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The Crown S05E02 [Full Movie] [Trending Drama]Full EP - Full
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00:14I'm sorry I'm gonna have to ask you to speak up a little I I can't hear you very well
00:19okay
00:20no problem well what's your first question I want to know more how it started it started
00:28by accident well with an accident I yes I'd been injured once too often playing polo
00:40do you understand what I'm saying yes I understand good good and so age 50 I decided to give up
00:48the
00:49big love of my life and look elsewhere for some fun well that didn't come on right um I'm gonna
00:56insist we do that again excuse me we're going to go again again you ready yes yes and so age
01:1050 I
01:11decided to give up the big sporting love of my life and look for new challenges which is how I
01:21ended up
01:22carriage driving
01:28yeah
01:28yeah
01:29yeah
01:29yeah
01:30yeah
01:30yeah
01:30yeah
01:30yeah
01:30yeah
01:30yeah
01:30yeah
01:47we've become quite a gang traveling up and down the country from competition to competition
01:53getting to become something of a second family
01:55what
02:03well
02:04d
02:09yeah
02:10yeah
02:10yeah
02:10yeah
02:24Amazing praise the sweetest Son
02:31And save the wretched King
02:39I once was lost, but now am found
02:48Was blind, but now I see
02:56Thank you, thank you.
03:13There's a school of progressive medical thought that suggests we bring cancer upon ourselves
03:22As a result of repressed emotion or unresolved psychological trauma
03:30Then a perfectly angelic five-year-old dies of it
03:36And you realise what utter rubbish that is
03:41Poor Norton
03:43Yes
03:45Why don't you pay him a visit?
03:48He could probably do with some support from his godfather
03:53Yes
03:55Yes, right
04:01What's that look?
04:06I've never seen so many thoughts go on behind someone's eyes
04:10Gratitude
04:12Appreciation
04:13What for?
04:16You make a better person of me
04:19And you of me
04:23Isn't that the point of marriage?
04:34Good night
04:42Good night
05:10Good night
05:25Good night
06:03Good night
06:06Good night
06:08Hello
06:09Hi
06:10You, um
06:13You're coming
06:14Sorry, one of those mornings
06:16With Aaron
06:16One minute
06:17One minute
06:18One minute
06:21One minute
06:22One minute away
06:23And she apologises
06:25What's that actually her?
06:27Yes, that was actually her
07:10Thanks for agreeing to this.
07:11Of course.
07:14We saw the pictures of you in Italy.
07:16You, um, well, you all look so happy.
07:20Phony and you.
07:21It's honestly worse than ever.
07:23I'm going to ask for what to do.
07:25Is that you all right?
07:27No.
07:54I'm going to ask for what to do.
07:59James Coldhouse, isn't it?
08:01Uh, yes.
08:03Give a minute.
08:04Which one?
08:07Tall with glasses.
08:09Hmm.
08:10I know the one.
08:12Clark Kent.
08:13He said his name was Andrew.
08:15Yeah, it's just what I call him, silly.
08:17Andrew Morton.
08:19He's one of the friendly ones.
08:21He's written some nice things about me in the past.
08:23Well, now he wants to write a whole book about you.
08:26What it's really been like marrying into the royal family.
08:29The truth behind the fairy tale.
08:31I said you'd never agree to be involved in something like that.
08:34Oh, no.
08:35So then we arranged to play a game of squash.
08:37What?
08:38You saw my racket in the corner of my office and suggested a game.
08:41James.
08:42Don't worry.
08:43I said any further discussion of you was totally off-limits.
08:46It better be.
08:47I'll call you after I've seen him.
09:06Hello?
09:08Hello?
09:44Hello?
09:48Hello?
09:53Oh, no.
09:54What have I done now?
09:56Well, you're here today.
09:58Norton said you were coming tomorrow.
10:00He'd just left for London for meetings with the bank.
10:03Um, let me see if I can reach him.
10:06Oh, don't go to any trouble.
10:09Ah.
10:13What can I get you?
10:15Are you hungry?
10:16Oh, God, no.
10:16No, nothing like that.
10:20No, I, uh, I just came by to see how you're coping.
10:28That's kind.
10:31And to bring these?
10:36Daisies.
10:37Well, Leonora, you mentioned at the memorial that they were her favorite.
10:45That's so kind of you.
11:00Norton thought it was morbid to have her so close, but I wanted somewhere I could see her every day.
11:10You'd be near to her every day.
11:14It also means I can never leave here.
11:17When would you want her?
11:22It's not always easy.
11:47You know, you know, one of the many, many things that attracted me to Lilibet,
11:52was that the commitment would necessarily be lifelong to a young man who'd had such an unsettled and romantic childhood.
12:04But the clarity of that permanence felt so reassuring, it still does.
12:12But it brings its problems, too.
12:16Because it doesn't take into account the one thing human beings do the minute they make a commitment to a
12:24life together.
12:25Which is?
12:28It's growing separate directions.
12:47Tell Norton I'll be sure to be in touch soon for a godfatherly chat.
12:53And as for you, there's two things you might consider.
12:57Why not start a charity in Leonora's name?
13:01Yes, I'd already had that idea.
13:03And you might find yourself a hobby.
13:06Something that has nothing to do with any of this.
13:09Not a hobby.
13:10An escape.
13:12A passion.
13:13I'll bear that in mind.
13:15Good.
13:17Oh, speaking of hobbies.
13:19Norton said that you'd given up polo and developed a thing for carriage driving.
13:25I have, yes.
13:27I'm obsessed.
13:28Why?
13:36Look at that.
13:40An old four in hand.
13:42Norton wanted to sell it.
13:44Can't do that.
13:45We've been told it's beyond repair.
13:47Then he thought if you could make use of it.
13:49Well, it may be a bit dusty.
13:51Oh, I think the damage is worse than that.
13:53All right, a bit cracked in places.
13:55Norton was told structurally irreparable.
13:58Oh, no, no, no.
14:00She's a beauty.
14:01And part of the family heritage.
14:07I tell you what.
14:09Why don't we do this?
14:12I'll send someone to collect her.
14:15We'll clean her up, take a look at her.
14:18And then we can talk again.
14:19We don't need to talk again.
14:22This could be a hobby for you.
14:25Oh, no, it's really not for me.
14:28Oh, well, that was my attitude at first.
14:31But then I tried it and I saw the light.
14:39What?
14:44Oh!
14:47Oh!
14:48Oh!
14:49No, no, no, no, no, no, no, no.
15:28No, no, no, no, no, no.
15:47No, no, no, no, no, no, no, no.
16:23No, no, no, no, no, no.
17:13Oh, God.
17:13He would record your side of the story saying only what you want to say, all in your own words,
17:17and then Morton would write the book from those recordings.
17:21If you and I don't meet, how would he get the recordings?
17:27There would have to be a middleman.
17:30Go between someone who you both trusted.
17:35Someone who thought it was important.
17:39And you would do that?
17:42If you wanted me to.
17:55I don't know.
17:56I don't know.
18:04I don't know.
18:08I don't know.
18:11I don't know.
18:16I don't know.
18:21I don't know.
18:32Let's get another few ideas.
18:39I don't know.
18:41You're going to get another few ideas.
19:22Thank you, sir.
19:27You pulled all the stops here, sir.
19:29You pulled it very hard.
19:42What do you think?
19:43Is it even the same carriage?
19:47The original paintwork was a dark black.
19:51I thought we'd have these dashes of gold
19:53in this nice sloping footboard.
19:57Go on.
20:04Now, grab here.
20:06The foot here.
20:08The other foot here.
20:18How does it feel?
20:20Fine.
20:22Largely because it's not moving.
20:41You try.
20:44These two reins control the leaders.
20:47Those are the horses at the front.
20:49And these two, the wheelers.
20:51They control the horses nearest to us.
20:54Feel free to nod or say yes to let me know you're still alive.
20:58Yes.
20:59The trick is to keep these both together.
21:02Put between these two fingers.
21:05There.
21:05Now, these two reins, you have control over all four horses.
21:11You turn left.
21:13Turn left.
21:13Make a loop.
21:14That's it.
21:15Turn to the left.
21:17And you turn right.
21:20Very good.
21:23Off you go.
21:25Off you go.
21:33Here.
21:34Let me take you.
21:41Where are we going?
21:53Hang on.
21:55Hang on.
22:11Surprising, isn't it?
22:12Yeah.
22:13More fun than it looks.
22:14Yeah.
22:22The princess is intrigued by the proposition and is wanting to consider it.
22:26But as her friend, I want to make sure that this will actually make her life better,
22:33not just yours.
22:34You understand why I ask?
22:36She can be a little naive at times and you stand to become a rich man.
22:41I feel protective.
22:43As a royal correspondent, I've had a ringside seat to this marriage for a while.
22:49Most recently her second honeymoon.
22:53And I can't stand to see someone being crushed like this.
22:55Isn't she his being?
22:57I do.
22:58Take this book that's being written.
23:00With the Prince of Wales' cooperation.
23:02Maybe not him directly, but his friends for sure.
23:06Who want what they see as the truth about Diana to be told.
23:09Trust me.
23:10Trust me.
23:11It won't be pretty.
23:14I just want to do what's right for her.
23:16She'd like a sister to me.
23:19Can I give you my word?
23:21No one will ever know she had anything to do with it.
23:26Let's take it one step at a time.
23:28Get a draft written.
23:30The princess can always kill it later if she wants.
23:41Here's a list of questions for her.
23:53Bye, Mommy.
24:51Ready?
24:57I'm sounding incredibly nervous.
25:02Andrew wanted you to start by explaining why you're doing this.
25:13I've tried everything.
25:17I've confronted my husband about his mistress and I have been dismissed.
25:23I've gone to the Queen.
25:26It's like facing a blank wall.
25:29And it finally dawned on me.
25:32And that's how I get my side of the story out there.
25:35People will never understand how it's really been for me.
25:40And I thought about moving abroad with the boys.
25:44But the crown could take legal custody of any heirs to the throne.
25:51And I'd have the boys taken away from me.
25:58Which is what happened to my mother.
26:03And I couldn't survive that.
26:21Can you tell me something about your childhood?
26:24Well, it was a very unhappy childhood.
26:29My parents were always wrapped up in their own problems.
26:33And my mother was always in tears.
26:36And my father was never telling us what was going on.
26:43And there was always a succession of nannies.
26:47Who I hated.
26:50Prince Charles famously replied,
26:52whatever in love means,
26:54and asked if he was in love with you.
26:56How did that make you feel?
27:00Absolutely traumatized.
27:02My self-worth was cut in two.
27:07But...
27:08I was too scared to ask him what he meant.
27:11And then it was too late.
27:14From the outside, it was the fairytale wedding.
27:17How did it feel on the inside?
27:22Like a bad dream.
27:24The night before the wedding.
27:28I was...
27:29suddenly overwhelmed.
27:31And I sobbed my eyes out.
27:36And I ate everything inside.
27:39I was sick all over the place.
27:42Which was a big sign.
27:45It all was not well.
27:47I'm walking down the aisle.
27:48I was overwhelmed with love for my husband.
27:52And then I saw Camilla.
27:54In her grey suit.
27:56And her pillbox hat.
27:58And I just felt chill to the bone.
28:02How quickly did things start to go sour?
28:05Well, I started to unravel at the honeymoon.
28:08And at night I was having these dreadful nightmares about Camilla.
28:13When the Queen was there, I always felt second place.
28:16When Charles barely looked at me, I just felt like a fish out of the water.
28:18And I was so thin.
28:20My bones were just sticking out all over.
28:22When I talked to him about photographers pounding me,
28:25he talked about Camilla.
28:26When I tried to be brave, make a speech in Wales,
28:29I got no support.
28:31Well, I just felt like a lamb to the slaughter.
28:33Did you feel that your husband was committed to the marriage
28:35in the same way that you were?
28:37Well, there was always the other one.
28:41And the word go.
28:45And I couldn't compete.
28:49And I'd overhear him on the phone to her.
28:52And he used a voice I'd never heard in use with me.
28:57Tender, caring, adoring.
29:03When I was pregnant with William I threw myself down the stairs at Sandringham.
29:11I tried to talk to them.
29:12I tried to talk to his Coyote.
29:12And I said, you know where she's there.
29:13And I thought she was gonna move on.
29:14I've never had a child.
29:14And I didn't, I knew where she's gonna have a child.
29:14He's just gonna go out.
29:14And it's like, I said, you know,
29:21He doesn't have to be a child.
29:21What happened?
29:25You know, you know, that's not what happened.
29:28You know, he took his feet away from the house.
29:28You know, he's gonna be a child.
29:34I knew the house.
29:35You know, he's going to be a child in a child.
29:40and just listen to the tapes he has and drafted some follow-up questions what
29:46should he think I think it was a bit shocked he said he had to look up
29:52bulimia nervosa in Kumar and Clarks I have to admit there have been a few
29:59surprises for me in all this too
30:06I wish you'd have told me before about the
30:13the suicide attempts so sorry
30:19why didn't you call us
30:30he wants to know if he can speak to any of your friends why he said it would help
30:34with the deniability if you can show he has other sources for all this that gives you
30:38cover he'd ask them the same questions I've asked you and they'll be corroborating witnesses
30:47all right
30:53start with Sue who's Sue my room therapist
31:00Felix Lyle
31:01Felix Lyle
31:04my astrologer
31:06um
31:07Una
31:08Shanley Toffolo
31:10don't tell me she's your Reiki healer
31:13my acupunctrist
31:15um
31:17Stephen Twig my body worker
31:22well
31:23it's like an osteopath
31:25right
31:35good good you're doing really well
31:40thanks
31:47here we are
31:49here we are
31:52now
31:52I've had a go at the
31:54governing instrument for the charity
31:59these are the trusted deeds
32:01the memorandum
32:02and the articles
32:04what do you think of a research fellowship
32:09to study cancer in children
32:12they were all so good to us at Barthes
32:15made such a difference to Leonora's final days
32:18well I think that's a lovely idea
32:20getting registration can be a bit of a slog
32:23but
32:23well I'm on good terms with some of the charity commissioners
32:27let me talk to them
32:28you know a long time ago
32:40I lost my favourite sister
32:44Cecile
32:45in an aeroplane crash
32:49I learnt then what grief was
32:53true grief
32:59how it
33:01moves
33:01through the body
33:04how it inhabits it
33:08how it becomes part of your skin
33:11your cells
33:16and it makes a home there
33:20a permanent home
33:27but you learn to live with it
33:32and you will be happy again
33:35no never in the same way as before
33:39but that's the point
33:42to keep finding
33:44new ways
33:49yes
33:54WHICH
33:55I
33:55I
33:55I
33:55I
33:55I
33:55I
34:21I
34:21I
34:21I
34:25Oh, my God!
35:19Don't be silly.
35:22Anything you need, you have the number that gets straight through to me.
35:27Avoids the operator and all that nonsense.
35:30Oh, I almost forgot.
35:32Something Norton wanted me to pass on.
35:35Apparently there's a book being written about the Princess of Wales, with her cooperation.
35:39What kind of book?
35:40One that claims how badly she's been treated by the family.
35:44Everyone's failure to understand her.
35:47The jealousy everyone feels about her popularity and success.
35:50Yes.
35:51Norton said he'd had several calls from people saying that either they'd been approached or
35:56knew someone else who had.
35:59Probably just gossip.
36:02Norton should know better.
36:07Send in my best.
36:09I will.
36:30You don't think the two incidents are related?
36:32First you get knocked off your bike, then Andrew's house gets broken into.
36:35It's not the first time I've been driven into the gutter by white van man.
36:39And break-ins happen in London hundreds of times a day.
36:42Besides, nothing was stolen.
36:44I'm not answering that.
36:45I'm not speaking on this thing again ever.
36:47I heard a click on a line this morning.
36:50This end.
36:51Patrick.
36:52Make a commenting back.
37:01You better ask Dave.
37:03I won't get to the turning point.
37:08For shall we turn and turn and meet your eyes off?
37:12Your staffLoull?
37:15Who are she willing to wait?
37:15Who are you, Yourwyneth?
37:15Bedank.
37:16It's going to be in my room, Fürall.
37:17Theresa, and we can't see any of you for questions.
37:24as possible three miles from Castle Derg in County Tyrone when at least two
37:28terrorists were frightened off as they plan to ambush an off-duty member of the
37:32Royal Irish Regiment at his home
37:38with the security forces in the early hours of this morning according to
37:42police the fierce exchange of gunfire
37:56you
38:20Well, it's been a while since I've been in Kensington Palace.
38:24The Leper Colony.
38:27Is that what you call it?
38:30I think of it as the depot where we put all the mad old arts.
38:37All watching each other's comings and goings through net curtains.
38:44Is there any privacy at all?
38:47None.
38:48Ghastly.
38:49Because privacy is so important, isn't it?
38:53Yes.
38:56Confidentiality, too.
39:01I suppose that's what I've come to see you about today.
39:05Please.
39:08I won't, if that's all right.
39:18Yes, I can be a tough old nut.
39:21But I've always had a soft spot for you.
39:23Maybe because you're young.
39:26Maybe because you're a beautiful woman.
39:30Maybe because I often share your frustration with your husband.
39:35Now, I've always felt protective of you.
39:39Fond of you.
39:40There, I've said it.
39:43So when I see you're making errors of judgment, I want to lean across the table and remind you, I'm
39:51on your team.
39:53What am I trying to say?
39:55What am I trying to say?
39:56You're not a novice anymore.
39:59You're long past the point of thinking of us as a family.
40:02That's the mistake people make in the beginning.
40:05But you understand, I think, it's a system.
40:09And we're all in this system.
40:11You, me, the boss, the cousins, the uncles, the aunts, the lepers.
40:20For better or for worse, we're all stuck in it.
40:25And we can't just air our grievances and throw bombs in the air as in a normal family.
40:32Or we end up damaging something much bigger and something much more important.
40:39The system.
40:43So the tip I want to give you is this.
40:47I mean, just be creative.
40:53You can break as many rules as you like.
40:55You can do whatever you want.
40:58You can make whatever arrangements you need to find your own happiness.
41:03As long as you remember the one condition.
41:07The one rule.
41:10You remain loyal to your husband.
41:13And loyal to this family.
41:15In public.
41:19You mean silent?
41:20Yes.
41:23Don't rock the boat.
41:31Right.
41:32Ever.
41:35To the grave.
41:49You're not saying anything.
41:54I don't think there's anything to say.
42:00Do you know, I think that's the wisest thing I've ever heard come out of your mouth.
42:03I don't know what's so me.
42:06I don't think I can trust anyone.
42:06Oh, no.
42:34I don't know.
42:44She'll be fine.
42:48Good.
42:49Yes.
42:51I told her that if she were a little more clever,
42:55a little more strategic,
42:57she could find all the happiness she needs in this system
43:02without anyone being any of the wiser.
43:05Is that the solution?
43:06Do you think?
43:08That husbands and wives should keep secrets from one another?
43:12Secrets?
43:13That's not a very nice word.
43:16No, um...
43:17No, what I mean is, you know,
43:19if people were, well, more considerate,
43:21more mature,
43:22more discreet,
43:25it can actually be the glue that binds it all together.
43:32You see, I think in a marriage one should aim to exist
43:35without secrets or accommodations.
43:39Yes, well, that's because you are who you are.
43:42And not just because any husband or wife can feel
43:45when something is awry,
43:47but ultimately it's not what I know about you
43:52or even what you know about me.
43:54It's what he knows
43:57about all of us.
44:00I think he has the night off occasionally.
44:10Good night.
44:12Good night.
44:12Good night.
44:14Good night.
44:31Good night.
44:35Tonight I'm joined by Andrew Morton, one-time royal watcher and now author of the book that everyone is talking
44:42about.
44:43Andrew, good evening.
44:44Good evening.
44:45For anyone who's been living under a rock and doesn't know, could you tell us what your book is about?
44:50My book is an intimate portrait of Princess Diana.
44:53An attempt to tell a story of what her life, particularly her marriage, is really like.
44:58And the fact is, behind the glamorous public facade, what we have is a woman who is deeply unhappy.
45:04Which you go into in great detail in a book that seems to be channeling Diana herself, and yet which
45:10you claim she was in no way involved.
45:12I can say categorically that I did not interview the princess, but I spoke to her friends, associates, anyone who
45:19was willing to talk.
45:20Many of them were not just willing, they were desperate to tell the world how it really is.
45:24And we really are talking about the whole world.
45:26I mean, this book is breaking all kinds of publishing records.
45:30In France, Holland, Germany, Japan, and is making you a rich man in the process.
45:36Do you feel a sense of guilt or responsibility for throwing the royal family into crisis?
45:41Honestly, I think the royal family have been throwing themselves into crisis.
45:45They knew what they were getting into with Diana.
45:47They knew she was vulnerable.
45:49They knew she'd had a difficult childhood.
45:53They knew she needed love and security and reassurance.
45:58But did they give it to her?
46:00No.
46:01They gave her the total opposite.
46:03So they can't be surprised she wants people to understand why she hasn't been happy.
46:08So where does that leave us?
46:10That leaves us in one of those cyclical moments where the royal family is in genuine crisis.
46:16But where the fragile truce between Diana and the royals is clearly not working.
46:21There are two alternatives to a truce.
46:23Either you have a long-term negotiated peace, which I don't see happening.
46:30The two sides are too entrenched.
46:33Or you escalate.
46:36Into what?
46:37All-out war.
46:39Which sadly seems to be where this is currently headed.
46:57All-out war.
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