00:28Transcription by CastingWords
00:38CastingWords
01:06CastingWords
01:10CastingWords
01:11CastingWords
01:13He's a mess, so I don't need it. Thank you for having me.
01:24Is it him that's coming?
01:25No, he's a politician. He knows what he's doing.
01:43He knows what he's doing.
02:22No!
02:24Come on, come on!
02:30Go!
02:31Let's go!
02:46Oh, my God.
03:19Oh, my God.
03:43Om din mamma vaknar, så kommer jag bli tvungen att döda henne.
03:49Förstår du?
03:49Så vi måste hjälpas åt dem och jag.
03:52Vi ska åka på lite tur.
04:05Så går jag.
04:36Kom her.
04:36Kom her.
04:41Kom her.
04:53Kom her.
04:56Kom her.
04:57Kom her.
05:03Kom her.
05:10Kom her.
05:13Kom her.
05:17Kom her.
05:26Kom her.
05:27Kom her.
05:34Kom her.
05:36Kom her.
05:42Kom her.
05:46Kom her.
05:48Kom her.
05:53Kom her.
05:55Kom her.
06:13Kom her.
06:32Kom her.
06:33Kom her.
06:34Kom her.
06:57Kom her.
07:02Kom her.
07:05Kom her.
07:08Kom her.
07:14Kom her.
07:19Kom her.
07:51Kom her.
07:51Kom her.
07:53Kom her.
07:53Kom her.
07:55Kom her.
08:14Kom her.
08:14Jag har gjort det.
08:15Kom her.
08:16Kom her.
08:17Kom her.
08:19Kom her.
08:20Kom her.
08:21Kom her.
08:24Kom så bra.
08:27Kom her.
08:29Poselden.
08:33Kom her.
08:34Kom her.
08:36둘투.
08:41Oh wow.
08:42If you've seen how much her finger-pulled you,
08:44she must have ended under her neil after she was killed.
08:48What does it mean?
08:50You killed her, cut her finger, put her in the raven,
08:54before we came here.
08:58This is what we call technical evidence.
09:00Okay, technical evidence.
09:03It's a concrete and unindicable factor.
09:08Okay.
09:15I understood that when they came here, they used a picture, right?
09:19So I understood that it was the best place for her finger.
09:24Smart.
09:25Mm.
09:26So it was a certain degree of sentimentality.
09:33The picture.
09:34I don't know what the picture I have here in the first class,
09:38but I saw a different picture today.
09:39And we were very good at the same time.
09:41You were the same to her, right?
09:43Yes.
09:43Martin, I would have tried to catch the dams there.
09:45Dams there who could have helped him.
09:47Dams there who could have helped him.
09:49Dams there who could have helped him.
09:52But you realized that you had done a relationship to Ami,
09:55and that they were at the end of the trip in Prague.
09:57Right?
10:01You just had to be careful.
10:03I wanted to end it up on both of them.
10:08I forgot that Lisbeth had a short relationship to that man.
10:15But I didn't know it before we had to put up the light.
10:20Because I found two letters.
10:23I love my country's flame.
10:26I'm sure my thoughts.
10:28Next time we're going to love you in the sky.
10:30I'm not in the back.
10:32You earn more than what you write.
10:34About a family that is a practical solution.
10:37A loving life.
10:42As I told you, I've been deceived by the affairs.
10:45I need to get a little more money from you.
10:47So I can get on your feet again.
10:49As soon as I've ordered it, I'll come home for you.
10:52I'll write my account number on the back side of it.
10:55I remember him four years ago he came to our house.
10:58And we had to sell us a face with a stjerneform of the mat.
11:02We got a card with an address on it if we wanted to buy more.
11:08How much do you think it is when you understand the person you love?
11:13Not just to defend you, but not to be in order to love you.
11:19What was the other thing?
11:20What was the other thing?
11:22What was the other thing?
11:24Where was the other thing?
11:26How much do you think?
11:38What are the other things you wanted to do?
11:48Yeah, for it was you sent in February, in the year.
12:01What's going to do here, then?
12:05I saw you send it to drape on your kona.
12:09And you had to take care of him.
12:12It's easy to change your job.
12:13Mm.
12:15And you said, so what did you find him?
12:18Never, never.
12:20Okay.
12:20No worries.
12:23He just sat down and waited.
12:34And I told him that I needed a man who could find diamonds and weapons,
12:41and that he could find diamonds.
12:43And then we told him that he would come to Oslo
12:46and put his diamonds in the water in the forest every 5th day.
12:50You knew that he was here.
12:52He had never been here.
12:53He took you four times.
12:58And then you played a cassette that you had to do.
13:01And then...
13:02It's a five-kant course.
13:04Give me a question.
13:05And I'm going to give you a answer.
13:08So send us a finger to kona you.
13:12Why are you doing this so complicated?
13:16Because I needed a syndic book.
13:19If this thing didn't have been done, and Lisbeth had just fallen,
13:22then everyone would have tried over me.
13:24Right?
13:24And then...
13:25You're the only one man.
13:28Where are you?
13:30You're Asile.
13:31Great.
13:34Step her down!
13:35Step her down!
13:35Step her down!
13:36Step her down!
13:40Step her down!
13:41Step her down!
13:45So what it was.
13:46I don't know why.
13:59It's just a single man who has followed his heart.
14:03Can you tell me what heart is most broken?
14:07Is it a heart that has never been able to love it?
14:10Or is it a heart that has never been able to love it?
14:25Where are you?
14:27Where are you?
14:29Where are you?
14:31Where are you?
14:32You are always here.
14:33And this is what you don't understand.
14:34For I have left a place that I just know.
14:38That's just for me.
14:39And for her.
14:42And for her.
14:42And I want to have her here for always.
14:46I don't know.
14:46I have left it.
14:47I have left it.
14:48My problem is that I have tried to do it again.
14:52And I don't understand.
14:55What are you talking about now?
14:57Okay, I'm coming up.
14:59What are you talking about?
14:59I'm coming up!
15:04I'm coming up!
15:17I'm coming up!
15:19I'm coming up!
15:21I'm coming up!
15:22So I think I'm going to fix everything, just like you.
15:32You're very good.
15:36Hold on, hold on.
15:44The idea here is a perfect end.
15:49The audience never wants to be with you at the police station.
15:53You need a happy ending.
15:56If I don't have a happy ending, I'll make a happy ending.
16:01That's my life motor.
16:05In this case.
16:07A death motor.
16:10The gas goes down from...
16:135.
16:18You're so ill.
16:234.
16:29What the hell are you doing?
16:32It's not your problem.
16:35It's me.
16:363.
16:39You're the man of the time.
16:422, Helga!
16:432.
16:47They are mine.
16:562.
16:582.
16:582.
17:002.
17:012.
17:052.
17:073.
17:072.
17:3511.
17:443.
17:466.
17:466.
17:466.
17:467.
17:498.
17:509.
17:509.
17:5010.
17:539.
17:5910.
18:0110.
18:0210.
18:07What are you doing?
18:08What are you doing?
18:13What are you doing?
18:14He's going to lie down this road.
18:41Do you want to take care of yourself?
18:42Yes.
18:43Do you want to take care of yourself?
18:44Okay.
18:44What the hell are you doing?
18:46Do you want to take care of yourself?
18:48No.
18:55I'm in here.
19:05I'll see you again.
19:06Bye-bye.
19:08Bye-bye.
19:11Bye.
19:17Bye.
19:42What's up?
19:43Hi, Ari.
19:44I'm trying to ring you.
19:45Yes, I don't want to be able to come in. I'm waiting for you.
19:49No, I'm not going to be back.
19:50I'm at the police station now, but I'm going to wait.
19:53If they don't miss him, I know Harry. I know.
19:57I'm going to find him, okay?
19:59Where are you?
20:01I'm going to go home.
20:03Harry, I can't do it.
20:04Go home and shut the door. You're not safe at the police station.
20:07Stop on me.
20:08You can just stop on me.
20:10Go home. Stop on me.
20:17Go home.
20:18Go home.
20:26Hey, Harry.
20:28I'm Oleg and I'm wondering where we are.
20:31You heard me, Pelle.
20:34Where are you?
20:35The question is where you are.
20:37What do you want?
20:39Just put everything to the right.
20:42It's not too late.
20:43Tom.
20:44Tom.
20:45Hör då.
20:46Ge mig adressen.
20:47Tom.
20:48Varsås eller?
20:49Snäll.
20:51Jag gav dig ett erbjudande som skulle förändra ditt liv.
20:53Istället göra det så här med mig.
20:55Det här är ditt fel.
20:58Tom.
20:58Hur det låter när man skär halsen någon gång?
21:02Miven skär in i brosket.
21:04Tänk om det där sugande ljudet.
21:08Tom.
21:08Det låter som när man är hos tandläkaren.
21:11Det får man fära av luftstruppen.
21:13Hybernhuset.
21:15406.
21:16Så dänthuset.
21:18Okej.
21:19Kommer jag och Oleg dit.
21:21Är det om 20 minuter?
21:23Låt duren stöpa.
21:24Han sitter på golvet med händerna över huvudet.
21:26Säkert se er.
21:26Tom.
21:28Tom.
21:33Tom!
21:36Tom!
22:07I don't know.
22:35I don't know.
23:05I don't know.
23:22I don't know.
23:25I don't know.
23:29I don't know.
23:30I don't know.
23:42I don't know.
23:43Su!
23:44No, no, no.
23:45Stå der.
23:45What the fuck are you doing here?
23:47I said you should sit in the room.
23:51I'll hold you in the room.
23:55I'll hold you in the room.
23:55Motu!
23:56Spot him!
24:02I'll do it on your plan.
24:05Your plan?
24:08I think you'd have thought you'd have to do anything with me.
24:10I saw you there and I saw you myself.
24:14I didn't smell it, what you said you were doing.
24:18You forgot about the woman who just dumped you.
24:21And you kidnapped her son on the way to the way to them.
24:24And he found you together with me.
24:26And the one had you sent.
24:34I didn't know you were going to find us.
24:36I just wanted to make it difficult for you to get lost.
24:39Stop.
24:40No, no, Oleg!
24:41Oleg!
24:42Come back!
24:43Come back, or shoot me, Harry.
24:46I'm going to drive with a friend,
24:48because he's almost no longer at work.
24:50What are you talking about?
24:51Everything was used,
24:53for example, if I took him to camera over walking.
24:57I winked to Otto,
24:58so I can wink to him.
25:00Camera, or...
25:02You're done.
25:08What are you doing, Oleg?
25:11The camera shows me that I've grabbed a colleague
25:13who has completely beaten you
25:15and kidnapped a hectare.
25:17I'm talking to him all over the camera.
25:19I'm talking to him all over the place.
25:21There's no sound-up-tagging.
25:32The camera shows me the same.
25:35This is my head.
25:35I've been getting here, Oleg.
25:44What are you doing, Oleg?
25:47What is the camera being done?
25:48Oh, what is the camera doing?
25:50You're not lying, Oleg,
25:51I am laying in the hallway.
25:52It's over, Sam.
25:52I'm lying, I was lying.
25:52This is over, Sam.
25:54I can't see him.
25:59I'm going to find your pistol.
26:01I'm going to throw him in the hole.
26:10Take it in.
26:16Come, come, come, come!
26:24Look at him.
26:26I'm so smart.
26:28Get him!
26:42Get him!
26:43Get him!
26:52Harry!
26:55Harry!
26:57Harry!
26:58No!
27:00Harry!
27:01Come here, Harry.
27:03I'm going to kill him.
27:06I'm going to kill him.
27:12No!
27:20I'm going to kill you.
27:22Hey, Harry!
27:23Come here!
27:24Get in!
27:26Go, go, go!
27:27No!
27:30Oh, God!
27:33I'm coming!
27:34I'm coming!
27:36Oh!
27:43Do you feel it?
27:44Yes.
27:47Do you feel it?
27:49No, it's just a boat.
27:55Fana, I'm following you!
28:03I'm following you!
28:03Okay, let's go.
28:06Stop it for two hours a day.
28:08I'm coming back.
28:49I'm coming back.
28:56I don't know.
29:26I don't know.
29:56I don't know.
30:27There ain't no one ever looking out for me.
30:39Just the sun.
30:44My only shadow are in the wind out among the trees.
31:05I don't know.
31:08I don't know.
31:09I don't know.
31:10I don't know.
31:17I don't know.
31:18I don't know.
31:29I don't know.
31:32I don't know.
31:46I don't know.
31:53I don't know.
32:13Okay.
32:15I don't know.
32:21I don't know.
32:22I don't know.
32:33I don't know.
32:35I don't know.
32:51I don't know.
32:55I don't know.
32:58I don't know.
33:00I don't know.
33:12I don't know.
33:15I don't know.
33:17I don't know.
33:18I don't know.
33:18I don't know.
33:19I don't know.
33:27I don't know.
33:30I don't know.
33:42Okay.
33:57Okay.
33:59I don't know.
34:00Okay.
34:01Okay.
34:02Yes, Eikeland's friend is also in a varetect, but we have stopped him now. He's in good health.
34:10If you say it in a while, then...
34:12How can it be that you have a dash with a promille there?
34:18We've talked a little bit about CFO, but they think that...
34:23...the reports from Hyperlus, plus the reports to Aminov and Ole, will be a lot.
34:33I don't know if you have any trouble, but I don't know if you took Aminov out of the rest.
34:47I'll go here, sjef.
34:58Is it Maya?
34:59Hi, it's Harry Ola.
35:01Wait a minute, I can't tell you.
35:03My phone can be listened.
35:05Yes, I'm sure.
35:08Sorry, I didn't know what I would do.
35:11They had to take my little brother.
35:13Yeah, I thought it would have to be something.
35:17But now you have the chance to do it for you.
35:20I'll give you a thing now that Aftenposten can be accused.
35:26But just, just if it happens with me, or my friends.
35:31Okay?
35:33Okay.
35:36Oh, yeah.
35:37Hvis telefonen dine er avlittet, så vet vi alt det her nå.
35:44Døsthorsaket er jo klar, men...
35:46...eg skjønner ikke helt stikksårene.
35:49Det var vel det hoggjerne?
35:50Ja.
35:52Men dette ligner jo mer som om han har blitt påført etter at han var død.
35:57Altså, som om en kniv har blitt vridt rundt.
36:03Jeg trenger at du gir meg en forklaring.
36:06På at jeg hentet ut Amenover, eller på at jeg brøyt meg inn hos Barli?
36:12Nei, herregud.
36:13Det der løser vi.
36:16Mer...
36:18...ideen.
36:19Hvordan kom det på at det ikke var en klassisk seriemode?
36:27Takk.
36:29Jeg tenker ikke på bevisen.
36:31Jeg tenker på selve...
36:34...ideen.
36:38Visste du at Duke Ellington, han...
36:40...pleide å be pianostemmerne sin om å...
36:44...om å ikke stemme piano helt greint?
36:46Nei.
36:51Sykkelbudmorderen...
36:54...var for godt stemt.
36:57Det føltes riktig, men ikke ekte.
37:05Jeg tok feil, Harry.
37:08Det beklager jeg.
37:10Det jeg egentlig ville si var at...
37:14... jeg kommer ikke til å undertegne de oppsikkelsespapirene dine.
37:18Nei vel?
37:20Du virker ikke overbegeistret.
37:23Har du fått noen andre tilbud?
37:26Nei, to.
37:28Prøv hvem da?
37:30Øystein Eikland.
37:32Han vil at vi skal...
37:33...dele på Kjøredrosja, altså.
37:36Og det andre?
37:40Det falt fra.
37:48Det falt fra.
38:07Det er ingen som har lyst til å...
38:09...tyste på folk i egne rekker.
38:11Skjønner du?
38:12Men du kommer til å rapportere bare til meg.
38:15Det lover jeg.
38:17Ok?
38:18Men det vil jo også bety at når du skriver rapporten...
38:21...og når du snakker med pressen, så...
38:23...så må vi legge lokk på det med...
38:24...med Wåler sin våpen-smøkling.
38:28Jeg forstår at det er mye å be om.
38:30Så det er selvfølgelig helt opp til det.
38:34Skjønner.
38:37Hvis du nå likevel velger å...
38:39...kjøre taxi...
38:40...kan du si noe om...
38:44...WÃ¥ler sa noe?
38:45Om hvem som eventuelt kunne være innblandet?
38:48Nevnt han noen navn?
38:51Noe som vi kan gå på?
38:53Ja.
39:00Godt jobber med Barley.
39:02Det er alltid ektemannen.
39:26Jeg er alltid ektemannen.
39:28Jeg synes jeg trenger til synd.
39:30Hvis denne saken ikke hadde blitt oklart...
39:31...og Lisbeth bare forsvann, så hadde alle trodd noe om det.
39:35For meg ser det som at han forteller...
39:38...at han skal skyte han.
39:40Det er meg.
39:43Samt for det er alltid ektemannen.
39:45Takk.
39:59Takk.
40:00Takk.
40:00Takk.
40:02Takk.
40:03Takk.
40:04Takk.
40:06Takk.
40:10Takk.
40:14Takk.
40:44Takk.
40:46Takk.
40:50Takk.
40:51Han ranet en bank for å skyte kona si.
40:54Vi senesatt hele greia som en...
40:55...farse.
40:56Ja.
40:57Akkurat som Willy Barley.
40:59Så de arrangerte drapene så at vi ble leit etter noe annet.
41:02En seriemoder eller en...
41:05...banker av dem.
41:06Takk.
41:22Nummeret du ringer er ikke lenger i bruk.
41:36Takk.
41:49Takk.
41:51Takk.
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