05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48Hey.
05:50What are you going to tell me.
05:51What are you going to say.
05:51I was wondering when you're going to tell me about that.
05:54I was wondering when you noticed.
05:57Um, it's a cyanide rose finch.
06:00Hmm.
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05I see.
06:06I just thought you'd have it with you forever.
06:07Mm-hmm.
06:09It reminds me of you.
06:11A bird just chirping away.
06:13Loudly.
06:14Chirping.
06:14Loudly.
06:25So, come on.
06:26Are you holding out or something?
06:28How is Jordan?
06:30Um.
06:31Well, you know.
06:34Dysentry, malnutrition.
06:36Backhanders, the cops and politicians.
06:38Just the usual.
06:40Um.
06:40I don't know.
06:40I don't know.
06:40I don't know.
06:40Five stars on Yelp.
06:42Highly recommend.
06:43Mm-hmm.
06:43Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position.
06:55Associate Professor of Archeology.
07:00Princeton.
07:02Oh, my God.
07:03Alice.
07:04I mean, um.
07:05That's amazing.
07:06Yeah.
07:07That's exactly what you wanted.
07:09I'm so proud of you.
07:11So.
07:15So.
07:15I'm going to have an apartment.
07:17You know.
07:18A place on campus.
07:19From which you and I could live together.
07:28I know it's going to be hard to leave all the dysentery.
07:30I totally understand.
07:32No.
07:32Um.
07:33No.
07:33No.
07:34That.
07:34That.
07:34That.
07:34That.
07:35Is.
07:39Big.
07:39Um.
07:41Big.
07:42No.
07:42Um.
07:43Well, for a man with an English literature degree, you really have a way with words.
07:46No, I know.
07:47It's.
07:48It's.
07:48It's.
07:48It's a skill.
07:49We've talked about this before.
07:51We have.
07:52Listen, I love that we get to meet up in hotels all over the world and that we actually
07:57want to have sex with each other all the time.
08:00But.
08:02I want this job.
08:05You know, I want to build a life that's mine.
08:09Not just uncovering other people's.
08:13We have to make a decision.
08:15You and me.
08:16Like.
08:17Tom, I.
08:18I love you so much.
08:20And I want to keep loving you.
08:22And I'd like to do it while I'm actually looking at you.
08:30And I love you, Alice Munro.
08:34And.
08:39I want to be with you.
08:45Even in New Jersey?
08:47Especially in New Jersey.
08:49Oh.
09:04Yeah, what time is it?
09:11Tom?
09:16Tom?
09:19Hey.
09:21Hey.
09:23Hey.
09:23Uncle Brian.
09:24He's in London.
09:25Oh.
09:26Why don't you go downstairs, order some breakfast?
09:29The train's at 10.30.
10:08Sorry, Ryan talks like it's an Olympic sport.
10:11Oh, it's okay.
10:13So, you know that hotel you wanted to go to in Arles that was so expensive it would have left
10:19us destitute for the rest of our lives?
10:21Yes.
10:22Well, it turns out that Brian and the owner are on the same board for this wildlife project and Brian
10:27has called in a favor.
10:30Oh, my God. Are you kidding?
10:32Mm-hmm.
10:33Can we get massages and lay by the pool?
10:35Yes, yes.
10:36Can we have oysters and champagne?
10:37We can do whatever you want.
10:38Oh, I love you.
10:42Well, I feel it's very conditional right now.
10:44Oh, no, it is.
10:44Oh, it is?
10:45It's completely, yes.
10:58Don't.
10:59Stay there.
11:01It's almost over.
11:10Oh, that's a bingo.
11:13Okay, maybe we don't do impressions of fictional SS officers as we're traveling through previously occupied France.
11:20What do you think?
11:22Okay.
11:24True income?
11:25Oh, my God, no.
11:26Nine.
11:27For you all.
11:43Hi.
11:44Hello.
11:46Uh, sorry.
11:48I can't, I can't, I can't hear you.
11:50Can you, can you repeat that?
11:51Pas de téléphone.
11:57One second.
11:58Yeah.
11:59All right, one second.
12:03Vous êtes en vacances avec votre mari?
12:05Ah, ouais.
12:07Nous salons Aro.
12:09Oh, yeah.
12:10And he's not my husband, he's my boyfriend.
12:13gonna go to her boyfriend.
14:06Hi.
14:08Hi.
14:09Hi.
14:23This is Tom Parker.
14:25If you're not available, leave a message after the time.
14:38Tom?
16:23I'm sorry.
16:23No, just like I didn't...
16:25I thought you were so...
16:27Yeah, just...
16:37Excuse me.
16:41Excuse me.
16:42Excuse me.
16:54Excuse me.
16:54What's your name, madame?
16:55My...
16:55Mon ami?
16:57He's gone.
16:59He's...
17:00He...
17:00I can't find him.
17:01He kind of...
17:02Desperou.
17:03He's gone to Avignon.
17:05No, we're supposed to go to Arles.
17:06Est-ce que vous avez essayé de l'appeler?
17:09De l'appeler?
17:10May I help you?
17:11Yes, please.
17:13He's asking you if you have tried to call him.
17:16Yes, I have called.
17:17He's not answering.
17:18Could there...
17:18Could there have been an accident?
17:20Like, um...
17:20But if he was leaning against a door and maybe fell into the track, is that possible,
17:25Matt?
17:25He's inquiet de savoir s'il aurait pu, éventuellement, s'appuyer contre la porte et tomber sur les voies.
17:29Non, ça, c'est impossible, ça, madame.
17:30Les portes, elles sont fermées quand le train est en route.
17:33No, no.
17:34OK, but we made a stop back there.
17:36We stopped.
17:37C'est vrai, on s'est arrêté quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est à l'arrêt et dans une gare.
17:42D'accord?
17:43OK.
17:43They only open at this point.
17:45OK, I just want to...
17:46I just want to find my boyfriend.
17:47Je comprends très bien, ça, madame.
17:50Continue à l'appeler.
17:51Je suis sûr qu'il va finir par vous répondre.
17:53Hein?
18:02I'm sorry, I'm sorry, but what's in here?
18:05C'est réservé au personnel.
18:07OK.
18:08It's...
18:08Yes, could you please open it?
18:10Non.
18:11What?
18:11Non, les passagers sont pas autorisés à entrer.
18:14C'est le règlement.
18:15Qu'est-ce que ça peut vous faire?
18:15Elle a juste un oeil, c'est la rassure.
18:17C'est le règlement, c'est comme ça, c'est tout, elle n'a pas le droit.
18:23Monsieur Giroux, may I please look inside?
18:26Non.
18:26It's important, I...
18:28C'est contre l'âge de moi, je l'ai dit.
18:32Oh, my God.
18:34Tom, I've been looking all over from you.
18:39Where...
18:41Tom, are you there?
18:51Tom, I'll do it.
18:56Tom, I'm...
19:29Do you know Marseille?
19:32No, no, but it's... I'll be fine. I'm okay. Thanks.
19:36What are you going to do?
19:38I don't know. We're supposed to go to Aurel, but maybe I'll go to the police.
19:44Do you need me to take you?
19:46No, no, I'm... You've been so helpful. Thank you. I'm just kind of... I'm...
19:52Where is the police station?
19:54It... You go down the hill. It's on your right. You can't miss it.
19:58But are you sure I can take you?
20:01No, I'm fine. I'm... Positive this is all a big misunderstanding, so...
20:11You know, if you need help, I'm Hélène.
20:19Alice, thanks.
20:26So, good luck, Alice. And don't worry. It's going to be okay. Bye.
20:34Bye. Bye.
20:36Bye.
20:37Bye.
20:37Bye.
20:39Bye.
20:46Bye.
21:17If someone help me, my boyfriend's gone missing.
21:20Please?
21:25Do you know how many people are reported missing each day in France?
21:31600 on the good day.
21:33Okay, well, that cannot be an excuse to not help me.
21:36Please.
21:37It is 48 hours before a person can be described officially as missing.
21:41He has only been gone for two hours.
21:44He left his bag, you say.
21:46What about his passport?
21:47Yes, I have it.
21:48I have it right here.
21:51Just one second.
22:04I don't, I don't understand.
22:12How long have you known your boyfriend?
22:17Well, we've been dating for four years.
22:20We met in Jordan.
22:21That's where he heads the region for SOS Global.
22:23It's a charity that helps Syrian refugees.
22:28I'm currently working in Albania, so we meet up when we can and...
22:31Oh, glamorous couple, huh?
22:34And you work in Albania?
22:36Yes, I'm an archaeologist.
22:37You told your fight.
22:40What?
22:41Fights.
22:42Disagreements.
22:43Have you had any lately?
22:45No.
22:48Anything else?
22:49Any changes of circumstance?
22:52I mean, I got offered a position at a university, a job.
22:56It would mean relocating to America for both of us.
23:01And he agreed?
23:03Yes.
23:04Are you sure?
23:05Yes, I'm sure.
23:07Because there are three major reasons people disappear.
23:11Work, money, and relationships.
23:19So?
23:21So perhaps your boyfriend wanted to escape the relationship,
23:26so he got off the train at Avignon without telling you, eh, voila?
23:29He would never do that.
23:31You don't know Tom.
23:31I am no man.
23:37Okay, Inspector Drax.
23:44I really need to find him.
23:48Please, help me.
23:5448 hours, Miss Monroe.
23:5748 hours.
24:0218 hours, Miss Monroe.
24:074 hours.
24:10Finish the meeting.
24:10Okay, let's go.
24:13Uh, yeah.
24:14Ah, I'm sure.
24:20Yes, that's enough.
24:21Yes.
24:22Yes.
24:23Yes, yes.
24:23Yes, yes.
24:24Yes.
24:25Yes.
24:25Yes, yes.
24:29Yes, yes.
24:29Yes, yes.
24:29Yes.
24:30Yes, yes.
24:33Oh, my God.
25:05Sorry. Thank you.
25:36Hey. Are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture, too.
25:46Oh, I don't have a spare spare, I'm afraid. Sorry.
25:50Right.
25:52What's in there?
25:53Uh, uh, vaccines.
25:56Yeah, without refrigeration, they'll be useless within a couple of hours.
26:00So you're screwed?
26:03Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:09It's, um, that way.
26:16Okay, so if I don't help you, children might die, and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:26Well, then, I guess you better hop in.
26:30Thank you. Thank you.
26:36All right.
26:46Hey.
26:48Tom Parker.
26:49Alice Monroe.
26:50Nice to meet you, Alice Monroe.
26:51You, too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:57Yes, it is.
27:12Shoes off at your house, then, is it?
27:15What?
27:16Want to know what gives you away?
27:18It's shirt.
27:20The AC unit.
27:21No dust.
27:23It means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No.
27:31No, I like it.
27:32I like hygiene.
27:33Mm, good.
27:33It's just that sometimes, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:44I'm actually an archaeologist.
27:46Trust me.
27:47I know how to get dirty.
27:55I know how to get dirty.
28:05Oh, my God.
28:39Okay, can you stop already up here?
28:44Okay.
28:44Let's see if I play.
28:57Let's go.
29:27Let's go.
29:31Let's go.
29:33Let's go.
29:33Let's go.
29:34Let's go.
29:34Let's go.
30:07Tom?
30:09Let's go.
30:10Let's go.
30:16Let's go.
30:17Let's go.
30:19Let's go.
30:22Let's go.
30:22Let's go.
30:23Let's go.
30:25Let's go.
30:25Let's go.
30:33Let's go.
30:33Let's go.
30:40Let's go.
30:44Let's go.
30:53Let's go.
30:54Let's go.
31:00Let's go.
31:02Let's go.
31:08Let's go.
31:09Let's go.
31:20Let's go.
31:35Let's go.
31:40Let's go.
31:42Oh, my God.
31:43Let's go.
31:47Let's go.
31:57Let's go.
32:01Let's go.
32:07Oh, no, no, no.
32:35Oh, no, no, no, no.
33:03Oh, no, no, no, no.
33:35Oh, no, no, no, no, no.
34:02Where was that found?
34:03You should really be a stand-up comedian, you know that?
34:05My wife doesn't think so.
34:07So there was a door in the conductor's office.
34:09Oh, the conductor is in the compass now.
34:11This is all getting quite dramatic.
34:13His name is Maurice Giroux.
34:14He was hiding something, I could tell.
34:16You have to bring him in for questioning.
34:17I have to go to the cinema.
34:19Samoai awaits.
34:20You know, I'm not making this up.
34:22And I'm late.
34:24Nice car.
34:29My wife makes the money in our house.
34:31I chose well.
34:33Better than you, it seems.
34:36Tread carefully, Miss Monroe.
34:38Come on.
34:39Come on.
34:41Come on.
36:26Mr. Tom.
36:28Mr. Tom, I want you to hear.
36:30Alright.
36:31No, I want you to hear.
36:31Selma, Selma, one sec.
36:33Can you take these in there?
36:34Yeah.
36:34Just tell me, they need to be in the fridge right away.
36:36Okay.
36:40Okay.
36:4336-2.
36:45Hi.
36:47Who are you?
36:49I just gave Tom a lift.
36:51You broke down?
36:52Yes, he did.
36:53It's the second time this week.
36:55The man couldn't change a tire.
36:57His life depended on it.
36:58He said these need to be refrigerated.
37:00I know.
37:04Wait, what's happening?
37:09Stay back.
37:12What's he doing?
37:18Hey, hey, hey.
37:23You're not taking him.
37:24You're not taking him.
37:25You're not taking him.
37:28Oh, my God.
37:36You're not the best of me.
37:49Who are they?
37:53Local bandits.
37:55I think no one will notice missing refugees from Syria.
37:58Take them down to Tripoli, sell them to traffickers for a king's ransom.
38:04He stopped them before?
38:07He may be useless with cars, but he could talk a dog off a meat truck.
38:48You look like you need a drink.
38:53Something must have happened to Tom before it happened, Jan.
38:56I just feel like the conductor had something to do with it.
38:58I mean, you saw him yourself, the way he was acting, all shifty.
39:02What do you think happened?
39:04Okay, this is going to sound insane, but I think Tom was kidnapped.
39:10Is he rich?
39:12No.
39:13Oh, you're rich?
39:14No.
39:14So, why would someone kidnap him?
39:18Maybe it's not about money.
39:20Oh, it's always about money.
39:26What is...
39:29Oh.
39:31Diabetes.
39:33Okay, so what do I do?
39:38The police are either useless or corrupt.
39:42And if you're really lucky, they're both.
39:45Great.
39:46What then?
39:47What am I?
39:50I'm an investigative journalist.
39:53Who are you?
39:54An archaeologist.
39:55Yes, yes.
39:56You're like me.
39:58You look for clues in the past to tell you about the future.
40:02You know Tom better than anyone,
40:05so you probably know more than you realize.
40:12Did he mention anyone or anything?
40:16Who has he been in touch with lately?
40:21I don't know.
40:34Find something more than a piece of Twingo man.
40:37Maybe I can help.
40:39Who has it from?
40:43That woman.
40:43Who has it from?
40:44Who is he?
40:59Who doesn't know.
41:04I don't know.
41:06I've been
41:07helping him handle my mind.
41:07Yeah.
41:08Do what?
41:08I don't know whatì‹œé » it was.
41:22So Brian, he's in luck, he's in luck, he's in luck, he's in luck, he's in luck.
41:46SOS Global, Bureau de Marseille.
42:22SOS Global, Bureau de Marseille.
43:07SOS Global, Bureau de Marseille.
43:37SOS Global, Bureau de Marseille.
44:07SOS Global, Bureau de Marseille.
44:37SOS Global, Bureau de Marseille.
44:39SOS Global, Bureau de Marseille.
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