05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48Hey.
05:50What are you going to tell me.
05:51I was wondering when you're going to tell me about that.
05:54I was wondering when you noticed.
05:58It's a cyanide rose finch.
06:00Hmm.
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05I see.
06:06I just thought you'd have it with you forever.
06:07Mm-hmm.
06:09It reminds me of you.
06:11A bird just chirping away.
06:13A bird just chirping away.
06:13Loudly.
06:14Chirping.
06:14Loudly.
06:18Chirping.
06:19Chirping.
06:25Chirping.
06:25So, come on.
06:26You holding out or something?
06:28How is Jordan?
06:30Um.
06:31Well, you know.
06:34Dysentry.
06:35Malnutrition.
06:36Backhanders to cops and politicians.
06:38Just the usual.
06:40Five stars on Yelp.
06:42Highly recommend.
06:43Mm-hmm.
06:43Mm-hmm.
06:44Mm-hmm.
06:44Mm-hmm.
06:44Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position.
06:55Associate Professor of Archaeology.
07:00Princeton.
07:02Oh, my God.
07:03Alice.
07:04I mean, um...
07:05That's amazing.
07:06Yeah.
07:07That's exactly what you wanted.
07:09I'm so proud of you.
07:12So...
07:15I'm gonna have an apartment.
07:17You know, a place on campus from which you and I could live together.
07:28I know it's gonna be hard to leave all the dysentery. I totally understand.
07:31No, no, um...
07:33No, no, no, no.
07:34That...
07:34That...
07:34That...
07:34That is, uh...
07:40Big, um...
07:41Big?
07:42No, um...
07:43Well, for a man with an English literature degree, you really have a way with words.
07:47No, I know.
07:47It's...
07:48It's...
07:48It's a skill.
07:49We've talked about this before.
07:51We have.
07:52Listen, I love that we get to meet up in hotels all over the world and that we actually
07:57want to have sex with each other all the time.
08:00But...
08:02I want this job.
08:05You know, I want to build a life that's mine.
08:09Not just uncovering other people's.
08:13We have to make a decision.
08:15You and me.
08:16Like, Tom, I...
08:18I love you so much.
08:20And I want to keep loving you.
08:22And I'd like to do it while I'm actually looking at you.
08:30And I love you, Alice Munro.
08:35And...
08:39I want to be with you.
08:44Even in New Jersey?
08:47Especially in New Jersey.
08:48Yeah.
09:04What time is it?
09:10Tom?
09:16Tom?
09:17Tom?
09:19Hey.
09:21Hey.
09:23Hey.
09:23Uncle Brian.
09:24He's in London.
09:25Why don't you go downstairs, order some breakfast?
09:28Okay.
09:29The train's at 10.30.
09:34Yes.
09:35Hi.
09:37Hi.
09:38Hi.
09:39Hi.
10:00Hi.
10:05Hi.
10:07Hi.
10:08Sorry.
10:09Brian talks like it's an Olympic sport.
10:11Oh, that's okay.
10:13So, you know that hotel you wanted to go to in Arles
10:17that was so expensive it would have left us destitute for the rest of our lives?
10:21Yes.
10:22Well, it turns out that Brian and the owner
10:24are on the same board for this wildlife project,
10:27and Brian has called in a favor.
10:30Oh, my God. Are you kidding?
10:32Mm-hmm.
10:33Can we get massages and lay by the pool?
10:35Yes, yes.
10:36Can we have oysters and champagne?
10:37We can do whatever you want.
10:38Oh, I love you.
10:42What I feel is very conditional right now.
10:44Oh, no, it is.
10:44Oh, it is?
10:45It's completely, yes.
10:58Don't.
10:59Stay there.
11:01Almost over.
11:11Oh, that's a bingo.
11:13Okay, maybe we don't do impressions of fictional SS officers
11:17as we're traveling through previously occupied France.
11:20What do you think?
11:22Okay.
11:24True income?
11:25Oh, my God, no.
11:26Nein.
11:27For you?
11:44Hi.
11:44Hello?
11:46Uh, sorry, I can't, I can't hear you.
11:50Can you, can you repeat that?
11:51I don't have a phone.
11:57One second.
11:58Yeah.
11:59All right, one second.
12:03You're on vacation with your husband?
12:05Ah, yeah.
12:07In the salon, Aron.
12:09Oh, yeah.
12:10And he's not my husband, he's my boyfriend.
12:17Okay.
12:17Oh, yeah.
12:41There we go.
12:44Please press the button for the next one.
12:46Yes, yes, it is.
12:48Yes, yes, yes.
12:50Yes, yes.
12:53Yes.
12:53Yes, yes, yes.
12:53We are going to be in a new one.
12:55I don't know.
12:56I know, I'm going to be in a new one.
12:57It's not true.
12:58I know.
12:58It's not true.
13:08I know, you know.
13:10It's not true.
13:11It's not true.
13:14River Gaze, Avignon, in a few minutes. Avignon, 5 minutes time.
14:04Did my boyfriend return? Mon ami? Did he?
14:08I know. I know. There's already in there. So weird. Where are you?
14:23Hi, this is Tom Parker. Seeing I'm unavailable, leave a message after the time.
14:38Tom?
15:08I'm scared.
15:11What?
15:14How are you?
15:18How are you?
15:21How are you?
15:23How are you?
15:45I don't know.
16:16Tom, hey, very funny.
16:20I have been looking all over this trip.
16:22Oh, my God.
16:23I'm sorry.
16:24No, Desolée, I didn't...
16:25I thought you were so...
16:27Yeah, just...
16:28I don't know.
16:35Who's this?
16:36Who's this?
16:38He's getting rushed.
16:40Have you seen him?
16:41Excuse me.
16:42Did you see him walking?
16:43No.
16:47Who's this?
16:48Have you seen him?
16:50You know?
16:51Um, excuse me.
16:54Rien, prenez, madame.
16:55My...
16:55Mon ami?
16:57He's, uh, gone.
16:59He's...
16:59He...
17:00I can't find him.
17:01He kind of...
17:02Desperou.
17:03Il est peut-ĂŞtre descendu Ă Avignon.
17:05No, we're supposed to go to Arl.
17:06Est-ce que vous avez essayé de l'appeler?
17:08Um...
17:09De l'appeler.
17:10May I help you?
17:11Yes, please.
17:13He's asking you if you have tried to call him.
17:16Yes, I have called.
17:17He's not answering.
17:18Could there...
17:18Could there have been an accident?
17:20Like, um...
17:20But if he was leaning against a door and maybe fell under the track, is that possible,
17:24On va-t-il s'inquiète de savoir s'il aurait pu éventuellement s'appuyer contre la porte
17:28et tomber sur les voies.
17:29Non, ça, c'est impossible, ça, madame.
17:30Les portées sont fermées quand le train est en route.
17:33No, no.
17:34Okay, but we made a stop back there.
17:36We stopped.
17:37C'est vrai, on s'est arrêté quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est Ă l'arrĂŞt et dans une gare.
17:42D'accord?
17:43Okay, they only open at this place.
17:45Okay, I just want to...
17:46I just want to find my boyfriend, so...
17:48Je comprends très bien, ça, madame.
17:50Continue à l'appeler, je suis sûr qu'il va finir par avoir répondu.
18:02I'm sorry, I'm sorry, but what's in here?
18:05C'est... c'est réservé au personnel.
18:07Okay.
18:08It's...
18:08Yes, could you please open it?
18:10Non.
18:11What?
18:11Non, les passagers sont pas autorisés à entrer.
18:14C'est le règlement.
18:15Qu'est-ce que ça peut vous faire?
18:16Elle a du stand-up, elle a du stand-up, elle a rassuré.
18:17C'est le règlement, c'est comme ça, c'est tout, elle n'a pas le droit.
18:23Monsieur Giroux, may I please look inside?
18:26Non.
18:26It's important, I...
18:28C'est contre le règlement, je l'ai dit.
18:32Oh my God.
18:36Tom, I've been looking all over from you.
18:38Where?
18:41Tom, are you there?
18:52Tom?
18:54Tom?
18:56Tom?
18:57Tom?
18:59Tom?
18:59Tom?
19:03Tom?
19:03Who's you that?
19:08Tom?
19:22Tom?
19:25Who's?
19:29Do you know Marseille?
19:31No, no, but it's...
19:34I'll be fine, I'm okay, thanks.
19:36What are you going to do?
19:38I don't know.
19:40We're supposed to go to Aurel, but...
19:42Maybe I'll go to the police.
19:44Do you need me to take you?
19:46No, no, I'm...
19:47You've been so helpful, thank you.
19:49I'm just kind of...
19:50I'm...
19:52Where is the police station?
19:54You go down the hill, it's on your right, you can't miss it.
19:58But are you sure I can take you?
20:01No, I'm fine.
20:02I'm positive this is all a big misunderstanding, so...
20:13You know...
20:15If you need help...
20:17I'm Hélène.
20:20Alice, thanks.
20:27So...
20:27Good luck, Alice.
20:29And don't worry.
20:31It's going to be okay.
20:33Bye.
20:35Bye.
21:04Thanks.
21:15Um...
21:15Excuse me.
21:16Can someone help me?
21:17My boyfriend's gone missing.
21:20Please?
21:25do you know how many people are reported missing each day in France 600 on a good day okay well
21:34that cannot be an excuse to not help me please it is 48 hours before a person can be described
21:39officially as missing he has only been gone for two hours he left his bag you say what
21:46about his passport yes I have it right here just one second I don't I don't understand
22:12how long have you known your boyfriend um well we've been dating for four years we met in Jordan
22:21that's where he heads the region for SOS Global it's a it's a charity that helps Syrian refugees
22:28I'm currently working in Albania so we meet up when we can and oh glamorous couple huh
22:34and you work in Albania yes I'm an archaeologist do it all you fight
22:40what fights disagreements have you had any lately no
22:48anything else any changes of circumstance I mean I got offered a position at university a job
22:56it would mean relocating to America for both of us and he agreed yes are you sure yes I'm sure
23:07because there are three major reasons people disappear work money and relationships
23:21so perhaps your boyfriend wanted to escape the relationship so he got off the train at Avignon
23:27without telling you and what up he would never do that you don't know Tom I am no man
23:37okay inspector Drax I really need to find him please help me
23:5348 hours miss Monroe 48 hours
23:5850—coo
23:5940—coo
24:2341—coo
24:24sollen
24:2432—coo
24:2542—coo
24:2648—coo
24:2744—coo
24:27Oh!
25:00Oh!
25:01Oh!
25:04Sorry, thank you.
25:08Oh!
25:10Oh!
25:12Oh!
25:13Oh!
25:14Oh!
25:16Oh!
25:18Oh!
25:24Oh!
25:35Oh!
25:37Are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture, too.
25:45Oh, I don't have a spare spare, I'm afraid. Sorry.
25:50Right.
25:51What's in there?
25:52Uh, uh, vaccines.
25:55Yeah, without refrigeration they'll be useless within a couple of hours.
26:00So you're screwed.
26:02Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:10It's, um...
26:12That way.
26:16Okay.
26:16Okay, so if I don't help you, children might die and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:27Well then, I guess you better hop in.
26:46Hi.
26:47Tom Parker.
26:49Alice Munro.
26:50Nice to meet you, Alice Munro.
26:51You too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:58Yes, it is.
26:59Yes, it's beautiful.
27:20unit. No dust. It means you must clean it every day. God, don't tell me you're one of those people
27:27who sees hygiene as some bourgeois construct. No, no, I like it. I like hygiene. Good. It's just
27:34that sometimes, well, I mean, not everything in life is neat and tidy, right? Okay, well, my car
27:41is not a metaphor for my life. I'm actually an archaeologist. Trust me, I know how to get dirty.
27:53I love you.
28:40Okay, uh, can you stop already up here?
28:44Okay.
28:44Let's see if it's late.
28:54Let's see if it's late.
29:49Let's see if it's late.
30:16Let's see if it's late.
30:48Let's see if it's late.
30:49Let's see if it's late.
31:39Let's see if it's late.
32:13Let's see if it's late.
32:29Let's see if it's late.
32:40Let's see if it's late.
33:07Let's see if it's late.
33:31Let's see if it's late.
34:02Let's see if it's late.
34:14Let's see if it's late.
34:25Let's see if it's late.
34:30Let's see if it's late.
34:32Let's see if it's late.
34:36Let's see if it's late.
35:00Let's see if it's late.
35:11Let's see if it's late.
36:26Mr. Tom, Mr. Tom, are we here?
36:30All right, Salma, Salma, one sec.
36:33Can you take these in there?
36:34Yeah.
36:34Just tell me to her.
36:35They need to be in the fridge right away.
36:38Okay.
36:41Okay.
36:4236-2.
36:46Hi.
36:47Who are you?
36:49I just gave Tom a lift.
36:51You broke down?
36:52Yes, he did.
36:53It's the second time this week.
36:55The man couldn't change a tire.
36:57His life depended on it.
36:58He said these need to be refrigerated.
37:00I know.
37:04Wait, what's happening?
37:09Stay back.
37:12What's he doing?
37:17Stop!
37:20Stop!
37:21Hey, hey, hey!
37:23You're not taking him!
37:25You're not taking him!
37:31You're not taking him!
37:51who are they local bandits i think no one will notice missing refugees from syria
37:58take them down to tripoli sell them to traffickers for a king's ransom
38:04he stopped them before he may be useless with cars but he could talk a dog off a meat truck
38:48you look like you need a drink
38:53something must have happened at home before happening on
38:56i just feel like the conductor had something to do with that i mean you saw him yourself the
39:00way he was acting all shifty what do you think happened okay this is gonna sound insane but
39:07i think tom was kidnapped is he rich no are you rich no so why would someone kidnap him
39:18maybe it's not about money oh it's always about money
39:24what is
39:35okay so what do i do
39:38the police are either useless or correct and if you're really lucky they're both
39:45okay great what then what am i i'm an investigative journalist who are you an archaeologist yes you're
39:57like me you look for clues in the past to tell you about the future you know tom better than
40:05anyone so
40:06you know you probably know more than you realize
40:12did he mention anyone or anything who has he been in touch with lately
40:26has he said anything strange
40:34find something more than a piece of twinkle man maybe i can help
40:39i
40:47i
40:51i
40:52i
40:53i
41:05i
41:06i
41:09i
41:09i
41:22It's Uncle Brian, he's in luck, he's in luck, he's in luck.
41:46SOS Global, Bureau de Marseille.
42:22SOS Global, Bureau de Marseille.
42:23Reminds me of you, reminds me of you, reminds me of you.
43:03SOS Global, Bureau de Marseille.
43:04SOS Global, Bureau de Marseille.
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