- 12 hours ago
BEEF' composer FINNEAS on season 2
Category
📺
TVTranscript
00:01Well, Phineas, thank you so much. I'm Mikayla from 98.5 KLUC and Channel Q.
00:07First of all, the composing is insane.
00:10I feel like I can't even find a song for my IG stories.
00:13I'm like, how does this touch the people, my followers?
00:16So that's like wild.
00:19But with a show like The Beef Season 2, I feel it's so emotionally complex.
00:26And you're dealing with so many different elements.
00:28Korean culture, Gen Z, you have to sort of be able to speak to so many types of people.
00:35How do you sort of prep for something like that?
00:38It's a really good question.
00:40I think the first thing you have to do is try not to think about it, right?
00:44You have to not think about how it's all going to be received
00:46and just focus on like what you're reacting to and making that feels fun and interesting to you.
00:53I mean, like when I was meeting Sonny, who's the creator of the show,
00:58he let me read the scripts for the first few episodes.
01:00And I really responded to them and thought they were, you know, funny and interesting and emotional.
01:06And so I wanted to be a part of that because I reacted to it.
01:10And then we started sending each other music.
01:13And then, you know, I started writing stuff for them to try to use.
01:17And, you know, you just eventually learn by a sort of a process of elimination
01:23what things are really working for these scenes
01:26and what things, you know, feel like cool but not right for the show.
01:30And it was a really fun, long, challenging process that I learned a lot from.
01:35And I feel like that's like really what I look for in my life is like what am I going
01:39to learn from, you know?
01:42Because at the end of the day, I'm like that's the thing I get to take away.
01:46It's like, oh, I learned a lot from this.
01:48Yeah.
01:49Hi, I'm Carla.
01:50I'm with B96 in Chicago.
01:52And pigging back off, pigging off back.
01:55Jumping off of that.
01:56Piggybacking off.
01:57That makes sense.
01:59I know that you said that you read the script and then you were able to write some things for
02:04it.
02:04Were there any scenes where after you watched them actually be acted out that you said,
02:09you know what, that's not right.
02:10Let's go in and let's change this into something more intense or something softer.
02:14Totally.
02:15I mean, I would actually say that most of what I wrote, I read the scripts and they started to
02:20film the show.
02:21And I was on tour while they were filming.
02:22So I'd go whenever I was in town.
02:24I probably went to set like four times or something.
02:27So not that many times.
02:29But I would write pieces of music after having read the script and send them.
02:34And then when I started to see the scenes, maybe one little thread of something I had written would work.
02:41But generally the stuff I really wrote that worked for everybody was once I was seeing the scenes.
02:45Because of exactly what you're talking about, the performances from the actors and the way that the sets look.
02:52That was actually one of the coolest parts for me about visiting was like, can I see the set of
02:57like the hospital scene?
02:59And can I see this?
03:00Like I wanted to go really feel like, what do these colors feel like?
03:04And, you know, it was a fun experience for me.
03:08There's a piece that ends the show.
03:10And that piece was like one of the few pieces that before the scenes had been edited, like when I
03:17just read the scripts, I made this one piece.
03:20It came to you.
03:20I made many pieces that didn't work, but I made one piece that they really liked.
03:23We were sobbing.
03:25Sobbing.
03:26Sobbing.
03:27Sobbing.
03:27Like, I wish you were lying.
03:29I was watching it on the plane here.
03:31And everyone must have thought that I was afraid of heights because I was crying the entire time.
03:35But you said you visited set only four times?
03:38Mm-hmm.
03:38Was one of those times when you decided you wanted to have a cameo.
03:42I did.
03:42Yeah, I did.
03:43I did get to be in that scene with Oscar, which was really, you know, very fun.
03:48I mean, that was so funny because like the conceit is that it's a country club and it's in California.
03:54And so you got a bunch of like snobby, you know, people in the music industry or the sports industry.
04:00I like that Sonny gave everybody an opportunity to play like the worst version of themselves.
04:06Which reminded me of that movie from years ago, This Is The End.
04:09Oh, yes!
04:11The Seth Rogen movie.
04:13But like they're all playing like the worst, most selfish versions of themselves.
04:18And so that like when he asked me to do it, there had already been like the, there's a scene
04:21where like Michael Phelps is really.
04:24And so I was like, but I was like, yeah, I know.
04:29And then he's like Venmo me.
04:30Yeah, yeah.
04:31So they were like, do you want to play a douchebag version of yourself?
04:34I was like, of course.
04:35That's my dream.
04:38So that was really fun.
04:38But yeah, that, you know, everybody, I really was very sort of welcome to ask everybody questions.
04:46And Oscar and I actually, thank you for doing this, Oscar.
04:50When we were shooting our scene, he was like, he was like, sometimes I like to like listen to music
04:55while I'm shooting.
04:56Because I feel like if it's just like that scene, you know, there's some humor in that scene.
05:01He was like, I feel like the energy can change.
05:03Because sometimes you're on a set and it's like this.
05:05It's very quiet.
05:06And that's because if we played a song, then the mics would pick it up, whatever.
05:09So me and Oscar wore these little tiny invisible earbuds.
05:14Like we're on a date.
05:16And we decided together what would be fun to listen to.
05:20And so I think that day we listened to like Dance Yourself Clean by LCD Sound System.
05:23And again, it's like, it's just the quiet, it's like when you're at a cafe and there's a song in
05:28the background and you're just kind of nodding your head to it.
05:31We're not like going to start singing, but it makes us feel like we're on the same page and maybe
05:37made us, you know, feel like a little more momentum or something.
05:41So that was really cool.
05:42If I act some more, I would, I'll definitely be stealing, I'll be stealing that because that was awesome.
05:47Hey, Phineas, good to see you.
05:49I'm Bennett from the new 96.5 Philadelphia.
05:51Philadelphia, your music made me cry a couple times through the season.
05:55It was ridiculous.
05:56The finale especially, there was two moments in particular that stood out and it was very memorable, very palpable.
06:03The scene where they're talking about their 960 months.
06:08The music is so gorgeous and dreamy.
06:11And it just adds so much texture to the scene.
06:13And then after that, the kiss outside, the beautiful piano, and then the hardcore synth that ramps up.
06:21He listened.
06:22He tears.
06:23I mean, I'm a Pisces, so I'm already in my feels as my, you know, ground state.
06:29But it just sent it over the edge.
06:31What do you think makes a score memorable instead of it just being there in the background?
06:36Because I took away so much from the score of this.
06:40I mean, the number one thing that makes a score memorable is a great film or television show, right?
06:44Like if I'd written some piece of music, if I'd put those exact same pieces of music in a show
06:49that you really didn't like,
06:50you'd be like not thinking, you'd be wanting your hours back, right?
06:55So that's the big privilege for me.
06:58And to some degree, that is also the pressure, right?
07:02If you've got Oscar and Carrie or Charles Melton and Kaylee Spaney,
07:11they've done all their homework.
07:13They've learned their lines.
07:14They've thought about that character.
07:16They've, you know, Austin's playing like a trainer.
07:18He's gotten all buff.
07:19He probably was already buff.
07:22He stayed buff.
07:24He's grown that little mustache.
07:27And so it's like, you know, again, you're like, I don't want to let all these people who've worked so
07:32hard
07:32and the writers and the cinematographers.
07:34So I think that that's the real kind of bar that you're trying to sort of, you know,
07:39you're trying to raise yourself.
07:42It's like, I want to really compete with all these people who are great.
07:46And, you know, I think, like, my references are always like when I watch a movie
07:51and I'm swept away in some piece of music from it, it's melody,
07:56and it's just supporting a great performance by, you know, actor or great writing or something.
08:01And, you know, I'm just like you.
08:02If I watch a movie, I remember watching this movie called My Old Ass, the Aubrey Plaza movie.
08:09Yeah.
08:10And she plays the future version of a character that we're following.
08:14And there's a scene at the end of that movie, not to spoil it, but like,
08:18you're like, I'm watching it with my fiance and we're sitting there and I'm like,
08:21I wonder if she's about to burst into tears because I'm about to burst into tears.
08:25And then you do.
08:26And then you, like, look at each other and you're both.
08:28And that scene that I'm talking about is like, I don't think there's dialogue in that scene.
08:31I think it's just, you know, music and they're having this moment together.
08:35And so I love moments like that.
08:37So I'm very honored and it means a lot that you responded to those scenes in that episode.
08:42Thanks so much for saying that.
08:43Absolutely.
08:44I'm Megan Holiday from K-Rock in Los Angeles.
08:46And you did just such an incredible job with the music.
08:50And thank you for the laughs with your cameo as well.
08:53You did such a fantastic job.
08:55How do you approach, you know, when you're writing your own music or writing with Billy
08:59versus when you're scoring, you know, film and TV?
09:03And this is not your first project.
09:04You've worked on a lot of stuff in the past.
09:06And then also what happens when you have those days where you feel, like, blocked, you know,
09:11where you're just like, I got to get out of here and I got to, you know.
09:13Those days are hard, man.
09:14Right.
09:14And they're really hard on TV film stuff because there's deadlines.
09:19And there's so many that, you know, if you think about, like, each, I said this to Sunny,
09:26who's the show creator, like, episode eight of eight.
09:30This is the final episode.
09:31It's like 40 minutes of music in episode eight.
09:34Billy's last album is 44 minutes.
09:37So it's like almost an entire album's worth of music only in the final episode of this
09:43whole series.
09:44So it's a lot of music to create just by volume.
09:47And that can be daunting because, yeah, sometimes you sit down and you're like, damn, I'm not
09:52having any good ideas.
09:53And you're like, well, I better start because I have to make so many things before the end
09:57of the day.
09:58But it's also kind of a gift because I think that sometimes you get precious with what
10:03you're working on.
10:04And if you think about, you know, any area in your life where you are sort of like worried
10:09about how you're representing yourself or whatever, I get this way with writing like
10:13a speech or something as simple as like a caption or something.
10:17Sometimes I'm like, no, no, no, that's not right.
10:18But it's like the gift with scoring this is like you're just making stuff and there's
10:24not time to overthink it.
10:26There's not time to, you know, get too precious about it.
10:29So I really like it.
10:30And then also, and I like this too, like if I make something, whether I love it or I
10:35don't, we're still going to, I'm still going to play it for the director.
10:37We're going to see how he feels.
10:39Even if he loves it, he might have one idea that changes some of it.
10:43It's like, so you really have to let go of that kind of like, you know, I make, I have
10:48to wait till it's perfect.
10:49You know, it takes away that kind of perfectionist thing.
10:53And then, you know, it's, I would say comparing it to like working with Billy, like I treat the,
11:00the writer director as the artist, right?
11:02So if I'm in with Billy, even if I think I've got my best idea, if Billy's like, it's fine,
11:08but I'm not responding to that.
11:09I'm like, cool.
11:09This is your, it's your album.
11:11We'll try something else.
11:12Same deal with the, you know, writer director.
11:14It's like, this is your vision here and I'm participating in it, but I'm not going to
11:19let my kind of ego get in.
11:21I'm not going to tell you, you know what I mean?
11:23If I interpret a scene, if I go like, I think this scene is really, there's a lot of anger
11:27in this scene and the director's like, I don't, I think the characters, the actors
11:30are, are angry enough.
11:32I think I want to score like how sad it is that they're fighting right now.
11:34I'm like, oh, great.
11:35I didn't, you know, I'm not going to go like wrong.
11:38Like, I'm like, it's your, it's your show, you know?
11:40Well, if anything, it makes you see things from like a different perspective.
11:43Oh, I didn't even think about, you know, changing the mood in that way.
11:47And so then you're having like a moment of learning as well.
11:49So that's really cool.
11:51I'm still gagged on the earbud.
11:53Right?
11:54Isn't that cool?
11:55Because as I'm thinking about it, yeah, of course, like we're loving it because you've
11:59composed such amazing music around these scenes.
12:02So why wouldn't you have something to listen or reference to when in the scene?
12:06Oscar actually was like, we could listen to some of your score.
12:10And I was like, oh, I would be so distracted.
12:12If I were listening to my own thing that I've made for this scene, I'd be so kind of like,
12:16is this good enough?
12:17I'm so embarrassed.
12:18I'm like, you know what?
12:19Can we take that more?
12:20Was that a G minor?
12:21But if I were acting in somebody else's movie and they had a different composer and I loved
12:25the music, I'd probably want to listen to it.
12:26It's cool.
12:28But yeah, I mean, you think about anything in your life.
12:30You think about your drive anywhere.
12:32You think about like how much those, you know, if you're in a good mood, you put on a song
12:37to really soundtrack that.
12:39So it was very cool.
12:42And also, I think Oscar seems like he would never need this.
12:45But like that, the inside baseball is that actors do that and then have somebody tell
12:50them their lines.
12:51Get out.
12:52Oh my God.
12:53See, I have an earbud right now and someone's telling me what questions to ask.
12:56There you go.
12:56But you could.
12:57But you could.
12:58Right?
12:59You know?
12:59And it's, you're still, you're still the performer.
13:02You're still going like, I just thought of this just now.
13:04You know?
13:05But I think that that's, you know, that's probably also really helpful.
13:08Imagine if you're like doing a, you know, a TV show and you're in your 10th year and you
13:14just got the script and they rewrote it right before the scene.
13:17I mean, like you go on SNL and they're holding a cue card with your lines.
13:21So I think that anything that's like, you still have to be a good actor and perform it
13:24well.
13:24But it's like, if you're like, I didn't, they changed all the lines before I got on
13:27set and I don't want to fuck them up.
13:28Then got it in your ear.
13:29Pretty cool.
13:30Did you have to memorize your lines or was it very?
13:32Okay.
13:32But I mean, I had like 10 lines.
13:34It's not a lot of memory.
13:35And, and memorizing stuff, I think because of music is something that I, I have to do
13:42a lot.
13:42I have to memorize chords and lyrics to songs and play them.
13:46And, you know, even though I'm writing a lot of the songs I'm playing, it's like,
13:49still forget stuff and you have to go relearn it and remember it.
13:53So, you know, it's not, not a thing that I'm afraid of.
13:56Although sometimes you really, you can really make mistakes.
13:59And I mean, you're juggling so many things because you do help write for Billy and then you're
14:03writing for this and then you also are in your own band and you said that, uh, like the
14:07episode eight has 40 minutes of music.
14:09Were you able to like hit up your band members?
14:11Like did Ashley help you out at any point or was this very much a solo project for you?
14:15It became, I went into it sort of thinking I would maybe be more collaborative than I
14:20ended up getting to be.
14:22Okay.
14:23And I think that's because selfishly I love to collaborate.
14:27Like that's more fun for me.
14:28Like a lot of days on this project, even though I had fun making the music, it's like,
14:33I'm, it's very isolated.
14:34I'm like in my dark studio watching the screen, playing stuff.
14:38And it's like, I always have the most fun when I'm in a room with somebody like Billy
14:41and we're collaborating.
14:43But ultimately this show became really collaborative because I'd go and sit with Sonny, the creator
14:51and Jake who directed a couple of the episodes and we'd discuss stuff.
14:55So that became collaborative enough, you know?
14:58So, um, but I sure would, I sure would love to do, you know, I always am telling Billy
15:03she'd be really good at scoring stuff.
15:06Like you've great ideas for melodies and, you know, you'd love to do it.
15:09You're such a good big brother because you're like, I just didn't do it.
15:11I know, I'm going to call my big brother.
15:13I'm happy I'm right now.
15:14I'm just kidding.
15:15As a fan of the show, what do you hope that people walk away with?
15:20What, what sort of sense or feeling?
15:23Such a good question.
15:24Let's see.
15:25Um, I think that like, in essence, like all of their disagreements with each other and
15:37it's all sort of like forms of denial that the characters are in and a lack of willingness
15:42to communicate what's really going on, which is like their own insecurities about themselves
15:50or their life or something.
15:51You know, I think like as the show progresses and you really hear from the characters how
15:55they're feeling inside, you're like, oh yeah, but if you'd, if you were just saying those
16:00things in episode one or two, you were, you know, brave enough or vulnerable enough to
16:06say that, you know, you could have fixed everything right then.
16:09Yeah.
16:10None of this would happen.
16:11You wouldn't have had a show, but I think that that would be, that's how I hope that
16:15I, I often say that as a joke about like living my life in a way that isn't inspiring
16:20to write about where I'm like, yeah, I just want to be a good listener and a, you know,
16:25good communicator.
16:26And like, that doesn't always lead you to write a song about how angry you are, but you
16:32can, you can make it up.
16:33You can, you know, you can pretend or you can channel something else.
16:36But that would probably be like the thing I hope people take away from it.
16:38It's like, just, just talk about how you're not, how you're reacting to something, but
16:43like, why talk about like why you're feeling a certain way.
16:47I love getting lost in the sauce about how, you know, your songs and music gets created.
16:52Like, I know that you recorded a sprinkler.
16:55Yeah.
16:55At the country club.
16:56And then put beats to it.
16:58That's right.
16:58And it sounds, uh,
17:00Sounds really good.
17:00Waterbill.
17:02Well, Waterbill was like the demo track and then we, we, we, uh, used it all over the
17:07place.
17:07But yeah, that was like one of the first things that I was trying to explore was like, you
17:12know, if I'm making a television score and it's not an album for somebody, it's not this,
17:17like, how am I going to, what, what's my excuse to do something I wouldn't do somewhere
17:20else?
17:21Right.
17:21If I said to Billy, Hey, I've recorded all these sprinklers.
17:24I went, I went on a, this is like really, this is really what happened.
17:27I'm like, I went on a hike.
17:29Like I recorded all the sprinklers by the golf course.
17:32Let's make a song.
17:33How's your day going?
17:33Billy would, she would have every right to be like, why?
17:37Like, this sounds cool, but why are we doing this?
17:40Right.
17:40You know?
17:40And that's, maybe we could still make something good.
17:42But the why in this case is like the show takes place on this country club.
17:46You think about how green the grass always is when you're at a golf course on a country
17:50club and how expensive it is to water it enough to have it always be green.
17:54And they're rhythmic.
17:55And I think that it's a kind of a stressful type of rhythm.
17:59And then I think of the beef world as this kind of anxious, like, oh my God.
18:02Very unsettled.
18:03They're about to find out this thing.
18:04So it's a lot of-
18:05It's a ticking time bomb.
18:05Yeah.
18:05It's like a time, it's like a clock.
18:07Were there other nuggets like that?
18:08Yeah.
18:09There's, there's a lot of sounds of insects.
18:12There's a lot of like-
18:12Oh, wow.
18:13Yeah, yeah.
18:13Stuff that sounds like bees because it's another, you know, there's a bunch of flowers.
18:18I have this vivid memory of going to a hotel for my anniversary with Claudia and like sitting
18:25outside to eat our breakfast or something.
18:27And it was like high season.
18:29And there's like so many bees like in the orange juice and shit.
18:33And I was like, I know, I don't blame them.
18:35But I was like-
18:35Real sugar.
18:36I was very, I was very distracted by the presence of all the bees on all of my fruit
18:41and coffee.
18:43So, yeah, just sort of anything that felt like it was like, oh, this is this big excuse
18:47to, you know, be imaginative and use these sounds that you wouldn't otherwise use.
18:52So that was a real gift.
18:53I love that, yeah.
18:54Yeah.
18:55I was just thinking we had June bugs when we were little at night.
18:59The coolest.
18:59And that sound still reminds me so much of my childhood.
19:02What is it?
19:03I don't know what a June bug is.
19:04How much does it sound like?
19:05They just sound like a little zzzz.
19:06Yeah.
19:07Not me doing this in front of anybody.
19:08It sounds like it.
19:09You should use it.
19:11But it really, the sound takes you, I think it's the most nostalgic.
19:16Totally agree.
19:17Of anything else.
19:18Totally agree.
19:18Is there anything that you created that you ended up not using that you would have, that
19:25came as a close second or something that you think back now like, oh, seeing it in
19:29a full, maybe it would have been cool to have that here.
19:32There were so, I mean, there was like so many pieces that didn't make the show because they're
19:39just attempts.
19:40They're like me trying stuff out.
19:42And then even the show, you know, again, it's so much music and we're putting out like
19:48a soundtrack album as you often do.
19:49And so when I was listening through like everything I'd made to kind of cut down like what's going
19:54to be, what's going to make sense to listen to?
19:56Because really, even though there are so many pieces, like because there's eight episodes,
20:00like there's four or five pieces that are pretty similar to each other.
20:03And so it's like, I'll just put one of those on the soundtrack.
20:05You don't need all five.
20:07But yeah, there are some pieces where I was like, oh, this, I totally get why this didn't
20:12make sense in this scene, in this show.
20:14But like, maybe I should, you know, go investigate this and take out the, you know, take this out
20:19of the scene that it was for and, you know, write a song over it maybe.
20:23But, you know, I guess, I guess that'll, time will tell.
20:27And I try to, again, I like the idea of like, I'm going to make music and it's like anything
20:35where you're just like, yeah, we're just trying stuff out and it'll work or it won't.
20:39I'm not sort of always like, but they killed my precious thing.
20:44I'm like, yeah, it didn't work.
20:45Honestly, though, that's a compliment since you've sat down to you.
20:48And I think for like younger viewers, you make it very okay to do the inevitable, which
20:54is try and fail.
20:56I'm so cool with failing.
20:59I love to fail.
21:00I just don't really like not trying.
21:03When I feel like I didn't, when I was too scared to try the thing, I'm like, oh, that
21:08sucks.
21:09That's a regret.
21:10Because then I didn't even learn.
21:11And if I'm like, oh, I failed so many times.
21:13There's a quote in a movie I love called Eye Origins about these two scientists and they're,
21:17one of the scenes, they're like, they're failing.
21:20And the, one of the characters goes, turning over rocks and finding nothing is progress.
21:26And I think that that is like, I try to remind myself of that all the time of like, yeah,
21:31you're just, you're just on your way there.
21:33And sometimes it makes you feel bad because you, because you trick yourself into thinking
21:36you didn't make any progress.
21:37But you're like, no, no, I tried.
21:39I tried that.
21:40Now I know it's not that.
21:41Yeah.
21:42You know.
21:42On the topic of learning, I know it's not your first experience scoring.
21:46Yeah.
21:46I love your work in Vensions a few years ago.
21:49So good.
21:49What have you learned from your previous work that you applied to Beef Season 2?
21:54Honestly, from a psychological level, like you just, like you just get convinced it'll never
22:00end because that's just how it feels.
22:03There's so many things to work on and you've got all these scenes in all these episodes and,
22:09you know, notes and revisions and whatever.
22:11And so you're, you know, you have to kind of trick yourself into being like, I've done
22:15this before and it'll, it'll be over.
22:17I mean, like, I remember feeling that way before I'd made an album with Billy.
22:21I remember being like, maybe I'm never going to finish this album.
22:24Because you feel that way every time, but then you do.
22:26And then when you feel that way the next time, you think like, yes, but you will because,
22:31you know, everything eventually does get finished.
22:34So that was part of it.
22:36And then I always try to just sort of like, the other thing was Oscar Isaac's character,
22:42Josh, plays this guy who's like, to put it mildly, like not great with his money.
22:47And he has this man cave and he has a old vintage synth in the man cave.
22:53It's like very expensive.
22:54And he clearly bought it because he was a fan of like, Hot Chip or else he sounds like,
22:59I'm going to buy this cool synth.
23:00And so I was like, oh, it'd be really funny if like, a lot of the score is like played
23:04on that synth.
23:05Because I had like one like it.
23:07So I started playing it on this synth that Oscar Isaac's character has in his garage.
23:13Um, which I just thought was like, ah, it's really fun.
23:16And I get this excuse to do this.
23:18And there wasn't that plot line in Disclaimer or Vengeance.
23:22So it's going to automatically sound different to those things.
23:25What was it like when you finally finished?
23:27I know you mentioned saying that this kind of felt like a really long project.
23:31What was it like when you hit that final note and you were like, ta-da?
23:34I think you think that you're done like four times.
23:37So like, I think my friends were like, I thought you were done.
23:40I was like, well, I'm almost done.
23:43I have to do this one more thing.
23:45But very satisfying.
23:47I mean, satisfying to see it all exist as one piece.
23:51And also to, you know, I'm a big, you know, it's hard for me to sleep at night if I
23:58have
23:58something I'm procrastinating and avoiding doing.
24:01And so I think that's like such a relief to be like, oh, my God, I did my work.
24:06I accomplished the thing, you know.
24:07Something to check off the list.
24:08I love checking boxes.
24:11Yeah.
24:12I love checking stuff off.
24:13So that's a big.
24:14And when you score stuff, you really, you know, the music editor sends you a sheet of
24:20like all these things to check off.
24:22And it feels good every time you change the color of something from like in progress
24:26to like approved.
24:28Approved.
24:28You can check this interview off your list as well.
24:31Is that the end?
24:33That was a good final.
24:35I was like, damn, she had them in the ear.
24:39You can wrap it up.
24:40You thought we were done.
24:41There's one more.
24:42The longest question is.
24:44That's so fun.
24:45Thank you so much.
24:46Thank you guys.
24:47We appreciate it.
24:47Thanks for your time.
24:48Slick ending.
24:49It was very good.
24:49Thanks, guys.
24:50We'll see you next time.
24:53We'll see you next time.
24:56We'll see you next time.
24:57We'll see you next time.
24:57We'll see you next time.
24:57We'll see you next time.
24:57We'll see you next time.
24:57We'll see you next time.
24:58We'll see you next time.
Comments