- 1 day ago
Vanished S01E01 [Full Movie] [Full Story]Full EP - Full
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Short filmTranscript
00:11You
00:19Stranger
00:19I got offered a teaching position. You and I could live together
00:26Yeah, sir
00:27Sir, I can't. One sec
00:30Did my boyfriend return?
00:32Uh, no
00:37You know how many people are reported missing each day in France
00:43I know where Tom got off the train
00:45There was a door in the conductor's office
00:48Oh, the conductor is in the conference town
00:50This is all getting quite dramatic
00:51His name is Marie Chirou. He was hiding something I could tell
00:54The police are either useless or corrupt
00:57Tread carefully, Miss Monroe
00:59You know Tom better than anyone
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London
01:08You probably know more than you realize
01:11It's the same I rose, Finch
01:13Reminds me of you
01:29If you love me with my own
01:38Tell my heart which way to go
01:46Hey, look at that
01:50What's that?
01:52What's that?
01:52Pottery
01:53Maybe
01:54Greek
01:56It's probably been here for hundreds of years
01:58It's so beautiful
02:03Here
02:06No, you keep it
02:07Why?
02:10During those nights
02:11During those nights
02:12When you're in one far flung corner of the earth
02:14And I'm in another
02:15I want you to think of me
02:16With the same wonder and tenderness
02:17As you do when you look at that piece of clay
02:19We're two weary hearts
02:21Yeah
02:22Aglow
02:23Aglow
02:24No
02:27If you love me
02:30Let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
02:48Five
02:49Five
02:50Five
02:50Five
02:51Five
03:19Transcription by CastingWords
03:49CastingWords
04:03CastingWords
04:05CastingWords
04:17CastingWords
04:27excuse me hi my name is alice munro and i need help my boyfriend tom parker he works for this
04:35charity and he's he's missing can someone help me can i speak to someone in charge tom parker yes
04:41tom parker one minute please thank you
04:49hi this is alice yeah hi i'm alex durand i've heard so much about you from tom you have you
05:07know tom yes
05:08of course we used to work together in the field before i became a student metaphorically speaking
05:15what happened um tom disappeared what do you mean he disappeared okay so he called here at sos
05:24from paris two days ago do you know who he said he was talking to his uncle from england but
05:30like
05:30why i don't know why he would lie to me it's possible he was trying to call jordan
05:36we can route calls through here so you don't have to pay international charges but
05:41i know he's coming here after vacation so there's no need for him to call him before
05:46we encourage our our people to take a complete break when they're on holiday and
05:52especially tom after what he's been through what do you mean
05:58how's he been since the incident what incident
06:06i'm sorry i i thought what incident okay i'm going to tell you this but
06:15if when tom comes back all happy and healthy i'd prefer if you kept me out just tell me what
06:21happened
06:25it happened about nine months ago in jordan
06:30there was this young boy named malik just eight years old and uh he lived in one of the camps
06:39where
06:39things were already hard but that night it got even worse his mom went into labor alone in the
06:47middle of the night she was very sick had no one to help her so malik ran for four miles
06:52all the
06:53way to where the sos team was staying and got tom to drive them to the hospital the baby was
06:59delivered
07:00safely but the mother's condition kept getting worse so with his mom sick medic dropped out of school
07:08scavenging for food he tried to take care of his family and then tom saw what was happening
07:18and tom being tom he promised malik that if he went back to school
07:21he would make sure his family was taken care of
07:24and he would make sure his family was taken care of but unfortunately
07:31bandits
07:32bandits ready to camp
07:35they took women and children no one knew who had survived
07:40and tom was obsessed
07:44he spent weeks searching for malik and his family and
07:52eventually they found him
07:56the boy alongside his his mother and sisters in a mass burial pit ten clicks outside of the camp
08:07we all have our breaking point and and that was tom's at least i think it was
08:12so
08:13but he didn't want to pack it in we got him a counselor we tried to give him support
08:18but something in him had shifted yeah
08:21he disappeared sometimes for days there have been discussions to take him out of the field
08:25but he wasn't himself anymore he just seemed lost
08:30i don't think he ever really came back from what happened
08:40sorry i uh i you didn't know any of this
08:45alan
08:48i just don't understand why he couldn't tell me himself
08:54the world is in crisis every minute of every day
08:57our people here see enough depravity for a thousand lifetimes
09:01sometimes it just gets unusual
09:04he just seems so normal in paris
09:06but maybe that dose of nomadity was the thing that shook him
09:10but he'll show up if it's not tomorrow then soon
09:13i'll call jordan and if he contacts anyone there
09:16i'll make sure to let me know
09:18thank you
09:22don't worry
09:23i guess we'll find him
09:28i'd know
09:29thank you
09:30thank you
09:31thank you
11:02Where did you find that?
11:04I was looking in Tom's notebook and it's... it was in there.
11:08Oh, really?
11:10It could be anything or anyone.
11:13Anything else in the notebook?
11:15Not really. I was just on a post-it note.
11:18Okay.
11:19Leave it with me. I will look into it.
11:51How do you know it's a boat?
11:53Oh, I don't. It's a hunch.
11:57Would you prefer it to be another woman?
12:00Look around you.
12:02What do you notice?
12:04Men paint women's names on their boats to pretend those women are central to their life.
12:11And then they run away to the sea with their buddies.
12:16And here's what I'm talking about.
12:20And here's what I'm talking about.
12:29And here's what I'm talking about.
12:45Oh, my God.
12:46Keep lookout.
12:48Keep lookout.
12:49Keep lookout.
12:50Keep lookout.
12:53Keep lookout.
12:54Keep lookout.
12:58Keep lookout.
13:09Keep moonlighting city.
13:10Good,
13:11sure.
13:13And what?
13:14What?
13:14Go ahead.
13:15You just want toслow and stay on the boat.
13:17And you can rent that up the boat.
13:19Don't start to be on the boat.
13:52Oh my God.
13:58Is it his?
14:06Alice?
14:08Alice?
14:10Alice?
14:12Alice?
14:13Tati!
14:15Tati!
14:43Tell me about that.
14:45I was wondering what you'd notice.
14:47He may be useless with cars, but he could talk a dog of a mitra.
14:53Yeah, I came as soon as I could.
15:12Hi.
15:15Yeah, I spoke to Jordan.
15:19You were right.
15:20Tom did make a call on Thursday morning.
15:24And?
15:25He wanted to be put through to one of his colleagues.
15:31Alice, there's no easy way to say this.
15:35No, I met her actually.
15:39That...
15:40That woman that you're...
15:42Were...
15:44Were they...
15:46Are they...
15:47It's really not my place to speculate.
15:50Come on.
15:57He's not thinking rationally.
16:06So...
16:08What happens now?
16:12My goddess, he will show up somewhere, or makes contact with someone in the next 48 hours, and then you
16:18both need to decide what happens next.
16:23If I were you, I would go to R.
16:26Go to R.
16:27There's no need to hang around in my safe.
16:30If he turns up, you'd be the first one to know.
16:33Okay?
16:35Great.
16:38Alice, I'm...
16:39I wish I had better news.
16:40I'm sorry.
16:41No, it's okay.
16:42You've been very kind to me.
16:48Call me for Ma, yeah?
16:51If you need anything at all.
16:54Go.
17:04Go.
17:06Go.
17:09Go.
17:11Go.
17:11Go.
17:11On the mark.
17:12The end of the mark is not working on the other side.
17:15Go.
17:17Go.
17:23I don't know.
17:49I don't know.
18:40I don't know.
18:44Rafiq, okay?
18:48You came.
18:49Well, one thing I learned living here,
18:53if an attractive woman invites you to a party on a Friday night,
18:56you go.
19:19Is everyone here from the dig?
19:22Yeah, why?
19:24I kind of want you to show me your world.
19:38This is totally illegal, you know.
19:41We get caught.
19:42What?
19:43Well, I could get fired.
19:46What's that man back there, your boss?
19:50Rafiq?
19:51Yeah, why?
19:53I think your job is safe.
19:57What?
19:59Really?
20:00No, Jeff.
20:05Come here.
20:09Yeah.
20:11This was built by the Nepotians.
20:15What's that, 9th century?
20:174th century.
20:18A.D.?
20:19B.C.
20:19B.C.
20:22Did you say the Nepotians?
20:24Oh, you didn't hear me?
20:25No.
20:25Oh, now you know.
20:28That's what all it was.
20:29Yeah, sure.
20:30It actually flourished due to trade routes, incense, spices, silks, and of course, it's gorgeous.
20:37Rock cut architecture.
20:39And it was annexed by the Romans that fell into total disrepair.
20:42By the time the earthquakes hit in the 6th century, entire infrastructure was basically destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:54As is that interesting to you.
21:03Very.
21:12Say hi.
21:18I have no more.
21:24OK.
21:26Hold on.
21:27Come on.
21:28Hold on.
21:30Hold on.
21:34He's coming back.
21:56Hold on.
22:27Hold on.
22:35Hold on.
22:38Hold on.
22:41Hold on.
24:00Excusez-moi.
24:02Excusez-moi.
24:04I need help, please.
24:08Hello.
24:10Hello.
24:13Hi, I'm looking for Maurice Giroux.
24:15Is he around here?
24:16Maurice?
24:17I'm sorry.
24:18He left around an hour ago.
24:20Do you know where I could find him?
24:22Why?
24:24Uh, it's personal.
24:26Do you have an address or a number or something?
24:29Oh, I'm afraid I can't give this address to a stranger, but how do you know Maurice Giroux?
24:33I don't.
24:33He was the conductor on a train I took recently and I need to tell...
24:36Yeah, okay.
24:38I'm sorry, Ann.
24:39When was it?
24:39I...
24:40I can't just give out his address, you understand?
24:43Yes, of course.
24:46Okay.
24:47Sorry.
24:54I think she slept together about a month ago.
24:56It wasn't a big deal, kind of casual, but now it is a big deal because I'm pregnant with
24:59Maurice's child.
25:01I need to speak to him right now.
25:02What's she said?
25:03Oh, yeah.
25:05She said she was in the house of Maurice!
25:13Sorry.
25:14I'm sorry about my colleagues.
25:19Sorry.
25:19Of course.
25:20I'll give you his address.
25:22Sorry.
25:23Good.
25:24Of course.
25:25Here.
25:36I'm sorry, I'm sorry.
26:05Stop, stop, stop.
26:34Mon bébé, qu'est-ce que tu fais ? Je t'ai perdu, c'est quoi le bordel ?
26:38Viens là, pourquoi tu veux pas me parler ?
26:40Je te promets que t'en viras jamais comme la mienne.
26:43Alex, 20 minutes.
26:44Laisse-moi 20 minutes.
26:4620 minutes, pourquoi ça 20 minutes ?
26:47J'ai pas connu pour deux à trois.
26:49Pour deux, c'est le tétongue gay, ça.
26:50Bah, tu vas me foutre, toi, t'es conne.
26:51Oh, oh, oh, oh.
26:52Oh, oh, oh, oh, oh.
26:55Get out of my way.
26:57Oh, tu vas se doué ? Tranquille.
27:00Ça va, oh.
27:01Ça va.
27:04Ça se voit qu'elle en a jamais tenu.
27:06Ouais, ça se voit.
27:08C'est comme ça qu'on tient plutôt.
27:10Comment vous pouvez avoir confiance ?
27:14C'est quoi ?
27:15Comment on fait maintenant ?
27:19Regarde-moi quand je te parle.
27:26Hein ?
27:27Eh, viens danser la bâche à ta mère.
27:29Viens, tu vas danser la bâche à ta mère.
27:31Cassez-vous, j'appelle la police.
27:32Oh là là.
27:33Oh !
27:34Vous m'entendez ? Vous êtes sourds ?
27:35Allez, on dégâche !
27:37Oh, tais-le.
27:37Pite à la place du cerveau.
27:39Dans tes gueules, je t'ai dit.
27:40Tu pourrais pas aller encore une fois comme ça ?
27:42J'étais en collune.
27:43Mieux encore.
27:44J'appelle ta mère.
27:50J'appelle ta mère.
27:58I see...
32:10Here's your mom.
32:15Something has happened.
32:16I need to see you right away.
32:18Hey, Alyssa, is everything okay?
32:20I thought you'd left.
32:21No, no, it's not.
32:23I just went to see the conductor, the one from Tom's train, and when I got there, he was dead.
32:27He was dead.
32:28He was dead.
32:28He was dead.
32:29Wait, wait, wait.
32:30Slow down, okay?
32:31Are you okay?
32:32Yeah, I saw the man who did it.
32:33Yeah, I saw the man who did it.
32:35Yeah, I saw the man who did it.
32:36What man?
32:37He was very muscular.
32:38He was very muscular.
32:38He had very dark hair with like a bun.
32:42Where are you?
32:44I'm at the hotel Perron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
33:07She saw you.
33:09She's at the hotel room, room 218.
33:14Go there now.
33:15Go there now.
33:53Go there now.
34:00What?
34:01I was right about the conductor.
34:03What?
34:04I went to his apartment, but when I got there, he was already dead.
34:06Someone slit his throat.
34:10Who have you spoken to?
34:11Um, just one person from Tom's Charity is coming actually to meet me right now.
34:16Alice, which hotel, which hotel are you staying at?
34:20Perron.
34:21I'm coming now.
34:23Do not speak to anyone.
34:25You hear me?
34:25Do not speak to anyone.
34:27Come on.
34:28Come on.
34:38Come on.
34:43Come on.
34:45Come on.
34:49Come on.
34:50Come on.
34:51Come on.
34:53Come on.
34:54Come on.
34:55Come on.
34:56Come on.
34:57Come on.
35:13I have a delivery for Alice Monroe.
35:42I have a delivery for Alice.
35:56I have a delivery for Alice.
36:33Are you okay?
36:35Yes.
36:36Okay?
36:37I'm having a panic attack.
36:39Freeze.
36:41Oh my God.
36:42Freeze, freeze, slowly.
36:44Oh my God.
36:45You're safe, Alice.
36:48It's Durand.
36:48The works at SOS?
36:51Don't answer.
36:52No, he's been helping me.
36:54I cannot protect you if you do not want to be protected.
36:57Uh...
36:58Does he know which hotel you are staying at?
37:00Yes, but it...
37:01Who else knows?
37:03I guess Inspector Drax...
37:05Okay, so at least one of them is trying to kill you, huh?
37:11I didn't tell you about SOS.
37:14How do you know that's where Tom worked?
37:25It's my job.
37:27What is?
37:30To...
37:30To know things.
37:32Okay, you better start telling me some truths or I'm gonna call him back.
37:34Don't be so stupid.
37:36Okay, fine.
37:36Don't be so...
37:37Please!
37:42Tom got off the train because of me.
37:45What?
37:46I will explain.
37:47What?
37:47First, we need to go somewhere safe.
37:51First.
37:55Shit, my bags are at the train station.
37:57Okay.
37:58Don't worry.
37:59Let's go to the train station.
38:01Seriously, what is going on?
38:23I'm something like a Bette Noire for your former lover.
38:30The truth is, for the past six months, I've been investigating him.
38:36On the train, I was following him.
38:40Either he saw me or someone told him I was on it and he must have panicked and got off.
38:47Why on earth are you investigating him?
38:51I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
38:59Tom.
39:00Yes.
39:05I have reason to believe.
39:09Oh, no.
39:09You are...
39:10You are so, so far off on this one that Tom would never, ever...
39:16Did you know he kept a boat in Marseille?
39:20So you knew about the boat?
39:22Yes, of course.
39:25So you lied to me?
39:26No.
39:27I'm with her, the truth.
39:28That's very different.
39:30I thought you were helping me.
39:32I was investigating you.
39:37Who do you work for?
39:38Oh.
39:39I'm freelance.
39:41It suits me better.
39:42Yeah.
39:42When did they let you go?
39:47Five years ago.
39:51I'm not going to listen to any more of this nonsense.
39:53You don't know Tom at all.
39:54I'm leaving.
39:56Where to?
39:57It's the police, obviously.
40:00You told me only two people knew you were staying at Le Perron, right?
40:05Durand and Drax.
40:07So the question is, which one is trying to kill you?
40:11If I had to choose, I would bet on Durand.
40:14He's too smooth, too polite, too... too German.
40:17Okay, no.
40:17No.
40:18Alex has been kind.
40:19He's been helpful.
40:20Okay.
40:20So Drax.
40:22Hmm.
40:23The city is packed with dirty cops.
40:25Maybe he plans to set you up for Gero's murder.
40:27Oh my God.
40:29This is insane.
40:30There has to be a very simple explanation for all of this.
40:33Explanation?
40:34For what?
40:35A guy showing up at your door, ready to kill you?
40:38Give me a simple explanation for that.
40:45Have you seen the news?
41:09You have nowhere to go.
41:11Contrôleur Maurice Giroux.
41:13Nous recherchons activement la suspecte numéro 1.
41:16Une Américaine dénommée Alice Monroe.
41:18La trentaine.
41:20Vous avez la moindre information concernant cette personne.
41:22La moindre information.
41:24Contactez la police.
41:25We are 在
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