- 9 hours ago
Watch American Classic Season 1 Episode 5 online in HD on Dailymotion (2026).
Category
🎥
Short filmTranscript
00:17Previously on American Classic.
00:19I'm producing and directing Thornton Wilder's Our Town.
00:23We do not have the money for original productions.
00:25What would it take to finance this whole endeavor myself?
00:28A miracle?
00:30You are an artist, and you need your own restaurant.
00:32You come to see me, and I will make this happen.
00:34Polly's going to oversee the whole design.
00:36Mom wants me to go to Penn.
00:38What do you want?
00:39I want to act.
00:40Holy shit, you got into Penn.
00:41Do not tell my mom, okay?
00:43It's been dream of life to see Paris in France.
00:47How much would it cost to put her into the show?
00:49Can we just keep this between the two of us?
01:02Hi, Nadia.
01:04Pat.
01:05Pat.
01:05Nice to meet you.
01:06Hi, Nadia.
01:07Pat.
01:08Pat and Pat.
01:10Yes.
01:11Talk soon.
01:12You gave me your phone number.
01:13You bet.
01:14What?
01:17What is this?
01:19Oh, John.
01:22This is Hugo, my right hand.
01:24Yes, the one who doesn't always know what the left hand is doing.
01:28Richard, the proper espresso machine arrives tomorrow, bigger one, and it'll need to be plumbed in.
01:33Okay, not a problem, whatever that is.
01:36We can afford it.
01:37We can afford artisans of every stripe, painters, carpenters.
01:41I told Kristen it was only a phone call away.
01:43Who's paying for this?
01:44Oh, this is a, this is a result of a very delicate back channel operation with the Nederlanders.
01:52I'm sorry, which Nederlanders are we talking about?
01:55Sir, Richard Biel, I'm meeting your dad.
01:57He's like old you.
01:59Hello.
02:00Huh, yes, he went that way after all.
02:02He's got hidden resources.
02:04Are you excited?
02:05I mean, you're pretty sweet, right?
02:07Our town.
02:09What is it?
02:13It's, Randall?
02:14It's a play.
02:16Exactly, it's a play set in Grover's Corners, New Hampshire at the turn of the last century.
02:24It is a moving portrait of what it means to be human.
02:32Now, traditionally, productions adhere to the first stage direction in the text.
02:37No curtains, no scenery.
02:40No, the audience arrives and sees an empty stage.
02:43Well, that, my friends, is the past.
02:47Hugo, I have a vision for another town.
02:56I see it as full of sensuous detail.
03:01Richard Bean, are these people in this photo naked?
03:06What?
03:07No, no, they're not naked.
03:10What the?
03:11Hugo?
03:12It's sex workers in a bordello in Boston 1905.
03:16So, you will ask us maybe all to be naked?
03:19No, no, no, no, no, no, no.
03:20These are called mood boards.
03:23Because you are a great artist, Richard Bean, I will be naked for this art.
03:28Now, who is with me?
03:29No, no, no, no, no, no.
03:32No one is naked in my vision, no.
03:36But what I do see are sunflowers and heliotropes and mud, real mud in the cemetery.
03:42I see a real working soda fountain.
03:45I see a horse.
03:47I see real rain.
03:49Yes?
03:50Yes?
03:50Is this rehearsal deal going to be during the daytime?
03:54Hugo?
03:55Yes.
03:56Ten till six.
03:57Yeah.
03:58I can't quit my job for play practice.
04:01What?
04:01I can't quit my job for play practice.
04:04But I would remind you that you're going to be paid for it.
04:08Hugo, what is the current Broadway minimum for?
04:11Just now, it's US$2,439 per week.
04:18That's what you'll be paid.
04:22This is the magic ball.
04:24What makes it magic is that you can only speak when you hold it in your hand.
04:29You will tell us your name, the role that you play in the show, your astrological sign,
04:38and...
04:38Something about you.
04:40And something about me.
04:41No, no.
04:41Something about themselves.
04:43And something...
04:44Something about them.
04:45Something about yourselves.
04:47Yeah.
04:47So, I have the ball, so I might as well begin.
04:50Richard Bean.
04:53I am the director.
04:55I am a Scorpio.
04:57I've been praised as an actor my whole life, but I really just consider myself a humble storyteller.
05:08I'm Pat Patterson.
05:10I play Mrs. Webb.
05:12I'm an Aries.
05:14People see me as kind of maybe buttoned up, but inside I'm this massive romantic.
05:22I'm also Pat Patterson.
05:25I play her husband and I'm her real husband.
05:29And I'm a Cancer.
05:31You're actually a Leo.
05:32July is Cancer.
05:33I was born in July.
05:35You were born on the cusp.
05:36You're a Leo.
05:36Fine.
05:37I'm a Leo.
05:37I know.
05:38But if you ask me all this astrology, it's just a bunch of bull crap.
05:41Pardon my French.
05:42You're really married.
05:44Not fake married.
05:45You know, intimately and somewhat passive aggressively.
05:49Enmeshed.
05:50I'm Dr. Derek Seal.
05:53I play Doc Gibbs and I'm a Leo.
05:56I'm recently divorced.
05:59My daughter said I should do something.
06:01So I'm doing this.
06:04Oh, I don't have the ball.
06:06Sorry.
06:07Yes.
06:07And I also don't have the ball.
06:11Hi.
06:13I'm Miranda Bean.
06:14I play Emily.
06:16I'm a Gemini.
06:17I'm an actor and a singer and newly vegetarian.
06:22I'm a Gemini too.
06:23We're twins.
06:24Excuse me, dude.
06:25You don't have the fucking ball either.
06:27Randall, chill.
06:29I'm chill.
06:29He doesn't have the ball.
06:30Jesus.
06:32Um, Heath.
06:34Heath McArdle.
06:37George.
06:39Emily's love interest.
06:41Jim and I, as we already said before.
06:43And I have my equity card.
06:46What's an equity card?
06:49Um, I'm Randall Potts.
06:51I play Wally Webb, who's like 11 years old and dead for most of the play, so.
06:57Whatever.
06:57Um, but I am Miranda's real life love interest, because I'm her boyfriend.
07:03And I am a Sagittarius, so I'm also creative and a warrior.
07:10Take fast.
07:11Oh!
07:12Oh!
07:15Oh!
07:15Oh!
07:15Oh!
07:15Oh, my God!
07:17Oh, my God!
07:19Are you okay?
07:20Oh, my God!
07:22Oh, my God!
07:22Oh, my God!
07:23What are you doing?
07:24Oh!
07:26Oh!
07:27Oh!
07:27Oh, my God!
07:27Uh-oh!
07:27Not so difficult!
07:29Now that the bleeding has stopped, let's read the play.
07:34Eagle will read the stage directions.
07:37Our Town, act one, no curtain, no scene, oh, lots of scenery.
07:44This is the first act.
07:49I vouched and ironed the blue gingham for you special.
07:55Gingham.
07:58Gingham.
07:59Gingham.
08:01Gingham.
08:02Gingham.
08:04Gingham.
08:04Gingham.
08:04Gingham.
08:08Perfect.
08:13Great work.
08:17Mother Gibbs, it's George.
08:21Dear, just rest yourself.
08:24Mother Gibbs?
08:25Yes.
08:26Emily?
08:28They don't understand, do they?
08:31No, dear.
08:32They don't understand.
08:39Oh, take a break.
08:41Wonderful work.
08:43Give him a ten, yeah.
08:44Take ten minutes, everyone.
08:45Yeah, just ten minutes.
08:46Thanks.
08:47Dad is doing unbelievable work.
08:50And Miranda's gonna be a better Emily than you.
08:53Yeah.
08:54You should come and join in.
08:57Maybe come on Monday and join our, uh, circle of truth.
09:00You know something I don't miss?
09:04Theater games.
09:05I honestly can't think of anything.
09:07I'd rather do less.
09:09So this is the temple of art?
09:15Who do I give my cabaret seat to?
09:19Oh, uh, oh, there he is.
09:21Hi, thank you.
09:21Hi, Polly.
09:22Good to see you.
09:22You go.
09:23Thank you for doing this.
09:26Yeah.
09:26This is, uh, this is Polly.
09:29Kristen.
09:30Oh, my God.
09:33This is the famous Kristen.
09:38It's very nice to finally meet you.
09:41Of course, I'm a big fan.
09:43And I can't wait to see what you do with Richard's vision.
09:46Oh, let me do it.
09:48No, thank you, darling.
09:49Oh, can I just, just...
09:53A, you are gorgeous.
09:56And B, you don't know what it means to me
09:58to meet another person who has had to live with this man.
10:02Did he ever steal your concealer?
10:04Uh, borrowed.
10:06Never stole.
10:07Oh, come on.
10:08But you're not to, you're not to be trusted around reflective surfaces, are you?
10:13No.
10:13No.
10:14Are you, darling?
10:15Papa says you spend hours in the bathroom.
10:17My son is an actor.
10:19His face is important to him.
10:21It's important to many.
10:22Why don't we change the subject from me to, well, the play, for instance.
10:27Yes, let's move on from my big brother's eccentricities.
10:31And just take a moment, you're good?
10:33No, I'm good.
10:33Take a moment to marvel at the fact that he has managed to secure a blank check from the Nederlanders.
10:42The Nederlanders?
10:43Yes, and it's not just for the play.
10:45He is spreading money all over this town like, like fairy dust.
10:51The Nederlanders.
10:52Yes, they're backing our town.
10:55It...
10:55You have to admit, that's pretty incredible.
10:57Incredible.
10:58Yes, because I was with James Nederlander at the Jimmy Awards last week, and he told me that you called
11:05and asked him to invest.
11:07And he told you that he was just dying to get into bed with a raging psychopath.
11:11Didn't he, darling?
11:12Yes, that was the general thrust of what...
11:15Hey, listen.
11:16I didn't want to bring this up, because I didn't want to make it all about me, but I've decided
11:20to pay for the production myself.
11:22What, with you?
11:23But with what?
11:25I mean, no, I don't mean to sound bleak.
11:27Pet.
11:28But.
11:29You have no money.
11:30At least that's what you claimed when we got divorced.
11:33Don't forget, I...
11:35It was the art collection.
11:36Did I have the art collection?
11:37Richard.
11:38I believe he got that in the settlement.
11:40You sold our art collection?
11:41I didn't sell the whole art collection, darling.
11:44Oh.
11:44No, don't be silly.
11:45I only sold the...
11:47What?
11:47The...
11:49Schicklegruber.
11:50The Schicklegruber?
11:51Wait, which one was that?
11:53The Schicklegruber was the big, the big moody, dark, dark, dark, crazy, crazy, crazy thing.
12:01Expressionistic-ish.
12:02Um, yeah, it was, uh, I sold it to a very moody, uh, Japanese businessman from, uh, Japan somewhere.
12:15Mm-hmm.
12:15Yeah.
12:16For a very good price.
12:18Schicklegruber is Adolf Hitler's family name.
12:22No, no relation.
12:24No, no, no.
12:25These, um, these Schicklegrubers were from Lichtenstein.
12:28Yeah, the Lichtensteinian Schicklegrubers.
12:30Schicklegrubers.
12:30I don't remember the Schicklegruber.
12:33Well, darling, it was in, it was in storage most of the time because it, it troubled people.
12:39You would have hated it.
12:44I come seeking refuge.
12:46Put me to work.
12:48You, ah, here, can juice these lemons and oranges.
12:54Sure.
12:56You know, it's funny, even with my whole family beating up on me all at once, I, I'm happier
13:01now than I've been in the news.
13:03Here.
13:07Try these.
13:09They're very hot.
13:12Glamorous peas.
13:18The hell good?
13:20Good?
13:20They're, um, magnificent.
13:25You make perfect food, little brother.
13:29Here's a question for you.
13:32Would you consider coming back here?
13:35I am back here.
13:37No, no, I, I mean, I mean staying in Millersburg.
13:44And, uh, running the theater.
13:46Yeah, you might want to run that idea by Kristen first.
13:49She sees what you're pulling off.
13:51You know, you, you've got the talent.
13:53And, uh, you clearly have some resources now and, well, you know, you gotta make a success
13:58out of this show.
13:59I know that.
14:01And if things go back to how they were.
14:03I mean, not a dinner theater.
14:06A lot of things become possible for everybody.
14:10Like what?
14:15Boyle has offered to build a restaurant for me in the casino.
14:19For me, the chef.
14:20Oh, I see.
14:23You know, making real money.
14:24Yeah.
14:24Making the food I want to make.
14:26I mean, that would be incredible, right?
14:27You know, Miranda, she goes to college in the fall and that.
14:31We got a little bit put away, but, you know, four years.
14:34That's a massive whack.
14:36And I just, I want to give her every opportunity.
14:39And, I mean, I'm not saying I take Boyle up on the deal.
14:43I just, I know you don't trust him.
14:44You're always saying how he's buying up all these properties.
14:47He's, he's feasting on people's broken dreams.
14:50I mean, you talk about him like he's Satan.
14:51Yes, exactly.
14:53Satan.
14:54You know, he offers you what you want, but he always wants something in return.
14:57Usually it's your soul.
14:58That's not a good thing.
14:59There may be a time when you and the devil want sort of the same thing.
15:04And so, in that case, it might be all right then.
15:07So you're saying the devil wants you in hell, but you don't mind being in hell because there's this fabulous
15:16restaurant in hell and you are the head chef.
15:18We're not getting any younger.
15:20Uh, I would say, go for it.
15:25That makes a lot of sense.
15:27Carpe diem.
15:28Carpe diem.
15:31How many of these are there?
15:32Come on here, let me do this.
15:34Uh, just, you know, like this.
15:38You make it look so easy.
15:41Oh, good of you to have the ex over.
15:45Oh, you know, I must say this is kind of my weird confession.
15:52I always wondered if I'd like you.
15:56Well, the reviews are mixed.
15:59No, but I do.
16:01I mean, I really do.
16:03And you were always so good to Miranda when she was in the city.
16:07She'd come back just, you know, full of all the wonderful times you had.
16:11And, you know, I must say, I hope it's okay I say this, but, you know, I was surprised when
16:18I heard that you and Richard were getting divorced.
16:22Well, I, you know, I guess I just don't like playing second fiddle.
16:27Yeah, yeah.
16:29I know.
16:31The career.
16:33The fans.
16:35The mirror.
16:40No, no.
16:41Darling, I was, I was fine with all of that.
16:45Second fiddle to you.
16:49You were the great love of his life.
16:53I was just someone to drink with.
17:01Speaking of which, I forgot my bottle.
17:23Yeah.
17:25No.
17:26No, I don't want him.
17:28Ah, he's a total gobshite.
17:30Yeah, never liked him.
17:31Catch you there. Bye.
17:32Bye.
17:34Thank you for seeing me, Mr. Boyle.
17:36Connor.
17:37It is a treat to have you here.
17:40So, how's our resident genius this fine day?
17:43Oh, he's well.
17:44He's well.
17:44You know, the show looks terrific.
17:45Oh, I'm not talking about your brother, mate.
17:48I'm talking about you.
17:50Oh.
17:52Oh, thanks.
17:53I'm good.
17:56So, I, um, I've been thinking about your restaurant proposal, and I would love
18:06I guess to, uh, move forward.
18:12You guess.
18:14You guess.
18:16No, geniuses don't guess.
18:19I mean, your, your, your brother is gifted, but what you do with food is of far greater value
18:24than what he does playing make-believe all day long.
18:27You know, people are going to spend a lot of money eating the food that you make.
18:32Listen.
18:32Can I offer you a wee nip?
18:33Well, it's a little early to...
18:35So, I mean, all I'm saying is, I'm all in.
18:40So, I've got investors who want to meet you.
18:43Wait, investors?
18:43Yeah.
18:44So, we're going to drive down to Atlantic City tomorrow after lunch.
18:47You know, you fix them a meal, they fall in love, write big checks, we're at the crap tables by
18:5110,
18:52shit face by midnight.
18:53What do you think?
18:53Oh, I, um, I should, I should call Richard, because, you know, I'm doing company management now.
18:59You know what?
18:59Your brother's grand, but he's all about Richard.
19:02Which is all right.
19:04And do you know how I know that, John?
19:07It's because I'm all about me.
19:11Now, what we need to do is to make you a little bit more about yourself.
19:22Well, I guess I could do that.
19:25I mean, I can do that.
19:29I'm in.
19:31Good lad.
19:32Sláinte.
19:34I do love craps.
19:38This is the circle of truth.
19:42As the stage manager says, people in our town want to know the facts about everyone.
19:49Since our play is about people living together on this earth, given the brief amount of time that we have
19:56here,
19:57I thought it would be good to learn some truths about each other.
20:04I would stress that anything that is said in the circle of truth stays in the circle of truth.
20:13Okay?
20:15Okay?
20:15So, who wants to start?
20:18I'll go.
20:21This probably won't come as a surprise for some of you here, but I want to move to New York.
20:27I want to be an actor.
20:30You can stay in my alcove studio in Brooklyn.
20:33Yeah, dude, I'm pretty sure it's not your turn right now.
20:37The thing is, my mom doesn't want me to be an actor.
20:40She wants me to go to college, and I just got in.
20:46I got accepted.
20:47Congratulations.
20:48But my mom doesn't know about it, and she also doesn't know that I'm going to turn it down.
20:55Interesting. Yes.
20:59So, now that we're playing husband and wife, I really feel that we're complete opposites on almost every level.
21:10We're fine.
21:11I never said we weren't fine. I said we're different people.
21:13Can I fire myself? I mean, can I play another character in the play?
21:17Here it comes.
21:18I mean, one where I'm not married to her, the choir director, that kills himself.
21:22Yeah.
21:23Well, if we're picking parts, I want that guy to play my husband.
21:29Oh.
21:30Oh, my God.
21:31Oh, my God.
21:33I just feel totally, completely alone.
21:38Wow.
21:39This is great. This is marriage.
21:42Kenny has something to say.
21:43Kenny!
21:44This is crazy.
21:47I think I'm kind of afraid of dying.
21:54But aren't you like The Undertaker?
21:55I know. It makes no sense.
21:57But being around so much death and now working on this play just makes me extra aware that time is
22:09running out.
22:09This is fucking depressing.
22:11Yes!
22:13Isn't it?
22:14I want to speak from the heart.
22:17Go ahead.
22:19I am a gay man.
22:23I was always a gay man.
22:26I was always a gay man.
22:27Oh, boy.
22:29This is harder than I thought.
22:31It doesn't have to be a track.
22:34It doesn't have to be a track.
22:34Casters are fine.
22:36Most of the actors love pushing things on.
22:38If I do improve and make a big change, would you be?
22:45I mean, could you be?
22:47I am now.
22:49I always have been.
22:51Well, I love her.
22:53But she's not a horse.
22:54Oh, no, no.
22:55She's a pony.
22:56We couldn't fit a real horse in the wings, could we?
22:59Oh.
23:03Hey, has anyone seen my backpack?
23:06No?
23:15Miranda.
23:17Oh, thank you.
23:18I was sitting on it.
23:19Nice.
23:20Listen, did you say no to Penn?
23:23Not yet.
23:24I'm not crazy, am I?
23:26No, you want to be an actress, so I made a couple of calls.
23:32And there's an internship, if you're interested, at MCC in the fall.
23:37It's not the lead in a Broadway play, but it's working in the theater in New York.
23:41So it's a start, you know?
23:44Thank you so much.
23:46I'd love it.
23:47My pleasure.
23:48You're very welcome.
23:49Okay.
23:49Okay.
24:02Good on you, Johnny!
24:04You've got to win time!
24:07I'm excited!
24:11Let's do an exercise.
24:13Forget about the lines.
24:14You're just Mrs. Gibbs, turn of the century, wife of the town doctor, and we're just going
24:25to chat.
24:26Okay.
24:27All right.
24:29So, good morning.
24:30How are you, Mrs. Gibbs?
24:31How are you?
24:32Hello.
24:33Hi, you guy.
24:38Yeah, what did you do this morning?
24:43I w...
24:44I waked up.
24:46Okay, now remember, you're a real person.
24:48Yeah.
24:48You do real things.
24:50Chores?
24:51Any chores?
24:52Be specific.
24:53Details are important.
24:54I wash it and ironed the flag.
24:59You what?
25:00I'm washing the flag and I'm ironing the stars and the stripes so they lying perfectly straight.
25:10I see.
25:12Okay.
25:13Uh, one last question.
25:17Would you say you're a happy person?
25:20Oh, yeah.
25:22Yeah.
25:23I'm a happy American woman.
25:25Lady.
25:27Girl.
25:28Woman.
25:28And I'm wearing gingham.
25:31Gingham?
25:32Yes.
25:34Been working on that one.
25:44Mr. Bean.
25:46Hello.
25:46Where am I?
25:48Atlantic City.
25:50Who...
25:50Who is it?
25:51Mel, your driver.
25:53Wait, just a second!
25:57Oh, my...
25:58Oh, my...
26:00I'm so sorry.
26:01I overslept.
26:02Is Mr. Boyle ready to go?
26:03No bother.
26:04He left hours ago.
26:05He left hours ago.
26:05Well...
26:05What?
26:06But he, uh...
26:06He wasn't as wasted as he were.
26:08What time is it?
26:09Uh...
26:102.35.
26:11In the afternoon?
26:12Jesus Christ!
26:13Yeah, you had yourself quite a night.
26:15I did?
26:15I don't remember.
26:16Yeah, it's probably not a bad thing.
26:19Well...
26:19You hit a hot streak and you won and you won.
26:21Why wouldn't I want to remember that?
26:23Because then you lost and you lost.
26:25Lost?
26:26Like...
26:27Like what?
26:28Like...
26:28I couldn't keep track.
26:29You kept running to the ATM and then you started talking routing numbers and wire instructions and...
26:35Finally, I just...
26:36I just got depressed.
26:37I went to bed.
26:39Uh...
26:39I'll wait for you downstairs.
26:41Okay.
26:41Take your time.
26:56Oh!
27:11Who told you?
27:12Does it matter?
27:13Does it matter who betrays me?
27:15Yes, it does.
27:15It was Randall, wasn't it?
27:16Do you ever stop to think that just maybe people are trying to do what's best for you?
27:19Do you ever just think that maybe I know what's best for me?
27:23You know what?
27:26Fuck Mirandall and fuck Penn because I'm going to New York.
27:29No.
27:30No, you are not.
27:30Why not?
27:31You know how much acting means to me because it meant the same thing to you.
27:34New York will eat you alive.
27:36Oh, uh, sorry.
27:38Um, did I interrupt something?
27:40Uncle Richard found me a job.
27:41Tell her.
27:42What do you mean he found you a job?
27:43Oh, uh, I made a couple of calls about an internship and I offered her a place to stay with
27:49me.
27:49That's not a job.
27:50It is.
27:53All I have done is listen to your daughter.
27:57You ought to try that yourself.
27:59She wants to be an actress.
28:02Please stay out of this.
28:03She has the talent.
28:04She has the passion.
28:06So why shouldn't she?
28:08Because it will make her miserable.
28:09Because it made you miserable?
28:11Acting didn't make me miserable, you did.
28:12You gave up.
28:13You gave up on yourself and your talent and you left.
28:19That's on you.
28:27Hey.
28:28Hey.
28:29I just came up with the sickest baseline for best of me.
28:33What?
28:34You're a total betrayer.
28:38I'm a what?
28:39You told my mom about school and New York and now she's losing it and you betrayed the circle of
28:44truth.
28:45You're the betrayer. You're betraying me with Mr. Actor Man.
28:48Heath?
28:48Yeah.
28:50Come to my tiny alcove in Brooklyn.
28:52Oh my God, Randall. Nothing is going on with Heath.
28:55You guys are always hanging out. It's like you're a couple.
28:57We're playing a couple. We're playing Emily and George.
29:00I don't like it.
29:01Well, I don't care.
29:02Go be a crazy jealous person somewhere else. Don't go telling my mother my personal shit.
29:06Where are you going? Are you going to see him?
29:08Jesus Christ.
29:10What about Miranda?
29:20Hello, Richard B.
29:22Oh, Jesus.
29:24How did you get in here?
29:25I'm climbing like monkey.
29:32You are wanting to kiss me now?
29:35No. No, yet.
29:37Don't want to kiss you. I'm your mentor. I'm your director.
29:40And your boyfriend, he seems like a very violent type.
29:43If you're worried about Connor, you must know that he's not understanding how it is you touch me.
29:49I am dreaming all my life to be actress, and now I want everything that you can give me.
29:55There is genius in your fluids.
29:59Wow. That's very high praise, I'm sure.
30:04But it's probably a weird translation of a Russian idiom that sounds just like a bad idea.
30:13You're always talking about how you want these special alone times together.
30:18And I'm thinking, oh my gosh, this guy, he has feelings for me.
30:25You are always telling me I am great.
30:28No, I don't think I...
30:29You said I am big actress. You said I am huge.
30:33Well, when I said that, I meant that some of the choices you make are growing a little too large.
30:39They're outsized. They're not natural.
30:42So if I am not great, then what am I?
30:45You must tell me the truth. You cannot just, you cannot beat my bush around.
30:51Oh, you're the truth?
30:52Yes. You're my mentor. I'm your protege. What we have if we don't have truth, you know?
30:57Well...
30:58So, mentor me. Now. Go. Tell me.
31:01All right. Well, you, um...
31:02Shape me. Coach me. Change my life. Go.
31:05Okay, don't get shy on me, little guy.
31:10What's that? I can't hear you.
31:12You're mumbling because you're always telling me articulate, but you're not doing that.
31:17You can't act. What do you say?
31:19You can't act. You can't...
31:21Don't be shy. Don't be shy. You can't say. But what do you say?
31:26You can't act. You can't act.
31:29What?
31:30You are not an actress that you're... you're in the wrong line of work. You can't act.
31:36How do you mean?
31:37You can't act. You can't act. It's not your thing.
31:42I can't act.
31:43No.
31:46You wanted the truth. That's the truth. You're not an actress.
31:54So, fire me then.
31:56I can't fire you. I mean, I wouldn't think of firing you. I can't.
32:01Right. Because then you lose the rain and the little horse and the fountain of soda.
32:08I understand why I am in show now, Richard Bean.
32:11There's another possibility? You could, of your own volition, simply quit. Just walk away.
32:17You insult me, Richard Bean.
32:20You insult my spirit. No one talking to Russian women in this way.
32:27Nadia.
32:27I'm known when it is. I'm not wanted. Richard Bean.
32:30Nadia?
32:31Good evening.
32:32Nadia!
32:34Nadia!
32:36Nadia!
32:37Nadia!
32:39Nadia!
32:42I'm...
32:43Fuck!
32:43Fuck!
33:03I'm not doing live.
33:04Fuck!
33:13Unappied cally.
33:13You��.
33:18Nobody's in England.
33:19Tamil Two- Being!
33:27The MostAs.
33:27God bless this week!
Comments