- 1 day ago
Casanova 2015 S01E01
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00:09I'm going to die with you, Harvey.
00:19Harvey!
00:26I'm going to die with you, Harvey.
00:30I'm going to die.
00:34I'm going to die alone.
00:54I'm going to die.
00:57I'm going to die.
01:11I'm going to die.
01:27I'm going to die.
01:29I'm going to die.
01:31I'm going to die.
01:54I'm going to die.
01:55I'm going to die.
02:01I'm going to die.
02:22I'm going to die.
02:25I'm going to die.
02:31I'm going to die.
02:31Now what?
02:32You said you had a fail-safe plan if I got us to the roof.
02:36Did I?
02:36Hey.
02:37Hey.
02:43Hi.
02:45Hey.
02:49Hey.
03:11Help me out.
03:25Malvi, you know, this is much more comfortable.
03:30Come on.
03:41Inquisition's guards will comb the territories.
03:45We will only find immunity abroad.
03:47What about Strasbourg?
03:50Yeah, you will love Strasbourg.
03:54Me?
03:55We have to split up, Malvi.
03:58It's safer that way.
03:59But you said if I broke us out, you'd take me with you.
04:03I know. I'm sorry.
04:05I want to live like Casanova.
04:10There is no Casanova.
04:16I don't want to anymore.
04:26Take my love.
04:31Lock it away.
04:36Your secret, your secret's safe with me.
05:11Hold still.
05:25I wish they had sufficient sense to recognize your excellence.
05:30You have much cause for indignation.
05:33And it angers me daily to see that nothing has been done for you.
05:50Giacomo.
05:51Mrs. Balletti.
05:53The rumors of your escape are true.
05:55Yes.
05:56You came straight to me.
05:57You have always been like family.
05:59You look...
06:00I know.
06:02Quick.
06:03Get me out of this.
06:05How long will you stay?
06:07As long as it takes.
06:08I thought this could be a good place to start over.
06:11Well, you know, Paris isn't always very kind to outsiders.
06:24You're only interested in pleasure.
06:26I come with greater ambitions.
06:29Do you know...
06:41I'm a joke.
06:44I have nothing.
06:48This might be my last chance.
06:54What happened to you?
06:58Tell me.
07:00Two years on a dark cell.
07:03Beaten alive by fleas.
07:06Just because I...
07:07I couldn't stop indulging myself.
07:18Sylvia, I hate to ask, but...
07:20I need a place to stay.
07:23Just for now.
07:25The weekmaker from the theater has a basement across the army.
07:29I'll ask him.
07:31Thank you, Sylvia.
07:32Don't thank me.
07:34Place it, madame.
07:36I'm on.
07:42Welcome to Paris.
07:48The King's Library is now up to 3,500 volumes.
07:53My hope is that the great artists and thinkers of Europe will come to the side,
07:58like they have flooded the salons of Paris for discussion and debate.
08:06They never seem to recapture the beauty of their first bloom.
08:10Madam!
08:12Madam!
08:14It's the king.
08:16There's been an attack.
08:19What?
08:23I didn't see him.
08:27Look at me.
08:27Look at me.
08:29It's all right.
08:32It's all right.
08:34It's all right.
08:36Get her out of here.
08:37The Royal Firm is on its way.
08:39What happened?
08:41What happened?
08:42Madam.
08:43Please.
08:55Tell me.
08:57It's a three-inch wound.
08:58It's superficial.
09:00And the assassin?
09:01I'm sure you'll be briefed on all of this.
09:03Please, I need to know now.
09:05A disgruntled servant named Damien.
09:07I don't know more.
09:10The people don't love him the way they should.
09:13The people are paying high taxes to fund an unnecessary war.
09:18Find out if this servant has any accomplices.
09:21I'm sorry.
09:22Do I work for you?
09:24You work for the king, you arrogant prick.
09:27Don't forget how you got there.
09:33Monsieur Libanis.
09:36This came for you.
10:03You're next to me.
10:06Sir, thank you so much.
10:07You're welcome.
10:07Next door, I'll do it.
10:30Love without love, it's worthless, don't you think?
10:34The average woman pays me no attention.
10:38No is an unacceptable answer.
10:40I can't tell you how many women have initially refused me.
10:46You must have a secret.
10:47Yes. I have an abnormally long tongue.
10:56Truth is, I make them feel I'm falling in love with them.
11:05Yes.
11:05How?
11:07Because I fall in love with them.
11:21So, where is your pain?
11:25I saw you clenching your teeth, your hands.
11:28At the beginning, I thought it was a tail, but no, you're in pain.
11:33If you must know, it's the agony of a sciatic nerve.
11:37It's your back or your legs.
11:38Are you a doctor?
11:40It's a string of amber around your neck.
11:44You have access to a lab.
11:46Maybe.
11:47Why?
11:49Draw a pentagram on your leg, using a mixture of sodium nitrate.
11:54Yellow sulfur, quicksilver.
11:56Just try it.
11:58If it works...
12:02If it works, you'll pay me your winnings from tonight.
12:05Fair and square.
12:07Now, if you excuse me.
12:11Well, well, well.
12:14You don't waste much time.
12:15You're late.
12:17Well, it's been a busy day.
12:18There was an attempt on the king's life.
12:21Was it successful?
12:23No.
12:25No?
12:26Pity.
12:29Your escape is quickly becoming the talk of Paris.
12:33I haven't even started to embellish it yet.
12:36Let's talk alone.
12:48This note.
12:50You want to work.
12:51You know everyone in Paris.
12:53Full of power, influence.
12:56Well, just find yourself a wealthy patron to live off.
12:58You're very good at that.
12:59No.
13:00I want more.
13:02I need more.
13:04But can you give up your exhaustive list of bad habits?
13:08You did.
13:10They made you minister.
13:12Don't they know how you behaved in Venice?
13:15You were a terrible influence.
13:19How's Marina?
13:24I don't know.
13:29She won't see me.
13:30She won't respond to my letters.
13:33She left the Abbey, and I fear she's fallen into a depression.
13:38I'm sorry.
13:40If you want to work, I have something well-suited for you.
13:44Have you heard of Madame Pompadour?
13:47No.
13:47Oh, you will.
13:49She's the king's mistress.
13:51A libertine, and a commoner like you, though she fights like hell to hide it.
13:55The king noticed her during a masquerade and made her his paramour.
13:59She's quickly become a threat to the state.
14:01A threat?
14:03You'll do anything she says.
14:05Two years into a war with Britain, the treasury has been bled dry because of her.
14:11After you.
14:36After you.
14:40Think of it as a spy mission.
14:42Sounds more like seduction.
14:44Is there a difference?
14:47I cannot do that.
14:51A man should not be defined by one thing his whole life.
14:56Suddenly, you're more than your cock.
14:58Yes.
14:59Interesting.
15:00You're also a peasant, who's lived by his wits his entire life.
15:05A gambler and a con man, whose ability to charm women is the envy of every man.
15:12It's not a curse, it's an asset.
15:15Use it.
15:17If money, power, respect is what you want.
15:24All that stands between me and the future of France is this one woman.
15:29Think of what that could mean.
15:32For you.
15:36For both of us.
15:45I'm going to need new clothes.
15:48Perception is everything in Paris.
16:11You're my love, my love...
16:16My love, my love...
16:27Thank you very much.
16:52Good afternoon.
16:54I'm so sorry I wasn't expecting you.
17:02You don't recognize me.
17:05I am Mano.
17:08Mother sent me to Neaton up.
17:11Mano.
17:13Oh, my Lord.
17:14Last time I saw you, you...
17:16I was 13.
17:18Yes.
17:20I'm sorry for my...
17:21No, please.
17:22Please let me help you.
17:24You're far above neating me up after a slobby like me.
17:27I've heard so many stories from my family about you.
17:31And your adventures.
17:33Well, don't believe them all.
17:34Oh, sir, I love the stories.
17:37I've been nowhere.
17:39That's why I read so much.
17:41La bouton errante.
17:43Venus dans le clo卯tre.
17:44I'd do anything to see Venice.
17:47It's so wonderfully crowded.
17:48At night, you can hear people dreaming and laughing and making love.
17:57I've heard it is a city where women are free to be as they wish.
18:00For a hundred years.
18:02Paris is making strides, but it'll be too late for me.
18:07What do you mean?
18:09I'm to be married in a month.
18:12Congratulations.
18:13To whom?
18:14Monsieur Clemon, my harpsichord teacher.
18:18A good, safe match, Mother says.
18:21And?
18:22Are you a good, safe girl?
18:26I don't know what I am.
18:29I have felt like that most of my life.
18:39You better go.
18:40I'll walk you out.
18:42Come.
18:43Good to see you, Manon.
18:45Go home.
18:46Here.
18:47So you don't forget about me.
18:50Oh, thank you.
18:51Manon.
18:53Go home.
18:54Now.
18:57Stay away from her, Giacomo.
18:59S铆, Luia.
19:00I would never do anything to...
19:02I know you.
19:04I promise, all right?
19:10This came for you.
19:28You're here.
19:29Great.
19:31Come in.
19:32Come in.
19:34Come in.
19:35When I told my aunt about your remarkable cure for sciatica,
19:39she said she had to meet you.
19:41Really?
19:42Well, I'm so glad I could help.
19:49You're not as handsome as they say.
19:57I...
19:58I tend to grow on people.
20:02Wow.
20:04This is an incredible place.
20:07Yes, it is.
20:11Marquise Durfait.
20:13Of course.
20:16So, this is what you do all day?
20:20Well, I prefer to play with my salts and worry about my coiffure.
20:25Or have conversations with vacuous courtiers who won't care about the color of their rouge.
20:31Do I smell sulfur?
20:33Very good.
20:37It's been on the fire 15 years.
20:41Need another four or five.
20:44Until...
20:44Until a powder that accelerates the natural progression of metals into gold.
20:53The quintessence.
20:54Ah, you know it.
20:55You know it.
20:56I might.
20:57The highest gold of alchemy.
21:01I knew I knew your name.
21:03Friends in Venice.
21:05Fellow cabalists and cremeasons.
21:10You're a believer.
21:13I believe in many things.
21:16And that is why I invited you for dinner.
21:20I thought you might, uh, fit in.
21:30I've just come from Lorraine.
21:32Spent the day with Voltaire.
21:34Showed him how I can melt diamonds.
21:37You see, from 12 small diamonds, I can produce one large one without any loss in weight.
21:45He called me the Wonder Man.
21:48Oh, no, no, really.
21:50Bravo, McCormick!
21:56I then showed the stone to the exquisite Madame Pompadour.
22:01Naturally, she wants one for herself.
22:06Madame Pompadour, the king's mistress.
22:09That's right.
22:10Are you a friend of hers?
22:12No.
22:12No, no.
22:13Well, I am.
22:15Of longstanding.
22:16I have a strong connection to the monarchy dating back to the baptism of Louis XIII
22:20and his sisters, Elizabeth and Chr茅tiena.
22:23It was at the Corval.
22:24Sorry, but that was 150 years ago.
22:29Yeah.
22:31Well, how old are you?
22:34At least 300 years.
22:37But I can't be sure.
22:43Well, you look great for your age.
22:49What has this most impressive man promised you?
22:53Oh, promised, Al?
22:55The ferrite around your neck, set to entice a bolt of lightning and elevate one's fault.
23:00That's right.
23:01The tablet of Hermes.
23:02Quite right.
23:03Has he promised you eternal life?
23:05My friend, these things are no joke to us.
23:08You are not the friend of anyone here.
23:12Especially not the marquise.
23:17I'm sorry.
23:19I don't fit in at all.
23:24It was very nice meeting you.
23:33Mr. Casanova, wait.
23:36I know an imposter when I see one.
23:38Such hostility.
23:39It is one thing to capture a woman's heart.
23:43But you, you have hijacked her common sense.
23:46How much do you want?
23:49You know the marquise there has a fortune so great there's enough for both of us.
23:52You disgust me.
23:55Do not interfere in my friendship with the marquise.
23:59I know many people across Europe and you will find yourself back in chains.
24:06Or worse.
24:11The marquise.
24:20What an imposter.
24:23Huh?
24:35The marquise.
24:49Signore, no!
24:51Italiano, perch茅 mi state seguendo?
24:53Dovevo essere sicuro che fosse lei.
24:55Ho un messaggio di Bragadine.
24:58Bragadine?
25:01Mi dispiace per l'accoglienza.
25:04Era impaziente di farti avere questa informazione.
25:07Il suo collega all'interno dell'inquisizione
25:10ha ottenuto dettagli in merito al tuo arresto a Venezia.
25:13Pensava lo volesse sapere.
25:15Dili che lo sapevo gi脿.
25:17Questo 猫 il mio motivo per cui ho scelto di venire in questa citt脿 cos矛 mediocre.
25:22E digli al caro vecchio amico di venirmi a trovare.
25:26Presto star貌 meglio e non vedo l'ora di farlo divertire come sempre.
25:44Per me chiedere il ministro de Bernese.
25:48Per favore.
25:50madame pompadour will be at a libertine party tonight in the fourth my associate claude patu
25:57will make the introduction i'll have to check my schedule i would not joke my friend she is
26:04a formidable woman is it true the king's assassin has been sentenced a public execution is being
26:13planned good then madame pompadour should be in a fine mood
26:52so
27:24Excuse me.
27:25I'm looking for Claude Patu.
27:35Five? In one night?
27:38Throughout the night.
27:39And then once after breakfast,
27:41I call him count six times.
27:44Egg whites are the secret.
27:46Egg whites help a man ejaculate forcefully
27:50five or six times.
27:52Is that right?
27:56You must be Monsieur Castanova,
27:59if you'll excuse us.
28:06Oh, my God.
28:08What has happened to the women of Paris?
28:10The libertines have denounced all religious convention.
28:14Chastity, monogamy.
28:16Paris is becoming an erotic playground.
28:19The infernal serpent.
28:22He it was whose guile,
28:25stirred up with envy and revenge,
28:29deceived the mother of mankind.
28:31What time his pride had cast him out from heaven,
28:36with all his host of rebel angels,
28:39aspiring to set himself in glory above his peers.
28:52Madame, may I introduce Giacomo Castanova?
28:58This is the man who escaped the leads?
29:00Yes, madame.
29:01You're an Italian?
29:04Venetian.
29:07Ah, Venice.
29:08Venice exhausts me.
29:10The masks.
29:11The unspoken smugness.
29:13At least Parisians abide by their own moral code.
29:17We know what life is and make the most of it.
29:20So, what is it like?
29:22Sorry?
29:24Freedom.
29:25I assume you are now a free man.
29:27Yes, indeed.
29:29But a man is not at liberty to do everything he pleases.
29:33He becomes a slave the moment.
29:35He allows his actions to be ruled by passion.
29:41Are you flirting with me, Monsieur Castanova?
29:48A woman across Europe may be drawn to the dangers
29:52of a traveling Venetian like yourself.
29:54A man more gallant, more sexually adept than his peers.
29:59But if you ever speak to me again in that tone,
30:02I will have you eviscerated.
30:08Wait.
30:09Please accept my apologies for that.
30:11It's rare that I find myself nervous
30:14in the presence of a woman.
30:17But I've been eager to meet you.
30:20Why is that exactly?
30:23We both come from humble beginnings,
30:26being told what we cannot be our entire lives.
30:30And yet, look where we are.
30:37You don't know me.
30:42I'm tired.
30:44Or possibly tired of you.
31:06I'm tired.
31:54Mmm, that's lovely.
31:58Unfortunately, I'm taken for the evening, as your pet has already paid.
32:04But I know someone else.
32:11Come in, don't be shy.
32:13Make yourself comfortable.
32:15Helena?
32:17Helena?
32:19You have a guest?
32:32We awaken you.
32:35Yes, sir.
32:39You call this a bed?
32:41I have no others there.
32:44No sheets or anything.
32:50Do you normally go to bed with Adam?
32:53Yes.
32:56Well, not tonight.
33:00I'll pay you a Louis.
33:03I want to see you get on dress.
33:32There's nothing more beautiful than a woman.
33:38When you can actually see her.
33:47When you can actually see her.
34:14Wait.
34:16I cannot submit for less than 25 Louis.
34:18What?
34:18My sister says that's a going rape for a virgin in Paris.
34:24Can you make sure your sister is right?
34:27I'm just supposed to let you do all you please.
34:30But not that.
34:38All right.
34:40I understand.
34:45We can do that.
34:51But I can do this.
35:06You know?
35:08A woman of your elegance should not be selling herself for money.
35:14You could be testing for better things.
35:19I'm just saying that.
35:22I will prove it to you.
35:26I just need to get some money together.
35:32Yes.
35:33Anyway.
35:33Anyway.
35:53Transmigration is illegal in a Catholic country.
36:00When I was a boy, I had terrible nosebleeds.
36:03My grandmother took me to Murano to consult a witch.
36:07And is that where your fascination with magic began?
36:10I believe so, yeah.
36:12And what of your mother, Jacqueline?
36:14What about her?
36:16I barely knew her.
36:20I love gladiolas.
36:22Oh, what a shame there are none here.
36:27I lost a husband, a son, a daughter, and two granddaughters.
36:31That's why I put so much faith in the existence of other worlds.
36:36Your outburst at dinner was so genuine.
36:38Be that way with me.
36:40My mother didn't die.
36:42She left.
36:44I'm sorry.
36:46Don't be.
36:46She was an actress.
36:48Traveling was her livelihood.
36:53I know what you've been brewing for the last 15 years in your lab.
37:00Thousands across Europe are searching for the Philosopher's Stone.
37:04But I am ahead of them all.
37:06Says whom?
37:07Saint-Germain?
37:08I believe the Count doesn't have your best interest at heart.
37:12He sees you as a lonely and lost woman in search of an heir.
37:15The Count entertains me.
37:18Let me help you.
37:23You know the stone can only be possessed by males, right?
37:26Yes, I know.
37:28You're planning to regenerate your soul.
37:30Do you think it's possible?
37:32I do.
37:34But transmigration is illegal in a Catholic country.
37:38I don't want to end up back in jail.
37:40I could protect you.
37:44I could make it worth your while.
37:47I feel a strong connection with you.
37:49Yeah.
37:53Ah!
38:06Oh!
38:10Tsk!
38:12Tsk!
38:14Are you the artist Gustave Nobler?
38:21We're going to flaunt your assets on the amorous dog market of Paris.
38:26Improve your standing by finding you a man.
38:30A significant man.
38:41I'm impressed that you could encounter such youth and beauty in a woman and seek to improve her.
38:47It shows shocking self-control.
38:49There's beauty in promise.
38:52Rescuing a young woman from an uncertain future can be just as gratifying.
39:05Isn't the new Casanova about this kind of thing?
39:08It's not for me. It's for the king.
39:10The king?
39:11I met your Madame Pompadour.
39:13She is, as you said, a worthy adversary.
39:17Far too intelligent to surrender her secrets, even to me.
39:21The key is to find a vulnerability.
39:25And as far as I can tell, she only has one.
39:30I'm listening.
39:32Her age.
39:33The king will eventually tire of a woman in her thirties and start to search for a new mistress.
39:40What if you were to present him with another option?
39:44One that looks this good, and a virgin to boot.
39:51A replacement.
39:54Removing Madame Pompadour entirely.
40:00You are a perfect scoundrel.
40:04I knew I could trust you.
40:06Well done, Giacomo.
40:08It's a good start.
40:10A viewing party has been arranged for the execution of Robert Damien.
40:15Anyone who's anyone will be there.
40:17You'll come.
40:18I wouldn't miss it.
40:39Oh, it's you.
40:44I was just practicing a sonata.
40:47Can I play it for you?
40:49No, I'm sorry.
40:49I'm pressed for time.
40:52Actually, I was looking for your mother.
40:54Oh.
40:54Is she at home?
40:55Oh.
40:55I'll get her.
40:59No, no, no.
41:04You?
41:05Yes.
41:09I've been invited to this party on Saturday.
41:12With a guest.
41:14I know your mother would never approve.
41:18Well, I have ways of sneaking out.
41:20I cannot condone something like that.
41:24But if you happen to be in Plaza de R锚ve at noon.
41:30I have a fever, but I'm fine.
41:59What is it?
42:00I have to ask you for one last favor.
42:03If only that were true.
42:07Can you get me into the opera at Fontainebleau?
42:09I have a fever, but I have a fever, but I have a fever, but I have a fever.
42:39I have a fever, but I have a fever.
42:50I have a fever, but I have a fever.
42:56I have a fever.
43:27Oh
43:38You have to admit it
43:40French music is inferior to Italian
43:44It's the melody
43:46Hasn't changed in a hundred years
43:48I was told you have something urgent to tell me
43:51Urgent?
43:52No
43:53No, not at all
43:58I just wanted to get you alone
44:02You have 30 seconds
44:06First I want to apologize
44:08For our last meeting
44:10I have spent a lifetime
44:12Trying to cross borders and barriers
44:15With a humble background
44:17While I take pride
44:19In how far I have come
44:20I should not have made assumptions about you
44:26I live with a constant barrage
44:29Of royal courtiers who deem it a disgrace
44:31That the king compromise himself
44:33With someone like me
44:35It exhausts me
44:38It's not you
44:41There are men in this city
44:43Who fear a woman in power
44:48One of these men
44:51Has hatched a plan to
44:54Extricate you from
44:55The king's embrace
44:59Who would be so sick?
45:01A new foreign minister
45:06De Bernice
45:08He asked me to recruit a young girl
45:12One he could introduce to the king
45:18And have you found a girl?
45:20De Bernice is in a very good position to help me
45:24I'm in a far greater position to help you
45:26I agree
45:28So
45:29I delivered
45:31A young prostitute to de Bernice
45:34One who will surely be rejected by the court
45:38She
45:40Can't
45:41Be compared to you
45:43De Bernice is your friend
45:45Why would you betray him for me?
45:48When I was in prison
45:50I learned that my so-called friend
45:55Had me arrested
45:58I would have died there if it were up to him
46:01Was it over a woman?
46:05Anand
46:16I need you to help me destroy him
46:20I do love tales of revenge
46:24I want to watch the rest of the opera
46:26But I will consider your offer
46:29Consider
46:30Consider
46:30I don't know you
46:32Nor do I trust you
46:33Yes, I'll consider it
46:39Well, thank you very much madame
46:42Thank you, Monsieur Casanova
47:05Can I get three?
47:29Sometimes I just can't stand it
47:32What exactly?
47:34How much
47:36I want everything
47:38Let's look
47:54Let's look
47:58I've been thinking about your situation
48:01My
48:03Your impending marriage
48:05I'm willing to speak with your mother about it
48:08Help me reason with her
48:10You have the soul of an adventurer
48:12The unquenchable thirst for all life has to offer
48:18Good and bad
48:24The king!
48:25To act
48:28The new
48:32In
48:33Do
48:37the
48:56please excuse me just for a moment
49:00my old friend welcome
49:02I've been waiting for you to arrive
49:07I had the painting of sweet Eleanor
49:10delivered to the king's court
49:12and it was rejected good but not great
49:17I'm sorry to hear that
49:22it begins
49:34of course a virgin like Eleanor is a valuable commodity
49:38so I was able to deliver the girl to a higher standing
49:42how do you mean
49:43come see
49:50the court is full of wealthy old men
49:53with sadistic sexual appetites
50:14your plan remains a great one
50:17we will find a mistress to replace Madame Pompadour
50:21a better one
50:23in the meantime
50:24I'd like to arrange a meeting for you
50:26with the king's controller of the treasury
50:30about what?
50:32didn't I promise to help you if you helped me?
50:39I'm going to pay my respects to the king
50:42would you like to meet him?
50:44no
50:45not today
51:12I know I should feel nothing but friendship towards you
51:16but I feel uneasy when a day passes
51:19and you don't come by the house
51:23well
51:25then I will come by the house more often
51:38how is it that
51:41compassionate women can
51:43watch such horror with ease
51:45I've always thought bad people deserve what they get
51:49and I believe that in my heart
51:51what about change?
51:55people are capable of change
51:58we are who we are
52:00it's undeniable
52:23and I believe that in my heart
52:30I believe that in my heart
52:30I believe that in my heart
52:31I believe that in my heart
52:31I believe that in my heart
52:35Take my heart, let it be
52:45Please don't break it, without me
52:55Your secret, your secret's safe with me
53:04Your secret, your secret's safe with me
53:49Your secret, your secret's safe with me
54:08Your secret, your secret's safe with me
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