- 2 days ago
Vanished S01E01 [Full Movie] [Latest Version]Full EP - Full
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00:11You
00:19Stranger
00:19I got offered a teaching position. You and I could live together
00:26Yeah, sir
00:27Sir, I can't. One sec
00:30Did my boyfriend return?
00:32Uh, no
00:37You know how many people are reported missing each day in France
00:43I know where Tom got off the train
00:45There was a door in the conductor's office
00:48Oh, the conductor is in the conference town
00:50This is all getting quite dramatic
00:51His name is Marie Chirou. He was hiding something I could tell
00:54The police are either useless or corrupt
00:57Tread carefully, Miss Monroe
00:59You know Tom better than anyone
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London
01:08You probably know more than you realize
01:11It's the same I rose, Finch
01:13Reminds me of you
01:29If you love me with my own
01:38Tell my heart which way to go
01:46Hey, look at that
01:50What's that?
01:52What's that?
01:52Pottery
01:53Maybe
01:54Greek
01:56It's probably been here for hundreds of years
01:58It's so beautiful
02:03Here
02:06No, you keep it
02:07Why?
02:10During those nights
02:11During those nights
02:12When you're in one far flung corner of the earth
02:14And I'm in another
02:15I want you to think of me
02:16With the same wonder and tenderness
02:17As you do when you look at that piece of clay
02:19We're two weary hearts
02:21Yeah
02:22Aglow
02:23Aglow
02:24No
02:27If you love me
02:30Let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
02:47It's great
02:49It's kind of
02:53It's good
02:54It's good
02:57It's good
02:59It's too
03:00It's good
03:02It's good
03:02It's right
03:03It's bad
03:05We all
03:07It's good
03:08It's good
03:13It's good
04:27Excuse me.
04:28Hi, my name is Alice Munro, and I need help.
04:32My boyfriend, Tom Parker, he works for this charity, and he's missing.
04:37Can someone help me? Can I speak to someone in charge?
04:40Tom Parker?
04:41Yes, Tom Parker.
04:42One moment, please.
04:49Hi, this is Tom Parker.
04:51Oh.
04:58Alice?
05:00Yeah.
05:01Hi.
05:02I'm Alex Durant.
05:04I've heard so much about you from Tom.
05:06You have?
05:07You know Tom?
05:07Yes, of course.
05:08We used to work together in the field before I became a student.
05:13Metaphorically speaking.
05:15What happened?
05:16Um, Tom disappeared.
05:20What do you mean he disappeared?
05:22Okay, so he called here at SOS from Paris two days ago.
05:27Do you know who?
05:28He said he was talking to his uncle from England, but like, I don't know why he would lie to
05:32me.
05:32It's possible he was trying to call Jordan.
05:36We can route calls through here so you don't have to pay international charges, but I know he's coming here
05:43after vacation, so there's no need for him to call him before.
05:46We encourage our people to take a complete break when they're on holiday, and especially Tom, after what he's been
05:54through.
05:55What do you mean?
05:58How's he been since the incident?
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:11Okay.
06:12I'm going to tell you this, but...
06:16When Tom comes back all happy and healthy, I'd prefer if you kept me out of it, okay?
06:20Just tell me what happened, please.
06:25It happened about nine months ago in Jordan.
06:30There was this young boy named Malik, just eight years old, and he lived in one of the camps where
06:39things were already hard, but that night it got even worse.
06:42His mom went into labor alone in the middle of the night, she was very sick, had no one to
06:49help her, so Malik ran for four miles, all the way to where the SOS team was staying, and got
06:55Tom to drive them to the hospital.
06:58The baby was delivered safely, but the mother's condition kept getting worse, so with his mom's sake, Malik dropped out
07:07of school, scavenging for food.
07:11He tried to take care of his family, and then Tom saw what was happening, and Tom being Tom, he
07:19promised Malik that if he went back to school, he would make sure his family was taken care of.
07:26But unfortunately, bandits, bandits, they took women and children, no one knew who had survived, and Tom was obsessed.
07:44He spent weeks searching for Malik and his family, and eventually they found him.
07:56The boy, alongside his mother and sisters, in a mass burial pit, 10 clicks outside of the camp.
08:08We all have our breaking point, and that was Tom's, at least I think it was.
08:13But he didn't want to pack it in, we got him a counselor, we tried to give him support, but
08:18something in him had shifted.
08:21He disappeared, sometimes for days.
08:23There have been discussions to take him out of the field, but he wasn't himself anymore, he just seemed lost.
08:30Alice, I don't think he ever really came back from what happened.
08:40Sorry, I...
08:43You didn't know any of this?
08:45Alan.
08:48I just don't understand why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity for a thousand lifetimes.
09:01Sometimes it just gets unusual.
09:04He just seems so normal in Paris.
09:06But maybe that dose of normality was the thing that shook him.
09:10But he'll show up.
09:11If it's not tomorrow, then soon.
09:13I'll call Jordan, and if he contacts anyone there,
09:17I'll make sure to let me know.
09:22Don't worry.
09:24Alice will find him.
10:47Hello?
10:48Hey, Helen.
10:49It's Alice.
10:50Hello, Alice.
10:52Has your boyfriend returned?
10:53No, he hasn't.
10:55But does the name Orly mean anything to you?
10:58Is it a place in Marseille?
11:00It could be a person...
11:01Aurélie?
11:02Where did you find that?
11:04I was looking in Tom's notebook, and it's...
11:07It was in there.
11:08Aurélie?
11:10It could be anything or anyone.
11:13Anything else in the notebook.
11:15Not really.
11:16I was just on a post-it note.
11:18Okay.
11:19Leave it with me.
11:20I will look into it.
11:51How do you know it's a boat?
11:53Oh, I don't.
11:54It's a hunch.
11:57Would you prefer it to be another woman?
12:00Look around you.
12:02What do you notice?
12:04Men paint women's names on their boats to pretend those women are central to their life.
12:11And then...
12:13They run away to the sea with their buddies.
12:17Et voilĂ .
12:20Aurélie.
12:29Anyone here?
12:31Bonjour.
12:32Hello?
12:34Ya quelqu'un?
12:36Mom, what are we gonna do?
12:39What the heck?
12:41What?
12:41Oh.
12:42Every good journalist carry them.
12:45Oh, my God.
12:46Keep, look out.
13:02What?
13:15Okay.
13:23I'm a little girl.
13:24I'm gonna do that.
13:31I'm gonna do it.
13:58is it his
14:06Alice
14:07Alice
14:12Alice
14:13Alice
14:13Tati
14:34Alice
14:46Alice
14:46Alice
14:46Alice
14:46Alice
14:46Alice
14:52Alice
14:52Alice
14:52Alice
14:52Alice
14:52Alice
14:52Alice
14:52Alice
14:52Alice
14:52Alice
14:52Alice
14:55Alice
14:55Alice
14:55Alice
14:55Alice
14:55Alice
14:56Alice
14:56Alice
14:56Alice
14:56Alice
14:56Alice
14:56Alice
15:10I came as soon as I could.
15:12Hi.
15:15Yeah, I spoke to Jordan.
15:18You were right.
15:20Tom did make a call on Thursday morning.
15:24And?
15:24He wanted to be put through to one of his colleagues.
15:32Alistair is no easy way to say this.
15:35No, I met her, actually.
15:40That woman that you're...
15:42Were they...
15:46Are they...
15:48It's really not in my place to speculate.
15:50Come on.
15:57He's not thinking rationally.
16:07So, what happens now?
16:12My goddess, he will show up somewhere,
16:14or makes contact with someone in the next 48 hours,
16:18and then you both need to decide what happens next.
16:23If I were you, I would go to Al.
16:26Go to Al.
16:27There's no need to hang around him, I say.
16:30If he turns up, you'll be the first one to know.
16:32Okay?
16:35Great.
16:38Alistair, I wish I had better news.
16:40I'm sorry.
16:41No, it's okay.
16:42You've been very kind to me.
16:48Call me for tomorrow, yeah?
16:51If you need anything at all.
16:52No, it's okay.
17:25I don't know.
17:52I don't know.
18:41I don't know.
18:44I think...
18:46Okay?
18:48You came!
18:49Well, one thing I learned living here,
18:52if an attractive woman invites you to a party on a Friday night,
18:57you go!
18:58Sister,
19:01one day we will be free
19:04from fighting
19:06violence
19:08people crying
19:10in the street
19:11When the angels
19:14from above
19:15fall down and spread
19:17their wings like dove
19:19Is everyone here from the dig?
19:22Yeah, why?
19:24I kind of want you
19:26to show me your world
19:38This is totally illegal, you know.
19:41We get caught.
19:42What?
19:43Well, I could get fired.
19:47What's that man back there?
19:48Your boss?
19:50Rafiq?
19:51Yeah, why?
19:53I think your job is safe.
19:57What?
19:59What?
19:59What?
20:00Really?
20:00Come here.
20:05Come here.
20:08What?
20:10Yeah.
20:11This was built by the Nepotians.
20:15What was that?
20:16Ninth century?
20:17Fourth century.
20:18A.D.?
20:19B.C.
20:19B.C.
20:21Cool.
20:22Did you say the Nepotians?
20:24Oh, you didn't hear me?
20:25No.
20:25Oh, now you know.
20:28That's what I went wrong.
20:29Yeah, sure.
20:30It actually flourished due to trade routes.
20:33It's incense spices, silks, and of course, it's gorgeous rock cut architecture.
20:39It was annexed by the Romans and fell into total disrepair.
20:42By the time the earthquakes hit in the sixth century, entire infrastructure was basically
20:47destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:55As is...
20:59Isn't that interesting to you?
21:02Very.
21:12Maybe.
21:14That is welcome to the Pull Hanım.
21:17Maybe there's lots of candies.
21:17No, it's not fun!
21:19Never stamp the purse.
21:19No, I justâ
21:19But that's it.
21:19Taxi...
21:21No!
21:23The police.
21:25Andy!
21:26The police.
21:27The police.
21:28No, you're a burning.
21:30Yes.
21:31The police.eries
21:33.continues.
21:34He's coming back.
24:00Excusez-moi.
24:02Excusez-moi.
24:04I need help.
24:06Please.
24:07Hello.
24:08Hello.
24:13Hi.
24:13I'm looking for Maurice Giroux.
24:14Is he around here?
24:16Maurice?
24:16Oh, I'm sorry.
24:18He left around an hour ago.
24:20Do you know where I could find him?
24:22Why?
24:24It's personal.
24:26Do you have an address or a number or something?
24:29Oh, I'm afraid I can't give his address to a stranger, but how do you know Maurice Giroux?
24:33I don't.
24:33He was the conductor on a train I took recently and I need to tell him.
24:36Yeah.
24:37Okay.
24:38I'm sorry.
24:38When was it?
24:39I...
24:40I can't just give out his address.
24:42You understand?
24:43Yes.
24:44Of course.
24:46Okay.
24:47Sorry.
24:54We actually slept together about a month ago.
24:56It wasn't a big deal.
24:57Kind of casual.
24:58But now it is a big deal because I'm pregnant with Maurice's child.
25:01I need to speak to him right now.
25:02What?
25:03Oh, wait.
25:15I'm sorry about my colleagues.
25:18Sorry.
25:19Of course.
25:20I'll give you his address.
25:22Sorry.
25:23Good.
25:24I'm sorry.
25:25Yeah.
25:26I'm sorry about my colleagues.
25:34Of course.
25:34I'm sorry, I'm sorry.
26:05Stop, stop, stop.
26:34Mon bébé, qu'est-ce que tu fais ?
26:36Je t'ai perdu, c'est quoi le bordel ?
26:38Viens lĂ , pourquoi tu veux pas me parler ?
26:40Je te promets que t'en viras jamais comme la mienne.
26:43Alex, 20 minutes.
26:44Laisse-moi 20 minutes.
26:4620 minutes ?
26:46Pourquoi ça 20 minutes ?
26:47J'ai pas connu pour deux, toi.
26:49Pour deux, c'est le téton gay, ça.
26:50Bah, t'es une foule, toi, t'es conne.
26:55Get out of my way.
26:57Oh, tu vois si loin ?
26:59Tranquille.
27:00Ăa va, oh.
27:01Ăa va.
27:02Tu vas te blesser, lĂ , arrĂȘte.
27:04Ăa se voit qu'elle en a jamais tenu.
27:06Ouais, ça se voit.
27:08C'est comme ça qu'on tient, plutÎt.
27:10Comment vous pouvez avoir confiance ?
27:15Comment on fait, maintenant ?
27:19Regarde-moi quand je te parle.
27:23Eh, viens danser Ă la bĂąche Ă ta mĂšre.
27:29Viens, viens danser Ă la bĂąche Ă ta mĂšre.
27:31Cassez-vous, j'appelle la police.
27:32Oh lĂ lĂ .
27:33Oh !
27:34Vous m'entendez ?
27:35Vous ĂȘtes sourds ?
27:35Allez, on dégage !
27:37Oh, t'es une pite Ă la place du cerveau.
27:39Dans ta gueule, je t'ai dit.
27:40Tu pourrais parler encore une fois comme ça ?
27:42J'Ă©tais en colline.
27:43Bien encore.
27:44J'appelle ta mĂšre.
27:45Cassez-vous, j'ai dit.
28:24Cassez-vous, j'ai dit.
28:42Cassez-vous, j'ai dit.
29:12Oh my god.
29:13Oh my god.
29:13Oh my god.
29:15Oh shit.
29:17Oh my god.
29:17Non, non, non, non, non.
29:19Ok.
29:25Oh my god.
29:26What the fuck ?
29:33Madame ?
29:35Ne vous ĂȘtes qui ?
29:37Madame, Madame, hold on.
29:38Wait, wait, wait, wait, wait, hold on.
29:40It's okay.
29:40I know.
29:41What did you say ?
29:42I'm so sorry.
29:43I don't want that.
29:44I know.
29:45I just got in there.
29:46I can't get this.
29:47Alice !
29:48Alice !
29:51Alice !
29:51Alice !
29:53Alice !
29:53Oh my god.
29:56Alice !
29:59Alice !
29:59I can't get this.
30:12Look at this, it's the same as the Talab?
30:14Yeah!
30:16Oh!
30:18Oh!
30:21Oh!
30:23Oh!
30:24Oh!
30:25Oh!
30:26Oh!
30:27Oh!
30:27Oh, oh!
30:29Oh!
30:31Oh!
30:32Oh!
30:39Oh!
30:43Oh, oh!
30:47Oh, oh!
30:56What's going on?
31:00What's going on?
31:00Matt, Matt, what's going on?
31:01Come on, we're going on the street.
31:55I'm gay.
31:56Come on.
32:04It's not a matter of policies.
32:05It's a matter of marketing.
32:07When did you get so cynical?
32:10Here's your money.
32:15Something has happened.
32:16I need to see you right away.
32:19Is everything okay?
32:20I thought you'd left.
32:21No, no, it's not. I just went to see
32:24the conductor, the one from Tom's train, and when I got there
32:26he was dead. He was dead.
32:28He was dead. He was dead.
32:30Slow down, okay? Are you okay?
32:32Yeah, I saw the man who did it.
32:36What man?
32:37He was very muscular.
32:38He had very dark hair with like a bun.
32:42Where are you?
32:44I'm at the Hotel Peron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
33:07She saw you.
33:08She saw you.
33:10She's at the Hotel, room 218.
33:14Go to her now.
33:17I'll be right back.
33:17I'll be right back.
33:17I don't read that.
33:18I'm on you.
33:25No?
33:40I'm on, man.
33:41I'm on you.
33:44Maybe you're on you.
34:00what i was right about the conductor what i went to his apartment but when i got there
34:06he was already dead he someone slit his throat who have you spoken to um just one person from
34:13tom's charity coming actually to meet me right now alice which hotel which hotel are you staying at
34:20peron i'm coming now do not speak to anyone you hear me do not speak to anyone
34:45so
34:58so
35:14I have a delivery for Alice Monroe.
35:51I have a delivery for Alice.
36:00I have a delivery for Alice.
36:33I have a delivery for Alice.
36:34Are you okay?
36:35Yes.
36:36Okay?
36:37I'm having a panic attack.
36:39Freeze.
36:41Oh my God.
36:42Freeze, freeze, slowly.
36:44Oh my God.
36:45You're safe, Alice.
36:48It's Durand.
36:48The works at SOS.
36:51Don't answer.
36:52No, he's been helping me.
36:54I cannot protect you if you do not want to be protected.
36:58Uh...
36:58Does he know which hotel you are staying at?
37:00Yes, but it does.
37:02Who else knows?
37:03I guess Inspector Drax...
37:04Okay, so at least one of them is trying to kill you, huh?
37:11I didn't tell you about SOS.
37:14How do you know that's where Tom worked?
37:20How do you know that's where Tom worked?
37:25It's my job.
37:27What is?
37:30To...
37:30To know things.
37:32Okay, you better start telling me some truths or I'm gonna call him back.
37:34Don't be so stupid.
37:35Okay, fine.
37:36Don't be so...
37:37Please!
37:42Tom got off the train because of me.
37:45What?
37:46I will explain.
37:47What?
37:48First, we need to go somewhere safe.
37:51First.
37:55Shit, my bags are at the train station.
37:57Okay.
37:58Don't worry.
37:59Let's go to the train station.
38:01Seriously, what is going on?
38:23I'm something like a pet noir for your former lover.
38:30The truth is, for the past six months, I've been investigating him.
38:36On the train, I was following him.
38:40Either he saw me or someone told him I was on it and he must have panicked and got off.
38:47Why on earth are you investigating him?
38:51I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
38:59Tom.
39:00Yes.
39:06I have reason to believe.
39:09You are so, so far off on this one that Tom would never, ever...
39:16Did you know he kept a boat in Marseille?
39:20So you knew about the boat?
39:22Yes, of course.
39:25So you lied to me?
39:26No.
39:27I'm with her.
39:28The truth.
39:28That's very different.
39:30I thought you were helping me.
39:32I was investigating you.
39:37Who do you work for?
39:38Oh.
39:39I'm freelance.
39:41It suits me better.
39:42Yeah, when did they let you go?
39:47Five years ago.
39:51I'm not going to listen to any more of this nonsense.
39:53You don't know Tom at all.
39:54I'm leaving.
39:56Where to?
39:57It's the police, obviously.
40:00You told me only two people knew you were staying at Le Perron, right?
40:05Durand and Drax.
40:07So the question is, which one is trying to kill you?
40:11If I had to choose, I would bet on Durand.
40:14He's too smooth, too polite, too, too German.
40:17Okay, no.
40:17No.
40:18Alex has been kind.
40:19He's been helpful.
40:20Okay.
40:20So Drax.
40:22Hmm.
40:23The city is packed with dirty cops.
40:25Maybe he plans to set you up for Jero's murder.
40:28Oh my God.
40:28This is insane.
40:30There has to be a very simple explanation for all of this.
40:33Explanation?
40:34For what?
40:35A guy showing up at your door, ready to kill you?
40:38Give me a simple explanation for that.
40:45Have you seen the news?
41:09You have nowhere to go.
41:13We're looking at the suspect number one.
41:16An American named Alice Monroe, the trentaine.
41:20You have no information concerning this person.
41:22You have no information.
41:24Contact the police.
41:26Found this one.
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