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#film avventura azione in italiano
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13:50Do you know why my husband
13:51wants you to find that village?
13:55Why?
13:57Oh, nothing.
14:00Say, wait a minute.
14:02I'm married now,
14:04and not Ben.
14:07Good night.
14:25What's the matter with you?
14:26You haven't said a word all morning.
14:27What do you expect me to say?
14:29Well, we could talk about the weather
14:30or the money we haven't got,
14:32or...
14:32Mammon.
14:34Hey, that's it.
14:35Dames, you got that Connie on your mind.
14:37I got nothing on my mind
14:38but collecting that dough,
14:39locating that village,
14:40and getting back to Sunobi.
14:41Whatever else is going through
14:42that alleged brain of yours is...
14:52Hey, what cooks?
14:54I don't know.
14:55Oh, like the mags are shot.
14:57The mags?
14:58Are you kidding?
14:59If I'd have known
15:00you were gonna crack this crate up,
15:01I'd have worn my old clothes.
15:03I can't reach that plateau we just passed.
15:04You better do some fast practicing on a hop.
15:14From here on in,
15:15we're practically a glider.
15:16Don't bother me.
15:17Just praying we don't go into a spin.
15:19You better pray a little harder
15:21and a little faster.
15:33Phew.
15:33Boy, that was close.
15:43Any sign of that plateau yet?
15:48No, not yet.
15:50I only hope this air and I've been after
15:52to hold this thing up.
15:53It does.
15:57Hey.
15:58Hey, Hoppy, look.
15:59There it is.
16:03There's only a few trees around.
16:05The nicest little piece of real estate I ever saw.
16:07Hold on to your hat, Hoppy.
16:08We're gonna try it.
16:35Well, if I'm dead,
16:36I don't feel any different than I did before.
16:40What's the money?
16:41Did you break something?
16:41No, I just feel to see if I had wings.
16:43How about you?
16:44I don't think I'd get wings in any case.
16:46Come on.
16:47Let's see what the damage is.
17:07What you find?
17:08It's the mags, all right.
17:15Have a buck, Hartman?
17:16What, is that the way you get rid of lions?
17:17No, I...
17:18Who?
17:19Just don't make a noise like something to eat.
17:20They go away and leave us alone.
17:22They may go away.
17:23Aren't you sure?
17:24No, I guarantee you just ran out.
17:26Look, you better get the rifle, though, just in case.
17:51Well, I don't hear that land anymore, Steve.
17:53No, he probably found a meal somewhere else.
17:56Well, he's hoping he's gonna come around here looking for dessert.
18:10Steve!
18:12That lion's back at his throne's spears.
18:14Hey, Hoppy, easy.
18:17That's just a jungle calling card.
18:19Well, let's get out of here.
18:20I don't want to accept the invitation.
18:22It wouldn't do any good to run.
18:23They're probably watching every move we make.
18:25We may as well stay right here in the open.
18:26Now I know how a dummy feels in the store window.
18:28Yeah, stay close.
18:29Don't worry.
18:37Like I said, our first customer.
18:52Drop the rifle.
18:53I'm gonna feel awful undressed without it.
18:55They wouldn't have a chance.
18:57Maybe they won't get rough if we don't drop it.
19:24They tied us up and pushed us around as if we were nothing more than cattle.
19:28or I wouldn't have done any good to get sore.
19:30Those spears are plenty deadly when they're used right.
19:33Then they let us off into the jungle.
19:35It didn't dawn on me until we reached the village how much of a spot we were in.
19:40Then I suddenly realized that this must be the place that Hoppy was looking for.
19:45If Hoppy was having trouble with his tribe, they weren't gonna like any other white men
19:50who might be snooping around.
19:52The natives looked like they meant business.
19:54But apparently they never did anything rash until they talked it over with the chief first.
19:58I knew that this must be his hut.
20:01Mila!
20:02Mila!
20:04Apparently this Mila was the chief.
20:06We waited for a minute that seemed like a year.
20:09And then, the grass door for that big hut Odom.
20:18I don't believe it.
20:19That makes two of us.
20:21This is fantastic.
20:23What can a white girl be doing here?
20:25It's amazing.
20:26No matter where you go, there's dames.
20:36That's one word I know.
20:37It means kill.
20:45Come on, Mila.
20:46Calling me why.
20:49Harper?
20:50He thinks you're Harper.
20:52I'm not Harper, bud.
20:54No, sir.
20:57Marcus, you come on.
21:12Now I get it.
21:13It must be in my radio.
21:15Yes.
21:22The Chinese always say, one picture is worth a thousand words.
21:27I doubt if the old boy ever got to China, but he had plenty of good common sense.
21:31Well, I was supposed to draw pictures showing who we were and where we came from.
21:37Now, I'm no Rembrandt, but that much I could do.
21:41He also seemed to have control over that blonde package at TNT, which was okay with me.
21:46Oh, that baby was dangerous.
21:53And the best way I could, I tried to explain that we had flown the plane from a coast town,
21:58the Shinobi.
21:59And that we were on our way south when we had to land.
22:02Now, I couldn't take a chance on telling them that we were working for Harper.
22:05Well, that'd probably mean our necks.
22:11Something tells me you should have gone to hard school, Junior.
22:14Here we go.
22:52I don't like that fire, Steve.
22:54We're liable to end up on the wrong end of a barbecue.
22:56No, no, that's not for us.
22:57That's war pain on those men.
22:59What I'm trying to figure out, though, is that girl.
23:01Now, what's she doing here?
23:02Where'd she come from?
23:03What's she got to do with Harper?
23:05There's me.
23:05You saw that locker she was wearing?
23:07Yeah.
23:07Yeah, that's another thing.
23:09The locker.
23:10Could have sweat.
23:12No.
23:12Oh, I definitely.
23:14There's something strange going on here, Hoppy.
23:16Harper knows a lot when he tows.
23:17There's something strange going on here, Hoppy.
23:21There's something strange going on here, Hoppy.
23:24There's something strange going on here, Hoppy.
23:27There's something strange going on here, Hoppy.
23:30There's something strange going on here, Hoppy.
23:32There's something strange going on here, Hoppy.
23:32There's something strange going on here, Hoppy.
23:34There's something strange going on here, Hoppy.
23:35There's something strange going on here, Hoppy.
23:35There's something strange going on here, Hoppy.
23:37There's something strange going on here, Hoppy.
23:39There's something strange going on here, Hoppy.
23:40There's something strange going on here, Hoppy.
23:41There's something strange going on here, Hoppy.
23:59Buon appetito!
24:29Grazie a tutti!
24:43Get out of here.
24:44Don't give me any of that double talk.
24:46Save your breath.
24:47What this place needs is an information desk.
24:51Hey, that ain't bad.
24:52What is it?
24:53Tender snake meat.
24:55Well, there's one thing you got to give these natives credit for.
24:57They certainly know how to...
25:00Snake meat.
25:01Oh, so they're trying to poison us now.
25:03Well, what's the matter, Hoppy?
25:04The snake's dead.
25:05How do you know?
25:06Can you trust the snake?
25:07Well, at any rate you can...
25:08Hoppy, look.
25:21It didn't take much to figure out what had happened.
25:24The natives had attacked Harper and come off second best as usual.
25:27Only this time they'd taken a worse beating.
25:30Several of them and were very badly wounded.
25:32Seeing those wounded then gave me an idea.
25:35You see, we always carry a first aid kit in the plane.
25:37So, with a few more pictures, we explained to Tonga that we could be of some help.
25:40So, we got the kit out and we patched up those wounded men.
25:44And from then on, the natives were our friends.
25:46Oh, they were very grateful.
25:48Well, one day Tonga sent for Hoppy and me to come to his hut.
25:51So, we went down there.
25:53Hoppy!
26:01So, chair.
26:17What is it?
26:19Look at this.
26:20July 7, 1927.
26:22All that Joe has hoped for has come true.
26:26Just a little more and we'll be there.
26:29The place where the diamond mine will be.
26:32There will be a fortune someday for Lita.
26:35I should be happy, but something isn't right.
26:38I don't know what.
26:40Perhaps it's Joe's partner, Hopper.
26:43Hopper.
26:45I don't trust him.
26:47Or maybe it's just as he says, a case of nerves.
26:51Anyway, I'm praying.
26:58Come on.
26:58Miller, one more.
26:59Down by the sack.
27:01Miller, one more.
27:03I'm going to go.
27:05You're going to go.
27:08I'm just guessing, Hoppy, but these people have something to do with Miller.
27:11But how did Hopper get...
27:13Harper!
27:13Harper!
27:14Harper!
27:14The old boy's blown his tap.
27:16He's trying to tell us something about Harper.
27:20I've got to find out what.
27:21Better make her the pretty pictures, pal.
27:23No, not this time.
27:25It'll take more than pictures to explain this one.
27:27Got any ideas?
27:28Yeah.
27:30The first thing you're going to do is get that plane fixed.
27:32What are you going to be doing?
27:33Trying to put two and two together.
27:35Tonga and Miller here doing the heading.
27:38The next ten days were probably as exciting and exasperating as any idea was spent.
27:43I didn't see a great deal of Hoppy, but I don't think he was having much fun working his head
27:47off, getting the plane into shape.
27:49But the job had to be done, and if there wasn't sufficient diversion for him, it was just too bad.
27:55Strangely enough, though, he didn't complain.
27:57Maybe that was because I was too engrossed to my own labors to take notice.
28:01My job also took a better doing.
28:04Teaching English to Miller and Tonga could be a tough job for an expert, but for me, it was practically
28:10a career.
28:11I tried to think how my fifth grade teacher would do it, and then went full steam ahead.
28:16Teaching Miller could hardly be considered work, but within limitations, I really kept my mind on my business.
28:24One of the English words for flower of beauty she was.
28:28And what a weird combination of circumstances must have brought her here to this place.
28:32As a matter of fact, I wasn't here because I saw it advertised in a travel folder, either.
28:40Tonga was a wise old man, and he grasped everything I tried to teach him pretty quick.
28:45He was still slightly wary of me, but that was probably shyness.
28:49As we proceeded with our work, I would teach him words of violence, such as kill, hurt, wound.
28:57Because I thought that would make it easier for him to fill me in on the story of Harper and
29:01Mila and the people in the locket.
29:03Only a few more lessons, and I figured Tonga would be ready to clear up the mystery.
29:08I was with Mila most of the time, and when she wasn't around, I began to miss her.
29:15That was a strange feeling for me.
29:16I'd never really missed any woman before.
29:20I'd search until I found her.
29:31Mila!
29:43Mila! Mila!
29:46Mila!
29:46Come noble!
29:47Big snake!
29:53Mila!
29:58Mila!
29:58Mila!
30:02Mila!
30:02Mila!
30:02Mila!
30:24Mila!
30:25Mila!
30:26Mila!
30:26No, no, no.
30:56It's coming for us now.
31:07Vaga!
31:08Oh, dead, honey, dead. Not Vaga.
31:10Not Vaga.
31:11No.
31:12Dead.
31:14Killsnake.
31:15Uh, thank you.
31:18Don't thank me, baby. We're just a good team.
31:20I'm not the hero type.
31:22Uh, hero?
31:25No, honey, not me.
31:26Look, heroes are born, not made.
31:27Me, I'm just an airplane driver.
31:31Oh, Mila, that's very pretty.
31:34Yes.
31:35Pretty.
31:35Oh, now, wait a minute, cutie pie.
31:37I don't even like to wear neckties.
31:39Mila, light. Good.
31:41Blake, good.
31:42Oh, no, no, honey.
31:43Anybody from Tangier to Cape Town will tell you that I...
31:45Conoroo Samoy.
31:48Blake, good.
31:50Blake, very good for Mila.
31:51Look, honey, I can't take it.
31:53I can see you.
31:54I can smell these flowers and...
31:55Oh, Mila, for the love of mine.
32:13Well, that was it.
32:15Up to now, I'd been strictly a kiss-and-run character.
32:19But here I was, falling in love with a girl who couldn't even tell me in English that she was
32:23crazy about me.
32:25It was as simple as that.
32:29And then Hoppy told me that he was getting near the end of his job on a plane, so I
32:32had to speed up my lessons.
32:33You really taught those people English?
32:35Well, just enough to find out what I wanted to know about Mila and Hoppy.
32:38So there was a connection.
32:40Yeah, enough to make your hair stand on end.
32:42Twenty years ago, Joe Comstock, that's Mila's father, had staked a claim on the spot where the mine is now.
32:48Well, he needed an engineer.
32:50So Hoppy seemed to be the best man for the job.
32:52Well, that was a mistake.
32:53But he took him in as a partner.
32:55Who was this Burger?
32:56Burger?
32:57I don't think he knew anything about engineering.
32:59But Hoppy knew that Burger could be tough in handling the native labor, so he brought him along as sort
33:04of a, well, a foreman.
33:05But this girl, now, where does she...
33:07I'm coming to that.
33:07Joe Comstock had decided to settle in the area near the mine.
33:11So he took his wife, Mary, and their year-old daughter with him on the trip to the mine site.
33:17How are you feeling, dear?
33:18Oh, I'll be all right.
33:19Another four hours and we'll be there.
33:23Mary, you've been swell.
33:25You better take care of that matter, Burger.
33:28No?
33:28Yes, make it short.
33:55Go ahead.
33:56Stop the kid.
33:57Hurry up.
34:05Give her the brush.
34:06They're brought to surround us.
34:27And there it was.
34:30Murder.
34:30Plain murder.
34:31It didn't take much to figure out that Hopper and Burger had killed the girl's parents so that Hopper could
34:35get full possession of the diamond mine.
34:37Well, why didn't you have the police bring him in?
34:39Well, figure it out for yourself.
34:41It was the word of an old native against that of Hopper, a millionaire with plenty of power.
34:45Now, that's why I needed more proof.
34:47When I told Hoppy we were going to get that proof, he was almost ready to resign from the firm.
34:51Steve, for the love of Pete, have you lost all your marbles?
34:54How do you expect to pin a murder rap on Hopper?
34:57Oh, through Connie, maybe.
34:59Yeah, but you told me you were in love with blonde dynamite.
35:01Don't strain your ethics, Hoppy.
35:03Now, what I mean is, I might be able to trade a little plane ride for a little information, see?
35:08Is the crate ready?
35:09Yeah, it's ready, but I still don't see what that's got to do.
35:11You will.
35:12Come on.
35:13We've got to see a man about a murder.
35:15Let's get out of here.
35:16Now, don't you worry about a thing, honey.
35:18We'll fix Hopper once and for all.
35:19Then I'll be back for you.
35:21You come back?
35:22Nothing can keep me away, baby.
35:24Nothing.
35:34You come back.
35:36What kind of a heel do you think I am?
35:37I love you, Neil.
35:39This time it's for keeps.
35:41I'll be back, I promise.
35:43Goodbye, honey.
35:45Goodbye.
35:47Goodbye.
35:51Goodbye.
35:52Goodbye.
35:53Goodbye.
35:53Goodbye.
35:54Goodbye.
35:56Goodbye.
35:58Goodbye.
35:58Mealer.
36:00Mealer.
36:00Mealer.
36:01Mealer.
36:02Goodbye.
36:17It was a very touching farewell scene you just played, Steve.
36:21You improved with age.
36:22I met that, Hoppy.
36:24I wasn't kidding.
36:25You mean, quote, you lost your heart in the jungle?
36:27Unquote.
36:29What I mean is, Hoppy, that I'm really in love with Mealer.
36:31If you laugh, I'll chop off your arm and hit you over the head with it.
36:34Take me back to the department store, Mother, because now I believe in Santa Claus.
36:42Three weeks gone.
36:44Valuable time.
36:45And all wasted.
36:47Those natives attacked again while you were away?
36:50I hired you men because I want a quick action.
36:52I'm sorry, Hoppy.
36:53We couldn't figure out engine trouble.
36:54It's a tough break.
36:55Yes.
36:56Yes, yes.
36:57I suppose so.
36:58You didn't see anything in the village at all, eh?
37:00Nothing but a bunch of trees, Mr. Hoppy.
37:01Of course, we didn't have much of a chance to look around, but we'll rest up a couple of days
37:04and we'll take another stab at it.
37:05A couple of days?
37:06Look, chum, we're tired.
37:08It ain't no fun sitting in the jungle for three weeks with nothing but wild animals around.
37:12Have you ever had snake meat for lunch?
37:14Snake meat?
37:14The snake attacked Hoppy.
37:15We killed it.
37:16That was all the food we had to eat that day.
37:18Well, you don't look as though you hadn't eaten regularly.
37:21Okay, I'm going up to the mine for a couple of days.
37:24There's been some trouble up there.
37:25When I come back, you can make another search.
37:28Just make sure that nothing happens to your plane this time.
37:34Snake meat, you bet.
37:46Snake meat, you bet.
38:11I must say you're acting almost human.
38:13Is it because Mark's out at the mine?
38:14No, it's the evening gal.
38:16I haven't seen anyone in five years.
38:18Besides, I have to be nice to the boss's wife.
38:21Then let's see how nice you can be.
38:31Sì, sì.
38:53What's the matter? Something wrong?
38:55Oh, everything.
38:57Steve, I've got to get away from here. I want to get back to the coast.
39:00This is the first time I've worn my party close since I came to live here.
39:03There's just no reason for evening gowns.
39:05Meaning, I suppose, that I'm a reason, huh?
39:08Yes.
39:09And just what do you think your husband would do if you cleared out?
39:11I don't know. He'd have to catch me first.
39:19You'd give anything to get out of here, wouldn't you, Connie?
39:22You're not going to bargain with me about money.
39:25No. No, I'd like to get paid off in a little different way.
39:29And what's that?
39:31Information.
39:32Am I supposed to know what that means?
39:34You give me the dope I want, we fly to the coast together.
39:37Is it a deal?
39:38Steve, I don't know what you think you found out.
39:40But whatever it is, I don't know a thing.
39:44Okay, Connie.
39:46I'll see you in the morning.
39:48Just don't start kicking yourself when you realize that you're throwing away your only chance to get out of here.
39:53Steve, wait.
39:55I knew you were smart, Connie.
39:57You never were a girl to pass for bargain sale.
40:00Sometimes I wonder if you are a bargain.
40:14And there was enough evidence for me, Connie.
40:16There was the pocket, the diary, and Tonga's word.
40:19But there still wasn't enough evidence for the courts.
40:22And you think I can supply proof that Mark killed this jungle girl's parents?
40:25That's about the size of it.
40:26I'm sorry, I can't.
40:28The official story is that the Comstocks were killed by the natives.
40:31You don't believe that, Connie.
40:33Steve, you're out of your mind.
40:35This thing can't be proved.
40:36Mark's too smart not to burn his bridges behind him.
40:38Then you admit there were bridges to burn.
40:40You know that Harper did kill the Comstocks.
40:43Steve, for heaven's sake, stop questioning me.
40:45I tell you it can't be proved.
40:46Why stir up trouble?
40:48This jungle savage can't mean anything to you.
40:51Wait a minute.
40:52You're doing this for her.
40:54I made a deal with you, and I'll stick to it if you don't like it.
40:56Oh, Steve, don't go.
40:57I can't stay here.
40:58I want to go with you.
41:05Mila!
41:05Mila!
41:06No good!
41:08No good!
41:09Mila, you fool, you shouldn't have come here.
41:11Blake, no good.
41:13Me kill!
41:14Blake, he no love me.
41:18He...
41:42What's going on here?
41:44Mila was here.
41:44She's safe by now.
41:45She saw Connie and me together and got jealous.
41:47Mila came all the way here?
41:49Yeah.
41:50Rather, she must have a case on you.
41:53That's the way I figure it, Steve.
41:55You were just stringing me along, trying to find out what I know.
41:58You don't like me now any more than you did five years ago.
42:01Should he, my dear?
42:03Don't move, Blake.
42:06All right, Bergen, take his gun.
42:10I heard a shot.
42:11I just got back from the mine.
42:12What's happened?
42:13Jungle girl was here.
42:15I could have got her, but Blake helped her get away.
42:18Oh, so that's it.
42:20Take them both inside.
42:21I want a word with my wife.
42:22All right, hero.
42:23It's my turn.
42:24Inside.
42:26Mark, you don't...
42:27I heard what you said to Blake.
42:29You better make your explanations in private.
42:32Get about your business, you man.
42:35Anything you may say is going to sound rather stupid, Connie.
42:38Oh, Mark, please, listen to me.
42:39You're still in love with Blake.
42:40No.
42:40You love Blake and you married me.
42:41Mark, please.
42:45You still want to make an explanation?
42:47No.
42:48I don't love Steve Blake, but I hate you.
42:51I want to get away from here, and I thought he'd take me.
42:53Yeah?
42:54Well, maybe you'd like to take this with you.
42:56Easy, Blake.
43:04Oh, you had nothing to eat but snake meat.
43:06I wouldn't get too tough if I were you.
43:08Not with two murders already on your hands.
43:11It seems to me you've made rather good use of the three weeks you're away.
43:13Yeah, and we're going to see that you hang if it's the last thing we ever do.
43:17Keep your mouth shut unless you want me to close it for you.
43:20I can do it myself, bud.
43:21I've been doing it ever since the day I was born.
43:24Hoppy's right.
43:25We've got enough information of that village to have you tried for murder.
43:28If so, then perhaps the information on the village should be destroyed.
43:32Hey, I get it.
43:33That's why they wanted us to find a place.
43:35They wanted to knock off the white girl.
43:37She might be evidence.
43:38Sure.
43:39And that's why we're not going to tell them where the village is.
43:42I think you will.
43:45I'll keep them covered, Burger.
43:47See if you can persuade our unwilling friends to talk.
43:51There's nothing I'd like better.
43:55Looks like our willing friend's getting ready for the little exercise.
43:58Whatever happens, Hoppy, don't tell them where that village is.
44:00I'm here, Pete, Blake.
44:03I'll give you one more chance to talk before Burger goes to work.
44:06That gun doesn't give me much of a chance to fight back, Harper.
44:09That's right, Blake.
44:10It's going to be a very uneven contest.
44:12I advise you not to resist.
44:15I'm really quite a good shot.
44:17At this distance, I could give you numerous painful wounds without actually killing you.
44:21Oh, now, wait a minute, Harper.
44:23But I love it, Pete, you can't do this.
44:24On the contrary.
44:26I shall enjoy it very much
44:27until Blake gets some sense.
44:30Burger?
44:35Don't be a sap, Owen.
44:38Now's a good time to change your mind, Blake.
44:40Burger's only getting warmed up.
44:42Keep pitching, Burger.
44:44You're doing fine.
44:55Come on, Laughlin, boy.
44:57Have fun.
45:03Wait a minute.
45:04That's enough.
45:05Leave him alone.
45:06I'll tell you where the village is.
45:07Just leave him alone.
45:08If you show better sense than your friend owns.
45:16All right.
45:17Draw the route for the village.
45:18Well, I ain't much good at maps, but...
45:20But I'll try.
45:23How do I know you won't bump us off after I finish this?
45:25You don't.
45:26But if you want to save your friend from further beating, start drawing.
45:29Do you want to do so on?
45:55Do you want to do so on?
45:56Who you do?
45:59Come on.
46:26No, no, no.
46:27I'm not. I've changed my mind.
46:29You're overpowering love from here, I suppose.
46:32No, just getting sensible, perhaps.
46:34Here, I'm the boss's wife.
46:36If Sanobi would Blake or anyone else, I'd be nothing.
46:38Yes, you don't like the idea of going back and being nothing.
46:41That's right.
46:42Now you know how I feel.
46:43If you want me to stay on those terms, I'll stay.
46:47Well, I suppose I'm a fool, but I want you even on those terms.
46:51What about him?
46:52He's my concern from herein.
46:54Better go now, Connie.
47:05Listen, Harper, I don't trust her.
47:07She's been nothing but trouble since you arrived.
47:09She's my wife.
47:10If you don't like things the way they are, get out.
47:13Take it easy. I'm just telling you.
47:14You take care of your business, I'll take care of mine.
47:18You finished?
47:19Well, it isn't much, but I guess it'll get you there.
47:21Okay, Owens.
47:22I hope for your sake it's all right.
47:25Take him downstairs.
47:26What do you mean, downstairs?
47:28Where are you taking us?
47:28In this part of the country, I'm the law.
47:30I prepare for all emergencies,
47:33such as rebellious workmen.
47:35Oh, a jail, huh?
47:36You don't miss any bets, do you, Mr. Harper?
47:38No, I try not to.
47:40You better give Blake a hand.
47:41Come on, Blake.
47:43You're giving us a private room with a bar.
47:46In fact, lots of bars.
47:57Where?
47:58A nice, cozy little rat hole.
48:00I bet your workmen love it down here.
48:01They don't usually break the law again
48:03after having been here, if that's what you mean.
48:04Break the law?
48:05Something like asking for a raise, maybe.
48:07You know, but you talk too much.
48:09I found out if that's the only way I can say anything.
48:17Special customers, though.
48:19Just see to it that they don't pull any fast ones.
48:21Don't worry.
48:21They won't try anything.
48:25But according to Holmes' map,
48:26the trip should take two days going, two days coming.
48:29You got enough food?
48:30For six days.
48:31Sufficient ammunition?
48:32You're really going to do a thorough job of it, aren't you, Mark?
48:35Well, why not?
48:36I have every right to protect my interests.
48:38Yes.
48:39I suppose you'll feel much safer with that jungle girl dead.
48:43You're drinking too much, Connie.
48:44Am I?
48:45Just celebrating our reunion.
48:47To the Harper Millions,
48:48may they rest easy on your conscience.
48:50You be smart and watch your tongue.
48:53If you're ready, let's go.
48:57Thank you.
49:35Gee, Steve, you ain't had a bit of sleep.
49:37Worrying about me ain't going to do any good.
49:39I've got to warn her somehow, Hoppy.
49:40I can't just let Hopper kill her.
49:42Yeah, but it doesn't seem like there's much we can do about it.
50:00Oh, it's you, Mrs. Hopper.
50:04Hi, Stoney.
50:05I've got a lonesome upstairs.
50:07Oh, talk to Stoney.
50:08Stoney's my pal.
50:09You ain't never said more than ten words to me, Mrs. Hopper.
50:11But that doesn't mean I haven't noticed you, Stoney.
50:14As a matter of fact, I think you're cute.
50:16I've always thought you were cute.
50:18But you didn't even know I was around.
50:20Oh, this smoke should go for anybody.
50:22Quiet, aren't they?
50:23Hey, look.
50:24My two pals.
50:25How are they doing, Stoney?
50:26You better take it easy, Mrs. Hopper.
50:28You've been hitting the bottle.
50:29Oh, it's a vicious circle, Stoney.
50:31My husband hits me, and I hit the bottle.
50:34Gotta get a little fun someplace, huh, Stoney?
50:41Here, Steve.
50:43One sound, and you'll minus your head.
50:47God, don't kill me.
50:48Get the key, Connie.
50:52You'll see I get back to the coast, Steve.
50:53I'll see you get there if I have to carry on my back.
50:57I'm going back to the good old USA,
50:59where the only diamonds I want to see will be in the store windows.
51:02Now you're talking.
51:05All right, you can let go of my gutter covered.
51:08I'll take care of this character, Hopper.
51:10You warm up the plane.
51:11We've got to get to Mela in a hurry.
51:12Right.
51:14You better come along, Connie.
51:15This may mean trouble for you.
51:16You finish your job and come back for me.
51:18I'll be able to handle things until then.
51:20You're sure?
51:21Yes.
51:22In you go, Stoney.
51:28What is it, Connie?
51:29Well, Mark and Berger have always been worried about what happened to the Comstock bodies.
51:33According to their story, they ran off after the natives attacked.
51:36But I've overheard them many times discussing where the bodies could be.
51:40And I know they've searched.
51:42The bodies, huh?
51:42Mm-hmm.
51:44Yeah.
51:46Yeah.
51:48So long, wonderful.
51:50Oh, Connie, you sure you'll be all right here?
51:53Sure.
51:53Stone can yell his head off and nobody will hear him.
51:56Good.
51:56I'll see you later.
51:57Good luck.
52:10What are we going to do when we get there, Steve?
52:11That's the $2,500 question.
52:13Yeah, and you can bet at all that Mela won't be waiting with open arms or a home-cooked meal.
52:18And after we get that little matter wrapped up, we're going to have to start planning a little entertainment for
52:22Harper and Company.
52:23They're expected, you know.
52:24Everything is nicely arranged for them.
52:26You know, we're going to have a rough time with that arsenal and Harper's got.
52:30Strategy, Hoppy, strategy.
52:32Use your brains.
52:34What good are our brains going to do with a couple of bullets in them?
52:37Well, you just keep your brains out of the way.
52:46Do you hear a plane?
52:50Yeah.
52:51You don't suppose that's Blake?
52:53Stone's pretty handy with that gun.
52:55Might be Army planes.
52:58Yeah.
53:00I guess you're right.
53:17Blake, come back.
53:20Baga.
53:21Blake, talk.
53:22Say much.
53:24Maybe.
53:25Good.
53:26Mbaga.
53:27Kenome.
53:27Salo.
53:28Blake.
53:29Half a woman.
53:30No good.
53:32Mbaga.
53:48Better make with the pictures, pal.
53:50They don't seem so glad to see us.
53:51Mila, I've got a lot to explain.
53:53Blake.
53:53No goods.
53:54Now you've got to explain what explain means.
53:56Tonga.
53:57Much trouble.
53:58Harper.
53:58Many men.
53:59Guns.
53:59They come kill Mila.
54:00Baga.
54:01Harper.
54:02Kill.
54:05Blake.
54:06Come.
54:06Help.
54:07Blake, help.
54:08I've got a few ideas.
54:09I've got a few ideas.
54:11Please come, Brad.
54:12We've got a lot to talk over, honey.
54:21Let's go, buddy.
54:27I must have put it all right.
54:40Looks like it's deserted
54:41Yeah, altogether too deserted
54:44Suppose it could be a trap
54:45What trap?
54:47What could they do against our guns?
54:49Yeah, they should know better about this type
54:51Well, they've probably spotted us and taken to the hills
54:54Let's take a look
54:57Hey
54:58This is giving me the creeps
55:00Well, it's certain they can't be here
55:01Or we hear a kid cry or a dog bark or something
55:05Take a look at those huts
55:12There's no one man, not even that belonging
55:15Same over here
55:16Well, just as I thought, they've all cleared out
55:18You thought wrong, Harper
55:19Blake!
55:22You're completely surrounded, Harper
55:24The first man who tries something gets it
55:26Now, don't be a fool, Blake
55:27You can't do anything against our guns
55:32I'm sorry that happened, Harper
55:33But these natives mean business
55:35I'll drop your guns
55:36Hold on to your guns, man
55:37You'll all be murdered if you don't
55:39I ain't gonna fight something I can't see
55:45I've got this gun aimed right at your head, Harper
55:47I'll give you three
55:49One
55:51Two
55:55That's better
55:57You boys can sit back and relax now
55:58Our business is with Harper and Berger, not you
56:00You keep your heads and nobody will get hurt
56:10Nice seeing you at this end of a gun, Harper
56:13Do you mind telling me how you got out of that cell?
56:16We played gin rummy with a guy and won the keys
56:19I'll find out sooner or later
56:20It'll have to be a lot later
56:21I'm taking you two to Sinobi
56:23Sinobi
56:25What for?
56:26The murder of this girl's parents, Joe and Mary Comstock
56:28No, you don't
56:29You ain't hanging that all at us
56:31Berger
56:31They've got no proof
56:32We'll let the Sinobi police decide that
56:35They ain't deciding nothing
56:35Not for me, they ain't
56:53Berger
56:54I see
56:54So you laid charges against Harper
56:56And had him held for cresting on the murder of the Comstocks
56:59There's only one thing that'll get Mila free, Mr. Bennett
57:01And that's the proof of Harper's guilt
57:03Is there such proof?
57:05We'll know pretty soon
57:07The police should be back from the interior by now
57:09If they found what I sent them for, Mila will go free
57:13If they don't, Harper will walk out of that door across the street
57:17Good heavens, Mr. Blake, you can't settle things this way
57:19One murder won't solve another
57:21Don't try to stop me, Bennett
57:22The door's open, you can be careful, Mr. Blake
57:24It might be a stranger
57:27It's Harper
57:32Good heavens, what happened?
57:33You didn't shoot
57:36No
57:41I guess your board got him, Inspector
57:43He knew he'd never beat a trial
57:45No one's ever escaped this place yet
57:47Perhaps someone should have told him
57:48What's happened?
57:49Your plan worked, Blake
57:50We found the graves of the Comstocks with these plugs in their skulls
57:54You were smart not to have opened those graves yourself
57:56You'd have ruined the only evidence we have
57:58I'm afraid I don't understand, Mr. Blake
58:00It's very simple, Mr. Bennett
58:02Harper claimed that the Comstocks were killed by the natives
58:04Well, savages in the jungle don't carry 38s
58:08Quite a story
58:09Quite a story
58:10But I'm afraid my wife will never believe it
58:12Well, goodbye, sir
58:14Good luck
58:16Thank you
58:19Blake
58:20You come
58:22Help
58:23Oh, Mila, honey
58:34Break it up, will you, Steve?
58:36My arms are getting tired
58:38Thanks, Steve
58:39That's one of the best good vibes I've ever tasted
58:41Bala, Bala, Connie
58:42You're a real pal
58:45Keep a sharp eye on him, honey
58:47Steve may be okay
58:48But no man should be trusted any further than you can throw a diamond mine
58:52Me no trust
58:54Me love
58:55Come here
58:56Okay, sir Walter, Ollie
58:58At your service, milady
59:03Honey
59:04Someday when you're a real lady
59:06We'll visit Connie in Brooklyn
59:08Me lady now?
59:10Yes, Mrs. Blake
59:11I guess you are
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