still back with Rosalie?
00:31:21I remember him turning up at the tracks
00:31:23It's not a game, this is a wake-up call
00:31:26What for?
00:31:26It's the middle of the afternoon, we're already awake
00:31:28Cole is killing the planet
00:31:31Cole is killing the planet
00:31:33What's all this?
00:31:34I can't be certain how long he was on the train before he joined us
00:31:38Lily was very distracting
00:31:40And he...
00:31:43No, no, no, no, not Shane Griffin
00:31:45He would never...
00:31:47He was such an integral part of the planning
00:31:50There was a theme
00:31:51I had it all worked out
00:31:52Champagne flutes, tick
00:31:55Doilies, tick
00:31:57Flour...
00:31:58What in the blazes are those?
00:31:59I was very clear with that florist what I wanted
00:32:01I'll be having strong words with Jenny Monroe
00:32:03I don't quite like them actually
00:32:04Really?
00:32:09No, they were not from me
00:32:10Definitely not part of my catalogue
00:32:14Besides...
00:32:14Black roses are a terrible omen for a wedding
00:32:18They symbolise death
00:32:20Would Rosalie have known that?
00:32:28That note could have been attached to the flowers
00:32:31And I know where else I've seen black roses recently
00:32:40I'm not much of a flowers man but I imagine these are pretty rare
00:32:44Yeah, I suppose
00:32:46So, if a bunch of black roses were to show up in the vicinity
00:32:50Chances are they would have come from your garden?
00:32:52There are florists in town, you know
00:32:54Sure, but I'm talking about a hand-picked bunch
00:32:56Tied with a ribbon, delivered with a note
00:33:01Is this your writing?
00:33:03Yes
00:33:04It's an interesting message, given that black flowers symbolise death
00:33:08Is there anything you want to share Hayden?
00:33:11Look, black roses don't just symbolise death
00:33:13Okay, they're transformation
00:33:16New beginnings, endings, farewells
00:33:20Yeah, I know, I'm not exactly the type
00:33:22But Rosalie planted this bush
00:33:24She told me all about it
00:33:25She would have known what I was saying
00:33:27Mum was wearing one of the roses on her dress
00:33:29She wouldn't have done that if she thought Dad was being threatening
00:33:32You told us you weren't at the launch
00:33:33And that you haven't seen Rosalie for weeks
00:33:35Dad couldn't handle actually being there
00:33:37And seeing her with shame
00:33:39Can you blame him?
00:33:41So I said, I'll drop the flowers off
00:33:44Right
00:33:46Excuse me
00:33:48Gina
00:33:50Will you be okay?
00:33:51I've got to take my car to the garage
00:33:52See you soon
00:33:53Everything alright, Rob?
00:33:54Yeah, just a service
00:33:55It should only take a few hours
00:34:02For me, nothing can beat the appeal of a steam train
00:34:04The Trans-Siberian Railway
00:34:06It's on my bugger list
00:34:08Your what?
00:34:10My bugger list
00:34:11You know when you say, bugger it, let's just do it
00:34:15It's a very common expression, Mike
00:34:16I'm surprised you don't know it
00:34:18I think you mean bucket list
00:34:19Well, the things you want to do before you kick the bucket
00:34:22But what has the bucket done to you?
00:34:24Well, it's a saying
00:34:25Well, anyway
00:34:26The broken wood flyer
00:34:27It's not of the same league, of course
00:34:29But one day
00:34:30I hope for a ride
00:34:31Now, I have something I think you'll like
00:34:34Fire away
00:34:36When I looked closer
00:34:37At the two head wounds
00:34:40I found something interesting
00:34:42Metallic fragments in both of them
00:34:44So the murder weapon was metal?
00:34:47Same as the railway tracks
00:34:48Same age
00:34:49Same wear
00:34:51Same rust pattern
00:34:52Rosalie was hit with a length of rail line
00:34:55A small length
00:34:57Unless your fender was very strong
00:35:03Mrs. Baker can vouch that everyone got off the train at the same time as she did
00:35:07Except for Shane Griffin
00:35:10Oi! You lot! Anyone home?
00:35:17Hello?
00:35:18Oh!
00:35:19You wanna talk to this guy?
00:35:21Noah, you are a hard man to find
00:35:24Not really
00:35:34Get in
00:35:34Not for me, you idiot
00:35:37You have to talk to the police or they'll think you killed her
00:35:41Look, he knows his rights
00:35:43So don't try anything dodgy
00:35:44Okay?
00:35:45Wouldn't dream of it
00:35:45Just cause he has priors
00:35:47Doesn't mean he's done anything wrong
00:35:49Ghosting your girlfriend isn't technically a crime
00:35:55It was one text
00:35:56The timing was freaky
00:35:57It doesn't mean anything
00:35:58You weren't exactly in a hurry to talk to us though
00:36:01So you're saying
00:36:02Despite your prior history of protest action
00:36:05You had no idea what your girlfriend was planning to do?
00:36:08Look, the real target should be the freight trains carrying the coal from the mines
00:36:10And she's out here trying to shut down a vintage train
00:36:14It was pathetic
00:36:14It was almost embarrassed to be involved
00:36:16So you were involved?
00:36:19No comment
00:36:20It is weird that there's nothing on the socials about it
00:36:23So if we checked your phone, there wouldn't be any footage of Lily's protest
00:36:30Lo and behold
00:36:32He obviously was in one of the trees by the line
00:36:36There's Doug and Ron exiting the engine cab first
00:36:39Everyone else piling out of the carriage
00:36:41Mrs. Baker
00:36:44Mayor Bloom
00:36:44All the others
00:36:45Alibis confirmed
00:36:47That's something
00:36:47There's Regan
00:36:50But where's Shane?
00:36:51He said he was checking in with Rosalie
00:36:53Yep, wait for it
00:36:56So, Regan
00:36:57Gets back on briefly
00:36:59Presumably to alert her mum
00:37:02And there she is stepping back off
00:37:04Followed by Shane
00:37:06Which means he's getting off the train a good minute after everyone else
00:37:10Enough time?
00:37:12If he worked fast
00:37:14You can't see the back of the train from this angle
00:37:15Why would he want to kill someone he's supposed to be marrying?
00:37:19Well, I followed up with Rosalie's lawyer
00:37:22Shane is a main beneficiary in the will
00:37:24As is Regan
00:37:26Is this all the footage?
00:37:28According to Noah
00:37:29I stopped recording when Lily got taken onto the train
00:37:32And did you see anything else or anyone else?
00:37:35No
00:37:35We'll need your phone
00:37:36And there was nothing unusual in his call log
00:37:39Ditto his search history
00:37:41So if Noah is to be believed
00:37:43He wasn't the person who called Crime Stoppers
00:37:46Well, he said he took off once Lily was on board the train
00:37:48Where did he go?
00:37:50Back home
00:37:52Well, Lily told us you were ghosting her
00:37:54So presumably she couldn't find you there
00:37:56I didn't stick around for long, mate
00:37:58I went to a mate's place
00:37:59Well, we will need to speak to that mate
00:38:01Oh, we can't, he's in Sydney
00:38:03I needed some space to myself
00:38:05So I crashed out there instead
00:38:06Why did you need some space?
00:38:09To work out what I was going to do
00:38:11Dump Lily
00:38:12And leave town
00:38:14To make it sound worse than it was
00:38:17Look, I was over it
00:38:18This train thing was the last straw
00:38:20I just wanted a bail without more of Lily's drama
00:38:25Yeah, I'm not sure I'm buying that
00:38:26Agreed
00:38:27Where is he now?
00:38:28At the McAlvey's
00:38:29But we told him to stick around
00:38:31Good
00:38:32Me and my lockdown baby
00:38:36We had a ticket on a silver train
00:38:41Coming true
00:38:44About here, you reckon?
00:38:46Yep
00:38:46Clear line of sight to the tracks
00:38:51The train would have obscured whatever was happening to Rosalie at the back of it
00:38:55Once it moves off though
00:38:58Thanks guys
00:39:00Oi!
00:39:01What, am I not allowed to turn it?
00:39:03Not on my train
00:39:04Protocol
00:39:05Hardly the worst thing that has happened on your train, is it?
00:39:10If Noah was still close by after the train moved off
00:39:14He would have been able to see Rosalie's body
00:39:16But he claims he didn't make the Crime Stopper's report
00:39:19But he might have seen who did
00:39:21Or he committed the crime himself
00:39:24Could the phone have been on a tripod?
00:39:27He left it here while he boarded the train?
00:39:30The footage was pretty shaky
00:39:32It had to be handheld
00:39:33Or he was working with someone else
00:39:35He gave them the camera while he went to the train
00:39:37If he is hiding something
00:39:40What's his motive?
00:39:47Sorry, I don't know what else I can tell you
00:39:49Well what I can tell you is that we've got footage that confirms your story about being last off the
00:39:53train
00:39:54Okay, good
00:39:56What I'm interested in is what you were doing before that point
00:39:59I told you I was talking to Rosalie
00:40:01She was changing and I thought after that she'd probably have a cigarette so I left her to it
00:40:08Here you are, you have to help
00:40:09With what?
00:40:09Mrs Baker's yelling at someone, I don't know what's going on
00:40:12Okay, well good
00:40:13Everything on Mrs Baker's schedule was timed to the minute
00:40:15So I knew she'd be in a flat, had the delay
00:40:18So, what schedule?
00:40:20Yeah, nothing left to chance
00:40:24It's like holding on to a little piece of her
00:40:26Which is silly, I know
00:40:30But I can tell you that
00:40:31When I spoke to Rosalie it was around 2.35pm
00:40:34Changing time
00:40:36Can I take that?
00:40:38Um, you'll get it back
00:40:41Sure
00:40:43I can email you a copy of that too if you like
00:40:44Thanks
00:40:46Why is it so important to know when I got off the train?
00:40:52Mrs Baker said you might go down that route
00:40:55We're following all lines of inquiry
00:40:57You've got this so wrong
00:41:01That's another branch of the old rail line
00:41:03That's right
00:41:04It was never part of the restoration plan though
00:41:06So most of the tracks were pulled up years ago
00:41:08How were they disposed of?
00:41:10I have no idea
00:41:11I suppose they would have been taken off for scrap
00:41:13Hmm, thank you
00:41:14Hmm
00:41:18What's that? Regan Barnes?
00:41:20Yes, on bereavement leave of course, poor thing
00:41:22Just popped in to get a few things
00:41:24You know what the numbers, a little bit more
00:41:28Is it okay?
00:41:28I'm sorry
00:41:31I'm sorry
00:41:33I can't get that much
00:41:36You're not.
00:41:37You know what I'm telling me
00:41:53And you can't hear my eyes
00:41:53It's pretty well
00:41:53And then you know what the rain must be
00:41:57Hello?
00:41:58Hi there.
00:41:59You alright?
00:42:00Yeah, just taking a walk.
00:42:03Helps me think.
00:42:05Am I right in thinking that this used to be the old Johnson sawmill line?
00:42:09It's going back a bit, but yeah.
00:42:12Is Troy around by any chance?
00:42:14Well, he's out just now, but he shouldn't be too long.
00:42:18I'm happy to wait.
00:42:29Oh, you'd better come up to the house then.
00:42:32Oh, well, if you insist.
00:42:38And this is where you tell me I haven't changed a bit.
00:42:41Apologies, they caught my eye.
00:42:43That's okay.
00:42:44I took a long stroll down memory lane last night.
00:42:46This is you and Rosalie?
00:42:48Hmm.
00:42:50You, uh, obviously had some adventures.
00:42:52Oh, Rosalie, she was the adventurous one.
00:42:55She taught me into all sorts of things.
00:42:56There's one that I saw on a roller coaster somewhere.
00:42:58The look on my face.
00:42:59Is this Troy?
00:43:01Hmm.
00:43:03He was born overseas?
00:43:05Poland.
00:43:06And I hope you're not going to ask me about the father.
00:43:09No.
00:43:10Well, that is the end of the adventures.
00:43:13Well, it started a new one, I suppose.
00:43:15Parenthood.
00:43:20I moved home when Troy was a few months old.
00:43:23We'd be back in here with mum and dad.
00:43:25And they were remarkably non-judgmental, given the circumstances.
00:43:31And Rosalie?
00:43:34Three years in New York.
00:43:38Two in Paris.
00:43:39And God knows where after that.
00:43:40We lost touch.
00:43:42Our lives were so different.
00:43:51Shane mentioned he went up to the cubicle, just after the train stop.
00:43:56I guess so.
00:43:58What, you didn't see him go?
00:44:00I saw him come back, if that helps.
00:44:03Everyone else had got off by then, so I got back on to find him.
00:44:06I told him Mrs Baker was stressing out and he should go and see what was up.
00:44:09And did he?
00:44:10Yes.
00:44:11But I got off before him.
00:44:14So there was a time when she and Shane may have been the only two people in the carriage.
00:44:23You don't think?
00:44:24No, we're just trying to establish a timeline, that's all.
00:44:27But if you do have reason to believe that Shane wanted to harm your mother, then you should tell us.
00:44:35Regan?
00:44:37Mum was super rich and Shane is super broke.
00:44:41The only thing he has is thousands of dollars of debt.
00:44:46I don't know where Troy's got to.
00:44:48He should be back by now.
00:44:49Oh, sorry.
00:44:52Sims.
00:44:53Regan Barnes is suggesting Shane Griffin has money issues.
00:44:56I see.
00:44:57Bring her in.
00:44:58Copy that.
00:45:00I'm just calling Troy.
00:45:02Tell him I'll catch up with him another time.
00:45:13It's a big call you've made suggesting that Shane Griffin killed Rosalie for her money.
00:45:19I didn't say that.
00:45:20No.
00:45:21You stopped just short.
00:45:22I don't want to believe it, but the facts are the facts.
00:45:25I thought you should know.
00:45:27This debt of Shane's, how do you know about it?
00:45:30I work for the council in the rates department.
00:45:32Shane's house is owned by his dad who's in a dementia care unit.
00:45:35But he hasn't paid his rates for the last 20 years.
00:45:38And Shane is responsible for that?
00:45:40His power of attorney.
00:45:42But no way of paying?
00:45:43Well, it's nearly 200,000.
00:45:46The council's been talking about forcing the sale of the house.
00:45:49Well, if Shane wanted access to Rosalie's money, surely marrying her would get him that?
00:45:53It was still her decision.
00:45:54What to do with it?
00:45:56Maybe she didn't know about the debt.
00:45:57She never mentioned it.
00:45:59Why didn't you tell her?
00:46:01And lose my job for breaking confidentiality.
00:46:03Did Rosalie ever mention changing her will to include Shane?
00:46:07Not to me.
00:46:10She did though, didn't she?
00:46:13But whether Shane knew that is another question.
00:46:22This way.
00:46:25How'd you get on with the council?
00:46:26I'm still on hold.
00:46:28But they said my call is very important to them.
00:46:30Be quick at a walk.
00:46:34Talk to Shane.
00:46:36See what he has to say for himself.
00:46:38Yes.
00:46:39I'm afraid Dad did let things get out of hand.
00:46:42I don't know if it was his dementia or just sheer bloody mindedness.
00:46:45How's that?
00:46:46Well, there was a dispute with the council over a boundary line.
00:46:49Years ago.
00:46:50Dad used to get pretty worked up about it.
00:46:53So he stopped paying his rates?
00:46:55Did Rosalie know about the debt?
00:46:57Yeah, of course.
00:46:58We didn't have any secrets.
00:47:00Good news, I think.
00:47:02Case closed.
00:47:03No, our case.
00:47:04Not yours.
00:47:05Or is it?
00:47:06Closed, I mean.
00:47:07I mean, I wouldn't know, would I?
00:47:09How could I?
00:47:10I mean, could I?
00:47:11No.
00:47:11Sorry.
00:47:13I've been talking to the council about it and paying it off in installments, but it's
00:47:17just, it's all the interest and the penalties.
00:47:19It's the real cooker.
00:47:21I bet.
00:47:25That was DSS Shepard calling from the council office.
00:47:29Your father's rates debt was paid in full today.
00:47:33A scheduled payment from the account of Rosalie Barnes.
00:47:36With the reference, wedding gift.
00:47:53It was Regan, wasn't it?
00:47:56Who told you about the debt?
00:47:58I knew she didn't think much of me, but I didn't think she'd think to that.
00:48:01Well, she's just lost her mother.
00:48:02She's looking for answers.
00:48:04I feel sorry for her.
00:48:06They never really got along.
00:48:06Well, Rosalie was a wonderful woman, but motherhood was not her forte.
00:48:11She was always fighting fault with Regan with her hair and with her clothes and with her
00:48:16attitude.
00:48:17Mothers and daughters, eh?
00:48:20The last big blow-up was a few weeks ago.
00:48:22We'd asked Regan to meet us for a drink, and while I was running late...
00:48:26I don't believe this.
00:48:28You're a sad, old, miserable drunk.
00:48:32Darling, I'm trying to help you.
00:48:34No, you're just trying to control me!
00:48:36What's new?
00:48:38Regan.
00:48:39Regan!
00:48:40Get back here!
00:48:43What was that about?
00:48:46A man.
00:48:48Did she say who the man was?
00:48:50Oh, I didn't think it was my business.
00:48:52Not her father.
00:48:58I wouldn't like it if my mother tried to dictate my love life.
00:49:02You don't have a love life.
00:49:04You don't know that?
00:49:06No, I think I do.
00:49:07Anyway, that's not the point.
00:49:09I'm just saying I wouldn't like it, but I wouldn't bash her over the head with a piece
00:49:13of railway line.
00:49:14I don't think Regan went that far either.
00:49:16Noah's video and all the other evidence suggest that she didn't get the opportunity.
00:49:21Shane, on the other hand...
00:49:22Senior.
00:49:29Yeah, Mum said you wanted to see me.
00:49:32I was out your way.
00:49:34I thought a chat might be useful.
00:49:35You've probably seen our search team working along the railway tracks.
00:49:39Yeah.
00:49:40Yeah, we need to extend the search into the surrounding properties.
00:49:44There's a chance the offender has disposed of the murder weapon somewhere in the area.
00:49:49Right.
00:49:51What was the weapon?
00:49:52We're still ascertaining that.
00:49:55If you have no objections, I could come out with a team this afternoon, take a look around.
00:50:00Yeah, go for it.
00:50:01You're wasting your time, mate.
00:50:03Yeah, very likely.
00:50:03It's all part of the job, though.
00:50:06That's it, then.
00:50:07One more thing.
00:50:08You said you were working on a fence that afternoon.
00:50:11Yeah.
00:50:12Did anyone see you?
00:50:14Yeah, Jock Wilson.
00:50:16He's got the neighbouring farm.
00:50:18Laid up with a broken ankle.
00:50:19But, uh, gave me a wave around, uh, three o'clock.
00:50:24Oh.
00:50:25Good to know.
00:50:34Hey, Summs, get your gunboats.
00:50:54They look like railway tracks, to me.
00:50:56Yeah, they were, uh, lying around out by the road.
00:50:59Years.
00:51:01What are you, I saw?
00:51:04Nobody wanted them, so, uh...
00:51:06So, you decided to help yourself.
00:51:08Thought they might come in handy one day?
00:51:11I had a mother-in-law that was like that with ice cream containers.
00:51:18So, I had a word to Jock, and, yes, he does remember seeing Troy working on the fence at
00:51:24exactly three o'clock.
00:51:26He knows it was three o'clock because he'd just turned on the wireless to listen to the
00:51:30news.
00:51:31Yes, Jock, old school.
00:51:32Then I got a full rundown of the day's activities, starting with Wordle, first thing in the morning,
00:51:37he got it in three, through till five o'clock when he sat down to watch The Chase, which
00:51:42is when he happened to glance out the window and see Troy still at it.
00:51:45Hard worker, that boy, needs feeding up.
00:51:48It's chicken soup from Jock's freezer.
00:51:50Yeah, ta.
00:51:51Thanks again for your time.
00:51:52I'm so full of shit!
00:51:54Pass off and leave me alone!
00:51:59Any idea what that was about?
00:52:01Yeah, young love.
00:52:09They were just lying there.
00:52:13Undisturbed by the look of the weeds.
00:52:16Then again, someone could have just slid one out from the back.
00:52:19Those things weigh a ton.
00:52:20If you're going to use it as a weapon, you'd want to cut it down, right?
00:52:23There were tools in the shed that could have done that.
00:52:26Who had access?
00:52:27To the ropes.
00:52:30Troy, Bridges.
00:52:30Lily, Noah?
00:52:32Or anyone who knew where they were and wanted to point the finger at the McElvies.
00:52:36Yeah, maybe.
00:52:37I'm wondering how quickly I could get from the crime scene to the Old Creek paddock fence line.
00:52:43Where Jock saw Troy working at 3pm?
00:52:46Lily's protest stopped the train here at 2.40.
00:52:50It moved off again five minutes later.
00:52:52And Rosalie's body was reported on the tracks at 2.47.
00:52:56So, if Troy's our man, he had less than 20 minutes to get from point A to point B.
00:53:04Is that even doable?
00:53:06There's only one way to find out.
00:53:13Okay, here we go.
00:53:16Ready.
00:53:18Set.
00:53:19Go!
00:53:33Come on man, we don't have all J.
00:53:5422 minutes, 43 seconds.
00:53:58Too slow.
00:54:01So, unless Troy McKelvey can run like Usain Bolt, he probably didn't kill Rosalie.
00:54:11You know, I've got to say, I thought you'd be faster.
00:54:14It was soft on the foot.
00:54:16Challenging conditions.
00:54:17Usain Bolt couldn't run like Usain Bolt in that terrain.
00:54:19Hang on.
00:54:22Hang on.
00:54:25Is that...
00:54:34Going somewhere, Noah.
00:54:36We thought you were told not to leave town.
00:54:38I had to get away from Lily.
00:54:39She's doing my head in.
00:54:41You're not having much luck with this hitchhiking thing, are you?
00:54:43No, this is, uh, this is perfect.
00:54:46You guys are going to be my first stop.
00:54:48Good idea.
00:54:54Set that on me.
00:55:00All right, Noah.
00:55:02What have you got for us?
00:55:03Oh, well, I may have not given you the full picture earlier.
00:55:07Come on, back on the train!
00:55:22When the train left, I didn't know what to do, so I started heading back to the house.
00:55:26You know, she's Lily's Nana.
00:55:27They gave me a place to stay.
00:55:29I felt like I owed them some loyalty.
00:55:31So that's why you didn't tell us, but did you tell Lily?
00:55:34What, that her nan's a murderer?
00:55:38Yeah.
00:55:39Yeah, I did.
00:55:40Eventually.
00:55:41Well, you saw how that went.
00:55:43You are so full of shit!
00:55:44Lily, what?
00:55:45Puss up and leave me alone!
00:55:46She didn't want to believe me.
00:55:48There's no coming back from that.
00:55:50It's better you just hit the road.
00:55:56So she was protesting about coal trains, then got run over by a coal train.
00:56:01Karma can be cruel at times.
00:56:02Well, that's not quite.
00:56:05Frodo, you know I can't comment on an ongoing investigation.
00:56:08Yeah, no, of course.
00:56:11Excuse me.
00:56:13Regan, I just want to thank you for bringing Shane's rates issue to our attention.
00:56:19No worries.
00:56:20You might not be up with the latest, but the debt has been paid off.
00:56:25What?
00:56:26By your mother.
00:56:28Scheduled payment.
00:56:29A wedding gift.
00:56:30That must be a relief for Shane.
00:56:33Excuse me, I have to go.
00:56:42Simms.
00:56:42A witness has Bridget McKelvey at the scene.
00:56:44Yeah, I'll be there.
00:56:50We have a witness that puts you with Rosalie's body after the train left.
00:56:54What witness?
00:56:55Are you denying that you were there?
00:56:58Okay, all right.
00:57:01Despite everything, I wanted to see the line in action again.
00:57:08And the train had moved off while I was watching, and that's when I saw her.
00:57:13Did you see anyone else there?
00:57:15No.
00:57:16A report was made to Crimestoppers around that time.
00:57:18Was that by you?
00:57:20One last act of kindness for your former friend, perhaps?
00:57:24If we checked your phone, would we find evidence of their call?
00:57:33Yes.
00:57:35It was me.
00:57:43Well, I couldn't just leave her there.
00:57:47After what you'd done.
00:57:49What?
00:57:50Where you had motive.
00:57:51Your conflict over the railway line.
00:57:53Access to the likely murder weapon on your property.
00:57:56And opportunity.
00:57:57You were there when the train stopped.
00:58:00Did you climb aboard and murder Rosalie Barnes?
00:58:05You might want to call a lawyer, Ms. McKelvey.
00:58:13That feels like the closest we're going to get to a confession.
00:58:16What we have is only circumstantial, and I think Bridget knows that.
00:58:19Hmm.
00:58:20How did she know that the train would stop?
00:58:22Or that Rosalie would be at the front of the carriage?
00:58:25Maybe the details of Lily's protest are in the family group chat?
00:58:30Huh.
00:58:30Let's find out how chatty they were.
00:58:45I've just called Dad.
00:58:47He'll be here soon.
00:58:49That's fine.
00:58:51Lily, how much did your Nan know about your protest?
00:58:54What do you mean?
00:58:56Did she know exactly when you'd be stopping the train?
00:59:00I doubt it.
00:59:01Why would you want to know that?
00:59:06What?
00:59:07So she could get on board and attack Rosalie or something?
00:59:10No.
00:59:11No, wait.
00:59:12She would never do something like that.
00:59:14It was just me and Noah.
00:59:16Okay?
00:59:17Nan had nothing to do with it.
00:59:18Nothing to do with what?
00:59:19I was about to inform Lily.
00:59:22We've arrested Bridget for Rosalie's murder.
00:59:25What?
00:59:26What?
00:59:27Wanted to talk to her?
00:59:29Well, you can't just yet.
00:59:30You got it wrong.
00:59:31Have we?
00:59:33Bridget was seen on the tracks next to Rosalie's body.
00:59:36Your mother has found herself in a serious situation.
00:59:38As will Lily if we find out that she's been lying to us.
00:59:46Do you think we got to Troy?
00:59:48Without a murder weapon, it's hard to make those charges stick.
00:59:53Hey, what have you got?
00:59:55Mrs Baker's run sheet.
00:59:57Everyone who had it would have known that Rosalie was scheduled to be at the front of the carriage
01:00:01to change outfits.
01:00:03So, Mrs Baker, Rosalie, Shane?
01:00:07Yeah, but there was someone else.
01:00:09Shane emailed me a copy of the run sheet,
01:00:11and as I scrolled back through the chain,
01:00:13I saw all the recipients,
01:00:15including someone who received it in error.
01:00:19Hi, it's Becky.
01:00:21I'm mortified.
01:00:22When DC Chalmers called, I could have kicked myself.
01:00:25In my defence, it was an easy mistake to make.
01:00:27Her address was very similar to Rosalie's.
01:00:31Regan Barnes.
01:00:32Well, she said she didn't know about the wedding.
01:00:35I guess it is possible she never read the email.
01:00:38Or...
01:00:39She's lying to us.
01:00:42Hey, I've got a little job for you.
01:00:48Hi, Regan.
01:00:50It's Detective Sims.
01:00:51I was hoping we could have a chat.
01:00:58Sorry to intrude.
01:01:00Well, you actually shut up.
01:01:01We were just going through some photos for the Remembrance Board.
01:01:04I thought we'd do it over a Pimm's.
01:01:06So much to choose from.
01:01:07It's such an amazing life she had.
01:01:09Ah, could we have a private word?
01:01:10Sure.
01:01:11What about this one of you and your mum?
01:01:13Yeah, your name?
01:01:13No.
01:01:15Some people find their baby photos embarrassing, I suppose.
01:01:19Did not rock the boat.
01:01:23Regan, some of the things you told us don't match up to what we've discovered elsewhere.
01:01:29Would you like me to spell them out for you, or would you like to tell me yourself?
01:01:33God, um, I was afraid this would come up.
01:01:36I did tell a white lie, but it was only because I wanted to protect him.
01:01:40Who?
01:01:41Dad.
01:01:43Keep talking?
01:01:44When the other guy was asking Dad about the bunch of roses, I told him that I'd been the
01:01:49one to deliver them to mum.
01:01:51But that wasn't true.
01:01:52Dad was there that day.
01:01:54He was on the train.
01:01:59I need to see my nana.
01:02:01Which person is you?
01:02:02How many old women do you have in custody, you factious pigs?
01:02:05All right, take it down a notch.
01:02:07No, where is she?
01:02:09If you calm down, you can come on through.
01:02:14You good?
01:02:19Where's your dad?
01:02:21Shouldn't be alone when you're this upset.
01:02:22I don't know, he took off after those other cops came around.
01:02:26I'll make you a cup of tea.
01:02:27Try calling him again.
01:02:42Okay, yes.
01:02:44I put the roses on the train, I promise you.
01:02:46I took off before I saw Rosalie.
01:02:48Why give her flowers at all?
01:02:49I wanted her to know I wished her well.
01:02:51It was her big day.
01:02:52You knew about the wedding.
01:02:54How?
01:02:55Well, she told me.
01:02:56After we signed the papers.
01:02:57Two champagnes.
01:02:59First date, right?
01:03:00Last, actually.
01:03:01We just got divorced.
01:03:03Oh, slave.
01:03:04Sorry.
01:03:05No, not at all.
01:03:07We are celebrating closure.
01:03:11To the end of our journey.
01:03:13To the end of our journey.
01:03:20Happy ex-wife, happy life, right?
01:03:22Do you really mean that?
01:03:24Don't tell me you want half the house after all.
01:03:26I want something from you, but not that.
01:03:29What?
01:03:30Shane and I are going to get married.
01:03:33Quite soon.
01:03:35I'd love it if you would give us your blessing.
01:03:38Yeah, she'd ask for the moon, that one.
01:03:40And not for a second think why you might not be able to give it to her.
01:03:43But I got there in the end.
01:03:44That's what the flowers were.
01:03:46Closure for me.
01:03:47A new start for her.
01:03:48So why lie about your whereabouts that day?
01:03:51Or rather, why let Regan lie for you?
01:03:53I was in shock.
01:03:54And I suppose I was worried how it might look to you lot.
01:03:57How's that?
01:03:59Like the angry ex did it.
01:04:01You would have heard about those fights we had in public.
01:04:04But that was early on.
01:04:05I got over it.
01:04:06What about Regan?
01:04:08Not so forgiving.
01:04:10I blamed her mum for the breakup.
01:04:11She always took my side, even though I was no angel.
01:04:14I never asked her to lie.
01:04:16Anyhow, I didn't think it would matter, since I had an alibi.
01:04:21You're Gardner.
01:04:23So, why do you think Regan decided to tell the truth now?
01:04:26No clue.
01:04:28I love that girl to bits.
01:04:30But Rosie had that girl in therapy for years.
01:04:31I still have no idea what makes her tick.
01:04:41The tickies have Regan's laptop.
01:04:43They should be able to find out if she opened that run sheet attachment or if it went straight to
01:04:48spam, like she claimed.
01:04:50Since she's been erratic with the truth, I wanted to check on her movements.
01:04:54I saw her get picked up by someone at the council offices while her car was in for a service.
01:05:01I've got the council CCTV footage.
01:05:09Okay.
01:05:10That ute.
01:05:12That's Troy McKelvey's.
01:05:13So he was playing taxi.
01:05:15Well, that makes sense.
01:05:16Helping her out as she grieves her mother.
01:05:18An olive branch, perhaps?
01:05:19Well, I saw him parked outside Hayden's place today.
01:05:22He took off when he saw me.
01:05:23And they were both at the coffee cart today?
01:05:25Together?
01:05:26No.
01:05:27Regan took off when she saw her.
01:05:29It's almost like she didn't want to be seen with her.
01:05:31Because her families hate each other?
01:05:34Or an illicit love affair?
01:05:36Well, Shane did say that Rosalie and Regan had been arguing about a guy she was seeing.
01:05:40Well, there you go.
01:05:41Romeo and Juliet.
01:05:43And Troy kills Rosalie so that he and Regan can be together?
01:05:46Well, they are both grown adults.
01:05:49They don't need parental permission to be in a relationship.
01:05:52And killing your partner's mother is hardly a romantic gesture.
01:05:58Can you tell me when Troy shows up to pick up Lily?
01:06:09Troy and Regan.
01:06:11What do you know about their relationship?
01:06:13There isn't one.
01:06:14They hardly know each other.
01:06:15Yes, given the hostility between your families.
01:06:19How far back does that go?
01:06:20What do you mean?
01:06:22Troy and Regan.
01:06:23Did they know each other when they were young?
01:06:24I told you.
01:06:26After Rosalie came back here, we didn't have much to do with each other.
01:06:29Well, I was busy with Troy trying to make a go of the farm.
01:06:33And Rosalie was busy snagging herself a rich young husband.
01:06:37Different worlds.
01:06:39And then there was the conflict over the realm.
01:06:42Oh, Rosalie always had to get away no matter who she hurt.
01:06:45But I guess that almost counts as a motive.
01:06:48What?
01:06:49You seem determined to prove that you have one.
01:06:53Troy McElvey's here.
01:06:54He wants to talk.
01:06:58But whatever mum might be saying, she didn't kill Rosalie.
01:07:02How can you be so sure?
01:07:04Well, she's pretty fit for her age.
01:07:06But it's still a big ask, isn't it?
01:07:08To think that she could climb onto a train, attack Rosalie, throw her off the back and then jump off.
01:07:15All in a matter of minutes.
01:07:17Well, you seem to have a very clear idea of what happened.
01:07:20Do you want to tell us about the murder weapon too?
01:07:23Well, how about I tell you that we believe it was a length of sawn-off rail line.
01:07:28The likes of which were lying around on your farm.
01:07:31That Bridget would have had access to.
01:07:33She also had a motive.
01:07:34So did I.
01:07:36Doesn't prove anything.
01:07:37Well, it could be either of you.
01:07:39Could be both.
01:07:41Were you working together?
01:07:43No.
01:07:45I was in the paddock.
01:07:48Jock saw me.
01:07:49You remember?
01:07:50I do.
01:07:51So unless you want to change your story, Bridget will remain in custody.
01:07:57Why don't you tell us about your relationship with Regan Barnes?
01:08:01There is no relationship.
01:08:03You've been seen near each other multiple times recently.
01:08:07Today, for example, when I saw you waiting outside her house, picking her up from the council offices yesterday.
01:08:13We hung out a few times, that's all.
01:08:16You dated?
01:08:18Regan pulled a pin long before it got close to that.
01:08:20Because her mother disapproved?
01:08:24Rosalie interfered?
01:08:25Regan called time?
01:08:28And how did that make you feel?
01:08:30Angry?
01:08:33No.
01:08:34It wasn't like that.
01:08:36So why have you been trying to see her?
01:08:37The woman just lost her mother.
01:08:39I was offering her condolences.
01:08:42That's all.
01:08:44Nothing concrete to charge him with?
01:08:47Hopefully his concern for Bridget will keep him close by.
01:08:50Mike!
01:08:51Gina!
01:08:55I brought you this.
01:08:56Oh.
01:08:57The love train.
01:08:59A trans-Siberian journey into the heart of Russia.
01:09:01You were so interested yesterday.
01:09:04The translation is poor, but the story...
01:09:06Oh, well, thank you.
01:09:10Actually, are you free tomorrow morning?
01:09:13For you?
01:09:14Yes, of course.
01:09:15Work or pleasure?
01:09:16Well, that's a bit of both.
01:09:18Let's call it fieldwork.
01:09:19I look forward to it.
01:09:25What?
01:09:26What?
01:09:27I said it was work, didn't I?
01:09:38All aboard!
01:09:40I say that.
01:09:41Oh, you'd better get it in there quicker, this.
01:09:50So romantic.
01:09:52Steam travel.
01:09:54Thank you for this, Mike.
01:09:55I'm taking it off my bucket list.
01:09:59Oh.
01:10:03Oh.
01:10:04Oh.
01:10:06Oh.
01:10:08Oh.
01:10:10Oh.
01:10:10Oh.
01:10:12Oh.
01:10:13Oh.
01:10:14Oh.
01:10:14Oh.
01:10:16Oh.
01:10:17Oh.
01:10:41Right.
01:10:42This is where the work power of the trip begins.
01:10:47Okay, start the train up again.
01:10:49Same speed as the other day.
01:10:51I'll tell you when to stop.
01:10:52Roger that.
01:10:53Yeah, I'll roger that too.
01:11:11Nazdrovya.
01:11:18Sam's.
01:11:19Regan's not at home, and she's not answering her phone.
01:11:21Could she be ashamed of Griffin's or funeral plan?
01:11:24Chalmers checked.
01:11:25They were supposed to have a meeting, but she never showed.
01:11:27Still no answer.
01:11:29Is this like her?
01:11:30Not the first time she's taken off to get her head together.
01:11:33Stop here, please.
01:11:34What?
01:11:35No, no, not you.
01:11:35Keep looking.
01:11:36Gotta go.
01:11:44There are better spots for a picnic further back.
01:11:47Eight minutes.
01:11:49Mike, if this is all you needed to calculate, I could have done it with simple mathematics.
01:11:54If a train leaves point A, traveling at X kilometers per hour...
01:11:59Ah, yes.
01:11:59But what would happen if a person jumped from a moving train, traveling at X kilometers per hour?
01:12:05I think this is not a hypothetical question.
01:12:08If they were fit and strong in their role on landing, they could survive jumping from a moving train with
01:12:15no injuries.
01:12:16Still need to clear the fence and make it to the paddock, though, to be seen from Jock's house.
01:12:27Oh, move a bit slower. Imagine you're carrying a heavy murder weapon.
01:12:36I often imagine this for my job.
01:12:41Mike, some of these fence posts are made of iron.
01:12:45A very particular iron.
01:12:49Yeah.
01:12:49And, uh, a person of interest was seen here on the day, mending the fiends.
01:13:08Oppa!
01:13:09Gotcha.
01:13:29Just listen to me, you freaking...
01:13:31I can't!
01:13:32I can't!
01:13:32I can't!
01:13:33Cool Simms, get back up here now.
01:13:39Put the knife away, Regan!
01:13:41Put the knife down, Regan!
01:13:42Put it down, Regan!
01:13:43That's a good idea, Regan!
01:13:44You have to help me!
01:13:45He killed my mother!
01:13:46Yeah, that's the conclusion I came to.
01:13:48You have to arrest him!
01:13:49Take him away, he's dangerous!
01:13:51I can certainly take care of things from here.
01:13:54Regan, put the knife down, please.
01:13:55You have to arrest him!
01:13:57I will, but I can't do that until you put the knife down.
01:13:59You won't let him get away.
01:14:01Backup's on the way.
01:14:02You're not going anywhere, are you, Troy?
01:14:05Except jail.
01:14:06Regan.
01:14:10Regan.
01:14:18What are you doing?
01:14:19No!
01:14:19No, it was him!
01:14:20He killed her!
01:14:21But he didn't do it alone.
01:14:23Regan Barnes, I am arresting you as an accomplice in the murder of Rosalie Barnes.
01:14:27So you have a right to remain silent.
01:14:28You do not have a right...
01:14:29No!
01:14:30I didn't do it!
01:14:31Give it up, Regan.
01:14:33Give it up.
01:14:35This ain't no point lying anymore.
01:14:44I'm going to take your handcuffs off of you now.
01:14:47She won't do it.
01:14:49She won't let her.
01:14:52She won't let her.
01:14:53She won't let her.
01:14:56You don't have to say anything, remember?
01:15:06It was always about her.
01:15:08Everything was always about her.
01:15:10She never put me first.
01:15:12And some mothers are supposed to do this first, but they told us first.
01:15:14But she never did.
01:15:16She was selfish.
01:15:18And she used people.
01:15:20Everyone.
01:15:21Me.
01:15:22And...
01:15:23And...
01:15:24And Dad.
01:15:24And Bridget.
01:15:26And...
01:15:26And everyone.
01:15:30Why?
01:15:34The psych team are on their way.
01:15:36What color were your love's design?
01:15:41What songs did she sing to you in the night?
01:15:46Did she comb your hair and tie it up?
01:15:50When she looked at you, did she see herself?
01:16:06Take me to the place where you grew your home.
01:16:18It took me a while to figure out how you did it.
01:16:23For starters, how did you know that Rosalie would be in the cubicle when the train stopped?
01:16:27And then I realized...
01:16:30Regan knew.
01:16:31She got sent to run sheet by mistake.
01:16:36The only place to change is at the front of the carriage.
01:16:39There's a cubicle.
01:16:39That's where she'll be.
01:16:41You knew enough about Lily's protest to know where she would stop the train.
01:16:46So you lay in wait.
01:16:51You wanted Rosalie's death to look like an accident.
01:16:54So your weapon matched the rails that Rosalie would fall on.
01:16:57Yeehaw.
01:17:10I'm sorry.
01:17:10Leem.
01:17:11With everyone preoccupied by the protest.
01:17:14You made your move.
01:17:16Oh fortune tell them.
01:17:20Don't tell me.
01:17:23Too much.
01:17:48What you didn't know is that Bridget saw you.
01:17:52What?
01:17:53She was there.
01:17:54She saw it all.
01:18:08You then hid in the cubicle, quicker to train to Old Green Paddock than to run.
01:18:22Making it in time to be seen by Jock at 3pm, you return later to conceal the murder weapon,
01:18:28having welded it back to the rail.
01:18:44Buried, it became part of the fence line.
01:18:55Smart guy, aren't you?
01:18:56To be fair, I didn't have it all figured out.
01:19:00I mean, I could see what your motive would be.
01:19:03But Regan, why would she have wanted her mother dead?
01:19:09I've never seen you like that before.
01:19:13Completely out of her mind.
01:19:20You shouldn't be here.
01:19:21The police think I had something to do with her.
01:19:23Yeah?
01:19:24Well, showing up here isn't going to make you look more innocent.
01:19:26Well, what do I do?
01:19:29Regan, listen to me.
01:19:31The cops think it was mum.
01:19:32I've arrested her.
01:19:34What?
01:19:35She's letting them think it was her.
01:19:39I tried to talk to her.
01:19:42Talk some sense and she wouldn't listen.
01:19:44What the hell is the matter with you?
01:19:45But that's good.
01:19:46If she's prepared to take the blame, that's good.
01:19:48Look, I can't do that to mum, I can't.
01:19:50But if Bridget's already convinced...
01:19:51Look, it doesn't matter.
01:19:54I'll leave you out of it, I promise.
01:19:56What?
01:19:56The cops don't need to know you had anything to do with it.
01:19:59It's just me.
01:20:00No, they'll know.
01:20:01They'll work it out.
01:20:02You'll say the wrong thing.
01:20:03Please, don't...
01:20:04Look, they will believe me.
01:20:06For mum's sake.
01:20:15Make them believe you.
01:20:17Show them how desperate you are.
01:20:22I'll help you.
01:20:23Put the knife down, Regan.
01:20:24Put the knife down.
01:20:25Come on, put the knife away, Regan.
01:20:27She wanted you to look guilty by taking your own life.
01:20:31That's a rather extreme suggestion.
01:20:34It's the only way she could trust me not to drop her in it.
01:20:37Rosalie disapproved of your relationship.
01:20:40You see, that's the bit I couldn't understand.
01:20:44Until I spoke to Bridget again.
01:20:47The photo of Troy as a baby, it was taken at a maternity hospital.
01:20:52In Poland, I told you.
01:20:54I saw a similar photo yesterday.
01:20:56Same curtain, same pictures on the wall.
01:20:58Same baby.
01:21:00Only the woman holding him was Rosalie.
01:21:03So?
01:21:04She was there on the day?
01:21:06Of course she was.
01:21:08She was wearing a hospital gown.
01:21:10And a patient bracelet.
01:21:11The last letters of your name were clearly visible.
01:21:15It was Rosalie who gave birth, but to the hospital was Bridget McKelvey.
01:21:19It was your name on the birth certificate.
01:21:23Who were we hurting?
01:21:26I wanted a child.
01:21:29And Rosalie wasn't ready to be a mother.
01:21:32Never really was.
01:21:34Ask Regan.
01:21:35Did Troy know all this?
01:21:37Oh, Aunt Regan must have told him.
01:21:40She came to me in a state a few weeks back.
01:21:43Is it true?
01:21:44What?
01:21:45What my selfish cowl if her mother said, is it true?
01:21:48I finally find a decent man.
01:21:49And mom has to ruin it.
01:21:51She can't stand to send anyone else happy.
01:21:53Least of all me.
01:21:54She just has to hoard it all for herself.
01:21:56All the attention.
01:21:57All the love.
01:21:58She's just sick.
01:21:59Regan, listen.
01:22:00I don't...
01:22:00No, just tell me.
01:22:01Is it true?
01:22:03It's Troy, my brother.
01:22:06My brother.
01:22:08My brother.
01:22:11My brother.
01:22:11My brother.
01:22:16If it were up to me, Troy would never have known.
01:22:21He's mine.
01:22:23And that's all that matters.
01:22:27Regan obviously told you.
01:22:30And you didn't say anything to Bridget.
01:22:35Didn't change anything between us.
01:22:37But it changed everything with Regan.
01:22:40She told me at the pub.
01:22:42And yeah, she was a little dark on it.
01:22:44Hey.
01:22:47If Rosalie had been a better mother to her,
01:22:50she might have been able to let it go.
01:22:53But...
01:22:56Something snapped.
01:22:59She was obsessed with getting back at her.
01:23:02And then, at a point,
01:23:04she shared her plan with you.
01:23:11Don't bail on me now.
01:23:15We deserve some happiness.
01:23:16So does Bridget.
01:23:19Since we can't be together,
01:23:20we can at least get us all some money.
01:23:22You went along with her plan to frame Shane.
01:23:30Proof of his debt, Mr. Droid.
01:23:32I bloody hope so.
01:23:33You believed that Regan would inherit
01:23:36a large chunk of money from Rosalie.
01:23:39Regan offered to share it with you.
01:23:41Maybe it was enough to clear your debts.
01:23:44Keep Bridget in her old age.
01:23:47What you didn't know was that
01:23:49Rosalie had already committed
01:23:51most of her funds
01:23:52to clearing Shane's rates bill.
01:23:54You killed her for money
01:23:56that was never coming your way.
01:24:16Thank you for a lovely service.
01:24:18May she rest in peace now.
01:24:20Time for a Pimms, I feel.
01:24:22Trains keep on rolling
01:24:30Throughout the little town
01:24:38It all feels different
01:24:41Without you around
01:24:46Lovely, isn't it?
01:24:48How a funeral can bring people together.
01:24:51Funerals and free beer.
01:24:53Excuse me?
01:24:55Put it on my tab.
01:24:57No doubt to imagine
01:24:58what kind of tab you're running.
01:25:00Tell him.
01:25:01Now.
01:25:03Trudy offered me a year
01:25:05of free tab beer
01:25:06because I did a favour for him.
01:25:09Shifting some stolen goods.
01:25:12It wasn't as dodgy as it sounds.
01:25:15And don't think I haven't been
01:25:16keeping track either.
01:25:18Your year's up as of yesterday.
01:25:19Shut up.
01:25:20Excuse me.
01:25:21I don't want to come
01:25:22between you two lovebirds.
01:25:23What the hell is that
01:25:24supposed to mean?
01:25:25Just try to keep it seemly, eh?
01:25:26This is a wake, after all.
01:25:29Another beer?
01:25:30Yeah, I reckon.
01:25:32On your tab?
01:25:33I haven't got a bloody tab.
01:25:34Start one.
01:25:35I haven't got a pretty chance.
01:25:37I haven't got a bad habit.
01:25:38I want to go on my tab.
01:25:39I'm not going on a bad habit.
01:25:40I think you're going on right now.
01:25:42I haven't got any of a lies yet.
Comments