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Watch PONIES Season 1 Episode 4 online in HD on Dailymotion (2026).
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00:11Transcription by CastingWords
00:30All of them murdered, all of them prostitutes
00:32And you think they are connected?
00:34Some of these were my friends
00:35They're all gone
00:36Not this one, though
00:37This one I don't know
00:39Andre, привет
00:40I need to borrow your place for like an hour, maybe two
00:44Could you just go someplace else?
00:46You're here because you want answers
00:47It's for that reason that it is worth pushing past this fear
00:51To get one step closer to what you really want
01:02When I wake up
01:04In the morning light
01:06I pull on my jeans and I feel alright
01:12I pull my blue jeans on
01:14I pull my old blue jeans on
01:17I pull my blue jeans on
01:20I think these were bad shoes
01:23Yeah, I'm sure it's the shoes
01:26How are you so fast?
01:27State champion in track
01:28I'm surprised
01:29Well, I'm surprising
01:31Wait, what was that?
01:33What's what?
01:34Her
01:36The old lady?
01:37What do you think she wants?
01:39I don't know
01:39Some knitting needles
01:41A little cane
01:41A sweet relief of death
01:42I don't like how she's looking at us
01:45Oh, look at you go
01:47Okay, even with the bad shoes
01:48Wow!
01:51Did you be a loser?
01:56No, she's keeping up
01:58Impressive
02:12I'm called Vera
02:14I'm not KGB
02:15Give the information to your Mr. Dan Walter
02:19The facility has moved
02:21I'll get him the new location
02:32What in the shit?
02:44Have you taken a secret this year?
02:50Put your foot in a lot
02:52Ooh Infish
03:02If you want
03:12I would I would I
03:23so she's not kgp does that mean she works for us no but she is someone useful to know on
03:28both
03:29sides there are things an american officer cannot get in the ussr someone like vera can help
03:34facilitate these things well things like what like poison forged travel papers foreign currency
03:41stolen art airplanes what did she offer you she wouldn't send you back here without offering you
03:47something uh she didn't offer us anything she's offering you information the thing you desperately
03:53want and would do anything for you think she's lying people in her line of work do not get returned
03:58customers if they lie but they also know how to tell you things you want to hear well i mean
04:02we
04:03want to hear it so how do we get in touch with her check your pockets
04:13oh wow
04:19okay twyla you're up me i get to i get to run this off
04:31what does this even mean oh well it's pretty clever actually people in vera's line of work
04:38they use these symbols to communicate so there's a man they call caterpillar he works in the kgb
04:43compromise facility he's fed us information through various channels if there's anyone who's
04:48going to know where the facility is it's him all right what's the uh big knife for that's probably
04:53pavel the butcher he's vera's contact see caterpillar is so deep in cover in the kgb system that
04:59vera probably doesn't know who he is so the butcher is going to reach out to caterpillar set up the
05:04meeting who's she that's vera really yeah i mean maybe 20 years ago 20 really okay where am i
05:14supposed to meet her the yaravoy violin factory 1 p.m friday which symbol means that that she wrote
05:20on the back oh hey um you should know vera knew tom and chris right yeah you said she could
05:29get
05:29airplanes you think maybe she knows something about the crash it's pretty likely yes even if she did know
05:34something i mean would she even tell me if you do everything she tells you to maybe okay
05:46why'd dane pick me for this mission well because i told him to why'd you do that because i know
05:52how
05:52much you care about the women in moscow that no one else cares about that's vera
06:11what do you think you should go down the hill to the beach
06:20that's not even worse
06:21or the water
06:21or the water
06:22that's not even worse
06:23where do you think that's the crap
06:26She's not here, she's in her house.
06:30I know you were in a bar with her.
06:36Yeah.
06:37You know her?
06:39You're in her house.
06:42I'm her friend.
06:44Her friend?
06:48When I asked her who she was, she said no.
06:53She is no one.
06:55She said no one.
06:56She said no one.
06:57Because we were talking about her.
06:59We were talking about her.
07:03Because of her...
07:03...her...
07:04...her...
07:05...her...
07:08...her...
07:10...
07:12...
07:17You think you're a guy?
07:20You're a guy.
07:21You're a guy.
07:22...
07:22...
07:23...
07:25...
07:25...
07:25...
07:26...
07:31Have a good night, Bucazka.
07:59Good morning. I am Evie. I am your nanny. I took the night train in from Helsinki.
08:09No. No, you are not the woman that I hired. The woman I hired had experience, you know, have to.
08:18The agency sent me all this way. It was a 13-hour journey. I assure you, I have years of
08:25experience.
08:26I don't see how that's possible, because you don't have years of anything.
08:30Hello. Hey, who are you?
08:32She says she's the nanny. Evie.
08:33Oh! It's very nice to meet you. I'm Ray. This is Cheryl. Here, let me take your bag.
08:39No, no, no. We're going to leave the bag, because I'm going to call the agency, because this was a
08:42mistake.
08:43Do you want anything to drink? The coffee's bad, tea's even worse. Why don't I introduce you to Trent?
08:46Trent, buddy! Come in here, I got someone for you to meet.
08:49Sir, we're going to get this sorted out soon, so stay close, please. Don't unpack, and we're not going to
08:52unpack, okay?
08:53Just a second. Down a tiny bit? Is that...
08:58I think that, that, let go? That's perfect. I knew it was a little off.
09:04It's Amalievich. Are you familiar? Actually, I am, yeah. Art history miner.
09:10You sure that's okay? Yeah, looks great. Yeah?
09:16One of the perks of this job, access to the desperate and formerly rich.
09:22I got this for a song from a high-level Politburo member with a gambling addiction.
09:27Someday it'll be worth millions.
09:30He'll be pretty sour he made that deal.
09:33I have an eye for these things. When I served in Berlin in the 50s, I bought a Degas.
09:38Really? Was it... stolen Nazi art?
09:43Well, not when I got my hands on it. I paid for it, which makes it no longer stolen.
09:59I saw the signal in your window. Andre showed up. What did you say?
10:06I said that I was your boyfriend.
10:09Oh.
10:09I know. It was the first idea I thought of. I said I knew about your infidelity.
10:13I'm so sorry. I'm putting you in this position, this risk.
10:17Well, it's already risky. Given secrets to the Americans, if they catch me.
10:23I know. I know. I know it's scary and risky, but you have to know that the intelligence that you're
10:30bringing us...
10:30What intelligence am I bringing?
10:32The photos. And the technology.
10:37You don't know, do you? If what I do matters. They don't tell you what I'm bringing them today.
10:48I think what I'm doing is important. But you don't have to lie to me for me to help you.
10:53I have to lie to everyone. I'm Nadia Melnikova, the school teacher. And you are my boyfriend, apparently.
11:03Though you're cheating on me.
11:05Oh, small hiccup and otherwise very strong relationship.
11:09Okay, so what's our story, hmm? How did we meet?
11:11You don't remember?
11:13Well, I...
11:14My umbrella broke and I asked if I could walk under yours.
11:17Of course.
11:18I walked seven blocks out of my way to stay near you.
11:20And I thought I'd never see you again. And then one day at the market, there you were.
11:25It was fate.
11:30I really am sorry.
11:33No idea. Love...
11:38Love means never having to say you're sorry.
11:42Oh my God!
11:45You got a copy of Love Story in Moscow?
11:49Yeah, movie and book.
11:51How did you get a copy of the movie?
11:52My work is with video technology.
11:55It's the technology the Americans want me to steal.
11:58Did... Did you know it?
12:03What do I do if it comes back?
12:06What you're doing...
12:09Believes a lie.
12:17I mean, he never had a wife, so that must be his sister. I mean, she kind of looks like
12:21him.
12:22If you say so.
12:23Well, no, but you know so. You know everything. You know about Twyla's high school track career. You know I
12:27don't take cream in my coffee. And you know that our Soviet acid sister was murdered.
12:31I didn't know about the cream. We were just out of cream. Why do you want to know more about
12:36your agent? You've already almost gotten him blown by the KGB.
12:39Well, I don't know. He's putting his life on the line. I just want to understand why. I need him
12:44to trust me.
12:45He already trusts you. And you trust him. Which, by the way, you shouldn't.
12:49Wait, why are we doing this if we don't trust him?
12:52In many ways, you are extremely ill-suited for this job. But you have your reasons for being here. As
12:57does Redford. And his reason is his sister.
13:00You think she was a prostitute?
13:02Looks that way.
13:03Who murdered her?
13:05Soviet government. KGB.
13:07Same organization who employs a man you want me to date.
13:10It's a sensitive undercover operation to infiltrate a high-level KGB agent.
13:13Oh, you know what I mean.
13:15Of course he's dangerous. Otherwise, we wouldn't want you to spy on him.
13:19How dangerous is he, Andre? Has he killed a lot of people?
13:27You've looked him through his eyes. What do you think?
13:51Well, first off, it's Carl, not Curl. Why don't you go ahead and work off of that one?
13:58Seriously?
13:59Oh, Cheryl. You did such a great job with that. Why don't you just take over?
14:03Oh, I did not do that. B did. So. No. Right?
14:07B!
14:07Put that down.
14:08You paint?
14:09Uh, yeah.
14:10Wow. A woman of many talents. That involves sitting down.
14:13Sure.
14:16It's time.
14:23Okay.
14:29I thought they would send the other girl.
14:32Why?
14:33She spoke Russian.
14:35Well, uh, you're speaking English and they sent me. So, what do you need me to do?
14:42Pavel, the butcher, took a great risk contacting Caterpillar. For that, he needs money. One hundred
14:50thousand dollars in American currency by tomorrow night.
14:54That's a lot of money.
14:55Yeah, the American government. It shouldn't be too difficult.
14:59Okay. I'll try. Yeah. I'll work on it. I just, you know, we don't keep that kind of cash lying
15:04around at the embassy.
15:05And I need a passport.
15:06For who? Pavel?
15:08Passport is for me. This is the cost of my help to you. I can't hide in this country forever.
15:16I want to die free.
15:20Okay. I'll, uh, I'll get you the passport. But when I do, you're gonna get your guide, the butcher, to
15:26contact Caterpillar and get the location of this facility for Dane?
15:30Yes. That's our deal.
15:49Let me go.
16:06So, and see...
16:06Можно я возьму?
16:08Саша! А какой охрана?
16:09Прошу прощения. Извините, я...
16:12Я такой неловкий. Извините. Простите.
16:15Что я вот?
16:22I'm sorry.
16:28I'm sorry.
16:33Can you call me the phone?
16:37Yes, of course.
16:39I'll get you.
16:39Oh!
16:40Oh!
16:41Oh!
16:45Oh!
16:46Shit.
16:51Shit.
17:01Whoa.
17:06Whoa.
17:07Whoa.
17:08Oh, sure.
17:14Jesus.
17:16$100,000 in cash by tomorrow night.
17:18We couldn't get that in a month.
17:20Don't we work for the American government?
17:22Aren't we rich?
17:22We have to fill out forms to get thumbtacks.
17:24But she's negotiating, I think, which is a good thing.
17:27We just have to keep her hungry.
17:29Tell her that we can get her a visa to a friendly nation
17:33where the KGB won't kill her.
17:35Get me a visa to America, Dan.
17:38Get her a visa to America, then.
17:39We can get Turkey.
17:40How about Greece?
17:41She'll still need an American passport, though.
17:43What about a Greek passport?
17:44American.
17:45I can only do with an American.
17:48Fine.
17:49Is that it?
17:51Is that it?
17:52I will still want the money.
17:54I can get you something extremely valuable
17:57that you can sell for a large amount of cash,
18:00more than $100,000 even.
18:01What is that?
18:03I'll tell you tonight.
18:04If you're not satisfied, we'll call the whole operation off.
18:07You'll call the whole operation off?
18:09What were you planning on giving her?
18:10I don't know.
18:11I was just trying to buy us time, okay?
18:12Think with me.
18:13You need this.
18:13I need this.
18:14What about your car?
18:15I'm sure she'd love a car.
18:16I don't own a car.
18:17I drive a West German sedan owned by the embassy.
18:19Right.
18:20What about watches?
18:21You got a Rolex or something?
18:22No.
18:23Okay.
18:25Okay.
18:25Just, uh, just let me think.
18:28Let me, uh, let me think.
18:33He's trying to screw with your head.
18:36Yeah, that's working.
18:37My head is screwed.
18:39He must have sent the man who robbed me.
18:43Whoever robbed me didn't find this.
18:51Although he could have, and that would have been the end for me.
18:54So this is the last thing I'll steal.
18:55I'm sorry I can't do this anymore.
18:58They're gonna torture me.
19:00They're gonna make me wish I was dead.
19:02They're going to let me live just enough so I feel pain every hour of my life.
19:05I feel fear I've never felt before.
19:06Do you understand what is at stake for me?
19:08I'm sorry.
19:08I'm sorry.
19:10I don't think I can still do this for you.
19:16You and I both know you're not doing this for me.
19:21Your sister.
19:24They killed her.
19:26You know, but Galina.
19:29You know they killed her.
19:31The KGB.
19:33I do know they killed a lot of women.
19:39A man, KGB, he came to me one night after she died.
19:45He said that there were some KGB agents who were murdering prostitutes.
19:52And Galina was one of them.
19:56I didn't know.
19:59We came from Kiev to Moscow when we were 13.
20:02She was my only friend.
20:05She was so excited to be here.
20:08But then they killed her in this country.
20:14Our country.
20:17Please believe me when I say I understand.
20:23If you walk away,
20:27no one in this world will ever fight for her again.
20:41I need something.
20:42Anything.
20:45I need to know that if they're going to torture me,
20:48there is another option.
20:50We thought about this.
20:51I need an L pill.
20:52I don't know what that is.
20:53A lethal pill?
20:54A cyanide pill?
20:55I don't understand.
20:56Why do you want a cyanide pill?
20:57So I could bite down on it if they come from me?
21:01I'm not going to give you a pill so you can kill yourself.
21:05I don't want you to die.
21:08I don't want to die either.
21:13I will only take it if there is no other option.
21:17I will continue helping you with please.
21:21Understand there are some things worse than death.
21:40So what the fuck happened?
21:42Well, I fucked up, is what happened.
21:44He almost quit and I think he still might.
21:46Oh, and fuck, Andre knows about him
21:48and he thinks that he's my boyfriend that I'm cheating on.
21:50Well, we can work with that.
21:51What?
21:51He just likes knowing someone else is fucking you.
21:54I think the KGB sent a goon to beat him up.
21:56Well, is he okay?
21:57No, he's not okay.
21:58He wants me to get him an L pill.
22:00And there is no way that Dane is going to give me a pill
22:02that's going to kill our asset.
22:04I think I can get you one of those.
22:05Really?
22:06Well, from who?
22:08How?
22:09Vera.
22:10Poison.
22:10It's one of the things she can procure.
22:12So she would just give it to you or?
22:14Maybe.
22:14If I can sweeten the deal.
22:15We're in the middle of a negotiation.
22:18Actually, you know when you were making fun of Alan
22:20for his stupid painting earlier?
22:22Yeah.
22:22Could I borrow it?
22:24What do you mean borrow it?
22:26Steal it?
22:27What?
22:27Yeah.
22:28Would you mind just, uh, breaking into his office really quick
22:31and just stealing it from me?
22:33What the fuck?
22:34Please?
22:59I think about this every single day.
23:03I think about this.
23:04Yes.
23:06Come on.
23:07You're here.
23:08Come on, I'll be okay.
23:10Yeah.
23:12I don't want that.
23:14I don't want that.
23:14Oh.
23:15I don't want my skills.
23:17I'm sorry.
23:17Okay, okay, okay, okay.
23:19Okay, okay, okay.
23:20Okay, okay, okay.
23:21Oh!
23:22Ah!
23:23Ah!
23:24Oh, so big.
23:26Oh!
23:28I love the way you make me smile.
23:31She's perfect.
23:33Really, amazing job, truly.
23:37I love the way you make me smile.
23:43Oh, it's so not.
23:44It's awful.
23:45It's fine.
23:46Nobody's gonna notice these things.
23:47Alan will notice.
23:49He looks at this painting all the time.
23:51Well, he didn't notice when you stole it in the first place.
23:53Yeah, that's because he was busy having sex with Lily.
23:57Shep's wife.
23:58Yeah.
24:00Wow.
24:00Mm-hmm.
24:02I mean, I get it.
24:02I mean, if you had to fuck Shep, you know, but...
24:04Mm-hmm.
24:05Alan.
24:06I know.
24:06Why did you do the head just like...
24:08I don't know.
24:09No, no, don't worry.
24:10Don't think about it.
24:11I tried.
24:11Okay.
24:28Oh!
24:30No.
24:32Mm-hmm.
24:34No.
24:36No!
24:37No!
24:38No!
24:38No!
24:38No!
24:39No!
24:40No!
24:41No!
24:41No!
24:55Now what the fuck is this?
24:57Well, you're blackmailing me.
25:00I pay you to stop a tape from getting out that you claim will be very damaging to me.
25:05A tape you claim to have.
25:06I do have it.
25:08Really?
25:10Because I heard chatter that you didn't, that the facility was compromised, and the tape
25:16got out.
25:17That's a lie.
25:18You're over your skis, Vasilyev.
25:21You act like you run things, but we both know you're just mid-level KGB.
25:27I don't negotiate down.
25:29Come back when we can talk like equals.
25:31I may not run an embassy, but you won't either.
25:35I was sent an anonymous dispatch to CIA at the head of Moscow Station.
25:41Oh.
25:42As a ferry.
25:44Tell whoever you like.
25:46My mother's dead.
25:47I don't have a priest.
25:49I don't have a wife anymore.
25:52Washington already knows.
25:53I mean, how'd you think I ended up in Moscow?
25:57The worst assignment in the whole of the fucking CIA.
26:00If this item you claim to have is a tape of me fucking other men, then you really don't
26:06have it.
26:08I'll see you around.
26:13Wait, wait, wait, wait.
26:14You stole this?
26:16No, no, of course not.
26:17No.
26:18Me stole it.
26:19Are you kidding?
26:20Look, how else was I supposed to find someone worth a hundred grand?
26:23Okay?
26:23Your life's not even worth that.
26:24Oh, you're too kind.
26:26Look, you're the one that said to give Vera everything she wants if I want answers, so
26:29that's what I'm doing.
26:30You're assuming that Pavel is going to accept this as payment?
26:33Yeah, he will.
26:35I can convince anyone anything.
26:40You know, you should like this not yet.
26:42He wants to know what the painting means.
26:45I don't know what it means, but I do know that it is worth a lot of money.
26:51You know, it's one of the big main guy at the embassies.
26:54It's his, and he's a big art collector, so tell him that.
27:09Tell him a little something.
27:11Sell it a little more.
27:13What do you mean?
27:15What do you think it's about?
27:27I think it's about feeling like you're part of the world, and other times like you're not.
27:36You feel like you're part of the world, and on the other side, on the other side, on the other
27:43side.
27:46There's something there.
27:49Actually, you know what?
27:50Never mind.
27:51I think I'm going to find another buyer.
27:53Yeah, this is a very significant work, and it's wasted on a moron like yourself.
28:08No, don't take it.
28:10He will accept this.
28:12Oh.
28:14Then he will set the meat with caterpillar.
28:22You owe me a passport.
28:25I know, yeah.
28:26Oh, wait, wait, actually, I hate to ask you for another favor, but do you have a suicide pill?
28:33You know, one of the L-pills, the thing you bite down on, and you die in two seconds?
28:37Why?
28:38It's not for me, but I'm in the middle of another negotiation.
28:42I don't have any more paintings to steal, but I do need one.
28:45I have one of those.
28:47Really?
28:48Wow.
28:49Just get me a passport.
29:09Here it is.
29:14So, that's me now.
29:17I'm Ella Wilson.
29:19Yep, that's you.
29:20From Illinois.
29:23Close enough.
29:25Yeah.
29:26And here is the pill.
29:28Oh, what are you doing?
29:30Oh, my God.
29:34Okay.
29:35Wow.
29:36Uh, you don't need it?
29:39I did once.
29:40Now I've since learned it's only a fool who thinks they can control death.
29:45Death takes you whenever it wants.
29:47I kind of want to bite it.
29:49You ever just want to bite it?
29:50No.
29:54I got you everything you wanted.
29:57Could you, uh, could you tell me what really happened to them, to Tom and Chris?
30:02It was the Compromote facility.
30:06They were looking for it when they were killed.
30:11Caterpillar is giving us the new coordinates.
30:15But was there ever really a crash?
30:18There was a plane.
30:21Not a crash.
30:24Fucking hell, Tom.
30:25Give me a break.
30:25I'm landing blind.
30:36You think anyone was close enough to Hera's command?
30:40We are still ten kilometers from the coordinates you broadcast to me.
30:44Well, then we better start walking.
30:46If Caterpillar even gave you the right fucking coordinates.
30:50Stay here.
30:51We'll be fast.
30:52It's Christmas Eve.
30:54Your wives are expecting us.
31:05They were soldiers waiting for us when we landed.
31:09I watched them die.
31:11I escaped before the soldiers got to the plane.
31:15Wow, so there were soldiers, though?
31:17They were waiting for you?
31:18They knew you were coming?
31:19Somebody told them.
31:21Who?
31:22Who would tell the Russians?
31:23Your husband.
31:24He was feeding the information to the Soviets.
31:27What?
31:28Your husband was a mole.
31:31I mean, are you sure?
31:34He was a lot of things, but I mean, working with the Soviets?
31:38I mean, how do you know?
31:39How do you know this?
31:41For this information, I need something else.
31:46What?
31:48No.
31:50No.
31:50No, no.
31:51You're gonna tell me.
31:52Look, I gave...
31:53Oh!
31:57Oh!
31:59Oh!
32:00Oh!
32:02Oh!
32:03Oh!
32:28Oh my god, you almost gave me a heart attack!
32:31Twilight, let's get out, let's get out, let's get out, let's get out.
32:35Something, um...
32:36Yeah.
32:37What?
32:37Wait, wait, wait, why are you wet?
32:41Vera fell into the river.
32:43Oh, Jesus Christ, Twilight, you gotta be careful, she's an old woman.
32:46No, no, no, she fell in the river and she died.
32:49What?
32:50Yeah, I don't know, I don't know.
32:51The bridge, she was standing in just a bridge crumbled and then she fell.
32:54Well, you just left her there.
32:55Yes!
32:56What was I supposed to do?
32:57Drag her body through the streets of Moscow?
32:59What are you supposed to do?
33:00Shit!
33:01This is bad!
33:02Yeah, it's bad, yeah.
33:03But, um, but you know, it's not all that bad because I already got the painting to the
33:07butcher so he's gonna set the meeting and we're gonna get that location for Dane still,
33:11so...
33:11Oh god, that's good.
33:12Yeah, that's good.
33:13Before Vera died, did she, did she say anything?
33:18You know, that might be relevant for us.
33:22Actually, uh, yeah, she, uh, she said she was there when Tom and Chris died.
33:32She said that?
33:35Yeah.
33:37She saw them die?
33:39Okay.
33:40That's what she said.
33:42And he believed her?
33:48Okay.
33:54Oh god.
33:55Oh.
33:58I'm sorry, this is so stupid.
34:01No.
34:02I don't know, I thought maybe there was a chance...
34:04Maybe they were still alive?
34:06I don't know, that doesn't make any sense.
34:09It's just...
34:10I don't know what...
34:12I gotta...
34:13Cause there were no witnesses that maybe...
34:17Maybe this wasn't real, but...
34:19Oh god, it is.
34:33I don't know if this is helping, just, uh, let me know if you want me to stop, okay?
34:54Sorry, I just...
34:56I just miss him.
34:58Yeah.
35:00Okay, um, did she...
35:04Did she say anything else?
35:08No.
35:09No, nothing else.
35:13Okay.
35:14Yeah.
35:17We should probably let someone know that our asset is...
35:20Dead.
35:20Dead, yeah.
35:22Okay.
35:23Okay.
35:25Okay.
35:31Yeah.
35:35I, uh, I didn't push her, if that's what you were thinking.
35:38No, I wasn't thinking that.
35:39Yeah, cause it was an accident, so if anyone, you know, were to find her, it would, uh, it would
35:43look like one.
35:43Right.
35:46Right.
35:47If the Russians find the body, they can come to whatever conclusions they want.
35:50Jesus.
35:51Okay.
35:52I gotta get ready for the show, but could I get the passport that we made, Vera, so I can
35:57destroy it?
35:58The passport?
36:00Yes, please.
36:01I don't have it.
36:03Where is it?
36:06She has it, because I gave it to her.
36:08If an American passport is found on the body, that ties us into all of this.
36:12Okay, this is a big fucking problem, and we have very little time.
36:15I'm gonna need you to act quickly.
36:17Yeah.
36:19Doing what?
36:29Okay, so, uh, so how are we gonna do this?
36:32Uh, I, I guess we just, uh, walk out there and, uh, and, and reach in her pockets and, and
36:37get the passport, yeah?
36:39Okay, okay, so, so, so do that.
36:42What, what, what about you? What are you gonna do?
36:44Well, I'm gonna, I'm gonna look out. This is your operation, so, you know, I should probably just...
36:48Right, yeah, okay.
36:50Yeah.
36:51Okay.
36:52Yeah.
36:57Okay.
37:03Okay.
37:05Just checking in her coat.
37:10Okay.
37:12Okay.
37:13Do we take this with us, or...
37:15I, I, I think so.
37:17Can I toss it to you?
37:18Nope. Nope. Don't, don't throw a gun at me.
37:20Even if it's been underwater?
37:21You can just come over, hand it to me.
37:24Yeah. Yeah.
37:27All right, good job. Okay.
37:28Don't touch the...
37:29No, no, I'm not gonna...
37:30Okay.
37:30...touch it at all.
37:32Okay.
37:33Okay. Yeah.
37:35I think I feel it.
37:36Oh, thank God.
37:37Yeah.
37:37Okay, let's go.
37:39Yeah, got it.
37:39Found a, found a knife, too.
37:43Okay.
37:44Okay.
37:47I hate to say this, cause I, uh...
37:51I really do want to get out of here, but she...
37:55She's kinda just exposed, you know?
37:58I mean...
37:59Maybe we should just...
38:02Ray kinda said, you know, if the passport wasn't on her, then it sorta doesn't matter.
38:08That's fucked up.
38:11It matters.
38:13Yeah.
38:13I mean, maybe not to the Russians, but it should...
38:15It should still matter.
38:18I mean, look at her.
38:19She's...
38:21She's just gonna rot here.
38:22I mean...
38:23No one's gonna move her.
38:24No one...
38:25No one cares about her.
38:27She's just...
38:28She was completely alone.
38:32She just lived this life and, uh...
38:36Did all this wild shit, and now...
38:41Now she's dead, and...
38:44No one's gonna even remember she existed.
38:51That's really sad.
39:00Tell me if you want me to stop.
39:04No.
39:14You have to promise me.
39:16Only if it's absolutely necessary.
39:19I know.
39:21There's this Russian saying, you may know it.
39:29And...
39:31What is this for?
39:33There are instructions inside for something that we need if...
39:36You're still willing to do that.
39:43Thank you for trusting me.
39:45You know I'm doing this for my sister.
39:49Why are you doing this?
39:52My husband.
39:54I don't know if he knew I was married.
39:56You almost said you had a husband.
39:59I...
40:00Don't anymore.
40:03He was killed.
40:06Does that make me not married now?
40:09He feels so far away.
40:12You know my sister, we...
40:14We were twins.
40:16Am I still a twin if there's no other twin?
40:21Maybe we're both something in between of...
40:24Who we were with them and who we are without them.
40:27Hmm.
40:34Yeah.
40:36Good night.
40:38Take care.
41:00No.
41:07No.
41:08No.
41:09No.
41:10No.
41:12No.
41:14No.
41:16No.
41:29Jerry, you may call me Mrs. Zemanski.
41:33Oh, Mrs. She's, she's a smon-monkey.
41:37I was wondering if it would be okay if I came to the performance tonight.
41:43Absolutely not.
41:46Who would look after Trent?
41:48Oh, I would bring him.
41:50He's been talking all day about watching his father sing.
41:54He has to go to bed.
41:57Where have you been?
42:00I just, I need the...
42:03Of course.
42:22Oh, my God.
42:26Oh, my God.
42:30Oh, my God.
42:49Wow.
42:50Oh, my God.
42:51Well done, Cheryl, huh?
42:55Twyla, if you don't cheer really, really loud when I sing my song, you are fired.
43:01Well, in that case...
43:02I really should be singing more songs, though.
43:04You know, people say that I really... I own the stage.
43:07Did you ever think maybe the problem isn't your voice?
43:11Bea.
43:12Yeah, yeah, yeah.
43:14Hi, Alan.
43:14You mind coming up to my office? I need to talk to you.
43:18Of course. But, you know, the show's about to start.
43:21I'll have you back in time.
43:26I was wrong about you, Bea.
43:35When I first met you, I thought you were just another secretary.
43:39But it turns out you're a compassionate person.
43:44That's why I'm letting you in on a secret.
43:46Gretchen and I are having some problems.
43:49Oh, Alan.
43:50I'm going to be sleeping in the office for a while.
43:52I'm letting you in on that so that you can help me keep that, you know, discreet.
43:56Of course.
43:58On the bright side, the couch in here is very comfortable.
44:02Yeah.
44:04And, and, and, and there's nothing like sleeping in front of truly fine art.
44:10That I would give everything I own.
44:17I give up my life, my heart, my home.
44:23Yeah, I would give everything I own.
44:29Everything okay?
44:30For now.
44:33Once again.
44:36Once again.
44:37Yeah, just a touch.
44:40Once again.
44:41That's pretty good.
44:45Wow.
44:47Wow.
44:48No thanks.
44:49Woo!
44:49Yes.
44:49Wow.
44:59Um, for this song, I would like to invite up the newest member of our Embassy family,
45:04straight from Helsinki, with a great set of pipes.
45:07It's Evie! Come on up, Evie!
45:09Everybody give a round of applause. Come on, Evie.
45:11Come on, Trace. It's going to be a lot of fun.
45:14Evie, okay?
45:14No.
45:15Okay, ready?
45:17Five, six, five, six, seven, eight.
45:20Don't wanna break in my heart.
45:23I couldn't if I tried.
45:27Oh, honey, if I get restless.
45:31We should dance.
45:32I thought you'd never ask.
45:38But nobody knows it.
45:42But when I was down, I was your pound.
45:46Ooh-ooh-ooh.
45:48And nobody knows it.
45:51Nobody knows it.
45:53You're right by the start.
45:55I gave you my heart.
45:57Oh-oh-oh.
46:08I gave you my heart.
46:14Because I-I didn't know you wanted to sing.
46:16I-I-every-every time I put on music in the apartment, you tell me it gives you a headache.
46:21Yeah, well, I don't like music, per se, but I might if you asked.
46:26Hey, hey.
46:30Next time, I will ask.
46:32Yeah.
46:32Yeah?
46:33Yeah.
46:33Trent?
46:34Okay.
46:35Okay.
46:36Trent?
46:37Trent?
46:38Okay.
46:40See, she cannot control him.
46:42No, he's fine.
46:44Trent?
46:46There are you.
46:50Come on, Trent.
46:55Trent!
46:57Come here.
46:59Careful.
47:04When were you planning on telling me that Vera is dead?
47:10Now?
47:14Well, fuck.
47:20Uh, where-where are you going?
47:23To bed.
47:25We tried.
47:26Not every mission is a success.
47:28No.
47:29No.
47:30No.
47:31I mean, this was a successful mission, though.
47:36I mean, come on.
47:37I-I did all the stuff I was supposed to do, you know?
47:39Vera wanted to pay the butcher.
47:41He's paid.
47:42Okay?
47:43And-and-and so he's setting the meeting with Caterpillar.
47:45And he's gonna get you the coordinates for the facility you want.
47:48The facility that Tom and Chris were-we're looking for when they died.
47:50And he's their contact, by the way, so he's gonna know what happened to him.
47:54Caterpillar is key to finding out what happened.
47:56We're really close here.
47:57And yet the person he was expecting to meet is dead.
48:01Wait.
48:01No.
48:03Caterpillar's never met Vera.
48:05Ray, right?
48:06That's what you said?
48:07He-he's-he's never seen her.
48:08He doesn't know what she looks like.
48:09He just knows her based off her reputation.
48:11So let's just find a different old Russian woman and throw her into this meeting.
48:14I mean, he would never know the difference.
48:16I could do it.
48:17I could-
48:17You don't speak Russian.
48:19She does?
48:21Just-just put a babushka on her and-
48:23I could get the wig master.
48:24He got a wig master?
48:25This is a life and death situation.
48:28Not a high school production of Bye Bye Birdie.
48:31Caterpillar will see this woman up close.
48:34So she has to be Vera's age, Vera's profile.
48:36Russian, but on our side.
48:38Which means we have to already know her and she has to already know us.
48:41So unless any of you have another elderly Russian woman who you'd trust with your life-
48:46Jane?
48:51I do.
48:55All over the world, little guys are standing up to tyrants, but not me.
48:59Well, I hate violence.
49:01In fact, my father always told us in his sermon,
49:03He who lives by the sword-
49:05You are the woman that I've always dreamed of.
49:09I knew it from the start.
49:12I saw your face and that's the last I've seen of my heart.
49:21It's not so much the things you say to me.
49:25It's not the things you do.
49:28It's how I feel each time you're close to me.
49:32It's how I feel each time you're close to me.
49:33That keeps me close to you.
49:38You are the woman that I've always dreamed of.
49:43I knew it from the start.
49:46I saw your face and that's the last I've seen of my heart.
49:51I saw your face and that's the last I've seen of my heart.
49:55It's how I feel each time you're close to me.
49:58It's how I feel each time you're close to me.
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