00:11You
00:19Stranger
00:19I got offered a teaching position. You and I could live together
00:26Yeah, sir
00:27Sir, I can't. One sec
00:30Did my boyfriend return?
00:32Uh, no
00:37You know how many people are reported missing each day in France
00:43I know where Tom got off the train
00:45There was a door in the conductor's office
00:48Oh, the conductor is in the conference town
00:50This is all getting quite dramatic
00:51His name is Marie Chirou. He was hiding something I could tell
00:54The police are either useless or corrupt
00:57Tread carefully, Miss Monroe
00:59You know Tom better than anyone
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London
01:08You probably know more than you realize
01:11It's the same I rose, Finch
01:13Reminds me of you
01:29If you love me with my own
01:38Tell my heart which way to go
01:46Hey, look at that
01:50What's that?
01:52What's that?
01:52Pottery
01:53Maybe
01:54Greek
01:56It's probably been here for hundreds of years
01:58It's so beautiful
02:03Here
02:06No, you keep it
02:07Why?
02:10During those nights
02:11During those nights
02:12When you're in one far flung corner of the earth
02:14And I'm in another
02:15I want you to think of me
02:16With the same wonder and tenderness
02:17As you do when you look at that piece of clay
02:19We're two weary hearts
02:21Yeah
02:22Aglow
02:23Aglow
02:24No
02:27If you love me
02:30Let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
02:47high
02:49That's it
02:53What's this
02:55What's this
03:00The
03:02Been
03:10When
03:11The
04:27Excuse me.
04:28Hi, my name is Alice Munro and I need help.
04:32My boyfriend, Tom Parker, he works for this charity and he's missing.
04:37Can someone help me? Can I speak to someone in charge?
04:40Tom Parker?
04:41Yes, Tom Parker.
04:42One minute, please.
04:49Hi, this is Tom Parker.
04:51Oh.
04:58Alice?
05:00Yeah, hi.
05:02I'm Alex Durant.
05:04I've heard so much about you from Tom.
05:06You have?
05:07You know Tom?
05:07Yes, of course.
05:08We used to work together in the field before I became a student.
05:13Metaphorically speaking.
05:15What happened?
05:16Um, Tom disappeared.
05:20What do you mean he disappeared?
05:22Okay, so he called here at SOS from Paris two days ago.
05:27Do you know who?
05:28He said he was talking to his uncle from England, but like, I don't know why he would lie to
05:32me.
05:32It's possible he was trying to call Jordan.
05:36We can route calls through here so you don't have to pay international charges, but I know he's coming here
05:43after vacation, so there's no need for him to call him before.
05:46We encourage our people to take a complete break when they're on holiday, and especially Tom, after what he's been
05:54through.
05:55What do you mean?
05:56Um, how's he been since the incident?
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:11Okay.
06:12I'm going to tell you this, but when Tom comes back all happy and healthy, I'd prefer if you kept
06:20me out of it, okay?
06:21Just tell me what happened, please.
06:25It happened about nine months ago in Jordan.
06:30There was this young boy named Malik, just eight years old, and he lived in one of the camps where
06:39things were already hard, but that night it got even worse.
06:42His mom went into labor alone in the middle of the night, she was very sick, had no one to
06:49help her, so Malik ran for four miles, all the way to where the SOS team was staying, and got
06:55Tom to drive them to the hospital.
06:58The baby was delivered safely, but the mother's condition kept getting worse, so with his mom's sake, Malik dropped out
07:07of school, scavenging for food.
07:11He tried to take care of his family, and then Tom saw what was happening, and Tom being Tom, he
07:19promised Malik that if he went back to school, he would make sure his family was taken care of.
07:26But unfortunately, bandits, bandits, they took women and children, no one knew who had survived, and Tom was obsessed.
07:44He spent weeks searching for Malik and his family, and eventually they found him, the boy alongside his mother and
08:00sisters in a mass burry pit ten clicks outside of the camp.
08:08We all have our breaking point, and that was Tom's, at least I think it was.
08:13But he didn't want to pack it in, we got him a counselor, we tried to give him support, but
08:18something in him had shifted, yeah?
08:21He disappeared, sometimes for days.
08:23There have been discussions to take him out of the field, but he wasn't himself anymore, he just seemed lost.
08:30Jonas, I don't think he ever really came back from what happened.
08:40Sorry, I, uh, I, uh, you, you didn't know any of this?
08:47Alan, I just don't understand why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity for a thousand lifetimes.
09:01Sometimes it just gets under your skin.
09:04He just seems so normal in Paris.
09:06But maybe that dose of nomadity was the thing that shook him.
09:10But he'll show up.
09:11If it's not tomorrow, then soon.
09:13I'll call Jordan, and if he contacts anyone there,
09:16I'll make sure to let me know.
09:22Don't worry.
09:24I guess we'll find him.
11:51How do you know it's a boat?
11:52Oh, I don't.
11:54It's a hunch.
11:57Would you prefer it to be another woman?
12:00Look around you.
12:02What do you notice?
12:04Men paint women's names on their boats to pretend those women are central to their life.
12:11And then they run away to the sea with their buddies.
12:16And here it is.
12:18And here it is.
12:20Aurélie.
12:28Anyone here?
12:31Bonjour.
12:32Hello?
12:34Is there something?
12:36Well, what are we going to do?
12:39What the heck?
12:41What?
12:41Oh.
12:42Every good journalist carries them.
12:45Oh, my God.
12:46Keep lookout.
12:47Keep lookout.
12:48Keep lookout.
12:50Keep lookout.
13:53Oh my God.
13:57Is it his?
14:06Alice.
14:08Alice.
14:10Alice.
14:11Alice.
14:12Alice.
14:14Tati.
14:17Alice.
14:18Alice.
14:18Alice.
14:33Alice.
14:33It's Uncle Brian.
14:34He's in London.
14:38It's Uncle Brian.
14:39He's in London.
14:43Who are you going to tell me about that?
14:44I was wondering what you'd notice.
14:47He may be useless with cars, but he could talk a dog of a meteor.
14:51A dog.
14:52A dog.
15:06A dog.
15:10I came as soon as I could.
15:12Hi.
15:13Um.
15:15Yeah.
15:16I spoke to Jordan.
15:19You were right?
15:20Tom did make a call on Thursday morning.
15:24And?
15:25He wanted to be put through to one of his colleagues.
15:31Alice.
15:32There's no easy way to say this.
15:35No.
15:36Um.
15:36I met her actually.
15:39That...
15:40That woman that you're...
15:42Were...
15:44Were they...
15:46Are they...
15:47It's really not in my place to speculate.
15:50Come on.
15:58He's not thinking rationally.
16:06So?
16:08What happens now?
16:12My God is he will show up somewhere.
16:14Who makes contact with someone in the next 48 hours.
16:18And then you both need to decide what happens next.
16:23If I were you, I would go to Al.
16:26Go to Al.
16:27There's no need to hang around in my side.
16:30If he turns up, you'd be the first one to know.
16:33Okay?
16:35Okay.
16:38Alice, um...
16:38I wish I had better news.
16:40I'm sorry.
16:41No, it's okay.
16:42You've been very kind to me.
16:48Call me for tomorrow.
16:50Yeah?
16:51If you need anything, Al.
16:53If you need anything, Al.
19:20Is everyone here from the dig?
19:22Yeah, why?
19:24I kind of want you to show me your world.
19:30Come on.
19:31Oh, yeah, this is totally illegal, you know.
19:41We get caught.
19:42What?
19:43Well, I could get fired.
19:47What's that man back there, your boss?
19:50Rafiq?
19:51Yeah, why?
19:53I think your job is safe.
19:57What?
19:59Really?
20:00Come here.
20:04Come here.
20:06Come here.
20:10Yeah.
20:11This was built by the Neboteans.
20:15Oh, what's that?
20:16What's that?
20:179th century?
20:174th century.
20:18AD?
20:19B.C.
20:19B.C.
20:22Did you say the Neboteans?
20:23Oh, you didn't hear me?
20:25No.
20:25Oh, now you know.
20:28That's what I'm going to want.
20:29Yeah, sure.
20:30It actually flourished due to trade routes, incense, spices, silks, and of course, it's gorgeous.
20:37Rock-cut architecture.
20:39It was annexed by the Romans and fell into total disrepair.
20:42By the time the earthquakes hit in the 6th century, the entire infrastructure was basically destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:55As is.
21:00Isn't that interesting to you?
21:03Very.
21:19I don't know.
21:24I don't know.
21:27I don't know.
21:34He's coming back.
22:00He's coming back.
22:36He's coming back.
22:59He's coming back.
23:39He's coming back.
23:41He's coming back.
23:41He's coming back.
23:50He's coming back.
23:54He's coming back.
24:46He's coming back.
24:54I think she slept together about a month ago.
24:56It wasn't a big deal, kind of casual, but now it is a big deal because I'm pregnant with Maurice's
25:00child.
25:01I need to speak to him right now.
25:05He's coming back.
25:07He's coming back.
25:16I'm sorry, I'm sorry, I'm sorry about my colleagues, of course, I'll give you his address.
25:22I'm sorry.
25:23I'm sorry.
25:24I'm sorry.
25:26Good.
25:26I'm sorry.
25:42Yeah.
25:42I'm sorry about it.
25:53Yeah.
25:59Yeah.
26:00Yeah.
26:01Yeah.
26:05Stop! Stop! Stop!
26:31Stop! Stop! Stop!
26:34Mon bébé, qu'est-ce que tu fais?
26:36Je t'ai perdu, c'est quoi le bordel?
26:38Viens là pourquoi tu veux pas me parler.
26:40Je te promets que t'en viras jamais comme la mienne.
26:43Alex, 20 minutes.
26:44Laisse-moi 20 minutes.
26:4620 minutes.
26:46Comment ça 20 minutes?
26:47J'ai pas connu pour deux à trois.
26:49Deux, ça doit être ton gay, ça.
26:50Bah, tu vas me foutre, toi, t'es conne.
26:51Back up!
26:55Get out of my way!
26:57Oh, toi, c'est loin.
26:58Tranquille.
27:00Ça va, oh.
27:01Ça va.
27:02Tu vas te blesser, là , arrête.
27:04Ça se voit qu'elle en a jamais tenu, hein.
27:06Ouais, ça se voit.
27:08C'est comme ça qu'on se tient plutôt.
27:09Comment vous pouvez avoir confiance?
27:13Hum?
27:14Comment on fait maintenant?
27:19Regarde-moi que je te parle.
27:23Hein?
27:27Allez, viens danser là -bas, chatamé.
27:29Viens, tu vas danser là -bas, chatamé.
27:31Oh!
27:31Cassez-vous, j'appelle la police.
27:32Oh là là !
27:33Oh!
27:34Vous m'entendez?
27:35Vous êtes sourds?
27:35Allez, on dégueule ça!
27:37Oh!
27:37Tais-on!
27:37Pite à la place du cerveau!
27:39C'est comme ta gueule, je t'ai dit.
27:40Tu pourrais parler encore une fois comme ça?
27:42J'ai juste en colline.
27:43Mais encore!
27:44J'appelle ta mère.
27:46J'entre Inливad...
27:49Je vais parler encore une fois.
27:52J'appelle ta mère.
27:55J'appelle ta mère.
28:03J'en fais c'est comme ça.
28:04J'appelle ta mère.
28:10J'en fais c'est comme ça, mais c'est comme ça.
28:11Aujourd'hui, m'entendons idolaterradons probes.
28:11Que pourras.bbels
28:12.ôt Recht.
28:14Marcheren want.
28:14J'en fais
28:14cas dois oh les offresors
28:14te cou pueden Word. Nation了?оздard Ton
28:39Hello, Mr. Giroux.
29:12Oh, my God, oh, my God.
29:14Oh, my God.
29:17No, no, no, no, no.
29:19Okay.
29:26What the fuck?
29:32Madam?
29:35You're the key.
29:37Madam, madam, hold on.
29:38Wait, wait, wait.
29:39Hold on.
29:40It's okay.
29:40I know.
29:40What the fuck?
29:42Sorry.
29:43I don't live there.
29:44I don't know.
29:45I just got in.
29:46I don't know.
29:47I don't know.
29:48Hold on.
29:50Hold on.
29:51Hold on.
29:53Hold on.
29:54Hold on.
29:55Hold on.
29:57Hold on.
29:58Hold on.
29:59Hold on.
30:12I'm going to go.
30:40The meuf is crazy!
30:44Come on, sœur, on t'a cried!
30:46Don't worry, I'm going to take care of you!
30:54I'm going to take care of each one and every one of them!
31:00Matt, Matt, she's going to take care of you!
31:02Come on, we're going to the street!
31:12Come on!
32:04It's not a matter of policies, it's a matter of marketing.
32:08When did you get so cynical?
32:15Something has happened, I need to see you right away.
32:18Elissa, is everything okay? I thought you'd left.
32:21No, no, it's not. I just went to see the conductor, the one from Tom's train, and when I got
32:26there, he was dead. He was dead. He was dead.
32:28Wait, wait, wait. Slow down, okay? Are you okay?
32:32Yeah, I saw the man who did it.
32:36What man?
32:37He was very muscular, he had very dark hair with like a bun.
32:42Where are you?
32:44I'm at the Hotel Peron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
33:07She saw you. She's at the Hotel, room 218. Go there now.
33:15The Hotel, room 218. Go there now.
33:17The Hotel, room 218. Go there now.
33:26The Hotel, room 218. Go there now.
34:00what I was right about the conductor what I went to his apartment but when I got
34:05there he was already dead he someone slit throat who have you spoken to um just one person from
34:13Tom's charity he's coming actually to meet me right now Alice which hotel which hotel are you staying
34:19at Peron I'm coming now do not speak to anyone you hear me do not speak to anyone
34:37so
34:47so
34:48so
34:48so
34:49so
34:49so
34:59Livraison.
35:14J'ai une livraison pour Alice Monroe.
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